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ARTIST
TITLE
Rose Tinted Vision Implant
FORMAT
2LP

LABEL
CATALOG #
GOB 027LP GOB 027LP
GENRE
RELEASE DATE
5/18/2018

Rose Tinted Vision Implant sees the Bath-based producer Odeko creating a cutting edge sonic world inspired by "speculative fiction, time/reality shifting stories and dystopian shit." The entire record is structured around, and expands upon his passion for the "future," underpinning the music via an underlining narrative. Rose Tinted Vision Implant starts with "The User" (aka the listener/protagonist depending on your perspective) of the "Optic.Rose" going through the process of getting an implant is made by a mega corporation. Sonically you're there to observe. It opens with a precursory scan ("Anomaly Detection") and moves onto installation ("OpticRose_0_1_Installation") through to a battery change and a recalibration. From this point, the "presence" begins to take over the implant and the tracks verge into a more cerebral range. Odeko notes: "it's a bit of a satire on corporate brands pushing these great products that everyone is obsessed but that are detrimental to both the world, and how we perceive reality. Our relationship with social media and tech could go down a dangerous path if we lose sight of things. I'm going quite far here for the sake of the concept, but things like VR, AR, the want for body tech, mixed with our desire to be connected, emotionally, digitally, physically, wirelessly could lead us to a world where everyone has implants, or some kind of tech built into them." Sonically Rose Tinted Vision Implant is a record that explores a post-IDM, post-grime, post-ambient, post-glitch, post-retro-house, post-instrumental grime take on electronic music. "Boîte Diabolique" features Tom E. Vercetti.