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FLASHBACK 009
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Issue #9 of Flashback, Winter 2017. Features: Group 1850: Led by the charismatic Peter Sjardin and featuring the brilliant guitarist Dean van Bergen, Group 1850 were one of the most imaginative bands of their era -- but it has taken decades for their legacy to be appreciated. Here their story is told in full for the first time... Jukebox: Reine Fiske of Dungen on 12 tracks that have inspired him... Disc & Music Echo: It may have been less esteemed than some of its rival pop weeklies, but that doesn't mean this paper wasn't packed with priceless information... First Person: The legendary Jeff Dexter takes us on a personal tour of '60s London's counter-culture... Fuchsia: An experimental union between a rock trio and three classical musicians at Exeter University yielded one of the era's most enduring classics... The Love-In Festival: An eyewitness account of this landmark July 1967 event, with the aid of many rare photographs... Blonde On Blonde: This Welsh quartet played many remarkable gigs and made three fine albums, but their story has never been told until now... Nicholas Greenwood: The enigmatic bassist describes life in the Crazy World Of Arthur Brown, the making of his fabled Cold Cuts LP from 1972 (KIS 4046CD), and his stint with prog favorites Khan... Ben: Renowned for having made one of the rarest albums on Vertigo, this jazz-rock quartet give their first ever interview... Sweet Slag: This aggressively unique band combined driving rock, free jazz, and nihilistic lyrics, and give their first interview here... Overseas & Underground: 50 intriguing British albums that weren't released at home, spanning pop, freakbeat, psych, jazz, prog, blues and more... Reviews: Thorough coverage of recent CDs, LPs, and books, taking in household names (The Beatles, Pink Floyd), cult heroes (The Zombies, Margo Guryan, Grapefruit), and ultra-obscurities (The First International Sex Opera Band, Majic Ship)... Crying To Be Heard: The poignant story of John Phillips and his sole album, released in 1969 and missing in action ever since...
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FLASHBACK 008
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Issue #8 of Flashback, Spring 2016. Edited by Richard Morton Jack, Flashback covers overlooked '60s and '70s music in depth, with expert writing, original research, and many rare and previously unseen images. In this issue: The Koobas: This Liverpudlian quartet released numerous 45s; toured with The Beatles; gigged with Jimi Hendrix, The Who, and Pink Floyd; made a fine album in 1968; and became stars in Switzerland -- but success at home proved hard to find. Richard Morton Jack tells their story for the first time. Jukebox: Michael Tanner of The A. Lords and United Bible Studies on 12 tracks that have inspired him. Album by Album: David Hitchcock oversaw classic records for Caravan, Genesis, Camel, and many others. Here he talks Flashback through his productions one by one. Time Out: Starting in August 1968, Time Out quickly became the most important source of information about what London had to offer, musically and otherwise. First Person: Robert Calvert recalls the short and intense career of Catapilla, with contributions from his bandmates Hugh Eaglestone, Brian Hanson, and Ralph Rolinson. Paternoster: Swiftly recorded and only released in their native Austria, Paternoster's sole album is one of the most despairing and enigmatic recordings of its time. Stephan Szillus tells its tale for the first time. The Human Beast: Though this Edinburgh trio disowned their weird, hard-rocking LP, it has gone on to become a firm favorite around the world. Richard Morton Jack speaks to them. George Martin: A long-lost and revealing 1968 interview with The Beatles' producer, conducted by the late J. Marks and exhumed from the pages of Eye magazine. The Evolution of Rock Critics: Aaron Milenski explores the changing tastes of rock critics -- and how they shaped his own tastes as a teenager. Mushroom: These Dublin teens had a big hit in 1973, toured Ireland relentlessly, and made one of the best "Celtic rock" albums of all time. Richard Morton Jack gets their story straight. Tamam Shud: Tamam Shud was one of the first Australian bands to embrace late '60s acid culture. Ian McFarlane tells their story. The Parlour Band: This Jersey quintet made one of the most highly regarded progressive pop albums of the early '70s. Austin Matthews gives their full history. British Private Pressings: Fifty of the best privately released albums from the heyday of British underground music. Reviews: Thorough coverage of recent CDs, LPs, and books, taking in household names (The Beatles, David Bowie, Van Morrison), cult heroes (Captain Beefheart, Procol Harum, Françoise Hardy), and ultra-obscurities (Robbie The Werewolf, Fuchsia, Lucifer). Crying to Be Heard: The enigmatic Day Breaks by John Wonderling, lost since 1973.
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FLASHBACK 007
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Issue #7 of Flashback, Summer 2015. Edited by Richard Morton Jack (co-founder of Sunbeam Records and editor of the Galactic Ramble and Endless Trip books), it features writing from some of the world's leading pop music authorities. In this issue: Vashti Bunyan: In the summer of 1968, Vashti Bunyan set out for the Western Scottish Islands in a horse-drawn wagon. The album she made en route -- and the journey itself -- have become the stuff of legend. Here she tells her story in greater depth than ever before... Jukebox: Wolf People's Dan Davies and Tom Watt on 12 tracks that have inspired them. Album by Album: Dave Green and Trevor Tomkins were perhaps the leading rhythm section in 1960s/'70s British jazz. Here they talk us through several of their classic recordings. Phonograph Record Magazine: The history of this groundbreaking newspaper and its enigmatic founder-editor, the late Martin Robert Cerf. First Person: Bill Evans's late sister-in-law Pat describes the brilliant pianist's unique relationship with her husband Harry. Placebo: The fullest account yet put together of Marc Moulin's pioneering early '70s Belgian jazz-funk outfit. Raw Material: Responsible for two of the most sought-after LPs of the progressive era, this British quintet's story is finally told. Euphoria: Having met on the Sunset Strip in 1964, William D. Lincoln and Hamilton Wesley Watt Jr. conceived one of the more audacious and extravagant albums of the decade. The Beach Boys: A long-overdue reprint of Michael Vosse's eyewitness account of the genius and chaos of Brian Wilson as he toiled on the doomed Smile album. Fuzzy Duck: They were together for less than a year, but Fuzzy Duck made one of the most enduring hard rock albums of their era. Oriental Sunshine: Late '60s Norway was far from pop's cutting edge -- but this sitar-toting trio's sole album is a lost classic. Jimmy Page: A long-lost interview from September 1970, just before the release of Led Zeppelin III, exhumed from the pages of Rock magazine. Van Morrison: Two illuminating articles that appeared shortly after the release of Astral Weeks, and have barely been seen since. Down Underground: Fifty classic antipodean LPs from the heyday of underground rock. Crying to Be Heard: The sole release by Shaun Davey & James Morris, unheard since 1973.
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FLASHBACK 006
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Issue #6 of Flashback, Winter 2014. Edited by Richard Morton Jack (co-founder of Sunbeam Records and editor of the Galactic Ramble and Endless Trip books), it features writing from some of the world's leading pop music authorities. In this issue: Sam Gopal: The full story of the British underground enigma. Despite recording frustratingly little, this groundbreaking Malaysian tabla virtuoso had a powerful impact on London's late '60s underground rock scene. Richard Morton Jack tells his remarkable tale in full for the first time. Jukebox: Cathedral's Lee Dorrian on 12 tracks that have inspired him. Album By Album: The renowned producer and bassist Tony Reeves revisits several of his productions and performances. TeenSet: The story behind this pioneering 1960s American rock magazine. First Person: The reclusive singer-songwriter Bill Fay offers some rare insights into his unique music. Aardvark: At long last, the taxonomy of this elusive British progressive beast. The David: The remarkable tale of these precocious Californian teens. Margo Guryan: A detailed interview with the singer-songwriter behind 1968's wondrous Take a Picture album. James Williamson: An in-depth audience with the legendary Stooges guitarist. Jimmy Page: His fullest ever interview about The Yardbirds, unseen since early 1969. International Albums: Forty intriguing LPs from the furthest reaches of the rock world. Spinal Tap: A rare reprint of Polymer Records' 1984 Smell the Glove press kit. Crying to Be Heard: Dick Hamilton's sole album -- the most enjoyable Dylan imitation of the 1960s. Reviews: Thorough coverage of recent CDs, LPs, and books, taking in household names (Bob Dylan, George Harrison, Small Faces), cult heroes (The Artwoods, Soft Machine, Marc Brierley), and ultra-obscurities (Min Bul, Tickawinda, Hot Knives), with exclusive Q&As about certain items under review.
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FLASHBACK 004
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Issue #4 of Flashback, Winter 2013 issue. Edited by Richard Morton Jack (co-founder of Sunbeam Records and editor of the Galactic Ramble and Endless Trip books), it features writing from some of the world's leading pop music authorities, including Richie Unterberger, David Wells, Patrick Lundborg, and Aaron Milenski. A4 size (with a gloss cover), 212 pages long, and full-color throughout, it's packed with new research, exclusive interviews and rare photos. The cover stars this time 'round are UK folk-rock heroes Trees, and the epic accompanying feature includes interviews with all the band members, as well as numerous associated figures, and is illustrated with much rare and unseen material. Also featured are in-depth articles on Beverley Martyn, U.S. psych rockers Mandrake Memorial, Wilkinson Tri-Cycle, and Fraction, cult UK psych faves July, 50 intriguing albums in the notorious exploito genre, an exploration of proto-punk, and part two of Patrick Lundborg's investigation into mono vs. stereo, as well as a thorough CD, LP, DVD and book reviews section.
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