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LP
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LP 014LP
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A La Mierda Lo Demas (Asesinando El Mito) is the second official album of the Peruvian punk rock n' roll band Leuzemia, edited in 1995, and it was the first comeback to activity after their breakup in 1986. The name of the album is about "disappearing the myth around them." This album by Daniek F (voice and guitar), Raul (Montaña) Montañez (Bass), and Kimba Vilis (drums) is loaded with punk and rock n' roll songs that became true anthems despite not having radio success and the record marked a real milestone in the Peruvian music scene. One of the headlines of the album is "El Asesino De La Ilusion" that symbolized, to a whole generation of Peruvian teenagers, the feeling of rejection of the abuses that occurred during the government of Alberto Fujimori, when human rights were repeatedly violated in Peru. The song is inspired by the events that occurred in the country in that year '95. Another key track is "Al Colegio No Voy Mas" (La Única Escuela Buena Es La Escuela Cerrada) written by Daniel F, who didn't finish secondary school and spent more time at the libraries reading Iggy Pop's essays and listening to Velvet Underground records. LP has the original artwork from the first CD and cassette edition and contains unseen photos and Los Saicos Demolicion cover. Red vinyl; gatefold sleeve.
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CALC 001LP
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Gold colored vinyl version. Cal Comunicaciones/Discos Eternos present a reissue of Los Destellos' self-titled first album, originally released in 1968. Los Destellos created and initiated what is known as Peruvian cumbia. The band mixes tropical music with rock and the use of electric instruments and drums, achieving successes like "El Avipon", "Guajira Sicodelica", or "La Ardillita" (years after recorded by Colombian groups). All cuts are instrumentals that are fused with guitars, heirs of psychedelic rock and native sounds of the Peruvian jungle. With this reissue, a valuable piece of musical archeology is recovered. This musical group was impeccably formed and directed by Enrique Delgado. So that everyone has the opportunity to enjoy, dance, and rejoice with Los Destellos, the incomparable joy of this set has twelve great and momentous dancing rhythms. Very tasty cumbias, danceable melodies, recorded with the highest technique and full of flavor. Los Destellos managed to capture with their self-titled album, true sonic hymns that stand out for their freshness and powerful guitars, with different tropical rhythms like guaracha, guajira, descarga, bolero, and cumbia achieving an untiring source of originality. The authentic ambassadors of the Peruvian cumbia.
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LP
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CAL 001LP
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Cal Comunicaciones/Discos Eternos present a reissue of Los Destellos' self-titled first album, originally released in 1968. Los Destellos created and initiated what is known as Peruvian cumbia. The band mixes tropical music with rock and the use of electric instruments and drums, achieving successes like "El Avipon", "Guajira Sicodelica", or "La Ardillita" (years after recorded by Colombian groups). All cuts are instrumentals that are fused with guitars, heirs of psychedelic rock and native sounds of the Peruvian jungle. With this reissue, a valuable piece of musical archeology is recovered. This musical group was impeccably formed and directed by Enrique Delgado. So that everyone has the opportunity to enjoy, dance, and rejoice with Los Destellos, the incomparable joy of this set has twelve great and momentous dancing rhythms. Very tasty cumbias, danceable melodies, recorded with the highest technique and full of flavor. Los Destellos managed to capture with their self-titled album, true sonic hymns that stand out for their freshness and powerful guitars, with different tropical rhythms like guaracha, guajira, descarga, bolero, and cumbia achieving an untiring source of originality. The authentic ambassadors of the Peruvian cumbia.
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CAL 003LP
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Cal Comunicaciones/Discos Eternos present a reissue of Los Destellos' En Orbita, originally released in 1969. This hundred-percent modern group has invaded the musical environment with many tropical versions that are received with great enthusiasm and applause by all audiences. With En Orbita, Los Destellos mix tropical music with the rhythm of guajiras, paseíto, and the boogaloo sabor, highlighting one of their greatest instrumental successes: "Para Elisa", an original theme by Beethoven, was included in Pedro Almodovar's film The Passenger Lovers. Cumbias with "Cucaracha", "Cumbia Del Desierto", and "Virgencita" continuing on a path that was captivating, experimental, and novel for the time.
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LP
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CALC 003LP
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Silver vinyl version. Cal Comunicaciones/Discos Eternos present a reissue of Los Destellos' En Orbita, originally released in 1969. This hundred-percent modern group has invaded the musical environment with many tropical versions that are received with great enthusiasm and applause by all audiences. With En Orbita, Los Destellos mix tropical music with the rhythm of guajiras, paseíto, and the boogaloo sabor, highlighting one of their greatest instrumental successes: "Para Elisa", an original theme by Beethoven, was included in Pedro Almodovar's film The Passenger Lovers. Cumbias with "Cucaracha", "Cumbia Del Desierto", and "Virgencita" continue on a path that was captivating, experimental, and novel for the time.
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