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2LP
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UR 010LP
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After selling 1000 copies in the first couple of months after its release, and after a slew of critical acclaim, Deathcrash's debut album Return is back. The re-press comes the same year as their second record Less (UR 012LP) received broad support from Pitchfork, Brooklyn Vegan, Line of Best Fit and Loud & Quiet. First and foremost, Deathcrash approached the task of putting together their debut album as music lovers. To all four members, a good album seemed to stamp out periods of their life, capturing a time, a feeling, a mood. This was their approach when trying to make whole two-years-worth of fragmented songwriting. Their songs may differ from each other in certain ways, but they manage to conjure similar feelings. Return captures many of the difficult moments of the last couple years in the band members' personal lives and yet, as a whole its complexity emerges as a beautiful and hopeful message. Amongst other things, writing the album was a cathartic process for the band, and so it can be for the listener too. The first parts of Return came from quite a dark and jaded place. To get better can be a path marred by self-sabotage and a desire to hide. It can be easier to have no faith in something new, and rely on the comfort of an old feeling, even if it hurts. There is a reassurance in pain, a familiarity in its narrative. Return asks when things heal, where does the wound go? Deathcrash recorded Return with their close friend and producer Ric James, who they've worked with since their early recordings. The album was recorded live, with an emphasis on dynamics, bringing together tense intimacy with atmospheric vastness.
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LP
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UR 013LP
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Martha and Jessica Kilpatrick (aka Waterbaby) had a creative upbringing in South London -- spending their days singing in Southwark Cathedral Choir or experimenting with recording ideas onto cassette tapes, such as trying to make their out-of-tune family piano and a flute sound like an electric guitar. Eventually settling together in an attic flat in Peckham, the sisters became quiet, mystical forces in the underground London scene, emerging in and out of the sanctuary of their studio to perform their hypnotic live show with artists as varied as Kedr Livansky, James K, TAAHLIAH, and Dorian Electra. The sisters' insular and feminine sonic world showcases inventive song structures backed by dizzying layers of production -- all crafted on their stash of lost and found analogue gear in their South East London studio, squashed between Hyperdub's headquarters and a mechanic's garage. In a world where the analogue and the digital seem to be in constant headlock, Waterbaby effortlessly solve the equation -- operating in a space where Cocteau Twins-esque anachronism meets the sharper edge of contemporary experimental electronica.
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LP
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UR 012LP
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London slowcore band deathcrash have today announced their new album Less via untitled (recs). Recorded at the UK's most remote studio in the Outer Hebrides, Less follows their critically acclaimed 2022 album, Return, with a statement in reduction that turns out to be as powerful and potent as it is tender and introspective. "The mission statement was to be super minimal," says deathcrash singer Tiernan Banks. "Just simple and beautiful guitar parts and to be really bare. To be...less." Swiftly following Return, the band initially had no plans to make a full length. "The last thing we felt like doing was making another album," says bassist Patrick Fitzgerald. "It was like, 'let's do this little EP that's aesthetically quite different and pared down'." Less was always planned to be a statement in reduction but it soon became apparent that the songs the band were writing were significant, personal and, despite the intentions to strip things back, bigger. "As time went on, we started putting much more emotional weight into it and it became more important to us," says Banks. The result is a record that is as powerful and potent as it is tender and introspective, with arrangements that manage to feel refined yet detailed and with a deep emotional resonance at the core of the record. Banks's voice shifts from hushed whispers to guttural screams, one minute tapping into the kind of fragile beauty that artists like Elliott Smith managed so well, on tracks such as "Duffy's" before unleashing a doom metal growl in thundering unison with the band on "Empty Heavy".
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LP
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UR 012GRE-LP
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LP version. Green vinyl. Includes three-page concertina booklet. London slowcore band deathcrash have today announced their new album Less via untitled (recs). Recorded at the UK's most remote studio in the Outer Hebrides, Less follows their critically acclaimed 2022 album, Return, with a statement in reduction that turns out to be as powerful and potent as it is tender and introspective. "The mission statement was to be super minimal," says deathcrash singer Tiernan Banks. "Just simple and beautiful guitar parts and to be really bare. To be...less." Swiftly following Return, the band initially had no plans to make a full length. "The last thing we felt like doing was making another album," says bassist Patrick Fitzgerald. "It was like, 'let's do this little EP that's aesthetically quite different and pared down'." Less was always planned to be a statement in reduction but it soon became apparent that the songs the band were writing were significant, personal and, despite the intentions to strip things back, bigger. "As time went on, we started putting much more emotional weight into it and it became more important to us," says Banks. The result is a record that is as powerful and potent as it is tender and introspective, with arrangements that manage to feel refined yet detailed and with a deep emotional resonance at the core of the record. Banks's voice shifts from hushed whispers to guttural screams, one minute tapping into the kind of fragile beauty that artists like Elliott Smith managed so well, on tracks such as "Duffy's" before unleashing a doom metal growl in thundering unison with the band on "Empty Heavy".
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LP
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UR 003BLUE-LP
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Fleck E.S.C. (electro space cookie) is a French-born, Tokyo-based producer who's released on CPU and received praise from the likes of Jensen Interceptor, Dave Clarke, Laurent Garnier, and Helena Hauff. This record takes cues from several sci-fi soundtracks, and taps into Fleck's wider thoughts on cinema. After having studied film and worked in movie production for several years, he believes that movies need to be a kind of fairy tale -- usually a poisonous one. Likewise, Shelters delivers a capacious blend of textures -- at times delicate and expansive (e.g. "Shelters", "Skins & Scales"), at others assertive and grinding (e.g. "KVFM", "Roundup"). Together, this strikes a balance between deep club cuts and listening session tracks. Mastered by Aphex Twin-collaborator Beau Thomas. Blue vinyl.
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