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HF 004LTD-CD
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After releasing their debut album Crooks & Lovers in 2010 to huge critical acclaim and racking up numerous end of year lists including the shortlist for The Guardian's (UK) First Album Award, plus sell-out tours in North America, Australia and Europe, London duo Mount Kimbie announce the news of their next EP, Carbonated. This EP follows the release of the Blind Night Errand EP and will be the final release from the album. "Carbonated," the lead track on the EP, is joined by two previously-unreleased tracks, the buoyant effervescence of "Flux" and "Bave's Chords., which showcase the lush, elegant percussive sound Mount Kimbie have become known for. "Bave's Chords" was recorded around their early EP Maybes and "Flux" was created during the album recordings. Airhead, who's shortly releasing his own album on Brainmath and is a member of James Blake's live band, subtly twists "Carbonated" with his remix, while Belgian producer & DJ Peter Van Hoesen creates a six-minute dark techno rework for the dancefloor. "Adriatic," also from Crooks & Lovers, is transformed completely by Klaus with his style of detailed production hitting the mark once more. Crooks & Lovers defined.
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HF 004CD
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Adding a percussive and experimental edge to the current class of post-dubstep pioneers, Mount Kimbie, the duo of Dominic Maker and Kai Campos -- release their highly anticipated debut album Crooks & Lovers on Hotflush. Mount Kimbie's first two EPs -- Maybes and Sketch On Glass -- seemed like explorations of spaces so private that all within earshot were instantly turned into voyeurs. The experience was less like listening to music and more like eavesdropping on the machinations of a lone mind -- albeit a lone mind surrounded by and retreating from millions of other minds. Difficult to categorize, the lush EPs caused a commotion with "Sketch On Glass" undergoing reworks from the likes of Falty DL, SCB (Scuba's darker techno alias) and their sometime collaborator James Blake. With their own remixes (Foals and The xx) becoming hot property, Mount Kimbie have been a core part of the growing scene in London often associated with labels like Hyperdub and Hessle Audio. Dom and Kai met while at Southbank University, pushed together in a student hall that was previously a mental asylum -- where the ceilings were still ridiculously high to stop patients hanging themselves: "a cold, joyless, concrete building -- the sort of building where you'd drop a pen and the sound would just go on and on in an echo." Armed with found sound snips and a siege mentality, Kai and Dom set about turning London's ambience into rhythm, its chaos into coherence. Traces of influence remain -- the hard-earned spaces of Burial and The Bug vie with the berserk melodrama of Xiu Xiu and Grouper's sad-eyed glow, D'Angelo's pervert soul gets cleansed in the intimacy of Phil Elvrum's Microphones, Angelo Badalamenti's swollen Twin Peaks atmospheres find a cradle in Madlib's lax lope. The band's sound and response to the dubstep moment is very much their own. Sceneless and untethered from etiquette and genre codes, Crooks & Lovers floats through dubstep and hip-hop, jazz, techno and ambient, post-rock, UK garage and film scores to startling effect.
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