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IN STOCK
01. PIETRO GROSSI - PG 4 (1965)
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02. PIETRO GROSSI - SP (1965)
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03. PIETRO GROSSI - OM (1966)
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04. PIETRO GROSSI - Modulazioni Per Michelangelo (1965)
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05. Riccardo Andreoni - Studio Sugli Impulsi
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06. Albert Mayr - Proposta Sonora VIII
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07. Aurelio Peruzzi - Studio 1 (1967)
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08. SMET - EL 25 (1966)
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09. NPS - Interferenze 2 (1967)
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01. PIETRO GROSSI - A - Create [A]
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02. PIETRO GROSSI - B - Sound Life 24
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03. PIETRO GROSSI - C - Fuga XII
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04. PIETRO GROSSI - A - Sound Life 11
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05. PIETRO GROSSI - C - Silencio
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06. PIETRO GROSSI - B - Sound Life 17
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07. PIETRO GROSSI - C - Fuga XII Inversa
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08. PIETRO GROSSI - A - Arte Della Fuga Elaborata
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09. PIETRO GROSSI - B - Combinatoria - 1970
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10. PIETRO GROSSI - B - Monodia - 1970
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11. PIETRO GROSSI - A - Create
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12. PIETRO GROSSI - C - Silenzio
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13. PIETRO GROSSI - B - Sound Life 25
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14. PIETRO GROSSI - C - Fuga Xiii
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15. PIETRO GROSSI - A - Sound Life 11
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16. PIETRO GROSSI - C - Fuga Xiii Inv
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17. PIETRO GROSSI - B - Sound Life 27
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18. PIETRO GROSSI - A - Arte Della Fuga Elaborata
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19. PIETRO GROSSI - B - Sound Life 42
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20. PIETRO GROSSI - B - Create
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21. PIETRO GROSSI - B - Variazioni Su Scarlatti Sonata 119
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22. PIETRO GROSSI - A - Sound Life 11
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ARTIST
GROSSI, PIETRO
TITLE
Combinatoria
FORMAT
2CD BOX
LABEL
DIE SCHACHTEL
CATALOG #
DS 020CD
DS 020CD
GENRE
EXPERIMENTAL
RELEASE DATE
7/6/2010
A comprehensive guide to the core recordings of one of the most visionary and inspiring, subversive and radical musicians from Italy, this 2CD box deluxe edition captures
Pietro Grossi
's original vision, presenting a wide selection of his studio early recordings, beautifully remastered to preserve the enduring quality. Pietro Grossi used to playfully define himself as
pigro
(trans. "lazy"), but he wasn't lazy at all! Few musicians have been working everyday at such a cracking pace, creating, teaching and writing -- and when we listen to his music, we should bear in mind how this complex figure of musician, cellist and composer, and also visual artist, has developed creative thinking in a path where a blend of very different aspects organically cohabited. Since the late '50s, Grossi was convinced of the potential of the "new sound" and was totally obsessed with pioneering it, to the point where he would found the S 2F M (Studio di Fonologia Musicale di Firenze) in 1963 -- which made its headquarters in Florence at the Conservatorio, and then in his apartment -- spending days and nights on end splicing tapes and working with various modified machines to create his abstract soundscapes. The two CDs feature his first analogical electronic music, as well as some S 2F M studio works by colleagues such as
Vittorio Gelmetti
,
Gruppo NPS
(with
Teresa Rampazzi
) and
Albert Mayr
, while the second disc is focused on the prototype computer-generated sound synthesis.
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