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Artist	Title	Format	Label	Catalog #
LUNADON, DION	Dion Lunadon	LP	AGITATED RECORDS	AGIT 044LP
$34.00 PREORDER RELEASE DATE: 6/19/2026 "2026 vinyl repress of Dion Lunadon's (of A Place To Bury Strangers/The D4) debut solo album, on Agitated Records. The album was recorded over a three-month period in Brooklyn, NY and features Robi Gonzalez (APTBS) on drums and Blaze Bateh from Bambara on select tracks including 'Fire'. 'With 'Fire' I wanted wild and heavy guitars with heavy sentiment in the first vocal line to match. Something that grabs you and demands attention. Not background music.' Lunadon explains of the track. The album also features mixing by Chris Woodhouse (Mayyors, Ty Segall, The Intelligence, Thee Oh Sees) on select tracks including 'Com/Broke'. From cutting his teeth back home in New Zealand as a member of The D4 to his current role as bassist of Brooklyn-based A Place to Bury Strangers, Dion Lunadon has played in some form of a rock and roll band his entire life. During a short break in touring with APTBS, Lunadon had a rush of inspiration in the form of a Dion Lunadon creative spasm -- a neurotic impulse to make a batch of songs and do it right then and right there. What resulted is quite a jump away from his work in APTBS and draws more influence from bands like Toy Love and The Gun Club, as well as New Zealand unknowns such as Gestalt and Supercar."

Artist	Title	Format	Label	Catalog #
EARTH-O-NAUT	This Is Nowhere. This Is Everywhere.	LP	AGOGO RECORDS	AR 191LP
$28.00 PREORDER RELEASE DATE: 6/19/2026 Earth-o-Naut is a songwriter, drummer, musician and producer. He was born in Liverpool and raised in one of its satellite towns, Skelmersdale. He was raised by his mum and uncles on music from every genre, falling in love, amazement and awe with the groove and the craft of songwriting. Nothing has changed to this day. Songwriting has also always been a constant. That quest to create something original and use the songwriting process as some form of catharsis. Learning guitar and piano was the next logical step, to help with the creation of new ideas into new songs. A lot of time was spent playing drumming gigs and then taking his own songs on the road, solo with just an acoustic guitar, learning the ropes and serving his apprenticeship. Great songwriters The Beatles, Curtis Mayfield, Bill Withers, Neil Finn, and many others inspire Earth-o-Naut to this day. Earth-o-naut has worked hard for many years on his studio chops and is the writer, arranger, recording engineer, mix engineer and producer on all of his own material, and he also works with other artists as a producer. Earth-o-Naut's debut album, This Is Nowhere. This Is Everywhere. is presented on Agogo Records. The debut album features UK drumming legend, Steve White, and also the vocals of Amalia Estradas and Suzanne Maddock.

Artist	Title	Format	Label	Catalog #
PAGANOTTO, INDIRA	Arte Como Amante	LP	ARTCORE RECORDS	ARTALB 001LP
$44.50 PREORDER RELEASE DATE: 6/19/2026 Globally adored Spanish techno protagonist Indira Paganotto presents her debut album Arte Como Amante via ARTCORE/[PIAS]Électronique. It brings together thirteen fearless tracks that stretch way beyond any one genre. It's high-pressure, high-energy, and deeply personal. A full-spectrum dive into the world of one of electronic music's most dynamic artists. Her label ARTCORE The title Arte Como Amante means "art as a lover." For Indira, that's not just a phrase. It's her life. This album has been 14 years in the making. It began in Madrid in 2012, when she was 19, and was completed in 2024. She waited for the right moment. She lived life. She collected experiences. She built the sound. "I know to take 14 years to make an album seems crazy," she says, "but without living those experiences, how could I have made the music about them?" The result is a diverse, adrenaline-fueled body of work that hits hard and moves deep.

Artist	Title	Format	Label	Catalog #
LINDBERG, STAFFAN	Reveillon	12"	STUDIO BARNHUS	BARN 130EP
$20.50 PREORDER RELEASE DATE: 6/19/2026 Staffan Lindberg's Revéillon EP links Rio baile funk, São Paulo club mutations and Stockholm electronic craft. Made with Brazilian MCs Maromba and G7, it grew from Instagram DMs, nights at Pedra do Sal, Copacabana on New Year's Eve and a shared taste for whisky, Red Bull and pick-and-mix.

Artist	Title	Format	Label	Catalog #
BERMAN TRIO, JOSH	Everybody Else's Life, Too	CD	CORBETT VS. DEMPSEY	CVSD 128CD
$13.50 PREORDER RELEASE DATE: 6/19/2026 Were you to tap the lifeblood of Chicago music, you would find Josh Berman flowing liberally through its veins. Active on the scene for more than a quarter century, the cornetist, bandleader, and composer has helped retain the unique flavor of the city's soundscape, with particular attention to the music of its jazz past -- groups like the Austin High Gang and the Oliver-Armstrong lineage and Freddie Keppard, as well as more recent figures from Lester Bowie to Wadada Leo Smith. But Berman is more inter-stylistic synthesist than moldy fig, a fact nowhere better demonstrated than in his powerhouse trio. On Everybody Else's Life, Too, the group's second record, Berman has found the perfect percussionist for his compact-yet-expansive compositions. Chris Corsano, who plays in a staggering array of contexts from voluble free jazz to timbral sonic experiments, is in turn ideally complemented by Jason Roebke's bass playing, which is equally adept in all areas melodic, swingful, and textural alike. A sharp studio recording captures the rapport and playfulness, as well as the adventure, inherent in the threesome's dynamic interaction.

Artist	Title	Format	Label	Catalog #
PURE MOTORISED INSTINCT	At Last I'm Leaving the Earth	CD	DARK ENTRIES	DE 357CD
$16.00 PREORDER RELEASE DATE: 6/19/2026 "Pure Motorised Instinct drives over to Dark Entries with At Last I'm Leaving the Earth, an LP of industrial-tinged ambient and new age. When legendary industrial outfit Nagamatzu went dormant in 1991, band member Stephen Jarvis moved forward with Pure Motorised Instinct, a name he pulled from a line in George Romero's Dawn of the Dead. Throughout two cassette albums -- 1991's Between Intimacy and Elsewhere, and 1993's Everything Is True -- Jarvis pushed the Nagamatzu spirit in new directions. At Last I'm Leaving the Earth collects nine tracks from this era, which are appearing on vinyl for the first time, along with three additional tracks. The material here sits between the brooding and the optimistic, the claustrophobic and the soporific. Jarvis's digital synths are pushed so far into tape-scuffed terrain that they talk and squawk analog-like, scurrying with vibrant curiosity. The late-night vibes peak on pieces like 'Vincent V,' with its reverb-drenched digital drum machines, or 'Geek,' which taps into a wide-eyed proto-vaporwave zone. At Last I'm Leaving the Earth is Black Lodge ambient for the empty set."

Artist	Title	Format	Label	Catalog #
POLLARD, ROBERT	Eat 22	MAG	GBV INC	EAT 022BK
$24.00 PREORDER RELEASE DATE: 6/19/2026 "Volume 22 of Robert Pollard's collage work, 237 pages in full color."

Artist	Title	Format	Label	Catalog #
LA POLLA RECORDS	Donde Se Habla	LP	ELKAR	ELK 165LP
$27.00 PREORDER RELEASE DATE: 6/19/2026 This album, recorded in 1988 at Elkar Studios in Lasarte, is a happy accident, like much of La Polla Records' early output, by Jean Phocas (who also worked with other bands of the genre such as Cicatriz) and César Ibarretxe. It was lovingly designed, with a medieval atmosphere for the cover (by Txefo, Joseba Olalde and Txarly) featuring a huge scroll containing five tarot cards, a back cover in the same style with heraldic figures, and a meticulous presentation of the lyrics with separate spellings for each song, on a double sheet with photos of piglets suckling from their mother on one side and various images on the other. With animals as the common thread for the songs, it represents the confirmation that the concept album had arrived on the national punk scene. Perhaps a work of maturity, the band's traditional objectives disappear from the lyrics, and although there is still room for specific protests and chronicles of nights of alcohol and violence (such as those of La Rata), the emphasis is on reveling in the description of all kinds of personal, psychotic and hallucinatory hells. Evaristo confessed to being influenced by Umberto Eco's book The Name of the Rose (1980) in the making of this work. Far from indicating any departure from the foundations laid in previous works, it shows that the spectrum of the anti-establishment struggle the group was committed to was broad. A very complete album.

Artist	Title	Format	Label	Catalog #
LA POLLA RECORDS	Bajo Presion	LP	ELKAR	ELK 249LP
$27.00 PREORDER RELEASE DATE: 6/19/2026 According to the court ruling in the lawsuit brought against the band, allegedly by a former technician, this album should have been released under a different name for the group. Perhaps as a provocative nod, the individual who appears on the cover wearing a nut as an oppressive turban is struck on the back cover by the hammers of Justice and the Law. However, the group ignores this and continues to sign as it has been doing since 1983. The musical arrangements are more powerful, with the guitars taking precedence over the rest much more than before. The drums are also more present. The soundscape takes center stage, even over the lyrics. The opening track, "Monopoly," is representative of this, with its fast-paced rhythm provided by galloping guitars. Originally released in 1994, it is surprising how, almost ten years after their debut, La Polla Records were still capable of making albums of such intensity.

Artist	Title	Format	Label	Catalog #
MANTECAS, THE	Yes or No	LP	GROSSO! RECORDINGS	GR 040LP
$28.50 PREORDER RELEASE DATE: 6/19/2026 The Mantecas represent one of the finest concentrations of experience and talent in Latin and jazz music ever to be based in the UK. A pure uplifting Latin jazz music celebration. Limited edition 250 copies: not-to-be-missed! Recorded at different locations in London during 2025/26. On their fabulous fourth album, The Mantecas (formerly Manteca) have moved the needle all the way in the direction of Latin jazz (or jazz latino). In their early years, the London-based eight-piece played a mix of salsa, Cuban timba, boogaloo, Latin funk and descarga (jazzy, improvised Latin jam session), with plenty of vocals, strictly geared for the dance floor. Along the way, the jazz-descarga aspect emerged as a stronger force, though all sorts of other ingredients, from afrobeat to Afro-Cuban, cumbia to samba, ebbed and flowed throughout. Although there's nothing new with the concept of doing an album of instrumental Latin tracks in a jazz mode that's still dance-friendly (Machito, Sabú Martínez, Tito Puente, and Tito Rodríguez all waxed jazz latino albums like that long ago), what's new here is The Mantecas' very fresh and confident interpretation of the idiom. And while they share something in common with the accessible, danceable Latinized soul jazz of someone like Mongo Santamaría or Willie Bobo, as well as the Afro-Cubop roots of Chano Pozo, they also bring to mind the more jazz-oriented improvisational legacy of Pozo's amigo Dizzy Gillespie, which is reflected in The Mantecas' explorations of a handful of 20th Century modern jazz giants as they rework timeless classics by John Coltrane, Miles Davis, Oliver Nelson, and Wayne Shorter. For this release, all seven tracks are essentially Latin renditions of jazz standards or are Latin jazz originals. There's a mix of jazz and Latin rhythmic structures, instrumentation, arranging, and sensibilities at play, and it's a very natural sounding mélange. Like their previous albums, some of the tunes feature a club-ready blend of hot and cool, in a Latinized British acid jazz/soul jazz way.

Artist	Title	Format	Label	Catalog #
JK FLESH/MONRELLA	Shouting The Odds	CD	GIVE/TAKE	GT 078CD
$17.50 PREORDER RELEASE DATE: 6/19/2026 Justin K Broadrick (Godflesh) and Mick Harris (Napalm Death) drop militant, hard techno on this split LP. This new album doubles the track count (and runtime) of the duo's last collab. The stalwart Birmingham have connected again as JK Flesh and Monrella to deliver the warehouse- destroying hard techno album Shouting The Odds, five years after their last EP, See Red. Featuring four tracks from each artist, Shouting The Odds invokes both the feeling of listening to late night pirate radio and sweating in a darkened warehouse as the rafters shake, complete with the perfect amount of analog wow and flutter. Brimming with gnarled, unrelenting kicks hovering between 130-140bpm, the split format deftly showcases both artist's individual strengths, while displaying undeniable commonality. Broadrick's side leans traditional hard techno, filled with mesmerizing, minimal synth arpeggios and contrasting toplines, all aligned and maligned by shrewd transitions. Harris' section presents more experimental and house influences, using bright, distorted synth hits and a touch of forlorn melody. The tracks take on a life of their own through expert use of filters and just the right amount of delay, stutter, and glitch. Never before has an album filled with such shining, shimmering synths been so black and threatening. JK Flesh and Monrella have hard techno down to a science.

Artist	Title	Format	Label	Catalog #
JK FLESH/MONRELLA	Shouting The Odds	LP	GIVE/TAKE	GT 078LP
$35.00 PREORDER RELEASE DATE: 6/19/2026 LP version. Justin K Broadrick (Godflesh) and Mick Harris (Napalm Death) drop militant, hard techno on this split LP. This new album doubles the track count (and runtime) of the duo's last collab. The stalwart Birmingham have connected again as JK Flesh and Monrella to deliver the warehouse- destroying hard techno album Shouting The Odds, five years after their last EP, See Red. Featuring four tracks from each artist, Shouting The Odds invokes both the feeling of listening to late night pirate radio and sweating in a darkened warehouse as the rafters shake, complete with the perfect amount of analog wow and flutter. Brimming with gnarled, unrelenting kicks hovering between 130-140bpm, the split format deftly showcases both artist's individual strengths, while displaying undeniable commonality. Broadrick's side leans traditional hard techno, filled with mesmerizing, minimal synth arpeggios and contrasting toplines, all aligned and maligned by shrewd transitions. Harris' section presents more experimental and house influences, using bright, distorted synth hits and a touch of forlorn melody. The tracks take on a life of their own through expert use of filters and just the right amount of delay, stutter, and glitch. Never before has an album filled with such shining, shimmering synths been so black and threatening. JK Flesh and Monrella have hard techno down to a science.

Artist	Title	Format	Label	Catalog #
2ND COMING, THE	Evaluations	CD	GUERSSEN RECORDS	GUESS 081CD
$16.50 PREORDER RELEASE DATE: 6/19/2026 The story of The 2nd Coming begins in the late 1960s, when psychedelic music was sweeping across America. While California became the epicenter, a parallel scene was quietly exploding in Florida -- fueled by young musicians inspired by the British Invasion and artists like Hendrix and Cream, yet searching for a heavier, more original sound. In Sarasota and Bradenton, a tight-knit group of players gathered around a small venue called Club Toro. Among them were Larry Reinhardt, Reese Wynans, Richard "Hombre" Price, Berry Oakley, and Dickey Betts -- musicians who would soon help shape what the world would later call Southern rock. What started as cover bands quickly evolved into something louder and more experimental. Out of this scene came two interconnected bands: The Load and The Second Coming (featuring Dickey Betts and Berry Oakley). By 1968, both groups had relocated to Jacksonville, Florida, sharing houses, stages, and an emerging musical vision. Their live shows -- especially at legendary local spots like the Forrest Inn -- became marathon jam sessions, drawing crowds of up to 2,000 people and attracting players like Duane Allman, Butch Trucks, and Jaimoe. These collaborations would ultimately lead to the formation of The Allman Brothers Band, while the remaining members continued forging their own path -- raw, heavy, and deeply rooted in blues, psychedelia, and improvisation. In April 1969, a new, revamped line-up of the Second Coming -- rechristened as The 2nd Coming -- and featuring Larry Reinhardt (guitar), Reese Wynans (organ), Richard "Hombre" Price (bass) plus two drummers (Monty Young and John Meeks), entered Sound Laboratory in Jacksonville to record what would become the Evaluations album. But when the band couldn't pay the $6,000 studio bill, the album was shelved. A failed trip to New York to secure a deal sealed its fate, and the band soon dissolved. The master tapes were left behind -- lost and forgotten for decades. The legend might have ended there -- until the late 1990s, when the original master tape was rediscovered in a storage archive. Purchased by the former band members, the recordings were finally back in their rightful hands. After years of remaining unheard, the project has now been fully restored and released in collaboration with Guerssen Records, bringing this powerful, long-lost recording to light for the very first time. Sourced from the original masters, featuring artwork in silver foil by artist Fez Moreno. Includes insert with liner notes by original member Richard 'Hombre' Price. Includes download card.

Artist	Title	Format	Label	Catalog #
VA	Fifth Pipe Dream, Vol. 1	LP	GUERSSEN RECORDS	GUESS 262LP
$31.50 PREORDER RELEASE DATE: 6/19/2026 Pioneering compilation/concept album from 1968 featuring key psychedelic bands from San Francisco. A real fest of fuzzed-out psychedelia , garage and folk-rock. Conceived by legendary (and controversial) producer Matthew Katz, Fifth Pipe Dream Volume I is a groundbreaking psychedelic album from 1968 that blurs the line between compilation and concept record. Featuring a rotating cast of Katz's San Francisco Sound artists, it encapsulates the creativity and experimental spirit of the Bay Area at its lysergic peak. Rather than a traditional various-artists compilation, Fifth Pipe Dream was designed as a unified listening experience -- multiple bands contributing to a single, flowing psychedelic journey. At a time when this format was virtually unheard of, Katz assembled a genre-defying release that still feels ahead of its time. The album brings together key underground acts from the late '60s psychedelic scene from San Francisco. The album moves seamlessly across styles while maintaining a cohesive, trippy atmosphere. Released in November 1968 under Katz's San Francisco Sound imprint, the album reflects both the creative explosion -- and the business controversies -- of the era. Katz famously controlled band names and recordings, leading to miscredited tracks and ongoing legal disputes with artists like Moby Grape and Jefferson Airplane. Despite (or because of) this, Fifth Pipe Dream stands as a fascinating snapshot of a scene in flux -- where artistic ambition, experimentation, and industry tensions collided. Though no follow-up volume ever appeared, Fifth Pipe Dream remains a cult cornerstone of the original San Francisco psychedelic era. Carefully remastered sound. Original artwork in gatefold sleeve. Four-panel color insert with detailed liner notes and photos/memorabilia. Featuring It's A Beautiful Day, San Francisco Sound House Band, Tripsichord Music Box, West Coast Natural Gas, and Black Swan.

Artist	Title	Format	Label	Catalog #
DAVE	Whatever Happened to...(2026 Mix Expanded)	2LP	GUERSSEN RECORDS	GUESS 263LP
$42.00 PREORDER RELEASE DATE: 6/19/2026 Whatever Happened To...? by Dave (a duo comprised of Peter Harknett and Russell Elliott) has become one of the most elusive and sought-after modern psychedelic records among collectors of DIY and late-'60s-inspired psychedelia. Recorded in a converted garage studio in North London by two vinyl-obsessed friends operating under complete anonymity, the album offers a rare balance of lo-fi intimacy, homemade experimentation and authentic psychedelic vibe. Deeply inspired by psychedelia, folk-rock and krautrock (think Pretty Things, S.F.Sorrow, Barret-era Floyd, Gene Clark, Popol Vuh, Hawkwind, Koobas), the record feels less like a retro revival and more like a lost private press artifact from another era. Dreamy vocals, fuzzed out guitars, effects, long tracks, stoned vibe -- It will appeal equally to fans of '60s-'70s psychedelia, '90s shoegaze and bands like Spacemen 3/Flying Saucer Attack. The original album was mixed live by four hands straight from the mix desk without any studio gadgets. It was subsequently pressed in a homemade edition of 50 copies with help from Brian Carroll (cutting engineer at I.B.C. Studios: Factory, Five Day Rain, etc) but without Peter Harknett's (one half of Dave) knowledge / involvement. The cover featured Peter's neighbor Dave on the front. On the back, they included a blurry photo of their Italian friend Marco (from Rock Bottom Records), who used to buy and trade original psych albums from Russell and Peter. The original pressing of the album suffered from excessive duration on each side, affecting the sound quality. This has been fixed for our new reissue, expanding it to a double LP including two previously unreleased tracks from the album sessions. Also, all the tracks have been newly and carefully mixed from the original multi-track tapes by Peter Harknett, sounding better than ever. Featuring extensive liner notes and reflections from co-creator Pete Harknett, this long-overdue reissue finally brings the album beyond collector lore and into the wider psychedelic canon. Includes insert with liner notes by Klemen Breznikar (It's Psychedelic Baby) and photos. Features two previously unreleased bonus tracks from the original album sessions, as well as download card with the full 2LP plus one digital only bonus track.

Artist	Title	Format	Label	Catalog #
2ND COMING, THE	Evaluations	LP	GUERSSEN RECORDS	GUESS 275LP
$31.50 PREORDER RELEASE DATE: 6/19/2026 LP version. The story of The 2nd Coming begins in the late 1960s, when psychedelic music was sweeping across America. While California became the epicenter, a parallel scene was quietly exploding in Florida -- fueled by young musicians inspired by the British Invasion and artists like Hendrix and Cream, yet searching for a heavier, more original sound. In Sarasota and Bradenton, a tight-knit group of players gathered around a small venue called Club Toro. Among them were Larry Reinhardt, Reese Wynans, Richard "Hombre" Price, Berry Oakley, and Dickey Betts -- musicians who would soon help shape what the world would later call Southern rock. What started as cover bands quickly evolved into something louder and more experimental. Out of this scene came two interconnected bands: The Load and The Second Coming (featuring Dickey Betts and Berry Oakley). By 1968, both groups had relocated to Jacksonville, Florida, sharing houses, stages, and an emerging musical vision. Their live shows -- especially at legendary local spots like the Forrest Inn -- became marathon jam sessions, drawing crowds of up to 2,000 people and attracting players like Duane Allman, Butch Trucks, and Jaimoe. These collaborations would ultimately lead to the formation of The Allman Brothers Band, while the remaining members continued forging their own path -- raw, heavy, and deeply rooted in blues, psychedelia, and improvisation. In April 1969, a new, revamped line-up of the Second Coming -- rechristened as The 2nd Coming -- and featuring Larry Reinhardt (guitar), Reese Wynans (organ), Richard "Hombre" Price (bass) plus two drummers (Monty Young and John Meeks), entered Sound Laboratory in Jacksonville to record what would become the Evaluations album. But when the band couldn't pay the $6,000 studio bill, the album was shelved. A failed trip to New York to secure a deal sealed its fate, and the band soon dissolved. The master tapes were left behind -- lost and forgotten for decades. The legend might have ended there -- until the late 1990s, when the original master tape was rediscovered in a storage archive. Purchased by the former band members, the recordings were finally back in their rightful hands. After years of remaining unheard, the project has now been fully restored and released in collaboration with Guerssen Records, bringing this powerful, long-lost recording to light for the very first time. Sourced from the original masters, featuring artwork in silver foil by artist Fez Moreno. Includes insert with liner notes by original member Richard 'Hombre' Price. Includes download card.

Artist	Title	Format	Label	Catalog #
WRITING ON THE WALL	The Power of The Picts	LP	GUERSSEN RECORDS	GUESS 276LP
$31.50 PREORDER RELEASE DATE: 6/19/2026 Formed in Edinburgh in 1966 as The Jury, Writing On The Wall evolved from a fierce soul-based live act into one of the most powerful and theatrical hard psychedelic rock bands to emerge from the UK underground. Inspired first by American soul and R&B and later transformed by exposure to West Coast psychedelia through artists like Love and The Doors, the band developed a unique sound combining heavy organ-driven psych, proto-progressive experimentation, hard rock aggression and dramatic stagecraft. Fronted by the charismatic Linnie Paterson and powered by the dynamic interplay of Willy Finlayson, Bill Scott, Jake Scott and Jimmy Hush, Writing On The Wall quickly became notorious for their explosive concerts at legendary venues such as Middle Earth and The Marquee Club. Their intense performances earned support from BBC DJ John Peel, who invited the band to record multiple sessions for his influential Top Gear radio show. In 1969 the band released their sole album, The Power Of The Picts, on the short-lived Middle Earth label, linked to the hippie club with the same name. Today regarded as a cornerstone of British heavy psychedelic rock, the album fused dark Doors-inspired atmospheres, crushing Hammond organ, extended improvisation and proto-metal energy years ahead of its time. Despite critical praise, major live popularity and opportunities to break internationally -- including a triumphant appearance before 60,000 people at Brazil's Rio Song Festival -- the band's career became trapped in management disputes, failed label deals and bad luck. This reissue, sanctioned by original member Jimmy Hush, tells the full story of a band that should have stood alongside contemporaries such as Deep Purple, Family, Arthur Brown, or early Wishbone Ash. Remastered sound with original artwork in hard cardboard sleeve. Includes insert with liner notes by David Wells with input by drummer Jimmy Hush and rare photos/memorabilia.

Artist	Title	Format	Label	Catalog #
WRITING ON THE WALL	Lucifer Corpus	LP	GUERSSEN RECORDS	GUESS 277LP
$31.50 PREORDER RELEASE DATE: 6/19/2026 Writing On The Wall were a legendary Scottish underground psych/prog band whose explosive live reputation rivaled the early UK heavyweights of the late '60s/early '70s. From Edinburgh soul rebels to theatrical psychedelic warriors, they were signed to the Middle Earth label, releasing their sole album, The Power Of The Picts, in 1969. Sadly, despite critical praise, major live popularity and opportunities to break internationally, the band's career became trapped in management disputes, failed label deals and bad luck, leaving much of their finest material unreleased for decades. This compilation gathers some of that material: their killer non-LP "Lucifer Corpus / Child On A Crossing" 45; early psych stuff including the rare Jury acetate; the 7-minute Mellotron-fueled "Buffalo" and rare TV broadcast recordings. Comes in hard cardboard period sleeve. Includes insert with track-by track annotations by original member Jimmy Hush and rare photos.

Artist	Title	Format	Label	Catalog #
ELLISON	Ellison	LP	GUERSSEN RECORDS	GUESS 289LP
$31.50 PREORDER RELEASE DATE: 6/19/2026 Blastin' underground hard-rock from Canada, 1972, ultra-raw guitars and vocals. Ellison were a Montréal-based hard-rock/heavy-blues band emerging from Québec's late '60s psychedelic scene. With just one album to their name, they left behind a powerful legacy and a rapidly growing cult following. The band's origins trace back to 1967, when bassist Richard Arcand and vocalist Vincent Marandola played together in Johnny Peace. In 1969, guitarist Christian Vaeillant and drummer Robert Cager joined forces with them, forming Ellison. Closely tied to l'Association des Orchestres -- a collective led by Jean-Claude Brosseau dedicated to Québec's underground movement -- Ellison quickly became part of a rising wave of hard-rock and psychedelic blues acts redefining the local scene. By 1971, Ellison were building momentum through relentless live performances across college campuses and schools, earning a strong following. In 1972, the band entered the studio with the Supreme label to record their first and only album. Released that same year, the record captured the raw intensity and spirit of their live shows. On March 31, 1973, Ellison performed what would become their last known show in Montréal. Shortly after, they disappeared without a trace from the live circuit, leaving behind a single album and a lasting reputation within Québec's underground. Featuring original artwork in hard cardboard sleeve. Newly sourced/remastered sound. Includes insert with liner notes and photos.

Artist	Title	Format	Label	Catalog #
SCIENTISTS, THE	The Definite Article	2LP	IN THE RED	ITR 425LP
$36.00 PREORDER RELEASE DATE: 6/19/2026 "The Definite Article captures the Scientists 'Weird Love' lineup (Kim Salmon, Boris Sujdovic, Tony Thewlis, Leanne Cowie) performing live at the peak of their powers at The Triffid in Brisbane on November 4, 2017. The Australian rock legends run through twenty of their best loved songs and captures them at their raucous, swampy, noisy best. The band were so happy with the performance and the recording that they decided to release it on cassette on Emmett Kelly's Ha Ha label and sell it on tour. With the tape long sold out, In The Red is happy to bring this incredible performance to vinyl for the first time."

Artist	Title	Format	Label	Catalog #
HONIG, EZEKIEL	Surfaces Of A Broken Marching Band	LP	KEPLAR	KEPLARREV 024LP
$29.50 PREORDER RELEASE DATE: 6/19/2026 Originally released in 2008 on Ezekiel Honig's own Anticipate Recordings, Surfaces of a Broken Marching Band finds the artist refining a compositional language rooted in the methodologies of musique concrete, ambient, and beat research. Working from a palette of environmental recordings, instrumental fragments, and soft electronic treatments, Honig pushes the source material into an array of sympathetic forms ranging from pillow-soft, lowercase ambient to diffuse downtempo and minimal house. For its reissue on Keplar, the album has been remastered by Kassian Troyer (D&M), bringing a new clarity to its intricate, low-lit architectures. Throughout the record, serving almost as audiographic guideposts, are faint but insistent gestures toward propulsion, an abiding and recurrent 4/4 pulse that guides the music laterally and instantiates a slow negotiation between its various elements. This music invites close listening precisely by not revealing itself all at once, allowing small collisions of timbre and subtle shifts in emphasis to carry the weight. The traces of lived environments that remain embedded in the mix -- distant crowds, sounds of transit, the indistinct acoustics of interiors in flux -- expand the frame without breaking its intimacy, creating a potent dislocation between the nearness of the sound and the scale of its sources. Rather than foregrounding any single voice, this is music that distributes attention equally across its materials, allowing background details to assert their presence as much as melody or rhythm. Honig presents listeners with an astute practice that's concerned less with building from the ground up than with uncovering what happens when disparate textures and structures are brought into close contact with one another.

Artist	Title	Format	Label	Catalog #
MILLI, JOE	Repetitions EP	12"	LIVITY SOUND RECORDINGS	LIVITY 076EP
$23.50 PREORDER RELEASE DATE: 6/19/2026 Ramping up the intensity, Joe Milli returns to Livity Sound with a spring-loaded EP of upfront club workouts that once again split the difference between techno propulsion and UK Funky swagger. Milli's previous release, Deep Forest, carried a dubby atmosphere on top of its bassweight rhythms. On this new four-track EP, the shroud lifts and he leans in on raw, impactful drums and sparse sound fields. Zeroing in on stark, heads-down production for the club, the Repetitions EP offers a different slant on Milli's emergent, sharply executed sound.

Artist	Title	Format	Label	Catalog #
ZSELA, DANIEL AGED, TAUL KATZ	4 Dreams	LP	LATENCY RECORDINGS	LTNC 037LP
$28.00 PREORDER RELEASE DATE: 6/19/2026 R&B outsider Zsela joins forces with Daniel Aged and film composer Taul Katz on 4 Dreams, a billowing ambient-neoclassical hallucination that'll tickle fans of Mary Lattimore, Malibu, Nala Sinephro, and Gigi Masin. If you only know Zsela thanks to her dramatic 2024 debut album Big For You, the mostly beatless, fully reflective 4 Dreams might come as a surprise. But look a little further back in her catalogue and things will fall into place; remember "Angels Pharmacy" and "Remembrance" from Actress's Karma & Desire? That was Zsela on vocals, so she's got priors. 4 Dreams started life as the soundtrack to Seven Heavenly Senses, an art exhibition at Paris's Hôtel de la Marine, but has since taken on a life of its own. Zsela's breaths are stretched and sculpted into warm, washing biomechanical pads on the opening dream, left to weather tinny arpeggiated FM synths and muggy bass drones. So far, so predictable. But Zsela muddles proceedings with her confident delivery, layering her voice into jazzy, R&B inflected key changes that keep you guessing. Imagine an astral plane answer to Dawn Richard's ambient-inflected pop and you'll have some idea of where this is headed. Then "Dream 2" takes an unexpected diversion, the vocals replaced by swirling harp flourishes and the kind of floating synth stabs that draw a core logic from classic ambient -- Harold Budd, Laraaji et al -- then adding extra colors just where necessary. And on "Dream 3," faint, almost folk-y strings enter the frame, calling out from beyond the horizon, almost blotted out by a synth part that's in the thrall of Gigi Masin's legendary "Clouds" -- the track that ended up being repurposed by Björk on It's In Our Hands. Zsela, Katz and Aged keep that momentum for the final track, too, letting cinematic strings echo around subtle synths and vanishing rhythms, hitting those hypnagogic, tranquil notes that so much contemporary ambient music seems to avoid. 'Cause at its heart, 4 Dreams is deeper than that, a record that's entrenched in jazz, soul and classical minimalism rather than throwaway numbing music, of the contemporary variety.

Artist	Title	Format	Label	Catalog #
GOAT (JP) & RICARDO VILLALOBOS	Without References/Cindy Van Acker (Ricardo Villalobos Variations)	LP	LATENCY RECORDINGS	LTNC 038LP
$20.50 PREORDER RELEASE DATE: 6/19/2026 Parisian label Latency presents Without References/Cindy van Acker (Variations), a new release by Goat (JP) and Ricardo Villalobos. For this project, Ricardo Villalobos reinterprets two tracks -- 'Orin' and 'Factory' -- originally composed by Goat (JP) for choreographer and performance artist Cindy van Acker's dance piece "Without References". Goat (JP), led by Osaka-based composer Koshiro Hino (YPY, Kakuhan, Boredoms, Mark Fell), is widely regarded as a leading force in contemporary minimalist composition. In Without References/Cindy Van Acker, Goat (JP) transforms non-tonal rhythmic patterns into intricate, hypnotic structures with remarkable depth. In this new version, the group's simultaneously tribal and futuristic sound is reshaped by Villalobos' distinctive production style, which draws from both minimalist techno and Latin American rhythmic traditions. Ricardo Villalobos is a pioneering figure in minimal techno, known for his hypnotic and deeply rhythmic approach to electronic music. Born in Chile and raised in Germany after his family fled Pinochet's regime, Villalobos developed an early fascination with percussion, beginning to play congas and bongos at the age of eleven. This tactile engagement with rhythm continues to inform his production work today. Influenced by both Latin American folk traditions and the emerging house and techno scenes of late-1980s Europe, he began DJing and producing in the early 1990s and quickly gained cult status within global club culture. Cindy van Acker's dance piece "Without References" features scenography by visionary choreographer Romeo Castellucci. The stage environment evokes a space that shifts between a waiting room, a train station hall, and a mid-century installation. Eleven dancers interpret Van Acker's precise yet fluid movements, interacting with Goat (JP)'s percussive, stripped-down compositions to create a visceral and immersive performance. The artwork features photographs by Magali Dougados from a staging of "Without References" at the Maison de la Culture de Seine-Saint-Denis.

Artist	Title	Format	Label	Catalog #
CONTINENTINO, ALBERTO	Cabeca A Mil E O Corpo Lento	LP	MAD ABOUT RECORDS	MAR 106LP
$41.00 PREORDER RELEASE DATE: 6/19/2026 Alberto Continentino's bass is a trademark sound, and he has already been part of the rhythm section of artists such as Caetano Veloso, Ed Motta, Marcos Valle, Ana Frango Elétrico, Bala Desejo and many more. The instrumentalist's characteristic groove is present throughout the work, in which Alberto plays not only bass, but also synthesizers, electronic programming, piano, and acoustic guitar. Cabeça a mil, Corpo Lento brings together a lineup of collaborators and guests that includes Ana Frango Elétrico, Domenico Lancellotti, Kassin, Silvia Machete, Nina Becker, Negro Leo, and Dora Morelenbaum. Alberto Continentino is one of the most dynamic musical forces in Brazil -- an extraordinary bassist, innovative composer, and visionary producer who bridges generations of Brazilian music. Born into a family of musicians, he grew up immersed in jazz and MPB, discovering the bass in his teens and quickly becoming one of the most in-demand musicians in the country. By the age of 20, Alberto was touring the world with Caetano Veloso, launching a remarkable professional career that includes collaborations with Brazilian legends and contemporary stars. As a key musician and producer, he helped reshape Brazilian pop in the 2000s. Now stepping firmly into the spotlight as a solo artist, Alberto's work reveals the full range of his creativity. His third album, showcases his evolution into a bold frontman, crafting dreamy experimental jazz-pop from the abstract poetry of collaborators such as Silvia Machete and Negro Leo. The album highlights his multi-instrumental talents (bass, synthesizers, arrangements) and features mesmerizing female vocals, with mixing by Kassin and Mario Caldato. Beyond his own projects, Alberto continues to shape Brazil's musical future as a producer of emerging artists and a composer whose works have been recorded by icons. Whether laying down the groove for music royalty, reinventing MPB traditions through his genre-blending solo work, or mentoring the next generation, Alberto Continentino remains at the center of Brazilian music's ongoing evolution -- always honoring its roots while fearlessly moving forward.

Artist	Title	Format	Label	Catalog #
JEFFERSON INK	Girl, You Turn Me On	7"	MAD ABOUT RECORDS	MAR 107EP
$20.00 PREORDER RELEASE DATE: 6/19/2026 This single is extremely rare among collectors worldwide. A 1983 boogie funk gem. Hailing from Houston, Texas, Jefferson Ink was a family-based project led by Willie Jefferson Jr., rooted in a vibrant and self-sufficient local scene. Far removed from major labels, the group operated within the independent ethos that defined many African American acts of the 1970s and '80s -- where self-production was often the only path to getting music recorded and released. Their discography is scarce, which has only increased its value over time. Among these gems is the single "Fight The Pipe" and "Girl, you turn me on" now regarded as a cult classic in the rare groove circuit.

Artist	Title	Format	Label	Catalog #
MCGREGOR, FREDDIE	Mr. McGregor (Orange Vinyl)	LP	MUSIC ON VINYL	MOV 4005COL-LP
$37.00 PREORDER RELEASE DATE: 6/19/2026 "Jamaican singer born in Clarendon, Jamaica on June 27, 1956. At age seven, he started singing backup for a local ska harmony duo called The Clarendonians and did his first recordings aged 10 years with the name 'Little Freddie' or 'Young Freddie,' and as a duo with Ernest Wilson aka 'Freddie & Fitsy.' McGregor stayed at Studio One for much of the '70s. He sang lead for groups like Generation Gap and Soul Syndicate, and also recorded off and on as a solo act during the '70s. In 1975, McGregor converted to Rastafarianism. Freddie McGregor's debut album Mr. McGregor was released in 1979. The album opens with 'We Got Love' featuring a Tower of Power influenced horn section underneath McGregor's tale of love conquering all. The classic 'Rastaman Camp' combines muted horn and an earthy, Nyahbinghi-like chorus for one of producer Niney's deeper constructions, but the lightweight fare is equally welcome as the easy strolling and not too sugary version of 'Brandy' displays. Mr. McGregor is available as a limited numbered edition of 750 copies on orange colored vinyl."

Artist	Title	Format	Label	Catalog #
WOODLEIGH RESEARCH FACILITY, THE	Anamchara	CD	CIRCUITRY ELECTRONIC	NEXUS 002CD
$14.50 PREORDER RELEASE DATE: 6/19/2026 Meaning "soul friend" in Gaelic, Anamchara is a new compilation of buried treasure from Nina Walsh's colossal Woodleigh Research Facility archive. W.R.F. was formed in 2015 by Nina and late studio partner Andrew Weatherall to help wrangle the vast output recorded together beyond his solo releases. Spotlighting nine tracks from the Apparently Solo series of EPs recorded between 2016- 2019 and released on Bandcamp in 2023, this lustrous time capsule marks the culmination of Walsh and Weatherall's creative relationship born after they clicked at London's earliest acid house clubs, becoming partners then managers of their Sabres Of Paradise/Sabrettes labels before taking different paths by the late '90s. An accomplished musician, Nina had learned the art of studio technology by the time they reunited and started working together in 2012. Created at her Facility 4 Studio situated in the dangerous, gang-ridden no man's land between Streatham and Mitcham, Anamchara captures the super-prolific creative stretch starting in 2015 that produced Weatherall's Convenanza and Qualia solo sets, W.R.F.'s The Phoenix Suburb (And Other Stories) plus a whole lot more. According to Nina, Andrew envisioned the spectacular "Borderland" as natural successor to "Smokebelch," his most revered track. When it came to his remix, Nina enlisted renowned viola virtuoso Sarah Sarhandi and composed new harmonies with Pachelbel's Canon in D Minor in mind. The set also catches the breakthrough period when, through Nina's careful coaxing, Andrew started using the computer system she'd set up to better express his musical visions by arranging the elements, grooves and melodies she sent him. Still considered the UK's greatest DJ-producer, Andrew's arrangements were inspired by his club-igniting sets. Anamchara straddles the gamut of musical styles explored by W.R.F. at this time, from slower paced psychedelic "drug chug" outings "We Two." Many tracks fly elements from the enormous sonic library Nina inherited from late partner Erick Legrand that she called The Akashic Library of Sound. Marking Andrew's 2016 admission into the vault, "Rattly Old Puffin" boasts Erick's psychedelic guitar and tumbling drum loop Weatherall would run with, including on "Borderland." Bringing down the curtain, "Alma's" exquisitely poignant melody that unfolds over thirteen time-stopping minutes was composed by Nina while navigating Erick's birth and departure date anniversaries to accompany Andrew's reading from Gordon Burn's 1991 same-named novel at 2018's Durham Literary Festival. Burn's novel imagines early 60s popstrel Alma Cogan, who succumbed to cancer in 1966 surviving to reflect on fame. A beautiful grand finale for this astonishing selection of pure gold from the vaults.

Artist	Title	Format	Label	Catalog #
WOODLEIGH RESEARCH FACILITY, THE	Anamchara	2LP	CIRCUITRY ELECTRONIC	NEXUS 002LP
$36.50 PREORDER RELEASE DATE: 6/19/2026 Double LP version. Meaning "soul friend" in Gaelic, Anamchara is a new compilation of buried treasure from Nina Walsh's colossal Woodleigh Research Facility archive. W.R.F. was formed in 2015 by Nina and late studio partner Andrew Weatherall to help wrangle the vast output recorded together beyond his solo releases. Spotlighting nine tracks from the Apparently Solo series of EPs recorded between 2016- 2019 and released on Bandcamp in 2023, this lustrous time capsule marks the culmination of Walsh and Weatherall's creative relationship born after they clicked at London's earliest acid house clubs, becoming partners then managers of their Sabres Of Paradise/Sabrettes labels before taking different paths by the late '90s. An accomplished musician, Nina had learned the art of studio technology by the time they reunited and started working together in 2012. Created at her Facility 4 Studio situated in the dangerous, gang-ridden no man's land between Streatham and Mitcham, Anamchara captures the super-prolific creative stretch starting in 2015 that produced Weatherall's Convenanza and Qualia solo sets, W.R.F.'s The Phoenix Suburb (And Other Stories) plus a whole lot more. According to Nina, Andrew envisioned the spectacular "Borderland" as natural successor to "Smokebelch," his most revered track. When it came to his remix, Nina enlisted renowned viola virtuoso Sarah Sarhandi and composed new harmonies with Pachelbel's Canon in D Minor in mind. The set also catches the breakthrough period when, through Nina's careful coaxing, Andrew started using the computer system she'd set up to better express his musical visions by arranging the elements, grooves and melodies she sent him. Still considered the UK's greatest DJ-producer, Andrew's arrangements were inspired by his club-igniting sets. Anamchara straddles the gamut of musical styles explored by W.R.F. at this time, from slower paced psychedelic "drug chug" outings "We Two." Many tracks fly elements from the enormous sonic library Nina inherited from late partner Erick Legrand that she called The Akashic Library of Sound. Marking Andrew's 2016 admission into the vault, "Rattly Old Puffin" boasts Erick's psychedelic guitar and tumbling drum loop Weatherall would run with, including on "Borderland." Bringing down the curtain, "Alma's" exquisitely poignant melody that unfolds over thirteen time-stopping minutes was composed by Nina while navigating Erick's birth and departure date anniversaries to accompany Andrew's reading from Gordon Burn's 1991 same-named novel at 2018's Durham Literary Festival. Burn's novel imagines early 60s popstrel Alma Cogan, who succumbed to cancer in 1966 surviving to reflect on fame. A beautiful grand finale for this astonishing selection of pure gold from the vaults.

Artist	Title	Format	Label	Catalog #
EIGHTEENTH DAY OF MAY, THE	The Eighteenth Day Of May	2CD	CIRCUITRY	PLEXUS 003CD
$15.50 PREORDER RELEASE DATE: 6/19/2026 Deluxe reissue of the sole album by The Eighteenth Day Of May. Beginning life as a trio in London, 2003, the original line-up consisted of Allison Brice (vocals, flute), Richard Olson (acoustic guitar) and Ben Phillipson (guitar, mandolin) before expanding the following year to include the rhythm section of Mark Nicholas (bass) and Karl Sabino (drums, autoharp) and finally Alison Cotton (viola). This being the mid zeros, the independent music scene in the UK was reluctant to embrace a sun-dazed folk band but this, their sole album, has gradually feathered a bed of affection amongst international folk fans. Twenty years on, the album is now rightfully seen as a trailblazer for the myriad alternative/psych folk bands that emerged in its wake. Andy Childs who signed the band originally takes up the story. "I first heard their music on a cover mounted CD with the much missed Comes With A Smile magazine and as far as I could tell no-one was making music like this anymore, certainly not with such panache and confidence. To my jaded ears it all sounded so uninhibited -- old weird folk songs, Americana, original psych-folk, minimalist drones. Great melodies and all six of them could sing! A joyous, unfettered sound that could in one moment conjure up flashes of The Byrds and then effortlessly the spirit of Velvet Underground would drift through. They even covered a Spacemen 3 song. I loved the fact that they had the aplomb to tackle traditional folk songs like 'Lady Margaret' and 'Flowers In The Forest' and not be afraid to stamp their own identity on them. Signing them to the Hannibal label was straightforward. If anything the album somehow sounds fresh and undated, even better than it did in the day when perhaps eclecticism was out of synch with the times; its subtleties have become more apparent."

Artist	Title	Format	Label	Catalog #
EIGHTEENTH DAY OF MAY, THE	The Eighteenth Day Of May	2LP	CIRCUITRY	PLEXUS 003LP
$40.00 PREORDER RELEASE DATE: 6/19/2026 Double LP version. Deluxe reissue of the sole album by The Eighteenth Day Of May. Beginning life as a trio in London, 2003, the original line-up consisted of Allison Brice (vocals, flute), Richard Olson (acoustic guitar) and Ben Phillipson (guitar, mandolin) before expanding the following year to include the rhythm section of Mark Nicholas (bass) and Karl Sabino (drums, autoharp) and finally Alison Cotton (viola). This being the mid zeros, the independent music scene in the UK was reluctant to embrace a sun-dazed folk band but this, their sole album, has gradually feathered a bed of affection amongst international folk fans. Twenty years on, the album is now rightfully seen as a trailblazer for the myriad alternative/psych folk bands that emerged in its wake. Andy Childs who signed the band originally takes up the story. "I first heard their music on a cover mounted CD with the much missed Comes With A Smile magazine and as far as I could tell no-one was making music like this anymore, certainly not with such panache and confidence. To my jaded ears it all sounded so uninhibited -- old weird folk songs, Americana, original psych-folk, minimalist drones. Great melodies and all six of them could sing! A joyous, unfettered sound that could in one moment conjure up flashes of The Byrds and then effortlessly the spirit of Velvet Underground would drift through. They even covered a Spacemen 3 song. I loved the fact that they had the aplomb to tackle traditional folk songs like 'Lady Margaret' and 'Flowers In The Forest' and not be afraid to stamp their own identity on them. Signing them to the Hannibal label was straightforward. If anything the album somehow sounds fresh and undated, even better than it did in the day when perhaps eclecticism was out of synch with the times; its subtleties have become more apparent."

Artist	Title	Format	Label	Catalog #
IVAN THE TOLERABLE	Psychogeography	2LP	RIOT SEASON	REPOSE 163LP
$35.00 PREORDER RELEASE DATE: 6/19/2026 Limited 300 only double vinyl set pressed on cream/black marble vinyl, housed in a wide spined color sleeve, with polylined inners, plastic outer and hype sticker. A sprawling, meditative journey into inner and outer space, the new double album from Ivan The Tolerable sees Oli Heffernan retreat fully into the solo realm -- crafting an expansive sonic world that feels both intimate and cosmic in scope. Recorded entirely alone and released via Riot Season, this latest work drifts away from structured forms and toward something more fluid, exploratory, and transcendent. Drawing on the devotional atmospheres of early ambient pioneers and the hypnotic pulse of kosmische music, the album unfolds as a series of slowly shifting soundscapes -- analog synths breathing in long, patient waves, tape loops dissolving into shimmering drones, and melodies that seem to emerge from nowhere before gently receding again. There are echoes of ritual, of vast landscapes, of time stretching and folding in on itself. Across its two discs, Heffernan embraces a deeply immersive approach -- less concerned with destination than with the act of drifting itself. It's music that invites stillness and surrender, equally suited to deep listening or quiet disconnection from the noise of the everyday. Unbound by genre yet rooted in a rich lineage of experimental sound, this is Ivan The Tolerable at his most introspective and transportive -- a double album that doesn't just ask for your attention, but your presence.

Artist	Title	Format	Label	Catalog #
HUSEYIN, ANTHONY	O Geliyor (Making O)	LP	SEISMOGRAPHIC RECORDS	SEISMOG 006LP
$46.50 PREORDER RELEASE DATE: 6/19/2026 Anthony Hüseyin presents their new album O Geliyor (Making O), in which they return to the rediscovery of their gender, their childhood, and their attachment to Zeki Müren. Müren is widely regarded as the most important queer exponent in the history of Turkish Art Music (Türk Sanat Müzigi). This genre of music was open to musical hybridism, and Müren himself also included elements of jazz and pop music. Stylistically, O Geliyor (Making O) is a combination of contemporary discoid electro-pop music, based on Turkish Art Music by Zeki Müren. After successful current re-interpretations of Turkish music styles like neo-Anatolian pop and neo-Arabesk, this album provides a first take on neo-Turkish Art Music. The album title is referring to the third genderless person pronoun in Turkish called "O," which encompasses all gender possibilities in one word. The album reflects on the memories that haunt people and the indescribable wounds of displacement. Set against the backdrop of Berlin, home to many immigrants and political and queer refugees, it exposes the profound emptiness in a metropolis wishing to imagine itself as a safe haven for the free-spirited, yet always reminding the Other that they don't belong. At the same time, it delivers anthems for the displaced, for the queer migrants who traverse internal and external landscapes in search of a place called home. Anthony Hüseyin is a non-binary musician and performance artist of Kurdish-Turkish and Arabic descent who works with voice, text, film, dance, and installation. Raised in Urfa in Southeastern Turkey, where they learned traditional local music, they went on to study both classical and jazz singing in Istanbul and Rotterdam. Their works combine the personal and political to explore memory, identity, community, collective consciousness, and the body.

Artist	Title	Format	Label	Catalog #
TRAD, GRAS OCH STENAR	Rock For Kropp Och Sjal	2LP	SILENCE	SRS 3508LP
$42.00 PREORDER RELEASE DATE: 6/19/2026 Rock för kropp och själ stands as the final, definitive statement from Träd, Gräs och Stenar during their original tenure with the legendary Silence label. By 1972, the band had reached a breaking point. After five years of relentless touring -- defined by marathon three-to-four-hour performances delivered four or five nights a week -- the collective was physically and creatively spent. The weight of expectation had become a burden; the band felt pressured to deliver "maximum ecstasy" and total psychic immersion at every single gig. This period of high-intensity "flipped out" performances culminated in their final appearance at the Falun prison in July 1972, after which the members dispersed to refocus and recreate their individual artistic paths. Expanded content: Includes a bonus LP of rare live material from Denmark and Gothenburg.

Artist	Title	Format	Label	Catalog #
KING GIZZARD AND THE LIZARD WIZARD	Polygondwanaland (Color Vinyl)	LP	SURVIVAL RESEARCH	SVVRCH 024PU-LP
$26.00 PREORDER RELEASE DATE: 6/19/2026 Like its mouthful of a title, Polygondwanaland delivers a 10-course meal without dividers between its dishes. Songs seep into one another for an immersive listen. The stirring, quiet percussion of "Inner Cell" tiptoes into "Loyalty" for a slow buildup, before it splashes into the punctuated vocals of "Horology," a sea of guitar tapping and rich, warm woodwinds. As usual, transitions are key in King Gizzard's work, but they add a smoothness to Polygondwanaland that makes it particularly digestible, so that every vocal sigh and gaudy synth acts as a complementary flavor.

Artist	Title	Format	Label	Catalog #
CLARK	Opponent Stims	12"	THROTTLE	THROT 019EP
$21.50 PREORDER RELEASE DATE: 6/19/2026 Opponents Stims has two cuts from Clark's live show, the blistering, pummeling, nominatively deterministic 'Relentless Opponent' and the euphoric/cathartic 'Who Booed the Geese,' maxing out Goose intensity. They nestle up against two coy vignettes, Uxor Cut and My Crow Life and then Frisky Mellows. That's an addictive, briskly paced 4/4 Detroit-tinted number that could almost be a lost Carl Craig classic.

Artist	Title	Format	Label	Catalog #
LINEAGE, AZA	Rebel Daawta	LP	VP RECORDS	VP 2794LP
$27.00 PREORDER RELEASE DATE: 6/19/2026 "King Jammy-produced full-length debut from rising reggae songstress Aza Lineage, Rebel Daawta. Features appearances from Hi-Times Band, Jessie Royal, and Johnny Osbourne. Beautifully packaged in a full-color sleeve."

Artist	Title	Format	Label	Catalog #
HOBKNOBS, THE	Helmets Off	LP	12XU	12XU 177LP
$24.00 PREORDER RELEASE DATE: 6/26/2026 "Helmets Off can be described as an honest attempt at honesty. Although all options are open at the moment of conception, the end result often remains bare. Instruments come in when they are needed, but the songs apparently don't need that much at all. Every word and every strum sounds like it's placed in exactly the right moment. Perhaps it is this bareness of the songs, that makes it feel as if The Hobknobs are speaking to the listener directly. It is clear that they don't want anything to cloud this human interaction. Yaël Dekker, whom you may also know as the singer of The Klittens, and Arie van Vliet, who used to spread his word through the band Lewsberg, were once described as loving misanthropes. Listening to Helmets Off, this description seems rather accurate. A consoling song like 'The Mind' sounds haunting. Even words seem to have lost their meaning in 'Dictionary.' Songs that seem cheerful and naive at first appear to be pleadings on second listen. And is 'Enarmoured' a pro-war protest song? What war do they want to fight? Dekker and Van Vliet's voices seem to know each other well, in a way that magnifies the songs on Helmets Off beyond their deceptive simplicity. Together with the minimal production by Jaap van der Velde, it makes that the album hits the sweet spot somewhere in the middle of 'instantly familiar' and 'no one else sounds quite like this.'"

Artist	Title	Format	Label	Catalog #
WOODKIN/MOLLONO.BASS/MAZ'N	WOODKIN	CD	3000 GRAD RECORDS	3000GRAD 028CD
$19.00 PREORDER RELEASE DATE: 6/26/2026 When Mollono.Bass and MAZ'N exchange their first ideas for a collaborative project, they talk a lot about playing live. That's why this approach is coded very deep into the DNA of WOODKIN. It's hard not to notice when you watch their creative dialogue unfolding on stage, clearly reminiscent of the real-time dynamics of a concert. It's also very noticeable when listening: Built on songwriting skills and carried by dancefloor expertise, the tracks have a pronounced vibe of something that is alive. The most consistent thing about the sound of Mollono.Bass is that it takes new directions all the time. MAZ'N on the other hand has given expression to his musical passion as singer and piano player in a variety of bands and roles. In consequence, it's impossible to pin down WOODKIN to a particular genre. The organic warmth of house and the melodic momentum of techno are important factors, and so is the open-minded attitude of indie dance -- and last but not least there is the emotional catchiness of the voice, which reflects some sort of modern, electronic take on pop. The self-titled album channels this flood of feelings and movements into a captivating experience that is equally beautiful and compelling on your home sound system, on your headphones on the subway, in the twilight of a club or amidst the rays of dusty sunlight on a buzzing open air dancefloor.

Artist	Title	Format	Label	Catalog #
GOLDEN EARRING	Moontan (Signature Edition)	2LP	ARTONE SIGNATURE	ARTHQ 001LP
$80.00 PREORDER RELEASE DATE: 6/26/2026 First release in the Artone Signature series. It will be available as a 45RPM 2LP edition for the first time -- entirely remastered and restored from the original analogue master tapes by Red Bullet catalogue and band archivist Wouter Bessels. In order to fit the album on four sides, the original LP track order was slightly changed and re-sequenced, revealing some never-before-heard oddities. All this and more is discussed at length in a 12-page booklet featuring essays, memorabilia and photos. Plated and pressed Record Industry, 180g virgin vinyl. Deluxe tip-on gatefold jacket from Stoughton. "Originally released in 1973, Moontan is the album that catapulted Golden Earring to international stardom, primarily on the strength of the hit single and enduring radio favorite 'Radar Love.' Eventually reaching #13 on the coveted Billboard Hot 100 in the U.S., it was subsequently covered multiple hundreds of times by U2, R.E.M., Def Leppard, and many more. To this day, Moontan is Golden Earring's most successful record internationally -- it's their only album to be certified Gold by the RIAA -- and certainly paved the way for the Dutch rockers in the United States. Now, this arguably most important record in the Dutch rock canon is available as a 45RPM 2LP edition for the first time, entirely remastered and restored from the original analogue master tapes by Red Bullet catalogue and band archivist Wouter Bessels. In order to fit the album on four sides, the original LP track order was slightly changed and re-sequenced, revealing some never-before-heard oddities. All this and more is discussed at length in a 12-page booklet featuring essays, memorabilia, and photos."

Artist	Title	Format	Label	Catalog #
HYDROMATICS, THE	Powerglide	LP	BANG! RECORDS	BANG 185LP
$27.00 PREORDER RELEASE DATE: 6/26/2026 In the early 2000s, The Hydromatics brought together three scenes, three cities, and one shared devotion to rock'n'roll: the fiery tradition of Detroit, the raw punch of Amsterdam, and the high-energy attitude of Scandinavia. Fronted by none other than Scott Morgan (Sonic´s Rendezvous Band), one of the great voices of Detroit rock, and backed by Tony Slug (LOVESLUG) and a band built out of genuine love for the legacy of Sonic's Rendezvous Band, the result was Powerglide -- a record that is tough, streetwise, soulful, elegant, and raw all at once. Originally released in 2001, Powerglide captures The Hydromatics in full flight. Original songs sit alongside explosive takes on material connected to the Sonic's Rendezvous universe, all delivered with nerve, conviction, and the kind of authority that simply cannot be faked. The guitars bite, the rhythm section drives relentlessly, and above all there is Scott Morgan's voice -- capable of sounding fierce, wounded, and defiant within the very same line. Far from being a mere exercise in homage, Powerglide stands tall as a living, breathing record with a personality all its own: high-octane rock'n'roll fueled by rhythm and blues soul and steeped in the unmistakable spirit of Detroit. This is an album for those who understand that proto-punk, garage soul, and real rock'n'roll were never separated by any meaningful border in the first place.

Artist	Title	Format	Label	Catalog #
MOGARD & RAFAEL ANTON IRISARRI, ABUL	Where Light Pauses in the Silence of the Sun (Clear Vinyl)	LP	BLACK KNOLL EDITIONS	BKE 024CL-LP
$33.00 PREORDER RELEASE DATE: 6/26/2026 Clear vinyl version. In spring 2025, Abul Mogard and Rafael Anton Irisarri created the source material for their second album, Where Light Pauses in the Silence of the Sun, during a three-day residency at Morphine Raum in Berlin. Functioning as both recording studio and performance venue, the space has no stage, with the audience gathered around the performers. Working within an open framework, the duo reshaped the music each evening while recording the performances live to multitrack. Rotary speakers, modular synthesizers and bowed guitar formed the core of their sonic language, captured through a 1970s mixing console and microphones placed around the room. Back in Mogard's studio in Rome, the material was further crafted as motifs were stretched, fragments isolated, and tempos dissolved. Irisarri recorded additional guitar textures and treatments in New York, while passages recorded by Martina Bertoni and Andrea Burelli in Berlin reinforced the harmonic centers and brought breath, refinement and a new sensibility to their compositions. The process continued as Mogard's layering and subtraction reassembled everyone's parts into the final arrangement. The album opens with "In the Eastern Wild," building from a sparse outline into a monumental formation of low-frequency weight, its internal motion shaped by the rotating Leslie speaker. "Over the Domes" widens into a broader acoustic field, where sustained modular tones meet waves of softly plucked guitar. The music then turns inward with "A Blue Descent," centered on Bertoni's cello, whose growling timbre introduces a melancholic depth. At the album's center, "In a Quiet Radiance" unfolds around a slow guitar ostinato, its luminous stillness opening into a more expansive and reflective state. Across its ten-minute span, Burelli's violin lines and Bertoni's lower cello phrases gradually surface, weaving through the harmonic field. Mogard brings Burelli's processed voice to the fore, its emotive, operatic presence becoming one of the record's pivotal moments. "Of Blessed Ages" suspends the sonic flow, shifting between parallel major and minor chords as lingering, slowly decaying melodies shape the music's internal drift. The closing "Among Shadows" settles into a darker resonance as layered textures recede. Mogard and Irisarri's shared language balances restraint and maximalism.

Artist	Title	Format	Label	Catalog #
MOGARD & RAFAEL ANTON IRISARRI, ABUL	Where Light Pauses in the Silence of the Sun	LP	BLACK KNOLL EDITIONS	BKE 024LP
$31.50 PREORDER RELEASE DATE: 6/26/2026 In spring 2025, Abul Mogard and Rafael Anton Irisarri created the source material for their second album, Where Light Pauses in the Silence of the Sun, during a three-day residency at Morphine Raum in Berlin. Functioning as both recording studio and performance venue, the space has no stage, with the audience gathered around the performers. Working within an open framework, the duo reshaped the music each evening while recording the performances live to multitrack. Rotary speakers, modular synthesizers and bowed guitar formed the core of their sonic language, captured through a 1970s mixing console and microphones placed around the room. Back in Mogard's studio in Rome, the material was further crafted as motifs were stretched, fragments isolated, and tempos dissolved. Irisarri recorded additional guitar textures and treatments in New York, while passages recorded by Martina Bertoni and Andrea Burelli in Berlin reinforced the harmonic centers and brought breath, refinement and a new sensibility to their compositions. The process continued as Mogard's layering and subtraction reassembled everyone's parts into the final arrangement. The album opens with "In the Eastern Wild," building from a sparse outline into a monumental formation of low-frequency weight, its internal motion shaped by the rotating Leslie speaker. "Over the Domes" widens into a broader acoustic field, where sustained modular tones meet waves of softly plucked guitar. The music then turns inward with "A Blue Descent," centered on Bertoni's cello, whose growling timbre introduces a melancholic depth. At the album's center, "In a Quiet Radiance" unfolds around a slow guitar ostinato, its luminous stillness opening into a more expansive and reflective state. Across its ten-minute span, Burelli's violin lines and Bertoni's lower cello phrases gradually surface, weaving through the harmonic field. Mogard brings Burelli's processed voice to the fore, its emotive, operatic presence becoming one of the record's pivotal moments. "Of Blessed Ages" suspends the sonic flow, shifting between parallel major and minor chords as lingering, slowly decaying melodies shape the music's internal drift. The closing "Among Shadows" settles into a darker resonance as layered textures recede. Mogard and Irisarri's shared language balances restraint and maximalism. Also available on white (BKE 024WH-LP) and clear (BKE 024CL-LP) color vinyl.

Artist	Title	Format	Label	Catalog #
MOGARD & RAFAEL ANTON IRISARRI, ABUL	Where Light Pauses in the Silence of the Sun (White Vinyl)	LP	BLACK KNOLL EDITIONS	BKE 024WH-LP
$33.00 PREORDER RELEASE DATE: 6/26/2026 White vinyl version. In spring 2025, Abul Mogard and Rafael Anton Irisarri created the source material for their second album, Where Light Pauses in the Silence of the Sun, during a three-day residency at Morphine Raum in Berlin. Functioning as both recording studio and performance venue, the space has no stage, with the audience gathered around the performers. Working within an open framework, the duo reshaped the music each evening while recording the performances live to multitrack. Rotary speakers, modular synthesizers and bowed guitar formed the core of their sonic language, captured through a 1970s mixing console and microphones placed around the room. Back in Mogard's studio in Rome, the material was further crafted as motifs were stretched, fragments isolated, and tempos dissolved. Irisarri recorded additional guitar textures and treatments in New York, while passages recorded by Martina Bertoni and Andrea Burelli in Berlin reinforced the harmonic centers and brought breath, refinement and a new sensibility to their compositions. The process continued as Mogard's layering and subtraction reassembled everyone's parts into the final arrangement. The album opens with "In the Eastern Wild," building from a sparse outline into a monumental formation of low-frequency weight, its internal motion shaped by the rotating Leslie speaker. "Over the Domes" widens into a broader acoustic field, where sustained modular tones meet waves of softly plucked guitar. The music then turns inward with "A Blue Descent," centered on Bertoni's cello, whose growling timbre introduces a melancholic depth. At the album's center, "In a Quiet Radiance" unfolds around a slow guitar ostinato, its luminous stillness opening into a more expansive and reflective state. Across its ten-minute span, Burelli's violin lines and Bertoni's lower cello phrases gradually surface, weaving through the harmonic field. Mogard brings Burelli's processed voice to the fore, its emotive, operatic presence becoming one of the record's pivotal moments. "Of Blessed Ages" suspends the sonic flow, shifting between parallel major and minor chords as lingering, slowly decaying melodies shape the music's internal drift. The closing "Among Shadows" settles into a darker resonance as layered textures recede. Mogard and Irisarri's shared language balances restraint and maximalism.

Artist	Title	Format	Label	Catalog #
F/I	Invisible Men	2LP	BIRDMAN RECORDS	BMR 139LP
$34.00 PREORDER RELEASE DATE: 6/26/2026 "Birdman Records reissues Invisible Men, the early space explorations of electronic music pioneer F/i. In the mid-80s F/i was on the cutting edge of electronic bombast, producing cassette tapes of late-night interstellar sessions to be traded world over with the handful of heads that were plugged into similar perambulations. As a link between Throbbing Gristle and the Spacemen 3, this period of F/i has been woefully forgotten, until now. Later in the '80s, F/i would morph into Vocokesh continuing their space rock explorations. The 2LP set features founding member Richard Franecki, Brian Wensing, and Steve Zimmerman, and includes the ultra-rare recording 'Air' (produced around the same time as Invisible Men). For the first time on vinyl, a limited run of 500 copies."

Artist	Title	Format	Label	Catalog #
AMBARCHI, OREN	Hubris (10th Anniversary Remaster)	CD	BLACK TRUFFLE	BT 141CD
$16.00 PREORDER RELEASE DATE: 6/26/2026 Newly remastered version of Oren Ambarchi's long out-of-print classic Hubris, originally released on Editions Mego in 2016. Expertly remastered by audio wizard Joe Talia who worked with the original mixes, highlighting the myriad details of the audio with forensic precision, previously unheard up until now. From the 2016 press release: Hubris continues the exploration of relentless, driving rhythms heard on Ambarchi's Sagittarian Domain (2012) and Quixotism (2014). Where those records looked to Krautrock and techno for their starting points, the sidelong opening track here begins from the perhaps unlikely inspirations of disco and new wave, drawing particularly from Ambarchi's love of Wang Chung's soundtrack to William Friedkin's To Live and Die in L.A. Leaving behind the song-forms of these reference points, Ambarchi weaves a sustained and pulsating web of layered palm-muted guitars from which individual voices rise up and recede, eventually setting the stage for some lush guitar synth from Jim O'Rourke. Arnold Dreyblatt collaborator Konrad Sprenger contributes overtone-rich motorized guitar, pushing the piece into a satisfying intersection of shimmering minimalism and rhythmic drive that smoothly builds up until the entrance of Mark Fell's electronic percussion in its final section. After a short second part, in which Ambarchi, O'Rourke and crys cole pay tribute to the skewed harmonic sense of Albert Marcoeur with a track built from layered guitar figures and abstracted speech, the long final piece pushes the concept of the first side into darker and denser areas. Joined by electronics from Ricardo Villalobos and the twin drums of Will Guthrie and Joe Talia, the layered guitars of the first piece are transformed into a raw and tumbling fusion-funk groove that calls to mind early Weather Report or even the first Golden Palominos LP. As this stellar rhythm section rides a single repeated chord change into oblivion, a series of spectacular events emerge in the foreground: first, aleatoric synthesizer burbles from Keith Fullerton Whitman, then slashing skronk guitar from Arto Lindsay, until finally Ambarchi's own fuzzed-out harmonics take center stage as the piece builds to an ecstatic frenzy. Few artists could hope to include such an incredible variety of collaborators on one record and still hope for it to have a unique identity, but Ambarchi manages to do just that, crafting three pieces that emerge directly out of his previous work while also pushing ahead into new dimensions.

Artist	Title	Format	Label	Catalog #
AMBARCHI, OREN	Hubris (10th Anniversary Remaster)	LP	BLACK TRUFFLE	BT 141LP
$33.00 PREORDER RELEASE DATE: 6/26/2026 LP version. Newly remastered version of Oren Ambarchi's long out-of-print classic Hubris, originally released on Editions Mego in 2016. Expertly remastered by audio wizard Joe Talia who worked with the original mixes, highlighting the myriad details of the audio with forensic precision, previously unheard up until now. From the 2016 press release: Hubris continues the exploration of relentless, driving rhythms heard on Ambarchi's Sagittarian Domain (2012) and Quixotism (2014). Where those records looked to Krautrock and techno for their starting points, the sidelong opening track here begins from the perhaps unlikely inspirations of disco and new wave, drawing particularly from Ambarchi's love of Wang Chung's soundtrack to William Friedkin's To Live and Die in L.A. Leaving behind the song-forms of these reference points, Ambarchi weaves a sustained and pulsating web of layered palm-muted guitars from which individual voices rise up and recede, eventually setting the stage for some lush guitar synth from Jim O'Rourke. Arnold Dreyblatt collaborator Konrad Sprenger contributes overtone-rich motorized guitar, pushing the piece into a satisfying intersection of shimmering minimalism and rhythmic drive that smoothly builds up until the entrance of Mark Fell's electronic percussion in its final section. After a short second part, in which Ambarchi, O'Rourke and crys cole pay tribute to the skewed harmonic sense of Albert Marcoeur with a track built from layered guitar figures and abstracted speech, the long final piece pushes the concept of the first side into darker and denser areas. Joined by electronics from Ricardo Villalobos and the twin drums of Will Guthrie and Joe Talia, the layered guitars of the first piece are transformed into a raw and tumbling fusion-funk groove that calls to mind early Weather Report or even the first Golden Palominos LP. As this stellar rhythm section rides a single repeated chord change into oblivion, a series of spectacular events emerge in the foreground: first, aleatoric synthesizer burbles from Keith Fullerton Whitman, then slashing skronk guitar from Arto Lindsay, until finally Ambarchi's own fuzzed-out harmonics take center stage as the piece builds to an ecstatic frenzy. Few artists could hope to include such an incredible variety of collaborators on one record and still hope for it to have a unique identity, but Ambarchi manages to do just that, crafting three pieces that emerge directly out of his previous work while also pushing ahead into new dimensions.

Artist	Title	Format	Label	Catalog #
HAMANN/JAMES RUSHFORD, JUDITH	Midmeste	LP	BLACK TRUFFLE	BT 142LP
$33.00 PREORDER RELEASE DATE: 6/26/2026 Australian composer-performers Judith Hamann and James Rushford have worked together in countless projects for two decades, perhaps most notably in Golden Fur, their trio with Sam Dunscombe. Black Truffle presents Midmeste, their first work as a duo. Its title is Middle English for "the middlemost point," alluding to how the piece builds on the points of overlap between the highly personalized musical languages Hamann and Rushford have developed in recent years. Performed on cello and a variety of pipe organs, Midmeste is a spacious, sometimes unsettling exploration of their shared interest in alternative tunings, psychoacoustic phenomena, the physical properties of their instruments, and the usually peripheral sounds generated by the performing body. Beginning with a sequence of austerely vibrato-less harmonics from Hamann's cello, trailed by Rushford's whistling portative organ tones, the music soon expands into a slow-moving melodic wander, pausing at times to linger over an uncomfortable harmony or particularly resonant cello tone. Hamann and Rushford have long histories of engagement with pre-Classical European musical traditions, having in past projects performed and radically extended the work of Solage, Louis Couperin, Johann Conrad Beissell and other composers. Here they use a 15th century song by John Dunstaple, "O rosa bella," which returns throughout the piece, distorted, aerated and splayed into new forms. Developed while the two shared residencies at Akademie Schloss Solitude, Stuttgart in 2020 and La Becque on Lake Geneva in 2023, Midmeste integrates recordings made (at the invitation of the Biennale Son) on the organ of the Basilica St Valere in Sion, Switzerland. Played by both Rushford and Hamann, the instrument's idiosyncratic features, including bellows pumped manually using massive wooden beams, are integrated into the music through amplification. Moving through a series of distinct episodes across its forty-minute span, Midmeste makes space for near-silent duets of high harmonics and hissing air, moments where twittering high tones and rumbling sub-bass could be electronic, and static fields that unexpectedly blossom into almost Romantic harmonies. Listeners familiar with Hamann and Rushford's work will find many familiar features here: the stunningly rich cello tones, their patient sustain allowing heightened awareness of the inner life of sound and its interactions with the environment; the care with which acoustic space is activated, becoming at times a third instrumental voice; the attention to fragile, unstable sonorities that sometimes have a comic edge. A major work from two key figures in contemporary experimental music, Midmeste synthesizes rigorous exploration of fundamental questions of sound and performance with an unapologetic embrace of beauty.

Artist	Title	Format	Label	Catalog #
ALIT & GAMELAN SALUKAT, DEWA	Baur Bentur	LP	BLACK TRUFFLE	BT 143LP
$33.00 PREORDER RELEASE DATE: 6/26/2026 Dewa Alit, master of radical Balinese gamelan, returns to Black Truffle with Baur Bentur. Genetic introduced international listeners to the magical sound-world of Alit's Gamelan Salukat, who perform on instruments tuned to a unique scale derived from modified versions of two traditional Balinese scales. The two pieces heard on Chasing the Phantom further demonstrated his radical fusion of tradition and experimentation, with passages where unorthodox techniques make the acoustic ensemble resemble glitching electronics. Baur Bentur now highlights another aspect of Alit's work, presenting pieces composed in 2024 and 2025 where Gamelan Salukat performs alongside virtuoso pianist Sri Hanuraga. Alit's music is grounded in deep reflection on the tradition of Balinese gamelan and its place in the contemporary world. His title, "Baur Bentur," which translates as "mixing and smashing," points to his embrace of the intercultural mixture of Eastern and Western elements in the search for innovation. Against the calcification of Balinese music into tourist entertainment, Alit poses his searching, experimental work, which celebrates the communal values and performance practices of traditional gamelan while pushing into startling new directions. "Sukat Tacara" is a study in layered tempos, meters, and polyrhythms, a constantly shifting dialogue between piano and the instruments of Gamelan Salukat. It begins close to a traditional concerto, pairing a brisk sequence of melodic variations from the piano with a spare but propulsive accompaniment of drums and hanging metallophone tones, punctuated by low gong strikes. The piece dazzles with its inventive rhythms and dynamics, building to a stunning passage featuring the signature heavy muting technique of the Gamelan Salukat metallophones in kinetic patterns that would be at home on a Príncipe release. The title piece begins at high intensity and rarely lets up, working through bracing unison ensemble melodies and punctuation points where piano and gamelan together seem to become a single, thudding drum. For much of the piece the piano is tightly integrated into the ensemble, the harmonic extensions of the melodic line subsumed into a moving cloud of complex overtones generated by the gamelan instruments. Wildly kinetic on the rhythmic level, the piece swarms with microscopic movements of beating patterns generated by the "blend and crush" of three simultaneous tuning systems: the equal temperament of the piano and the saih cenik (small scale) and saih gede (big scale) used by the gamelan instruments. Accompanied by the composer's thoughtful liner notes and images of the musicians, Baur Bentur is a stunning next step in Alit's radical combination of tradition and innovation.

Artist	Title	Format	Label	Catalog #
COOPER, MIKE	The Dream Island of Birds	LP	DISCREPANT	CREP 118LP
$28.50 PREORDER RELEASE DATE: 6/26/2026 Mike Cooper returns to Discrepant with The Dream Island of Birds, a release that blurs the lines between memory, field recording, and reimagined sound. In the early 1990s, Cooper met illustrator and writer Charles van Sandwyk while walking on a small island in Fiji. Van Sandwyk was living there quietly, working from a modest bamboo house near the beach. Years later, Cooper learned that following a serious car accident, van Sandwyk experienced vivid dreams during his recovery -- one of which became a small illustrated book titled The Dream Island of Birds. A signed postcard from that book still hangs in Cooper's studio. In 2012, Cooper spent a month as artist-in-residence on Pulau Ubin, a small island between Singapore and Malaysia, recording birds and insects across the island. Home to more than 300 resident and migratory bird species, Pulau Ubin provided the source material for this album, later combined with electronics and digital processing. The track titles reference some of the island's more evocatively named birds, though the sounds themselves are not literal representations. One piece is not derived from live birds at all, but imagined entirely through electronic means. Neither documentary nor abstraction, The Dream Island of Birds sits between field recording, memory, and invention -- an island heard through time and circuitry.

Artist	Title	Format	Label	Catalog #
TREPANERINGSRITUALEN	Perfection & Permanence (Green Vinyl)	LP	COLD SPRING RECORDS	CSR 198X-LP
$35.00 PREORDER RELEASE DATE: 6/26/2026 Out of print for nearly a decade, Cold Spring presents a new, limited vinyl edition of T × R × P's most-revered album, originally released 2014. Trepaneringsritualen explores themes of religion, magic and the hidden realms of consciousness, taking its musical cues from the old school of ritual ambient and death industrial. Rhythmic and seething at times, and oozing forward with a creeping sense of desolation at others, Trepaneringsritualen conjures forth bleak but mesmerizing visions of the end-times. Perfection & Permanence: a hymn to Isis; a further exploration of the duality of the holy harlot, the black skinned Magdalen, mother and concert of the Christ; Yeshua Ben Yosef, son of MAN; the shameful dead, those who sold their brothers, condemned to forever roam the earth; to transgress the abyss, to mortify flesh, towards cosmic renovation. It is lonely, it is awful; on the verge of physical death, but still unable to understand; absolute perfection may be attained through WILL. A conversation with angels, in archaic tongues; Eiríkr inn Sigrsæli sold his blood and kin to desert rats for corporeal power. Ceaseless, blood-churning, terrible; an incoherent accusation by the mirror image, he whose blood was shed to atone another man's sins. Without bloodshed there can be no salvation.

Artist	Title	Format	Label	Catalog #
VA	Salo or The 120 Day Of Sodom (Red Vinyl)	LP	COLD SPRING RECORDS	CSR 362LP
$33.00 PREORDER RELEASE DATE: 6/26/2026 LP version. Red color vinyl. The first time on any format for Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen. Three weeks before the scandalous release of Salò, or The 120 Days Of Sodom, Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote "Addio a Pier Paolo Pasolini" (Goodbye to Pier Paolo Pasolini) for the late filmmaker, included in the final edit. Following the narrative of one of Pasolini's defining cinematic moments, the soundtrack opens with Ennio Morricone's "Son Tanto Triste," descends into the melancholic minor chords of Bach, Chopin, Orff, Puccini, and Graziosi, incorporates sinister renditions by the cast, and includes Morricone's own somber tribute to the director. Disgusted by the flood of crass sexploitation movies which filled the space opened up by his Trilogy Of Life, Pasolini turned to the most nihilistic thinker in European history for what became his final film. His version of De Sade's 120 Days Of Sodom, amplified with motifs from Dante's Inferno, confronts the ultimate implications of fascism in a series of sexual and moral atrocities. Limited LP edition of 500 copies on blood red vinyl in gatefold matt-laminate sleeve.

Artist	Title	Format	Label	Catalog #
KOPP, HERMANN	Der Golem	CD	COLD SPRING RECORDS	CSR 363CD
$15.50 PREORDER RELEASE DATE: 6/26/2026 Best known for his Nekromantik soundtracks (Dir. Jörg Buttgereit), Hermann Kopp composed and recorded his new soundtrack to the 1920 classic horror film Der Golem -- a leading example of early German Expressionism by Paul Wegener. First released in 1914, three versions of this material were made, but only the 1920 version is still available. Using violin, viola and electronic/synthesizer sounds, the new score adds a more contemporary, sometimes noisy edge to the film, whilst not forgetting the esoteric and mysterious components of the Golem myth of Jewish folklore. Set in a ghetto of medieval Prague, the Golem, a clay hulk brought to life by a magic scroll implanted in his chest, is summoned as a protector and avenger. The soundtrack premiered March 7, 2025 in a Parisian cinema near Place de l'Etoile -- by invitation of Vincent Glaume (organizer of the legendary Au-delà du Silence events in France, who first proposed the idea to Kopp). It was also presented at Wroclaw Industrial Festival, Poland in October 2025. Hermann Kopp started recording songs on tape in the '70s, combining his violin with a Moog imitation in a very personal and minimal approach to music, with lyrics that bordered on surrealism. After a mini-LP in 1981 and his Pop LP of 1983, he became the fifth member of experimental synthesizer band Keine Ahnung. After a split, Kopp was contacted by filmmaker Jörg Buttgereit to participate in the scores for Nekromantik, later in Der Todesking and finally in Nekromantik 2. He has since released a string of incredible works through labels such as Galakthorrö, 4iB Records, One Way Static, and Vinyl On Demand.

Artist	Title	Format	Label	Catalog #
ONE LEG ONE EYE	And Take The Black Worm With Me	CD	COLD SPRING RECORDS	CSR 365CD
$15.50 PREORDER RELEASE DATE: 6/26/2026 As a founding member of Dublin experimental folk group Lankum, Ian Lynch explores submerged leylines of music and song. His solo project One Leg One Eye sees him taking a fresh approach to musical arrangement culminating in a sound that is more rooted in the raw aesthetics of second wave black metal than contemporary folk. Over the course of a year, Ian Lynch enjoyed the freedom of experimenting and exploring different paths of sound design without expectation or pressure. Seeking out interesting settings to record music and gather field recordings, the essence of which have seeped into the spirit of the music, Lynch explores rediscovered spaces in Dublin and familiar interior spaces. He frequently visited the abandoned warehouse where his father worked and sang with his shruti box, contented in his solitude. The result is a distinct and sometimes harrowing drone-folk atmosphere conjured throughout the album's lengthy and enveloping compositions, with an eerily beautiful, immersive sadness resonating throughout. Featuring Ian Lynch on hurdy gurdy, uilleann pipes, synth, vocals, shruti box, concertina, guitar, found sounds, and tape, with guests: Laurie Sue Shanaman (Ails, Ludicra) on vocals, and Ruth Clinton (Landless, Poor Creature) on church organ. Only available on a one-time, long sold-out CD pressing in Ireland (Nyahh Records, 2022), Cold Spring now present this incredible album with an exclusive bonus track "Sympathetic Invertebrate Ritual," recorded especially for this edition. CD in matt-laminate digipak with updated artwork.

Artist	Title	Format	Label	Catalog #
Z'EV	Schonste Muziek	CD	COLD SPRING RECORDS	CSR 367CD
$15.50 PREORDER RELEASE DATE: 6/26/2026 CD in matt digipak, with all artwork remaining true to Z'EV's original concepts. Early hallucinatory ritual percussion works from the much-missed rhythmajik master Z'EV. This legendary album by Industrial pioneer Z'EV was originally released in 1986 (LP, Dossier), now finally available with the state-of-the-art remastering it deserves. Also included is the bonus 20-minute track "Titan Night," recorded at Berlin Atonal in December 1983, now available here for the first time on any format since the original 1984 split LP with Psychic TV (who performed their iconic set at the same event). Z'EV performed on all-steel, custom-made percussion instruments, designed to activate the acoustics of the space. "Each track finds Z'EV creating moody and atmospheric percussion based compositions. If you're familiar with Z'EV's work you'd say these tracks are a bit more primal, stripped back, and unmanipulated. Each track takes in a set pattern of percussive elements, which he investigates over the track's length, and these move from forceful battering onto more moody drifts, and in between the two... a worthy work from this most respected and unequalled artist." --Musique Machine

Artist	Title	Format	Label	Catalog #
BLACK DOG, THE	Music For Real Airports (Boxset 2)	5CD BOX	DUST SCIENCE	DUST 140CD
$34.00 PREORDER RELEASE DATE: 6/26/2026 For the first time, this five CD box set brings together the work around Music For Real Airports. Long admired by listeners, the collection includes Music For Real Airports, Music For Airport Lounges, Music For Dead Airports, Live At The Millennium Galleries, and The One Escape Bar. It features a substantial amount of new unheard material, alternate mixes and live recordings taken from our archive. This second box set reflects a long and uneasy relationship with airports. Airports present a controlled fiction, a managed calm built on delay, surveillance and routine. Across five hours of music, much of it previously unheard and available for the first time, the box set confronts the modern reality of travel and the corporate structures that shape it. The music documents these spaces as they are experienced rather than as they are sold.

Artist	Title	Format	Label	Catalog #
PERRY & SUBATOMIC SOUND SYSTEM, LEE "SCRATCH"	Super Ape Returns To Conquer (Red Vinyl)	LP	ECHO BEACH	EB 129RED-LP
$32.00 PREORDER RELEASE DATE: 6/26/2026 Red color vinyl. After falling out with Sir Coxsone, the legendary head of the Kingston label Studio One, Lee Perry first founded his own band and then, in 1973, set up his own studio in his backyard. What was born out of necessity developed into a unique success story. With both the Upsetters and the Black Ark, Perry made music history -- most notably with the 1976 release of the album Super Ape, on which he made the genre of dub bubble and boil from the mixing desk in previously unheard ways. For Perry, the studio is like a living organism. Whether he truly experiences it that way or simply lets too much ganja go up in smoke, for Perry the equipment is organic, empathetic, and intelligent. The catch is that the results sound exactly like that as well. Long before sampling was invented, he layered tracks of deep basslines, echoes, and reverb with various self-recorded sound sequences -- often played in reverse -- on top of, into, and beneath each other. In other words, Perry was the first producer who made the music instead of the band. Among other things, this earned him the title "Salvador Dali of Dub."

Artist	Title	Format	Label	Catalog #
ZETA RETICULA	The Human Scientific Vessel	12"	EUDEMONIA	EUDEMONIA 021EP
$19.00 PREORDER RELEASE DATE: 6/26/2026 Uro Umek returns to eudemonia for the label's 21st outing, delivering another set of high-quality electronics as Zeta Reticula. The EP carries a vibrant, optimistic energy throughout. The Human Scientific Vessel leads the way as a club-ready electro cut with a driving rhythm and clean, melodic synth lines. The EP balances dancefloor energy with musical songwriting, making for an engaging listen from start to finish.

Artist	Title	Format	Label	Catalog #
MONOLAKE	Interstate	2LP	FIELD RECORDS	FIELD 039LP
$49.00 PREORDER RELEASE DATE: 6/26/2026 Continuing its faithful documentation of the early years of Monolake, Field Records present the first-ever vinyl pressing of seminal 1999 album Interstate. In a kaleidoscopic lattice of micro-rhythms and exquisitely dynamic textural work, Robert Henke and Gerhard Behles fully collaborated for the final time on this record -- and created an electronica landmark in the process. Monolake's evolution from their earlier dub-techno-tinted works saw their exploration of Max/MSP go further out. The duo yielded greater complexity in the behavior of their sound palette to achieve an organismic quality that remains an enduring influence on so many strands of experimental electronic music today. Interstate is a vivid record that builds up eight different ecosystems of sound and subtly threads elegant grooves through their root structures. There's a house-like undulation to the low-end driving "Tangent-I" and "Tangent-II," but the infinitesimally detailed layers of sound on top swoon from techno synth shimmers to trickling waters, snaking delay trails and pin prick percussion. You can hear the unmistakable, snappy rhythmic thrust of drum and bass driving "Ginza," but here it's used as an engine for the crispest array of designer percussion and dub-soaked synth chirrups. Across every track, Henke and Behles demonstrate a potent combination, both groovily instinctive and eternally fascinating to try and pick apart. After Interstate, Behles departed to focus entirely on the development of Ableton Live and Henke steered Monolake towards a leaner -- but no less pioneering -- sound. Every Monolake record has its own unique context and sound, and the circumstances of Interstate could never be repeated. Capturing the leaps in progress that were being made in digital music production at the end of the millennium, it's an information-rich document of a moment in time that still sounds wildly futuristic 27 years later.

Artist	Title	Format	Label	Catalog #
MASON, JOSH	Kicking A Dark Horse	Book	GREYFADE	GF 012BK
$41.00 PREORDER RELEASE DATE: 6/26/2026 115 pages. Hardcover. Each book contains a QR code for a direct album download and stream. The third release in Greyfade's FOLIO format -- a full-length music edition in hardcover book form -- is Josh Mason's Kicking A Dark Horse. For his Greyfade debut, musician and sound artist Josh Mason presents an ambitious multi-modal work articulated across sound and text: a nine-track electronic album alongside a book-length work of experimental writing. Across both forms, Kicking A Dark Horse is governed by controlled instability -- chaotic structures that cohere without repetition and evolve without resolution. The text unfolds in fragments -- part diary, part landscape study, part fever dream -- extending the disjunctive, textural logic of the music into literary terrain rarely inhabited by a music edition.

Artist	Title	Format	Label	Catalog #
VARGAS, MORITA	III	LP	HIDDEN HARMONY RECORDINGS	HH 014LP
$28.50 PREORDER RELEASE DATE: 6/26/2026 III is an intimate, cinematic and dream-like body of work -- written, produced and mixed by Morita Vargas, and recorded in Buenos Aires between 2014 and 2025. The album was mastered by Rafael Anton Irisarri at Black Knoll Studio (NY), adding depth and clarity to its carefully built sonic landscape. The visual world of the record is an essential part of the release. The cover artwork was crafted by Juliana Guglielmi, Ariadna Aylen Barrios, and Noelia Garreffa, whose combined vision creates a unified visual narrative that reflects the album's emotional depth and atmospheric essence. The LP layout and full manufacturing realization were carefully executed by Ilja Tulit, translating the complex design ideas into their final tangible form of a vinyl release. III marks a very special release for Hidden Harmony Recordings. Morita Vargas was among the first artists the label released when it began in 2020-2021, and her work played an important role in shaping the spirit and direction of Hidden Harmony. Five years later, Hidden Harmony are proud to continue this long-standing collaboration and to present her new album.

Artist	Title	Format	Label	Catalog #
ALUNAH/SAMAVAYO	Embers of Belief	CD	HEAVY PSYCH SOUNDS	HPS 393CD
$17.50 PREORDER RELEASE DATE: 6/26/2026 Alunah says: "Embers of Belief features the first Alunah recordings with vocalist Daisy Savage and continues our long-standing relationship with Heavy Psych Sounds Records. We are both excited and proud to present our contribution to this split release -- two brand new studio tracks that give a glimpse into where this new chemistry as a band is taking us creatively, alongside two live recordings which document and acknowledge the incredible job Daisy did in stepping up to tour and promote our previous full-length. This significant release is part of our 'VINGT' celebrations, marking 20 years of Alunah with both new music and festival appearances, including Bloodstock Open Air and Desertfest London. To everyone who's stood by Birmingham, heavy rock, and doom through the years -- this one's for you!" Samavayo says: "Creativity --- it burns deep inside, demanding to be heard and when it wants out, it has to get out. So here we are! Longing, recklessness and hope -- three themes that couldn't be more human or more relevant right now. 'Bavar' is a crushing heavy piece built on the Fibonacci sequence, featuring Persian lyrics inspired by a poem from Siavash Kasraie. It stands as a defiant cry against grief and mortality -- the narrator refuses to accept the death of loved ones, clinging instead to love, shared tears, and the breath of life as proof that loss can neither truly be believed nor surrendered to. 'Mottainai,' the second song takes aim at a reckless, consumption-driven mindset -- the relentless pursuit of instant gratification and shortcuts. The song warns that this culture of excess and selfishness will ultimately leave a devastating legacy for future generations. 'California Sky' is a psychedelic, acoustic ode to Samavayo's 2025 US tour, captures a paradoxical longing for the American desert landscape. It evokes a sense of spiritual belonging in the vast emptiness of Joshua Tree, while reflecting a deep yet helpless emotional connection to the United States and all its contradictions." Also available on black vinyl (HPS 393LP), orange vinyl (HPS 393LTD-LP), and splatter vinyl (HPS 393ULTRA-LP).

Artist	Title	Format	Label	Catalog #
ALUNAH/SAMAVAYO	Embers of Belief	LP	HEAVY PSYCH SOUNDS	HPS 393LP
$29.50 PREORDER RELEASE DATE: 6/26/2026 LP version. Alunah says: "Embers of Belief features the first Alunah recordings with vocalist Daisy Savage and continues our long-standing relationship with Heavy Psych Sounds Records. We are both excited and proud to present our contribution to this split release -- two brand new studio tracks that give a glimpse into where this new chemistry as a band is taking us creatively, alongside two live recordings which document and acknowledge the incredible job Daisy did in stepping up to tour and promote our previous full-length. This significant release is part of our 'VINGT' celebrations, marking 20 years of Alunah with both new music and festival appearances, including Bloodstock Open Air and Desertfest London. To everyone who's stood by Birmingham, heavy rock, and doom through the years -- this one's for you!" Samavayo says: "Creativity --- it burns deep inside, demanding to be heard and when it wants out, it has to get out. So here we are! Longing, recklessness and hope -- three themes that couldn't be more human or more relevant right now. 'Bavar' is a crushing heavy piece built on the Fibonacci sequence, featuring Persian lyrics inspired by a poem from Siavash Kasraie. It stands as a defiant cry against grief and mortality -- the narrator refuses to accept the death of loved ones, clinging instead to love, shared tears, and the breath of life as proof that loss can neither truly be believed nor surrendered to. 'Mottainai,' the second song takes aim at a reckless, consumption-driven mindset -- the relentless pursuit of instant gratification and shortcuts. The song warns that this culture of excess and selfishness will ultimately leave a devastating legacy for future generations. 'California Sky' is a psychedelic, acoustic ode to Samavayo's 2025 US tour, captures a paradoxical longing for the American desert landscape. It evokes a sense of spiritual belonging in the vast emptiness of Joshua Tree, while reflecting a deep yet helpless emotional connection to the United States and all its contradictions."

Artist	Title	Format	Label	Catalog #
ALUNAH/SAMAVAYO	Embers of Belief (Orange Transparent Vinyl)	LP	HEAVY PSYCH SOUNDS	HPS 393LTD-LP
$34.00 PREORDER RELEASE DATE: 6/26/2026 LP version. Orange transparent color vinyl. Alunah says: "Embers of Belief features the first Alunah recordings with vocalist Daisy Savage and continues our long-standing relationship with Heavy Psych Sounds Records. We are both excited and proud to present our contribution to this split release -- two brand new studio tracks that give a glimpse into where this new chemistry as a band is taking us creatively, alongside two live recordings which document and acknowledge the incredible job Daisy did in stepping up to tour and promote our previous full-length. This significant release is part of our 'VINGT' celebrations, marking 20 years of Alunah with both new music and festival appearances, including Bloodstock Open Air and Desertfest London. To everyone who's stood by Birmingham, heavy rock, and doom through the years -- this one's for you!" Samavayo says: "Creativity --- it burns deep inside, demanding to be heard and when it wants out, it has to get out. So here we are! Longing, recklessness and hope -- three themes that couldn't be more human or more relevant right now. 'Bavar' is a crushing heavy piece built on the Fibonacci sequence, featuring Persian lyrics inspired by a poem from Siavash Kasraie. It stands as a defiant cry against grief and mortality -- the narrator refuses to accept the death of loved ones, clinging instead to love, shared tears, and the breath of life as proof that loss can neither truly be believed nor surrendered to. 'Mottainai,' the second song takes aim at a reckless, consumption-driven mindset -- the relentless pursuit of instant gratification and shortcuts. The song warns that this culture of excess and selfishness will ultimately leave a devastating legacy for future generations. 'California Sky' is a psychedelic, acoustic ode to Samavayo's 2025 US tour, captures a paradoxical longing for the American desert landscape. It evokes a sense of spiritual belonging in the vast emptiness of Joshua Tree, while reflecting a deep yet helpless emotional connection to the United States and all its contradictions."

Artist	Title	Format	Label	Catalog #
ALUNAH/SAMAVAYO	Embers of Belief (Splatter Vinyl)	LP	HEAVY PSYCH SOUNDS	HPS 393ULTRA-LP
$44.50 PREORDER RELEASE DATE: 6/26/2026 LP version. Blue/red/black splatter color vinyl. Alunah says: "Embers of Belief features the first Alunah recordings with vocalist Daisy Savage and continues our long-standing relationship with Heavy Psych Sounds Records. We are both excited and proud to present our contribution to this split release -- two brand new studio tracks that give a glimpse into where this new chemistry as a band is taking us creatively, alongside two live recordings which document and acknowledge the incredible job Daisy did in stepping up to tour and promote our previous full-length. This significant release is part of our 'VINGT' celebrations, marking 20 years of Alunah with both new music and festival appearances, including Bloodstock Open Air and Desertfest London. To everyone who's stood by Birmingham, heavy rock, and doom through the years -- this one's for you!" Samavayo says: "Creativity --- it burns deep inside, demanding to be heard and when it wants out, it has to get out. So here we are! Longing, recklessness and hope -- three themes that couldn't be more human or more relevant right now. 'Bavar' is a crushing heavy piece built on the Fibonacci sequence, featuring Persian lyrics inspired by a poem from Siavash Kasraie. It stands as a defiant cry against grief and mortality -- the narrator refuses to accept the death of loved ones, clinging instead to love, shared tears, and the breath of life as proof that loss can neither truly be believed nor surrendered to. 'Mottainai,' the second song takes aim at a reckless, consumption-driven mindset -- the relentless pursuit of instant gratification and shortcuts. The song warns that this culture of excess and selfishness will ultimately leave a devastating legacy for future generations. 'California Sky' is a psychedelic, acoustic ode to Samavayo's 2025 US tour, captures a paradoxical longing for the American desert landscape. It evokes a sense of spiritual belonging in the vast emptiness of Joshua Tree, while reflecting a deep yet helpless emotional connection to the United States and all its contradictions."

Artist	Title	Format	Label	Catalog #
CLIVE FROM ACCOUNTS	Income Trax Vol. 1	12"	INCOME TRAX	IT 002X-EP
$19.00 PREORDER RELEASE DATE: 6/26/2026 Fiscal man of mystery, Clive From Accounts is back! Fresh off the heels of his well-received debut album on Razor N Tape, The Very Best of Clive From Accounts comes his new concoction, Income Trax Vol. 1. Operating somewhere between the dancefloor and the stationery cupboard. Mastered by Matt Colton at Metropolis.

Artist	Title	Format	Label	Catalog #
KELLY, RICKEY	My Kind Of Music	CD	JAZZMAN RECORDS	JMAN 150CD
$14.50 PREORDER RELEASE DATE: 6/26/2026 Jazzman's latest Holy Grail reissue is this private press spiritual jazz gem out of California from Rickey Kelly and his vibes and marimba. Features Diane Reeves (vocals) and Adele Sebastian (flute)! "Rickey, I know these are your friends, the guys you went to school with, but if you wanna record an album, you record with musicians who have been playing their whole life; whatever you write, they'll put their whole life into it. You play with your friends; they may not even play in tune." These are the words of Slave guitarist Kevin Johnson, and they were to change the course of young Rickey Kelly's life. It was 1978, and music student Kelly had approached Johnson with a tape of rough demos of some songs he'd written. A San Francisco native, Kelly had recently moved the short distance south to study music at LA City College in East Hollywood. He was a member of E.W. Wainwright Jr.'s African Roots of Jazz, and was spending up to 10 hours a day in practice on both vibes and marimba. He also played with Horace Tapscott, and had his own band made up of fellow students, but it was his ambition to make an album that led to the conversation with Johnson. It was a turning point in his education, and a decision was looming. Some calls were made and the date was set to record at Studio Masters on Beverly Blvd, a studio set up just a few years previous in 1973, owned and operated by Dot Records founder Randy Wood. As the recording session took place, John Wood was listening in. He was impressed. Kelly didn't have the funds to manufacture and release the album himself, so Wood suggested it was pressed up on his in-house studio label, Los Angeles Phonograph Records, and thus the LP My Kind of Music was released early in 1979. The album also saw a subsequent pressing soon afterwards on Dennis Sullivan's New Note label. Kelly remains humble and proud of his debut album to this day. "I was still a beginner" he says, "These masters walked in, smiling, and gave me something worth gold."

Artist	Title	Format	Label	Catalog #
KELLY, RICKEY	My Kind Of Music	LP	JAZZMAN RECORDS	JMAN 150LP
$28.00 PREORDER RELEASE DATE: 6/26/2026 LP version. Jazzman's latest Holy Grail reissue is this private press spiritual jazz gem out of California from Rickey Kelly and his vibes and marimba. Features Diane Reeves (vocals) and Adele Sebastian (flute)! "Rickey, I know these are your friends, the guys you went to school with, but if you wanna record an album, you record with musicians who have been playing their whole life; whatever you write, they'll put their whole life into it. You play with your friends; they may not even play in tune." These are the words of Slave guitarist Kevin Johnson, and they were to change the course of young Rickey Kelly's life. It was 1978, and music student Kelly had approached Johnson with a tape of rough demos of some songs he'd written. A San Francisco native, Kelly had recently moved the short distance south to study music at LA City College in East Hollywood. He was a member of E.W. Wainwright Jr.'s African Roots of Jazz, and was spending up to 10 hours a day in practice on both vibes and marimba. He also played with Horace Tapscott, and had his own band made up of fellow students, but it was his ambition to make an album that led to the conversation with Johnson. It was a turning point in his education, and a decision was looming. Some calls were made and the date was set to record at Studio Masters on Beverly Blvd, a studio set up just a few years previous in 1973, owned and operated by Dot Records founder Randy Wood. As the recording session took place, John Wood was listening in. He was impressed. Kelly didn't have the funds to manufacture and release the album himself, so Wood suggested it was pressed up on his in-house studio label, Los Angeles Phonograph Records, and thus the LP My Kind of Music was released early in 1979. The album also saw a subsequent pressing soon afterwards on Dennis Sullivan's New Note label. Kelly remains humble and proud of his debut album to this day. "I was still a beginner" he says, "These masters walked in, smiling, and gave me something worth gold."

Artist	Title	Format	Label	Catalog #
KOHNCKE, JUSTUS	Bass ist Musik	LP + 10"	KOMPAKT KLASSIKS	KLASSIKS 003LP
$38.50 PREORDER RELEASE DATE: 6/26/2026 Justus Köhncke is a unique voice in the history of Kompakt -- and far beyond. He has contributed so many unforgettable tracks to the catalogue that it was difficult to make a selection. His sound has often been copied, but remains incomparable. From his deep knowledge and understanding of the history of pop, schlager and disco, he distilled not only official club hits such as "2 After 909" and "Timecode," but also countless poetic gems. Both sides of Justus Köhncke's work are united here on this record. Justus' music knows no boundaries, only "weiche Zäune (soft fences)." Special attention should be paid to the included bonus 10". Here you will find two of his most enchanting, hard-to-find cover versions. His immortal version of Jürgen Paape's evergreen "So weit wie noch nie" and the monumental adaptation of Round One's "New Day," originally released under the nom de guerre Kinky Justice.

Artist	Title	Format	Label	Catalog #
VOORN PRESENTS: DARK REALITY, ORLANDO	Numb Denial	12"	KOMPAKT	KOM 504EP
$18.00 PREORDER RELEASE DATE: 6/26/2026 It is often in times of crisis and upheaval that the most fascinating music emerges. It is clear that times are grim, not only but particularly in the USA. On the Numb Denial EP, Orlando Voorn reflects on the emotional climate in his adopted home and conveys his uncertainty, his pain and also his anger. He impressively expresses his emotional states musically through the instrumentarium of timeless Detroit-style technosoul. These tracks are among the most moving, immediate and beautiful he has created in his decades-long career.

Artist	Title	Format	Label	Catalog #
REX THE DOG	Far Out!	12"	KOMPAKT	KOM 506EP
$20.00 PREORDER RELEASE DATE: 6/26/2026 Rex The Dog is taking listeners further out into the lesser-known realms of space disco. "Far Out!" is a reinterpretation of an early breakbeat rave tune from 1991 by Son'z Of A Loop Da Loop Era. It's a tribute to a simpler time when all you needed was a cascading piano riff played through a powerful sound system, with your best friend by your side. "I Need Your Body" showcases Rex The Dog's more introspective side, with yearning vocals spread across a heavily bouncing rhythm track full of mind-boggling dub effects.

Artist	Title	Format	Label	Catalog #
KENNAN, CATE	Shadows	CD	KRANKY	KRANK 253CD
$16.00 PREORDER RELEASE DATE: 6/26/2026 "Los Angeles musician Cate Kennan's self-produced second full length unfolds with the poetry and immateriality of its title: Shadows. Ten vignettes of keys, strings, reverb, and voice, the songs sway and lope between dream and lullaby, rose-colored but remote. The album was inspired by the dislocation Kennan felt upon returning, after several years away, to the rustic neighborhood northwest of L.A. where she'd grown up: 'Wandering through a place where my life once existed but where everything had quietly shifted with time.' The music conjures a mood of distance, dust, and dazed emotion, alternately lulling and unraveling. From shuffling tumbleweed vignettes ('The Lone West,' 'Romantic Strings') to sepia-tone torch songs ('Shadows,' 'Reverie') to oblique keyboard meditations ('Moonlight,' 'Rain'), Kennan's soundworld moves with a muted, murky beauty, like alluring shapes seen through smudged glass. In her hands, haze is a transformative property, liberating melody and memory into landscapes still untraveled: 'What began as a period of nostalgia for me turned into a longing, not for the past, for a place that might exist somewhere beyond the horizon.'"

Artist	Title	Format	Label	Catalog #
KENNAN, CATE	Shadows	LP	KRANKY	KRANK 253LP
$29.00 PREORDER RELEASE DATE: 6/26/2026 LP version. "Los Angeles musician Cate Kennan's self-produced second full length unfolds with the poetry and immateriality of its title: Shadows. Ten vignettes of keys, strings, reverb, and voice, the songs sway and lope between dream and lullaby, rose-colored but remote. The album was inspired by the dislocation Kennan felt upon returning, after several years away, to the rustic neighborhood northwest of L.A. where she'd grown up: 'Wandering through a place where my life once existed but where everything had quietly shifted with time.' The music conjures a mood of distance, dust, and dazed emotion, alternately lulling and unraveling. From shuffling tumbleweed vignettes ('The Lone West,' 'Romantic Strings') to sepia-tone torch songs ('Shadows,' 'Reverie') to oblique keyboard meditations ('Moonlight,' 'Rain'), Kennan's soundworld moves with a muted, murky beauty, like alluring shapes seen through smudged glass. In her hands, haze is a transformative property, liberating melody and memory into landscapes still untraveled: 'What began as a period of nostalgia for me turned into a longing, not for the past, for a place that might exist somewhere beyond the horizon.'"

Artist	Title	Format	Label	Catalog #
SHAKESPEARS SISTER	Stay	12"	LONDON RECORDS	LMS 1725840
$25.00 PREORDER RELEASE DATE: 6/26/2026 "Stay" by Shakespears Sister stands as one of the most creatively and commercially powerful singles of the early '90s, dominating the UK Singles Chart for eight consecutive weeks, one of the longest-running number-one hits of its era. It was a defining cultural and artistic statement, and the track's dramatic structure and accompanying video shifting from a delicate ballad into a theatrical, gothic climax. This 12" features four tracks previously unreleased on vinyl, as well as the Andre Betts 12" Remix, which is released commercially for the first time.

Artist	Title	Format	Label	Catalog #
HELLMUTH, ALDEN	Tether	LP	LEITER	LTR 062LP
$34.00 PREORDER RELEASE DATE: 6/26/2026 Alden Hellmuth is a saxophonist, improviser, and composer "out of the ordinary" and currently based in New York. Her newest project Tether propels a two-bass acoustic jazz quartet into thrilling new low-end territory. With two of LA's most wildly inventive and radical bass players, Logan Kane and Miller Wrenn, and acclaimed drummer Justin Brown delivering a landmark performance, this band truly goes beyond the guard rails. Hellmuth, a Herbie Hancock Institute graduate with both serious compositional vision and jaw-dropping chops has carefully and creatively crafted a new sonic realm, equally at home in a jazz festival and punk rock show. Featuring appearances by Paul Cornish and Yakiv Tsvietinskyi, the album is a bold statement from a group of musicians redefining the genre. For Fans of: Herbie Hancock, Ambrose Akinmusire, Steve Lehman.

Artist	Title	Format	Label	Catalog #
GADEA	In the Beginning	10"	MODERN OBSCURE MUSIC	MOM 068LP
$28.50 PREORDER RELEASE DATE: 6/26/2026 Gadea's original soundtrack to In the Beginning, the new animated short film by director Ala Nunu, unfolds across three surreal, yet surprisingly real, stories about people and the world around them: a lunar probe's tardigrade cargo, 16th-century myths surrounding birds of paradise, and Hong Kong's pandemic-driven hamster cull. The film is a tonally absurd documentary-fiction essay on anthropocentrism and the human need to control narratives. This is Gadea's first musical accompaniment for animation. Collaborating with Marina Herlop on vocals, Gadea's sonic palette sits somewhere between field-recording minimalism, chamber electroacoustics, and the more fragile end of speculative composition.

Artist	Title	Format	Label	Catalog #
VA	Timeless Presents From The Archives: 1974-1994 (Antal Rush Hour Store)	2LP	MUSIC ON VINYL	MOV 4057LP
$49.00 PREORDER RELEASE DATE: 6/26/2026 "Antal, founder of the Amsterdam-based Rush Hour Records & Store and renowned for his global DJ touring and eclectic sets spanning house, techno, rare funk, soul, and jazz, curates a personal selection from the historic label Timeless Records. For Timeless Presents From The Archives, he handpicked highlights from 1974?1994 by jazz luminaries such as Art Blakey and the Jazz Messengers, Pharoah Sanders, Carter Jefferson, Gary Bartz, Woody Shaw, and more. 'I want to thank the Wigt family for allowing me to dig deeper into their catalog to compile a selection of personal jazz favorites. Their passion for jazz and independent labels has inspired me as a DJ and record store owner. A great song is a great song, no matter when or where it was made,' Antal reflects. For this double album, Antal shares his love for modal and spiritual jazz, celebrating a pivotal era in jazz and creating a must-have for collectors, selectors, and new explorers. Timeless Presents From The Archives 1974-1994 is packed in a gatefold sleeve, featuring notes by Antal and artwork by Dirk-Jan Deckwitz. Affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker."

Artist	Title	Format	Label	Catalog #
SANDERS/JOHN HICKS, PHAROAH	Duo Concert Frankfurt 1986	2LP	MUSIC ON VINYL	MOV 4105LP
$49.00 PREORDER RELEASE DATE: 6/26/2026 "Duo Concert Frankfurt 1986, was recorded live in Germany on February 15th. The album captures tenor icon Pharoah Sanders and celebrated pianist John Hicks in a moment of profound musical harmony. Sanders, known for his evolution from fierce free jazz to deeply lyrical spiritualist, plays here with warmth, focus and emotional clarity. Hicks meets him with luminous touch, rich voicings and an intuitive sense of space that elevates every phrase. Together they deliver a beautifully balanced set of Coltrane classics 'Giant Steps,' 'Central Park West,' original compositions such as 'Heart To Heart' and more timeless standards. From the serene glow of 'After the Rain' to the understated spiritual power of 'The Creator Has A Master Plan/Thembi,' the duo moves effortlessly between tenderness, swing and transcendence. Their interplay feels almost telepathic, two distinct voices merging into one shared musical vision. This first-ever vinyl release of the legendary Duo Concert Frankfurt 1986 is a spiritual partnership. The double album is available now and includes new liner-notes by jazz journalist Bret Primack. Affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker."

Artist	Title	Format	Label	Catalog #
WITHERS, BILL	Live At Carnegie Hall (Magenta Vinyl)	2LP	MUSIC ON VINYL	MOV 432COL-LP
$47.00 PREORDER RELEASE DATE: 6/26/2026 Magenta color vinyl. "Bill Withers was a modest, gentle, and yet towering musical figure responsible for some of the most important, universally known soul hits ever written. It's no wonder that 'Just the Two of Us' and 'Ain't No Sunshine' won him two Grammy awards and undoubtedly played a huge role in getting him inducted into both the Songwriters and Rock and Roll Hall of Fame. Live at Carnegie Hall is Withers' only live album, recorded on October 6, 1973 but not released until April 21, 1973. The fact that Bill got to play his heartfelt and honest soul at one of the most prestigious venues for both classical and pop music speaks volumes: his first two records Just As I Am and Still Bill were really that influential. Withers here appears on stage with an ensemble of only the best session musicians the 1970s had to offer: Melvin Dunlap, Ray Jackson, James Gadson, Benorce Blackmon, and Bobbye Hall, at the time one of the few female session percussionists. They all had worked together on Still Bill and had the knack for expanding Bill's intimate songs to fit a hall of that size and stature. And as far as the recording goes, no corners were cut; it really feels like you're up there with them."

Artist	Title	Format	Label	Catalog #
WESSELTOFT & SCHWARZ	Duo	LP	MULE MUSIQ	MUSIQ 303LP
$42.00 PREORDER RELEASE DATE: 6/26/2026 180g vinyl. 15th anniversary reissue. Duo, a collaboration between Norwegian jazz heavyweight Bugge Wesseltoft and German house visionary Henrik Schwarz, is finally being reissued. It stands as one of the finest albums in the history of club music to so beautifully fuse jazz and electronic music. Deep and experimental yet irresistibly melodic, this gem of a record possesses a captivating sensibility that draws in listeners of every kind. Newly remastered by Kuniyuki, this long-awaited reissue comes pressed on 180g vinyl. The refreshed artwork has been created by emerging Japanese artist Joji Nakamura.

Artist	Title	Format	Label	Catalog #
SHUBOSTAR/RINA/BENJI	Starlight Arcade	12"	MULE MUSIQ	MUSIQ 306EP
$22.50 PREORDER RELEASE DATE: 6/26/2026 Shubostar, originally from South Korea and currently based in Germany, began releasing her own works in 2018. She quickly attracted attention with releases on Prins Thomas's label Internasjonal. This work, her debut release on Mule Musiq, presents a new disco sound that updates elements of cosmic, Italo disco, and new wave for a contemporary context. Her refined production style, which stands apart from typical disco-oriented artists, may be attributed to a distinct sensibility. This release marks the emergence of a notable new artist.

Artist	Title	Format	Label	Catalog #
NEUROSIS	An Undying Love For A Burning World	Cassette	NEUROT	NR 138CS
$16.00 PREORDER RELEASE DATE: 6/26/2026 Cassette version. "Evolution can be ugly and beautiful, painful and euphoric. An Undying Love For A Burning World is the first new release from Neurosis in a decade, and a potent statement of intent and rebirth -- one that marks the first new steps of resolve and resilience. An Undying Love For A Burning World is an epic album of colossal hypnotism -- beautiful, fearsome and utterly compelling in a way that only Neurosis can be. Aaron Turner (Sumac, Isis) joins the band on vocals and guitar, a name whose legacy is intertwined with the band's own and a true kindred spirit. Neurosis have never been afraid of change, and here they embrace endless regeneration, surrendering to the emotional exorcism through heaviness and distortion that their music incites. Just as the universe tends towards balance, Neurosis' cacophony of noise, rhythm and dissonance always resolves towards moments of beauty. The addition of Turner's powerful vocals and wildly creative and unhinged approach to guitar proves to be a vital force as Neurosis find themselves again at the mercy of evolution and expression. The album was recorded by Scott Evans (Kowloon Walled City, Sumac, and Great Falls) at Studio Litho in Seattle during three weekends, and mixed in three days just six weeks before release at Evan's Antisleep Audio in Oakland."

Artist	Title	Format	Label	Catalog #
MEIER & CHRISTOPH FRANZ, MICHAEL	The Rhythm of Design	LP	PRASENS EDITIONEN	PE 052LP
$39.50 PREORDER RELEASE DATE: 6/26/2026 Clear colored vinyl. Includes booklet in silk screened PVC sleeve. Sound fragments unfold across Zurich, making loss, memory, and cultural change physically and acoustically perceptible. In The Rhythm of Design, Zurich-based fine arts duo Michael Meier and Christoph Franz explore urban displacement and its impact on the local music scene. Focusing on six venues that have disappeared or are under threat, the artists collected materials on site -- wood, metal, and other architectural elements -- and, with the support of professional instrument builders, transformed them into six musical instruments. Six artists and groups connected to these spaces -- namely Kalabrese, Tobibi Ferrari-Bienz, Rafal Skoczek, Lucien Badoux, and Jeremy Sauter, Nicola Kazimir, and Dualism -- each composed a piece for them, forming the basis for site-specific performances in September 2025. Rather than performing as an ensemble, the works -- ranging from experimental funk and punk to kraut, noise, and drone -- unfolded simultaneously in spatial fragments at the original locations. Only through movement and listening across the city did the composition emerge as a whole. The work was realized in collaboration with the City of Zurich, Art in Public Space (KiöR). Eight months after the original performances took place, the pieces are released via Switzerland-based publishing platform Präsens Editionen.

Artist	Title	Format	Label	Catalog #
TOUR-MAUBOURG	Paradis Artificiels	LP	PONT NEUF RECORDS	PNLP 001LP
$34.00 PREORDER RELEASE DATE: 6/26/2026 Third repress of Tour-Maubourg's debut album initially released in 2020. Emerging out of the clouds of live and instrumental deep house, Tour-Maubourg first appeared on the scene with a debut record for Parisian label Pont Neuf Records before making connections with FHUO, Salin Records and Happiness Theory. Returning to Pont Neuf for the release of his debut album, Paradis Artificiels, the artist puts paid to the Trax article which once wrote of TM: "one of the most promising producers of the French house scene." Referencing a Baudelaire poem for its title, the album flexes between new age ambience, acid and Chicago house inspirations in tracks like "Le Vol. Du Corbeau" while diving deep into watery percussion, solo jazz brass and skittering drums in "Saint The A La Menthe." With stronger ties to functional deep house in "Diffraction Rythmique," there's a smokey haze of hip hop instrumentality and dub to be found in tracks like "Les Mots" too. A record that would be attractive to fans of SUED.

Artist	Title	Format	Label	Catalog #
TOUR-MAUBOURG	Spaces Of Silence	2LP	PONT NEUF RECORDS	PNLP 004LP
$43.00 PREORDER RELEASE DATE: 6/26/2026 Pont Neuf regular Tour-Maubourg is undoubtedly an artist on the rise. There are gems aplenty in his back catalogue, which supplements dusty, jazz-flecked deep house with blazed electronica and hazy downtempo gems. Spaces of Silence, his second album, is exceptionally strong, too, with the French producer sashaying between immersive ambient, organic, loose-limbed deep jazz-house, head-nodding instrumental hip-hop, sun-splashed warm-up shufflers, nostalgic New Jersey style deep house, horizontal electronica, deep space workouts, and nods towards the vintage early works of St Germain.

Artist	Title	Format	Label	Catalog #
WORLD GYM	Crime of Fashion/Solo La Moda	7"	PUBLIC POSSESSION	PP 116EP
$17.50 PREORDER RELEASE DATE: 6/26/2026 In Fashion: World Gym.

Artist	Title	Format	Label	Catalog #
VIGROUX, FRANCK	Sonnailles	2LP	RASTER	R-M 217LP
$46.50 PREORDER RELEASE DATE: 6/26/2026 French composer and sound artist Franck Vigroux returns to raster with a new album called Sonnailles. Conceived as a sequence-driven work, Sonnailles unfolds through a series of tightly structured musical passages interspersed with fragments of voices that appear within the compositions like ghostly presences. These vocal shards drift through the sonic landscape, punctuating Vigroux's dense electronic textures and amplifying the album's sense of tension and movement. At the heart of the project lies a deliberate contrast: the collision of raw, almost primitive sonic force with an underlying sense of compositional sophistication. Vigroux crafted the music with an ear for immediacy and physical impact, exploring how rough textures and driving rhythms can coexist with intricate sound design. The album was also inspired by two unusual invitations that pushed the artist beyond his typical performance environments: a rock and punk festival in France and a series of techno club performances in China. These contexts led Vigroux to imagine music whose primary purpose was to move bodies on the dance floor -- an approach that marks a new direction in his work. For Vigroux, the challenge was particularly compelling. Alongside his musical practice, he frequently collaborates with dancers and stages multidisciplinary performances known for their radical physicality. With this new album, he brings those parallel worlds together, completing a circle in his ongoing exploration of the relationship between sound and the moving body -- where composition, rhythm, and physical motion converge.

Artist	Title	Format	Label	Catalog #
KADAPAT/NOVA RUTH/SIKO SETYANTO	Ocean Cage	LP	RAUM MUSIK	RAUM 008LP
$49.00 PREORDER RELEASE DATE: 6/26/2026 Ocean Cage is a live recording of Tianzhuo Chen and Siko Setyanto's performance Moyang and Seaman -- a forking stage work that evolved from the immersive theatre performance project Ocean Cage, sharing the same title. Directed by Tianzhuo Chen, aka Asiandopeboys, the immersive performance Ocean Cage merges scenography, installation, choreography, and live music into a unified whole. Inspired by the complex whaling traditions in Lamalera, an Indonesian village that preservers ritualized whaling practices and ancestral beliefs, the work unfolds through interconnected trinities. It tells a porous story of unlocking the cage of the ocean: receiving ancestral blessing while becoming entangled with misjudgement, misunderstanding, ecological grief, and temporal displacement, until the sacrifice and life cycles move toward equilibrium. Evolving from this larger narration, Moyang and Seaman shifts into a frontal, meditative dialogues between ancestor and seaman. Inspired by Japanese Noh theatre and deeply rooted in Nusantara traditions, the performance integrates music, dance, and stage art into a mutable and fluid process, continuing to explore ancestral presences, cyclical time, and spiritual transformation. The album features music by KADAPAT and Nova Ruth, interwoven with Siko Setyanto's narrations and monologues. KADAPAT's electronic-gamelan practice moves through interlocking rhythm and cyclical time structures, extending asymmetrical Balinese ancestral yet modern sonic with digital signal. Bamboo and metal, folk and sacred, horizontal and vertical forces collide and co-exist, forming layered pulses that shift and reform in motion. Born and raised in Java, Nova Ruth's voice emerges from lived cosmology of oneness, where beings are interdependent and entangled. Singing becomes vibration from her body, carrying ecological awareness through shifting currents of fluxes and forces. Siko Setyanto describes his practice as "bodily musicality" -- a choreography in which movement and monologues interweave seamlessly with music, allowing the body listen, respond, and compose in real time. On the album, his voice retains that immediacy -- a trace of bodily musicality translated into sound. Ocean Cage also records the reciprocal, communal, improvisational, polymetric, and relational collaborations among Nova Ruth, Siko Setyanto, KADAPAT and Tianzhuo Chen. No role is fixed; no expression remains confined to its original context. In this sense, Ocean Cage becomes an assembled living being. This limited-edition deluxe vinyl edition features a gatefold sleeve with a sewn-in 16-page booklet, including scenario sketches by Tianzhuo Chen, articles by Dr. Freda Fiala and Milia Xin Bi, and performance photography by Nathaniel Brown and Camille Blake.

Artist	Title	Format	Label	Catalog #
PASCAUD, MATTHIS	Loup(s)	LP	SHAKE PRODUCTION	SHAKE 002LP
$29.50 PREORDER RELEASE DATE: 6/26/2026 LP version. The new album by the French jazz guitarist recorded in the legendary Abbey Road studio. A soft album with pop and cinematic influences between Khruangbin, Bombay Bicycle Club, and Bill Frisell. With wild eyes and ash-gray fur, Loup(s) is an instrumental album where jazz and pop intertwine, led by guitarist Matthis Pascaud (Ayo, Erik Truffaz, Moonlight Benjamin, Marion Rampal, Hugh Coltman) and his pack of sonic alchemists. Once again, the album features the magnetic R (Cheick Tidiane Seck, Erik Truffaz, Tété, Albin de la Simone) on drums, composition, and co-production, alongside bassist Laurent Vernerey (Didier Lockwood, MC Solaar, Henri Salvador, Jane Birkin) and saxophonist-clarinetist Christophe Panzani (Carla Bley Big Band, Hocus Pocus, Anne Paceo). Four lone wolves, fluent in swamp blues and psychedelic incantations. After Night Trippin' and Good Grief, Matthis sets off into uncharted territory, tracing the footsteps of Pink Floyd while echoing the shimmering grooves of Khruangbin, Blake Mills, and Pino Palladino. The result, Loup(s), recorded at London's legendary Abbey Road Studios, is a record where atmosphere reigns supreme. Tempos stretch and breathe, basslines rumble, and saxophones murmur through a Leslie cabinet. Landscapes emerge, sculpted by rolling toms and the feline cry of a 1967 Gretsch Astrojet. Later, singer Célia Kameni and pianist Gaël Rakotondrabe lend their own mysterious enchantments. Together, Pascaud and his band of explorers chase textures as others might chase gold, dreaming aloud of a music made of a panoramic vision stretching from the plains of Gran Sasso to the far edges of the American West, in search of forgotten legends.

Artist	Title	Format	Label	Catalog #
PASCAUD, MATTHIS	Loup(s)	CD	SHAKE PRODUCTION	SHAKE 002X-CD
$18.00 PREORDER RELEASE DATE: 6/26/2026 The new album by the French jazz guitarist recorded in the legendary Abbey Road studio. A soft album with pop and cinematic influences between Khruangbin, Bombay Bicycle Club, and Bill Frisell. With wild eyes and ash-gray fur, Loup(s) is an instrumental album where jazz and pop intertwine, led by guitarist Matthis Pascaud (Ayo, Erik Truffaz, Moonlight Benjamin, Marion Rampal, Hugh Coltman) and his pack of sonic alchemists. Once again, the album features the magnetic R (Cheick Tidiane Seck, Erik Truffaz, Tété, Albin de la Simone) on drums, composition, and co-production, alongside bassist Laurent Vernerey (Didier Lockwood, MC Solaar, Henri Salvador, Jane Birkin) and saxophonist-clarinetist Christophe Panzani (Carla Bley Big Band, Hocus Pocus, Anne Paceo). Four lone wolves, fluent in swamp blues and psychedelic incantations. After Night Trippin' and Good Grief, Matthis sets off into uncharted territory, tracing the footsteps of Pink Floyd while echoing the shimmering grooves of Khruangbin, Blake Mills, and Pino Palladino. The result, Loup(s), recorded at London's legendary Abbey Road Studios, is a record where atmosphere reigns supreme. Tempos stretch and breathe, basslines rumble, and saxophones murmur through a Leslie cabinet. Landscapes emerge, sculpted by rolling toms and the feline cry of a 1967 Gretsch Astrojet. Later, singer Célia Kameni and pianist Gaël Rakotondrabe lend their own mysterious enchantments. Together, Pascaud and his band of explorers chase textures as others might chase gold, dreaming aloud of a music made of a panoramic vision stretching from the plains of Gran Sasso to the far edges of the American West, in search of forgotten legends.

Artist	Title	Format	Label	Catalog #
LB HONNE	Guardwatcher (Pt. I)	2LP	ST. ODES	SO 005LP
$46.50 PREORDER RELEASE DATE: 6/26/2026 LB Honne's Guardwatcher (Pt. I) explores dramatic undertones across psychedelic house, techno and ambient.

Artist	Title	Format	Label	Catalog #
EDDY CURRENT SUPPRESSION RING	In Light Of Recent Events	LP	SUPPRESSION RECORDS	SR 007LP
$24.00 PREORDER RELEASE DATE: 6/26/2026 "Eddy Current Suppression Ring make a surprise return with their fifth album In Light of Recent Events. True to form, it finds the disinterested careerists sidestepping expectation and working on their own terms, in their own time. Dialed in through closed-door weekly jams across 2025, that pent-up energy has only leaked via pseudonym-billed small-room shows as Jimmy and the Ringtones and Top Hats, record shop in-stores and country detours, plus a pair of phantom straight-to-YouTube singles ('Swimming Hole' and 'Hard To Be Moved'), each with accompanying films by Chris Middlebrook and Amiel Courtin-Wilson respectively. Modern-day anxiety and human disillusionment press through the album's darker, more politically aware subject matter, as suburban melodramas and tender, hard-hitting reflections articulate everything you've never been able to. Taped within the band's signature close-quarters claustrophobia, Brendan Suppression purges his dome with a newly awakened vocal range, while riff savant Eddy Current bleeds through quicksilver, blood-raw scratches, cut against the tension-wound, locked-in low end of Danny Current and Rob Solid."

Artist	Title	Format	Label	Catalog #
FLUKE	The Second Bite	2LP	SURFACE	SR 2601LP
$37.50 PREORDER RELEASE DATE: 6/26/2026 A significant force in the development of British electronic music, Fluke return to the culture and reinvigorate their forward-thinking library of material on an unexpected and powerful new album, The Second Bite, arriving on limited-edition, double-vinyl gatefold LP. Driven by principal band members Jon Fugler, Mike Tournier, and Julian Nugent, The Second Bite boldly yet subtly reimagines twelve Fluke tracks from different eras of the band, including crossover hits "Atom Bomb," "Groovy Feeling," and "Absurd." Retaining their peerless groove and cinematic atmosphere, the band rework each with contemporary production touches and arrangements that invite these ambitious recordings into a digital future. Making a significant contribution to both rave and chillout sound systems throughout the nineties and deep into the new millennium, Fluke's progressive sonic philosophy saw the band invited to remix boundary-pushing artists including Bjork, New Order, Talk Talk, and even The Rolling Stones, while their original productions were integral to the cult soundtracks of blockbusters The Matrix Reloaded and Sin City. Their music remains instantly recognizable to renewed generations of gamers, having featured on the multi-million selling console series' Need For Speed: Underground as well as seminal racing game Wipeout 2097, for which the band recorded original music to feature alongside The Chemical Brothers, Daft Punk, The Prodigy and Underworld. Regaining control of their original compositions, Fluke approached The Second Bite with the same sense of creative community and futurist philosophy that has been fundamental to the band since their earliest recordings. Formed on the experimental fringes of London's nascent acid house culture, informed by a shared love of progressive electronic sounds, Fluke have remained deeply invested in the possibilities of recording technology. Decades later, reunited in a profoundly altered musical landscape, The Second Bite serves as a typically ambitious reintroduction to one of electronic music's most essential back catalogues.

Artist	Title	Format	Label	Catalog #
PDQB	Der Transiente Zeuge	2LP	SYNAPTIC CLIFFS	SYNAPTIC 029LP
$37.50 PREORDER RELEASE DATE: 6/26/2026 pdqb shows no signs of slowing down. Relentlessly productive and constantly locked into transmission mode, this album delivers 13 tracks of its unmistakable electro-cognition sound. Sharp, futuristic, body-moving music wired straight into the nervous system. From precision electro workouts to mind-bending synth transmissions, every track hits with purpose, style, and identity. However, the remix lineup is equally heavyweight. Four elite reworks from four serious operators, each one twisting the source code into new dimensions. Half pinball table, half neural reactor, wired directly into a wall of aging synthesizers. The so-called "Transient Witness" (aka "Preconscious Data Quantum Buffer") records not what people did -- but what they almost did: Every flash of hesitation, every thought that vanished before becoming real, every dream erased at sunrise. At its center pulses a synthetic brain, decoding impulses too brief for language. These signal transients are micro-events that appear and disappear in milliseconds. When activated, the table will not play sound. It remembers it. Each collision of steel ball and sensor triggers forgotten futures, lost timelines, phantom rhythms from decisions never taken. Basslines from parallel selves. Melodies from unrealized lives. Percussion patterns from collapsing probabilities. The 13 original tracks featured on this release are a transmission recovered from one of its sessions. Electro pulses, synaptic breaks, machine funk, and signals from thoughts that never survived long enough to exist.

Artist	Title	Format	Label	Catalog #
BRYANT, TRACY	The Well	LP	TAXI GAUCHE RECORDS	TGR 054LP
$29.50 PREORDER RELEASE DATE: 6/26/2026 Los Angeles singer-songwriter Tracy Bryant returns with his new album The Well, which is his first release since 2019's critically acclaimed Hush. His fourth solo album, The Well marks a striking new chapter, trading his signature guitar-driven sound for piano-led songwriting that took root during the pandemic. The album was born out of one of the most turbulent periods of his life, written in the wake of his father's sudden passing and birth of his first child. It was produced by longtime friend and compatriot Joo-Joo Ashworth at Studio 22 in Cypress Park, CA, and mastered by Dave Cooley at Elysian Masters. The nine songs are filled with raw emotion and driving motorik rhythm, telling tales of loss and love, relationships beginning and ending. When the pandemic upended Bryant's promotion for Hush and brought his 2019 European tour to a halt, he found himself at home rediscovering his musical roots at the piano, listening to Vince Guaraldi and Arthur Russell to take inspiration for the song structures. Without a band around, Bryant used the instrument to create both rhythm and melody, which resulted in a repetitive and precise backbeat, which was elevated when he began working with drummer Carmeron Gartung to rehearse the new songs. This different approach would define the style of The Well, creating an amalgamation of sounds with classic songwriting structures blended with post-punk, '90s indie, krautrock and psychedelia. The nine songs take the listener on a meticulously crafted journey through the nooks and crannies of Bryant's mind. Spanning 37 minutes, the album is an exploration of classic songwriting elements moving fluidly between driving beat punk, like "Weight" and "Widow," and more melancholic tracks like "Halfway" and "Danny." Album opener "Cold Floor" sets the tone immediately, Bryant's lyrics confronting the day of his father's death with unflinching directness -- the breezy California piano sound is in direct contrast to the heavy theme. The Bowie-esque title track is perhaps the album's most expansive moment -- a fully realized epic composed with a dynamic flare. The Well feels like an arrival. Dramatic and expansive, it is a true, visceral reflection of the life changing events that altered the course of Bryant's life. Fans will be surprised by the heavy focus on piano but they will welcome the change as a bold turning point for an artist who has lived long enough to know exactly what he wants to say.

Artist	Title	Format	Label	Catalog #
BROWN & KAPOTE, ARPY	Memento Ludi	LP	TOY TONICS	TOYT 196LP
$22.50 PREORDER RELEASE DATE: 6/26/2026 Toy Tonics presents Memento Ludi, the first collaborative album by label founder Kapote and multi-instrumentalist producer Arpy Brown. The album is a funk-driven journey that bridges the warmth of 1970s analog recordings with the pulse of contemporary dance music. Blending neo-soul grooves, yacht rock harmonies and modern house rhythms, Memento Ludi captures the spirit of classic musicianship within a forward-looking club context. But Memento Ludi is more than a typical house record. The album moves fluidly between dancefloor tracks and fully developed songs. Every instrument was performed live by the artists themselves: guitars, bass, keyboards and percussion recorded in the studio by Arpy and Kapote. After jamming and recording the basis of every song in a live procedure they carefully resample the parts to create the organic, human touch that defines the Toy Tonics sound. The title Memento Ludi -- Latin for "remember to play" -- reflects the album's philosophy: bringing joy, spontaneity and musicality back into dance music at a time when many club tracks feel increasingly mechanical and formulaic. The collaboration arrives during a particularly busy moment for both artists. While spending countless hours in the studio, Kapote and Arpy Brown have also maintained intensive international touring schedules with the Toy Tonics crew, road-testing many of the tracks as "secret weapons" in their DJ sets from Melbourne to Los Angeles via their homebase Berlin.

Artist	Title	Format	Label	Catalog #
EXTRAWELT	Bettermaker	12"	TRAUM	TRAUM 314EP
$19.00 PREORDER RELEASE DATE: 6/26/2026 A new EP by Extrawelt is always something special, as they continually manage to reinvent themselves while remaining unmistakably true to their sound. The A-side "Moonster" of their latest record forms a subtle and almost magical bridge to early musical influences such as Immortal Coil, Chris & Cosey, The Cure, and Throbbing Gristle. Beyond that, the track unfolds through numerous facets, constantly shifting and evolving. Just when you think it is settling into a familiar direction, small variations emerge, keeping the piece remarkably alive and unpredictable. You can clearly sense how much fun Extrawelt had working on this track. It is bursting with ideas.

Artist	Title	Format	Label	Catalog #
CQ WRESTLING	Resistance	CD	TRUTH	TRUTH 001CD
$13.50 PREORDER RELEASE DATE: 6/26/2026 CQ Wrestling present their sophomore album Resistance. There's a saying that simmers beneath the sonic assault of Resistance: "Nothing changes if nothing changes," recites Jake Mac, who knew of this idiom before 2024; before the loss that turned his and bandmate Charlie Woods' worlds upside down; before the "year of complete mayhem, mess and chaos" that followed. From the outside looking in, the Brighton-based duo may have seemed on the top of the world. Then known as Chappaqua Wrestling, the exhilarating energy of their debut album Plus Ultra had seen the band lauded as future British music scene conquerors. The pair had a major label record deal to their name. Sweat dripped from the walls at headline show after headline show, in front of rapturous fans -- and yet something felt amiss. Amid the mourning emerged a desire to transform. Resistance is an album forged in the embers of personal tragedy and hammered into shape by desire, resilience and resolve.

Artist	Title	Format	Label	Catalog #
CQ WRESTLING	Resistance	LP	TRUTH	TRUTH 001LP
$33.00 PREORDER RELEASE DATE: 6/26/2026 LP version. CQ Wrestling present their sophomore album Resistance. There's a saying that simmers beneath the sonic assault of Resistance: "Nothing changes if nothing changes," recites Jake Mac, who knew of this idiom before 2024; before the loss that turned his and bandmate Charlie Woods' worlds upside down; before the "year of complete mayhem, mess and chaos" that followed. From the outside looking in, the Brighton-based duo may have seemed on the top of the world. Then known as Chappaqua Wrestling, the exhilarating energy of their debut album Plus Ultra had seen the band lauded as future British music scene conquerors. The pair had a major label record deal to their name. Sweat dripped from the walls at headline show after headline show, in front of rapturous fans -- and yet something felt amiss. Amid the mourning emerged a desire to transform. Resistance is an album forged in the embers of personal tragedy and hammered into shape by desire, resilience and resolve.

Artist	Title	Format	Label	Catalog #
GARCIA, CHARLY	Yendo De La Cama Al Living	LP	UNIVERSAL MUSIC, MUNSTER RECORDS	U 8231834
$42.00 PREORDER RELEASE DATE: 6/26/2026 Orange color vinyl. Yendo de la cama al living (1982) is Charly García's solo debut album following the breakup of Serú Girán, and it represents a turning point both in his career and in Argentine rock. Recorded during a period of transition -- marked by the end of the military dictatorship -- the album captures a mood of change, introspection, and artistic openness. Musically, the album is built on a foundation of sophisticated rock and pop, featuring a strong presence of synthesizers, clean guitars, and carefully crafted arrangements that reflect the influence of new wave and the international sound of the era. Charly's piano remains central, now integrated into a more modern and minimalist production style. The songs explore personal and social themes through a blend of sensitivity and criticism. "Inconsciente colectivo" became an anthem of hope during a time of transformation, while the title track, "Yendo de la cama al living," conveys a sense of routine, confinement, and the search for meaning. Meanwhile, "No bombardeen Buenos Aires" reflects the political and emotional tension of those years with an intense and urgent energy. The album also stands out for its intimate character: it is a work in which Charly seems to reconsider his place both as an artist and as an individual. This combination of vulnerability, clarity, and sonic experimentation makes Yendo de la cama al living a landmark album that not only marked the beginning of a new phase in his career, but also resonates with the spirit of a society in the midst of reconstruction.

Artist	Title	Format	Label	Catalog #
GARCIA, CHARLY	Piano Bar	LP	UNIVERSAL MUSIC, MUNSTER RECORDS	U 8231919
$42.00 PREORDER RELEASE DATE: 6/26/2026 Limited edition solid white vinyl. Piano Bar (1984) is one of Charly García's most iconic albums and a key work in Argentine rock. Released during Argentina's transition to democracy, the album captures an intense blend of creative freedom, social tension, and a sound that felt modern for its time. The record is defined by a rawer, more direct sound compared to García's earlier work, with a strong presence of synthesizers, electric guitars, and, of course, Charly's piano, which serves as both the emotional and compositional core. The songs combine irony, social issues, and a clear-eyed view of reality, all wrapped in catchy melodies and sophisticated arrangements. Tracks like "Demoliendo hoteles" reflect the chaos and rebellious spirit of the era, while "Nos siguen pegando abajo" became an anthem charged with protest and energy. Meanwhile, songs such as "Promesas sobre el bidet" reveal a more introspective and poetic side, highlighting García's artistic versatility. Piano Bar not only cemented Charly as one of the leading figures in Spanish-language rock but also marked a turning point in Latin American music production, influencing generations of artists. It's an album that balances the visceral with the refined, the political with the personal, and remains relevant thanks to its expressive power and its ability to capture a moment in time without losing its universal appeal.

Artist	Title	Format	Label	Catalog #
ORCUTT & MABE FRATTI, BILL	Almost Waking	CD	UNHEARD OF HOPE	UOH 021CD
$20.00 PREORDER RELEASE DATE: 6/26/2026 "Mabe Fratti is a Guatemalan cellist, vocalist, and composer based in Mexico City, celebrated for her experimental yet deeply melodic work. Blending cello, voice, synthesizers, and electroacoustic textures, she builds songs that move between improvisation, ambient soundscapes, and off-kilter pop forms. Emerging from Mexico City's improvisational and experimental scene, she has become a key voice in contemporary avant-pop. Bill Orcutt is an American guitarist and composer known for his raw, highly individual approach to improvisation. A co-founder of the 1990s noise-rock duo Harry Pussy, he helped shape a fiercely abrasive aesthetic that drew from no wave, hardcore punk, and free jazz. Often playing a four-string guitar in unconventional tunings, he combines shards of melody, sudden silences, and surging rhythmic bursts, creating music that feels both primitive and structurally intricate. In parallel with his work as a guitarist, he runs the Palilalia and Fake Estates imprints and develops his own audio software, continuing to blur lines between avant-garde experimentation, song form, and DIY practice. Almost Waking: 'I had known about Bill's music for a while: since his 2017 release under his own name. I connected a lot with his music and I had no idea that years later we would be collaborating! It was a total surprise that we started chatting on the internet of collaborating! We bounced ideas back and forth, all starting with a series of guitar solo stuff that Bill sent me.' Guitar by Bill Orcutt, Cello and vocals by Mabe Fratti, Except tracks 1,3,4 and 6 that were written by Bill Orcutt & Mabe Fratti with contributions on the cello arrangement by I.La Católica. Recorded at Tinho Studios in CDMX and in the Living Room in San Francisco. Mixed by Santiago Parra. Mastered by James Plotkin. Special thanks to I.La Católoica who contributed with great aura, ideas and feedback at Tinho Studios."

Artist	Title	Format	Label	Catalog #
ORCUTT & MABE FRATTI, BILL	Almost Waking	LP	UNHEARD OF HOPE	UOH 021LP
$36.00 PREORDER RELEASE DATE: 6/26/2026 LP version. "Mabe Fratti is a Guatemalan cellist, vocalist, and composer based in Mexico City, celebrated for her experimental yet deeply melodic work. Blending cello, voice, synthesizers, and electroacoustic textures, she builds songs that move between improvisation, ambient soundscapes, and off-kilter pop forms. Emerging from Mexico City's improvisational and experimental scene, she has become a key voice in contemporary avant-pop. Bill Orcutt is an American guitarist and composer known for his raw, highly individual approach to improvisation. A co-founder of the 1990s noise-rock duo Harry Pussy, he helped shape a fiercely abrasive aesthetic that drew from no wave, hardcore punk, and free jazz. Often playing a four-string guitar in unconventional tunings, he combines shards of melody, sudden silences, and surging rhythmic bursts, creating music that feels both primitive and structurally intricate. In parallel with his work as a guitarist, he runs the Palilalia and Fake Estates imprints and develops his own audio software, continuing to blur lines between avant-garde experimentation, song form, and DIY practice. Almost Waking: 'I had known about Bill's music for a while: since his 2017 release under his own name. I connected a lot with his music and I had no idea that years later we would be collaborating! It was a total surprise that we started chatting on the internet of collaborating! We bounced ideas back and forth, all starting with a series of guitar solo stuff that Bill sent me.' Guitar by Bill Orcutt, Cello and vocals by Mabe Fratti, Except tracks 1,3,4 and 6 that were written by Bill Orcutt & Mabe Fratti with contributions on the cello arrangement by I.La Católica. Recorded at Tinho Studios in CDMX and in the Living Room in San Francisco. Mixed by Santiago Parra. Mastered by James Plotkin. Special thanks to I.La Católoica who contributed with great aura, ideas and feedback at Tinho Studios."

Artist	Title	Format	Label	Catalog #
CONCEPCION HUERTA	El Sol de los Muertos	LP	UMOR REX	URXX CLXIV
$34.00 PREORDER RELEASE DATE: 6/26/2026 Originally released on Umor Rex on cassette, El Sol de los Muertos deeply shaped the evolution and vision of Mexican producer Concepción Huerta's sonic work, becoming a reference point for a kind of experimental sound deeply connected to Latin American critical thought. Crafted entirely through subharmonic structures and tape manipulation, El Sol de los Muertos stands as Concepción Huerta's most abrasive and emotionally charged work to date, rooted in drone, musique concrète, and visceral textures. The album reflects on dispossession, extraction, and colonialism, while connecting deeply with Latin American critical thought and Indigenous resistance across the region. Inspired in part by Eduardo Galeano's work, it is not a manifesto, but an invitation to reflection, memory, and vigilance against the enduring forms of fascism and colonialism. Recorded by Concepción Huerta in 2024 between Berlin, The Hague, and Mexico City. Original master and remastered for vinyl by Rafael Anton Irisarri at Black Knoll Studio, New York. Volcano photography by Magaly Ugarte. Design by Daniel Castrejón in Mexico City.

Artist	Title	Format	Label	Catalog #
EARTHBALL	Actual Earth Music: Volume 3 & 4	CD	UPSET THE RHYTHM	UTR 181CD
$13.50 PREORDER RELEASE DATE: 6/26/2026 EarthBall are an avant/noise/rock wrecking ball of a band from Nanaimo, Canada. Rooted in total improvisation, free expression, and a deeply psychedelic sensibility, EarthBall operate on pure instinct. They hurtle onwards in a combustion of spontaneous composition, shooting from the hip, as they fall out of the sky ablaze. The group encompasses Isabel Ford (vocals, bass), John Brennan (drums, percussion), Jeremy Van Wyke (vocals, guitar, trumpet), Kellan Maclaughlin (guitar, talkbox), and Liam Murphy (saxophone). Each member brings a rich and varied musical history, with past and present projects including Shearing Pinx, Plan Your Future, Kamikaze Nurse, Eschatons, and Psychedelic Dirt. Collectively and individually, they have collaborated with artists such as Deerhoof, Raven Chacon, Chris Corsano, and William Hooker, deepening the band's exploratory reach and collective language. Since forming in 2021, EarthBall have released six cassettes and three fervently received LPs on Upset The Rhythm, including the widely-acclaimed Outside Over There. Their latest release, Actual Earth Music: Volume 3 & 4, follows the first instalment in the series and captures two mind-quaking highlights from their European tour. This is EarthBall plunging to full fathom five, transforming into something rich and strange -- channeling the fleeting moment as it fractures, erupts, and dissolves into the unknown. Side A captures a thumping performance at Cave12 in Geneva. Frazzled from a white-knuckle alpine descent, the group settles into a hypnotic sprawl, stretching time and form across a colossal 53-minute set. The Cave12 recording is a study in tension and release; ruminative, volatile, and barely contained. Drums stumble and surge, saxophone howls cut through the air, and Ford and Van Wyke's voices briefly pull together the circle twice, before the tumult lapses into a spinning maelstrom. Side B meanwhile presents a scorched excerpt from EarthBall's crushing performance at Le Guess Who? Festival. Actual Earth Music: Volume 3 & 4 marks another ascent in EarthBall's ever-expanding, totemic discography, an ecstatic storm of raw immediacy and unfiltered expression.

Artist	Title	Format	Label	Catalog #
EARTHBALL	Actual Earth Music: Volume 3 & 4	LP	UPSET THE RHYTHM	UTR 181LP
$25.00 PREORDER RELEASE DATE: 6/26/2026 LP version. EarthBall are an avant/noise/rock wrecking ball of a band from Nanaimo, Canada. Rooted in total improvisation, free expression, and a deeply psychedelic sensibility, EarthBall operate on pure instinct. They hurtle onwards in a combustion of spontaneous composition, shooting from the hip, as they fall out of the sky ablaze. The group encompasses Isabel Ford (vocals, bass), John Brennan (drums, percussion), Jeremy Van Wyke (vocals, guitar, trumpet), Kellan Maclaughlin (guitar, talkbox), and Liam Murphy (saxophone). Each member brings a rich and varied musical history, with past and present projects including Shearing Pinx, Plan Your Future, Kamikaze Nurse, Eschatons, and Psychedelic Dirt. Collectively and individually, they have collaborated with artists such as Deerhoof, Raven Chacon, Chris Corsano, and William Hooker, deepening the band's exploratory reach and collective language. Since forming in 2021, EarthBall have released six cassettes and three fervently received LPs on Upset The Rhythm, including the widely-acclaimed Outside Over There. Their latest release, Actual Earth Music: Volume 3 & 4, follows the first instalment in the series and captures two mind-quaking highlights from their European tour. This is EarthBall plunging to full fathom five, transforming into something rich and strange -- channeling the fleeting moment as it fractures, erupts, and dissolves into the unknown. Side A captures a thumping performance at Cave12 in Geneva. Frazzled from a white-knuckle alpine descent, the group settles into a hypnotic sprawl, stretching time and form across a colossal 53-minute set. The Cave12 recording is a study in tension and release; ruminative, volatile, and barely contained. Drums stumble and surge, saxophone howls cut through the air, and Ford and Van Wyke's voices briefly pull together the circle twice, before the tumult lapses into a spinning maelstrom. Side B meanwhile presents a scorched excerpt from EarthBall's crushing performance at Le Guess Who? Festival. Actual Earth Music: Volume 3 & 4 marks another ascent in EarthBall's ever-expanding, totemic discography, an ecstatic storm of raw immediacy and unfiltered expression.

Artist	Title	Format	Label	Catalog #
AYERS UBIQUITY, ROY	Vibrations	LP	VAMPISOUL	VAMPI 322LP
$32.00 PREORDER RELEASE DATE: 6/26/2026 Step into the golden era of soul-jazz with the long-awaited vinyl reissue of Vibrations by Roy Ayers Ubiquity -- a record that captures the unmistakable warmth, groove, and sophistication that defined Roy Ayers' sound at its peak. Originally released in 1976, Vibrations stands as a cornerstone in Ayers' catalog, marking a moment where his signature blend of jazz, funk, and soul reached a refined, deeply cohesive form. Building on the foundations laid in earlier works, this album presents a tighter, more focused musical vision without sacrificing the lush textures and emotional depth that made his music resonate worldwide. Roy Ayers was a pioneering vibraphonist, composer, and producer whose influence stretches far beyond jazz into R&B, neo-soul, and hip-hop. Often referred to as the "Godfather of Neo Soul," Ayers crafted a sound that feels both timeless and forward-thinking, pairing silky vocals with hypnotic grooves and rich instrumental arrangements. His work throughout the 1970s helped shape the sonic DNA of modern Black music, and Vibrations is one of its purest expressions. The album flows effortlessly between moods: from the jazz-inflected elegance of "Searching" to the irresistible funk pulse of "The Memory," the dancefloor-ready "One Sweet Love to Remember," and the laid-back, atmospheric title track "Vibrations." Each track showcases a masterful balance between musicianship and groove, brought to life by a stellar ensemble of collaborators who elevate every moment. Beyond its original impact, Vibrations has taken on a second life through hip-hop. Its grooves, breaks, and melodies have been extensively sampled by generations of producers and artists, becoming a foundational source for crate diggers and beatmakers alike. Tracks from the album have been reinterpreted and flipped by influential names such as A Tribe Called Quest, J Dilla, Dr. Dre, and Common, cementing its legacy as a vital bridge between 1970s soul-jazz and contemporary hip-hop culture. After almost two decades out of print, Vampisoul present this much-needed vinyl reissue of an essential album in Roy Ayers' career. Whether you're discovering it for the first time or returning to a beloved classic, this album remains an essential piece of musical history. Pressed on 180g vinyl.

Artist	Title	Format	Label	Catalog #
SICK GAZELLE	Veld	LP	VAMPIRE BLUES	VB 015LP
$25.00 PREORDER RELEASE DATE: 6/26/2026 "With their second LP Veld, Sick Gazelle take their cosmic and instantaneous group communications to new levels of clarity and structure, without losing the spark of the jam. The band expands from longtime Chicago underground players Eric Block on guitar (Veloce) and vocalist/saxophonist Bruce Lamont (Yakuza) with drummer Steve Shelley (Sonic Youth) to include Douglas McCombs (Tortoise) on bass. Though these five tracks are sculpted from improvisations, they've been refined into song forms that illuminate the strengths of both the individual players and the chemistry of the quartet version of the combo. This comes through in Veld's moments of reflective subtlety on tracks like 'I'll Come Running,' in the foreboding tension of the cinematic 'Ocean Always Wins,' as well as in the charged grooves and dubby undercurrents of the sideways rocker 'Hippies.'"

Artist	Title	Format	Label	Catalog #
COMELADE, PASCAL	Metaphysique Du Hit-Parade	LP	WEEK-END RECORDS	WE 020LP
$42.00 PREORDER RELEASE DATE: 6/26/2026 "I first encountered Pascal Comelade's music thirty years ago -- and nothing has sounded quite the same since. I was immediately captivated: he is an artist like no other, whose sincere and selfless love of music is always evident, especially in his tender reworkings of other people's songs. Comelade seems to work like a watchmaker: meticulous, precise, and obsessive -- yet always drifting into something dreamlike. His music opens hidden doors, telling strange and beguiling stories filled with obscurity, kindness, and reserved humor. Back then, my fascination was instinctive. Today, with a few more words at my disposal, I look to this exceptional 70-year-old French musician and feel exactly the same pull. Métaphysique Du Hit-Parade is the first vinyl compilation devoted to Pascal Comelade's favorite cover versions. It spans a forty-year career and traces sixty years of rock and roll history along the way. 'Sheena Is a Punk Rocker' becomes a soft, soothing lullaby that may well have made the Ramones weep. Then there are his idiosyncratic tributes to Jonathan Richman ('Egyptian Reggae') and The Kinks ('Sunny Afternoon'), alongside nods to formative heroes such as The Gun Club, Captain Beefheart, and MC5. Two exclusive recordings stand out particularly: Bob Dylan's 'Girl from the North Country' and Nirvana's 'Come As You Are' -- a song that shaped my early youth. Both were recorded especially for this release." --Jan Lankisch, January 2026

Artist	Title	Format	Label	Catalog #
WIRE, THE	#509 July 2026	MAG	THE WIRE	WIRE 509
$12.00 PREORDER RELEASE DATE: 6/26/2026 "On the cover: EarthBall: The Canadian improvised free rock collective have earned a reputation for electrifying live sets since their 2019 inception. Last year's Actual Earth Music Volumes 1 & 2 documented performances in Vancouver and London, with guest collaborations from Chris Corsano and Steve Beresford. This year they follow up with Volumes 3 & 4 incorporating live recordings from Geneva and the Le Guess Who? festival in Utrecht. By Emily Pothast. Inside: DoYeon Kim: The Seoul born, New York based gayageum player, composer and improvisor has released her highly anticipated debut Wellspring on TAO Forms, supported by an ensemble featuring drummer Tyshawn Sorey, double-bassist Henry Fraser and violist Mat Maneri. By Stewart Smith; Jocy de Oliveira: In the year of her 90th birthday, the pioneering Brazillian composer and pianist's work is the subject of Dácio Pinheiro's documentary film The Circular Universe, reflecting on her life, work and legacy. By Andy Cumming; Onilu: For their forthcoming album Jakutá's Dance, on New York's 577 records, Onilu founders Kevin Diehl and Joe Chambers have been joined by Craig McIver and Daniel Villarreal to create a formidable percussion ensemble. By Phil Freeman."

Artist	Title	Format	Label	Catalog #
IMAGINATION	Night Dubbing	2LP	WRWTFWW RECORDS	WRWTFWW 120LP
$46.50 PREORDER RELEASE DATE: 6/26/2026 WRWTFWW Records unleashes the first ever release of legendary post-disco, funk, soul and electronic UK trio Imagination's cult album Night Dubbing in (well deserved) double LP format. The limited edition full-length comes with pristine audiophile treatment and luxurious packaging: a 45rpm and Half Speed Mastered DLP housed in heavyweight silver cardboard sleeve. Imagination's singular 1983 album Night Dubbing is a refined deconstruction of black British soul and club pop, filtered through the deep studio and mixing techniques of dub music. Elegant, restrained, and, in its very own subtle way, radical, the record reshapes choice selections from the group's stellar catalogue into an immersive and out-of-this-world listening experience. The special mixes on Night Dubbing are built on time and space. Basslines elongate and dissolve. Vocals appear, vanish, and reappear like ghosts. Drums fall away into vast silences, while echoes, tape edits, and precise engineering maneuvers smoothly slide across the stereo field, revealing themselves like magic over repeated listens. Far from simple extensions or 12" versions, Night Dubbing treats the studio itself as an instrument, opening new dimensions of sound. Often cited as a foundational record in the genesis of the house genre, the album also features the historic Larry Levan remix of "Changes," a Paradise Garage anthem that helped shape the direction of club music for decades to come. More than 40 years on, Night Dubbing remains a seminal work. Its influence continues to echo through contemporary dance music, offering a blueprint for how pop could be transformed into something darker, stranger, more physical -- a timeless sound that drifts effortlessly from the dancefloor into space. Important note: it sounds amazing played on 33rpm too!

Artist	Title	Format	Label	Catalog #
DAVE'S WAVES HOUSE BAND, THE	Trust Patterns	3CD	XI RECORDS	XI 151CD
$27.50 PREORDER RELEASE DATE: 6/26/2026 The Dave's Waves House Band is the ultimate outgrowth of an installation project David First created in 2003 entitled Dave's Waves: A Sonic Restaurant. In 2018, after numerous iterations in various European cities, he began presenting it at the Sunview Luncheonette in Brooklyn and for the first time included live performances in what had previously been an individual, headphone-only experience for people entering his establishment. After a few years of putting together one-off situations for different groupings of players, he decided to flip the switch and see how deep things could get using the same players every time. "I've always been a strong believer in bands -- whether it's the Miles Davis Quintets, Cecil Taylor's classic Unit, the Art Ensemble of Chicago, Ornette Coleman and John Coltrane's quartets, Phillip Glass and Steve Reich's early ensembles, Meredith Monk and Robert Ashley's vocal troupes, Karlheinz Stockhausen's core players, or the Grateful Dead, there's something irreplaceable about staying together and vibing long-term." The outcome is this 3CD album entitled Trust Patterns on XI Records. Discs 1 and 2 in this set were recorded live at the Sunview Luncheonette. They did have the pleasure of illustrious guests sitting in, including composer/performer Sarah Hennies, who also guests here on disc 3, which was recorded in sessions at Bard College at the invitation of composer Matt Sargent who came to hear them play one night and offered the facilities he is in charge of as head of the electronic music department. David First has always been fascinated by opposites and extremes. At 20 he played guitar with renowned avant-jazz pianist Cecil Taylor in a legendary Carnegie Hall concert. Two years after that he was invited to create electronic music in the EMS at Princeton and leading a Mummerʼs String Band in Philadelphia parades. He has played in raucous drunken bar bands, semi-legal DIY basements and in pin-drop quiet concert halls. First's performances often find him sitting trance-like without seeming to move, unless he is playing with his psychedelic punk band, Notekillers, at which time he is a whirling blur of hyperactivity. He has had music released on Important Records, Dais, Ecstatic Peace, Mode, and others.

Artist	Title	Format	Label	Catalog #
DOWSER	Schema 1+2	2CD	ALL HORNED ANIMALS	AHA 005CD
$27.00 PREORDER RELEASE DATE: 7/3/2026 Dowser was formed in the late 1980s by Hiroyuki Nagashima. After numerous lineup changes, the current members are Hiroyuki Nagashima (instruments), Masateru Terai (instruments, voice), and Takashi Miyagawa (design). Dowser combines vintage synthesizers such as Buchla and EMS with virtual instruments to construct a distinctive sonic landscape that merges electronic music, rock, noise, and ambient textures. Founder and leader Hiroyuki Nagashima is also an accomplished film composer, having created music for internationally acclaimed directors including Gakuryu/Sogo Ishii, Katsuhiro Otomo, and Shinji Aoyama. One of the earliest works released under the name Dowser was itself a soundtrack, the score for the cult cyberpunk film 964 Pinocchio, directed by Shozin Fukui. Nagashima has also contributed to the recent work of legendary vocalist Phew, notably handling album mixing. In addition, he serves as a professor at the Graduate School of Film and New Media at Tokyo University of the Arts, where he teaches film sound design. Now operating as a trio, Dowser crafts immersive soundscapes that channel a wide spectrum of human emotion, from the raw to the deeply vulnerable. Miyagawaʼs automatic drawings complement and extend the musical dimension, reinforcing the group's identity as an "Unconscious Electronic Sound Collective." Schema 1+2 marks Dowserʼs first label release in many years. Long respected within Japanʼs underground scene, the group enters a new phase of its evolution with this album.

Artist	Title	Format	Label	Catalog #
CHARLES A.D.	Luminous	LP	AVANTROOTS	AR 060LP
$29.50 PREORDER RELEASE DATE: 7/3/2026 Charles A.D. presents Luminous, a new release on Avantroots that further defines his deep and immersive vision of dub techno. Across six compositions, the artist creates a hypnotic journey where echoes, atmospheric textures, and minimalist grooves merge into a warm and contemplative sonic experience. With an elegant and detail-oriented approach, Luminous explores the relationship between space, depth, and movement, allowing each piece to evolve slowly through layers of reverb, deep pulses, and emotional landscapes. The album balances introspection with dancefloor functionality, revealing a mature and coherent side of Charles A.D's sonic identity. This release also marks the artist's second LP on Avantroots, strengthening an artistic connection built around the exploration of deep, futuristic, and timeless electronic soundscapes.

Artist	Title	Format	Label	Catalog #
BELLA BOO	Shake Down	12"	AUS MUSIC	AUS 212EP
$21.50 PREORDER RELEASE DATE: 7/3/2026 Bella Boo lands on Aus Music with a mix of party-starting and heart-racing house jams. Swedish artist KURT brings her characterful style to the title cut Bella Boo has lit up the house world since breaking through in 2018. It's built on solid grooves with fresh sound designs and has taken her to DJ everywhere from Panorama Bar to Printworks. The Regrette Rien Mix takes on a late-night feel with sustained chords and a silky-smooth vocal from KURT that turns you inwards. Bella Boo then goes solo for the super vibey "Atlas," a deep, cruising house cut with catchy percussion and lush, layered bells.

Artist	Title	Format	Label	Catalog #
PLAY TIME	Magic Object	LP	BALMAT	BALMAT 022LP
$29.50 PREORDER RELEASE DATE: 7/3/2026 This is not a Ben Vida, Booker Stardrum, and Will Epstein record; it's a Play Time record. That's a subtle but important distinction, for a couple reasons. One, the sound of Magic Object -- a polymetric blend of improv and pulse minimalism for saxophone, drums, and Moog -- doesn't really sound anything like any of their many other ensembles or respective solo projects. And two, it was only while making Magic Object, their debut album, that Play Time realized they were a band at all. The roots of the trio date to 2020-21, when Will and then Booker moved to the Hudson Valley, where Ben was already living. The three got into the habit of playing together at Ben's house, and they soon realized that their hang sessions felt fundamentally different from making music in some falling-down studio in Bushwick. Where those experiences were rushed and cramped, a new sense of time and space now suggested itself. Early gigs yielded similar revelations. A booking at Tubby's, the beloved Kingston venue, evolved into a kind of residency. Gradually, they discovered a newfound "elasticity" that reshaped the music from inside. They were jamming, but it wasn't just a free-for-all; they found themselves listening to each other in new ways. Play Time is all about being in the moment. That spontaneity was key to the process of recording the album. They booked two days in their friend Joey's studio, a converted wooden barn. For two days, they just jammed, for seven or eight hours each day. When it was over, they went through, edited down the portions they liked, and added very judicious overdubs designed to enhance the original recordings without fundamentally altering them, staying true to the spirit of the sessions. The result is something like a snapshot and a mission statement all rolled into one.

Artist	Title	Format	Label	Catalog #
GOLD PANDA	Ton Up	2LP	STUDIO BARNHUS	BARN 133LP
$41.00 PREORDER RELEASE DATE: 7/3/2026 Gold Panda returns with Ton Up, a brilliantly stubborn new album for Studio Barnhus: eight rough-hewn dance tracks and two cozy little service-station interludes, all crafted with the robust determination of a producer who knows that 140 bpm is not so much a tempo as a way of life. Made with Derwin Dicker's unmistakable sampler-bashing touch, the tracks on Ton Up carry the raw knock of old-school hip-hop instrumentals, pushed through pumping house-music machinery and ready to cause absolute trouble on any half-decent sound system. Here you'll find zero of that dreaded, over-explained "maturity" usually demanded of beloved electronic artists several albums deep into the game. Instead, Gold Panda just sounds as happily locked in as ever, carelessly chasing the physical joys of pressure, swing and repetition. Ton Up is functional, funny and oddly tender club music, arriving just when the world needed it the most.

Artist	Title	Format	Label	Catalog #
VA	Sowas Von Egal 3: German Synth Wave Underground 1981-1986	CD	BUREAU B	BB 507CD
$16.50 PREORDER RELEASE DATE: 7/3/2026 With Sowas von Egal Vol 3, the Hamburg-based Damaged Goods DJ team continues its compilation series on Bureau B, once again turning its attention to the underground scenes of Germany, Austria, and Switzerland in the early 1980s. The selected tracks originate from a period in which, alongside the commercial Neue Deutsche Welle (NDW), a number of innovative and often more abrasive bands and artists operated outside the mainstream. They combined influences from new wave, synthwave, post-punk, and the avant-garde with German lyrics -- and occasionally other languages -- releasing their music in very small editions on indie labels or entirely DIY. As a result, many of these records are now rare and highly sought after. The tracks emerged in a cultural climate strongly shaped by the rupture brought about by punk. Five years after the second installment, the search for hard-to-find artists and rights holders began again. Thanks to the cohesion and supportive network within the scene, it has once more been possible to assemble a carefully curated and lovingly compiled selection. As with the first two volumes, part three follows an approach closely aligned with the DJ repertoire of the Damaged Goods nights. The focus is on captivating, danceable, and catchy tracks. Songs that often reveal their full impact on first listen in a club setting. The aim is to make forgotten or hard-to-access pieces audible and available again. The artwork is once again by Biljana Tomic, drawing on an industrial-apocalyptic sensibility and referencing the iconic facades of Horten department stores, evoking a visual aesthetic of the 1980s. The sound has once again been carefully remastered by Tom Morgenstern. Sowas von Egal Vol 3 seamlessly continues the series and presents itself as a lovingly curated snapshot of a highly productive yet often overlooked phase in German, Austrian, and Swiss pop history. Featuring Guyer's Connection, Starter, Bergtraum, Die Shadocks, Isolierband, Bizarre Leidenschaft, Ziggy & Eno, André Szigethy, Zero Zero, JaJaJa, Ti-Tho, Vorgruppe, X-Beliebig, Trick 17, Die Egozentrischen 2, and Tommi Stumpff.

Artist	Title	Format	Label	Catalog #
VA	Sowas Von Egal 3: German Synth Wave Underground 1981-1986	LP	BUREAU B	BB 507LP
$26.00 PREORDER RELEASE DATE: 7/3/2026 LP version. With Sowas von Egal Vol 3, the Hamburg-based Damaged Goods DJ team continues its compilation series on Bureau B, once again turning its attention to the underground scenes of Germany, Austria, and Switzerland in the early 1980s. The selected tracks originate from a period in which, alongside the commercial Neue Deutsche Welle (NDW), a number of innovative and often more abrasive bands and artists operated outside the mainstream. They combined influences from new wave, synthwave, post-punk, and the avant-garde with German lyrics -- and occasionally other languages -- releasing their music in very small editions on indie labels or entirely DIY. As a result, many of these records are now rare and highly sought after. The tracks emerged in a cultural climate strongly shaped by the rupture brought about by punk. Five years after the second installment, the search for hard-to-find artists and rights holders began again. Thanks to the cohesion and supportive network within the scene, it has once more been possible to assemble a carefully curated and lovingly compiled selection. As with the first two volumes, part three follows an approach closely aligned with the DJ repertoire of the Damaged Goods nights. The focus is on captivating, danceable, and catchy tracks. Songs that often reveal their full impact on first listen in a club setting. The aim is to make forgotten or hard-to-access pieces audible and available again. The artwork is once again by Biljana Tomic, drawing on an industrial-apocalyptic sensibility and referencing the iconic facades of Horten department stores, evoking a visual aesthetic of the 1980s. The sound has once again been carefully remastered by Tom Morgenstern. Sowas von Egal Vol 3 seamlessly continues the series and presents itself as a lovingly curated snapshot of a highly productive yet often overlooked phase in German, Austrian, and Swiss pop history. Featuring Guyer's Connection, Starter, Bergtraum, Die Shadocks, Isolierband, Bizarre Leidenschaft, Ziggy & Eno, André Szigethy, Zero Zero, JaJaJa, Ti-Tho, Vorgruppe, X-Beliebig, Trick 17, Die Egozentrischen 2, and Tommi Stumpff.

Artist	Title	Format	Label	Catalog #
KING GIZZARD AND THE LIZARD WIZARD	From Demos To Demons	LP	BEAT GENERATION	BEAT 123LP
$28.50 PREORDER RELEASE DATE: 7/3/2026 A selection of 14 face melting, demonic, tracks from the legendary Demo Sessions Vol. 1 to 7, by the masters of modern psychedelic rock. A fuzzed-out deep dive into the wild vaults of the Australian psych masters and a fascinating view into their exhilarating creative process. Includes heavy hitters from their repertoire presented in early mutation stages, instrumental versions, and other psychedelic candy for the growing fan base of this heavy psych squad. Includes an insert and eye-popping full-color art. Part of the Official Bootlegger initiative. Essential for fans of ass kicking modern psychedelic rock'n'roll.

Artist	Title	Format	Label	Catalog #
ANTUNES, LUCIE	Silence	CD	BELL	BELL 002CD
$20.00 PREORDER RELEASE DATE: 7/3/2026 Silence marks the return of Lucie Antunes following Carnaval (2023). The album was born from a desire to clear space -- and to rediscover, through dance and collective creation, a renewed artistic momentum. Developed from a text by poet Laura Vazquez and co-produced with Canblaster, Silence exists at the intersection of record, performance, and immersive experience, in connection with a work created alongside choreographer Mathilde Monnier. Through an organic and hypnotic sound palette -- transformed voices, percussion, vibraphones, and synthesizers -- the album explores altered states of consciousness, offering a sensory journey between shadow and light. Surrounded by artists such as Clara Ysé, Halo Maud, and Rebecca Chaillon, Lucie Antunes delivers a collective work that is both intense and deeply inhabited. Silence is a passage -- a crossing between bodies, voices, and worlds -- where music becomes a space to feel, to disappear, and to be reborn.

Artist	Title	Format	Label	Catalog #
ANTUNES, LUCIE	Silence	LP	BELL	BELL 002LP
$43.00 PREORDER RELEASE DATE: 7/3/2026 LP version. Silence marks the return of Lucie Antunes following Carnaval (2023). The album was born from a desire to clear space -- and to rediscover, through dance and collective creation, a renewed artistic momentum. Developed from a text by poet Laura Vazquez and co-produced with Canblaster, Silence exists at the intersection of record, performance, and immersive experience, in connection with a work created alongside choreographer Mathilde Monnier. Through an organic and hypnotic sound palette -- transformed voices, percussion, vibraphones, and synthesizers -- the album explores altered states of consciousness, offering a sensory journey between shadow and light. Surrounded by artists such as Clara Ysé, Halo Maud, and Rebecca Chaillon, Lucie Antunes delivers a collective work that is both intense and deeply inhabited. Silence is a passage -- a crossing between bodies, voices, and worlds -- where music becomes a space to feel, to disappear, and to be reborn.

Artist	Title	Format	Label	Catalog #
ONDANACONDA	Ondanaconda	CD	BONGO JOE RECORDS	BJR 121CD
$16.00 PREORDER RELEASE DATE: 7/3/2026 Ondanaconda does not compose with the jaw harp, but through it. For their self-titled debut album, the quartet turns this lamellophone, often perceived as archaic, into the record's sole sound source. Found for centuries across continents, from Asia to Europe, the jaw harp is played against the teeth, using the mouth as a resonating chamber, shaping sound through breath and bodily movement. Here, amplified, prepared and sometimes pushed to its limits, it becomes percussion, bass, drone and texture -- a true mouth synthesizer with vast possibilities. Between performance and trance, Ondanaconda crafts an unidentified sonic object, somewhere between collective ritual and raw electroacoustic experiment. Each piece emerges from specific combinations of instruments, exploring timbral affinities and rhythmic or harmonic potentials, while leaving room for drift and improvisation. Repetition acts as an unstable engine, bending patterns until they morph into something else. Together, Laurent Bruttin, Antoine Läng, John Menoud, and Daniel Zea weave a dense, shifting mass where individual voices dissolve into an organic, almost hallucinatory polyphony. Conceived as a continuum, the album unfolds as a hypnotic flow, a physical and immersive music that moves from mouths to bodies, saturating the surrounding space. A radical UFO, at the crossroads of concert, performance and sound installation.

Artist	Title	Format	Label	Catalog #
ONDANACONDA	Ondanaconda	LP	BONGO JOE RECORDS	BJR 121LP
$28.00 PREORDER RELEASE DATE: 7/3/2026 LP version. Ondanaconda does not compose with the jaw harp, but through it. For their self-titled debut album, the quartet turns this lamellophone, often perceived as archaic, into the record's sole sound source. Found for centuries across continents, from Asia to Europe, the jaw harp is played against the teeth, using the mouth as a resonating chamber, shaping sound through breath and bodily movement. Here, amplified, prepared and sometimes pushed to its limits, it becomes percussion, bass, drone and texture -- a true mouth synthesizer with vast possibilities. Between performance and trance, Ondanaconda crafts an unidentified sonic object, somewhere between collective ritual and raw electroacoustic experiment. Each piece emerges from specific combinations of instruments, exploring timbral affinities and rhythmic or harmonic potentials, while leaving room for drift and improvisation. Repetition acts as an unstable engine, bending patterns until they morph into something else. Together, Laurent Bruttin, Antoine Läng, John Menoud, and Daniel Zea weave a dense, shifting mass where individual voices dissolve into an organic, almost hallucinatory polyphony. Conceived as a continuum, the album unfolds as a hypnotic flow, a physical and immersive music that moves from mouths to bodies, saturating the surrounding space. A radical UFO, at the crossroads of concert, performance and sound installation.

Artist	Title	Format	Label	Catalog #
DOHNAVUR	We Owe Each Other Everything	LP	CASTLES IN SPACE	CIS 170LP
$33.00 PREORDER RELEASE DATE: 7/3/2026 Ali O'May and Frazer Brown first met in early 2018, performing with their respective bands at an Electronic Music Open Mic (EMOM) night in Edinburgh. A shared musical sensibility was immediately apparent, and a few months later Ali handed Frazer a USB drive loaded with stems recorded directly from his vast modular system. Over the summer and autumn of 2019, Frazer took around a dozen of those stems as the foundation for a collection of tracks, shaping them into fully realized pieces spanning techno, lo-fi, breaks, acid house and ambient. And so, the Dohnavúr method was born: Ali coaxing raw materials from his modular setup, and Frazer working them up instinctively -- his encyclopedic knowledge of electronic music guiding the feel, genre and direction suggested by Ali's foundational building blocks. It's a genuinely unique way of working, and the results speak for themselves. We Owe Each Other Everything continues to redefine the Dohnavúr method. Built once again from a new set of modular creations by Ali, and expertly shaped by Frazer in his Armadale studio, it's an extraordinarily diverse and exciting collection -- cohesive yet wide-ranging, this is music that hits you directly in the heart and the solar plexus. It makes you feel things. Side one opens with the sawtooth resonance of "Flowers in the Barrel," moves through the clattering momentum of "Ready for '91," and arrives at "Make It in Livingston" -- a darkly ominous commentary on the new town where Frazer grew up. Side two delivers the haunting beauty of "Acetylene," the cinematic, eighties-inflected uplift of "Powerless," and closes with "Unwavering" -- an emotional gut-punch featuring vocals from Emile Wauters (aka Autumna) that once heard will not be forgotten. We Owe Each Other Everything is Dohnavúr at their most powerful and assured: two musicians with a singular creative chemistry, making music that is impossible to categorize and impossible to ignore.

Artist	Title	Format	Label	Catalog #
IL EST VILAINE	Surf Rider (2026 Edition)	12"	DIALECT RECORDINGS	DIALECT 044EP
$28.50 PREORDER RELEASE DATE: 7/3/2026 To celebrate the 10th anniversary of the Surf Rider EP (originally released in 2015 on Lumière Noire), Dialect Recordings publishes a limited vinyl edition featuring an exclusive edit of "Lies" by Blackjoy. For the occasion, Il Est Vilaine's long-time collaborator Apollo Thomas has designed a brand-new cover and created a mini comics included with the vinyl. A beautiful collector's item to honor this classic!

Artist	Title	Format	Label	Catalog #
BLACK DOG, THE	Feral Grace	CD	DUST SCIENCE	DS93 012CD
$16.00 PREORDER RELEASE DATE: 7/3/2026 "Feral Grace was written around old childhood places reclaimed by nature, or replaced by new housing estates. Places long forgotten, their purpose discarded as the world moved on. Yet the memories stay there, caught in the undergrowth, thought of once in a while. We remember gathering leaf moss from the woods for our tomato plants. Building dams in shallow streams. Filling our wellies with frog spawn and carrying it home like treasure. Small acts that felt large at the time. Fishing banks where we spent hours. Not talking, just sharing food. Two cans of shandy bass and egg sandwiches. The water long drained and the people gone, but if you look hard enough you can still see the faint outline of where it once was. Some places still hold the paths where people once walked to work. The tracks remain cut into the land, but the work itself has gone. Trades smashed during the years of Thatcher, ripping communities apart. That memory still lives on. You see it when a scab walks into the pub. Some things are never forgotten. The music on Feral Grace sits between then and now. A bridge between memory and the present day. A last spell cast before those memories fade and the fingerprints disappear. Who will know we were here at all? Perhaps only a distant echo left behind in our Feral Grace." --The Black Dog

Artist	Title	Format	Label	Catalog #
HIGHSCORE	Breakin' Out/Girl So Fine	12"	THE OUTER EDGE	EDGE 044EP
$22.50 PREORDER RELEASE DATE: 7/3/2026 Highscore is one of the newest discoveries in funk of the 1980s out of Germany. Two tracks "Breakin' Out" and "Girls So Fine," both recorded about 40 years ago and shelved ever since, are finally receiving a long-overdue 12" release. The 12" release Breakin' Out/Girl So Fine comes with a newly designed picture sleeve, featuring an original photo of the band members, including background singer Ruben Hopkins who does not appear on these two recordings. The vinyl edition is limited to 400 copies.

Artist	Title	Format	Label	Catalog #
DRAGON	Universal Radio	LP	EMINENT VINYL	EMV 006LP
$43.00 PREORDER RELEASE DATE: 7/3/2026 Originally released on the Vertigo label in 1974 in Australia and their homeland of New Zealand, Universal Radio was Dragon's debut recording. It was also a country mile -- musically speaking -- from the chart-topping anthemic pop they would later become famous for, but that's another story. They released one more album while stationed in NZ in 1975, Scented Gardens For The Blind (also to be reissued by Eminent), before transplanting themselves permanently in Australia and hitting it big with tracks like "April Sun In Cuba," "Get That Jive," "Rain" et al. Universal Radio features the lineup of Marc and Todd Hunter, Ivan Thompson, Ray Goodwin, and Neil Storey, six glorious tracks of elongated and ever-shifting progressive rock (elements of Pink Floyd, Cressida, and early Genesis in there) and the fantastical artwork of Dick Frizzel. The band had garnered a strong domestic following through festival and university concerts and came to record as a fully-evolved beast, mixing the whimsy of "Weetbix" with the darker tones of "Graves." Universal Radio is simply an excellent example of '70s progressive rock, New Zealand or not, and stands alongside Split Enz's debut, Mental Notes, as one of the best and most unique NZ recordings of its day. First ever vinyl reissue, fully authorized by the band, with royalties going directly to the band. Housed in a hi-gloss sleeve with four-page booklet featuring photos, artwork and liner notes penned by noted music historian and author, Ian McFarlane.

Artist	Title	Format	Label	Catalog #
FRA DET ONDE	Smilet Er En Flyktig Tilstand	LP	EL PARAISO RECORDS	EPR 083LP
$31.50 PREORDER RELEASE DATE: 7/3/2026 For several decades Norway has had a healthy tradition for prog, psych and jazz fusion -- yet, there's something very different about the ensemble that is Fra Det Onde ("From Evil"). The group is comprised of one of Europe's finest jazz drummers Olaf Olsen (Needlepoint, Motorpsycho, Bigbang and others), bassist Rune Neergaard (Bushman's Revenge, Exoterm) and trumpeter Erik Kimestad -- one of the brightest young stars in current Scandinavian jazz. And they have a secret weapon in the form of sonic wizard Emil Nikolaisen, known for his pioneering noise rock in Serena Maneesh, as well as a collaborative album with Todd Rundgren. He's currently a member of The Brian Jonestown Massacre. Emil not only contributes Farfisa and weird electronics to the group's free flowing streams of sound, he's also responsible for the innovative album mix that expands the ensemble's vision into new and astonishing territory. Smilet Er En Flyktig Tilstand is one of those rare records that manage to absorb the spirit of the past and transform it into something new and exciting. Listening to the suite that makes up most of the album, one can sense the cosmic energy of 1970s Don Cherry, or the sonic adventurism of Can in their prime -- but Fra Det Onde pushes these aesthetics into the extreme. Labels such as "fusion" or "psychedelic jazz" don't really come close to describing the rush of energy and kaleidoscopic sonics that's taking place on this record. Vinyl-only, limited to 500 copies, no digital release. File next to: electric Miles Davis, Can, Don Cherry.

Artist	Title	Format	Label	Catalog #
MARCUS QUARTET, MICHAEL	Next Stop Down	CD	ESP-DISK	ESPDISK 5112CD
$12.00 PREORDER RELEASE DATE: 7/3/2026 After paying his dues with bluesmen Albert King and Bobby "Blue" Bland and jazzman Jaki Byard, Michael Marcus had his first album released in 1991, when he was 39. He's been prolific since then, co-leading Cosmosamatics with Sonny Simmons, SaxEmble with Frank Lowe and James Carter, Blue Reality Quartet with Joe McPhee, Warren Smith, and Jay Rosen, and Duology with Ted Daniel as well as Marcus's many albums as sole leader. Marcus had his debut on ESP with Abstractions in Lime Caverns in 2022. As Cisco Bradley writes in his liner notes, "One of the unique features of this record is Marcus's use of the tarogato. This woodwind instrument is better known for its roots in Hungarian music. The tarogato has a crisp, pure sound that allows for the precision and sensual beauty of these pieces that will leave the listener in a state of euphoria as Marcus ascends the mountains and glides across the vast valleys of these sonic landscapes." Bradley writes of the other players, "Williams, who has worked with David Murray, Cassandra Wilson, Dewey Redman, and Olu Dara in addition to making several albums of his own for Muse and elsewhere, is especially crucial in bringing to life the funky Monk concepts in these tunes. Mednard, who in recent years has established himself through associations with Guillermo Klein, Arthur Kell, Brandee Younger and others, meshes well with Rodriguez (whose credits include Alvin Batiste and Dafnis Prieto) to create tight rhythms from which these compositions and arrangements spring forth." "Marcus joins the ranks of such visionary jazz clarinetists as Don Byron, John Carter, Jimmy Giuffre, and Perry Robinson." --All About Jazz "Marcus writes some of the finest tunes on the avant-garde scene." --Time Out New York "Michael Marcus is a passionate player and a fluent composer of themes that inspire improvisers." --Bob Blumenthal, Boston Globe "He plays on that Dolphy-esque knife between inside and outside that makes for joyous listening." --Ben Watson, The Wire

Artist	Title	Format	Label	Catalog #
VA	Never Say When	2LP	FOURTH DIMENSION	FD 166LP
$34.00 PREORDER RELEASE DATE: 7/3/2026 Following the success of the CD reissue, a limited edition 2LP of this classic compilation album originally released by Gary Mundy's renowned Broken Flag imprint in 1987 follows now. Remastered by Puppy38, this also features two bonus tracks not included on the original LP but only previously found on the even rarer cassette and the CD. A timely reminder of this fantastic archive document full of boundary-pushing artists mostly still active in one form or another. Packaged in a sleeve faithful to the distinctive original Cranioclast-designed cover. Limited to 500. Featuring Ramleh, Uncommunity, Cranioclast, Total, The Grey Wolves, Controlled Bleeding, Andrew Chalk, Jonathan Briley, Giancarlo Toniutti, and Mauro Teho Teardo.

Artist	Title	Format	Label	Catalog #
FIELDS OF HAY, THE	A Circle of Skin	CD	FOURTH DIMENSION	FD 167CD
$14.50 PREORDER RELEASE DATE: 7/3/2026 Following the debut by Stuart Carter's (Theme, Splintered, Heroin) solo endeavor in 2007 arrives this second album, A Circle of Skin, which continues his exploration of the twilight zone with a combination of light and dark shading, crepuscular atmospherics, contemporary psychedelic fug, immersive strums and that feeling of abandonment one attains as they sink back into a disorientating chasm of their own making. Initially issued as a very limited edition 12" lathe-cut on Stuart's own Idioblast imprint in 2024, this CD has long been due.

Artist	Title	Format	Label	Catalog #
RUE DE GARDERIES	Live at Per:sona	3LP	FEMACOSME	FEMACOSME 006LP
$54.00 PREORDER RELEASE DATE: 7/3/2026 3LP with obi-strip. From the edges of a hallucinatory torpor, Rue des Garderies continue their explorations in psychedelia -- Femacosmé presents here a new piece recorded live at the Pe:rsona festival, at Domaine des Éveils in the summer of 2025. An adventure guided by blur, the intangible, the impermanent, where layers, voices, sounds, and organic and synthetic echoes resonate, emerge, then fade away, as if to deceive reality, or at least the perception of it. More than two semi-improvised hours in which Rue des Garderies (Sweetzak, Désiré Bonaventure, and Vasco Cesaretti) summon listeners to an astral yet motionless journey, somewhere between ambient, IDM, and post-pop.

Artist	Title	Format	Label	Catalog #
STELLA KOLA	Stella Kola	CD	FOUNTAIN FLIGHT	FF 001X-CD
$9.50 PREORDER RELEASE DATE: 7/3/2026 Broadly speaking, the music of Stella Kola could be labeled psychedelic folk, although the term feels limited and pedestrian when one encounters the elegant majesty of the work itself. While drinking from the same well as Shirley Collins, Fairport Convention, C.O.B., Pentangle, Anne Briggs, Bridget St. John, and the like, not for a second does it play as a retro exercise. The music wears its influences comfortably, swimming in the atmosphere of its forebearers without feeling beholden to stylistic conceits or overt reference. If you're looking for flashy hipsterism, you've stumbled into the wrong tavern. It's a dream band, impossible to place, arising from somewhere beyond the individuals responsible. Stella Kola is an entity larger than all that. A small tear in the fabric of time allowing some light from The Land of Timelessness to come dancing through. RIYL: Bridget St. John, Slapp Happy, Broadcast, C.O.B., Julie Tippetts, Myriam Gendron, Tia Blake, Julee Cruise, Blossom Dearie, Vashti Bunyan, Kevin Ayers and the Whole World. "Robert Thomas is known for raising a wide variety of rackets inside the Sunburned Hand of the Man multi-verse. He has also shown himself to be a dab prog hand with Dalthom, his duo with Gary War. But this project -- Stella Kola -- a duet with the great Beverly Ketch (Bunwinkies, Jow Jow, Weeping Bong Band) has a sneaky genteel vibe that is new for him. Bev and Rob wrote all the material together, having decided to collaborate in the early days of the Plague. Things came together at their own pace, with lots of friends enlisted to help. These include P.G. Six, Jeremy Pisani, Wednesday Knudsen, Willie Lane, Jen Gelineau, Gary War and others. But the shape of the material was determined by the prime movers, and possesses a shocking amount of charm and beauty. Admittedly, this is often the case with Bev's endeavors, but Rob was able to get a new flow going that compliments her calm. And the results are boss. I was a bit surprised how 'pro' the arrangements are -- strings, horns and keys are employed as though this was a big budget slab. But it manages to create a certain whiff of left field early '70s major label albums that sailed under the radar. And that is a beautiful bed in which to rest. Let Stella Kola cradle your heavy head for a bit. You'll be glad you did." -Byron Coley, December 2022

Artist	Title	Format	Label	Catalog #
BUDAKID	Dreams Stretched Beyond	2LP	ATOMNATION	FLRSV 014LP
$35.50 PREORDER RELEASE DATE: 7/3/2026 Budakid releases Dreams Stretched Beyond, his debut album. The Dutch, Berlin based producer, DJ, singer, and multi-instrumentalist continues to construct his music from the ground up. With Flores, he has established a platform to fully realize that vision. Following releases on labels associated with Guy J, Solomun, and Sasha, he has built a strong reputation in the industry over the years. This LP consolidates that trajectory into a lush, vivid body of work, balancing his roots in dance music with his own voice and signature productions.

Artist	Title	Format	Label	Catalog #
FILA BRAZILLIA	Old Codes New Chaos	CD	FOREVER RECORDS	FRVR 002CD
$20.00 PREORDER RELEASE DATE: 7/3/2026 Gold disc CD housed in a digi-pack. Music springs eternal. Recognizing the enduring power of timeless albums to guide the world through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music. Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever. Striking the sweet spot between sampledelic downtempo and Earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and Dave McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humor. Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing, newly mastered from the original mixdowns. Also available as a limited edition, 4LP edition (FRVR 002LTD-LP) including bonus tracks plus an exclusive print of Catherine Brennand's watercolor painting that graces the front of the album. All editions also feature liner notes by veteran music journalist John McCready.

Artist	Title	Format	Label	Catalog #
FILA BRAZILLIA	Old Codes New Chaos	3LP	FOREVER RECORDS	FRVR 002LP
$51.00 PREORDER RELEASE DATE: 7/3/2026 Triple LP version. Music springs eternal. Recognizing the enduring power of timeless albums to guide the world through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music. Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever. Striking the sweet spot between sampledelic downtempo and Earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and Dave McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humor. Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing, newly mastered from the original mixdowns. Also available as a limited edition, 4LP edition including bonus tracks plus an exclusive print of Catherine Brennand's watercolor painting that graces the front of the album. All editions also feature liner notes by veteran music journalist John McCready.

Artist	Title	Format	Label	Catalog #
FILA BRAZILLIA	Old Codes New Chaos (Limited Edition)	4LP	FOREVER RECORDS	FRVR 002LTD-LP
$63.50 PREORDER RELEASE DATE: 7/3/2026 Packaging issues, delayed to July or later...4LP version. Music springs eternal. Recognizing the enduring power of timeless albums to guide the world through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music. Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever. Striking the sweet spot between sampledelic downtempo and Earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and Dave McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humor. Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing, newly mastered from the original mixdowns. Also available as a limited edition, 4LP edition including bonus tracks plus an exclusive print of Catherine Brennand's watercolor painting that graces the front of the album. All editions also feature liner notes by veteran music journalist John McCready.

Artist	Title	Format	Label	Catalog #
KOHOUTEK	Akvoturo	LP	FEEDING TUBE RECORDS	FTR 820LP
$31.00 PREORDER RELEASE DATE: 7/3/2026 Since 2003, Philadelphia-based improv ensemble Kohoutek -- founded and directed by percussionist Scott Verrastro -- has forged a dynamic, visceral range of sound, consisting of textural drone, atmospheric rock, abstract harsh noise freak-outs, clattering percussion, guitar heroics and alien electronics, all congealing to form a multihued psychedelic extravaganza. Inspired by such varied musical entities as Can, Amon Duul 2, Trad Gras Och Stenar, Dead C, Sun City Girls, Hawkwind, This Heat, Sun Ra, Art Ensemble of Chicago, and King Crimson, they inhabit a world of murky terrain where drone, musique concrete, and noise coalesce with cosmic folk, where doom and sludge metal merge with fiery jazzoid polyrhythms. All Kohoutek performances are rituals channeling untapped energy transmogrified through pure expression and response to the immediate environment. Akvoturo was recorded in April 2022 at Strange and New Sounds in Richmond VA with JK Kassalow (Cough/Caves Caverns), and unveils the band as a sextet featuring longtime core members Verrastro (Bitter Wish/Heavy Lidders/Henbane), bassist Craig Garrett, guitarists John Stanton (The Redeemers/Kuschty Rye Ergot), and Jeff Barsky (Insect Factory/Time Is Fire/Bed Maker) and electronics wizard John Simler (Cash Slave Clique). Kassalow augmented the ensemble with violin and analog electronics and edited and mixed the album with Verrastro. The unparalleled James Plotkin did the mastering. With Akvoturo, Kohoutek is delving into a more experimental form of their brand of US psych/space jams, a loose concept album sonically examining the consequential role that water has played in nascent civilizations, starting from our ancestral habitats. The title is in Esperanto, in theory a language as universal to humanity as water is to its diet, as well as an homage to the label ESP which is a substantial inspiration on the Kohoutek ethos, informed by revolutionary free jazz and outsider psychedelia. This release consists of four tracks. Side A starts out with "Pluvobaro," a combination of Eastern inspired components, including repetitive gamelan-esque marimba and other rhythmic work, with an insect-like drone. The side continues with "Inundo," a more traditional sounding American psych jammer. "Disfalo" starts side B, sparse and loose, like rain drops falling on various ephemera in a scrap yard, while the hum of machinery drones and squeals in the background. "Irigacio" returns to classic Kohoutek form, starting from a spacey/slide guitar based, mid-tempo head- nodding jam. It eventually builds into an ecstatic and faster single-note (almost surf) melodic guitar journey, before finally returning to the slow-head-nod tempo from the start of the song.

Artist	Title	Format	Label	Catalog #
ALEXANDER + HEAVY LIDDERS, JEFFREY	Liquid Donnon	LP	FEEDING TUBE RECORDS	FTR 824LP
$29.00 PREORDER RELEASE DATE: 7/3/2026 "On the alternate timeline where the Meat Puppets inherited the bulk of the Grateful Dead's tourheads when Jerry Garcia died in 1995, none of this would be necessary, because Jeffrey Alexander and the Heavy Lidders are a household name for evolving their own musical space that overlays dusty folk, cosmic jazz, deep psych, free improv, and even (gasp!) indie rock, building an audience that ranges from open-eared curiosity seekers to deep committed music weirdos that's also yielded the Heavy Lidders an infamous sub-cult of concert tapers that you're already sick of hearing about. A lot of other things are better over on that timeline, too. But in this consensus reality (and probably the other one, too), Liquid Donnon catches the Lidders at their heaviest, 'heavy' in the Lidderverse being far from a monolithic musical idea. There's heavy like the album-opening 'From Loch Raven to Fells Point,' one of several tracks with elegant and gnarled conversational jams featuring the core Lidders lineup of Alexander alongside guitarist Drew Gardner and bassist Jesse Sheppard (both of Elkhorn) and drummer Scott Verrastro. But there's heavy, too, like 'Calliope Walker' and 'Tightroping,' featuring Gardner shifted to dream-space vibraphone, the former with saxophonist Tacuma Bradley, the latter with Christina Carter of Texas noise-psych legends Charalambides on veil-crossing wordless vocals, her first collaboration with Alexander in some 20 years. But then there's also heavy like the cover photo of Alexander's late friend and album namesake Donnon, taken at a Dead show at Rich Stadium in Buffalo in 1989, a spirit threading through the songs and weaving unexpectedly into Alexander's life decades later, emerging especially when Alexander passed through a near-death experience of his own. But, taken together, the different heavies of Liquid Donnon add up into a state of musical grace, where all the Heavy Lidders from all the universes come together as one. Just, like, imagine. Convened in 2019 on Alexander's relocation back to his native east coast, the Heavy Lidders are the latest hard-touring expression for the guitarist's music, joining a vast and tangled discography (and tape list) that includes the beloved long-running west coast Dire Wolves Just Exactly Perfect Sisters Band and, before them, the Iditarod and Black Forest/Black Sea, as well as a bushel of solo play-all-the-instruments projects, a stint with Jackie-O Motherfucker, sessions with Kemialliset Ystävät and Avarus and others, and you'll have to keep digging for the rest. And while it's not hard to find tapers at Lidders gigs (and they encourage you to be one), or to track themes and songs over Alexander's many live releases, Liquid Donnon makes a new primary text, the original versions of six new pieces for the repertoire. The album closes with a devastating pairing of 'Reservoir Drop' into 'The Summer Song,' floating into a duo between Alexander's guitar and Carter's voice." --Jesse Jarnow

Artist	Title	Format	Label	Catalog #
ALLRED, JOSEPH	The Old Gods	LP	FEEDING TUBE RECORDS	FTR 830LP
$29.00 PREORDER RELEASE DATE: 7/3/2026 Joseph Allred is a Tennessee-based guitarist, singer, multi-instrumental composer, and visual artist with deep roots in the Upper Cumberland region of Tennessee and Kentucky. Their guitar playing draws from diverse musical styles including Appalachian folk, bluegrass, blues, flamenco, and classical guitar, as well as from folk iconoclasts John Fahey and Robbie Basho, figures of the 20th century avant-garde like Albert Ayler, Derek Bailey, and Henry Flynt, and the musical traditions of India, Iran, and the Arab world. "The impetus for this album came while I was sitting in a cave near my house, ruminating on very old things. The title has to do with my own interest in history and rootedness, but it also acknowledges a futility. The pursuit of the 'old gods' often involves an obsession with simplicity and purity that only resolves through the construction of dishonest fantasies and a correlated denial of complexity. Perhaps the 'old gods' only start to become apparent when we know ourselves in relation not only to the vast and ancient cave networks in the mountains, not only to the data gathered from the lives and deaths of stars light years away, but also to the near-incomprehensible complexity of the dirt's microbiome, the constant marching of life and death under our feet at every moment which will eventually consume our bodies just as our sun's death throes will consume the earth. Though the starting point of this album was a rumination, the pieces contained here are less meditations than they were opportunities for me to empty myself of myself. It's only in these moments that I begin to feel I know anything at all." --Joseph Allred

Artist	Title	Format	Label	Catalog #
GLORIA MUNDI	I, Individual	LP	ANTENNA RECORDS	GM 001LP
$29.50 PREORDER RELEASE DATE: 7/3/2026 London, 1978. Emerging from the UK's underground, Gloria Mundi were never just another punk band. Their debut album, I, Individual, is a bold, theatrical and uncompromising statement -- one that fuses aggressive rock with performance art, intellect, and confrontation that collided with punk rock. Formed in mid-'70s London by Eddie Maelov and Sunshine (Valerie Patteson), Gloria Mundi began as an ambitious sci-fi rock opera concept before evolving into one of the more distinctive acts orbiting the early punk movement. Sharing stages with the likes of early Ultravox (then Tiger Lily) and playing iconic venues including the Roxy, Vortex and the Marquee, the band quickly built a reputation for shows that were as visually arresting as they were sonically intense. Released on RCA in 1978, I, Individual channels that ethos into a record that pushes beyond punk's three-chord limitations. Combining driving guitars, angular arrangements, and the striking addition of saxophone, the album delivers a layered, "chunky" sound underscored by Maelov's theatrical vision and Sunshine's fierce, uncompromising vocal presence. While contemporaries chased immediacy, Gloria Mundi embraced complexity -- something that divided critics but earned them a devoted following. The band's live performances were something to check out: stark white lighting, confrontational staging, and a commitment to total performance blurred the line between concert and theatre. Despite the backing of infamous manager Rod Smallwood, a major label -- and even a personal nod from David Bowie himself -- I, Individual remained an outsider record: too conceptual for the mainstream, too theatrical for purist punk. Yet that outsider status is precisely what makes it endure. Now remastered, I, Individual stands as a vital document of a band that refused to conform -- capturing a moment when punk was still being invented, and Gloria Mundi were already pushing it somewhere stranger. It's arguably the bridge to Goth and the angular existentialism of Bauhaus, Sex Gang Children, Death Cult and the like. Gloria Mundi didn't follow the movement. They challenged it! Added to the album is their debut single A side -- "Fight Back." The album is released on opaque white vinyl with inner bag with lyrics and photos and a two-sided insert with the history of the band by singer Eddie Maelov and unseen photos from the time.

Artist	Title	Format	Label	Catalog #
SPIRIT CARAVAN	Jug Fulla Sun	CD	HEAVY PSYCH SOUNDS	HPS 395CD
$17.50 PREORDER RELEASE DATE: 7/3/2026 Repress of Spirit Caravan debut album. "Jug Fulla Sun follows a sonic continuum that began in the late '70s when Scott "Wino" Weinrich emerged from the outskirts of Washington, D.C., with the Obsessed, his stripped-down hybrid of biker rock and metal. That outfit made tremendous strides in bridging the gap between the long-haired metal contingent and the still developing, though already rabid, D.C. hardcore scene. Jug Fulla Sun shows Wino augmenting his trademark brand of doom-laden guitar work and slow-fuse vocal ferocity with greater lyrical depth and overall textural breadth. The songs are rich, refined, articulate, and created by a lifer, a true veteran of the hard music scene. Wino has obviously gone to great lengths here to subordinate his outlaw vision to a more expansive, comprehensive view of mankind, and of greater truths. The somewhat nebulous scope of his lyrics is enhanced by Lungfish vocalist/tattoo artist Dan Higgs' cryptic cover painting. An excellent album." --All Music. Also available on black vinyl (HPS 395LP), green vinyl (HPS 395LTD-LP), and green/yellow/red/purple vinyl (HPS 395ULTRA-LP).

Artist	Title	Format	Label	Catalog #
SPIRIT CARAVAN	Jug Fulla Sun	2LP	HEAVY PSYCH SOUNDS	HPS 395LP
$39.50 PREORDER RELEASE DATE: 7/3/2026 Double LP version. Repress of Spirit Caravan debut album. "Jug Fulla Sun follows a sonic continuum that began in the late '70s when Scott "Wino" Weinrich emerged from the outskirts of Washington, D.C., with the Obsessed, his stripped-down hybrid of biker rock and metal. That outfit made tremendous strides in bridging the gap between the long-haired metal contingent and the still developing, though already rabid, D.C. hardcore scene. Jug Fulla Sun shows Wino augmenting his trademark brand of doom-laden guitar work and slow-fuse vocal ferocity with greater lyrical depth and overall textural breadth. The songs are rich, refined, articulate, and created by a lifer, a true veteran of the hard music scene. Wino has obviously gone to great lengths here to subordinate his outlaw vision to a more expansive, comprehensive view of mankind, and of greater truths. The somewhat nebulous scope of his lyrics is enhanced by Lungfish vocalist/tattoo artist Dan Higgs' cryptic cover painting. An excellent album." --All Music.

Artist	Title	Format	Label	Catalog #
SPIRIT CARAVAN	Jug Fulla Sun (Neon Green Vinyl)	2LP	HEAVY PSYCH SOUNDS	HPS 395LTD-LP
$48.00 PREORDER RELEASE DATE: 7/3/2026 Double LP version. Neon green color vinyl. Repress of Spirit Caravan debut album. "Jug Fulla Sun follows a sonic continuum that began in the late '70s when Scott "Wino" Weinrich emerged from the outskirts of Washington, D.C., with the Obsessed, his stripped-down hybrid of biker rock and metal. That outfit made tremendous strides in bridging the gap between the long-haired metal contingent and the still developing, though already rabid, D.C. hardcore scene. Jug Fulla Sun shows Wino augmenting his trademark brand of doom-laden guitar work and slow-fuse vocal ferocity with greater lyrical depth and overall textural breadth. The songs are rich, refined, articulate, and created by a lifer, a true veteran of the hard music scene. Wino has obviously gone to great lengths here to subordinate his outlaw vision to a more expansive, comprehensive view of mankind, and of greater truths. The somewhat nebulous scope of his lyrics is enhanced by Lungfish vocalist/tattoo artist Dan Higgs' cryptic cover painting. An excellent album." --All Music.

Artist	Title	Format	Label	Catalog #
SPIRIT CARAVAN	Jug Fulla Sun (Green/Yellow/Red/Purple Vinyl)	2LP	HEAVY PSYCH SOUNDS	HPS 395ULTRA-LP
$56.00 PREORDER RELEASE DATE: 7/3/2026 Double LP version. Green/yellow/red/purple color vinyl. Repress of Spirit Caravan debut album. "Jug Fulla Sun follows a sonic continuum that began in the late '70s when Scott "Wino" Weinrich emerged from the outskirts of Washington, D.C., with the Obsessed, his stripped-down hybrid of biker rock and metal. That outfit made tremendous strides in bridging the gap between the long-haired metal contingent and the still developing, though already rabid, D.C. hardcore scene. Jug Fulla Sun shows Wino augmenting his trademark brand of doom-laden guitar work and slow-fuse vocal ferocity with greater lyrical depth and overall textural breadth. The songs are rich, refined, articulate, and created by a lifer, a true veteran of the hard music scene. Wino has obviously gone to great lengths here to subordinate his outlaw vision to a more expansive, comprehensive view of mankind, and of greater truths. The somewhat nebulous scope of his lyrics is enhanced by Lungfish vocalist/tattoo artist Dan Higgs' cryptic cover painting. An excellent album." --All Music.

Artist	Title	Format	Label	Catalog #
SPIRIT CARAVAN	Elusive Truth	CD	HEAVY PSYCH SOUNDS	HPS 396CD
$17.50 PREORDER RELEASE DATE: 7/3/2026 Repress of Spirit Caravan's sophomore album. "On this, Spirit Caravan's second foray into the long-player format, the band has collectively slowed down the tempo, and dropped the mood into even more contemplative territory. As the grandfather of modern stoner rock, Wino has certainly dipped his guitar picks in LSD this time around. Even though the engineering and production is bone dry and bottom heavy, Wino's psychedelic guitar work -- especially his stinging, busy leads -- has been ratcheted up a few clicks, even if the overall aesthetic is darker, and the superb musicianship from the trio simplified. The listener may be reminded of Hawkwind powered by an enormous diesel engine. As a title, Elusive Truth may indicate Wino's searching nature as a musician, and his attempt to continue down the sonic path through darkness, and through light. With this album, the listener is most certainly in darker territory." --All Music. Also available on black vinyl (HPS 396LP), purple vinyl (HPS 396LTD-LP), and white/yellow/green vinyl (HPS 396ULTRA-LP).

Artist	Title	Format	Label	Catalog #
SPIRIT CARAVAN	Elusive Truth	LP	HEAVY PSYCH SOUNDS	HPS 396LP
$29.50 PREORDER RELEASE DATE: 7/3/2026 LP version. Repress of Spirit Caravan's sophomore album. "On this, Spirit Caravan's second foray into the long-player format, the band has collectively slowed down the tempo, and dropped the mood into even more contemplative territory. As the grandfather of modern stoner rock, Wino has certainly dipped his guitar picks in LSD this time around. Even though the engineering and production is bone dry and bottom heavy, Wino's psychedelic guitar work -- especially his stinging, busy leads -- has been ratcheted up a few clicks, even if the overall aesthetic is darker, and the superb musicianship from the trio simplified. The listener may be reminded of Hawkwind powered by an enormous diesel engine. As a title, Elusive Truth may indicate Wino's searching nature as a musician, and his attempt to continue down the sonic path through darkness, and through light. With this album, the listener is most certainly in darker territory." --All Music.

Artist	Title	Format	Label	Catalog #
SPIRIT CARAVAN	Elusive Truth (Purple Vinyl)	LP	HEAVY PSYCH SOUNDS	HPS 396LTD-LP
$34.00 PREORDER RELEASE DATE: 7/3/2026 LP version. Purple color vinyl. Repress of Spirit Caravan's sophomore album. "On this, Spirit Caravan's second foray into the long-player format, the band has collectively slowed down the tempo, and dropped the mood into even more contemplative territory. As the grandfather of modern stoner rock, Wino has certainly dipped his guitar picks in LSD this time around. Even though the engineering and production is bone dry and bottom heavy, Wino's psychedelic guitar work -- especially his stinging, busy leads -- has been ratcheted up a few clicks, even if the overall aesthetic is darker, and the superb musicianship from the trio simplified. The listener may be reminded of Hawkwind powered by an enormous diesel engine. As a title, Elusive Truth may indicate Wino's searching nature as a musician, and his attempt to continue down the sonic path through darkness, and through light. With this album, the listener is most certainly in darker territory." --All Music.

Artist	Title	Format	Label	Catalog #
SPIRIT CARAVAN	Elusive Truth (White/Yellow/Green Vinyl)	LP	HEAVY PSYCH SOUNDS	HPS 396ULTRA-LP
$44.50 PREORDER RELEASE DATE: 7/3/2026 LP version. White/yellow/green color vinyl. Repress of Spirit Caravan's sophomore album. "On this, Spirit Caravan's second foray into the long-player format, the band has collectively slowed down the tempo, and dropped the mood into even more contemplative territory. As the grandfather of modern stoner rock, Wino has certainly dipped his guitar picks in LSD this time around. Even though the engineering and production is bone dry and bottom heavy, Wino's psychedelic guitar work -- especially his stinging, busy leads -- has been ratcheted up a few clicks, even if the overall aesthetic is darker, and the superb musicianship from the trio simplified. The listener may be reminded of Hawkwind powered by an enormous diesel engine. As a title, Elusive Truth may indicate Wino's searching nature as a musician, and his attempt to continue down the sonic path through darkness, and through light. With this album, the listener is most certainly in darker territory." --All Music.

Artist	Title	Format	Label	Catalog #
SPIRIT CARAVAN	Dreamwheel	CD	HEAVY PSYCH SOUNDS	HPS 397CD
$17.50 PREORDER RELEASE DATE: 7/3/2026 Repress of Spirit Carvan's Dreamwheel. "As undeniably powerful, durable, and straight-shooting as Motorhead's Lemmy Kilminster, Spirit Caravan's inveterate founder and leader, Scott 'Wino' Weinrich, is an absolute rock lifer. Following on the heels of the band's debut, Jug Fulla Sun, Dreamwheel is a Spartan-sounding five-song EP, the perfect compliment to the dense, doom-laden psychedelia of the full-length. In fact, Dreamwheel's greatest strength is the breathing space between notes, provided by the rock-solid rhythm section of drummer Gary Isom and bassist Dave Sherman. Such rhythmic austerity -- the kind championed by the effort of bands like Free, Bad Company, Led Zeppelin, and Grand Funk Railroad -- allows Wino's compelling, soulful baritone voice and sizzling Hawkwind-esque leads to truly sing out. As the voice behind St. Vitus and the Obsessed, Wino helped formulate and configure the shape of modern stoner rock and doom metal. Spirit Caravan, as evidenced by this brilliant, relaxed gem of an EP, is perhaps his most able vessel. Each song burns with analog warmth, intensity, and brightness. Though it took nearly a decade for Wino to receive his overdue appreciation as an artist, the late '90s and early part of the new millennium have seen his stock soar, even if not financially." --All Music. Also available on black vinyl (HPS 397LP), blue vinyl (HPS 397LTD-LP), orange/yellow/red vinyl (HPS 397ULTRA-LP).

Artist	Title	Format	Label	Catalog #
SPIRIT CARAVAN	Dreamwheel	LP	HEAVY PSYCH SOUNDS	HPS 397LP
$29.50 PREORDER RELEASE DATE: 7/3/2026 LP version. Repress of Spirit Carvan's Dreamwheel. "As undeniably powerful, durable, and straight-shooting as Motorhead's Lemmy Kilminster, Spirit Caravan's inveterate founder and leader, Scott 'Wino' Weinrich, is an absolute rock lifer. Following on the heels of the band's debut, Jug Fulla Sun, Dreamwheel is a Spartan-sounding five-song EP, the perfect compliment to the dense, doom-laden psychedelia of the full-length. In fact, Dreamwheel's greatest strength is the breathing space between notes, provided by the rock-solid rhythm section of drummer Gary Isom and bassist Dave Sherman. Such rhythmic austerity -- the kind championed by the effort of bands like Free, Bad Company, Led Zeppelin, and Grand Funk Railroad -- allows Wino's compelling, soulful baritone voice and sizzling Hawkwind-esque leads to truly sing out. As the voice behind St. Vitus and the Obsessed, Wino helped formulate and configure the shape of modern stoner rock and doom metal. Spirit Caravan, as evidenced by this brilliant, relaxed gem of an EP, is perhaps his most able vessel. Each song burns with analog warmth, intensity, and brightness. Though it took nearly a decade for Wino to receive his overdue appreciation as an artist, the late '90s and early part of the new millennium have seen his stock soar, even if not financially." --All Music.

Artist	Title	Format	Label	Catalog #
SPIRIT CARAVAN	Dreamwheel (Blue Vinyl)	LP	HEAVY PSYCH SOUNDS	HPS 397LTD-LP
$34.00 PREORDER RELEASE DATE: 7/3/2026 LP version. Blue color vinyl. Repress of Spirit Carvan's Dreamwheel. "As undeniably powerful, durable, and straight-shooting as Motorhead's Lemmy Kilminster, Spirit Caravan's inveterate founder and leader, Scott 'Wino' Weinrich, is an absolute rock lifer. Following on the heels of the band's debut, Jug Fulla Sun, Dreamwheel is a Spartan-sounding five-song EP, the perfect compliment to the dense, doom-laden psychedelia of the full-length. In fact, Dreamwheel's greatest strength is the breathing space between notes, provided by the rock-solid rhythm section of drummer Gary Isom and bassist Dave Sherman. Such rhythmic austerity -- the kind championed by the effort of bands like Free, Bad Company, Led Zeppelin, and Grand Funk Railroad -- allows Wino's compelling, soulful baritone voice and sizzling Hawkwind-esque leads to truly sing out. As the voice behind St. Vitus and the Obsessed, Wino helped formulate and configure the shape of modern stoner rock and doom metal. Spirit Caravan, as evidenced by this brilliant, relaxed gem of an EP, is perhaps his most able vessel. Each song burns with analog warmth, intensity, and brightness. Though it took nearly a decade for Wino to receive his overdue appreciation as an artist, the late '90s and early part of the new millennium have seen his stock soar, even if not financially." --All Music.

Artist	Title	Format	Label	Catalog #
SPIRIT CARAVAN	Dreamwheel (Orange/Yellow/Red Vinyl)	LP	HEAVY PSYCH SOUNDS	HPS 397ULTRA-LP
$44.50 PREORDER RELEASE DATE: 7/3/2026 LP version. Orange/yellow/red color vinyl. Repress of Spirit Carvan's Dreamwheel. "As undeniably powerful, durable, and straight-shooting as Motorhead's Lemmy Kilminster, Spirit Caravan's inveterate founder and leader, Scott 'Wino' Weinrich, is an absolute rock lifer. Following on the heels of the band's debut, Jug Fulla Sun, Dreamwheel is a Spartan-sounding five-song EP, the perfect compliment to the dense, doom-laden psychedelia of the full-length. In fact, Dreamwheel's greatest strength is the breathing space between notes, provided by the rock-solid rhythm section of drummer Gary Isom and bassist Dave Sherman. Such rhythmic austerity -- the kind championed by the effort of bands like Free, Bad Company, Led Zeppelin, and Grand Funk Railroad -- allows Wino's compelling, soulful baritone voice and sizzling Hawkwind-esque leads to truly sing out. As the voice behind St. Vitus and the Obsessed, Wino helped formulate and configure the shape of modern stoner rock and doom metal. Spirit Caravan, as evidenced by this brilliant, relaxed gem of an EP, is perhaps his most able vessel. Each song burns with analog warmth, intensity, and brightness. Though it took nearly a decade for Wino to receive his overdue appreciation as an artist, the late '90s and early part of the new millennium have seen his stock soar, even if not financially." --All Music.

Artist	Title	Format	Label	Catalog #
TALKING DRUMS	Pier Pressure	12"	INTERNATIONAL FEEL	IFEEL 093EP
$20.50 PREORDER RELEASE DATE: 7/3/2026 Talking Drums ditch their sea legs and swap the pirate booty of their cult edit series for a five-track EP of original productions. Summer sounds abound as the crew refract house, disco, ambient and dub through shimmering sea glass, bringing the beach to the bar, club, garden or grotto. Written and produced as a cohesive EP over three sun-baked weeks in 2025, and stitched together with field recordings and found sounds from Sicily, rural France, Japan and Singapore, Pier Pressure sees each track flow into the next: distinct seas that make up one larger ocean.

Artist	Title	Format	Label	Catalog #
VA	Greasy Mike's Volume 9: Invites You To His All-Nite House Party	LP	JAZZMAN RECORDS	JMAN 153LP
$22.50 PREORDER RELEASE DATE: 7/3/2026 "16 hot n' swingin' rot n' roll party shakers and quakers, groovin' all night long. Say what's up Mac? I hear you're having yourself a lil' party? Now you gonna have a swell time let me tell ya. You got the babes, the booze, delicious food, but a party ain't nothin' unless you got the tunes! Now listen up, and listen up good. For the big sound you need the big pieces. And for the hottest sounds around, I'm your man. All the top dee-jays -- they all go through me. Rex, Mad Mike, Wolfman Jack -- I'm their all-time #1 go-to main man when it comes to killer diller rockin' boppin' dancefloor bangerz. The Monkey, the Twist, the Hully Gully and the Shing-a-Ling -- I got the tunes to make y'all swing. I got sides that'll make you sway. I got spins that'll go your way. I got the platters that matter. The discs with no risk. Trust me with the tunes to make 'em swoon. So whaddaya say? You wanna go my way? Let's have a ball and a swingin' part-tay. But remember, you gotta go through me." Featuring The Satellite Band, The Vestes, The Orchids, Preston Love, The Moroccos, Johnny Horton, Bobby Scott, Joe Liggins & his Honeydrippers, Johnny Brantley's All Stars, Coco & his Nuts, The Valiants, Big John Silver and his Fancy Band, Crash Craddock, The Greasers, Big Bo & the Arrows, and Rockin' Sydney & his Dukes.

Artist	Title	Format	Label	Catalog #
LOVEGOD	Rendezvous	12"	KYNANT RECORDS	KYANT 022EP
$16.00 PREORDER RELEASE DATE: 7/3/2026 Originally released in 2006, Rendezvous is a rare, dub techno track released by Nao AKA DJ Compufunk from Compufunk Records in Osaka. Working under the name Lovegod for the first and only time, he created a timeless epic for a live set at the legendary, short-lived underground club "United Underground (Tsurunoma)." Now revived 20 years later by Richard Akingbehin's Kynant Records, Priori contributes a dreamy rework and Janeret slows it down into a crisp dub version to complete the EP.

Artist	Title	Format	Label	Catalog #
BASHO, ROBBIE	The Voice Of The Eagle	LP	LIFE GOES ON RECORDS	LIFE 066LP
$24.00 PREORDER RELEASE DATE: 7/3/2026 Originally released in 1972, The Voice Of The Eagle is one of the most bizarre experiments in Robbie Basho's prime. Featuring Indian mridangam player Ramnad Raghavan, the album epitomizes Basho fascination for eastern-tinged arrangements. This is also a vocal album -- his singing, which John Fahey described as "strangely compelling," came straight from the heart and soul with no regard for restraint, phrasing or timing. Basho never had mass recognition when he was alive and was almost forgotten for years as Fahey, Leo Kottke and his contemporaries carved their legends.

Artist	Title	Format	Label	Catalog #
BRONSKI BEAT	Truthdare Doubledare	CD	LONDON RECORDS	LMS 1725748
$16.00 PREORDER RELEASE DATE: 7/3/2026 Truthdare Doubledare marked a significant change in the direction of synth-pop trio Bronski Beat's as a band, with vocalist Jimmy Somerville leaving and being replaced with John Jøn Foster. Whilst maintaining a clear voice in support of gay rights and political activism, the production gave way to a rougher and rawer style, featuring more real instruments, ever-powerful lyrics and more variety in genre. This never-before re-issued album features the #3 single "Hit That Perfect Beat," a full remaster, new remixes from the likes of I. JORDAN and Ted Carfrae and rare, unreleased studio and live versions. All editions feature full album remaster, updated artwork with rare and unseen photos. 1CD version includes 2026 Remixes from I. JORDAN and Ted Carfrae and exclusive liner notes from vocalist John Jøn Foster. Purple LP version (LMS 1725750) includes B-Sides & unreleased rarities. 3CD collector edition (LMS 1725749) includes B-Sides and unreleased rarities plus live versions and unheard studio sessions, BBC Radio 1 Session, 2026 Remixes from I. JORDAN and Ted Carfrae, as well as exclusive liner notes from vocalist John Jøn Foster and exclusive detailed timeline by project consultant Barnaby Ashton-Bullock.

Artist	Title	Format	Label	Catalog #
BRONSKI BEAT	Truthdare Doubledare	3CD	LONDON RECORDS	LMS 1725749
$22.50 PREORDER RELEASE DATE: 7/3/2026 3CD version. Truthdare Doubledare marked a significant change in the direction of synth-pop trio Bronski Beat's as a band, with vocalist Jimmy Somerville leaving and being replaced with John Jøn Foster. Whilst maintaining a clear voice in support of gay rights and political activism, the production gave way to a rougher and rawer style, featuring more real instruments, ever-powerful lyrics and more variety in genre. This never-before re-issued album features the #3 single "Hit That Perfect Beat," a full remaster, new remixes from the likes of I. JORDAN and Ted Carfrae and rare, unreleased studio and live versions. All editions feature full album remaster, updated artwork with rare and unseen photos. 1CD version includes 2026 Remixes from I. JORDAN and Ted Carfrae and exclusive liner notes from vocalist John Jøn Foster. Purple LP version (LMS 1725750) includes B-Sides & unreleased rarities. 3CD collector edition (LMS 1725749) includes B-Sides and unreleased rarities plus live versions and unheard studio sessions, BBC Radio 1 Session, 2026 Remixes from I. JORDAN and Ted Carfrae, as well as exclusive liner notes from vocalist John Jøn Foster and exclusive detailed timeline by project consultant Barnaby Ashton-Bullock.

Artist	Title	Format	Label	Catalog #
BRONSKI BEAT	Truthdare Doubledare	LP	LONDON RECORDS	LMS 1725750
$35.00 PREORDER RELEASE DATE: 7/3/2026 LP version. Purple color vinyl. Truthdare Doubledare marked a significant change in the direction of synth-pop trio Bronski Beat's as a band, with vocalist Jimmy Somerville leaving and being replaced with John Jøn Foster. Whilst maintaining a clear voice in support of gay rights and political activism, the production gave way to a rougher and rawer style, featuring more real instruments, ever-powerful lyrics and more variety in genre. This never-before re-issued album features the #3 single "Hit That Perfect Beat," a full remaster, new remixes from the likes of I. JORDAN and Ted Carfrae and rare, unreleased studio and live versions. All editions feature full album remaster, updated artwork with rare and unseen photos. 1CD version includes 2026 Remixes from I. JORDAN and Ted Carfrae and exclusive liner notes from vocalist John Jøn Foster. Purple LP version (LMS 1725750) includes B-Sides & unreleased rarities. 3CD collector edition (LMS 1725749) includes B-Sides and unreleased rarities plus live versions and unheard studio sessions, BBC Radio 1 Session, 2026 Remixes from I. JORDAN and Ted Carfrae, as well as exclusive liner notes from vocalist John Jøn Foster and exclusive detailed timeline by project consultant Barnaby Ashton-Bullock.

Artist	Title	Format	Label	Catalog #
DAO STROM	Redux	LP	DISASTERS BY CHOICE	LPNUY 012LP
$36.50 PREORDER RELEASE DATE: 7/3/2026 Redux, an ambient-folk album from Portland, Oregon musician, poet, and multimedia artist Dao Strom, is a collection of nine resurrected pieces. Reimagining songs she initially composed as a member of the Austin, Texas alt-country and singer-songwriter scenes of the early 2000s, Strom reworks these lost songs into ambient-folk mini-epics -- part grounded and earthly, part ethereal and otherworldly. Drawing on an intimate yet spacious palette of folk, ambient, and experimental textures, woven through with a poetics of vulnerability and quiet emotion, Redux explores song as gently reverberant fields of layered vocals over finger-picked guitars with touches of electronics and sampling. Strom's musical journey initially began in a roots and acoustic vein, simultaneously with her career as a fiction writer. In the years since, she has moved from Austin, Texas to Juneau, Alaska to Portland, Oregon; her work too has expanded across genres into more experimental formats of poetry, music, and multidisciplinary art. In returning to these earlier songs, Strom reclaims and revives them, exploring her relationships to time, voice, and the continuances of emotion and memory. The word redux means "brought back; revived"; a sense of something restored -- earlier renditions of some of the Redux songs were recorded with Austin-based collaborators and producers; some songs were written in that time period but never recorded. Produced, performed, and recorded by Strom alone in her home studio, Redux is a return and reemergence of the artist to her own most personal, intuitive structures and atmospheres of voice, sound, and song.

Artist	Title	Format	Label	Catalog #
LAFAWNDAH	The Fifth Season	LP	LATENCY RECORDINGS	LTNC 019LP
$27.00 PREORDER RELEASE DATE: 7/3/2026 2026 restock. "After a banner year that witnessed Lafawndah release her first album Ancestor Boy, the debut of her soundsystem Fara Fara, and further incursions into film, contemporary art and fashion, the ceaseless artist returns with another plot twist: The Fifth Season. Inspired by her encounter with author NK Jemisin's Broken Earth trilogy, Lafawndah both pays homage to and extends further the elemental, emotionally charged myths of Jemisin's books. These are stories where a broken heart can tear apart a continent. In contrast to the precision-tuned industrial productions of Ancestor Boy, The Fifth Season breathes a different kind of volatility. Inviting a new degree of spontaneity and freedom into her process, Lafawndah's collaborators -- Theon Cross (tuba), Nathaniel Cross (trombone), Valentina Magaletti (percussions), and Nick Weiss (keyboards) -- encircle her confrontational character studies with iridescent, cinematic chamber-bass moves. These are torch songs for when it rains ash, creation ballads for when the earth turns inside out. Ghosts of Art Ensemble of Chicago and Rahsaan Roland Kirk color the air, yet Lafawndah's mastery of pop songcraft, vocal production and razor-honed clarity of purpose cut through. In addition to the Lafawndah originals, The Fifth Season features interpretations of hybrid-folk godfather Beverly Glenn Copeland's 'Don't Despair' and acid-impressionist prodigy Lili Boulanger's 'Old Buddhist Prayer.' Album highlight 'You, at the End' deploys a poem by poet-performer Kae Tempest to aching, rift-tearing ends, and French dream-trap wraith Lala &ce features on 'Le Malentendu'. The Fifth Season anchors Lafawndah as a descendent of forebearers Brigitte Fontaine and Scott Walker -- a born theatric whose acid humor warps the sub-continental undertow of her emotive storytelling. Lafawndah's elementalism on The Fifth Season finds her imagination more agile than ever, and recent live shows have evinced a drive to push these compositions further out, deeper, and more aflame."

Artist	Title	Format	Label	Catalog #
ORGON, SION	Discord in Disorder	CD	LUMBERTON TRADING COMPANY	LUMB 041CD
$14.50 PREORDER RELEASE DATE: 7/3/2026 Discord in Disorder is a new album from Welsh soundsmith Sion Orgon, already known as both a producer and frequent collaborator with fellow sonic traveler Thighpaulsandra. Originally conceived for another label that unfortunately could not go ahead with its release, the album catches Sion doing something different to his usual melding of avant-rock/pop and abstract electronics. These 14 new electroacoustic compositions delve into the intricate relationship between discord and disorder through innovative sonic exploration. Utilizing a diverse palette of sound sources including radio, treated piano, violin, voice, saxophone and percussion, Orgon crafts compositions that embody both discord and harmony. Each piece presents a dynamic landscape characterized by sudden ends and the deliberate use of distortion, inviting listeners to navigate the tensions between duality and unity. The incorporation of rubbed cymbals and treated trumpet creates an ethereal quality, enhanced by the layers of angelic choral voices that rise and fall throughout the pieces. The structure of these works allows for a vertical ascent in sound before an abrupt cessation, prompting a meditation on dissonance and its inherent beauty. The compositions hopefully challenge the listener's perception of sonic aesthetics but also facilitate a calm reaction to the chaotic interplay of sound.

Artist	Title	Format	Label	Catalog #
CASHMORE, MICHAEL	The Last Light is Your Own Star (Symphony No. 5)	LP	LUMBERTON TRADING COMPANY	LUMB 042LP
$31.50 PREORDER RELEASE DATE: 7/3/2026 The latest album from Michael Cashmore (formerly of Current 93, plus known for his work as Nature and Organisation and collaborations with artists such as Marc Almond, Nick Cave, Bill Fay, Rose McDowell and Antony and the Johnsons, amongst others) veers from the paths his previous releases have been on into an area altogether more grandiose or stately. While all of his recordings under his own name have alluded to orchestral or soundtrack work to varying degrees, he has long committed himself to a series of six actual symphonies. Comprising four movements, two on each side, under the title The Last Light is Your Own Star, these are as bold and beautiful as they are demonstrative of a composer now reaching new heights as he matures into his vision.

Artist	Title	Format	Label	Catalog #
MANO LE TOUGH & DJ KOZE, REMCORD, JONATHAN KASPAR	Maeve035	12"	MAEVE	MAEVE 035EP
$22.50 PREORDER RELEASE DATE: 7/3/2026 Maeve returns with a new chapter led by Mano Le Tough, continuing the label's long-standing vision of releasing timeless, emotionally resonant electronic music. Leading the way is a special three-track 12" featuring a collaboration of Mano Le Tough with DJ Koze, Remcord, and Jonathan Kaspar. Features a highly anticipated collaboration between Mano Le Tough and DJ Koze. Includes exclusive new music from Remcord and Jonathan Kaspar.

Artist	Title	Format	Label	Catalog #
VA	Einer Rein. Reiner Raus.	2LP	MAUROMUSICA	MAURO 001LP
$46.50 PREORDER RELEASE DATE: 7/3/2026 Premium double vinyl edition featuring spot UV varnish on the artwork, a full-size art print insert, and two fully printed four-color inner sleeves. Mauromusica first appeared in 1999, when DJ Maurizio Schmitz introduced the name as an underground party brand shaped by long nights, afterhours and a deep passion for electronic music culture. For almost two decades, the project lived through intimate events and dancefloors before eventually going quiet for a number of years. Now, Mauromusica returns -- not only as a party series once again, but finally as the music label Maurizio had envisioned from the very beginning. A long-held dream, brought back to life through a carefully curated first various artists compilation. The first release brings together six artists from different corners of the electronic music world: Egyptian producer Raxon, German/French duo RE-ST, Italian artists JA:CK and Fedele, alongside Romanian producers Radu Dracul and Sublee. Moving between warm-up atmospheres, emotional techno, afterhour moods and timeless club sounds, the compilation reflects the musical vision behind Mauromusica -- honest electronic music with character, depth and longevity. Artwork comes from internationally acclaimed artist Tobias Rehberger, while the label typography was kindly provided by Buero New York. Special thanks to Sven Väth for his continuous support and for championing Raxon's "Based In Space" in his sets for more than a year.

Artist	Title	Format	Label	Catalog #
BLAKEY AND HIS JAZZ MESSENGERS, ART	Chippin' In	2LP	MUSIC ON VINYL	MOV 2951COL-LP
$43.00 PREORDER RELEASE DATE: 7/3/2026 "Art Blakey is one of the greatest jazz drummers and first made name for himself in the 1940s when working with bebop musicians Thelonious Monk, Charlie Parker, and Fletcher Henderson. In the mid-1950s, he formed The Jazz Messengers together with Horace Silver, which quickly became known as an incubator for young talent. 35 years after forming The Jazz Messengers, Blakey entered his final year still at it, and with the many promising young players around the time, he expanded the collective from its usual quintet or sextet into a septet for this fine recording session, which includes 'Brain Stormin'' and 'Kenji's Walk.' Due to Blakey constantly persuading his musicians to write music, The Jazz Messengers stayed young in spirit, just like its leader. Chippin' In features Javon Jackson and Dale Barlow, and is available as a limited edition on white colored vinyl and affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker."

Artist	Title	Format	Label	Catalog #
WILEN WITH THE MAL WALDRON TRIO, BARNEY	French Story (Movie Themes From France)	2LP	MUSIC ON VINYL	MOV 3183LP
$43.00 PREORDER RELEASE DATE: 7/3/2026 "French tenor saxophonist and jazz composer Barney Wilen is best known for his contributions to soundtracks and has worked amongst jazz giants as Miles Davis, Art Blakey, and Thelonious Monk. In 1989, he recorded French Story at Studio 44 in The Netherlands together with the Mal Waldron Trio, consisting of the jazz pianist Mal Waldron>, Stafford James on bass, and Eddie Moore on drums. They recorded eight jazz compositions from classic French movies, Julien Dans L'Ascenseur/Florence Sur Les Champs-Elysées and Générique amongst others. Miles Davis' original composition 'Julien Dans L'Ascenseur/Florence Sur Les Champs-Eylsées' comes from his famous album Ascenseur Pour L'échafaud and 'Les Feuilles Mortes (Autumn Leaves)' origins from the French film Les Portes de la Nuit which is one of Yves Montand's classic chansons and 'Un Homme Et Une Fille' is a classic French movie theme. Wilen's album was released in 1990 on the Dutch jazz label Timeless Records. In 1992, the album first appeared on vinyl, but only consisted of six tracks. The full album is being reissued in its entirety and includes the tracks 'No Problem' and 'Quiet Temple.' French Story (Movie Themes From France) is available as a 2LP on black vinyl and affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker."

Artist	Title	Format	Label	Catalog #
CHEAP TRICK	Cheap Trick (Color Vinyl)	LP	MUSIC ON VINYL	MOV 3551SIL-LP
$33.00 PREORDER RELEASE DATE: 7/3/2026 "Cheap Trick is the debut studio album by the American rock band Cheap Trick. It was released in 1977 and produced by Jack Douglas, who is a frequent collaborator of the band and known for his work with Aerosmith. The record remains a cornerstone of American rock and roll, capturing a raw, almost menacing edge that distinguished the band from their more polished contemporaries. The album features the more popular songs 'He's a Whore,' 'Elo Kiddies' and 'Oh, Candy' and entered the Billboard 200 in the United States, marking Cheap Trick's first appearance on the national album chart. It gave the band early visibility and positioned them within the broader rock landscape of the late 1970s. Over time, the album has come to be viewed as the starting point of the band's recorded catalogue. Cheap Trick is available as a limited edition of 2000 individually numbered copies on silver colored vinyl and includes an insert with lyrics."

Artist	Title	Format	Label	Catalog #
CHEAP TRICK	In Color (Purple Vinyl)	LP	MUSIC ON VINYL	MOV 3552PUR-LP
$33.00 PREORDER RELEASE DATE: 7/3/2026 "In Color is the second studio album by the American rock band Cheap Trick, released in 1977 and produced by Tom Werman. The album featured a more polished, pop-oriented sound compared to their raw debut, and brought forward the popular singles 'Clock Strikes Ten,' 'Southern Girls' and 'I Want You to Want Me.' The latter single became a huge hit and reached high positions on global charts. The band's Power Pop production resonated across the globe, most notably in Japan, where it set the stage for their legendary At Budokan success. In Color forms an important part of Cheap Trick's early discography and is positioned as a key release in the band's 1970s output. The album documents their transition toward the sound that would define their later work. In Color is available as a limited edition of 2000 individually numbered copies on purple colored vinyl and comes in a gatefold sleeve."

Artist	Title	Format	Label	Catalog #
SANTANA	Santana III	LP	MUSIC ON VINYL	MOV 3723LP
$42.00 PREORDER RELEASE DATE: 7/3/2026 "Santana III is an album of 'lasts'. It was the last album recorded with the original Woodstock-line up and the last to hit #1 in the Billboard charts until 1999's Supernatural. But there are also a number of important 'firsts' on this album; Coke Escovedo joins in for the first time on percussion, as does Neal Schon (Journey) -- who was a mere 17 of age when they recorded the album -- on guitar. Santana III is viewed by many as the band's commercial and creative highpoint. The band sounds darker, rawer, and more eager with the doubling up on guitar of Schon's Rock 'n' Roll sensibilities and Santana's ecstatic high notes and soulful fills. Escovedo and Chepito's percussion are as fast as it is furious, and the minimal production adds greatly to the timeless appeal of this album. Santana III is available on black vinyl."

Artist	Title	Format	Label	Catalog #
KLOSS/BARRY MILES, ERIC	Kloss Encounters (Live In Bremen '78)	2LP	MUSIC ON VINYL	MOV 4100LP
$53.00 PREORDER RELEASE DATE: 7/3/2026 "A rare moment in jazz history is captured on this exceptional live recording from July 1978, featuring saxophonist Eric Kloss and pianist Barry Miles at the peak of their creative powers. What unfolded on stage at the Bürgerzentrum Neue Vahr in Bremen, Germany was nothing short of extraordinary, a performance that critics immediately hailed as one of the finest duo concerts ever heard in the city. Their appearance at the Berliner Jazztage only reinforced this acclaim, with reviewers praising the duo's remarkable interplay, intensity, and artistic daring. Barry Miles, a pioneering force in early jazz fusion, began his musical life as a drummer before switching to piano at nineteen. His technical brilliance and expressive sensitivity shine throughout this recording, performed entirely on acoustic grand piano. Shortly after these duo performances, Miles would embark on a fifteen-year tenure as musical director for Roberta Flack. Eric Kloss, blind from birth, devoted himself wholly to music. He recorded his first album for Prestige at the astonishing age of sixteen and later collaborated with giants such as Chick Corea, Dave Holland, and Jack DeJohnette. His alto saxophone work here is a testament to why he is considered one of the most gifted improvisers of his generation. On Kloss Ecounters, (Live in Bremen 1978), the duo performs self-composed tracks such as 'Mystic Circles,' 'Kloss Encounters,' 'Michelle' and the standard 'My One And Only Love' written by Guy Wood and Robert Mellin. Kloss Encounters, (Live in Bremen 1978), stands as one of the great duo recordings in jazz and is available as a first-ever on vinyl release and includes new liner-notes by Timeless Records founder Wim Wigt. Affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker."

Artist	Title	Format	Label	Catalog #
BARRON TRIO, KENNY	Landscape	LP	MUSIC ON VINYL	MOV 4146LP
$42.00 PREORDER RELEASE DATE: 7/3/2026 "A master of lyrical expression and harmonic elegance, Kenny Barron has long been regarded as one of jazz's most distinguished pianists. Born in Philadelphia in 1943, Barron's journey through the jazz world reads like a tour of its greatest innovators: early work with James Moody, Roy Haynes, and a formative tenure in Dizzy Gillespie's quintet set the stage for a career defined by sophistication, depth, and unmistakable melodic clarity. Through the 1960s and '70s, Barron became a sought-after collaborator, performing with Freddie Hubbard, Jimmy Owens, Yusef Lateef, Milt Jackson, Jimmy Heath, and Stan Getz. His role in the celebrated ensemble Sphere, alongside Buster Williams, Ben Riley, and Charlie Rouse, further cemented his reputation as a musician equally rooted in bebop tradition and forward-looking modernism. Recorded in October 1984, Landscape captures Barron at a moment of profound artistic maturity. Joined by Cecil McBee on bass and Al Foster on drums, this intimate trio session reveals the full breadth of Barron's expressive range. The album includes the traditional 'Hush-A-Bye,' 'Spring Is Here' and two Kenny Barron originals 'Calypso' and 'Sunset.' Landscape by the Kenny Barron Trio is a 40th anniversary edition, contains newly written liner-notes by Timeless Jazz founders Wim & Ria Wigt. Affixed on the sleeve is the 50th Anniversary Timeless sticker."

Artist	Title	Format	Label	Catalog #
MA WITH THE SILK ROAD ENSEMBLE, YO-YO	Sing Me Home (Color Vinyl)	LP	MUSIC ON VINYL	MOVCL 025LP
$49.00 PREORDER RELEASE DATE: 7/3/2026 "American cellist prodigy Yo-Yo Ma recorded Sing Me Home with the Silk Road Ensemble, a musical collective with performers and composers from all over the world. The album features guest appearances by Grammy Award winning artists Toumani Diabaté, Gregory Porter, Lisa Fischer, Bill Frisell, and many more. Released in 2016, Sing Me Home was meant to open hearts, ears, and minds during a time of tragedy and political turmoil. Bringing together the cultural backgrounds of the musicians, Sing Me Home is a culturally conscious album, reflecting on modern globalization and collaboration. From Macedonian folk to traditional music from Mali, and from Irish fiddle to Indian sitar: it all comes together. Critics agreed, and the album went on to win the Grammy Award for Best World Music Album in 2017. Sing Me Home is available as a limited edition of 500 copies on translucent blue colored vinyl, housed in a gatefold sleeve."

Artist	Title	Format	Label	Catalog #
RING NOORD	Everything is Still to Come	12"	MAMA TOLD YA	MTYH 015EP
$22.50 PREORDER RELEASE DATE: 7/3/2026 Ring Noord and Anetha connect on Everything Is Still To Come EP for Mama Told Ya. Developed between studio sessions in Groningen and sustained time in the club, Everything Is Still To Come places their work in a broader context, moving between bass music, techno and rave, where instinct-driven writing meets a more direct sense of physical function.

Artist	Title	Format	Label	Catalog #
SUICIDAS	Canciones Malditas	LP	LA VIDA ES UN MUS	MUS 323LP
$33.00 PREORDER RELEASE DATE: 7/3/2026 Based between Barcelona and Vienna, Suicidas have been slowly dropping punk gems on different seven inches for fourteen years. Working at their own pace and staying away from trends, the band has always kept their sound rooted in the most melodic side of early punk. Their output is sparse in quantity but simply flawless in quality up to this point. Their early singles have been collected on two singles compilations already. Fast forward to 2024 and the band entered the studio to record their first full length. This time with the addition of a second guitarist, elevating their sound to new heights. Canciones Malditas has songs with riffs for days, and singalongs that stay with you forever. It has eleven idealistic anthems mixed with dejected love songs for the fuckups. Their influences are classic: Lost Kids, Commando 9mm, Screaming Sneakers, The Adverts, and more than anything their beloved Ramones, from who they take the sharp driven punk rock, full of melody but sounding crude at the same time. With a super bright recording and a total atemporal approach to the genre, Suicidas signed a record that I find extremely hard to remove from the turntable.

Artist	Title	Format	Label	Catalog #
JOSEPH	B4U & Tripidi	12"	PAMPA	PAMPA 046EP
$18.00 PREORDER RELEASE DATE: 7/3/2026 A duel of fates -- "B4U" is where clashing swords and bittersweet sounds envelop the strange voices in the back of your head. On the evening of its discovery, Joseph could be found in a dark room, squatting in front of his desk, gripping its sides for dear life. Headphones blaring the cosmic love letter, sent for him to share with you. Booty-shake-worthy grooves and a seriously Joseph-coded bassline give way to a sound that reminds you to stop taking everything so damn seriously. "Tripidi" is Joseph's auditory instruction manual on how to swerve when you stub a toe at 4am.

Artist	Title	Format	Label	Catalog #
KANTE	Kante On Acid (Acid Pauli Remixes)	7"	PINGIPUNG	PING 091EP
$12.50 PREORDER RELEASE DATE: 7/3/2026 25 years after the release of "Die Summe der einzelnen Teile" by Kante, Acid Pauli delivers a bomb of a remix. His up-tempo techno version turbocharges the Hamburger Schule classic -- a German song that ponders the wonders of making music. On the B side he marries his kick drums to the slow, yearning California from Kante's 1997 debut album Zwischen den Orten. So here it is: Pingipung presents Kante on Acid -- two bangers for the festival season that take lsiteners back to the roots of Hamburg's pop music, refracted by Acid Pauli's characteristically energetic, psychedelic groove.

Artist	Title	Format	Label	Catalog #
HEKT, LANDE	House Without A View	CD	CIRCUITRY	PLEXUS 004CD
$14.50 PREORDER RELEASE DATE: 7/3/2026 Circuitry presents the reissue of House Without A View, the out-of-print second album by singer-songwriter Lande Hekt. With a new album Lucky Now released on Tapete, Lande's contemporary twist on the classic C86 indie sound -- with a queer feminist punk identity lyrically explicit throughout -- is drawing in an ever-growing audience of devotees, such is the consistent quality of her songwriting, and the personality within. The opening track of the album is "Half With You" which "is about growing into yourself as a queer person, and enjoying who you are after not enjoying it for so long," says Lande. "Cut My Hair" is about how her relationship with her gender has changed over the last few years, becoming more comfortable in herself and understanding more about what makes her happy. "It's also about how easy it is to not talk to people when you're struggling, which is something I did for a long time," admits Lande. The title track of "House Without a View" deals with childhood trauma and how events of our formative years "affect us so much into our adult lives and are intrinsic to our personalities and the way we cope (or don't) with life and relationships," says Lande. Although there's darkness and sadness within the record, there's also some shining beacons of positivity and a light-hearted side, albeit with a side of frustration. "Lola" was written about Lande's cat shortly after she came to live with her and her girlfriend. "She's the first pet I've ever had and I wasn't quite ready for how hard it would be to not be able to verbally communicate with her. I worried constantly that she was depressed because all she did was sleep, but my girlfriend assured me that that was regular cat behavior."

Artist	Title	Format	Label	Catalog #
HEKT, LANDE	House Without A View	LP	CIRCUITRY	PLEXUS 004LP
$31.50 PREORDER RELEASE DATE: 7/3/2026 LP version. White color vinyl. Circuitry presents the reissue of House Without A View, the out-of-print second album by singer-songwriter Lande Hekt. With a new album Lucky Now released on Tapete, Lande's contemporary twist on the classic C86 indie sound -- with a queer feminist punk identity lyrically explicit throughout -- is drawing in an ever-growing audience of devotees, such is the consistent quality of her songwriting, and the personality within. The opening track of the album is "Half With You" which "is about growing into yourself as a queer person, and enjoying who you are after not enjoying it for so long," says Lande. "Cut My Hair" is about how her relationship with her gender has changed over the last few years, becoming more comfortable in herself and understanding more about what makes her happy. "It's also about how easy it is to not talk to people when you're struggling, which is something I did for a long time," admits Lande. The title track of "House Without a View" deals with childhood trauma and how events of our formative years "affect us so much into our adult lives and are intrinsic to our personalities and the way we cope (or don't) with life and relationships," says Lande. Although there's darkness and sadness within the record, there's also some shining beacons of positivity and a light-hearted side, albeit with a side of frustration. "Lola" was written about Lande's cat shortly after she came to live with her and her girlfriend. "She's the first pet I've ever had and I wasn't quite ready for how hard it would be to not be able to verbally communicate with her. I worried constantly that she was depressed because all she did was sleep, but my girlfriend assured me that that was regular cat behavior."

Artist	Title	Format	Label	Catalog #
SIGNER	00-04	2LP	EAR CANDY	PLR 028LP
$28.00 PREORDER RELEASE DATE: 7/3/2026 Originally released in 2025. "Perfect Location Records in partnership with the one and only Ear Candy Music presents 00-04, a compilation of early works by Bevan Smith aka Signer, New Zealand's most prominent name in ambient electronica and dub techno. Smith has been producing emotive chords, pop ambience, and thick dub-o-spheres since before the turn of the century. His output is prolific, ranging from various solo monikers (Aspen, Introverted Dancefloor) and collaborations (Skallander, Feeling Flying) to unique projects (Touching the Void soundtrack, Isolated Dreams' 24 EPs and counting). A rare artist with indie crossover appeal thanks to the 2004 Signer album The New Face of Smiling released on Carpark Records (Toro Y Moi, Beach House, Dan Deacon, Montag), Smith has played as a member of bands such as The Ruby Suns (Sub Pop), Over the Atlantic (Involve), and Glass Vaults (JUKBOXR). Encompassing field recordings and evoking a cloudy coastal sky, 00-04 is a collection of mostly unheard material written in the early 2000s as Smith navigated the chaos and stress of living in London just after 9/11. A portion of this release may be recognizable to those familiar with the Involve catalog -- 'Drone Early,' for example, is an alternative version to the dub giant '1201A' -- and to those acquainted with Signer's 2002 Low Light Dreams (Carpark/Involve), an iconic album composed of processed guitar, dub-influenced bass, and synth drones; as if that doesn't sound appealing enough, Low Light Dreams is home to 'Building Memories Without You,' an unforgettably engulfing track featured on Fact Magazine's '25 Best Dub Techno Tracks of All Time.' 00-04 is a (re)issue both nostalgic and new, familiar yet unknown, fresh out of the archive. It possesses the Low Light Dreams aural palette while offering a carefully curated array of never before heard icy-cold moods, soothing minimalism, and shyly optimistic melodies, all glazed with recently finalized additions."

Artist	Title	Format	Label	Catalog #
PARRY/COLIN POTTER, STEVE	Womb	CD	PERIPHERAL MINIMAL RECORDS	PM 034CD
$15.50 PREORDER RELEASE DATE: 7/3/2026 Recorded onto tape in 1981, this is the first release of the legendary album Womb by Steve Parry (Neu Elektrikk, Hywl Nofio) and Colin Potter (Nurse With Wound, Monos, Fovea Hex). Instruments/devices used in the recordings by Parry & Potter included: saw, plastic bucket and plastic tube, water, alarm clock, cotton rags, metal bars, electric drill, drum machine, bongo drums, analogue synth and sequencer, field recordings, electric, acoustic and bass guitars, flute, keyboards, found sounds, comb, and voice. Limited 500 copies with eight-page booklet.

Artist	Title	Format	Label	Catalog #
CHIAVAROLI, MAT	Ammaro	12"	QUINTESSENTIALS	QUINTESSE 101EP
$18.00 PREORDER RELEASE DATE: 7/3/2026 Mat Chiavaroli has a long-time connection with Quintessentials. His new sound is more driving and club friendly, ranging from the Mediterranean-inspired "Ammaro" to the UK garage styled "Need" to the classic deep house tune "We can figure it out." To top it off, Quintessentials buddy Ralph Session adds a NY influenced remix to heat things up even more! And yes, artwork provided by Mat's son Divo, a real family affair!

Artist	Title	Format	Label	Catalog #
VA	Kuboraum Sound Residency Vol. 2	2LP	RAUM MUSIK	RAUM 009LP
$37.50 PREORDER RELEASE DATE: 7/3/2026 Berlin's Kuboraum Editions celebrates another round of its ongoing Kuboraum Sound Residency with a bumper 19-track volume of exclusive tracks from its vibrant creative community, music that challenges contemporary logic and prioritizes what really matters: experimentation, exchange and evolution. Like its predecessor, Kuboraum Sound Residency Vol. 2 is assembled like a proper album in the classic sense, something that's supposed to be absorbed from start to finish. And although there are no constraints placed on artists, there's a similar radical philosophy that surges through each and every contribution. From beginning to end, it's music that rewards curious ears and open minds. South Korean artist bela opens the compilation with "Mouton and Blade," shaping their powerful voice into an orchestra of growls alongside a wheezing, instrumental ensemble. And Rome's Cosimo Damiano, who's been a part of the Kuboraum family since day one, turns in an unsettling solo experiment, juxtaposing Irma Ticozzelli's pitch shifted voices with scratchy, psychedelic electronics. Catalan pianist, vocalist and producer Marina Herlop traverses her verdant sonic landscape on "alas," matching her singular voice with birdsong to provide a hopeful interspecies dawn chorus. Kenyan vanguard Lord Spikeheart meanwhile links hands with Italian producer Talpah to dream up "SILENCE IN THE C-DRAL," a gruesome trap hybrid that airlifts itself from the basement to the stadium. All of that noise makes Mexican duo Estrella del Sol and Luisa Almaguer's peaceful "Deseo" a necessary palate cleanser. On "TLC," versatile French producer Low Jack reconvenes with Le Diouck, complimenting the Franco-Senegalese artist's throaty rhymes with serpentine synths and jerky rhythms. Colombian sound artist Lucrecia Dalt teams up with percussionist Alex Lázaro, whose flexible electroacoustic rhythms are the perfect foil for her sultry lounge shakes on "Synonym Mask." Bristol's Mun Sing continues his journey towards the club's quirkiest corners with his aptly titled loosie "Fluffy," a bass-heavy, lurching banger. Working again alongside the great Annie Hogan, EROS turn in the moody "Burnt Crossing," a slithering, moonlit addendum to 2024's "Your Truth is a Lie." As the compilation moves into its final act it ventures to the UK once more, stopping in Birmingham for a track from Lee Gamble and in Preston to pick up Rainy Miller's widescreen "My Wings, Never Clipped." Then, fittingly, it's back to Italy for the noisy "Fury," a punky and curiously romantic solo experiment from acclaimed visual artist and musician Emiliano Maggi. The curtains finally close on Julija Castellucci's operatic "Lullaby," a perfectly evocative conclusion to a project that exists between disciplines.

Artist	Title	Format	Label	Catalog #
DEETRON	Deep In Your Soul	12"	RUNNING BACK	RB 146EP
$20.50 PREORDER RELEASE DATE: 7/3/2026 When the first lockdown hit, Ben Westbeech ended up stranded in Walthamstow after months spent drifting through India and Thailand, unable to make it back to Ibiza. Armed with little more than an SM58, a Korg Minilogue and a soundcard, he pieced together a temporary setup in a friend's flat and got back into the habit of writing music in splendid isolation. Somewhere in the middle of all that, Deetron sent over a sketch that instantly hit a nerve. Ben wrote and recorded the vocal for Deep In Your Soul in one sitting, then the track quietly sat and evolved over the next couple of years until Sam resurfaced with the finished version. A final vocal session in Ibiza sealed it properly.

Artist	Title	Format	Label	Catalog #
RUDIMENTARY PENI	The E.P's of R.P	CD	SEALED RECORDS	SEAL 022CD
$17.50 PREORDER RELEASE DATE: 7/3/2026 Unavailable since its original release on the Crass side label Corpus Christi in 1987, the much-bootlegged compilation The E.P's Of R.P. finally gets an official reissue on Sealed Records. The LP collects both Rudimentary Peni 7" releases pre-Death Church LP, completing the trilogy of Rudimentary Peni's first era recordings before their first hiatus. The A side contains the band's stunning debut. A breakneck 12-song 7" EP recorded in 1981 at Street Level Studios and originally released on the band's Outer Himalayan label. From the first track Rudimentary Peni pull you in and aurally assault your ears creating the template for many to follow. It's abrasive, sharp, intricate with supreme musicianship and a unique dark sense of humor. They created a perfect, demented universe of twisted, poetic and needle in the red punk often imitated and truly never matched. Flip over for the follow up, the 11 track 7" Farce that was originally released in 1982 on Crass Records. Like most records on the label it benefits massively from John Loder's engineering and Penny Rimbaud production. Farce never lets up the intensity with twisted melodies, a locked in rhythm section and Blinko's much copied anguished vocals that he sings like his life is depends on it. It energetic, manic and 40+ years later nothing comes close to both EP's. While both EPs were originally packed in Nick Blinko's artwork, he created a masterpiece of dark and intricate art with microscopical detail to house their collection. You can literally get lost for hours in it. This reissue replicates it, adding a new printed inner-sleeve and lyric insert.

Artist	Title	Format	Label	Catalog #
RUDIMENTARY PENI	The E.P's of R.P	LP	SEALED RECORDS	SEAL 022LP
$33.00 PREORDER RELEASE DATE: 7/3/2026 LP version. Unavailable since its original release on the Crass side label Corpus Christi in 1987, the much-bootlegged compilation The E.P's Of R.P. finally gets an official reissue on Sealed Records. The LP collects both Rudimentary Peni 7" releases pre-Death Church LP, completing the trilogy of Rudimentary Peni's first era recordings before their first hiatus. The A side contains the band's stunning debut. A breakneck 12-song 7" EP recorded in 1981 at Street Level Studios and originally released on the band's Outer Himalayan label. From the first track Rudimentary Peni pull you in and aurally assault your ears creating the template for many to follow. It's abrasive, sharp, intricate with supreme musicianship and a unique dark sense of humor. They created a perfect, demented universe of twisted, poetic and needle in the red punk often imitated and truly never matched. Flip over for the follow up, the 11 track 7" Farce that was originally released in 1982 on Crass Records. Like most records on the label it benefits massively from John Loder's engineering and Penny Rimbaud production. Farce never lets up the intensity with twisted melodies, a locked in rhythm section and Blinko's much copied anguished vocals that he sings like his life is depends on it. It energetic, manic and 40+ years later nothing comes close to both EP's. While both EPs were originally packed in Nick Blinko's artwork, he created a masterpiece of dark and intricate art with microscopical detail to house their collection. You can literally get lost for hours in it. This reissue replicates it, adding a new printed inner-sleeve and lyric insert.

Artist	Title	Format	Label	Catalog #
MR. PROJECTILE	Sinking	2LP	EAR CANDY	SEMISEX 008LP
$21.00 PREORDER RELEASE DATE: 7/3/2026 Originally released in 2004. Black vinyl version, gatefold jacket. "Semisexual and Ear Candy present the welcome return of a true highlight of the early '00s melodic IDM scene. Released in full on vinyl for the first time (a now highly sought-after 5-track sampler was the only vinyl version originally produced), this release also includes three previously unreleased bonus tracks, all made during the same era. Released by Merck in 2004, after acclaimed releases on Toytronic and Parotic, Sinking's unique amalgam of crystalline sound design, blissed-out atmospheres, and gorgeous melodies made for an instant classic. A supremely deep record, nobody has made anything quite like it, before or since."

Artist	Title	Format	Label	Catalog #
DAVIES, JOE	Wonderful Tempo	12"	SMALLVILLE	SMALL 076EP
$20.00 PREORDER RELEASE DATE: 7/3/2026 Joe Davies back on Smallville, providing his skills to double the magic on the fly! Soundscapes that will tickle your sweetspots. Straight-but-quirky, far-out but still to the point -- Joe is a master of his craft. His highly-acclaimed 2023 longplayer Shields In Full Sunlight is still on the plates of oh-so-many heads out there. Comes with a stunning full cover artwork from Stefan Marx.

Artist	Title	Format	Label	Catalog #
VANESSA VAN BASTEN	Yes	LP	SUBSOUND RECORDS	SSR 168LP
$28.00 PREORDER RELEASE DATE: 7/3/2026 Vanessa Van Basten (neither a Dutch singer nor the wife of a famous football player) was born in Genoa, Italy, in 2004 as a one-man band. Founded by Morgan Bellini, a DJ at the time, Vanessa was immediately acclaimed by critics since the release of the first self-titled demo. A cinematic mix of post-rock, sludge metal and shoegaze: quite a new sound within the Italian underground scene in that period. Several labels are interested in producing the band, that seemed to have developed its own style, more focused on the general atmosphere than on brute strength. When permanent drummer Roberto Della Rocca also joined the band, the trio released Psygnosis EP via Consouling Sounds and started playing live quite intensely until 2010, when Bellini moved to Austria and declared the band was again a studio project only. In the same year, Vanessa signed for American label Robotic Empire and released Closer to the Small/Dark/Door, their second album. This full length contains shorter tracks and is influenced also by Morricone and by 4AD '80 albums. To everyone's surprise, in 2023 Bellini reunited the original Vanessa Van Basten lineup and began recording a new album, Yes, to be released by Italian label Subsound Records. The band members consider this album a great return to their early style. Even if Vanessa Van Basten never pushed on promotion or social networks and with less than a hundred live shows in the mid '00, it has always been critically acclaimed, it is considered a cult band and it has unsuspected admirers, as Randy Blithe of Lamb of God (who said they're "geniuses"). Also available on color vinyl (SSR 168LTD-LP).

Artist	Title	Format	Label	Catalog #
VANESSA VAN BASTEN	Yes (Color Vinyl)	LP	SUBSOUND RECORDS	SSR 168LTD-LP
$34.00 PREORDER RELEASE DATE: 7/3/2026 Color vinyl version. Vanessa Van Basten (neither a Dutch singer nor the wife of a famous football player) was born in Genoa, Italy, in 2004 as a one-man band. Founded by Morgan Bellini, a DJ at the time, Vanessa was immediately acclaimed by critics since the release of the first self-titled demo. A cinematic mix of post-rock, sludge metal and shoegaze: quite a new sound within the Italian underground scene in that period. Several labels are interested in producing the band, that seemed to have developed its own style, more focused on the general atmosphere than on brute strength. When permanent drummer Roberto Della Rocca also joined the band, the trio released Psygnosis EP via Consouling Sounds and started playing live quite intensely until 2010, when Bellini moved to Austria and declared the band was again a studio project only. In the same year, Vanessa signed for American label Robotic Empire and released Closer to the Small/Dark/Door, their second album. This full length contains shorter tracks and is influenced also by Morricone and by 4AD '80 albums. To everyone's surprise, in 2023 Bellini reunited the original Vanessa Van Basten lineup and began recording a new album, Yes, to be released by Italian label Subsound Records. The band members consider this album a great return to their early style. Even if Vanessa Van Basten never pushed on promotion or social networks and with less than a hundred live shows in the mid '00, it has always been critically acclaimed, it is considered a cult band and it has unsuspected admirers, as Randy Blithe of Lamb of God (who said they're "geniuses").

Artist	Title	Format	Label	Catalog #
BALL, ASHLEIGH	Center Of The Universe	LP	SPIRITUAL WORLD	SW 014X-LP
$27.00 PREORDER RELEASE DATE: 7/3/2026 Spiritual World presents Ashleigh Ball's Center of the Universe, a transcendental flute journey from the singer and flutist of T3al. Center of the Universe is a 32-minute improvisational odyssey recorded inside the Dominion Astrophysical Observatory (DAO), a National Historic Site on Vancouver Island, in British Columbia Canada. Inspired by the pioneering work of Paul Horn and his Inside series, the recording channels a similar spirit of reverent exploration within a space rich in history and resonance. Completed in 1918, the observatory is home to the Plaskett Telescope -- once among the largest and most powerful in the world -- playing a key role in mapping the Milky Way. Following months of coordination, three hours of private access were granted on the morning of August 25, 2025. Beneath the observatory's towering telescope, Ball performed a wordless meditation, moving between alto flute and soprano concert flute, allowing each note to merge with the chamber's vast natural reverb. Tones bloom, linger, and return, carried along the massive curved steel walls. Captured using a minimalist recording approach, Center of the Universe preserves the purity of the moment -- its warmth, stillness, and the architecture's subtle mechanical resonance. Here, the observatory itself becomes an instrument, shaping the sound into something elemental, timeless, and deeply human. RIYL: Paul Horn, Pauline Oliveros, James Newton, Kali Malone.

Artist	Title	Format	Label	Catalog #
CATTANEO/MARC ROMBOY, HERNAN	The Insanity Of Inifinty	12"	SYSTEMATIC RECORDINGS	SYST 144EP
$20.50 PREORDER RELEASE DATE: 7/3/2026 With The Insanity Of Infinity Hernán Cattáneo and Marc Romboy join forces for a deeply atmospheric and emotionally charged release on Systematic Recordings. The track brings together two artists with longstanding international reputations and clearly defined musical identities: Cattáneo's unmistakable sense for hypnotic, progressive storytelling and Romboy's warm, driving and Detroit-influenced Systematic sound. The original version unfolds with depth, tension and elegance, balancing melodic emotion with club-focused precision. Frank Sonic and Drumcomplex add a powerful, forward-moving techno version with clear Systematic DNA, designed for darker club moments and peak-time impact. Brian Cid brings his own hypnotic and progressive touch, expanding the emotional dimension of the original with a deep, atmospheric and cinematic interpretation.

Artist	Title	Format	Label	Catalog #
FUNCTION	Aeternum (Existenz)	12"	TRESOR	TRESOR 369EP
$18.00 PREORDER RELEASE DATE: 7/3/2026 Much like the fusion resulting in the output of light and heat within a star, the last seven years for Dave Sumner, aka Function, have been defined by immense change and an outpouring of creative energy. Aeternum (Existenz) serves as the missing element in his creative arc. It acts as the final chapter of a cycle, that began with the 2019 album Existenz and moved through Subject f (Transcendence), Awakening from the Illusory Self, and Green EP. Drawing inspiration from the seven stages of alchemy, this mini-album represents a cathartic process; a natural end point of a psychological cycle and the beginning of a new curve. Across the six tracks on the mini-LP, recorded 2016-2019, Function builds a unique world, one which underlines his place as one of the luminaries of contemporary techno.

Artist	Title	Format	Label	Catalog #
AKUSMI	Terra Incognita	CD	TONAL UNION	TU 020CD
$20.00 PREORDER RELEASE DATE: 7/3/2026 "Cartographers and US multinational technology corporations might think they've mapped out most of the planet, and yet there's always more to discover if you know where to look. French-born, London-based composer and musician Pascal Bideau takes this as his central premise on a new album of intrepid sonic exploration that delights in the sensation of being somewhere you've never been before. Terra Incognita invites listeners to seven faraway sonic imaginariums fusing global and spiritual jazz with life affirming minimalism into a hypnotic, polyrhythmic odyssey. This time, the albums' sound palette is more vibrant, earthy and abundant, drawing inspiration from the radiating optimism and high-energy sources heard in Afrobeat, highlife and electronic Afro-pop music, sounding looser, free and primarily interested in raw sensations. Terra Incognita is a hybrid blend of traditional music and modern electronics, a trip into the unknown that ambulates freely, taking pleasure in its repetitions and never staying still. Bideau suggests this unmarked territory could be as much a fantasyland as it is a transportive journey into the inner self. In an era where the concept of nation states and their need to be protected has come to dominate the political discourse, Terra Incognita embraces adventure without borders, seeking out the unexplored territory of the title, breathlessly beholding vistas and pirouetting to take in boundless panoramas. Bideau is not the only musician on Terra Incognita. There's the Indian-born tabla virtuoso Sarathy Korwar who adds an almost drum and bass-like kineticism to 'Rain Dance', Dudú Kouate, the celebrated Senegalese musician adds an array of percussions, ngoni, flutes throughout with a spirited multi-octave vocal to give a climatic end to the album on 'Dawning Dusk'. Levitation Orchestra's Marysia Osu alongside Lluís Domènech Plana respectively bring harp and flutes whilst pulsing electronics are provided on 'Anima' by longtime collaborator Daniel Brandt. Ecstatic improvisations were overlaid with an array of instruments at his disposal, many from around the world, from Africa to South East Asia, Latin America, Eastern Europe, gathered from his own travels or brought back by family and friends. Pascal plays flutes, clarinet, guitars, bass, mbira, balafon, dutars, marimbas, zither, adungu and many other percussions."

Artist	Title	Format	Label	Catalog #
AKUSMI	Terra Incognita (Color Vinyl)	LP	TONAL UNION	TU 020LE-LP
$36.00 PREORDER RELEASE DATE: 7/3/2026 LP version. Color vinyl version. "Cartographers and US multinational technology corporations might think they've mapped out most of the planet, and yet there's always more to discover if you know where to look. French-born, London-based composer and musician Pascal Bideau takes this as his central premise on a new album of intrepid sonic exploration that delights in the sensation of being somewhere you've never been before. Terra Incognita invites listeners to seven faraway sonic imaginariums fusing global and spiritual jazz with life affirming minimalism into a hypnotic, polyrhythmic odyssey. This time, the albums' sound palette is more vibrant, earthy and abundant, drawing inspiration from the radiating optimism and high-energy sources heard in Afrobeat, highlife and electronic Afro-pop music, sounding looser, free and primarily interested in raw sensations. Terra Incognita is a hybrid blend of traditional music and modern electronics, a trip into the unknown that ambulates freely, taking pleasure in its repetitions and never staying still. Bideau suggests this unmarked territory could be as much a fantasyland as it is a transportive journey into the inner self. In an era where the concept of nation states and their need to be protected has come to dominate the political discourse, Terra Incognita embraces adventure without borders, seeking out the unexplored territory of the title, breathlessly beholding vistas and pirouetting to take in boundless panoramas. Bideau is not the only musician on Terra Incognita. There's the Indian-born tabla virtuoso Sarathy Korwar who adds an almost drum and bass-like kineticism to 'Rain Dance', Dudú Kouate, the celebrated Senegalese musician adds an array of percussions, ngoni, flutes throughout with a spirited multi-octave vocal to give a climatic end to the album on 'Dawning Dusk'. Levitation Orchestra's Marysia Osu alongside Lluís Domènech Plana respectively bring harp and flutes whilst pulsing electronics are provided on 'Anima' by longtime collaborator Daniel Brandt. Ecstatic improvisations were overlaid with an array of instruments at his disposal, many from around the world, from Africa to South East Asia, Latin America, Eastern Europe, gathered from his own travels or brought back by family and friends. Pascal plays flutes, clarinet, guitars, bass, mbira, balafon, dutars, marimbas, zither, adungu and many other percussions."

Artist	Title	Format	Label	Catalog #
AKUSMI	Terra Incognita	LP	TONAL UNION	TU 020LP
$34.00 PREORDER RELEASE DATE: 7/3/2026 LP version. "Cartographers and US multinational technology corporations might think they've mapped out most of the planet, and yet there's always more to discover if you know where to look. French-born, London-based composer and musician Pascal Bideau takes this as his central premise on a new album of intrepid sonic exploration that delights in the sensation of being somewhere you've never been before. Terra Incognita invites listeners to seven faraway sonic imaginariums fusing global and spiritual jazz with life affirming minimalism into a hypnotic, polyrhythmic odyssey. This time, the albums' sound palette is more vibrant, earthy and abundant, drawing inspiration from the radiating optimism and high-energy sources heard in Afrobeat, highlife and electronic Afro-pop music, sounding looser, free and primarily interested in raw sensations. Terra Incognita is a hybrid blend of traditional music and modern electronics, a trip into the unknown that ambulates freely, taking pleasure in its repetitions and never staying still. Bideau suggests this unmarked territory could be as much a fantasyland as it is a transportive journey into the inner self. In an era where the concept of nation states and their need to be protected has come to dominate the political discourse, Terra Incognita embraces adventure without borders, seeking out the unexplored territory of the title, breathlessly beholding vistas and pirouetting to take in boundless panoramas. Bideau is not the only musician on Terra Incognita. There's the Indian-born tabla virtuoso Sarathy Korwar who adds an almost drum and bass-like kineticism to 'Rain Dance', Dudú Kouate, the celebrated Senegalese musician adds an array of percussions, ngoni, flutes throughout with a spirited multi-octave vocal to give a climatic end to the album on 'Dawning Dusk'. Levitation Orchestra's Marysia Osu alongside Lluís Domènech Plana respectively bring harp and flutes whilst pulsing electronics are provided on 'Anima' by longtime collaborator Daniel Brandt. Ecstatic improvisations were overlaid with an array of instruments at his disposal, many from around the world, from Africa to South East Asia, Latin America, Eastern Europe, gathered from his own travels or brought back by family and friends. Pascal plays flutes, clarinet, guitars, bass, mbira, balafon, dutars, marimbas, zither, adungu and many other percussions."

Artist	Title	Format	Label	Catalog #
GROOVEDEEP	Funk Solo	12"	TURBO RECORDINGS	TURBO 249EP
$20.50 PREORDER RELEASE DATE: 7/3/2026 Turbo presents you with this pair of decidedly modern bangers from international supergroup Groovedeep, comprised of Toronto's Ciel and DC's James Bangura and Jackson Ryland. "Funk Solo" packs 145 beats into each and every minute of a delirious techno mindbeast, with remixes from icons such as Shed, Batu, and Mark Broom taking the vibe in all the right various directions. Meanwhile, the bottom of the B-side is a "Big Bass Mix" for those who are compelled to slather themselves in bass-boost ultrasound gel and nestle into the club sub-woofer.

Artist	Title	Format	Label	Catalog #
FROHLICH, BENJAMIN	Muv It	12"	PLEASURE PRINCIPLE	VINYLPLEA 001EP
$18.00 PREORDER RELEASE DATE: 7/3/2026 Berlin-based producer and DJ Benjamin Fröhlich returns to his own Pleasure Principle imprint with the long-awaited vinyl edition of The Muv It EP. Rooted in dusty, dubby house music and inspired by the open spaces and raw energy of a recent desert trip, the EP channels warmth and groove in equal measure. The vinyl edition comes with an exclusive bonus track: "Gruv It" -- a stripped-down, atmospheric rework of "Muv It" that trades hands up moments against a hypnotic rolling vibe.

Artist	Title	Format	Label	Catalog #
LIBERSKI RETRIO, CASIMIR	Zelda Suites (The Live Album)	2LP	WE RELEASE JAZZ	WRJ 018LTD-LP
$41.00 PREORDER RELEASE DATE: 7/3/2026 We Release Jazz continues its collaboration with Belgian jazzman Casimir Liberski with another Zelda-themed rendition, following his celebrated Z Suites album. This time it's a full-on live session -- Casimir Libersk ReTRio's Zelda Suites (The Live Album) is a heroic Hyrule jazz adventure available in half speed mastered DLP in a heavyweight sleeve with obi. Casimir Liberski reimagines the golden era of video game soundtracks with live jazz versions of Zelda favorites The Legend of Zelda (1986), A Link to the Past (1991), Link's Awakening (1993), and Oscarina of Time (1998) -- and tons of Easter eggs! Dancing between nostalgia and avantgarde, the Brussels-born pianist and composer crafts a sonic world of pixelated folklore where melody and improvisation coexist in harmony. Zelda Suites (The Live Album) is the origin story of Liberski's acclaimed Z Suites album. He explains: "The live recording of Zelda Suites (The Live Album) preceded the studio recording that later comprised ReTRio's first album. This live recording was captured at the end of a tour in Germany and Belgium, in Osnabrück, in a small, intimate venue. This new album therefore contains only 'hot first takes,' imbued with all the emotion that permeated our playing that evening. In a way, it's perhaps more closely linked to my initial vision for the project: to 'take the iconic themes from the Legend of Zelda games that shaped my childhood and perform them live through a jazz lens.' For me, the conditions of live performance are the very essence of jazz. There's a frankness of being present, in the very moment the music is created and, one might say, listens to itself, that draws the musicians into a fervor and audacity that often transcends them. The magic of jazz comes at this price. Unapologetic, as they say in English. This album reveals a perhaps more authentic and unrestrained side of our playing. No excuses. Again, long live Hyrule jazz!"

Artist	Title	Format	Label	Catalog #
STARTLED INSECTS	The Antenna Years	LP	WRWTFWW RECORDS	WRWTFWW 110LP
$39.50 PREORDER RELEASE DATE: 7/3/2026 WRWTFWW Records presents the first ever vinyl release for the Startled Insects' 1984-1985 abstract/synth-pop/post-punk/electronic run compiled into one album: The Antenna Years. The Bristol music must-have comes as a limited-edition LP with astonishing artwork, liner notes and a heavyweight sleeve. The Antenna Years compiles the independent EPs/mini-LPs the Startled Insects released in 1984 (self-titled) and 1985 (Underworld/Black Spring), with two bonus unreleased tracks that were only ever played in their live shows ("W.W.W" and "What A Waste," both amazing). Astonishingly futuristic when they landed in 1984, the Startled Insects sounded like they came from another planet while staying rooted in Bristol's underground. Abstract electronic, leftfield synth-pop, dub science, gamelan heat, post-punk edge, cinematic atmosphere: The Antenna Years delivers one beautifully odd voyage into the sonic unknown. In the '90s, the band released two albums, including the classic Curse Of The Pheromones via Antilles New Directions (Island Records), then evolved into The Insects: film composers for BBC/National Geographic, Emmy winners, and key architects of the '90s Bristol orbit, working with Massive Attack, Goldfrapp, Tricky, and members of Portishead. Four decades on, The Antenna Years still hits like a transmission from the future. Dive in with no fear.

Artist	Title	Format	Label	Catalog #
MILKY WAY, THE	Summer-Time Love Song (1979)	CD	WEWANTSOUNDS	WWSCD 115CD
$18.00 PREORDER RELEASE DATE: 7/3/2026 Wewantsounds presents the first official reissue of the highly sought-after 1979 classic, Summer-Time Love Song by The Milky Way. Originally released on the Seven Seas label in Japan and produced by the legendary Makoto Matsushita -- the visionary behind the cult album First Light -- the album is a premier example of the sophisticated sound that defined the era. Featuring the cream of Japanese musicians, including Yasuaki Shimizu, the record offers a superb mix of AOR, jazz fusion, funk, and bossa nova. Remastered by Colorsound Studio, this deluxe reissue features the original artwork, an OBI strip, and a 4-page booklet with a new introduction by Paul Bowler. The album serves as a vital precursor to Matsushita's own 1981 cult masterpiece First Light. Here, he and Nobuta lead the cream of Japanese session musicians. From the sun-drenched bossa nova rhythms of the Jobim classic "Wave" to a sophisticated rendition of Boz Scaggs' classic "Harbor Lights," finishing with the dreamy rhythms of "Endless Summer," the record is a masterclass in elegant funky arrangements and relaxed harmonies. As music journalist Paul Bowler writes in the liner notes for this release: "Summer-Time Love Song represents a fascinating bridge in Japanese pop history; a moment where the breezy aspirations of the '70s met the meticulous studio perfectionism that would soon take over the world." This deluxe edition features the original artwork, showcasing classic photography by the cult photographer Shinpei Asai -- famed for his iconic work on the Pacific album by Haruomi Hosono, Shigeru Suzuki, and Tatsuro Yamashita. Newly remastered, this reissue finally makes one of the most coveted albums of the 70s Japanese scene accessible to Japanese music fans worldwide.

Artist	Title	Format	Label	Catalog #
MILKY WAY, THE	Summer-Time Love Song (1979)	LP	WEWANTSOUNDS	WWSLP 115LP
$33.00 PREORDER RELEASE DATE: 7/3/2026 LP version. Wewantsounds presents the first official reissue of the highly sought-after 1979 classic, Summer-Time Love Song by The Milky Way. Originally released on the Seven Seas label in Japan and produced by the legendary Makoto Matsushita -- the visionary behind the cult album First Light -- the album is a premier example of the sophisticated sound that defined the era. Featuring the cream of Japanese musicians, including Yasuaki Shimizu, the record offers a superb mix of AOR, jazz fusion, funk, and bossa nova. Remastered by Colorsound Studio, this deluxe reissue features the original artwork, an OBI strip, and a 4-page booklet with a new introduction by Paul Bowler. The album serves as a vital precursor to Matsushita's own 1981 cult masterpiece First Light. Here, he and Nobuta lead the cream of Japanese session musicians. From the sun-drenched bossa nova rhythms of the Jobim classic "Wave" to a sophisticated rendition of Boz Scaggs' classic "Harbor Lights," finishing with the dreamy rhythms of "Endless Summer," the record is a masterclass in elegant funky arrangements and relaxed harmonies. As music journalist Paul Bowler writes in the liner notes for this release: "Summer-Time Love Song represents a fascinating bridge in Japanese pop history; a moment where the breezy aspirations of the '70s met the meticulous studio perfectionism that would soon take over the world." This deluxe edition features the original artwork, showcasing classic photography by the cult photographer Shinpei Asai -- famed for his iconic work on the Pacific album by Haruomi Hosono, Shigeru Suzuki, and Tatsuro Yamashita. Newly remastered, this reissue finally makes one of the most coveted albums of the 70s Japanese scene accessible to Japanese music fans worldwide.

Artist	Title	Format	Label	Catalog #
ALEXANDER, CRAIG	Phenomenal Woman/Across My Mind	12"	YORE RECORDS	YORE 062EP
$27.00 PREORDER RELEASE DATE: 7/3/2026 Following his recent appearance on the label, Craig Alexander returns to Yore Records with a carefully curated reissue of two standout house workouts: "Phenomenal Woman" and "Across My Mind." Originally released on earlier records, these tracks are now brought together on one 12" -- each presented in two distinct mixes -- capturing the raw, emotional depth of Chicago house in its purest form. Stripped down, honest and deeply rooted, this is Chicago house in its most original and authentic form -- a sound that continues to resonate far beyond the dancefloor.

Artist	Title	Format	Label	Catalog #
MAL-ONE	Punk Times Issue Three	MAG	PUNK ART RECORDS	5060135763947
$11.00 PREORDER RELEASE DATE: 7/10/2026 Punk Times issue 3. 32-page magazine. Signed, numbered and blind stamped. To celebrate 50 years of punk 1976-2026 Mal-One has put together a limited-edition punk magazine showing his works so far. The Punk Times magazine was an old project that evolved into this format. The set takes readers through Mal-One's works to date, punk exhibitions, record releases and limited art prints with punk being the inspiration for these works.

Artist	Title	Format	Label	Catalog #
CONTEMPORARY JAZZ QUARTET FEAT. SONNY MURRAY & GARY PEACOCK, THE	Predetermination	LP	FORMALIBERA	7FFTCJQ190
$28.50 PREORDER RELEASE DATE: 7/10/2026 Includes four-page insert. "TCJQ together with Gary Peacock and Sunny Murray! This is THE sunken treasure. This is music I have only heard about. And yet, here it is. Unbelievable. Intact. Preserved. Beaming of energy and JOY! This is a sensational find. My favorite Danes exploding together with my favorite double bass player all time. Gary Peacock. The engine. The power engine. I can hardly breathe when he plays, and when he starts soloing and creating beautiful duo bass action with his colleague Steffen Andersen in this very first recording of 'Predetermination,' 10 minutes in -- my heart expands, and the world suddenly looks and sounds entirely different. Add Sunny Murray on top of it all? The master of unreal flow and accents. Sunny was a beast to deal with at the time. But what he adds to the music is pure poetry. No other drummer did anything even close to this back in the mid-'60s. To have Steinmetz and Beckerlee playing alongside Peacock and Murray in 1964 is as good as it gets. The absolute point-zero of free jazz, Spiritual Unity, was just released. It changed everything. This is the mother of it all. The birth. You would think Steinmetz and Beckerlee would have had a little anxiety joining the American duo. There is nothing of uncertainty or vague playing here. This is for real. Right-on-take-no-prisoners-do-not-look-back. Added to the A-side of this mythical recording with creative Danes and the rhythm section of Spiritual Unity is a little improvised miniature. 'In the Name of Beauty.' The title very accurately describes what is going on. TCJQ creating pure communal beauty. Steinmetz, Beckerlee and Andersen getting very real! Dig the harmonics of the last note. The B-side´s 'Spontaneity,' 'Action' and 'Collusion' are just wild. Raw. And utterly beautiful. The group is doing real sharing on a level unheard of before. While listening through this music numerous times and trying to write something simultaneously of intellectual or emotional content something happens? I lose the sense of time. The emerging free jazz scene of Denmark of the early '60s, is something spectacular and WILD. Years before the other Scandinavian countries even got a grip of the new jazz, the Danes were doing it already. Fueled by very important guest visits by Cecil Taylor, Sunny Murray and Albert Ayler at both clubs and radio or TV appearances. Those were the times when public service actually noticed new developments in art, music and literature." Mats Gustafsson, April 2026

Artist	Title	Format	Label	Catalog #
SINATRA, FRANK	All The Way: Best Of The Capitol Years 1953-60	LP	ACROBAT	ACRSLP 1699LP
$26.00 PREORDER RELEASE DATE: 7/10/2026 "Frank Sinatra's career took a significant turn when he signed with Capitol Records in the 1950s. After a slump in popularity, he reinvented himself, transitioning from a pop crooner to a more sophisticated, swinging artist, defining the album as an art form. This period, often considered his artistic peak, produced some of his most iconic and influential recordings, setting the stage for his legendary status. This LP, Best of the Capitol Years, is a definitive collection that captures the essence of that remarkable era. It features a powerful selection of songs that showcase Sinatra's unmatched vocal phrasing and the lush, brilliant arrangements that became his signature. The album swings from the joyful exuberance of 'I've Got The World On A String,' 'You're Sensational,' and 'Young At Heart' to the romantic charm of hits like 'Love And Marriage' and 'Witchcraft.' It also includes the heartfelt balladry of 'All The Way' and the triumphant anthem 'High Hopes.' The collection showcases the full breadth of his genius, from the playful duet 'Hey! Jealous Lover' and the whimsical 'Ol' Mac Donald' to the melancholy beauty of 'Learnin' The Blues.' A celebration of timeless melodies, from the iconic 'Three Coins In The Fountain' to the cinematic 'South Of The Border (Down Mexico Way),' this collection is an essential document of a cultural giant at the peak of his powers, confirming his place as one of the greatest vocalists of all time."

Artist	Title	Format	Label	Catalog #
TURNER, BIG JOE	Honey Hush: The R&B Hits 1950-60	LP	ACROBAT	ACRSLP 1701LP
$26.00 PREORDER RELEASE DATE: 7/10/2026 "Big Joe Turner was one of the most powerful and influential blues shouters of all time, whose booming voice and charismatic presence played a pivotal role in the birth of rock and roll. He bridged the gap between jump blues and the emerging rock and roll sound of the 1950s, a true pioneer who brought the raw energy of rhythm and blues to a wider audience. This album focuses on his key R&B chart-hit singles from 1956-1960, a defining period in his career. Honey Hush The R&B Hits 1956-60 is an electrifying collection that captures Big Joe Turner at his best. This LP features his most iconic tracks, including the classic anthems that became a blueprint for rock and roll: 'Shake, Rattle & Roll' and 'Flip Flop And Fly.' The album showcases his incredible vocal power and a tracklist filled with essential hits like the swaggering title track 'Honey Hush' and the soulful 'Chains Of Love.' From the mournful 'Still In The Dark' to the party atmosphere of 'Well Alright,' this collection captures the full emotional and sonic range of his talent. The album's tracklist demonstrates his mastery of the genre, moving seamlessly from the smooth R&B of 'The Chill Is On' to the lively jump blues of 'T.V. Mama.' The collection also includes classics like 'Sweet Sixteen' and 'Corrine, Corrina,' showcasing the rich, diverse sound that made him a legend. From the insistent rhythm of 'Rock A While' to the confident swagger of 'Lipstick, Powder And Paint,' this is a must-have album for anyone interested in the foundational years of rock and roll."

Artist	Title	Format	Label	Catalog #
IMPERIAL GOSPEL SINGERS, THE	Leave It All To Him: The Savoy & Gospel Singles 1958-62	LP	ACROBAT	ACRSLP 1702LP
$26.00 PREORDER RELEASE DATE: 7/10/2026 "The Imperial Gospel Singers were a celebrated gospel group renowned for their powerful, harmonized vocals and deeply spiritual performances. During the late 1950s and early 1960s, they became a cornerstone of the Savoy label, which was at the forefront of gospel music. Their sound was a powerful blend of traditional gospel fervor and polished vocal arrangements, a style that left an indelible mark on the genre and continues to inspire today. This LP, Leave It All To Him: The Savoy & Gospel Singles 1958-62, is a powerful testament to their legacy. It is a definitive collection of their work from this golden era, showcasing their most uplifting and poignant singles. From the soulful call of 'Swing Low' to the comforting message of the title track 'Leave It All To Him,' the album is a spiritual journey. It features the powerful declaration of faith in 'I'll Shout When I Get Home', the poignant 'Fountain Of Blood', and the uplifting 'My Change Will Come'. The collection's tracklist demonstrates their mastery of the genre, moving seamlessly from the smooth harmonies of 'In My Father's House' to the soulful guidance of 'Show Me The Way' and 'Guide My Weary Feet'. It includes a breadth of spiritual themes, from the hopeful 'If You Wait' to the timeless narrative of 'Lazarus'. With every track, from 'Reach Out And Touch Him' and 'The Sower' to 'Down On Me', this album is a must-have for any fan of classic gospel music and a vital document of a key period in the genre's history."

Artist	Title	Format	Label	Catalog #
HAWKINS, COLEMAN	Hawk's Flight: 1937-48	LP	ACROBAT	ACRSLP 1704LP
$26.00 PREORDER RELEASE DATE: 7/10/2026 "Coleman Hawkins, widely known as 'Hawk,' was one of the most important and influential figures in jazz history. He single-handedly established the tenor saxophone as a major solo instrument, transforming it from a novelty into a powerful and expressive voice. The period from 1937 to 1948 was particularly crucial for Hawkins, as he returned from Europe and entered his most productive years, bridging the gap between the structured swing era and the improvisational freedom of bebop. Hawk's Flight: 1937-48 is a definitive collection that showcases the soaring artistry of a true jazz master. It features his most iconic and revered recording, the breathtakingly beautiful 'Body & Soul,' which remains a masterpiece of lyrical improvisation. The album highlights his versatility with classic standards like 'Honeysuckle Rose,' 'Stardust,' and 'She's Funny That Way,' as well as his groundbreaking forays into bebop, captured on tracks like 'Disorder At The Border' and 'Picasso.' The collection masterfully documents the evolution of jazz through the work of one of its greatest soloists. Tracks like 'Riffitide' and 'Stuffy' demonstrate his rhythmic ingenuity and sophisticated improvisational style, while the swinging 'Crazy Rhythm' and 'Voodte' show his enduring command of the swing idiom. With timeless renditions of 'The Man I Love' and 'April In Paris,' alongside bebop-inflected numbers like 'Bean & The Boys,' this collection is an essential document of a jazz genius at the very peak of his powers."

Artist	Title	Format	Label	Catalog #
LOSOUL	Mandu/Zuma	12"	ANOTHER PICTURE	APP 012EP
$17.50 PREORDER RELEASE DATE: 7/10/2026 Reissue of two classic Losoul tracks from the artist's '90s phase. Abstract minimal funk meets archaic tribal grooves reeling out that trippy tension and off-balance energy. Get yourself some slow-burning sweaty vibes for your house, minimal or techno sets.

Artist	Title	Format	Label	Catalog #
FRUSCIANTE PRESENTS TRICKFINGER, JOHN	In A Box	5LP BOX	ACID TEST	ATLP TFBOX
$105.00 PREORDER RELEASE DATE: 7/10/2026 Includes new album Rotation (LP 1), High Low presented on vinyl for the first time (LP 2), debut album Trickfinger I on green vinyl (LPs 3 and 4), and Trickfinger II on red vinyl (LP 5). "When I recorded the first two Trickfinger records, I had recently discovered that you could make electronic music in a room with a bunch of synced machines going at the same time, record it on a CD burner and have a finished track. I've heard this process described as 'overdubbing into the air.' I wasn't trying to be good, or original. I was just excited that music could be made that way; it felt like I was a whole group of musicians playing together, or like I was jamming with ghosts of myself. In 2007, I started doing it myself, which resulted in what was eventually released as Trickfinger, and Trickfinger II. I was just home from tour and was still in the middle of recording The Empyrean. A couple of years later I started making music by overdubbing onto a computer, but using the same machines. I tried to make music that didn't sound like anything else. I saw a way of combining progressive rock and synth pop which nobody had done. And I was combining my songwriting and guitar playing with these old machines in a way which I was sure was unique. I had reached a point where it was more important to do something original than to do something good. Some of this music did not get a proper release, and is compiled here as the vinyl record High Low. I don't think I have ever tried so hard at making music as I did during that period. This in contrast to those two Trickfinger records, where I wasn't trying at all. I was really pushing myself on High Low. Looking back, it was as if I had an audience inside myself, driving me to go beyond my abilities, while at the same time I had a total disregard for any concept of an actual audience. It was one of those periods in life where things come together in a certain way that feels natural at the time, but seems foreign in retrospect. It felt like I was going to die if I didn't do something musically different. The fourth record in this box is me breaking in a new mixing console, making live-to-stereo music. The record is called Rotation, and it is all new music. These tracks are more in the 'not trying' category, since we're on that subject. I had just come home from tour, and was just really glad to be in the studio with my machines. Acid Test thought it would be nice to do a box set commemorating the 10th anniversary of the release of Trickfinger, and so we put together this box set, with homemade cover art." --John Frusciante, 2026

Artist	Title	Format	Label	Catalog #
MILLS, JEFF	The Trip To Vega	3LP	AXIS	AX 129LP
$45.50 PREORDER RELEASE DATE: 7/10/2026 "The Trip To Vega is about deep outer space odyssey that occurs in the process of traveling from Earth through the Cosmos to another "favorable" star system 25.3 light-years away. The time is year 2097, Sept 23rd. To this day, Earthlings have managed to dodge some of nature's more dangerous extremities, massive volcanic eruptions, Earthquakes, solar burst that knocked out the Planet's entire electrical grid for three years, numerous plagues of disease, food and fresh water shortages, domestic and International Wars and many other life-changing operas, but for this event, what remains is a realization that has no remedy. The cause: Earth's physicality has changed. It is no longer favorable for living things. It is the constant shifting of the planet's internal tectonic plates which has unfortunately produced an unexpected and impassable dilemma. Because of the collisions, deep within the planet's core, the planet is now producing an extraordinary amount of sound that includes a specific harmonic frequency that erodes the natural senses of all life on Earth. It is intensifying. It is intolerable and it is unlivable. Yet, some humans prefer to stay, to "ride it out" like the Titanic captain going down with his ship. Some, in total disbelief as some have concluded it is the second coming of Jesus Christ. But for most, the decision is clear. To live another day, leaving is the only rational choice. At an increasing rate, scientific research data shows that humans and most animals, excluding the Jellyfish will eventually lose the usage of hearing and are to greatly suffer from an array of other neurological and psychological effects. The sense of touch and taste, sleep depreciation, severe nerve damage, constant hallucinations. Everyone will lose many of their cognitive abilities within an estimated 12 months from now. On this day and every seven days afterwards until all registered passengers have departed, the first of a fleet of large number of massive size spacecraft carrying approximately 1 million humans per vessel will permanently leave Earth to begin the long and adventurous trek across outer space to a new home: Vega. This is not a precautionary tale as there is nothing to learn. Instead, a decision has been made and A Trip To Vega is the consequence. " - Jeff Mills

Artist	Title	Format	Label	Catalog #
SCHNITZLER, CONRAD	Conal	CD	BUREAU B	BB 502CD
$16.50 PREORDER RELEASE DATE: 7/10/2026 When Conal was released in 1981 on the Norwegian independent label Uniton Records with an initial run of 4,000 LPs, Schnitzler had already long been known beyond the borders of the Federal Republic of Germany and was now appreciated worldwide as a media artist and musician. In addition to the many cassette and LP editions he released himself, international labels were now increasingly releasing his music. In the same year as Conal, for example, the album Control was released on the American label DYS, followed in 1986 by Concert in the USA and Consequenz 2 in Spain. Schnitzler worked tirelessly and his total work of art, including his music, was becoming increasingly multifaceted. Conal is a good example of this development. "The two tracks, each around 21 minutes long ('N1' and 'N2'), are not cast from the same mold, but consist of several parts blended together, which are not noted as such in the credits. This sequence creates the character of a narrative divided into several chapters, which, however, does not offer the listener a concrete plot. Schnitzler was not a storyteller. When he divides long pieces into clearly distinguishable sections, as he does here in Conal, it is in order to create a kind of panoramic view of his current work phase in condensed form. The complexity of the individual sections and the extraordinarily skillful and technically flawless crossfades and layering suggest that Conal was once again produced in Peter Baumann's studio. Although the good relationship between the two musicians never led to a musical collaboration, Baumann repeatedly made his extremely well-equipped Paragon Studio available to Schnitzler. It is also conceivable that Baumann and his brilliant sound engineer Will Roper provided useful technical suggestions for the realization of Schnitzler's music. Conal is one of those albums that, when it was released in the early 1980s, astonished Schnitzler listeners in a positive way: Schnitzler had once again dared to take an artistic step forward. It is hard to comprehend that this restless, uncompromising artist released one high-caliber album after another in relatively quick succession. For he was not only a musician, but also a media artist, performer and author of art theory texts. Fortunately, Conal is one of the treasures from his catalogue of works, and I have already asked elsewhere: How many other treasures are waiting to be rediscovered. The grand mosaic that is Schnitzler still has gaps, even when the contours are clearly visible." --Asmus Tietchens, 2025

Artist	Title	Format	Label	Catalog #
SCHNITZLER, CONRAD	Conal	LP	BUREAU B	BB 502LP
$26.00 PREORDER RELEASE DATE: 7/10/2026 LP version. When Conal was released in 1981 on the Norwegian independent label Uniton Records with an initial run of 4,000 LPs, Schnitzler had already long been known beyond the borders of the Federal Republic of Germany and was now appreciated worldwide as a media artist and musician. In addition to the many cassette and LP editions he released himself, international labels were now increasingly releasing his music. In the same year as Conal, for example, the album Control was released on the American label DYS, followed in 1986 by Concert in the USA and Consequenz 2 in Spain. Schnitzler worked tirelessly and his total work of art, including his music, was becoming increasingly multifaceted. Conal is a good example of this development. "The two tracks, each around 21 minutes long ('N1' and 'N2'), are not cast from the same mold, but consist of several parts blended together, which are not noted as such in the credits. This sequence creates the character of a narrative divided into several chapters, which, however, does not offer the listener a concrete plot. Schnitzler was not a storyteller. When he divides long pieces into clearly distinguishable sections, as he does here in Conal, it is in order to create a kind of panoramic view of his current work phase in condensed form. The complexity of the individual sections and the extraordinarily skillful and technically flawless crossfades and layering suggest that Conal was once again produced in Peter Baumann's studio. Although the good relationship between the two musicians never led to a musical collaboration, Baumann repeatedly made his extremely well-equipped Paragon Studio available to Schnitzler. It is also conceivable that Baumann and his brilliant sound engineer Will Roper provided useful technical suggestions for the realization of Schnitzler's music. Conal is one of those albums that, when it was released in the early 1980s, astonished Schnitzler listeners in a positive way: Schnitzler had once again dared to take an artistic step forward. It is hard to comprehend that this restless, uncompromising artist released one high-caliber album after another in relatively quick succession. For he was not only a musician, but also a media artist, performer and author of art theory texts. Fortunately, Conal is one of the treasures from his catalogue of works, and I have already asked elsewhere: How many other treasures are waiting to be rediscovered. The grand mosaic that is Schnitzler still has gaps, even when the contours are clearly visible." --Asmus Tietchens, 2025

Artist	Title	Format	Label	Catalog #
EMBRYO	Opal (Clear Vinyl)	LP	BONFIRE RECORDS	BONF 029C-LP
$36.50 PREORDER RELEASE DATE: 7/10/2026 Color vinyl version. A cornerstone in European experimental and popular modern composition. Formed around the core of jazz vibraphonist Christian Burchard and drummer Dieter Serfas, the group started his career in Munich in 1969. More than 300 musicians have passed through their ranks, from their colleagues in Amon Duül II (Lother Meid, Chris Karrer, Jimmy Jackson), Xhol (Hansi Fischer), Between (Roberto Detree, Peter Hamel) to renowned jazzmen (Charlie Mariano, Mal Waldron) and countless musicians from around the world (Yoruba Dun Dun Orchester, Okay Temiz & Oriental Wind, Karnataka College Of Percussion, Mahmoud Gania, Xizhi Nie), making Embryo an ever-changing but always interesting collective of musicians. This is where it all began. Originally released by Ohr in 1970, Embryo's legendary debut was an inventive piece of progressive jazz-rock spiced-up with free moves and soaked in a late '60s psychedelic atmosphere. Miles Davis was right, Embryo was more than a unique experience. While talking with Charlie Mariano (the saxophone player was one of the most impressive collaborators of the band) one day he stated: "Embryo -- they are these crazy creative musicians playing really weird stuff." When you get the blessing from the prince of darkness itself, nothing can go wrong, so here's the story. Opal was the beginning of all things to come, the record was released in 1970 and licensed by pioneering early Berlin rock/jazz/experimental music label Ohr. It was quite a shock!

Artist	Title	Format	Label	Catalog #
EMBRYO	Opal	LP	BONFIRE RECORDS	BONF 029LP
$30.50 PREORDER RELEASE DATE: 7/10/2026 A cornerstone in European experimental and popular modern composition. Formed around the core of jazz vibraphonist Christian Burchard and drummer Dieter Serfas, the group started his career in Munich in 1969. More than 300 musicians have passed through their ranks, from their colleagues in Amon Duül II (Lother Meid, Chris Karrer, Jimmy Jackson), Xhol (Hansi Fischer), Between (Roberto Detree, Peter Hamel) to renowned jazzmen (Charlie Mariano, Mal Waldron) and countless musicians from around the world (Yoruba Dun Dun Orchester, Okay Temiz & Oriental Wind, Karnataka College Of Percussion, Mahmoud Gania, Xizhi Nie), making Embryo an ever-changing but always interesting collective of musicians. This is where it all began. Originally released by Ohr in 1970, Embryo's legendary debut was an inventive piece of progressive jazz-rock spiced-up with free moves and soaked in a late '60s psychedelic atmosphere. Miles Davis was right, Embryo was more than a unique experience. While talking with Charlie Mariano (the saxophone player was one of the most impressive collaborators of the band) one day he stated: "Embryo -- they are these crazy creative musicians playing really weird stuff." When you get the blessing from the prince of darkness itself, nothing can go wrong, so here's the story. Opal was the beginning of all things to come, the record was released in 1970 and licensed by pioneering early Berlin rock/jazz/experimental music label Ohr. It was quite a shock! Also available on clear vinyl (BONF 029C-LP).

Artist	Title	Format	Label	Catalog #
RANKING DREAD	Kunta Kinte Roots	CD	BURNING SOUNDS	BSR 819CD
$16.00 PREORDER RELEASE DATE: 7/10/2026 "Raw, defiant, and steeped in heavy roots reality, Kunta Kinte Roots captures Ranking Dread at the height of his powers -- riding the rhythm with fire and authority over deep Channel One-style dub backdrops. These recordings embody the militant sound of late '70s Jamaica: hypnotic basslines, echo-drenched horns, and Dread's commanding voice calling for strength, pride, and liberation. The legendary 'Kunta Kinte' story lies at the heart of the session -- its legacy driving each track like a chapter in the roots revolution. A fierce blend of message and musical muscle, Kunta Kinte Roots stands as a testament to Ranking Dread's status as one of the era's most potent and uncompromising voices. Heavy vibes, militant grooves -- and pure sound system history. Incl. insert with sleeve notes."

Artist	Title	Format	Label	Catalog #
RANKING DREAD	Kunta Kinte Roots	LP	BURNING SOUNDS	BSR 819LP
$29.00 PREORDER RELEASE DATE: 7/10/2026 LP version. "Raw, defiant, and steeped in heavy roots reality, Kunta Kinte Roots captures Ranking Dread at the height of his powers -- riding the rhythm with fire and authority over deep Channel One-style dub backdrops. These recordings embody the militant sound of late '70s Jamaica: hypnotic basslines, echo-drenched horns, and Dread's commanding voice calling for strength, pride, and liberation. The legendary 'Kunta Kinte' story lies at the heart of the session -- its legacy driving each track like a chapter in the roots revolution. A fierce blend of message and musical muscle, Kunta Kinte Roots stands as a testament to Ranking Dread's status as one of the era's most potent and uncompromising voices. Heavy vibes, militant grooves -- and pure sound system history. Incl. insert with sleeve notes."

Artist	Title	Format	Label	Catalog #
UNDERGROUND SET, THE	The Underground Set	LP	MORGAN BLUE TOWN	BT 5068LP
$29.00 PREORDER RELEASE DATE: 7/10/2026 LP version. "The Underground Set is a cult Italian psychedelic and early progressive instrumental album originally released in 1970 and produced by Gianfranco Reverberi. Performed by members of Nuova Idea under a pseudonym, the record blends Hammond driven psych rock with film score influences, fuzz guitar and distinctive rhythmic motifs. Long sought after by collectors of Italian rock and European soundtrack adjacent recordings, the album stands as one of the strongest examples of the era's 'psychploitation' sound. This re-issue edition preserves the original material while presenting it to a new audience discovering early Italian progressive music."

Artist	Title	Format	Label	Catalog #
KAYE, LENNY	Lenny Kaye's Nuggets Live At The BBC (White Vinyl)	10"	CADIZ MUSIC	CADIZ 10330LP
$29.00 PREORDER RELEASE DATE: 7/10/2026 "Lenny Kaye (Patti Smith Group, original Nuggets LP compiler) took his all-star Nuggets Band featuring Rat Scabies (The Damned), Dave Treganna (Sham 69, Lords of the New Church), Marty Love (Johnny Moped, Wingmen), Doctor Clive Jackson (Dr & The Medics), and Jim Jones (Jim Jones All Stars, Thee Hypnotics) to the BBC to record a session for Marc Riley and Gideon Coe at 6Music and here it is on 10" colored vinyl."

Artist	Title	Format	Label	Catalog #
CHANT ARTIST COLLECTIVE/YOUTH/GAUDI	Relics Of Tree Worship (In Dub)	CD	CREATION YOUTH	CADIZ 293CD
$24.00 PREORDER RELEASE DATE: 7/10/2026 "Featuring Youth (Martin Glover), Gaudi, the late Lee 'Scratch' Perry, Kermit Leveridge (Black Grape), Don Letts, Dan Morrell and Planetman, the record blends dub, ambient textures, spoken word and ritual chant into a meditation on trees as cultural, spiritual and ecological anchors. The album's 'Vision Tree' artwork was originally created by Jamie Reid in the 1990s and revisited for this project, one of his final creative works. Courtesy of the Jamie Reid Estate and John Marchant Gallery, the image anchors the project in a lineage of British countercultural art, extending CHANT's environmental ethos into visual form. CHANT was formed by environmentalist Dan Morrell and producer Youth as a creative extension of Morrell's long-standing tree-planting initiatives. Released via new eco-label Balance Recordings, a proportion of funds from Relics of Tree Worship (In Dub) will support tree-planting initiatives, including projects located at the Bob Marley Mausoleum in Nine Mile, Jamaica -- linking recorded sound directly to living landscape and reggae's spiritual homeland. As a dub record, Relics of Tree Worship (In Dub) uses repetition, low-frequency depth and space as a form of meditation. Youth and Gaudi's production balances analogue warmth with expansive sound design, while contributions across the album bring history, myth and contemporary environmental urgency into dialogue. The project also marks one of the final creative appearances of Lee 'Scratch' Perry, whose legacy of sonic experimentation and spiritual subversion resonates throughout."

Artist	Title	Format	Label	Catalog #
CHANT ARTIST COLLECTIVE/YOUTH/GAUDI	Relics Of Tree Worship (In Dub)	2LP	CREATION YOUTH	CADIZ 294LP
$42.00 PREORDER RELEASE DATE: 7/10/2026 Double LP version. "Featuring Youth (Martin Glover), Gaudi, the late Lee 'Scratch' Perry, Kermit Leveridge (Black Grape), Don Letts, Dan Morrell and Planetman, the record blends dub, ambient textures, spoken word and ritual chant into a meditation on trees as cultural, spiritual and ecological anchors. The album's 'Vision Tree' artwork was originally created by Jamie Reid in the 1990s and revisited for this project, one of his final creative works. Courtesy of the Jamie Reid Estate and John Marchant Gallery, the image anchors the project in a lineage of British countercultural art, extending CHANT's environmental ethos into visual form. CHANT was formed by environmentalist Dan Morrell and producer Youth as a creative extension of Morrell's long-standing tree-planting initiatives. Released via new eco-label Balance Recordings, a proportion of funds from Relics of Tree Worship (In Dub) will support tree-planting initiatives, including projects located at the Bob Marley Mausoleum in Nine Mile, Jamaica -- linking recorded sound directly to living landscape and reggae's spiritual homeland. As a dub record, Relics of Tree Worship (In Dub) uses repetition, low-frequency depth and space as a form of meditation. Youth and Gaudi's production balances analogue warmth with expansive sound design, while contributions across the album bring history, myth and contemporary environmental urgency into dialogue. The project also marks one of the final creative appearances of Lee 'Scratch' Perry, whose legacy of sonic experimentation and spiritual subversion resonates throughout."

Artist	Title	Format	Label	Catalog #
JALAL, NAISSAM	Landscapes Of Eternity	LP	LES COULEURS DU SON	CDS 238934LP
$23.00 PREORDER RELEASE DATE: 7/10/2026 "Landscapes of Eternity is the profound result of a spiritual and musical quest undertaken by Naïssam Jalal across North India. After months spent walking sacred landscapes and studying under the legendary bansuri master Pandit Hariprasad Chaurasia, the artist presents a repertoire where classical Hindustani music meets a deeply personal, contemporary vision. The album unfolds as a sonic tapestry, with each piece rooted in a specific Raga -- the melodic modes of Indian classical music -- corresponding to a particular time of day or sun position. From the dawn echoes of 'In the Rice Fields at Dawn' to the introspective 'Inner Landscape in Raag Kafi,' the music is anchored by the warm, enveloping harmonics of the tanpura. Naïssam Jalal's flute becomes the vehicle for this voyage, supported by a distinctive line-up featuring sarod, tablas, piano, and drums. Born from a period of extreme personal transformation, this project explores the capacity of time to accommodate eternity. Inspired by the 15th-century mystic poet Kabir and the philosophy of Alain Badiou, the work navigates the space between suffering and surrender, finding a state of inner peace where the self dissolves into the environment. More than a jazz or world music record, Landscapes of Eternity is a hymn of praise and gratitude. It is an invitation to a new way of listening to the world -- a song of prayer to the spirit that saves, and a vibrant testament to a wounded but resilient heart."

Artist	Title	Format	Label	Catalog #
JOJO, NGALLE	Elo-Lodie/Caresse d'Amour	7"	CELLULOID	CELNYP 005EP
$15.50 PREORDER RELEASE DATE: 7/10/2026 A major figure in Cameroonian makossa, Ngallé Jojo returns with Élo-Lodie/Caresse d'Amour, his first recording in over 30 years. A singer, songwriter, and producer born in Douala, he rose to fame in the late 1970s with tracks that have become classics, before settling in France and dedicating himself to his faith, like Al Green or Solomon Burke. Now rediscovered by collectors and new audiences alike, he makes a comeback that retains all the hallmarks of his style: a driving rhythm, layers of synthesizers, rich melodies, and his signature catchphrase: CHAUD (Hot). A must- see.

Artist	Title	Format	Label	Catalog #
JOJO, NGALLE	Na Bo Ndedi	LP + 7"	CELLULOID	CELPACK 001LP
$42.00 PREORDER RELEASE DATE: 7/10/2026 The cult album, fully remastered. Recorded in Paris with Jean-Yves Messan, Patrick Francfort, and François Corea, leading figures of the African diaspora, Na Bo Ndedi is one of the pinnacles of makossa's golden age. A classic by Ngallé Jojo, with a unique sound that blends traditional rhythms with modern arrangements, vibrant grooves, and a powerful rhythmic drive. Thirty years later, Celluloid Records is reissuing this essential album in a remastered version. For collectors who know it by heart, and for all those who are finally discovering it.

Artist	Title	Format	Label	Catalog #
VERDIN, WALTER	Minimalize Your Reworks	2LP	CORTIZONA	CORTIZONA 035LP
$38.50 PREORDER RELEASE DATE: 7/10/2026 A year after PINGPONG, the 2LP compilation with unearthed music from 1980-2000 by Walter Verdin, Cortizona presents Minimalize Your Reworks, a collection of 12 reworks and interpretations of the 1981 composition "Minimalize" Verdin originally created for a video art installation. 12 totally different versions by 12 musicians, producers, DJ's and artists blowing the dust of this visionary track Verdin made at night in the studios of the audiovisual services of the university, somewhere in the Belgian city of Leuven. Minimalize Your Reworks features contributions from a wide range of musicians: Peaking Lights delivers a motorik manifesto for lost '80s kids with nostalgia for coin up games at a desolated Luna Park. Stripped down demented disco to keep the heartbeat in a trance. Jlin injects the old school vibe with a shot of firing future footwork reshaping it in a dazzling abstract bass buzzer. Céline Gillain sculpts Verdin's mantra into a brand-new story dribbling between deadpan bubblegum dance hall and tongue in cheek wordy rappinghood. A slow burning technicolor dream fading into a throbbing new ecstatic reality is maybe the best way to describe Transistorcake's translation of the original composition. Electronic body music of a Blade Runner generation chasing a Stranger Things reality in an upside -down world: Sagat's version explores new horizons for sure. Beton Brut goes for the short sharp shock and flips Walter's analogue tape advice into an insane grimey gabbercore classic for the year 2525. That's around the same time era where you can find the spirit of Legowelt's goofy robotic interpretation of "Minimalize": Star Trekking across the universe, boldly going forward with the vocoder and the 808 until everyone's dancing or at least moving their feet. Together with his vintage echodeck, Ossia exploring and pushing dub and Mego boundaries here. DJ Marcelle takes bass to another level in her "Space Invaders Remix," deconstructing and splicing sound into a new form of what could be an anchor point for inzane Johnnies testing and fine-tuning their boombox car sound system. Patrick Stevens slams your brain with an industrial stomper - banging like a 1984 anthem The Hafler Trio knocks on the doors of perception and enters your sonicsoul with hidden subliminal messages like only Andrew McKenzie can. Annelies Monseré transcends cosmic minimal frequencies from another dimension into an unknown maximalized spectrum. Just with her voice and harmonium she delivers acoustic shoegaze and a hauntingly hypnotizing mantra of 8 minutes and 10 seconds.

Artist	Title	Format	Label	Catalog #
CHILDISH & HOLLY GOLIGHTLY, BILLY	In Blood	CD	DAMAGED GOODS	DAMGOOD 309CD
$16.00 PREORDER RELEASE DATE: 7/10/2026 "Billy & Holly's only album together, originally released in the US in 1999."

Artist	Title	Format	Label	Catalog #
COURETTES, THE	The Soul Of... The Fabulous Courettes (Black/White Vinyl)	LP	DAMAGED GOODS	DAMGOOD 622-4LP
$24.00 PREORDER RELEASE DATE: 7/10/2026 "The Courettes are back with their fourth and best album to date -- The Soul Of? The Fabulous Courettes. And this time, they're bigger, wider and deeper than ever before as they add more to the blistering ramalama that's seen them cause pandemonium across the venues, festivals and airwaves of the UK, Europe, USA and Japan. Hitting the sweet spot that straddles garage rock, girl groups, doo-wop harmonies, heartache and all points in between, here The Courettes build on the momentum of predecessor Back In Mono with a collection of songs that opens up their sonic scope while confronting dark, emotional matter to reveal 'The Soul Of The Fabulous Courettes'. Having evolved with each album release, The Soul Of? The Fabulous Courettes draws inspiration from many of the duo's numerous idols that have only previously been hinted at. 'We wanted to show our love of the Spector Wall Of Sound and Motown,' reveals Flavia. 'It was a clear mission and we've absolutely nailed it.'"

Artist	Title	Format	Label	Catalog #
KING SALAMI & THE CUMBERLAND THREE	16 Knockout Hits!	CD	DAMAGED GOODS	DAMGOOD 649CD
$16.00 PREORDER RELEASE DATE: 7/10/2026 "For nearly two decades, the King and his Cumberland Three have been spreading the rhythm and punk grease all around this big old world, bringing along with them buckets of fun, raucous energy, silliness, smiles and sweat! With this quartet, every show is a party! To mark their 20 years anniversary of relentlessly playing shows around the globe and releasing dozens of records, King Salami & the Cumberland Three have dug deep into their extensive catalogue to select 16 of their most killer tracks. It makes for a fun-packed album which contains wacky classics such as 'The Pulpo Dance', 'Pineapple Mama', 'Shake it Wild' and 'Do the Wurst, alongside their lesser-known instrumental 'Itch!' that recently featured on the Dreamies cat food TV ad."

Artist	Title	Format	Label	Catalog #
KING SALAMI & THE CUMBERLAND THREE	16 Knockout Hits!	LP	DAMAGED GOODS	DAMGOOD 649LP
$24.00 PREORDER RELEASE DATE: 7/10/2026 LP version. "For nearly two decades, the King and his Cumberland Three have been spreading the rhythm and punk grease all around this big old world, bringing along with them buckets of fun, raucous energy, silliness, smiles and sweat! With this quartet, every show is a party! To mark their 20 years anniversary of relentlessly playing shows around the globe and releasing dozens of records, King Salami & the Cumberland Three have dug deep into their extensive catalogue to select 16 of their most killer tracks. It makes for a fun-packed album which contains wacky classics such as 'The Pulpo Dance', 'Pineapple Mama', 'Shake it Wild' and 'Do the Wurst, alongside their lesser-known instrumental 'Itch!' that recently featured on the Dreamies cat food TV ad."

Artist	Title	Format	Label	Catalog #
DELSOL, FABIENNE	Indigo Red	CD	DAMAGED GOODS	DAMGOOD 650CD
$16.00 PREORDER RELEASE DATE: 7/10/2026 "Fabienne Delsol is back with her fifth solo album! Fabienne has been finessing her unique blend of neo-and classic psych, ye-ye, and '60s beat inspired pop since releasing her debut solo album No Time For Sorrows in 2004. She's now about to release her brand-new studio album Indigo Red. Fabienne's recording of 'I'm Gonna Haunt You' (from 2004's No Time For Sorrows) was featured in the second season of the massive BBC show Killing Eve opening her music up to a wider audience. Since her 2019 album Four Fabienne has been working on tracks for her new album Indigo Red. This is her first album to be recorded at Gizzard Studios by Ed Deegan (ex Toe Rag Studios) at the controls and co-produced by Delsol and Deegan. It features a crack team of musicians including Thomas Gardner, Carwyn Ellis, and Bradley Burgess, and Rupert Brown. The album mixes new original songs with covers of songs by artists including Silver Apples, The Count Five, Sharon Tandy, and Francoise Hardy."

Artist	Title	Format	Label	Catalog #
DELSOL, FABIENNE	Indigo Red	LP	DAMAGED GOODS	DAMGOOD 650LP
$24.00 PREORDER RELEASE DATE: 7/10/2026 LP version. "Fabienne Delsol is back with her fifth solo album! Fabienne has been finessing her unique blend of neo-and classic psych, ye-ye, and '60s beat inspired pop since releasing her debut solo album No Time For Sorrows in 2004. She's now about to release her brand-new studio album Indigo Red. Fabienne's recording of 'I'm Gonna Haunt You' (from 2004's No Time For Sorrows) was featured in the second season of the massive BBC show Killing Eve opening her music up to a wider audience. Since her 2019 album Four Fabienne has been working on tracks for her new album Indigo Red. This is her first album to be recorded at Gizzard Studios by Ed Deegan (ex Toe Rag Studios) at the controls and co-produced by Delsol and Deegan. It features a crack team of musicians including Thomas Gardner, Carwyn Ellis, and Bradley Burgess, and Rupert Brown. The album mixes new original songs with covers of songs by artists including Silver Apples, The Count Five, Sharon Tandy, and Francoise Hardy."

Artist	Title	Format	Label	Catalog #
THEE HEADCOATEES	A Curious Case Of...	4CD	DAMAGED GOODS	DAMGOOD 655BOX
$24.00 PREORDER RELEASE DATE: 7/10/2026 "Brand new artwork by Bruce Brand and a booklet with a look back from Thee Headcoatees themselves. 'There we were, sitting round a kitchen table coming up with ideas and tunes for Girlsville. 'Wild Man' - wow! 'Round Every Corner' (written for us by Billy), 'First Plane Home', a Kinks cover always played in the live set, as was 'Meet Jacqueline' (apparently penned by Albert Hammond, odd!) Every track was a winner, I think. Then we went to conquer the world with our albums Have Love Will Travel, Bozstik Haze (not purple!), and Punk Girls plus numerous 7-inch crackers. The fun we had until Here Comes Cessation. Well so we thought. Standing on Rochester Bridge, very chilly holding onto our uniform deerstalkers. 'Louis Riel' of course, not 'Louie Louie' was a great idea. 'My Boyfriend's Learning Karate' was an ode to Tetsuya in Japan. Then there is The Trogg's beautiful song 'Baby Come Closer' and 'Baby Please' written by Billy which could well be a Troggs song! Beautiful harmonies. 'You Can't Resist', always on the live set, is the "shag song" and the very psychedelic 'Gotta Get Inside That Boy's Mind' - dreamy! In this case Stanley the Terrier (left me a present as I remember). Photo location in beautiful Biddenden. There are some smashers on this one -- 'It's Bad' (Bongo) is terrifying! 'When You Stop Loving Me' (Kyra), again a staple in the live show, God she meant it! 'Again and Again', one of my fave Childish compositions, and a not bad rendition (if I say so myself) of the Pretty Things' 'You'll Never Do It Baby'. A great record, so off you go -- walkies! What are we wearing on the cover? That aside, wow! 'Ca Plane Pour Moi' -- fantastic! (well Kyra is Belgian). The marvelous 'Teenage Kicks' -- well done Bongo! 'Cara-Lin' is a little masterpiece too. 'Don't Wanna Hold Your Hand' -- well, why not?! I think you can say I've enjoyed revisiting these gems, hope you do."

Artist	Title	Format	Label	Catalog #
TAMERLAN, IGOR	Bali Vanilli: Experimental Pop From Paradise Island (1987-1991)	LP	ELEVATION RECORDS	ELE 041LP
$36.50 PREORDER RELEASE DATE: 7/10/2026 Igor Tamerlan is a stranger in his own land. During his brief stint at Sciences Po, Igor spent most times hanging out at recording studios and rubbed shoulders with the likes of singer-songwriter Jean-Jacques Goldman and Michel Polnaref. He had a brief encounter with The Rolling Stones in the early 1970s. But Igor's musical education and his occidental eyes appeared to be ill-suited for Indonesia. His first record, titled Langkah Pertama (First Step) on the mainstream label Musica was met with a shrug and was a commercial dud. An experimental record blending the influence of Spanish motifs, Francophile production and a whiff of hip hop and ska was seen by critics as being too alien. He left the label Musica -- or may had been dropped -- soon after Langkah Pertama and decided to go independent. He then relocated to Bali and set up a state-of-the-art recording studio in Sanur, across the street from Southeast Asia's first boutique hotel where luminaries like Mick Jagger, David Bowie, Sting, Yoko Ono and Ringo Starr stayed for their holiday. From the studio, Igor recording everything from the sounds waterfalls, geckos, minibuses to motorized rickshaw and mix them with hip hop, jazz, electronica, dub and Balinese gamelan. A visionary, Igor was the first musician to use MIDI, which started to be available globally in the early 1980s. On paper, songs like "Bali Vanilli" should not work, a mish mash of disparate elements mentioned above, sung in three languages, Balinese, English and Bahasa Indonesia while tackling the subject of overtourism. But for some strange reason "Bali Vanilli" became a sensation and overnight Igor became household name. And in 1987, long before overtourism was an issue, Igor broached the subject to a national audience in Indonesia on the possible destruction of nature and culture from tourism. Ever an iconoclast, Igor decided to step out of the limelight following the success of "Bali Vanilli" and in early 1990s he relocated to Indonesia's cultural capital, Yogyakarta. Here, he worked on some more experimental music while juggling as music video director. He passed away in 2018 at the age of 64. The 10 songs in this compilation, Bali Vanilli: Experimental Pop from Paradise Island (1987-1991), are some of Igor's best works, music that would have gone into obscurity had it not been for the diligent work of film director Alfred Pasifico Ginting, who managed to track down some of the master tapes while researching on a documentary on the musician.

Artist	Title	Format	Label	Catalog #
GURU GURU	Live In Concert	2CD/DVD	EDITION RED	ER 20261CD
$30.50 PREORDER RELEASE DATE: 7/10/2026 Includes DVD. PAL format, region-free. The Krautrock legends Guru Guru live in Heidelberg 2015. An energetic mix of experimental rock, avant garde elements, jazz variations and world music influences. An authentic, captivating live spectacle with furious guitar riffs, humorous moments and psychedelically refined instrumental experiments. The final concert featuring Hans Reffert and his signature lap steel guitar -- an emotional and musically unique document. A must-listen for fans and new listeners alike, demonstrating exactly why Guru Guru holds cult status. Iconic.

Artist	Title	Format	Label	Catalog #
GURU GURU	Live In Concert	2LP/DVD	EDITION RED	ER 20262LP
$52.50 PREORDER RELEASE DATE: 7/10/2026 Double LP version. Includes DVD. PAL format, region-free. The Krautrock legends Guru Guru live in Heidelberg 2015. An energetic mix of experimental rock, avant garde elements, jazz variations and world music influences. An authentic, captivating live spectacle with furious guitar riffs, humorous moments and psychedelically refined instrumental experiments. The final concert featuring Hans Reffert and his signature lap steel guitar -- an emotional and musically unique document. A must-listen for fans and new listeners alike, demonstrating exactly why Guru Guru holds cult status. Iconic.

Artist	Title	Format	Label	Catalog #
CURSES	Next Wave Acid Punx Trois	3CD	ESKIMO	ESK 669264
$28.00 PREORDER RELEASE DATE: 7/10/2026 Since 2021, the critically acclaimed Next Wave Acid Punx series has seen Luca Venezia, aka Curses, celebrate the music that has shaped both his life and career. Across the first two compilations Luca took listeners from the industrial and post-punk sounds of the late '70s, through the emergence of EBM, new beat and freestyle in the 1980s and onto the music he both makes and plays himself in clubs today. Bringing the series to a close Next Wave Acid Punx TROIS sees the Berlin-based musician and DJ return full circle, this time exploring the sounds that first initiated him into Brooklyn's rave scene and the music that, in some way, continues to embody its eclectic spirit today. Spread across three 2LPs and 3CDs Next Wave Acid Punx TROIS captures a moment whose influence can still be heard reverberating around clubland today. Featuring 46 hard-to-find, new and exclusive tracks, Next Wave Acid Punx TROIS both documents that fertile period and shows how, despite rumors to the contrary, that early anarchic spirit can still be found today. Featuring Cybex Factor, Space Trax, Metropolis, Megabeat, Robotiko Rejekto, P II Syndicate, Model 500, New Scene, Age Of Love, Interactive, Die Krupps & Nitzer Ebb, Konzept, Skila, Perdí La Luz, ROTCIV, C.ru.z, Facets, Kasbaraine, Josh Ludlow, Leona Jacewska, Church of Ajijik, Digitalism, Phunkadelica & Dina Summer, Acid Washed & Ubu Noir, Orion Agassi, Brixx & Stockholm Syndrome AU, A.M.Q.N., Gunce Aci, Avni Ertepe, In Trance 95, Italo Deviance, GOTT, ESTADO DE BIENESTAR & Dark Vektor, Iggor Cavalera & P.I.M., Innershades, Kendal & Andi, Sesto Senso, Tronik Youth, VELVET VELOUR, Radondo & Neu-Romancer, Zaatar & Mike Sacchetti, RAKANS, Younger Than Me, Lourene, Javi Redondo, Primal Baby, Mala Ika & Tutto Vetro, and Harlem Electronics.

Artist	Title	Format	Label	Catalog #
CURSES	Next Wave Acid Punx Trois (Chapter 1)	2LP	ESKIMO	ESK 669265
$40.00 PREORDER RELEASE DATE: 7/10/2026 Chapter 1 of 3. 2LP. Includes insert with liner notes. Since 2021, the critically acclaimed Next Wave Acid Punx series has seen Luca Venezia, aka Curses, celebrate the music that has shaped both his life and career. Across the first two compilations Luca took listeners from the industrial and post-punk sounds of the late '70s, through the emergence of EBM, new beat and freestyle in the 1980s and onto the music he both makes and plays himself in clubs today. Bringing the series to a close Next Wave Acid Punx TROIS sees the Berlin-based musician and DJ return full circle, this time exploring the sounds that first initiated him into Brooklyn's rave scene and the music that, in some way, continues to embody its eclectic spirit today. Spread across three 2LPs and 3CDs Next Wave Acid Punx TROIS captures a moment whose influence can still be heard reverberating around clubland today. Featuring 46 hard-to-find, new and exclusive tracks, Next Wave Acid Punx TROIS both documents that fertile period and shows how, despite rumors to the contrary, that early anarchic spirit can still be found today. Featuring Cybex Factor, Space Trax, Metropolis, Megabeat, Robotiko Rejekto, P II Syndicate, Model 500, New Scene, Age Of Love, Interactive, Die Krupps & Nitzer Ebb, Konzept, and Skila.

Artist	Title	Format	Label	Catalog #
CURSES	Next Wave Acid Punx Trois (Chapter 2)	2LP	ESKIMO	ESK 669266
$40.00 PREORDER RELEASE DATE: 7/10/2026 Chapter 2 of 3. 2LP. Includes insert with liner notes. Since 2021, the critically acclaimed Next Wave Acid Punx series has seen Luca Venezia, aka Curses, celebrate the music that has shaped both his life and career. Across the first two compilations Luca took listeners from the industrial and post-punk sounds of the late '70s, through the emergence of EBM, new beat and freestyle in the 1980s and onto the music he both makes and plays himself in clubs today. Bringing the series to a close Next Wave Acid Punx TROIS sees the Berlin-based musician and DJ return full circle, this time exploring the sounds that first initiated him into Brooklyn's rave scene and the music that, in some way, continues to embody its eclectic spirit today. Spread across three 2LPs and 3CDs Next Wave Acid Punx TROIS captures a moment whose influence can still be heard reverberating around clubland today. Featuring 46 hard-to-find, new and exclusive tracks, Next Wave Acid Punx TROIS both documents that fertile period and shows how, despite rumors to the contrary, that early anarchic spirit can still be found today. Featuring Perdí La Luz, ROTCIV, C.ru.z, Facets, Kasbaraine, Josh Ludlow, Leona Jacewska, Church of Ajijik, Digitalism, Phunkadelica & Dina Summer, Acid Washed & Ubu Noir, Orion Agassi, Brixx & Stockholm Syndrome AU, A.M.Q.N., Gunce Aci, Avni Ertepe, In Trance 95, Italo Deviance, and GOTT.

Artist	Title	Format	Label	Catalog #
CURSES	Next Wave Acid Punx Trois (Chapter 3)	2LP	ESKIMO	ESK 669267
$40.00 PREORDER RELEASE DATE: 7/10/2026 Chapter 3 of 3. 2LP. Includes insert with liner notes. Since 2021, the critically acclaimed Next Wave Acid Punx series has seen Luca Venezia, aka Curses, celebrate the music that has shaped both his life and career. Across the first two compilations Luca took listeners from the industrial and post-punk sounds of the late '70s, through the emergence of EBM, new beat and freestyle in the 1980s and onto the music he both makes and plays himself in clubs today. Bringing the series to a close Next Wave Acid Punx TROIS sees the Berlin-based musician and DJ return full circle, this time exploring the sounds that first initiated him into Brooklyn's rave scene and the music that, in some way, continues to embody its eclectic spirit today. Spread across three 2LPs and 3CDs Next Wave Acid Punx TROIS captures a moment whose influence can still be heard reverberating around clubland today. Featuring 46 hard-to-find, new and exclusive tracks, Next Wave Acid Punx TROIS both documents that fertile period and shows how, despite rumors to the contrary, that early anarchic spirit can still be found today. Featuring ESTADO DE BIENESTAR & Dark Vektor, Iggor Cavalera & P.I.M., Innershades, Kendal & Andi, Sesto Senso, Tronik Youth, VELVET VELOUR, Radondo & Neu-Romancer, Zaatar & Mike Sacchetti, RAKANS, Younger Than Me, Lourene, Javi Redondo, Primal Baby, Mala Ika & Tutto Vetro, and Harlem Electronics.

Artist	Title	Format	Label	Catalog #
DUB ORGANISER	Original & Vintage Dubs From The A-Class Studio	LP	REAL ROCK	FASHION 001LP
$36.50 PREORDER RELEASE DATE: 7/10/2026 First LP release on Real Rock Records now repressed! Initially released on a small run pressing, this is a fine style dubwise selection from the Fashion Records catalogue. The rhythms contained in this album were recorded in the 1980s for various projects, some of which never saw an official release. The tracks were all mixed at the A-Class Studio by Chris "Dub Organiser" Lane, and were initially shared to a select circle of sound system operators to be played as exclusive dubs. Now the time is right for the music to be made available to all dub addicts and music lovers.

Artist	Title	Format	Label	Catalog #
LINDSTROM	It's A Feedelity Affair (20th Anniversary)	3LP	FEEDELITY	FEED 2602LP
$45.50 PREORDER RELEASE DATE: 7/10/2026 Originally released on CD in 2006, It's A Feedelity Affair marked a formative moment in Hans Peter Lindstrøm's early career, compiling key tracks from his first wave of 12-inch releases between 2003 and 2006. Now, twenty years after the founding of his Feedelity label, the album is presented for the first time as a newly remastered vinyl edition. Released at a time when electronic music was shaped by extended runtimes and physical formats, It's A Feedelity Affair captured a club culture rooted in patience, atmosphere, and spatial awareness rather than immediacy. Its long-form approach remains central to the album's lasting appeal and resonates strongly with today's renewed focus on vinyl and immersive listening experiences. The album stands as a document of an era marked by experimentation, expansive club tracks, and an open-ended vision of electronic music. Upon its original release, the album received widespread international attention, including a Best New Music rating (8.4) from Pitchfork. The track "I Feel Space" has since become one of Lindstrøm's most enduring and recognizable works. The album also documents some of his earliest collaborations with Prins Thomas and Christabelle, resulting in tracks such as "Boney M Down" and "Lovesick." Lindstrøm relaunched Feedelity in 2024, with the label returning in 2025. 180gram heavyweight 3x12" vinyl. Includes OBI strip. Features original artwork by Ole Martin Lund Bø and original liner notes by Daniel Wang.

Artist	Title	Format	Label	Catalog #
LANCASTER, BYARD	Exactement	2LP	SOUFFLE CONTINU RECORDS	FFL 096LP
$39.50 PREORDER RELEASE DATE: 7/10/2026 Carefully remastered and restored by Gilles Laujol. Graphic design by Stefan Thanneur. Heavyweight 180gr double LP. 425gm brown board gatefold outer sleeve with four-page portfolio. At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler. In 1968, the saxophonist and flutist recorded his first album under his own name: It's Not Up To Us. The following year he came to Paris in the wake of Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson's label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib. The recording of Exactement required two sessions in the studio: February 1st and May 18th 1974 -- in between the two dates, Lancaster recorded, alongside Clint Jackson, the excellent "Mother Africa." Two names appear on the cover of Exactement: Lancaster (Byard) and Speller (Keno). Byard Lancaster wanted to be precise, moving regularly from one instrument to another: first on piano, which was the first instrument he learned. On "Sweet Evil Miss Kisianga," his inspiration is first and foremost Coltrane (even if leaning more towards Alice than John), this announces the storm to follow. It is Lancaster's horn-playing which really stands out: on alto (the sound of which is transformed by an octavoice on one track, "Dr. Oliver W. Lancaster") or soprano saxophones, as well as on flute or bass clarinet, the musician walks a tightrope making the most of all the risks he takes. Using the full register of his instruments, he has fun with the possibilities. Then, Lancaster invokes or evokes Ornette Coleman, Eric Dolphy and even Prokofiev, before going into a danse alongside Keno Speller on percussion. Above all, he has a unique sound. Byard Lancaster, on whatever instrument he plays and by continually seeking, always ends up hitting the right note -- ends up by playing exactement the note he had to play.

Artist	Title	Format	Label	Catalog #
LANCASTER, BYARD	Funny Funky Rib Crib	LP	SOUFFLE CONTINU RECORDS	FFL 097LP
$29.50 PREORDER RELEASE DATE: 7/10/2026 Carefully remastered and restored by Gilles Laujol. Graphic design by Stefan Thanneur. Comes in heavyweight 180gr LP. 425gm brown board outer sleeve with four-page portfolio. At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler. In 1968, the saxophonist and flutist recorded his first album under his own name: It's Not Up To Us. The following year he came to Paris in the wake of Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson's label), he would release four albums: Us, Mother Africa, Exactement, and Funny Funky Rib Crib. Funny Funky Rib Crib is an unforgettable recording (made up of several sessions dating from the middle of 1974) of creative jazz overwhelmed by funk and soul. If Lancaster had already made successful albums in the same genre -- notably New Horizons, under the name Sounds Of Liberation which he co-led with Khan Jamal -- this one is an homage to James Brown and Sammy Davis, enjoying the company of a host of guests including François Tusques (electric piano), Clint Jackson III (trumpet), François Nyombo (guitar), and Joseph Traindl (trombone). Funny Funky Rib Crib's cover is a three-quarter profile portrait of the saxophonist (who can also be heard on flute, piano and even vocals), however, on the record, it is the whole group, inspired and frenetic, that tests the melodies of "Just Test," "Dogtown," or "Rib Crib" -- the two versions of which display leader Lancaster's art of nuance. On both sides of the album, the group also moves into a calmer groove, infused by blues and soul, "Work And Pray" and "Loving Kindness" are meditative tracks where listeners can lay back and relax before asking for more.

Artist	Title	Format	Label	Catalog #
THEY MUST BE RUSSIANS	& Other Groundless Accusations	CD	KLANGGALERIE	GG 535CD
$19.00 PREORDER RELEASE DATE: 7/10/2026 "They Must Be Russians were an irreverent post-punk band from Sheffield, England, taking their name from a newspaper quote about the Sex Pistols' 'God Save the Queen.' The group initially consisted of Russ Russian (vocals and guitar), Paul Russian (vocals and guitar), Carl (bass), and Brendan (effects). With production help from their local friends in Cabaret Voltaire, they debuted with the Nellie the Elephant EP in mid-1979. Another single, 'Don't Try to Cure Yourself,' was released on Fresh over a year later. A self-titled full-length was released by First Floor in 1983, and the LP Groundless Accusations was issued through Native in 1985. A year later, a 12" called Red Square was released with two album tracks and two new songs which have been included on this release. The group's sound is classic new wave/post punk like that of many of their contemporaries, so if you like Cabaret Voltaire, The Box, Screaming Trees or The Darling Buds then you will love They Must Be Russians, too. The whole album has been remastered by Martin Bowes of Attrition and is released on CD for the very first time."

Artist	Title	Format	Label	Catalog #
BEYOND THE BEAT	Where It Starts, Where It Ends	CD	KLANGGALERIE	GG 538CD
$19.00 PREORDER RELEASE DATE: 7/10/2026 "Beyond the Beat is the debut album of Arthur Fussy (modular synthesizer) and Judith Schwarz (extended drums). Both make up 2/3 of the group Other:M:Other whose debut album was released on Klanggalerie. Arthur also works a lot for the theatre, and Judith plays in many bands, amongst others Gina Schwarz's Pannonica, *MelE, PRCDR with Manu Mayr (another Klanggalerie release), ChuffDrone, and Little Rosies Kindergarten**. Beyond the Beat is a rhythmic affair. Where does a bear start? When do the brain and conscience recognize a pattern? How abstract can a beat be to still be recognizable by the listener? Is rhythm a melody? Beyond the Beat explore the borders of rhythm and beat in a symbiosis of acoustic and electronic sounds. Get into their groove and marvel at the players virtuosity. An absolutely essential album at the border of jazz, electronic and avantgarde."

Artist	Title	Format	Label	Catalog #
ROMA AMOR	Back To Dark	CD	KLANGGALERIE	GG 540CD
$19.00 PREORDER RELEASE DATE: 7/10/2026 "Roma Amor is a neofolk/dark cabaret band from Italy. Their music is located somewhere between the melodic folk-inflected charm of the 1960s Italian songwriters and the cabaret swoon of French chansonniers, Roma Amor's music is instinctively romantic and sophisticated, and can be described as chanson noir or folk cabaret. Their self-titled debut album came out on Old Europa Cafe in 2008, followed by Femmina and Occhi Neri. In 2014, On The Wire was released on Klanggalerie, extending the line-up of the group by inviting guest musicians to perform, and extending also the sound to a more sophisticated pop orientated music. Two more albums followed in 2015 and 2018, and in 2022 a double CD was released, with one album being a re-issue of their classic Femmina, and the other being a complete previously unreleased album. Back To Dark is the band's brand-new long player. It is a dark slow rock album -- with hints of goth and doom, recorded at the beginning of 2026 in Italy. Of course you won't have to miss the band's trademark folk-cabaret style on this album either, but you also get a cover of Throbbing Gristle's 'Discipline.' A new direction added to the group's portfolio."

Artist	Title	Format	Label	Catalog #
SANDERS/BILL LASWELL, PHAROAH	With a Heartbeat	LP	GLOSSY MISTAKES	GLOSSY 024LP
$35.50 PREORDER RELEASE DATE: 7/10/2026 Originally released in 2003, With A Heartbeat brings together Pharoah Sanders, Bill Laswell, and Graham Haynes in a collaboration that remains as elusive as it is forward-thinking. Now reissued by Glossy Mistakes, the album receives its first official vinyl remastered edition. At the core of the record lies an unusual but striking element: the steady pulse of a human heartbeat. Rather than a conceptual gesture, it becomes the foundation of the music itself -- treated as a deep, bass-like rhythm that anchors the entire album. Around it, Laswell builds his unmistakable sonic world, drawing from dub techniques where basslines expand, dissolve, and re-emerge, and where space becomes as important as sound. Across its extended compositions, the album unfolds slowly and deliberately. Layers of electric sitar, guitar, keyboards and subtle percussion drift in and out, creating a fluid, almost tidal movement. The heartbeat remains present throughout, grounding even the most abstract passages in something physical and immediate. At the center stands Sanders' saxophone-searching, expansive, and deeply spiritual. His playing moves freely across the structures, at times echoing the lineage of John Coltrane, while also reaching beyond it. Alongside him, Haynes adds a complementary voice, weaving through the shifting textures. The result is a work that resists easy definition: part spiritual jazz, part future-facing experiment, shaped by dub's sense of space and transformation. Meditative, immersive, and deeply rhythmic, With A Heartbeat unfolds like a living organism-guided not by fixed tempo, but by the pulse of life itself. With this release, Glossy Mistakes continues its work of bringing essential and forward-thinking recordings into new formats, preserving their depth while opening them to new listeners.

Artist	Title	Format	Label	Catalog #
FOOTE/DICKOW	High Cube	LP	GEOGRAPHIC NORTH	GN 079LP
$24.00 PREORDER RELEASE DATE: 7/10/2026 "High Cube is the beat-focused brainchild of Brian Foote (Peak Oil, Leech) and Paul Dickow (Strategy, Community Library), two legends of the US experimental underground. After some 30-odd years of making music separately and together, Foote and Dickow are collaborating in earnest for the first time as a duo. For this debut the pair enforced a simple, stringent set of rules: five instruments, a one-hour timer, and a total ban on overthinking. The result is the sound of two old friends unplugging the usual levers and letting the 'accident' of their chemistry take the wheel. It is drier, sparser, and decidedly 'chunky' -- a fictional band stepping into a suit to drive around for a while. It is neither dance nor chill-out, but a moody, complex trajectory defined not by the gear used to make it but by the narrative mood it compels. 'Volcano Snail' starts things off in a disheveled shuffle, locking into gear with blurred and bubbling effluence. The shimmering dimness is lit low, with a woozy gait that recalls the headiest highs and luminescent lows of Jan Jelinek. 'Underwater Welder' is a foggy, neon-lit cruise of skittering low-ends suspended in a permanent fall of color, while 'A Dragon's Treasure is its Soul' offers blown-apart, low-end city pop fragmented into an array of rhythmic detritus. Chordal textures hover in the air as a percussive loop takes its beguiling and frolicking shape. B-side opener 'Yonaguni' shapeshifts in real time, drifting with the grace of a glacier before bobbing in a frigid pool of vibrating clatter, static, and synth stabs. 'Ofid+wor' offers a tried and true blitz of braindance, nodding to an endless list of 20th and 21st-century electronic body music. Buoyant closer 'Mother of Thousands' holds a gravity-defying tenderness, pirouetting on a breeze with the elegance of effervescent longing. The six extended tracks of High Cube are tethered to nothing but the ether -- a giant sonic leap of peripheral absurdity from two artists with a lifetime of shared rhythm."

Artist	Title	Format	Label	Catalog #
CHILD	Rebirth	CD	HEAVY PSYCH SOUNDS	HPS 400CD
$17.50 PREORDER RELEASE DATE: 7/10/2026 Rebirth is the brand-new album from the Australian hard rock band Child. With the release of their fourth full-length album, Child marks a definitive shift in their creative trajectory. Moving beyond their established sound, the band showcases a refined focus on songwriting -- stripping back the noise to reveal the heart of their message. The record serves as an unfiltered dialogue with the self, confronting the obstacles that block evolution and demanding the strength to overcome them. It is a gritty, honest document of survival and the messy beauty of becoming who you are meant to be. Also available on black vinyl (HPS 400LP), gold vinyl (HPS 400LTD-LP), and orange/yellow/black color vinyl (HPS 400ULTRA-LP).

Artist	Title	Format	Label	Catalog #
CHILD	Rebirth	LP	HEAVY PSYCH SOUNDS	HPS 400LP
$29.50 PREORDER RELEASE DATE: 7/10/2026 LP version. Rebirth is the brand-new album from the Australian hard rock band Child. With the release of their fourth full-length album, Child marks a definitive shift in their creative trajectory. Moving beyond their established sound, the band showcases a refined focus on songwriting -- stripping back the noise to reveal the heart of their message. The record serves as an unfiltered dialogue with the self, confronting the obstacles that block evolution and demanding the strength to overcome them. It is a gritty, honest document of survival and the messy beauty of becoming who you are meant to be.

Artist	Title	Format	Label	Catalog #
CHILD	Rebirth (Gold Vinyl)	LP	HEAVY PSYCH SOUNDS	HPS 400LTD-LP
$34.00 PREORDER RELEASE DATE: 7/10/2026 LP version. Gold color vinyl. Rebirth is the brand-new album from the Australian hard rock band Child. With the release of their fourth full-length album, Child marks a definitive shift in their creative trajectory. Moving beyond their established sound, the band showcases a refined focus on songwriting -- stripping back the noise to reveal the heart of their message. The record serves as an unfiltered dialogue with the self, confronting the obstacles that block evolution and demanding the strength to overcome them. It is a gritty, honest document of survival and the messy beauty of becoming who you are meant to be.

Artist	Title	Format	Label	Catalog #
CHILD	Rebirth (Orange/Yellow/Black Vinyl)	LP	HEAVY PSYCH SOUNDS	HPS 400ULTRA-LP
$44.50 PREORDER RELEASE DATE: 7/10/2026 LP version. Orange/yellow/black color vinyl. Rebirth is the brand-new album from the Australian hard rock band Child. With the release of their fourth full-length album, Child marks a definitive shift in their creative trajectory. Moving beyond their established sound, the band showcases a refined focus on songwriting -- stripping back the noise to reveal the heart of their message. The record serves as an unfiltered dialogue with the self, confronting the obstacles that block evolution and demanding the strength to overcome them. It is a gritty, honest document of survival and the messy beauty of becoming who you are meant to be.

Artist	Title	Format	Label	Catalog #
ELOY, JEAN-CLAUDE	Gaku-no-Michi (1977-78)	4CD	HORS TERRITOIRES	HT 001-004CD
$32.00 PREORDER RELEASE DATE: 7/10/2026 Gaku-no-michi, "Tao of music" or "Ways of music." Film without images for electronic and concrete sounds. Produced at the electronic music studio of NHK Radio, Tokyo 1977-78. Digitalized and revised version from 2006. Jean-Claude Eloy is a French composer, born in 1938. He studied at the Paris National Superior Conservatory of Music, where he won First Prizes in Piano, Chamber Music, Counterpoint, Ondes Martenot, and studied composition with Darius Milhaud. He attended summer courses at Darmstadt (Pousseur, Scherchen, Messiaen, Boulez, Stockhausen) and was a student in composition in Pierre Boulez' master class at the Music Academy in Basel (1961-1963). Works by Jean-Claude Eloy have been performed all over the world. "Pachinko" introduces "Tokyo" in a deliberately stiff, regular, almost mechanical and untranscended way while the big spiral of long successive waves, which further develops through Tokyo, becomes more and more varied in its material ending in the surpassing and searched-for transubstantiation taking place throughout the final part. The second disc, "Fushiki-e", takes listeners through varied, complex, contrasted and sometimes violent sound episodes towards the four "stages of contemplation" including the last one, "Mokuso", which represents the ultimate stage of the contemplative. It is the longest part of the whole piece, lasting almost 80 minutes. "Banbutsu no Ryûdô" is a boundless continuous "weft" travelling so to say through all sorts of daily or exceptional "sound scenes" continually metamorphosing, going from political speeches to a Shishi Odoshi, transformed for a long time well before its pure, direct appearance. "Kaiso" is a moment of gravity innervated and built around the annual commemorative ceremony of Hiroshima, which however leads listeners beyond the evoked drama to a place of surpassing with peace through the "Han" sound, extending the work to infinity.

Artist	Title	Format	Label	Catalog #
ELOY, JEAN-CLAUDE	Shanti	2CD	HORS TERRITOIRES	HT 005-006CD
$20.00 PREORDER RELEASE DATE: 7/10/2026 Shânti (1972-73) for electronic and concrete sounds. Electronic music studio, WDR, Cologne, Germany, 1972-73. Digitalized and revised version from 2001. "The term 'meditation music' triggered many conflicting comments including positive ones. Others, wondering at the strong sound presence of the piece, consider such aspect as hardly helpful to their own meditation. What meditates here is the composer. He is the one who takes you on his journey and guides you through his work like in a classic or romantic symphony. As a listener you are invited to follow 'his' meditation. The composition is the meditation."

Artist	Title	Format	Label	Catalog #
ELOY, JEAN-CLAUDE	Yo-In	4CD	HORS TERRITOIRES	HT 007-010CD
$32.00 PREORDER RELEASE DATE: 7/10/2026 Yo-In (1980). Sound theater for an imaginary ritual, in four acts. For electronic and concrete sounds, fixed on multi-tracks. For a "percussionist-character" (solo percussionist). With about two hundred varied percussion instruments. Performed by Michael W. Ranta (solo percussionist) and Jean-Claude Eloy (electroacoustic projection, synchronization, mixings). Recorded during a public concert given at the Warsaw Autumn festival Polish-Radio, Warsaw, September, 1994. Electro-acoustic production : Instituut voor Sonologie, Rijkuniversiteit, Utrecht. Institute of Sonology, State University, Utrecht. With the collaboration of NHK, Denshi Ongagu Studio, Tokyo. First world publication. Digipack 4CDs with a booklet of 20 pages.

Artist	Title	Format	Label	Catalog #
ELOY, JEAN-CLAUDE	Anahata	3CD	HORS TERRITOIRES	HT 011-013CD
$32.00 PREORDER RELEASE DATE: 7/10/2026 Anâhata (1984-86). Primordial vibration. Sound ceremonial with a contemplative character for two voices of Japanese Buddhist monks (traditional Shômyô techniques -- traditional temple chanting -- in a larger, modern and creative form), three Japanese Gagaku instrumentalists (traditional court music in a modern and creative form), one percussionist (with a percussion instrument orchestra) and electro-acoustic (fixed interactive sounds). Electronic studio of the Sweelinck Conservatorium, Amsterdam (1984-86). With Ebihara Kôshin (Tendai sect): solo voice; Arai Kôjun (Shingon sect): solo voice; Yaotani Satoru: Ô-Hichiriki solo; Shiba Sukeyasu: solo Ryûteki; Miyata Mayumi: Shô solo, Ô-Shô, Alto-Sheng; Michael W. Ranta: solo percussions; Jean-Claude Eloy, electro-acoustic (sound projection, general coordination, mixing). Studio recording made during the Donaueschingen festival 1990 (Donaueschinger Musiktage) by the SWF (Südwestfunk), Baden-Baden. First World publication. Presented in a small box of 3CDs with 60 pages booklet.

Artist	Title	Format	Label	Catalog #
VA	Listen Up! Rocksteady	LP	KINGSTON SOUNDS	KSLP 033Y-LP
$20.50 PREORDER RELEASE DATE: 7/10/2026 First time on yellow vinyl. Welcome to the Rocksteady Sound from Jamaica. Towards the end of 1965, some say due to the extreme heatwave that was hitting the island, the people that followed the Sound System Dances demanded a slower beat so they could still move and groove to the all-night musical affairs. So sit back and enjoy the tunes that rocked the island between 1966-1968 the Rocksteady Sound that hit the town. Featuring 01. Uniques, Roy Shirley & Glen Adams, Sensations, Pat Kelly, Dawn Penn, Slim Smith, Delroy Wilson, Winston Samuels, and Ann Reid.

Artist	Title	Format	Label	Catalog #
UNDERGROUND SET, THE	The Underground Set	CD	MORGAN BLUE TOWN	MBT 068CD
$16.00 PREORDER RELEASE DATE: 7/10/2026 "The Underground Set is a cult Italian psychedelic and early progressive instrumental album originally released in 1970 and produced by Gianfranco Reverberi. Performed by members of Nuova Idea under a pseudonym, the record blends Hammond driven psych rock with film score influences, fuzz guitar and distinctive rhythmic motifs. Long sought after by collectors of Italian rock and European soundtrack adjacent recordings, the album stands as one of the strongest examples of the era's 'psychploitation' sound. This re-issue edition preserves the original material while presenting it to a new audience discovering early Italian progressive music."

Artist	Title	Format	Label	Catalog #
COBRAA	Cobraa (Color Vinyl)	LP	MADE IN GERMANY	MIG 3641LP
$21.00 PREORDER RELEASE DATE: 7/10/2026 LP version. "In the early 1970s, the band from Hilden and Düsseldorf (Germany) dropped the name Q 66 and has performed as Cobraa ever since. A demo tape by the band caught the attention of talent scouts at the Cologne-based record label EMI Electrola, who subsequently offered them a record deal. The single 'Ride a Pony' was released as early as 1973, and the album Cobraa followed in 1974. The LP received very good reviews in well-known music magazines, and even the teen magazine BRAVO had words of praise. Critics particularly liked the harmonized vocals, the catchy melodies, and the varied arrangements -- not just drums, bass, and guitars, but also flute, harmonica, and strings. The band members, however, were disappointed with their collaboration with the record label and wrote a letter to the head of EMI, complaining about the lack of support and the lackluster cooperation. After a clarifying meeting with top management, it was agreed to release another single, 'Take A Look At Love.' The record company, however, was unwilling to make any further concessions, so it remained at just one LP release. Over 50 years later, this Cobraa album has achieved cult status among progressive rock and Krautrock fans. It is now being re-released on vinyl as well as, for the first time, on CD and digitally, including the 1973 single 'Ride A Pony'/'The End Of The Day.'"

Artist	Title	Format	Label	Catalog #
COBRAA	Cobraa (Bonus Track Edition)	CD	MADE IN GERMANY	MIG 3642CD
$15.00 PREORDER RELEASE DATE: 7/10/2026 "In the early 1970s, the band from Hilden and Düsseldorf (Germany) dropped the name Q 66 and has performed as Cobraa ever since. A demo tape by the band caught the attention of talent scouts at the Cologne-based record label EMI Electrola, who subsequently offered them a record deal. The single 'Ride a Pony' was released as early as 1973, and the album Cobraa followed in 1974. The LP received very good reviews in well-known music magazines, and even the teen magazine BRAVO had words of praise. Critics particularly liked the harmonized vocals, the catchy melodies, and the varied arrangements -- not just drums, bass, and guitars, but also flute, harmonica, and strings. The band members, however, were disappointed with their collaboration with the record label and wrote a letter to the head of EMI, complaining about the lack of support and the lackluster cooperation. After a clarifying meeting with top management, it was agreed to release another single, 'Take A Look At Love.' The record company, however, was unwilling to make any further concessions, so it remained at just one LP release. Over 50 years later, this Cobraa album has achieved cult status among progressive rock and Krautrock fans. It is now being re-released on vinyl as well as, for the first time, on CD and digitally, including the 1973 single 'Ride A Pony'/'The End Of The Day.'"

Artist	Title	Format	Label	Catalog #
AGITATION FREE	Live In Berlin	LP	MADE IN GERMANY	MIG 3661LP
$29.00 PREORDER RELEASE DATE: 7/10/2026 LP version. "Berlin, late 1960s: A divided city becomes the epicenter of a musical revolution. Amid the tensions of the Cold War, a group of young sound explorers emerged to redefine the boundaries of rock music. Agitation Free, founded in 1967, was never just a band, but a laboratory for 'movement, unrest, and change' -- the definition of the word 'agitation' that their mentor Folke Hanfeld had found in a dictionary. From the very beginning, Agitation Free served as a hub for the burgeoning 'Berlin School' of electronic music. Their early rehearsals at the Electronic Beat Studio under the direction of Thomas Kessler became a magnet for other legends such as Tangerine Dream and Ash Ra Tempel. At the same time, they served as a springboard for exceptional talents like Christopher 'Chris' Franke (Tangerine Dream) or guitarist Axel 'Ax' Genrich (Guru Guru). While Agitation Free's studio albums Malesch (1972) and 2nd (1973) are milestones of the genre, it was on stage that the 'Free' in their name truly came to life. Their concerts were avant-garde experiences that combined liquid light shows and experimental films with hypnotic, drawn-out instrumental improvisations. An example of this is their new live recording Live in Berlin from December 1, 2025, at Berlin's Kesselhaus, featuring the current lineup: founding members Lutz 'Lüül' Graf-Ulbrich and Burghard Rausch, as well as Michael Hoenig, who has retired from live performances but remains the band's 'spiritual leader,' together with Daniel Cordes, Axel Heilhecker, and Tim Sund. As Michael Hoenig once noted, Agitation Free's music is a 'time machine that connects the past and the future.' The magic lives on."

Artist	Title	Format	Label	Catalog #
AGITATION FREE	Live In Berlin	CD	MADE IN GERMANY	MIG 3662CD
$19.00 PREORDER RELEASE DATE: 7/10/2026 "Berlin, late 1960s: A divided city becomes the epicenter of a musical revolution. Amid the tensions of the Cold War, a group of young sound explorers emerged to redefine the boundaries of rock music. Agitation Free, founded in 1967, was never just a band, but a laboratory for 'movement, unrest, and change' -- the definition of the word 'agitation' that their mentor Folke Hanfeld had found in a dictionary. From the very beginning, Agitation Free served as a hub for the burgeoning 'Berlin School' of electronic music. Their early rehearsals at the Electronic Beat Studio under the direction of Thomas Kessler became a magnet for other legends such as Tangerine Dream and Ash Ra Tempel. At the same time, they served as a springboard for exceptional talents like Christopher 'Chris' Franke (Tangerine Dream) or guitarist Axel 'Ax' Genrich (Guru Guru). While Agitation Free's studio albums Malesch (1972) and 2nd (1973) are milestones of the genre, it was on stage that the 'Free' in their name truly came to life. Their concerts were avant-garde experiences that combined liquid light shows and experimental films with hypnotic, drawn-out instrumental improvisations. An example of this is their new live recording Live in Berlin from December 1, 2025, at Berlin's Kesselhaus, featuring the current lineup: founding members Lutz 'Lüül' Graf-Ulbrich and Burghard Rausch, as well as Michael Hoenig, who has retired from live performances but remains the band's 'spiritual leader,' together with Daniel Cordes, Axel Heilhecker, and Tim Sund. As Michael Hoenig once noted, Agitation Free's music is a 'time machine that connects the past and the future.' The magic lives on."

Artist	Title	Format	Label	Catalog #
MERZBOW & PEDRO VIAN	Bardo Thodol	LP	MODERN OBSCURE MUSIC	MOM 073LP
$34.00 PREORDER RELEASE DATE: 7/10/2026 In their third collaboration, the shared project between Merzbow and Pedro Vian shifts towards less confrontational and more introspective terrain. Bardo Thödol, released as an LP, draws on The Tibetan Book of the Dead not so much as an explicit narrative framework but as a conceptual resonance: a passage, a suspension between states. Where Inside Richard Serra Sculptures and The Wheel of Mani foregrounded a relatively defined dialectic between Vian's environmental restraint and Masami Akita's impulsive, textural excess, that friction here appears to dissolve in favor of a more homogeneous mass. Noise, far from its most abrasive edge, is reconfigured as a continuous field -- dense yet permeable. Within this flow, melodic structures emerge without assertion, surfacing almost incidentally as by-products of the accumulation of frequencies itself. The result is less a reconciliation of languages than a blurring of their boundaries: a space in which intensity is internalized and the radical gesture folds into a more sustained, contemplative mode of listening.

Artist	Title	Format	Label	Catalog #
STETSON, COLIN	Something Very Bad Is Going To Happen (Red Vinyl)	LP	MUSIC ON VINYL: AT THE MOVIES	MOVATM 459R-LP
$38.00 PREORDER RELEASE DATE: 7/10/2026 "Something Very Bad is Going to Happen is a Netflix horror series produced by the Duffer Brothers, the creative minds behind the global hit Stranger Things. The story follows engaged couple Rachel Harkin (Camila Morrone) and Nicky Cunningham (Adam DiMarco) in the tense week leading up to their wedding, as what should be the happiest time of their lives slowly unravels into a nightmarish descent of psychological terror and creeping dread. The narrative keeps guessing whether the threat they face is human, supernatural, or rooted in the couple's own fears and relationships, with eerie encounters, unsettling family dynamics, and haunting revelations. The series also features standout performances from seasoned actors Jennifer Jason Leigh and Ted Levine as members of the Cunningham family, along with Jeff Wilbusch, Karla Crome, Gus Birney, and Zlatko Buric. The music for the series is composed by Grammy Award-winning musician and composer Colin Stetson, renowned for his idiosyncratic use of saxophone in his projects. He has collaborated with acclaimed artists such as Bon Iver, Arcade Fire, and The National, amongst others. Scoring Something Very Bad is Going to Happen builds on Stetson's extensive experience in film and game music. He has composed soundtracks for films like the psychological horror Hereditary (2018) and the dark thriller The Menu (2022), as well as the epic Rockstar game Red Dead Redemption 2 (2018). For this series, Stetson delivers a suspenseful soundtrack, perfectly complementing the Duffer Brothers' signature storytelling. A must-have release for fans! Something Very Bad is Going to Happen is available as a limited edition on red colored vinyl and includes an insert."

Artist	Title	Format	Label	Catalog #
KRAFFT, NATE	Crimson Arsenal/Man Machine	3LP	MUSIQUE POUR LA DANSE	MPD 056LP
$41.00 PREORDER RELEASE DATE: 7/10/2026 Nate Krafft (Nathaniel Killins IV) is a visionary Detroit producer whose 1990s work were released under his own name and aliases such as Super Nova and Naquil and have since become highly collectible. He later re-emerged as Nate Nubia, continuing to experiment techno infused with machine soul and cosmic imagination. In 1995, he dropped two cult 12"s on his own Infra label: Man Machine and Crimson Arsenal, blending Detroit techno with electro edges and sci-fi atmospheres exploring uncharted territories. These sought-after EPs, which sounded futuristic long before their time, are brought together for the first time as one limited edition red vinyl 2x12". Please also consider his Planetary Invazion EP, under his Super Nova alias, reissued in 2018 on the same label.

Artist	Title	Format	Label	Catalog #
HOOD, ROBERT	Psychic/Pole Position	12"	M-PLANT	MPM 050EP
$19.00 PREORDER RELEASE DATE: 7/10/2026 Robert Hood goes back to his minimal techno roots and then flips things forward with remastered releases from his ground-breaking label, M-Plant. The Perpetual Masters series has been dropping tracks from Hood's extensive catalogue with remastering by legendary German producer, Thomas Heckmann. Now coming to vinyl are two of these remastered tracks. Originally released in 1999, the EP reflects Hood's focus on minimalist electronic structures and dance floor functionality, and has remained a sought-after piece among fans of the genre.

Artist	Title	Format	Label	Catalog #
HOOD, ROBERT	Sophisticcato	12"	M-PLANT	MPM 051EP
$19.00 PREORDER RELEASE DATE: 7/10/2026 Throughout the year M-Plant's Perpetual Masters series has been releasing one track per week from Robert Hood's extensive music archive, remastered by legendary German producer, Thomas Heckmann. Originally released in 1999 on the Duet imprint, Robert Hood's Sophisticcato stands as a concise but potent example of his late-'90s minimal techno philosophy. Built around four tracks, including the title cut, "The First Night" and two versions of "Cobra Seed", the record features his signature approach with stripped-back drum patterns and hypnotic loops that prioritize rhythm over unnecessary embellishment. Lean and functional, with subtle shifts, it represents Hood's belief that minimal elements, precisely arranged, can achieve maximum impact on the dance floor.

Artist	Title	Format	Label	Catalog #
HOOD, ROBERT	Spectra	12"	M-PLANT	MPM 052EP
$19.00 PREORDER RELEASE DATE: 7/10/2026 M-Plant's Perpetual Masters series continues with Robert Hood's Spectra EP up next. Remastered once again by legendary German producer, Thomas Heckmann. Robert Hood's Spectra EP, originally released in 2001, stands as a defining example of his stripped-back, conceptual approach to techno. It sees Robert Hood operating at his most stripped-down and hypnotic, built from tightly looped drum patterns and shadowy synth fragments that slowly evolve. Hood's precision is evident in every detail, as he balances repetition with crisp percussion and a tightly controlled groove. More deep, immersive and hard-hitting minimal techno from the master.

Artist	Title	Format	Label	Catalog #
SURVIVAL, THE	La Onda De The Survival	LP	MUNSTER RECORDS	MR 506LP
$28.50 PREORDER RELEASE DATE: 7/10/2026 The Mexican band The Survival focused on crafting a blend of blues and acid rock, drawing influence from the U.S. West Coast movement as well as British blues artists like John Mayall and Cream. They have often been described as a mix of Country Joe and the Fish, Quicksilver Messenger Service, Moby Grape, and Ten Years After. The group formed in August 1970 and recorded a single album, La onda de The Survival (1971), which combined laid-back blues with distortion. One distinctive feature was that lead vocals were handled by drummer Andrés Lusher -- an unusual choice that gave the band a unique sonic identity. The album captured the spirit of the time, portraying generational shifts, repression of youth, fraternity, pacifism, and the influence of drugs. The song titles hint at these themes: Side A opens with "Old People" (also known as "gente vieja"), a critique of their parents' generation for failing to understand young people; "The World is a Bomb," built on a repetitive, almost unchanging riff; "What the World Needs is Union"; "Inspiration Blues"; and "Electric Chair." Despite its title, "Ending Blues" kicks off Side B, followed by "Disturbance," where explosions and sirens underscore a call for coexistence among people from different backgrounds. "Cannabis Lady" presents marijuana as a means of expanding the mind and reaching altered states of consciousness, while also acknowledging the fear of addiction. The album closes with "Nothing's Monument" and "Useless Warfare," critiques of materialism and war. When the record was released, the censorship that followed the Avándaro festival had not yet fully taken hold, allowing the band to perform in various cities across Mexico, including the capital. Despite their brief existence, The Survival and their sole album remain a significant testament to the "onda chicana," a historical moment when Mexican youth picked up instruments to voice their reality, survive censorship, and leave a lasting mark on the history of Mexican rock. Includes an insert with liner notes.

Artist	Title	Format	Label	Catalog #
MD'S, THE	Brain Damage	LP	MUNSTER RECORDS	MR 507LP
$28.50 PREORDER RELEASE DATE: 7/10/2026 The story of The MD's ("Los Médicos") from San Juan, Puerto Rico, is truly unique. They were the first -- and in fact the only -- group in the entire Caribbean influenced by new wave and punk, not only in Puerto Rican music but in the entire region. At a time when Spanish-language rock was overshadowed by salsa and disco, and before MTV existed, they still managed to listen to Devo, Oingo Boingo, Adam Ant, The Police, The Specials, and Madness. It was a rough time in Puerto Rico with many fights between cocolos (fans of salsa music) and rockers. The MD's were formed in 1979 when the band members were still teenagers. They rehearsed three or four days a week in the school cafeteria, as an extracurricular activity project, under the influence of a new English teacher, Richard D'Lima, who had recently spent a considerable amount of time in New York. There, he had the good fortune to experience and immerse himself in the new wave music scene of the late '70s. One of the band members' father -- the band's fixer -- donated some surgeon's scrubs that provided the look and name of the group. Recorded and mixed in just three days in early 1980, Brain Damage was released on their own label, Surgeon Records. Its 10 original songs offer an interesting and fresh mix of punk, proto-hardcore, and new wave influences, raw rhythms, with the prominent and effervescent presence of the minimoog synthesizer and catchy lyrics perfect for singing along. No fillers. It received radio support for over a year and achieved great general acclaim, especially within the burgeoning underground rock scene on the island. The group's members dropped out in '83 to focus on their studies at the University leaving behind this rare gem that is now part of Puerto Rico's rock music history. First time reissue, including an insert with previously unseen photos and notes.

Artist	Title	Format	Label	Catalog #
MARLEY/IGNACIO SCOLA/GREGORIO PANIAGUA, RITA	Spectacles For Tribuffalos	2LP	MUNSTER RECORDS	MR 508LP
$37.50 PREORDER RELEASE DATE: 7/10/2026 This album is a collaborative project born from the creativity, cooperation, and boldness of three completely different artists who decided to combine their talents to shape this remarkable work. Ignacio Scola is a Spanish record producer who, in the early 1990s, released albums with a number of artists, including well-known names such as Juan Luis Guerra, Willy DeVille, and Manu Dibango. Rita Marley was a Jamaican singer who had been a member of the Soulettes -- something like a Jamaican version of The Supremes -- in the mid-1960s. While still very young, she married Bob Marley and lived through a turbulent relationship, overshadowed by her famous husband. After Bob's death, she decided to resume her artistic career and released several noteworthy reggae albums, which were later rediscovered by Scola and issued in Spain through his record label. He subsequently became her producer and organized several concerts for her, bringing her a certain level of recognition and helping her songs reach major radio playlists. When Scola presented Marley with a song he had composed, "Miracle Baby," dedicated to his newborn son, she agreed to record it immediately. The original recording was completed with arrangements by Spanish cult artist Gregorio Paniagua, and the result was so striking that they decided to record more songs following a similar approach. Scola would show Paniagua the song sketches, and they would later meet in Paniagua's studio to embellish them with instrumental arrangements, as well as contribute their own ideas -- creating a kind of artistic ping-pong completed by Rita Marley's voice, who traveled from Jamaica to Madrid to take part in the recording sessions. The result is an album of sophisticated and experimental pop, in line with other works by Gregorio Paniagua, in which Marley showcases her extraordinary vocal talent, rooted in soul and Jamaican music, built around Scola's concept. Companies such as Luaka Bop and Disney showed strong interest in the album, which was ultimately released in 1995 on Scola's own label, Tabata. Munster presents here, for the first time on vinyl, Spectacles for Tribuffalos -- never before reissued -- along with the remixes by Spanish ambient producer Suso Sáiz, influenced by trip-hop, dub, and more, previously unavailable on vinyl. Includes an insert with liner notes.

Artist	Title	Format	Label	Catalog #
RIDERS GROUP, LEA	The Forgotten Generation	7"	MUNSTER RECORDS	MR 7401EP
$15.50 PREORDER RELEASE DATE: 7/10/2026 Rediscover a defining moment of Scandinavian underground rock with the vinyl reissue of Lea Riders Group's 1968 single "The Forgotten Generation" b/w "Dom Kallar Oss Mods" -- a raw and uncompromising snapshot of youth culture at the edge. Released in connection with the groundbreaking Swedish documentary They Call Us Misfits, the B-side "Dom Kallar Oss Mods" became an enduring cult statement -- a gritty, hypnotic track that channels the disillusionment and attitude of a generation outside the mainstream. This reissue brings both sides of this rare 1968 single back to life -- from the defiant punch of "The Forgotten Generation" to the shadowy, cinematic pull of "Dom Kallar Oss Mods." Reissued for the first time.

Artist	Title	Format	Label	Catalog #
NILMMNS, CARLOS	Legacy	12"	ORNAMENTS	ORN 056EP
$20.50 PREORDER RELEASE DATE: 7/10/2026 Ornaments continues its long-standing journey with Carlos Nilmmns, presenting a new mini-LP that effortlessly fuses sophisticated late-night club grooves with raw emotional depth. Across six expertly crafted tracks, Nilmmns delivers a rich sonic spectrum: from smoke-filled jazzy cuts and deep, hypnotic vibes to uplifting, funky piano house designed for the dancefloor. The emotional centerpiece of the record belongs to two breathtakingly deep, vocal-led songs featuring the beautiful, timeless voices of Genoveva, Keter Darker, and the legendary Karl The Voice -- a poignant, soulful tribute that grounds the entire release.

Artist	Title	Format	Label	Catalog #
BINGA/ADDISON GROOVE, SAM	Bags Inc	2LP	PINEAPPLE RECORDS	PNPLP 003LP
$34.00 PREORDER RELEASE DATE: 7/10/2026 Bristol's Sam Binga and Addison Groove have been friends and collaborators since their 2013 BS3 EP, released on Modeselektor's 50 Weapons imprint. This project, the third full-length on Binga's Pineapple Records, is born from an intense 72-hour session at the legendary Devon Analogue Studios, where the pair were able to explore their mutual love of up-tempo machine funk -- whether that be Detroit Jit, Chicago Boxjams or Turbo Electro. Three days of intense creativity across classic drum machines, vintage analogue synths and rare hardware effects resulted in a collection of raw but powerful audio building blocks -- and the pair have been gradually shaping them into what is now a complete project -- the Bags Inc album. Across 12 tracks, Binga and Addison explore that exciting space between 140 and 150 bpm -- but while it's fast, it's not "hard"; as you'd expect from the creators, it's still got that wiggle, and the all-important cheekiness for which they're known. Mastered by Bob Macc at SC Mastering and cut at the Sony plant in Europe, the album has immersive and musical detail to warrant deep listening, while maintaining that essential club energy. Deluxe gatefold double vinyl. Featuring Sirius Soundz.

Artist	Title	Format	Label	Catalog #
EDEN BURNS	Big Beat Manifesto Vol. XII	12"	PUBLIC POSSESSION	PP 122EP
$18.00 PREORDER RELEASE DATE: 7/10/2026 Very impressively Eden Burns lands at Big Beat Manifesto Vol. XII. The prophet of the Big Beat is restless in the most positive way one can think off.

Artist	Title	Format	Label	Catalog #
METABOLIST	Hansten Klork	2LP	ANALOGUE PULSE	PULSE 001X-LP
$32.00 PREORDER RELEASE DATE: 7/10/2026 The original album plus six bonus tracks (from the singles "Drömm/Slaves" and "Identify" plus the split 7" with Die Form). Hansten Klork is considered one of the most avant-garde albums of its time; released in 1980 it highlighted the band's experimental approach to the post-punk ethos, with explicit homages to minimalism, kraut-rock and post-industrial aesthetics. RIYL: This Heat, Faust, early Cabaret Voltaire.

Artist	Title	Format	Label	Catalog #
TNT ROOTS	Time And Space/Righteous Vibration	12"	REAL ROCK	RCK 027EP
$27.00 PREORDER RELEASE DATE: 7/10/2026 The new African Beat label launch a 12" with two previously dubplate only, produced by TNT Roots. Each track has a second thunderous mix for serious heavyweight sound system business. Can't miss.

Artist	Title	Format	Label	Catalog #
4TH STREET ORCHESTRA, THE	Yuh Learn!	LP	REAL ROCK	RCKLP 006LP
$35.00 PREORDER RELEASE DATE: 7/10/2026 Under the name The 4th Street Orchestra, in the mid-'70s Dennis Bovell released a series of albums for the UK sound system scene, each pressed in limited quantities. Yuh Learn! stands as a fine example of Bovell's creativity and production skills, a record with a strong Jamaican roots appeal, loved by sound system selectors and capable of taking every listener on a deep journey through the many shades of dub music. This is a limited-edition vinyl only, first time reissue of one of the rarest and most sought-after albums from Dennis Bovell's legendary catalogue.

Artist	Title	Format	Label	Catalog #
EARTHQUAKE STUDIO	Dub Harder Than Steel	LP	REAL ROCK	RCKLP 010LP
$35.00 PREORDER RELEASE DATE: 7/10/2026 From 1993, a hallmark UK Dub album returns to the light. Pressed in small run and extremely hard to find. Produced at Earthquake Studio by TNT Roots and Winston Dread. Raw, undiluted music reflecting the evolution of Dub and contains the seeds of all their future work. Heavy sounds that stand the test of time. Back on the streets after 30 years, fully restored and remastered to honor the dubplate masters of UK Sound System culture.

Artist	Title	Format	Label	Catalog #
JOJO, NGALLE	Na Bo Ndedi	LP	CELLULOID	RECELESP 001LP
$31.50 PREORDER RELEASE DATE: 7/10/2026 The cult album, fully remastered. Recorded in Paris with Jean-Yves Messan, Patrick Francfort, and François Corea, leading figures of the African diaspora, Na Bo Ndedi is one of the pinnacles of makossa's golden age. A classic by Ngallé Jojo, with a unique sound that blends traditional rhythms with modern arrangements, vibrant grooves, and a powerful rhythmic drive. Thirty years later, Celluloid Records is reissuing this essential album in a remastered version. For collectors who know it by heart, and for all those who are finally discovering it. Also available with bonus 7" (CELPACK 001LP).

Artist	Title	Format	Label	Catalog #
HERODY, SIMON	Water On Mars	CD	RECORDS WE RELEASE RECORDS	RWRR 004CD
$19.00 PREORDER RELEASE DATE: 7/10/2026 The second full-length album from Simon Herody -- French born, Berlin based multi-instrumentalist and composer. Featuring the visual universe of Paul Waak. Water from Mars retraces the imaginary odyssey of a near-future conquest of space -- a sonic journey conceived as a soundtrack for the imagination. Blending acoustic and electronic instruments, Herody navigates between sci-fi jazz, left-field ambient dub, space lounge, and fourth world music, crafting a world where melancholy and forward-thinking curiosity coexist in weightless suspension. Indulgent, textured, and uncompromising -- for fans of glitchy synthesizer textures, cinematic atmospheres, and music that refuses easy categorization.

Artist	Title	Format	Label	Catalog #
HERODY, SIMON	Water On Mars	Cassette	RECORDS WE RELEASE RECORDS	RWRR 004CS
$17.50 PREORDER RELEASE DATE: 7/10/2026 Cassette version. The second full-length album from Simon Herody -- French born, Berlin based multi-instrumentalist and composer. Featuring the visual universe of Paul Waak. Water from Mars retraces the imaginary odyssey of a near-future conquest of space -- a sonic journey conceived as a soundtrack for the imagination. Blending acoustic and electronic instruments, Herody navigates between sci-fi jazz, left-field ambient dub, space lounge, and fourth world music, crafting a world where melancholy and forward-thinking curiosity coexist in weightless suspension. Indulgent, textured, and uncompromising -- for fans of glitchy synthesizer textures, cinematic atmospheres, and music that refuses easy categorization.

Artist	Title	Format	Label	Catalog #
HERODY, SIMON	Water On Mars	LP	RECORDS WE RELEASE RECORDS	RWRR 004LP
$29.50 PREORDER RELEASE DATE: 7/10/2026 LP version. The second full-length album from Simon Herody -- French born, Berlin based multi-instrumentalist and composer. Featuring the visual universe of Paul Waak. Water from Mars retraces the imaginary odyssey of a near-future conquest of space -- a sonic journey conceived as a soundtrack for the imagination. Blending acoustic and electronic instruments, Herody navigates between sci-fi jazz, left-field ambient dub, space lounge, and fourth world music, crafting a world where melancholy and forward-thinking curiosity coexist in weightless suspension. Indulgent, textured, and uncompromising -- for fans of glitchy synthesizer textures, cinematic atmospheres, and music that refuses easy categorization.

Artist	Title	Format	Label	Catalog #
YAMASUKI	Le Monde Fabuleux Des Yamasuki	LP	SDBAN	SDBAN 022LP
$33.00 PREORDER RELEASE DATE: 7/10/2026 In the spring of 1971, somewhere between Brussels, Paris and a collective pop fever dream, Le Monde Fabuleux Des Yamasuki landed on vinyl. It sounded like nothing else then and it still does not today. More than half a century later, Sdban Records presents a reissue of this singular cult album. The album was produced by Jean Kluger and written both by Jean and Daniel Vangarde (aka Bangalter, later the father of Thomas Bangalter of Daft Punk), who were already well-ahead of their time, long before electronic music rewrote the rules of pop culture. Released under the name Yamasuki, also referred to as The Yamasuki Singers, or The Yamasuki's, the project was never intended as a conventional band. It was a studio-born fantasy, a concept album disguised as a pop record. What began as a standalone single quickly expanded into a full-blown pan-cultural pop opera that ignored genres and common sense with joyful abandon. Musically, the album sits at a delirious crossroads. Psychedelic pop collides with funk rhythms, samba and bubblegum melodies, full of chants and choruses in a phonetic pseudo-Japanese, written with the help of a dictionary. Kluger and Vangarde famously recruited a children's choir to perform the vocals, and for added spectacle, they brought in a Japanese judo grandmaster, whose ritualistic shouts and battle cries erupt throughout the record. Over the years, Yamasuki has been quietly sampled, covered, and featured across media far beyond the realm of novelty pop. "Kono Samourai" was sampled in "The Healer" by Erykah Badu (2007), produced by Madlib, while "Yama Yama" has found its way into recent pop culture as well: appearing in the television series Fargo, on Angus Stone's project Dope Lemon, and on the 2008 Late Night Tales compilation curated by Arctic Monkeys drummer Matt Helders. This new reissue of Le Monde Fabuleux Des Yamasuki proves the renewed interest and respect for this cult album, faithful to the original spirit while finally giving it back the physical presence it deserves. In an era obsessed with genres and algorithmic neatness, Yamasuki still laughs, dances and karate-kicks its way past definitions.

Artist	Title	Format	Label	Catalog #
STEMESEDER/THOMAS MORGAN, ELIAS	Io Pur Respiro	LP	SQUAMA	SQM 037LP
$33.00 PREORDER RELEASE DATE: 7/10/2026 Pianist Elias Stemeseder and bass player Thomas Morgan debut on Squama with Io Pur Respiro. Recorded live at Sala Vanni in Florence, the album shows a duo at the height of their craft with an unmistakable instinct for melody and balance. Io Pur Respiro ("Yet I breathe") is the title of an early 17th century madrigal by Italian renaissance composer Carlo Gesualdo that's also the harmonic basis for the album's opening track "Madrigal, Variation, Courante." With two standards from the 1930s ("Love Came/I Have The Room Above Her") and two original compositions by Stemeseder there's 400 years of melodic evolution enshrined in this record. Yet, the music sounds neither new, nor old giving the album a profound sense of timelessness that's owed to the eternal force of melody and harmony.

Artist	Title	Format	Label	Catalog #
PRINCE HAMMER	Mwalimu	CD	TAMOKI-WAMBESI-DOVE	TWCD 1077CD
$12.50 PREORDER RELEASE DATE: 7/10/2026 Written, arranged and produced by Roy Anthony Perry Cousins. Mastered at Glass Studios, Wirral, England.

Artist	Title	Format	Label	Catalog #
LAS GRECAS/ENCARNITA POLO	Orgullo/Paco, Paco, Paco	7"	VAMPISOUL	VAMPI 45127EP
$15.50 PREORDER RELEASE DATE: 7/10/2026 The first 20 seconds of "Orgullo" (1974) hit with a powerful sonic punch built on ferocious fuzzed-out guitars, distorted keyboards, and thunderous drums that could easily belong in the discography of Led Zeppelin, The Guess Who, or Cream -- until, suddenly, Las Grecas start to sing and Flamenco rock is born. A few years earlier, in 1969, the brilliant Argentine producer and arranger Adolfo Waitzman had already transformed a harmless light pop tune recorded by a yeyé girl, Encarnita Polo, into a soul-pop hit driven by an irresistible syncopated groove and killer bass lines.

Artist	Title	Format	Label	Catalog #
BANTON, BUJU	Butterflies	7"	VP RECORDS	VP 7501EP
$15.00 PREORDER RELEASE DATE: 7/10/2026 "Produced by internationally acclaimed hitmaker Supa Dups (Rihana, Drake, Bruno Mars) this track delivers a vibrant, feel-good sound anchored on a re-lick of the answer rhythm. Buju's unmistakable cadence glides effortlessly across the track, blending classic dancehall energy with a modern sonic edge. The single exemplifies a confident rerun, one that bridges legacy with evolution while reintroducing the essence of dancehall to new generation."

Artist	Title	Format	Label	Catalog #
LEVY, BARRINGTON	Move Move	LP	VP RECORDS	VPRL 4271LP
$27.00 PREORDER RELEASE DATE: 7/10/2026 "Classic Barrington levy album from 1984 restored and remastered for best ever sound. Features the hit singles 'Money Move' and the Jah Shaka sound system anthem 'Praise His Name.' Unavailable for 40 years, this is the first time ever released outside Jamaica. Sleeve artwork design by the great Jamaican illustrator Limonius. Solid all-star roots backing from Sly & Robbie, Lloyd Parks, etc. Recorded and mixed at Dynamic sounds and Channel One."

Artist	Title	Format	Label	Catalog #
VA	Made in the Emirates: Volume 2	2LP	VINYL SOUK RECORDS	VSR 002LP
$53.50 PREORDER RELEASE DATE: 7/10/2026 After the success of Made in the Emirates: Volume 1, which documented a wide spectrum of the UAE's independent music scene, the series returns with its second instalment. Made in the Emirates: Volume 2 shifts focus to the country's electronic underground, bringing together eight original tracks spanning deep house, breaks, techno, and experimental club sounds -- a snapshot of a thriving scene shaped by artists working on their own terms. The compilation brings together a cross-section of artists defining this landscape today: Tarik Omar opens the record with "Sample Sunday," reflecting a deep-rooted approach to rhythm and sampling. Adam Rahman's "K Lock," is a tightly wound club tool driven by percussive precision. Sons Of Rhythm revisit their catalogue through a Rhythm Plate Italo 90 Remix, bridging classic house influences with a forward-facing Italo touch. Megadon Betamax, co-founder of Voyeurhythm Records, contributes "Maha Monastery," an atmospheric, funk-infused cut leaning into experimental yet groove-led electronics. Curator Shadi Megallaa adds "Word Jazz," reflecting his long-standing role in shaping Dubai's underground through Ark to Ashes and The Flip Side. OHFFF, a project rooted in spontaneity and sonic exploration, presents "Dwelling," balancing mood with club sensibility. Tacit's The "Lakritze Suite" moves between abstraction and industrial structure through a multi-layered, hard-edged composition. Closing the record, Nasrawi's "Intention Dub" channels deep, dub-driven textures, grounding the compilation in a reflective, low-end finale. Curated and compiled by Shadi Megallaa. Artwork by Rami Afifi. Mastered by Manmade Mastering (Germany). Gatefold 2LP, 45 RPM.

Artist	Title	Format	Label	Catalog #
PIZZA HOTLINE	Level Select	2LP	WRWTFWW RECORDS	WRWTFWW 078LTD
$45.50 PREORDER RELEASE DATE: 7/10/2026 [this is oversold and additional copies not going to be available] Special limited edition of 500. 180g coke bottle green transparent vinyl in heavyweight sleeve with Obi. WRWTFWW Records presents the deluxe vinyl release for Pizza Hotline's brilliant 2022 full-length Level Select. The liquid drum and bass meets Y2K era video gaming aesthetics game changer is now available in a limited-edition coke bottle green transparent 180g vinyl double LP with a glorious 45rpm cut, packaged in a heavyweight 350gsm sleeve with obi. Entirely written and composed by UK producer Pizza Hotline (apart from "GLACIER ZONE," a collaboration between Pizza Hotline and DJ Total 90), the stellar 8-song album was initially released as a limited cassette in January 2022 and quickly gained cult status -- making a full-on vinyl release quite the necessity. It's here now with the previously unreleased track "POLYGON DREAMSCAPE" (which sounds as magical as its title) and 45rpm cut for louder, bigger, deeper bass rumbling. Spellbinding, atmospheric, and beautifully melodic, Level Select is a large scope dreamy adventure of liquid DnB filled with ambient escapades, ethereal jungle, high vibe breaks, and a heavy loving dose of late '90s/early 2000s video game influences. Hypnotic late-night hype and pensive chill moods mesh with ease in a cinematic soundscape that re-contextualizes and gives a new life to a beloved music genre -- LTJ Bukem, Peshay, the Wipeout OST or Soichi Terada's Ape Escape come to mind, and sounds and soundtracks from the Sony Playstation, the Nintendo 64, and the Sega Saturn resonate from the speakers. It's all fresh with a subtle nostalgia and so much heart. An instant classic. Press start.

Artist	Title	Format	Label	Catalog #
BELTRAN, JOHN	Sunrise And The Way We Live	2LP	MUSIC FOR DREAMS	ZZZV 26001LP
$46.50 PREORDER RELEASE DATE: 7/10/2026 With Sunrise and the Life We Live, John Beltran returns to his ambient techno roots, the sound that garnered him global appeal in the 1990s. Through ten tracks, the album journeys through lush, aerated textures and beatless expanse. Hypnotic grooves deepen and bloom in a flow of shapes and colors, creating a sound that is both meditative and full of life. Thirty years after the release of his seminal Ten Days of Blue, Beltran's musicianship, vision and desire to produce remain at a fever pitch. With Sunrise and the Life We Live his gift of extracting emotion from the universe and turning it into a unique musical experience puts him in a class of his own.

Artist	Title	Format	Label	Catalog #
KRIWET, FERDINAND	Ferdinand Kriwet: Stars	Book	SPECTOR BOOKS	9783959053204
$60.00 PREORDER RELEASE DATE: 7/14/2026 Delayed further... until July 2026.."Pioneering media artist and concrete poet Ferdinand Kriwet's 1971 cult artist's book in a facsimile edition. A monumental, three-volume encyclopedia of alphabetically organized images, Ferdinand Kriwet: Stars was first published by Kiepenheuer & Witsch in 1971. In the 1960s, German author and media artist Ferdinand Kriwet (1942-2018), inspired by concrete poetry and its interest in the visual quality of linguistic signs, began to approach the literary medium of the book in a new way. Imagining new ways of reading that resisted linearity, Kriwet experimented with alternatives, encouraging a rapid back-and-forth between the pages of the book and the texts and images on them. In Stars, he treats images like words and arranges them in alphabetical order in an epic encyclopedia format. For years, Stars has only been available, at considerable cost, in antiquarian book catalogs. This new facsimile edition of Ferdinand Kriwet: Stars brings Kriwet's pioneering vision and his seminal book back into print." 416 pages. 2.5 pounds. 5.50(w) x 8.75(h).

Artist	Title	Format	Label	Catalog #
TCHICAI QUINTET/PETER KOWALD DUO, JOHN	I.C.P./Jutto-Ku Kyoto	LP	FORMALIBERA	5JT185
$28.50 PREORDER RELEASE DATE: 7/17/2026 In late September and early October 1969, John Tchicai toured throughout Denmark with a special quintet. The international band was a notable one, bringing together musicians from Denmark and Holland whose conceptual differences were as important as the musical values they held in common. Tchicai and two of his closest Danish collaborators -- trumpeter Hugh Steinmetz and guitarist Pierre Dørge -- embraced an international perspective that incorporated far flung influences from African music, contemporary classical, and jazz into a cool, yet playful and joyous, modernity. In this quintet they worked with two pillars of the Dutch Instant Composer's Pool, pianist Misha Mengelberg and Han Bennink. Ironic and subversive, they displayed a willingness, you might even say an eagerness, to disrupt accepted conventions of any kind. The music on this LP, recorded on October 9, 1969, at Danish Radio Studio 11 in Copenhagen, consists of compositions they'd played on the recently concluded tour plus a group improvisation. Of course, Tchicai's international collaborations extended beyond neighboring Holland. He was a most cosmopolitan musician, performing and recording with musicians in the U.S., Asia, Africa, and Europe. Perhaps surprisingly, one of his most sympathetic European partners was German bassist Peter Kowald. Tchicai did share some musical affinities with the German improvising scene. As Kowald and his compatriots, such as Peter Brötzmann and Alexander von Schlippenbach, took inspiration from the cathartic energy and the collective improvisation of free jazz, especially Albert Ayler. His appearance on John Coltrane's Ascension, would have also earned him respect among the hard-blowing Germans. Tchicai and Kowald mutual openness to the sounds of other cultures and free improvisation made them quite compatible, so it's something of a shock that this is the only documentation of their work together. The two improvisors found themselves in Japan in 1983, when they recorded the astonishing duet contained on the second side of this LP. Their improvisation in Kyoto is an amazingly resourceful conversation a kind of improvisation which remains far from "world music," and with new textures expanding their musical vocabularies and allowing them to develop new ideas; qualities that allowed Tchicai to flourish in so many different settings. Includes an insert with beautiful photos from the John Tchicai Quintet sessions with portraits of Tchicai, Bennink, Mengelberg, Steinmetz and Dørge as well as liner notes by Ed Hazell.

Artist	Title	Format	Label	Catalog #
TCHICAI/CADENTIA NOVA DANICA, JOHN	Wigmore Hall 1968	LP	FORMALIBERA	6FFCND186
$28.50 PREORDER RELEASE DATE: 7/17/2026 To the best of anyone's knowledge this performance by John Tchicai and Cadentia Nova Danica was the first ever jazz- or improvisation-type concert held at London's hallowed recital room Wigmore Hall. 1968 was a year of Denmark's extensive cultural program in Britain, which included a poorly attended CND concert, not recorded, on 2nd October at Manchester's Free Trade Hall. That this was to be the sole concert by Tchicai -- of New York Contemporary Five, New York Art Quartet, Coltrane's Ascension fame -- was stupefyingly ridiculous so Anthony Barnett set about trying to organize a London concert. He traipsed the capital in search of an available venue without luck until, with no thought of a positive outcome, he entered Wigmore Hall. To his astonishment, with few questions asked, they said yes. Following that, there was the matter of work permits. Barnett visited the relevant office and they too said yes, probably because of the involvement of The Royal Danish Embassy and the Danish Cultural Ministry with the Manchester concert. Danmarks Radio asked the BBC to record the concert on its behalf. The arrangement was that Barnett would receive a small fee and a complete set of the tapes. Afterwards, it turned out that the BBC had edited the tapes down to what it sent to Danmarks Radio, as broadcast and now heard here for the first time since. Sadly, and quite true to form, the BBC had wiped the rest. And it was a struggle for Anthony Barnett to get back the tape that did remain. Possibly it shows how difficult things can be when one acts independently. Featuring Cadentia Nova Danica at the absolute peak of their powers; furious, rich and dense, moving between freeform improvisation and African touchstones before erupting into incandescent free improvisation. Includes an insert with the reproduction of both Wigmore Hall and Manchester's Free Trade Hall original press releases. Liner notes by Anthony Barnett.

Artist	Title	Format	Label	Catalog #
DIMA	Salva	LP	99CHANTS	99CHANTS 021LP
$29.50 PREORDER RELEASE DATE: 7/17/2026 Salva unfolds as a slow-moving sonic passage, suspended between stillness and transformation. Rooted in a deeply personal lineage, the album reimagines a long-standing family wound through the lens of myth, with the intention of altering its direction. Rather than recounting events, DIMA constructs a parallel narrative, one where sound becomes a means of reconfiguring what was once haunted. Emerging from an intuitive and studio-centered process, Salva is shaped through experimentation, co-creation, and temporal patience. Working primarily with the computer as her main instrument, DIMA assembles fragments of sound, plugins, sampled material, improvised gestures, and stems drawn from cinematic sources into a porous and evolving sonic architecture. Composition here is accumulative, guided by sensation. Within this framework, certain tracks introduce restrained pop sensibilities, glimpses of melody, song structure, and tonal clarity that surface briefly before dissolving back into the broader sonic language. Throughout the album, repetition and silence operate as narrative forces. Harmonics brush against dissonance, while space is treated as an active terrain. Many passages feel suspended, as if perpetually en route, evoking the sensation of being "on the way" without arrival. Movement unfolds in depth, inviting the listener to linger inside transitions, thresholds, and in-between states. Myth functions as both framework and catalyst. Drawing from ancient Western mythologies and archetypal figures, Salva doesn't illustrate these stories directly, it absorbs their symbolic charge, using them to shift perception and reclaim intuition as a valid form of knowledge. In doing so, DIMA treats sound as a narrative medium capable of holding emotional inheritance, ancestral echoes, and unresolved forces without fixing them into definitive meaning. The album moves fluidly between moments of tension and fragile openness. Granular textures dissolve into near-melodies, while distorted samples and subtle electronic interventions suggest the presence of something unstable. What emerges is a quiet reorientation, a sonic space where listening itself becomes an act of repair. Salva is a passage. A listening experience that invites the audience to inhabit uncertainty, to stay with sensation, and to consider how sound can hold stories that language alone can´t resolve.

Artist	Title	Format	Label	Catalog #
TURRA, LUIGI	Diastima	CD/BOOK	901 EDITIONS	9ED 032BK
$26.00 PREORDER RELEASE DATE: 7/17/2026 Diastima, released by 901 Editions, finds Luigi Turra working at the point where notation, sound and perception almost fall apart from delicacy. The project begins with a series of essential, open graphic scores by French composer Sylvain Chauveau: sheets of subtle marks that refuse to explain themselves. These drawings do not describe in any conventional sense; they suggest, orient and gently mislead. They abandon the security of notation as instruction and move into a more fragile, poetic register, where the musical gesture is only ever evoked, never pinned down. Turra's response is to treat each score as a field of possibilities rather than a plan to be executed. Within this space of indeterminacy, sound does not "realize" the notation so much as traverse it, brushing against its edges and dwelling in its gaps. Using a reduced electroacoustic language -- isolated tones, close mic'd textures, filtered noise, tiny percussive events -- he brings every element to the threshold of its own possibility. A single sound might be stretched until it frays; a faint rustle might be amplified until it becomes a landscape. Internal tensions in the drawings are translated into dynamics of proximity and distance, presence and withdrawal. The scores become devices that activate listening and response, not blueprints to be followed. Across the album, Turra continues the trajectory that has marked his work for years: a commitment to precision, subtraction and a pared back elegance. Diastima defines a space in which music and listening effectively coincide; what you hear is as much the act of attention as it is any "composition" in the traditional sense. The title -- Diastima as interval, distance, suspension -- is central. These pieces inhabit the space between two presences: between mark and sound, intention and reception, event and memory. Rather than building through accumulation, the music proceeds by articulating voids, waits and minimal signs. It is in those intermediate spaces that the work takes shape, asking the listener to lean into the almost nothing where, unexpectedly, a great deal is happening.

Artist	Title	Format	Label	Catalog #
OSE	Adonia	CD	BUREAU B	BB 490CD
$16.50 PREORDER RELEASE DATE: 7/17/2026 Recorded in June 1978 during a sweltering Paris summer, Ose's Adonia captures a rare alignment of intellect, imagination and emerging technology. At just 26, Hervé Picart was living three parallel lives: scholar of rhetoric and ancient languages, journalist for the French music press (notably Best), and guitarist /bassist in progressive garage bands. Drawn increasingly away from British prog toward keyboards and synthesizers, he began envisioning a more spatial music situated somewhere between Pink Floyd, Tangerine Dream, and Kraftwerk. That triangulation would define Adonia. Ose itself was conceived as a variable-geometry project devoted to concept albums, with narrative and composition as guiding forces. Picart imagined a platform that could accommodate shifting collaborators and literary or interplanetary themes. For Adonia, the collaboration formed close to home. Through his journalism he had befriended Richard Pinhas of Heldon, a fellow academic and near neighbor in Paris' Latin Quarter. Their shared philosophical and musical affinities created a natural bond. Picart invited Pinhas not simply as a guest but as a key creative partner, overseeing electronic arrangements and contributing guitar and synthesizer work. Heldon drummer François Auger completed the trio, valued for his remarkable ability to play tightly against sequencers without losing fluidity. Arriving with detailed demo tapes, Picart had mapped much of the material in advance, yet the studio remained a site of invention. Sessions took place at night in Barclay's large studio on Avenue Hoche, by day home to a grand orchestra, prompting moments of astonishment when classical musicians encountered the trio's imposing array of synthesizers, including the Moog 55 modular system. Recorded in a week and mixed in three days: a focused, pre-digital intensity emblematic of the era. Conceptually, Adonia fuses ancient myth and speculative fiction. Over time, the album attained cult status, its sonic freshness undimmed. Standing at the crossroads of Berlin School electronics, progressive rock and early synth-pop, Adonia refracts these currents through a distinctly French sensibility and Pinhas' singular presence. Nearly half a century on, its fusion of myth and modernity remains vivid, a testament to a fertile moment whose echoes continue to resonate.

Artist	Title	Format	Label	Catalog #
OSE	Adonia	LP	BUREAU B	BB 490LP
$26.00 PREORDER RELEASE DATE: 7/17/2026 LP version. Recorded in June 1978 during a sweltering Paris summer, Ose's Adonia captures a rare alignment of intellect, imagination and emerging technology. At just 26, Hervé Picart was living three parallel lives: scholar of rhetoric and ancient languages, journalist for the French music press (notably Best), and guitarist /bassist in progressive garage bands. Drawn increasingly away from British prog toward keyboards and synthesizers, he began envisioning a more spatial music situated somewhere between Pink Floyd, Tangerine Dream, and Kraftwerk. That triangulation would define Adonia. Ose itself was conceived as a variable-geometry project devoted to concept albums, with narrative and composition as guiding forces. Picart imagined a platform that could accommodate shifting collaborators and literary or interplanetary themes. For Adonia, the collaboration formed close to home. Through his journalism he had befriended Richard Pinhas of Heldon, a fellow academic and near neighbor in Paris' Latin Quarter. Their shared philosophical and musical affinities created a natural bond. Picart invited Pinhas not simply as a guest but as a key creative partner, overseeing electronic arrangements and contributing guitar and synthesizer work. Heldon drummer François Auger completed the trio, valued for his remarkable ability to play tightly against sequencers without losing fluidity. Arriving with detailed demo tapes, Picart had mapped much of the material in advance, yet the studio remained a site of invention. Sessions took place at night in Barclay's large studio on Avenue Hoche, by day home to a grand orchestra, prompting moments of astonishment when classical musicians encountered the trio's imposing array of synthesizers, including the Moog 55 modular system. Recorded in a week and mixed in three days: a focused, pre-digital intensity emblematic of the era. Conceptually, Adonia fuses ancient myth and speculative fiction. Over time, the album attained cult status, its sonic freshness undimmed. Standing at the crossroads of Berlin School electronics, progressive rock and early synth-pop, Adonia refracts these currents through a distinctly French sensibility and Pinhas' singular presence. Nearly half a century on, its fusion of myth and modernity remains vivid, a testament to a fertile moment whose echoes continue to resonate.

Artist	Title	Format	Label	Catalog #
EMBRYO	Embryo's Rache (Clear Vinyl)	LP	BONFIRE RECORDS	BONF 030C-LP
$36.50 PREORDER RELEASE DATE: 7/17/2026 Clear vinyl version. The second album by Christian Burchard and alumni was released in 1971 on the prestigious United Artists imprint, only a year after their debut. A significantly progression and the first venture in the realm of the ethnic/world-rock fusion that would come to be their trademark. The gang from Munich flew over a series of packed jam showing their authentic passion for the Middle East. Combining a series of progressive numbers, still miles away from their British counterpart, the band opened up for a series of transcendental and wicked numbers, pushing the boundaries of the '70s counterculture. While it was some eastern-blues rapture or a post-Coltrane collage in the vein of the classy melody of A Love Supreme, the band built his foundation while facing an ancient future. That was the beginning of a whole era where freedom was the keyword.

Artist	Title	Format	Label	Catalog #
EMBRYO	Embryo's Rache	LP	BONFIRE RECORDS	BONF 030LP
$30.50 PREORDER RELEASE DATE: 7/17/2026 The second album by Christian Burchard and alumni was released in 1971 on the prestigious United Artists imprint, only a year after their debut. A significantly progression and the first venture in the realm of the ethnic/world-rock fusion that would come to be their trademark. The gang from Munich flew over a series of packed jam showing their authentic passion for the Middle East. Combining a series of progressive numbers, still miles away from their British counterpart, the band opened up for a series of transcendental and wicked numbers, pushing the boundaries of the '70s counterculture. While it was some eastern-blues rapture or a post-Coltrane collage in the vein of the classy melody of A Love Supreme, the band built his foundation while facing an ancient future. That was the beginning of a whole era where freedom was the keyword. Also available on clear vinyl (BONF 030C-LP).

Artist	Title	Format	Label	Catalog #
INFANTINO ED IL GRUPPO DI TRICARICO, ANTONIO	Follie Del Divino Spirito Santo	CD	BLACK SWEAT RECORDS	BS 090CD
$19.00 PREORDER RELEASE DATE: 7/17/2026 In this work, first published in 1978 by Cetra, Antonio Infantino continues to express his ritualistic and shamanic relationship with the musical traditions of Southern Italy. The recordings focus on the mystery of death and the sacraments, the light of the spirit and the divine that descends and conquers souls. The phenomenon of Tarantism is still strong, the power of dance as a symbol of transformation and revolt, a therapeutic process of final healing. Folk music celebrates a deep sense of community, the memory of a peasant world that no longer exists but is still alive in the collective memory. Behind the tight and insistent rhythm of the percussion, the voices of the people, the colors of the squares and the scratchy string arrangements always emerge. The magical sound of the bagpipes is lost in the alleys of the villages. Infantino sings of minor cultures, the poor and oppressed classes, who share joys and sorrows, dance and music as secular forms of liberation.

Artist	Title	Format	Label	Catalog #
INFANTINO ED IL GRUPPO DI TRICARICO, ANTONIO	Follie Del Divino Spirito Santo	LP	BLACK SWEAT RECORDS	BS 090LP
$29.50 PREORDER RELEASE DATE: 7/17/2026 LP version. In this work, first published in 1978 by Cetra, Antonio Infantino continues to express his ritualistic and shamanic relationship with the musical traditions of Southern Italy. The recordings focus on the mystery of death and the sacraments, the light of the spirit and the divine that descends and conquers souls. The phenomenon of Tarantism is still strong, the power of dance as a symbol of transformation and revolt, a therapeutic process of final healing. Folk music celebrates a deep sense of community, the memory of a peasant world that no longer exists but is still alive in the collective memory. Behind the tight and insistent rhythm of the percussion, the voices of the people, the colors of the squares and the scratchy string arrangements always emerge. The magical sound of the bagpipes is lost in the alleys of the villages. Infantino sings of minor cultures, the poor and oppressed classes, who share joys and sorrows, dance and music as secular forms of liberation.

Artist	Title	Format	Label	Catalog #
DOUM & THE FARYDS, AL	Ipnagogico	CD	BLACK SWEAT RECORDS	BS 100CD
$19.00 PREORDER RELEASE DATE: 7/17/2026 Al Doum &The Faryds have always been an enchanting organism, a timeless land of wisdom, humility, brotherhood and love. Their blend of spiritual jazz, psychedelia and Afro-Latin rock holds a magical balance, turning their music into a tropical celebration filled with harmony and deep vibrations. A volcano of emotion, where the poetry of rising and falling voices becomes a gospel and soul illumination, echoing from faraway places. The expanded horn section -- alto and tenor sax, soprano sax and bass clarinet -- erupts with power, igniting incandescent grooves. Sax lines weave and chase one another like a train in relentless motion, evoking the urgency of post-punk, a wry Zappa-esque eccentricity, and exotic jazz-folk arrangements tinged with retro flair. A hybrid assemblage, deeply anchored in the '60s and '70s, flowing through free-form instrumental turns and psych-tribal impulses, where the guitar traces unexpected, lysergic, dreamlike paths. The Faryds continue to believe in the possibility of a new utopia: moving forward with courage, with hearts open to human connections, grounded in the dialogue of their souls.

Artist	Title	Format	Label	Catalog #
DOUM & THE FARYDS, AL	Ipnagogico	LP	BLACK SWEAT RECORDS	BS 100LP
$27.00 PREORDER RELEASE DATE: 7/17/2026 LP version. Al Doum &The Faryds have always been an enchanting organism, a timeless land of wisdom, humility, brotherhood and love. Their blend of spiritual jazz, psychedelia and Afro-Latin rock holds a magical balance, turning their music into a tropical celebration filled with harmony and deep vibrations. A volcano of emotion, where the poetry of rising and falling voices becomes a gospel and soul illumination, echoing from faraway places. The expanded horn section -- alto and tenor sax, soprano sax and bass clarinet -- erupts with power, igniting incandescent grooves. Sax lines weave and chase one another like a train in relentless motion, evoking the urgency of post-punk, a wry Zappa-esque eccentricity, and exotic jazz-folk arrangements tinged with retro flair. A hybrid assemblage, deeply anchored in the '60s and '70s, flowing through free-form instrumental turns and psych-tribal impulses, where the guitar traces unexpected, lysergic, dreamlike paths. The Faryds continue to believe in the possibility of a new utopia: moving forward with courage, with hearts open to human connections, grounded in the dialogue of their souls.

Artist	Title	Format	Label	Catalog #
BOHON, JOHN PAUL	Terlingua	LP	BLACK SWEAT RECORDS	BS 103LP
$27.00 PREORDER RELEASE DATE: 7/17/2026 John Paul Bohon's Terlingua is teeming with electronic life, a record that quite literally synthesizes the veteran musician and engineer's tactile approach to sound and has resulted in a mind-expanding work possessing impossible warmth. Terlingua is equally reminiscent of the languid, electronics-focused psych of legendary forebears like Cluster and Can alongside the ecstatic sprawl of contemporaries like Bitchin Bajas and Kaitlin Aurelia Smith. Bohon constructs entire worlds on these seven tracks, dense with jagged terrain that provides a thrilling journey for listeners. Utilizing an array of vintage synths and electronic instruments, Bohon made extensive use of reel-to-reel tape manipulation across Terlingua. The process added layers of warm texture that ripple through moments like the planetary ecstasy of the album's bookending "Alice" suites, which resemble the sharp ambient drone of Kompakt founder Wolfgang Voigt. Terlingua is Bohon stretching his legs and considerable analog know-how to craft a work that heads towards total aural bliss, making for another exciting entry in an increasingly fascinating catalog.

Artist	Title	Format	Label	Catalog #
SINIGAGLIA, RICCARDO	L'Uccello Del Paradiso	LP	BLACK SWEAT RECORDS	BS 105LP
$27.00 PREORDER RELEASE DATE: 7/17/2026 These three previously unreleased tracks reflect the cultural influences of a very young Riccardo Sinigaglia. In particular, the Anti-psychiatry movement founded by Ronald David Laing, author of the influential books The Politics of Experience and The Bird of Paradise. As well as Jung's theory of archetypes, a subject explored in depth in the writings of Elémire Zolla. The compositional processes of concrete music are fundamental, while the extensive use of fragments from other cultures reflects a sensitivity matured through his travels in Africa and Asia. The mixture of aquatic and liquid sounds manifests a new state of mind: bird songs, hidden streams, marsh plants, invisible drains, light waves, African, Tibetan, and Indonesian echoes. Everything is skillfully collected using various recording methods (4 tracks Teac 3340, Akai S612) and then assembled on tape with reverbs, equalizers, and the electronic moods of the Revox. Music conceived in different times and situations, but with a similar mood, that of the waters of Lake Orta as a perennial source of peace and inspiration.

Artist	Title	Format	Label	Catalog #
CUCOMA COMBO	Non Basta	LP	BLACK SWEAT RECORDS	BS 106LP
$27.00 PREORDER RELEASE DATE: 7/17/2026 Cucoma Combo are back with their impetuous and political sound, an urgent need to communicate in order to awaken consciences and react to the sick immobility of the times. Captain Marco Zanotti (Classica Orchestra Afrobeat/Lolo) once again gathers his pirate crew and sets sail for new Atlantic and Caribbean adventures. From Cape Verde to Salvador de Bahia, from Haiti to Colombia, then back to Tanzania and Zimbabwe. An inspired and furious attitude incorporates disparate rhythms, languages, and styles in an original way, with even more daring and inspired arrangements and lyrics. A freedom of navigation between coladeira and maracatu, currulao and more atmospheric and evocative tropical safaris. There is no shortage of heartfelt tributes to Tony Allen's Afrobeat, the chimurenga of the legendary Thomas Mapfumo, the Afro-dub of Nigerian Obongjayar, or the more eccentric influences of Meridian Brothers.

Artist	Title	Format	Label	Catalog #
LERO LERO	Lero Lero	LP	BLACK SWEAT RECORDS	BS 109LP
$27.00 PREORDER RELEASE DATE: 7/17/2026 Lero Lero is a collective of artists gathered around a shared core: the Sicilian Sound Archive of the twentieth century. The melodies it preserves, remnants of a magical world now almost entirely lost, are revived with a critical spirit and a contemporary sensibility. It is an act of reclaiming, reworking, and giving back to the community a heritage that has long remained suspended in time. In the voices of farmers, shepherds, and washerwomen, in songs of indignation and in lullabies, one can glimpse a kind of submerged Atlantis, rich with forgotten treasures. These sounds draw the listener towards fundamental questions in an increasingly plasticized artificial world. Lero Lero's sound is both archaic and visionary, infused by Mediterranean electronic textures and microtonal melismas, echoing the hypnotic tones of bagpipes and marranzani, the laments of cart drivers, and the cries of salt workers. A sound that, starting from its most ancestral elements, seeks to rethink the legacy of oral tradition through a consciously anti-folkloristic approach. The album's artwork, created by Giulia Parlato, features a suspended image disrupted by the figure of the crocodile from Palermo's Vucciria district, a submerged presence that resurfaces to unsettle the composition, mirroring the very nature of the project. Co-produced with Shhh/Peaceful and Panta.

Artist	Title	Format	Label	Catalog #
HILL COLLECTIVE	Fire In Orbit	LP	BATOV RECORDS	BTR 137LP
$29.50 PREORDER RELEASE DATE: 7/17/2026 Hill Collective strike out with Fire In Orbit, their first release for Batov Records and the Brighton ensemble's most focused and expansive studio statement to date. Rooted in spiritual jazz but unafraid of the natural looseness, humor and raw edges that arise when imaginative musicians collaborate, Fire In Orbit captures a band working collectively, instinctively and with space to breathe. Hill Collective have become a central presence within Brighton's small but fertile jazz-adjacent scene. They have appeared at Love Supreme Festival and The Great Escape, supported Etuk Ubong, and built a reputation for live performances that balance structure with volatility. Their 2024 studio album Tonal Prophecy, released via Germany's Fin Du Monde, introduced them to the wider jazz press, earning praise as "a soulful, avant-garde addition to the bustling UK jazz landscape" (UK Vibe), while Jazz Journal noted that "the spirit of Ra is close." If that record marked their arrival, Fire In Orbit feels like consolidation rather than expansion, leaner in sound, clearer in intent and more assured in delivery. Led by alto saxophonist and composer Pete Piskov, Hill Collective emerged after his previous trio dissolved, featuring founding members of the Ancient Infinity Orchestra, moved to Leeds. Drawing on Brighton's close-knit network, the group expanded into a flexible, often double-digit ensemble, at times doubling up on instrumentation, its spiritually inclined ethos linking the South Coast to a broader UK conversation. Fire In Orbit was recorded over three relaxed days at Sea Breeze Studios by members of the band themselves. The influence of Sun Ra runs deeper than aesthetic reference, philosophical as much as musical. There are also traces of Ornette Coleman's freedom, the structural fire of Charles Mingus, the angular lyricism of Eric Dolphy and the collective consciousness of Art Ensemble of Chicago. Elements of Latin rhythm, Arabic modality and open-ended improvisation surface naturally, absorbed rather than quoted. Brighton's receptive atmosphere and sense of creative space are audible throughout. Many of the musicians were friends before the band formed; others became family through it. That ease translates into music that feels communal rather than performative. At its core, Fire In Orbit is an allegory for creative community, bodies in motion, held by invisible forces, generating warmth and illumination together. Structured yet searching, raw but intentional, it captures Hill Collective at a point where freedom and form feel fully aligned.

Artist	Title	Format	Label	Catalog #
FIDENCO, NICO	Emanuelle E Gli Ultimi Cannibali	CD	BEAT	CDCR 157CD
$24.00 PREORDER RELEASE DATE: 7/17/2026 The score for Emanuelle e gli ultimi cannibali (Emanuelle And The Last Cannibals), a movie featuring the beautiful Laura in new dangerous adventures! The wonderful score by Maestro Fidenco is influenced by the changement of the musical influences. The score opens with a wonderful danceable "Make love on the wing" that could have be composed by Change or Chic. The Maestro doesn't delude listeners by preparing a variation on the theme that gives the Emanuelle flavor with alternate solutions, without falling in sterile self-quoting. If you thought earlier Emanuelle scores had a great rhythm now you shall face this new sound experience and it will leave you astonished! Liner notes written by Maestro Fidenco, mastering by Enrico De Gemini, graphic layout by Daniele De Gemini.

Artist	Title	Format	Label	Catalog #
VA	In Reggae Time	LP	CINEDELIC RECORDS	CNLP 085LP
$30.50 PREORDER RELEASE DATE: 7/17/2026 First repress of the rare UK compilation In Reggae Time. Originally released in 1970 it brings together a series of very rare tracks issued only on 7" singles around 1967 by Ember Records and its sub labels. The sound is not just reggae -- it's only marginally so -- offering a vibrant mix of 1960s UK mod, R&B, ska, and Northern soul. Limited edition picture disc LP. Featuring Sonny & The Daffodils, Laris McLennon, Vernon Vermont, Maynell Wilson, Hoagy Benson, and Norma Lee.

Artist	Title	Format	Label	Catalog #
VA	Sixties Japanese Garage/Psych Rarities Vol.2	LP	COSMIC ROCK	COSMR 052LP
$25.00 PREORDER RELEASE DATE: 7/17/2026 Here's for the real thing! A Late '60s Japanese compilation investigating the so-called "Group Sounds" movement. Includes early recordings by a series of musicians better known as The Genova, The Cougars, Micky Curtis & The Samurais, The Playboy, The Burns, The Genova, Isao Idemitsu, The Spiders, and The Rangers.

Artist	Title	Format	Label	Catalog #
ANDY, HORACE	Agony	LP	CLOCKTOWER	CTLP 800LP
$18.50 PREORDER RELEASE DATE: 7/17/2026 "Horace Andy started his career when he was 16 years old with his first hit 'Black Man Country.' His music was produced by many, including Studio One, Clocktower Records, and many others. Songs that became some of his best hits were 'Skylarking,' 'You Are My Angel,' 'Love of a Woman' and many others. Now in 2026 here comes Horace Andy with great new songs such as 'Agony Shame' and 'Scandal Herb Stock' with his producer Nkrumah Jah Thomas, so once again let's enjoy this great new LP and dance till you drop. Because music is life." -- Alfred Newman

Artist	Title	Format	Label	Catalog #
DE ANGELIS, GUIDO & MAURIZIO	Il cacciatore di squali	CD	BEAT	DDJ 067CD
$24.00 PREORDER RELEASE DATE: 7/17/2026 Beat Records presents the world premiere of the complete original motion picture soundtrack for the movie Il cacciatore di squali, directed in 1979 by Enzo G. Castellari. Superstar Franco Nero is Mike Di Donato, an Italian-American with a mysterious past dominated by a terrible event from which he is probably fleeing, leads the life of a good savage on a deserted island with his own version of Friday, played by Marta Miller, the gorgeous Argentinian actress with a prolific career in genre cinema. There are obviously many differences between this and Defoe's Crusoe, as this is a contemporary story that merely takes some aesthetic inspiration from the aforementioned novel, mainly the isolation from civilization and immersion in nature. The soundtrack was composed by Guido & Maurizio De Angelis during a deeply influential period in music history, as 1979 was the moment in which the disco music phenomenon was spreading like wildfire across the world, infusing every creative endeavor with its powerful energy, and the brothers Maestro were no exception. The main titles burst from the speakers with great skill, creating a musical transition from a quiet seaside scene into Mike's dynamic fight with a shark. Pulsating grooves, nervous guitars, derailing brasses, breaks artfully edited into sync, and the general musical tension creates a magnet for the spectator, glued onto the screen with both eyes and ears. Two other musical themes in the score lend a hand, one for lighter, more comedic situations and everyday life, and a series of tense electronic cues accentuated by a few live instruments.

Artist	Title	Format	Label	Catalog #
DE ANGELIS, GUIDO & MAURIZIO	Il cacciatore di squali	LP	BEAT	DDJLP 032DLX-LP
$43.50 PREORDER RELEASE DATE: 7/17/2026 LP version. Blue color vinyl. Beat Records presents the world premiere of the complete original motion picture soundtrack for the movie Il cacciatore di squali, directed in 1979 by Enzo G. Castellari. Superstar Franco Nero is Mike Di Donato, an Italian-American with a mysterious past dominated by a terrible event from which he is probably fleeing, leads the life of a good savage on a deserted island with his own version of Friday, played by Marta Miller, the gorgeous Argentinian actress with a prolific career in genre cinema. There are obviously many differences between this and Defoe's Crusoe, as this is a contemporary story that merely takes some aesthetic inspiration from the aforementioned novel, mainly the isolation from civilization and immersion in nature. The soundtrack was composed by Guido & Maurizio De Angelis during a deeply influential period in music history, as 1979 was the moment in which the disco music phenomenon was spreading like wildfire across the world, infusing every creative endeavor with its powerful energy, and the brothers Maestro were no exception. The main titles burst from the speakers with great skill, creating a musical transition from a quiet seaside scene into Mike's dynamic fight with a shark. Pulsating grooves, nervous guitars, derailing brasses, breaks artfully edited into sync, and the general musical tension creates a magnet for the spectator, glued onto the screen with both eyes and ears. Two other musical themes in the score lend a hand, one for lighter, more comedic situations and everyday life, and a series of tense electronic cues accentuated by a few live instruments.

Artist	Title	Format	Label	Catalog #
ADELPHI MUSIC FACTORY	Sneaking Out The Back	12"	FOOTJOB	FJ 033EP
$20.50 PREORDER RELEASE DATE: 7/17/2026 Footjob welcomes a vibrant new release from Sheffield's own Adelphi Music Factory, delivering an EP that radiates pure dancefloor energy. Known for their uplifting blend of classic house, disco influences, and soulful club aesthetics, Adelphi Music Factory continue to carve out a distinct space between nostalgia and forward-thinking production. With previous releases championed across underground and crossover scenes alike, their sound bridges raw house sensibilities with infectious musicality. The Sneaking Out The Back EP features four tracks crafted for both peak-time moments and deeper dancefloor journeys.

Artist	Title	Format	Label	Catalog #
SUZUKI & ROB NOYES, AYAMI	Classic Fevers and Chills	LP	FEEDING TUBE RECORDS	FTR 832LP
$27.50 PREORDER RELEASE DATE: 7/17/2026 "Glorious vinylization of this 2022duo session, originally issued as a cassette, documenting the first time Suzuki and Noyes ever collaborated. Ayami Suzuki has become known to cognoscenti for her brilliantly imagined vocal improvisations, through recordings with like-minded folks such as French vocalist/polymath Delphine Dora and avant hurdy gurdy player, TOMO. Rob Noyes has developed a parallel reputation as a master third-generation acoustic guitarist in the post-Takoma tradition. Originally based in the U.S. he wisely relocated to Tokyo several years ago. Which is where this meeting took place, and while I initially assumed the music had been composed to some degree. Rob assured me that was not true. He says, 'I think the recording can seem like something we took a lot of time with and discussed/composed to some degree, but we actually just agreed to meet at a rehearsal studio. It took a little more than an hour to track it all, without ever having played together before or even really discussing the approach we were going to take. I just tuned my guitar to a different tuning for each one and we let it roll.' The results kinda speak for themselves, but I was blown away by the notion they had never collaborated previously. The intimate nature of their blend recalls such long-time collusionists as Tim Buckley & Lee Underwood or Loren Connors & Suzanne Langille. Rob's delicate instrumental arcs create a perfect net for Ayami's vocals, which are usually wordless (although they always feel weighted with emotional content). It's a mesmeric pairing of voices. Which I can only hope is the first of many. Classic Fevers and Chills is a perfect soundtrack for spring, unconditionally magical." --Byron Coley, 2026

Artist	Title	Format	Label	Catalog #
MAGMA	Kobaia	2LP	GM RECORDS	GME 939LP
$42.00 PREORDER RELEASE DATE: 7/17/2026 2026 repress forthcoming; double LP version. Magma, is a French cross-genre, jazz-rock rooted, progressive rock and fusion band founded in 1969 by drummer Christian Vander. Magma have existed in two phases, the first was formed in the summer of 1969 and debuted on LP in 1970, continuing through to 1983. Kobaia was released in the spring of 1970.

Artist	Title	Format	Label	Catalog #
TRZASKA/JOHN EDWARDS/MARK SANDERS, MIKOLAJ	Because It Happens/Not So Late	CD	GUSSTAFF RECORDS	GRAM 2603CD
$15.50 PREORDER RELEASE DATE: 7/17/2026 Because It Happens captures a remarkable live encounter between three masters of free improvisation, recorded at London's renowned Café OTO. Mikolaj Trzaska (saxophone, bass clarinet), John Edwards (double bass) and Mark Sanders (drums) approach music not as improvisation but as "live composition" -- an evolving process shaped equally by performers, space and audience. Balancing explosive intensity with lyrical subtlety, the trio creates a deeply immersive dialogue beyond technical display-music as storytelling, risk and discovery. A powerful document of creative freedom and real-time interaction.

Artist	Title	Format	Label	Catalog #
TRZASKA/JOHN EDWARDS/MARK SANDERS, MIKOLAJ	Because It Happens/Not So Late	LP	GUSSTAFF RECORDS	GRAM 2604LP
$28.00 PREORDER RELEASE DATE: 7/17/2026 LP version. Because It Happens captures a remarkable live encounter between three masters of free improvisation, recorded at London's renowned Café OTO. Mikolaj Trzaska (saxophone, bass clarinet), John Edwards (double bass) and Mark Sanders (drums) approach music not as improvisation but as "live composition" -- an evolving process shaped equally by performers, space and audience. Balancing explosive intensity with lyrical subtlety, the trio creates a deeply immersive dialogue beyond technical display-music as storytelling, risk and discovery. A powerful document of creative freedom and real-time interaction.

Artist	Title	Format	Label	Catalog #
TULEJE	Nagle Przejasnienia	CD	GUSSTAFF RECORDS	GRAM 2605CD
$15.50 PREORDER RELEASE DATE: 7/17/2026 With Nagle Przejasnienia, Tuleje present their third album-and a clear artistic shift. Drawing on folk traditions from eastern Greater Poland, the trio creates a distinctive sound that blends folk with jazz, blues and free improvisation. A key change is the prominent use of bass guitar, replacing the double bass as the sonic foundation and giving the music a raw, urban edge. The songs unfold as detached urban observations -- fragmented stories set in stairwells, metro stations and night buses, forming a vivid sonic map of contemporary city life. Featuring Maurycy Wojcinski.

Artist	Title	Format	Label	Catalog #
LOS MOCKERS	Los Mockers	LP	LITTLE BUTTERFLY RECORDS	LBR 056LP
$35.00 PREORDER RELEASE DATE: 7/17/2026 Released at the end of 1966, Los Mockers' debut album stands as one of the defining rock and roll records to emerge from South America in the 1960s. While often compared to The Rolling Stones because of Polo Pereira's unmistakable vocal swagger, the band built a sound of its own: rooted in the bluesier side of the British Invasion, yet rougher, fiercer, and unmistakably rioplatense. Recorded in Buenos Aires under modest technical conditions, the album transformed limitations into creativity. The result is a collection bursting with urgency and inspiration -- from swaggering rhythm and blues and explosive rock and roll to infectious pop melodies and unforgettable ballads. More than fifty years after its original release, the album remains as youthful, vibrant, and essential as ever.

Artist	Title	Format	Label	Catalog #
LOS MOCKERS	Rewind	LP	LITTLE BUTTERFLY RECORDS	LBR 126LP
$35.00 PREORDER RELEASE DATE: 7/17/2026 Completes the vinyl collection of Los Mockers, alongside the reissue of their original 1966 LP and their 2018 EP Some Silly Songs. This handful of tracks, previously unreleased or out of print, traces the journey of five teenagers who, clinging to rock and roll, became legends. Blending the raw energy of 1960s rock and roll with rhythm and blues roots and later-day musical maturity, Los Mockers left a lasting mark on the Río de la Plata scene from their explosive beginnings to their 21st-century comeback. Rewind brings together rare recordings spanning nearly sixty years: from mid-1960s demos and singles to reunion sessions recorded between 2006 and 2012, including deleted material and an unreleased live track. Side A captures the band's early fire, opening with a 1965 demo of "I Just Want to Make Love to You," recorded under their original name, Los Encadenados, at Radio Ariel in Montevideo. It also includes their first original singles, "I Wanna Go" and "My Baby," plus the unreleased "Girl You Won't Succeed" and a fast, distinctly Uruguayan take on "Paint It Black." Side B focuses on the reunion era recordings made in Valencia, Spain, where the band revisited their legacy with renewed strength and craftsmanship. Tracks like "Need Some Time," "40 Years Ago," and "The Chain" show a seasoned group still driven by authentic rock and roll spirit, while "25 Watts" pays tribute to filmmaker Juan Pablo Rebella. The album closes with a powerful 2012 live version of "Tell Me Something New."

Artist	Title	Format	Label	Catalog #
WALKER, CARLOS	A Frauta De Pa (Red Vinyl)	LP	MUSIC ON VINYL	MOV 3845COL-LP
$47.00 PREORDER RELEASE DATE: 7/17/2026 "A Frauta de Pa, released in 1975 when Carlos Walker was just 19, stands as a cult masterpiece of 1970s Brazilian music. An album where MPB (Musica Popular Brasileira) sophistication meets jazz-fusion virtuosity and psychedelic imagination. Featuring an all-star cast of musicians, including Joao Bosco, Helio Delmiro, Jose Roberto Bertrami (Azymuth), Gilson Peranzetta, and Roberto Quartin, the record delivers a rich, orchestral sound that continues to captivate collectors and DJs worldwide. Limited edition of 1000 individually numbered copies on translucent red colored vinyl."

Artist	Title	Format	Label	Catalog #
HOOD, ROBERT	Invincible	12"	M-PLANT	MPM 053EP
$19.00 PREORDER RELEASE DATE: 7/17/2026 The next release in M-Plant's Perpetual Masters series is Robert Hood's Invincible EP, freshly remastered for 2026 by Thomas Heckmann. Originally released in 2001, Invincible stands as another defining example of his stripped-back, approach to techno while still radiating tough funk and groove. Released during a period when Hood was refining the minimalist aesthetic he helped pioneer, the record balances mechanical precision with emotional intensity. The tracks unfold through subtle shifts in percussion, looping synth patterns and driving basslines, to create a meditative momentum that sounds just as fresh today.

Artist	Title	Format	Label	Catalog #
CLAUSSELL, JOAQUIN 'JOE'	Storm	12"	MULE MUSIQ	MUSIQ 307EP
$24.00 PREORDER RELEASE DATE: 7/17/2026 Released in celebration of Y-3's 10th anniversary in 2013, this compilation included Joe Claussell's masterpiece of psychedelic deep house, which is finally being issued on 12-inch vinyl. Joe Claussell's "Storm," still played today by DJs such as Dixon, remains one of his most distinctive works. Among his productions, it can be regarded as his finest achievement -- his most trippy and psychedelic track, with exceptional impact on the dance floor. The new-wave project remix by his longtime Ally Kuniyuki preserves the atmosphere of the original while adding organic sounds such as marimba, drawing the track into deeper territory and resulting in a spiritual deep house reinterpretation. The artwork was created by Yoshirotten, one of Japan's leading artists.

Artist	Title	Format	Label	Catalog #
CHIARI, GIUSEPPE	Intervalli	LP	ALGA MARGHEN	NMN 187LP
$26.00 PREORDER RELEASE DATE: 7/17/2026 Alga Marghen presents the historical Intervalli by Giuseppe Chiari, a world premiere of the compete cycle of 12 Intervalli. Elegantly performed and recorded by Reinier Van Houdt, this timeless composition from 1950-56 anticipates Minimalist by a decade as well as Concetual and Sytems-Based-Composition while intersecting the perspectives that would soon be developed by Fluxus, the group Chiari would join in 1962. Giuseppe Chiari's Intervalli for piano still retain the charm of a discovery, even when considered in the context of their historical perspective. Composed within a time frame that extends throughout the entire first half of the 1950s, they are striking for the precocity of their compositional conception based on a radical reduction of musical parameters on mathematical and rational grounds. One might also be surprised to discover that Chiari's early compositions follow such a rigorous logical approach in the organization of musical material, particularly in light of the subsequent direction his work took, which established him, within the Neo-Avant-Garde, as the most resolute and determined exponent of gestural music -- a genre thus free from any dogma or structural constraints. In Intervalli Chiari focuses on the idea of a rational "arrangement" of the sequence of sounds and/or their simultaneity through a more or less controlled system of repetitions of variants or invariants, defined by their interval features and duration. The systematic processes of limiting and repeating musical parameters are elements that, by analogy, later came to the fore with the birth of musical minimalism. It would, however, be a stretch to regard Chiari's Intervalli as a driving force that will have a direct impact on the emergence and establishment of this current. Whilst minimal music employs the systematic reduction of parameters and their repetition to guide unidirectional development as a gradual process, Chiari's Intervalli move towards an opposing concept that "explores the relationships between sounds without any temporal hierarchy" in order to achieve "music that strips succession of its discursive power." A clear indication of an objective, almost atomistic conception of sound, aimed at deconstructing its syntactic homologation. Hence its conceptual relevance, which cannot be equated with the canonical currents of minimalism: a nuance that would subsequently predispose Chiari to an informal openness towards the performative gesture. The Intervalli cycle thus marked Chiari's first point of arrival, but also a point of no return -- save for the final decade of his creative career, when a still surprising new recourse to musical writing was mediated precisely by a gestural instinctiveness. This first edition of complete Intervalli also includes liner notes by Gabriele Bonomo as well as the reproduction of some of the pages from the original score.

Artist	Title	Format	Label	Catalog #
BRONSKI BEAT	Peel Session and Radio Broadcast 84-85 (Pink Vinyl)	LP	OUTSIDER (ITALY)	OUTS 053LP
$25.00 PREORDER RELEASE DATE: 7/17/2026 Bronski Beat 1984 John Peel sessions, plus radio/TV broadcast at Maaspoort Den Bosch the same year. Also featuring the classic take on Donna Summer's "I Feel Love," recorded live with Marc Almond at Montreux in 1985.

Artist	Title	Format	Label	Catalog #
BABA STILTZ	Relief	7"	PUBLIC POSSESSION	PP 125EP
$15.50 PREORDER RELEASE DATE: 7/17/2026 Baba Stiltz continues to showcase his songwriting capabilities with Relief. Backed by Ilari Larjosto on drums, Relief sees Stiltz delving deeper into the slacker-country territory explored on his last album. The track hints at the indie apathy of decades past while maintaining a distinctly contemporary sensibility. A dubby yet fractured-sounding bassline and sparse three- chord verse structure intertwine with Theo Stocks' beautiful lap steel arrangement, while Larjosto's steady, Moe Tucker-esque drumming keeps the song moving forward.

Artist	Title	Format	Label	Catalog #
SESSION VICTIM	The Disconnect	12"	RHYTHM SECTION INTERNATIONAL	RS 079EP
$19.00 PREORDER RELEASE DATE: 7/17/2026 Session Victim keeps the collaborators in tow with The Disconnect EP, featuring the talents of Kenneth Scott, Rossano Snel, and Quarion across five tracks. Balancing funk elements of breakbeats, bass guitar, rhodes and mellow synths with finessed modern production, the duo have assembled another masterclass in precise yet characterful house music. This EP is testament to Session Victim's mastery of house music, being their 40th EP and standing firm in a crowded scene. Their consistent application of production precision is carried by an emotional heart of gold that you can hear in every record they make. Not to be missed.

Artist	Title	Format	Label	Catalog #
BRIVIO, ALESSANDRO	2.25	CD	SENUFO EDITIONS	SNF 011CD
$18.00 PREORDER RELEASE DATE: 7/17/2026 Composed and recorded during tough times in 2025. Using compressed air, percussion instruments, piano and samples, Alessandro Brivio explores varied and extreme approaches to sound processing, diffusion, recording and re-composition, as a tribute to a lost friend.

Artist	Title	Format	Label	Catalog #
MOBY DICK	Moby Dick	LP	SOMMOR RECORDS	SOMM 122LP
$31.50 PREORDER RELEASE DATE: 7/17/2026 Italian hard-rockers who chased the dream to London in '73 and recorded a full album in the very same studio and with the very same engineer as Led Zeppelin. Never released at the time, here it is in full hard-rock/proto-metal glory. Moby Dick were a fierce, English-singing rock band born in Naples in 1968, driven by zero compromises, and a motto that said it all: "no drugs, no bullshit -- just music." Blending Mediterranean fire with a hard-rock sound deeply inspired by Led Zeppelin, they carved out a reputation on the Italian live circuit before cutting a now-legendary, long-lost album in London in 1973. Formed in the Vomero district of Naples by guitarist Toni Di Mauro and bassist Enzo Petrone, the band came together with drummer Adriano Assanti and, after a relentless search, vocalist Sandro Coppola. Early rehearsals shook the walls of a tiny apartment, while their live shows -- explosive, chaotic -- earned them a cult following across Italy. They tore through clubs and festivals from Naples to Rome, Milan, and the Adriatic coast, known for wild performances, pyrotechnics, and sheer sonic power -- often for little or no pay. Backed by their loyal road manager Bruno and championed by promoter Maurizio Mauri, Moby Dick built their reputation the hard way: on stage. By 1973, against all odds, they secured a deal to record in London with a top engineer linked to the British rock elite. For the band, it was the dream realized: two intense weeks of rehearsing, refining, and recording their definitive statement. Despite the momentum, the album was never released. Industry hesitation, internal fractures, and shifting fortunes saw the band dissolve shortly after returning to Italy. Members drifted apart, opportunities pulled them in different directions, and the recordings were left behind. Featuring remastered sound from the original master tapes. Includes insert with liner notes and photos. Also includes download card including the full album plus four killer bonus tracks recorded in 1970. RIYL: Led Zeppelin, Deep Purple, early Balletto Di Bronzo, '70s hard rock, proto-metal, underground European hard-rock.

Artist	Title	Format	Label	Catalog #
KING TUBBY/SCIENTIST/BUNNY TOM TOM/BARNABAS	Universal Dub	LP	SOLID ROOTS	SOR 010LP
$25.00 PREORDER RELEASE DATE: 7/17/2026 With recordings dating back to the 1974-1978 period, Universal Dub collects a series of takes at the influential Randy's and Channel One studios in Jamaica, then later mixed at King Tubby's studio. The tapes at in the closet for more than a decade, when Morris White made a deal Zola & Zola Records for a mid-1990s release. The project is credited to dub masters King Tubby, Scientist, Bunny Tom Tom, and Barnabas. The album is a showcase of late-1970s Jamaican dub production: deep basslines, stripped-down rhythms, heavy echo and spring reverb, with the mixing desk treated as an instrument. Much of the material features elite session musicians including Robbie Shakespeare, Lloyd Parks, Sly Dunbar, Carlton Barrett, Augustus Pablo, Ansel Collins, and Earl "Chinna" Smith. The compilation is quite interesting because it captures several generations of King Tubby mixing tradition all together. King Tubby pioneered dub's spatial mixing techniques in the 1970s, while Scientist emerged as one of Tubby's most famous protégés in the late 1970s and early 1980s. Bunny Tom Tom and Barnabas were also key engineers in Kingston studios during the roots and early dancehall period. The sound is generally raw, spacious, and rhythm-driven rather than polished -- closer to classic sound-system dub than later digital productions. Fans of albums like Scientist Meets the Space Invaders or King Tubby's Meets Scientist -- In a World of Dub will recognize the same cavernous echo, militant drum patterns and constantly shifting instrumental emphasis.

Artist	Title	Format	Label	Catalog #
TANGLEWOOD	Rise And Shine	LP	SOLID ROOTS	SOR 011LP
$25.00 PREORDER RELEASE DATE: 7/17/2026 Rise and Shine was the only album recorded by Jamaican roots reggae band Tanglewood. The album was released in 1985 on Creole Records and produced by Jamaican reggae singer/songwriter/producer B.B. Seaton at Dynamic Sounds and Music Mountain studios. It was in addition engineered by Bunny Tom Tom and Michael Riley. Roots reggae in a positive style with warm and spiritual lyrics for fans of reggae bands like Gladiators and Culture.

Artist	Title	Format	Label	Catalog #
BEATRICE M.	Sinking (Plate 1)	12"	TECTONIC	TECLP 028-1EP
$20.00 PREORDER RELEASE DATE: 7/17/2026 LP Plate 1. Tectonic Recordings presents Beatrice M.'s debut LP, Sinking, on a vinyl triple pack. The vinyl edition is split across three separate 12" vinyl releases, packed in matching printed disco bags. This is part 1 of 3. Beatrice M. pushes the needle forward for a sound and scene that nestles among a niche that blends UK dubstep, techno, and the golden era of tech house. Having taken inspiration from Tectonic artists such as 2562, the label -- a home to music that was originally placed in the dubstep-techno crossover spectrum -- feels like the perfect place to host Beatrice M.'s debut album Sinking, beginning a new chapter for this kind of sound.

Artist	Title	Format	Label	Catalog #
BEATRICE M.	Sinking (Plate 2)	12"	TECTONIC	TECLP 028-2EP
$20.00 PREORDER RELEASE DATE: 7/17/2026 LP Plate 2. Tectonic Recordings presents Beatrice M.'s debut LP, Sinking, on a vinyl triple pack. The vinyl edition is split across three separate 12" vinyl releases, packed in matching printed disco bags. This is part 2 of 3. Beatrice M. pushes the needle forward for a sound and scene that nestles among a niche that blends UK dubstep, techno, and the golden era of tech house. Having taken inspiration from Tectonic artists such as 2562, the label -- a home to music that was originally placed in the dubstep-techno crossover spectrum -- feels like the perfect place to host Beatrice M.'s debut album Sinking, beginning a new chapter for this kind of sound.

Artist	Title	Format	Label	Catalog #
BEATRICE M.	Sinking (Plate 3)	12"	TECTONIC	TECLP 028-3EP
$20.00 PREORDER RELEASE DATE: 7/17/2026 LP Plate 3. Tectonic Recordings presents Beatrice M.'s debut LP, Sinking, on a vinyl triple pack. The vinyl edition is split across three separate 12" vinyl releases, packed in matching printed disco bags. This is part 3 of 3. Beatrice M. pushes the needle forward for a sound and scene that nestles among a niche that blends UK dubstep, techno, and the golden era of tech house. Having taken inspiration from Tectonic artists such as 2562, the label -- a home to music that was originally placed in the dubstep-techno crossover spectrum -- feels like the perfect place to host Beatrice M.'s debut album Sinking, beginning a new chapter for this kind of sound.

Artist	Title	Format	Label	Catalog #
GOVERNMENT ALPHA	The Human Race Was Restored To Life Repeatedly	LP	URASHIMA	UMA 190LP
$29.50 PREORDER RELEASE DATE: 7/17/2026 Government Alpha, the project of Yasutoshi Yoshida, is one of the central figures in Japanese harsh noise, emerging from Tokyo's early 1990s underground scene. Through his Xerxes label, he developed a style that is both extreme and meticulously constructed, balancing ferocity and precision with remarkable control. Even at its most chaotic, every sonic eruption feels carefully placed. Originally released on cassette in 1994, The Human Race Was Restored To Life Repeatedly captures a pivotal stage in Yoshida's artistic development. At this point, he was still refining his unique musical language. The album is raw, unstable, and charged with experimental energy, yet it already reveals the defining characteristics of his later work. These recordings reflect a deeply physical, hands-on approach to sound creation. Worn electronics, manipulated tapes, feedback, and metallic objects become sonic material, each noise bent, reshaped, and reassembled into new forms. It is harsh noise in a state of constant transformation, still free from rigid conventions. The album moves through continuous walls of distortion and corrosive frequencies. Beneath its abrasive surface lies a wealth of detail, pulse, and texture, where chaos is organized into shifting, layered structures. It is precisely this balance between violence and composition that defines Yoshida's work. This new vinyl edition, remastered by Lasse Marhaug, marks the first time the album appears on vinyl, bringing out every nuance of the original recording. The sound retains its rawness while gaining depth, clarity, and spatial presence. Today, the album stands as a landmark of harsh noise history, a vital work that transforms sonic destruction into musical architecture. Recorded at F23 Studio Tokyo, January 16-29 1994. Mixed by Yasutoshi Yoshida on January 30, 1994.

Artist	Title	Format	Label	Catalog #
MERZBOW	Yoshinotsune	2LP	URASHIMA	UMA 191LP
$43.50 PREORDER RELEASE DATE: 7/17/2026 Between 1999 and 2000, Merzbow entered a new artistic phase, embracing digital production and refining his sonic language. He moved away from the tape collages and improvised circuitry of his earlier years. In their place arose monumental sound structures, dense and meticulously sculpted. Harsh noise, tribal rhythms, and corrosive textures merged into a single, overwhelming sonic body. Yoshinotsune emerged during this especially fertile period and stands as one of Masami Akita's most evocative works. The album weaves together historical, mythological, and personal references, drawing inspiration from the figure of Minamoto no Yoshitsune. From the outset, bird calls, radio interference, and electronic signals create an enigmatic atmosphere. The result is an unsettling soundscape suspended between nature and technology. Throughout the album, the sound continually transforms, alternating between ominous beats, unearthly moans, and ritualistic pulses. These elements evoke tribal rhythms filtered through circuitry and digital distortion. The music drives forward with relentless force while maintaining a constant tension between motion and stillness. Rather than simply overwhelming, it invites the listener to become immersed in its intricate details. This new double-vinyl edition, mastered by Lasse Marhaug and limited to just 199 copies, greatly expands the original experience. The three tracks from the CD are spread across four sides, with the addition of two previously unreleased pieces. This format highlights the depth of the low end, the nuances of the digital processing, and even the acoustic guitar passages. As a result, the work gains a broader, more tactile, and more detailed physical presence. What makes Yoshinotsune so compelling is its perfect balance between technical precision and creative instinct. Though meticulously constructed, its structures retain a raw and immediate vitality. Akita's hand can always be felt, shaping the sound with intensity and sensitivity. This reissue fully restores the grandeur of one of Merzbow's richest and most immersive recordings, now expanded with two bonus tracks.

Artist	Title	Format	Label	Catalog #
SOLMANIA	H-A-D-A-Y-R-O	LP	URASHIMA	UMA 192LP
$29.50 PREORDER RELEASE DATE: 7/17/2026 Originally released on cassette in 1985, H·A·D·A·Y·R·O is a landmark of Japanese noise music. It documents the early vision of Solmania and the singular sonic approach of Masahiko Ohno. For years, it remained a cult artifact among collectors and underground enthusiasts. This vinyl edition renews its impact, feeling more like a rebirth than a simple reissue. Solmania was far more than a band; it was Masahiko Ohno's personal sound laboratory. At the heart of the album are his self-built guitars, transformed into extraordinary sound-generating machines. Their tones scrape, roar, and vibrate with an almost organic intensity. Alongside these, Ohno also employs tape, radio, turntable, and voice -- expanding the palette into a raw, multi-source field of sound, with drums and keyboard performed by Tomioka Akira. The album constructs noise as a complex, layered architecture. Distortion, feedback, metallic harmonics, and electrical abrasion intertwine into dense, evolving structures. Despite its industrial harshness, the sound remains deeply human. Every vibration carries the mark of touch, pressure, and spontaneous improvisation. Here, noise is not simply about volume or aggression, but about exploring texture, repetition, and transformation. The music exists in a thrilling balance between construction and controlled collapse. Its hypnotic passages take on an almost ritualistic, sculptural quality. Each moment seems poised to mutate into something new. The vinyl format fully reveals the richness of this work. Low-end resonance, harmonic detail, and the interplay between feedback and silence emerge with renewed clarity. More than a historical artifact, this reissue presents H·A·D·A·Y·R·O as a living, vital work. It remains a radical example of uncompromising creativity and sonic innovation.

Artist	Title	Format	Label	Catalog #
VILDANOV, RUMIL	Kino Variants 1967-1986	2LP	VON	VON 019LP
$42.00 PREORDER RELEASE DATE: 7/17/2026 Von present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing double-LP provides an unprecedented immersion into the work of one of the most celebrated composers from Uzbekistan, often described as the "Ennio Morricone of Central Asia". Comprising a startling range of electronic and electroacoustic experiments, evocative chamber works and orchestral works, and more discrete instrumental efforts -- all created to accompany moving image -- totaling an incredible 82 pieces in total, this remarkable sonic journey into Vildanov's inner world and towering talents. Beginning in 1964, when he was first asked by the director, Elyor Ishmuhamedov, to compose the music for one of his films, Vildanov became "obsessed with making music for cinema" and remained deeply connected to the field for the rest of his life -- collaborating with prominent filmmakers, including Eldor Urazbaev, Ali Khamraev, and Shukhrat Abbasov. It is Vildanov's sonic contributions to film, around which Kino Variants 1967-1986 narrows its focus, illuminating the composer's striking range and diverse touchstones. The collection begins with 29 "Abstract Variations" of various durations, rendered on a range of instruments -- synthesizer, harp, harpsichord, and timpani, among numerous others -- in solo and multi-instrumental combinations, utilizing both purely acoustic and electroacoustic approaches. The second side of the collection offers an immersion into Vildanov's "Orchestral Variations", which move between constrained and encompassing scales of instrumental combination. Retaining a strong sense of cohesive vision within their diversity, Vildanov elegantly moves between the use of avant-garde tonal dissonance and lush melodic sensibilities. The second LP of Kino Variants 1967-1986 is dedicated to two thematic groupings, "Rubab Variations" and "Titles Variations". The first stands among the most culturally revealing bodies of work in the collection; centering the focus upon Vildanov's compositions for the rubab, a lute-like stringed instrument played in parts of Central and South Asia. "Titles Variations", the collection's fourth and final side, comprises 19 pieces that expand and further illuminate the range of Vildanov's musical explorations, the majority of which date from the final decade of the composer's life. Printed inner sleeves; edition of 300.

Artist	Title	Format	Label	Catalog #
BANTON, BUJU	Too Too Bad	CD	VP RECORDS	VP 2842CD
$18.00 PREORDER RELEASE DATE: 7/17/2026 "Gearing up for an unforgettable season, GRAMMY® Award-winning reggae icon Buju Banton proudly presents his thirteenth full-length studio album, Too Too Bad. It stands out as his sixth offering for VP Records following a newly minted deal which brought him home to the label after 23 years. Banton returns to his roots of hardcore dancehall reggae with a nod to his 2006 album Too Bad. The album features top name step-outs and producers and delivers the grit and grind that have made 'The Gargamel' and icon of the music."

Artist	Title	Format	Label	Catalog #
BANTON, BUJU	Too Too Bad	LP	VP RECORDS	VP 2842LP
$32.00 PREORDER RELEASE DATE: 7/17/2026 LP version. "Gearing up for an unforgettable season, GRAMMY® Award-winning reggae icon Buju Banton proudly presents his thirteenth full-length studio album, Too Too Bad. It stands out as his sixth offering for VP Records following a newly minted deal which brought him home to the label after 23 years. Banton returns to his roots of hardcore dancehall reggae with a nod to his 2006 album Too Bad. The album features top name step-outs and producers and delivers the grit and grind that have made 'The Gargamel' and icon of the music."

Artist	Title	Format	Label	Catalog #
NURSE WITH WOUND	On the Edge of the Outside	LP	VASOPRESSIN	VSP 003LP
$35.00 PREORDER RELEASE DATE: 7/17/2026 Vasopressin presents On the Edge of the Outside, collecting four works by Nurse With Wound -- three composed in response to texts by Kafka, Tzara, and Forneret, one previously unreleased -- on vinyl for the first time. Electroacoustic abstraction, minimalist drones, and grimy ambience. Vasopressin's second installment of their dedicated series bringing Nurse With Wound's contemporary output to vinyl -- and it is, if anything, even more extraordinary than what came before. On the Edge of the Outside gathers three works previously issued as 3" CDs alongside literary editions published by the French imprint Lenka Lente, each "conceived in intimate response to literary texts -- yet entirely self-sufficient as autonomous sonic experiences": "Kafka's Parachute" (2017), composed in dialogue with Franz Kafka's "Rapport à une Académie"; "On the Edge of the Outside" (2020), drawn from Tristan Tzara's "Minuits pour Géants"; and "We Are the Dead Men" (2025), accompanying Xavier Forneret's "Le Diamant de l'Herb". To these is added "None and a Star Stand (Untitled Lament)", a piece whose origins remain close to the same Lenka lente orbit -- appearing here, as does the entire collection, in its vinyl debut. Across two sides, the record maps a vast and quietly staggering emotional and sonic terrain. "Kafka's Parachute" opens proceedings with howling recitations and a knotted palette of electroacoustic abstraction, channeling something close to concrete poetry in its most visceral, unsettling form. The second side then opens with "None And A Star Stand" -- a breath of grimy, luminous release -- eleven minutes of shifting textures that feel restless and alive without ever resolving into event, before "We Are The Dead Men" descends deeper still, unfurling at glacial pace through overlapping drones and harmonics of rare, disquieting beauty. The closing title track moves from ripping feedback through swirling resonances and sparse piano tones before dissolving back into abrasion, completing a journey that feels as much literary as sonic. Featuring Steven Stapleton alongside collaborators Colin Potter, Andrew Liles, Matt Waldron, James Worse, and Quentin Rollet, On the Edge of the Outside stands as proof that after nearly five decades, Nurse With Wound remains one of the few forces in music genuinely capable of making the world sound like somewhere you have never been before. Issued by Vasopressin, the Milan-based label founded by Matteo Moschettoni. Black vinyl.

Artist	Title	Format	Label	Catalog #
JAMMIN' SAM MILLER	A Link To The Past Tribute	LP	WRWTFWW RECORDS	WRWTFWW 106LP
$35.50 PREORDER RELEASE DATE: 7/17/2026 Limited-edition green vinyl. Artwork by Pierre Thyss. Includes OBI strip and sticker sheet. WRWTFWW Records announces the return of Louisiana-based composer and producer Jammin' Sam Miller with A Link To The Past Tribute, his homage to the music of Zelda (A Link To The Past). Originally composed by the legendary Kōji Kondō, the epic 1991 Zelda soundtrack for the Super Nintendo Entertainment System is one of the most celebrated pieces of video game music ever, a sound that will automatically bring fans to a complete state of pixelized nostalgia bliss. Jammin' Sam Miller entirely remade the soundtrack from scratch, note by note, without sampling any of the original audio. He recorded his cover versions by finding the original equipment used to create the score, translating the MIDI into a modern studio context, adding his keyboard sounds, and re-mixing and re-mastering the whole soundtrack with modern techniques. The result is a new experience of vintage Zelda music in full HD uncompressed glory and blessed with the beloved Jammin' Sam Miller touch! Pure heaven for video game music lovers!

Artist	Title	Format	Label	Catalog #
MUSI/PAOLO SPACCAMONTI, PINO	Border Soundscapes II	LP	DIE SCHACHTEL	ZEIT 021LP
$77.50 PREORDER RELEASE DATE: 7/17/2026 Building upon their recent, incredible immersions into the contemporary landscape of experimental sound, Die Schachtel returns with one of their most striking releases to date, Border Soundscapes II, distilling their longstanding efforts at the borders of interdisciplinary practice with a profound sense of accomplishment and grace. Instigated and curated by the label's own Bruno Stucchi, who also contributed the release's graphic design, this very special vinyl only art edition encounters the guitarist and composer, Paolo Spaccamonti, operating in spectral collaboration with the renowned photographs of Pino Musi: utilizing 24 images selected by the artist, published as a three and a half meter long leporello (accordion style) book that accompanies the edition, as the score for the detail and ambience laden abstractions that sprawl across the album's two sides. Born in Salerno, but currently based in Paris, Pino Musi's photographs, exhibited widely across the globe and featured in the Venice Biennale, utilize modern architecture, classical ruins, steel mills, rural architecture, and urban cityscapes as their subjects, focused on pure form and compositional abstraction. Paolo Spaccamonti is a Turin-based guitarist and composer who, for more than two decades, has worked with sound across numerous creative disciplines, bringing him into intimate collaboration with everyone from Jochen Arbeit of Einstürzende Neubauten, to composers like Stefano Pilia, Riccardo Sinigaglia, Jim White, and numerous others. Imbued with a deep sense of abstraction and space that mirrors the foundational elements of Musi's photographs, Spaccamonti's work on guitar, often unrecognizable as such, unfurls across the album's two sides with a striking degree of range, embracing a palette of industrially tinged clangs and scrapes, subsumed tones, passages of dense distortion, overlapping and shifting drones, endlessly surprising tonal and timbral punctuations, and deconstructed melodies, embedded within the sprawling ambiences that bind these actions within a single, cohesive world. Issued as a very special vinyl only art edition, limited to 200 copies, housed in a silkscreened sleeve, hand-signed by Musi, Spaccamonti, and Stucchi, accompanied by a three and a half meter long leporello book comprising Musi's 24 photographs. Truly amazing and not to be missed.

Artist	Title	Format	Label	Catalog #
INNER CITY/KEVIN SAUNDERSON	Pennies From Heaven (Roland Leesker Remix)	12"	DEFINITIVE RECORDINGS	DEFCLAS 030EP
$20.50 PREORDER RELEASE DATE: 7/24/2026 Definitive Recordings presents a powerful new remix by Roland Leesker of "Pennies From Heaven," the timeless house classic by Inner City, originally released in 1992. On his remix, Roland Leesker transforms "Pennies From Heaven" into a driving, floor-focused house weapon. Built around a heavy, straight TR-909 groove, the track gradually introduces elements from the original in a layered, loop-based arrangement. The remix reaches its peak in a powerful breakdown, where the full main theme and vocals unfold, creating a classic hands-in-the-air moment before dropping back into the stomping groove.

Artist	Title	Format	Label	Catalog #
HEATHEN AXE	Heathen Axe	LP	DEATHGOD CORP	DG 010LP
$26.00 PREORDER RELEASE DATE: 7/24/2026 "I wanted to make a totally fried recording, quick and dirty. Sort of a cathartic expulsion. Clean the cobwebs. I recently bought a Vestax MR44 (the best sounding 4-track ever IMHO) -- the same 4-track I recorded some Coachwhips, early OCS etc. on. Now we had the tools we needed so I spent a week writing riffs and brought them to Tom Dolas and John Hodge. We ran them one time and then recorded them on the second go. Loosely improvised and unhinged. Everything turned all the way up. Hope you dig -- play loud." --John Dwyer

Artist	Title	Format	Label	Catalog #
TILLMANS/JUAN PABLO ECHEVERRI, WOLFGANG	Warm Star	LP	FRAGILE	FRAGILE 017EP
$20.50 PREORDER RELEASE DATE: 7/24/2026 Fragile presents the release of Juan Pablo Echeverri and Wolfgang Tillmans' unreleased 2016 composition, "Warm Star," alongside a new remix of the song by TR/ST, celebrating the 10th anniversary of Tillmans and Echeverri's first recording sessions together.

Artist	Title	Format	Label	Catalog #
GO PUBLIC	You Are Traffic	LP	HHBTM RECORDS	HHBTM 241LP
$22.00 PREORDER RELEASE DATE: 7/24/2026 "From the sprawling, congested, and heat affected city of Atlanta, Georgia comes Go Public, a mutant disco day-glow post punk dance band bringing you social/political party til you drop anthems of joy and conflict while the nation is collapsing. Go Public mixes dub, afrobeat, post punk, new wave, and disco to the max building up the energy till the room is moving and the floors are shaking. The Atlanta four-piece is made up of Sean Rawls (Masters of the Hemisphere, Still Flyin'), Adrian Finch (Masters of the Hemisphere, Dances with Wolves, Elf Power), Jay Domingo, and Sam Gunn. The band formed in 2020 and released a cassette titled EP in late 2022. You Are Traffic is their debut album feels and sounds like Atlanta with its sweat-soaked dance rhythms, its lyrical content that radiates like the colorful murals and street art that cover the city, it's an album propulsive in nature like the abundant green canopy that breathes life and provides comfort from the oppressive heat. You are Traffic is bursting with joy while taking in everything around it and presenting it back to the listener. The world is on fire so you might as well dance. Go Public would fit nicely next to Maximum Joy, ESG, Liquid Liquid, and James Chance."

Artist	Title	Format	Label	Catalog #
RADIGUE, ELIANE	Adnos I-III (2026 Edition)	3CD	IMPORTANT RECORDS	IMPREC 543CD
$29.00 PREORDER RELEASE DATE: 7/24/2026 When Eliane Radigue departed this realm in February 2026, at age 94, she left behind a singular, inimitable body of work. Her focus on slowly changing, highly detailed drone music yielded numerous monoliths among which Adnos stands tall. Composed and recorded on tape between 1973-1982 using an Arp 2500 modular synthesizer, these astonishing pieces exemplify Radigue's quote about how slow changes, vibrations deep within her sounds, ultimately shape the textures of her sonic work: "If a stone in the river moves, the river is not changed, but after a long time it becomes something completely different." This 2026 repress preserves the 2013 package design; a thorough collaboration between Eliane Radigue and John Brien of Important Records. A 24-page booklet of Adnos-era archival material accompanies the three compact discs in a heavy-duty quad-fold, 8-panel cardboard jacket printed inside and out. "Time is of no importance. All that counts is the duration necessary for a seamless development. My music evolves organically. It's like a plant. We never see a plant move, but it is growing continually. Like plants, immobile but always growing, my music is never stable. It is ever changing." --Eliane Radigue "A steady stream of sonic activity taking place right at the edge of one's perception." --New York Times "This piece represents the height of musical sensitivity." --Village Voice

Artist	Title	Format	Label	Catalog #
GUN OUTFIT	Early Tapes Vol. 1	LP	L.G. RECORDS	LG 014LP
$29.00 PREORDER RELEASE DATE: 7/24/2026 "A remaster and first time pressing of the earliest Gun Outfit cassettes, which were produced by the band to sell on their first two national tours in 2009 and 2010, along with some unreleased tracks. The aesthetic at the time was basically an embrace of primitivism. Technical know-how was actively disdained in favor of abject expressionism. The context was the hardcore scene, but it was Olympia, so there was some kind of hermetic awareness that could be read as art. This record shows the side of the band that was least afraid of what people thought. The tapes were for friends, there was no outside audience yet. The Emanation cassette was recorded by four track cassette wizard Adam Croce (from Broken Strings) at Carrie's dad (Chunk's) house during the summer. 'We thought he was insane because he made us do multiple takes.' Reuben Storey of the death metal band Funerot was the drummer and played a role in arranging the songs. The tape had space on it that an LP didn't. The self-titled cassette was recorded in various spots throughout Olympia -- mostly the slummy abandoned office building where every band practiced downtown and was mixed at the double wide where Carrie did work trade shoveling out horse stables for rent, Weeping Willow Ranch. Daniel Swire joined on drums after Reuben slid back into metal world; his style was more subtle. 'The band got weirder and the tape got worked so much it started to bleed through. There was confusion throughout but a pretty consistent focus on the songs, a process that translated as vibe.' Enjoy. Mastered by Tim Green at Louder Studios in early 2026. Pressed on 180g black vinyl with heavy Stoughton 'Tip-On' jackets with a cardstock printed inner sleeve. 500 copies pressed."

Artist	Title	Format	Label	Catalog #
BAKER, CHET	Sings Again (Gold Vinyl)	LP	MUSIC ON VINYL	MOV 3119GOLD-LP
$43.00 PREORDER RELEASE DATE: 7/24/2026 "American trumpeter Chet Baker was a major innovator in cool jazz, leading him to be nicknamed 'the prince of cool.' He earned much attention and praise through the '50s, particularly for albums featuring his vocals. This included his 1954 album Chet Baker Sings and its follow-up Chet Baker Sings Again in 1985. The latter he released on the Dutch jazz label Timeless Records. He recorded the album with bassist Ricardo Del Fra, drummer John Engels and pianist Michel Graillier. Chet Baker Sings Again is available as a limited edition on gold colored vinyl and affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker."

Artist	Title	Format	Label	Catalog #
PASTORIUS & RASHIED ALI, JACO	Blackbird (Green Vinyl)	LP	MUSIC ON VINYL	MOV 3271GREENLP
$41.00 PREORDER RELEASE DATE: 7/24/2026 "Blackbird contains the live recordings of the same-titled album by bass player Jaco Pastorius and drummer Rashied Ali. This live recording was broadcast on French Radio, December 19th, 1984 and features their duet performances of John Coltrane's 'Naima,' Jimi Hendrix's 'Purple Haze,' and Ornette Coleman's 'Broadway Blues,' amongst others. Student bassists Michel Hatzigeorgiou, Reno Steba, Alan Brennan, and Angel Vicens joined the duo at various times during the performance. Blackbird is available as a limited edition on translucent green colored vinyl and affixed on the protective sleeve is the 50th Anniversary Timeless Jazz sticker."

Artist	Title	Format	Label	Catalog #
CADOGAN, SUSAN	Susan Cadogan (Orange Vinyl)	LP	MUSIC ON VINYL	MOV 4069COL-LP
$43.00 PREORDER RELEASE DATE: 7/24/2026 "Susan Cadogan is a reggae and rocksteady singer from Kingston, Jamaica. With a delicate voice that shimmers between childlike innocence and smoldering sexuality, Susan Cadogan's vocals were the perfect expression of lovers rock. Susan Cadogan's talents as a singer led to her recording her first single, 'Love My Life' for Jamaican Broadcasting Corporation (JBC radio) DJ Jerry Lewis. Lee 'Scratch' Perry was in the recording studio at the time, and was impressed by Cadogan's voice enough to record an album's worth of material with her, also renaming her Susan. One of her first recordings for Perry, a cover of Millie Jackson's soul hit, "Hurt So Good" (featuring bassist Boris Gardiner), was released was released in the UK by Dennis Harris' DIP International label, and topped the UK reggae chart and went on to reach No. 4 in the UK Singles Chart which resulted in Cadogan flying to London to promote the single, including many television appearances on the BBC's Top of the Pops. Other singles were released but none of these charted. 'Hurt So Good' was subsequently certified silver in the United Kingdom and gold in South Africa after a few weeks and became one of the top selling singles of 1975 in the UK. This is the album she recorded for Trojan Records and it was produced by the legendary Lee Perry, Susan Cadogan is available as a limited numbered edition of 750 copies on orange colored vinyl."

Artist	Title	Format	Label	Catalog #
DADAWAH	Peace And Love: Wadadadow (Orange Vinyl)	LP	MUSIC ON VINYL	MOV 4070COL-LP
$43.00 PREORDER RELEASE DATE: 7/24/2026 "Ras Michael's Dadawah. The singing drummer, a devout Rastafarian musician. Dadawah brought Ras Michael together with veteran studio hands -- bassist Lloyd Parks, drummer Paul Williams, guitarist Willie Lindo, and pianist/organist Lloyd Charmers, who trebled as producer. The resulting album Peace and Love is a work of faith. Although not a concept album in the strict sense of the term, it thematically evokes the Biblical final days. 'Run Come Rally' calls together the world's righteous in preparation for the upcoming battle with evil. Having gathered together the brethren from 'Seventy Two Nations,' all bow before Jah in a celebration of His greatness, then give voice to their desire to return to 'Zion Land.' The set concludes with 'Know How You Stand' a call for freedom, and with it the ability to fulfil Jah's plan. The extraordinary power of the set's themes is echoed by the equally phenomenal backings, all conjuring up the most haunting of atmospheres. Intriguingly, though, there's no reggae guitar, just Lindo's sublime riffs and licks that flick into the rock realm, while constantly sliding back into blues. Charmers' piano and organ occasionally take over the reggae guitar role, but mostly his keys intertwine around Lindo's leads, accentuating melodies, scattering elegant flourishes here and there, and subtly building up the atmospheres. Charmers' production is superb, the musicians inspired, and Ras Michael's power undeniable. An astounding album that's lost none of its potency over the years. Peace and Love (wadadasow) is available as a numbered limited edition of 750 copies on orange colored vinyl."

Artist	Title	Format	Label	Catalog #
LOCKSTEP	I Know What I Saw	CD	PROFOUND LORE	PFL 348CD
$16.00 PREORDER RELEASE DATE: 7/24/2026 "Lockstep is a Nashville-based band pulling elements from shoegaze, doom and heavy rock. They've built a sound rooted in atmosphere and weight, moving between quiet, uneasy moments and crushing walls of noise. With each release, the band has tightened their approach -- cutting excess and focusing on impact. Their debut full-length, I Know What I Saw, out through Profound Lore Records stands as the band's most focused and complete statement to date. Following the release of several singles (their last being the 'Drag Along' single from 2025), their Arrival EP from 2023, and already having a decent number of shows and tours under their belt (notable past tours include runs with Prize Horse and Gumm), I Know What I Saw leans into massive, slow-burning riffs and dense, layered guitars that stay engaging without letting up, locking into sections that feel both hypnotic and suffocating. Songs stretch and build with purpose, pulling listeners deeper into the band's world while keeping a constant sense of tension and release. It's the clearest and most realized version of Lockstep yet."

Artist	Title	Format	Label	Catalog #
LOCKSTEP	I Know What I Saw	LP	PROFOUND LORE	PFL 348LP
$25.00 PREORDER RELEASE DATE: 7/24/2026 LP version. Color vinyl. "Lockstep is a Nashville-based band pulling elements from shoegaze, doom and heavy rock. They've built a sound rooted in atmosphere and weight, moving between quiet, uneasy moments and crushing walls of noise. With each release, the band has tightened their approach -- cutting excess and focusing on impact. Their debut full-length, I Know What I Saw, out through Profound Lore Records stands as the band's most focused and complete statement to date. Following the release of several singles (their last being the 'Drag Along' single from 2025), their Arrival EP from 2023, and already having a decent number of shows and tours under their belt (notable past tours include runs with Prize Horse and Gumm), I Know What I Saw leans into massive, slow-burning riffs and dense, layered guitars that stay engaging without letting up, locking into sections that feel both hypnotic and suffocating. Songs stretch and build with purpose, pulling listeners deeper into the band's world while keeping a constant sense of tension and release. It's the clearest and most realized version of Lockstep yet."

Artist	Title	Format	Label	Catalog #
DIGGS & MEGATRONIC, NATASHA	People	12"	THE JAZZ DIARIES	TJD 022EP
$20.50 PREORDER RELEASE DATE: 7/24/2026 Internationally acclaimed DJ Natasha Diggs and UK-born, Lisbon-based DJ/vocalist Megatronic present their first collaborative EP People. This new project began in the summer of 2023 when Diggs and Megatronic first joined forces, bonding over a shared vision of dance music as a joyful, soulful, community-centered experience. Anchored by two standout tracks, People captures the warm, inclusive energy Diggs and Megatronic bring to every dancefloor. People was co-produced by Morgan Wiley -- known for his work with Hercules & Love Affair and disco outfit Midnight Magic -- adding his studio expertise to the project without losing the duo's organic touch.

Artist	Title	Format	Label	Catalog #
LIBERSKI RETRIO, CASIMIR	The Z Suites (Gold Vinyl)	2LP	WE RELEASE JAZZ	WRJ 015GOLD-LP
$44.50 PREORDER RELEASE DATE: 7/24/2026 The Zelda Suites: a modern jazz reinterpretation of the music from the Legend Of Zelda, on special-edition gold vinyl. We Release Jazz presents the release of a limited-edition gold variant vinyl for Casimir Liberski ReTRio's The Z Suites, a full-length jazz album reinterpreting the music from iconic Nintendo video game series The Legend of Zelda. The epic Z-Jazz journey comes as limited edition of 300: 180g half speed mastered gold vinyl double LP housed in a heavyweight sleeve with obi. Casimir Liberski reimagines the golden era of video game soundtracks with jazz versions of Zelda favorites The Legend of Zelda (1986), A Link to the Past (1991), Link's Awakening (1993), and Oscarina of Time (1998) -- plus a few Easter eggs! Dancing between nostalgia and avant-garde, the Brussels-born pianist and composer crafts a sonic world of pixelated folklore where melody and improvisation coexist in harmony.

Artist	Title	Format	Label	Catalog #
HABEL/TOM SHARKETT/MINOTAUR SHOCK, JUNI	Pearl Cloud Song Reformations	12"	BASIN ROCK	BR 027EP
$23.50 PREORDER RELEASE DATE: 7/31/2026 Remixes of Juni Habel's "Pearl Cloud Song" from her Evergreen In Your Mind album by Tom Sharkett and Minotaur Shock. Pearl Cloud Song Reformations is a very limited 12" which features two remixes/reformations from Tom Sharkett and Minotaur Shock and also includes Juni Habel's original version. There will only be 200 ever made. Tom Sharkett is a producer from Manchester, now based in Todmorden. Having cut his teeth as a founding member of synth-wave band W. H. Lung. Minotaur Shock is the long-standing electronic project of Bristol-based producer David Edwards. With a discography spanning labels like 4AD, Melodic and Bytes, Edwards balances pastoral charm with IDM sensibilities, creating soundscapes that are as much about the heart as they are the head.

Artist	Title	Format	Label	Catalog #
SABABA 5	Aspan (White Vinyl)	LP	BATOV RECORDS	BTR 086WHT-LP
$28.00 PREORDER RELEASE DATE: 7/31/2026 White color vinyl. Sababa 5 continues their musical journey following the success of their acclaimed self-titled debut album, which fused deep funk and Middle Eastern grooves. This offering, still under the Batov Records label, ventures into more explorative and experimental instrumental compositions. While evolving their musical direction, Aspan delves into the realm of psychedelic rock while retaining the essence of the band's signature Middle Eastern groove. In recent times, Sababa 5's talent has gained recognition on prominent French radio stations such as Radio Nova and FIP. Their tracks have become regular features on BBC Radio 6 Music, drawing the attention of notable figures and emerging talents like Gilles Peterson, Cerys Mathews, Jamz Supernova, Gideon Coe, and Deb Grant. Leading music publication Songlines has praised the band's "slick precision" and the captivating elements they infuse, ranging from "Moog synth licks" to "flavors reminiscent of Wes Montgomery-style guitar." The origin of the title stems from a misinterpretation of an upcoming storm named Alpis that proved to be milder than anticipated. The name resonated, resulting in several tracks adopting storm-related titles. Concluding the album is "Indra," a laidback composition that stands as its most serene offering. This track's fusion of psychedelic folk rock is poised to capture the hearts of many, serving as a poignant postscript to the bittersweet conclusion of summer -- a narrative of love discovered and lost.

Artist	Title	Format	Label	Catalog #
LIEBING/LUKE SLATER, CHRIS	Double Split (Terence Fixmer Remixes)	12"	CLR	CLR 142EP
$20.50 PREORDER RELEASE DATE: 7/31/2026 Terence Fixmer reimagines Chris Liebing and Luke Slater's "Double Split" for CLR. Fixmer's remixes of Liebing/Slater's collaboration from the former's Evolver LP release. From deep and mind-bending to experimental and soulful, he is a visionary who has been hugely prolific, with many standout LPs and EPs on labels such as Mute Records, Novamute, Ostgut Ton, and Planete Rouge Records. Fixmer's first "Double Split" remix is inspired by the energy of the original, but focused on dubbier, hypnotic vibes. Then comes the "Melting Mind" rework, which is boiled down to a handful of key elements, not least the original's penetrating acid line. It's an immersive, late-night dive that locks you in a state of constant motion and unrelenting pressure.

Artist	Title	Format	Label	Catalog #
PRISON	Big Rigs on the BQE	LP	DRAG CITY	DC 985LP
$25.00 PREORDER RELEASE DATE: 7/31/2026 "Prison's third big one, Big Rigs on the BQE, finds the jammers of legend far away -- miles from Downstate (2025) and Upstate (2023): driving further down the road, Prison's guitar, bass and drums compel them to dream LOUD. An improvised rock and roll tapestry, multiple impulses, intersections and lifelines rended with gas 'n guitar pedal on down to the metal. Reflecting real lives lived today, sprawled and recalled in undulating electroacoustic performance. On March 7th 2024, Prison vets Sarim Al-Rawi, Matt Lilly, and Paul Major on guitars and drums were joined by Mike Donovan on fuzz organ, percussionist Ryan Sawyer and Downstate's Matt Leibowitz (back on bass, and synth too this time) at a Sunset Park studio where they could see the fucking highway from the studio windows. It kind of set the tone. Downstate guitarist Adam Reich switched it up too; as studio honcho/engineer/mixer, he scored a couple FX/remix passages that are of the performance on both sides. Big Rigs on the BQE is the sound of Sarim, Matt, Paul, Mike, Ryan, Matt and Adam in wicked battle and glorious play, a far-ranging scrum of Groundhogs/Velvets/Hampton's/Pink Fairies/Magic Band/ Good Rats/Can propositions powering guitars, bass, drums and organ (and synth!) that day: a beast, imagining a better allegory for qualities of the 'spirit of the jam/road trip' duality. Paul and Sarim's vocal shouts transmit a kind of road-thoughts as they come, circular processing loosely knotted loops in different ranges and a couple different levels! These are deep, searing, multipurpose jams. Big Rigs on the BQE is a kind of travelogue, two side-long trips that take flight and fight another day in the never-ending process. It's a beautiful opportunity to send new blasts of positive energy out to the world. Prison of one, freedom of many!"

Artist	Title	Format	Label	Catalog #
ASKEW, ED	The Final Painting	LP	DRAG CITY	DC 987LP
$23.00 PREORDER RELEASE DATE: 7/31/2026 "Time stands stunningly still on The Final Painting, the dreamy, elegiac final album from legendary underground singer-songwriter/poet/painter Ed Askew. Ed started his singing career in 1968 with a self-titled LP release on NYC's infamous freejazz/free-folk ESP-Disk' label. Upon returning to New York in the early '80s, he began circulating cassettes of his self-recorded new songs. This was a fascinating and unlikely new chapter in his music, but only a few noticed. In the years following, additional new and archival Askew recordings have been released through Tin Angel, Drag City and Improved Sequence Records. By the time Ed turned 80 in 2020, his health was declining to the point that touring was impossible and even leaving his place was a challenge. In his Brooklyn apartment, he continued to tape new songs, posting them on his Bandcamp page. Their stark and fragile quality was singular, inspiring thoughts of a new production fleshing out Ed's two-track home recordings. Ed was into it; he forwarded nearly three dozen songs in different stages of completion and the two plotted a path forward. For the World featured acoustic piano, banjo and harp; the songs here, played by Ed on keyboards, synth and harmonica suggested trumpet, tenor saxophone and other sonic touches to expand their existentially lonely sound. Health scares for both men delayed things until early 2024, when various musicians recorded their parts either at home or in a Nashville Studio, with Styrofoam Winos' Trevor Nikrant and Ryan Davis's Roadhouse Band taking their turns almost in response to one another. The Final Painting not only defies the curse of sequels and the ten-year gap between the two DeCicca/Askew productions, it's also a wonderous variation on the intimacy of the self-portrait, an expression from the twilight of one of the most unique artists to emerge in last half of the 20th century. The Final Painting reinvites For the World contributors Sharon Van Etten, Eve Searls, and Canaan Faulkner, and new guests Bill Callahan, William Tyler, Ryan Jewell, Dustin Laurenzi, and Fulvio Sigurta. In their last conversation, just days before Ed passed in January 2025, he and Jerry agreed to: a) use the painting left on the easel of Ed's now-empty apartment and b) call the album The Final Painting. Profoundly resonant in the style of Frank Sinatra's Watertown and David Bowie's Blackstar, The Final Painting is faithful to the spirit of Ed Askew and his DIY nature and Modernist values, pursued for years and years throughout life, art and music, all the way to the very end."

Artist	Title	Format	Label	Catalog #
BISHOP, SIR RICHARD	Hillbilly Erotica	CD	DRAG CITY	DC 988CD
$13.50 PREORDER RELEASE DATE: 7/31/2026 "Sir Richard Bishop returns for a new spontaneous six-string meshing of people's music, recollections and psychic intentions. Are y'all ready for some Hillbilly Erotica? Migration from last album's Ragas to this new Erotica is another chapter in Bishop's progress, drifting via songs into the further frontiers of his pappy's hometown sounds, trancing over and out in their hand-me-down clothes. As with the ragas, the 'rotica's hung round the neck of John Fahey's infamous dubbing of certain traditional American folk sounds as 'American Primitive.' A perfectly good thought, but Sir Richard picks his own axe and chose a separate path. Rushing through gutters and picking pickled brains in the saucy headwaters of the down-low and literal American primitive, his hillbilly music is a mash of brined cultural inheritance, mini-ragas and moonshine-drunk savagery breaking out on the frets. As a conception for Sir Rick's acoustic guitar music, it's a dynamite means and frame, centering his improvisations in a place overflown with pagan desire and unbound in deliverance. Here he flies up and down the neck, his manner less pristine, yet more exquisite, a flailing, flowing-on-the-river medley through stubborn whitewater turbulence, post-grass and folk's classical gas. Anybody who takes a snort of this here Hillbilly Erotica will find a frankly spellbinding richness of intent and execution in their ear-mouths. And may thereafter find brain and blightness. It's fine! Like with Hillbilly Ragas, Sir Richard plays one acoustic guitar on all eight Hillbilly Erotica cuts, no overdubs and, but for the closing 'Postcoital Serenade,' improvised entirely. The not-so-sexy 'sexy' angle of song titles like 'Lick Skillet,' 'Sweet Lips,' 'Hookers Bend,' and 'Finger, Tennessee' is actually actual names for dots on the map in rural TN, each one just five minutes removed -- by horse, of course -- from Richard's dad's remote Enville homestead, its town name purloined previously for a song on 2020's Oneiric Formulary. This ancestral interzone's a venue of interest for Rick, allowing him to ask the deep questions, like 'What the hell has been going on around here with place names like these?' while running down the changes like no one else before. Hillbilly Erotica promises unspoken wonders of the world around each and every dark corner, revelations of legacy, a new spyglass to sight your forebears! Imagined American music at its most gorgeous and violent, simply achieved by Sir Richard Bishop through a powerful application of steel-stringed instrumentation and delightfully exhaustive flights of speculative thought."

Artist	Title	Format	Label	Catalog #
BISHOP, SIR RICHARD	Hillbilly Erotica	Cassette	DRAG CITY	DC 988CS
$12.00 PREORDER RELEASE DATE: 7/31/2026 Cassette version. "Sir Richard Bishop returns for a new spontaneous six-string meshing of people's music, recollections and psychic intentions. Are y'all ready for some Hillbilly Erotica? Migration from last album's Ragas to this new Erotica is another chapter in Bishop's progress, drifting via songs into the further frontiers of his pappy's hometown sounds, trancing over and out in their hand-me-down clothes. As with the ragas, the 'rotica's hung round the neck of John Fahey's infamous dubbing of certain traditional American folk sounds as 'American Primitive.' A perfectly good thought, but Sir Richard picks his own axe and chose a separate path. Rushing through gutters and picking pickled brains in the saucy headwaters of the down-low and literal American primitive, his hillbilly music is a mash of brined cultural inheritance, mini-ragas and moonshine-drunk savagery breaking out on the frets. As a conception for Sir Rick's acoustic guitar music, it's a dynamite means and frame, centering his improvisations in a place overflown with pagan desire and unbound in deliverance. Here he flies up and down the neck, his manner less pristine, yet more exquisite, a flailing, flowing-on-the-river medley through stubborn whitewater turbulence, post-grass and folk's classical gas. Anybody who takes a snort of this here Hillbilly Erotica will find a frankly spellbinding richness of intent and execution in their ear-mouths. And may thereafter find brain and blightness. It's fine! Like with Hillbilly Ragas, Sir Richard plays one acoustic guitar on all eight Hillbilly Erotica cuts, no overdubs and, but for the closing 'Postcoital Serenade,' improvised entirely. The not-so-sexy 'sexy' angle of song titles like 'Lick Skillet,' 'Sweet Lips,' 'Hookers Bend,' and 'Finger, Tennessee' is actually actual names for dots on the map in rural TN, each one just five minutes removed -- by horse, of course -- from Richard's dad's remote Enville homestead, its town name purloined previously for a song on 2020's Oneiric Formulary. This ancestral interzone's a venue of interest for Rick, allowing him to ask the deep questions, like 'What the hell has been going on around here with place names like these?' while running down the changes like no one else before. Hillbilly Erotica promises unspoken wonders of the world around each and every dark corner, revelations of legacy, a new spyglass to sight your forebears! Imagined American music at its most gorgeous and violent, simply achieved by Sir Richard Bishop through a powerful application of steel-stringed instrumentation and delightfully exhaustive flights of speculative thought."

Artist	Title	Format	Label	Catalog #
BISHOP, SIR RICHARD	Hillbilly Erotica	LP	DRAG CITY	DC 988LP
$20.00 PREORDER RELEASE DATE: 7/31/2026 LP version. "Sir Richard Bishop returns for a new spontaneous six-string meshing of people's music, recollections and psychic intentions. Are y'all ready for some Hillbilly Erotica? Migration from last album's Ragas to this new Erotica is another chapter in Bishop's progress, drifting via songs into the further frontiers of his pappy's hometown sounds, trancing over and out in their hand-me-down clothes. As with the ragas, the 'rotica's hung round the neck of John Fahey's infamous dubbing of certain traditional American folk sounds as 'American Primitive.' A perfectly good thought, but Sir Richard picks his own axe and chose a separate path. Rushing through gutters and picking pickled brains in the saucy headwaters of the down-low and literal American primitive, his hillbilly music is a mash of brined cultural inheritance, mini-ragas and moonshine-drunk savagery breaking out on the frets. As a conception for Sir Rick's acoustic guitar music, it's a dynamite means and frame, centering his improvisations in a place overflown with pagan desire and unbound in deliverance. Here he flies up and down the neck, his manner less pristine, yet more exquisite, a flailing, flowing-on-the-river medley through stubborn whitewater turbulence, post-grass and folk's classical gas. Anybody who takes a snort of this here Hillbilly Erotica will find a frankly spellbinding richness of intent and execution in their ear-mouths. And may thereafter find brain and blightness. It's fine! Like with Hillbilly Ragas, Sir Richard plays one acoustic guitar on all eight Hillbilly Erotica cuts, no overdubs and, but for the closing 'Postcoital Serenade,' improvised entirely. The not-so-sexy 'sexy' angle of song titles like 'Lick Skillet,' 'Sweet Lips,' 'Hookers Bend,' and 'Finger, Tennessee' is actually actual names for dots on the map in rural TN, each one just five minutes removed -- by horse, of course -- from Richard's dad's remote Enville homestead, its town name purloined previously for a song on 2020's Oneiric Formulary. This ancestral interzone's a venue of interest for Rick, allowing him to ask the deep questions, like 'What the hell has been going on around here with place names like these?' while running down the changes like no one else before. Hillbilly Erotica promises unspoken wonders of the world around each and every dark corner, revelations of legacy, a new spyglass to sight your forebears! Imagined American music at its most gorgeous and violent, simply achieved by Sir Richard Bishop through a powerful application of steel-stringed instrumentation and delightfully exhaustive flights of speculative thought."

Artist	Title	Format	Label	Catalog #
MLO	Io	CD	FOREVER RECORDS	FRVR 003CD
$19.00 PREORDER RELEASE DATE: 7/31/2026 Sublime frequencies from the golden era of ambient electronica. Plumbing hidden depths beneath a deceptively tranquil surface, MLO's mid-'90s masterpiece Io is an overlooked gem from a golden era for ambient electronic music. Originally released in 1994, Jon Tye and Pete Smith's collaborative album responded to the growing chill-out movement by leaning into classical and avant-garde influences from Satie, Debussy, and Cage through to Soft Machine, Incredible String Band, and Eno. Recorded across various studios stacked with classic and rare synths, Io was patiently composed into slowly unfolding suites punctuated with ripples of arrhythmic interference to arrive at a purist vision of true ambient. The next instalment in Forever Records' ongoing reissue series shines a light back on this landmark piece of UK electronica with the first official reissue since its original edition on Rising High. As well as the original double LP (FRVR 003LP) pressing and a new CD digipak version, there is also a uniquely numbered, limited edition housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased versions of the album's opening cut, "Wimborne" (FRVR 003LTD-LP).

Artist	Title	Format	Label	Catalog #
MLO	Io	2LP	FOREVER RECORDS	FRVR 003LP
$41.00 PREORDER RELEASE DATE: 7/31/2026 Double LP version. Sublime frequencies from the golden era of ambient electronica. Plumbing hidden depths beneath a deceptively tranquil surface, MLO's mid-'90s masterpiece Io is an overlooked gem from a golden era for ambient electronic music. Originally released in 1994, Jon Tye and Pete Smith's collaborative album responded to the growing chill-out movement by leaning into classical and avant-garde influences from Satie, Debussy, and Cage through to Soft Machine, Incredible String Band, and Eno. Recorded across various studios stacked with classic and rare synths, Io was patiently composed into slowly unfolding suites punctuated with ripples of arrhythmic interference to arrive at a purist vision of true ambient. The next instalment in Forever Records' ongoing reissue series shines a light back on this landmark piece of UK electronica with the first official reissue since its original edition on Rising High.

Artist	Title	Format	Label	Catalog #
MLO	Io (Limited Edition With Bonus 10")	2LP + 10"	FOREVER RECORDS	FRVR 003LTD-LP
$51.00 PREORDER RELEASE DATE: 7/31/2026 Double LP version. Includes bonus 10". Sublime frequencies from the golden era of ambient electronica. Plumbing hidden depths beneath a deceptively tranquil surface, MLO's mid-'90s masterpiece Io is an overlooked gem from a golden era for ambient electronic music. Originally released in 1994, Jon Tye and Pete Smith's collaborative album responded to the growing chill-out movement by leaning into classical and avant-garde influences from Satie, Debussy, and Cage through to Soft Machine, Incredible String Band, and Eno. Recorded across various studios stacked with classic and rare synths, Io was patiently composed into slowly unfolding suites punctuated with ripples of arrhythmic interference to arrive at a purist vision of true ambient. The next instalment in Forever Records' ongoing reissue series shines a light back on this landmark piece of UK electronica with the first official reissue since its original edition on Rising High.

Artist	Title	Format	Label	Catalog #
ELEH	Floating Frequencies/Intuitive Synthesis 1	LP	IMPORTANT RECORDS	IMPREC 125LP
$18.50 PREORDER RELEASE DATE: 7/31/2026 When Eleh's debut Floating Frequencies/Intuitive Synthesis I was originally released it was praised as a powerful piece of new electronic minimalism. Twenty years later the artist's legacy has grown while Eleh continues to hypnotize new listeners with time stopping music. Critics, fans and neurologists have praised the music of Eleh as aiding attention and focus while seeming to slow time. Eleh's slow change drones are a state of flow hypnotizing listeners into meditative focus. From the original packaging: "Pure Sound. Pure Volume. Pure Analog. Dedicated To La Monte Young." Eleh began in 1999 as an exploration of analog synthesis, emphasizing low frequency difference tones and other resonant acoustic phenomena. Eleh highlights the physical presence of sound as it has been inspired by the physical world. There is also something "cathedral-like" and cosmos-inducing in the sound constructed by Eleh. This audiophile quality presentation of Eleh's debut album was mastered by Tom Eaton at Sounds And Substance and manufactured at Optimal in Germany for the lowest possible noise floor and the highest analog resolution. Packaged using a 5th color metallic shimmer ink on solid black board stock. "Nuances of sound turn symphonic." --New York Times "Eleh's sounds move by stealth and are sculpted from the world rather than from ego. Eleh is not a personality; Eleh is an idea about sound. Eleh forces you to contemplate the cosmos and your place in it." --Gramophone "Eleh demonstrates how a single amplified gesture delivered just so can reveal the inner workings of an entire cosmos." --Tony Herrington/Wire

Artist	Title	Format	Label	Catalog #
DURUTTI COLUMN, THE	Renascent	CD	LONDON RECORDS	LMS 1725758
$16.00 PREORDER RELEASE DATE: 7/31/2026 Renascent marks the long-awaited return of legendary Manchester outfit The Durutti Column, their first new studio album in over fifteen years, produced by Keir Stewart. Around the guitar work of Vini Reilly, the album plays between sonic atmospherics and structure: warm ambient washes, piano, beats and guest vocal turns by a new generation (Caoilfhionn Rose on "Agonistes" and Lucas Elliot on CD bonus track "All they See is Fire"). Both contemporary and otherworldly, and with a swathe of new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis), Renascent is a timely and vital rebirth for The Durutti Column. Artwork by long-time collaborators 8vo. CD features an exclusive additional bonus track "All They See is Fire." Also available on 1LP yellow standard edition (LMS 1725759) and 1LP coke bottle green deluxe edition (LMS 1725760) with exclusive alternative artwork, gatefold sleeve and large format 12-page booklet.

Artist	Title	Format	Label	Catalog #
DURUTTI COLUMN, THE	Renascent	LP	LONDON RECORDS	LMS 1725759
$31.50 PREORDER RELEASE DATE: 7/31/2026 LP version. Yellow vinyl. Renascent marks the long-awaited return of legendary Manchester outfit The Durutti Column, their first new studio album in over fifteen years, produced by Keir Stewart. Around the guitar work of Vini Reilly, the album plays between sonic atmospherics and structure: warm ambient washes, piano, beats and guest vocal turns by a new generation (Caoilfhionn Rose on "Agonistes" and Lucas Elliot on CD bonus track "All they See is Fire"). Both contemporary and otherworldly, and with a swathe of new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis), Renascent is a timely and vital rebirth for The Durutti Column. Artwork by long-time collaborators 8vo.

Artist	Title	Format	Label	Catalog #
DURUTTI COLUMN, THE	Renascent (Green Vinyl)	LP	LONDON RECORDS	LMS 1725760
$40.00 PREORDER RELEASE DATE: 7/31/2026 Deluxe LP version. Coke-bottle green vinyl. Renascent marks the long-awaited return of legendary Manchester outfit The Durutti Column, their first new studio album in over fifteen years, produced by Keir Stewart. Around the guitar work of Vini Reilly, the album plays between sonic atmospherics and structure: warm ambient washes, piano, beats and guest vocal turns by a new generation (Caoilfhionn Rose on "Agonistes" and Lucas Elliot on CD bonus track "All they See is Fire"). Both contemporary and otherworldly, and with a swathe of new champions citing the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis), Renascent is a timely and vital rebirth for The Durutti Column. Artwork by long-time collaborators 8vo.

Artist	Title	Format	Label	Catalog #
GAYE, MARVIN	Clap Your Hands: Zommerhappening, Live In Ostende, 4th July '81	LP	OUTSIDER (ITALY)	OUTS 049LP
$25.00 PREORDER RELEASE DATE: 7/31/2026 Marvin Gaye performed a legendary concert at the Kursaal Casino in Ostend, Belgium, on July 4, 1981, as part of a local festival. This comeback show in Europe marked the beginning of his celebrated recovery after financial and personal problems.

Artist	Title	Format	Label	Catalog #
NEW YORK DOLLS	Live in 1973	LP	1960'S RECORDS	RANDB 182LP
$28.50 PREORDER RELEASE DATE: 7/31/2026 Twelve tracks from the New York Dolls recorded live for TV and radio in 1973, showcasing a raucous rock'n'roll band in their prime. Two cover versions -- "Hoochie Coochie Man" and "Give Her A Great Big Kiss" -- were never included on either of the band's two original studio LPs. Comes with full recording details and extensive sleeve notes.

Artist	Title	Format	Label	Catalog #
I MARC 4	Silver Music	LP	SONOR MUSIC EDITIONS	SME 093LP
$36.50 PREORDER RELEASE DATE: 7/31/2026 The legends of the golden era of Italian soundtracks and library music go by many names, but the backbone of that era's definitive sonic identity is most often identified as I Marc 4 (also known as Marc 4 or I Marc Quattro). While the moniker might be less familiar to the uninitiated, it is a simple acronym derived from its founding members: Maurizio Majorana (bass), Antonello Vannucchi (organ), Roberto Podio (drums and percussion), and Carlo Pes (guitar). The number 4 serves to highlight the core synergy of these four master musicians. Their journey began in Rome's vibrant jazz scene of the 1950s and early 1960s, where they honed their craft as members of the RAI national orchestra and collaborated with the most prominent jazz and pop icons of the day. However, it was their pivotal role in defining the Italian cinematic sound of the 1960s and 1970s that secured their legacy. Their unmistakable style was an eclectic fusion of beat, jazz, classical, and Latin influences -- textured with early synthesizers, experimental sound effects, and a blend of electronic and baroque instrumentation. Beyond their work as session luminaries, they produced a vast body of library music under their own name at the legendary Telecinesound Studios in Rome. These recordings were released through prestigious library labels like Sermi, Ricordi, and Fonit Cetra, as well as through their own imprints: Nelson Records, Silver Men, and Silver Music, spanning a definitive series of sixteen albums. Ten of these volumes were issued on Nelson Records during the 1970s, featuring the now-iconic military stencil design. The series was completed by two elusive companion releases: S.M. 2001 on Silver Music and S.M. 2002 on Silver Men, both presented in the same distinctive brown sleeve. Rediscovered in the 1990s and 2000s, these Nelson releases have since achieved cult status among collectors, producers, and DJs worldwide. The final two installments, S.M. 2001 and S.M. 2002, remain the rarest and most enigmatic of the set. Often overlooked, they contain some of the most profound "hidden gems" in the group's catalog. Sonor Music Editions has meticulously curated the finest moments from these two rare albums for this first-ever dedicated reissue. Bringing together the best of Silver Music (S.M. 2001) and Silver Men (S.M. 2002), this release retains the iconic stencil artwork but introduces a striking silver finish. This design choice honors the original ten-album sequence while shedding new light on these outstanding recordings -- works that remain, in every sense, golden.

Artist	Title	Format	Label	Catalog #
ABORYM	With No Human Intervention	2LP	SUBSOUND RECORDS	SSR 170LP
$51.50 PREORDER RELEASE DATE: 7/31/2026 Aborym's 2003 album, With No Human Intervention, marks a key moment in European industrial black metal. Compared to their debut, the band pushes the fusion of black metal and industrial electronics even further, creating a colder, more mechanical, and chaotic sound. The extreme guitars and signature black metal vocals intertwine with drum machines, abrasive synths, and digital noises, giving the impression of an almost "dehumanized" music, as the title suggests. The atmosphere is dystopian and aggressive, far removed from more traditional metal: it focuses not on melody but on a dense and oppressive sonic impact, where everything seems filtered through a technological lens. In short, it's an album that pushes the idea of black metal to the extreme, bringing it into an industrial and cyberpunk universe, becoming one of the band's most iconic works. Also available on red/black splatter color vinyl (SSR 170LTD-LP).

Artist	Title	Format	Label	Catalog #
ABORYM	With No Human Intervention (Red/Black Vinyl)	2LP	SUBSOUND RECORDS	SSR 170LTD-LP
$59.50 PREORDER RELEASE DATE: 7/31/2026 Red/black splatter color vinyl version. Aborym's 2003 album, With No Human Intervention, marks a key moment in European industrial black metal. Compared to their debut, the band pushes the fusion of black metal and industrial electronics even further, creating a colder, more mechanical, and chaotic sound. The extreme guitars and signature black metal vocals intertwine with drum machines, abrasive synths, and digital noises, giving the impression of an almost "dehumanized" music, as the title suggests. The atmosphere is dystopian and aggressive, far removed from more traditional metal: it focuses not on melody but on a dense and oppressive sonic impact, where everything seems filtered through a technological lens. In short, it's an album that pushes the idea of black metal to the extreme, bringing it into an industrial and cyberpunk universe, becoming one of the band's most iconic works.

Artist	Title	Format	Label	Catalog #
VA	Cyberpunk 2077: Future Sound of Night City	CD	WRWTFWW RECORDS	WRWTFWW 094CD
$27.00 PREORDER RELEASE DATE: 7/31/2026 WRWTFWW Records presents the first ever release for the Cyberpunk 2077: Future Sound of Night City soundtrack -- atmospheric music from one of the most celebrated video games of the decade! The compilation showcases a who's who of Polish electronic underground. Dive deep into the pulsating world of Cyberpunk 2077 with an immersive soundscape perfectly capturing the gritty and neon-soaked streets of Night City. Curated by Rafał Grobel and Wojtek Sokół of Most Records, the epic 15-track compilation features a diverse offering of electrifying Polish beats, cohesively flowing between techno, ambient, synthwave, bass music, industrial, and IDM. Ominous, powerful, evocative, and filled with futuristic nostalgia, the music of Night City is a thrill ride in a dystopian urban landscape, heavy hearts riding through the night, menacing streets surrounded by infinite skyscrapers. The music transports you, soul-stirring, cinematic, and timeless, the most beautiful kind of escapism. The award-winning Cyberpunk 2077 action role-playing game was developed by CD Projekt Red and published in 2020 and has since become one of the most recognized and best-selling video games of all time. With a cast including Keanu Reeves and Idris Elba, unmistakable visuals, music, and atmosphere, CP77 has earned a spot in the pantheon of 2020s pop culture. Featuring Lutto Lento, Chino, Hatti Vatti, Private Press, Earth Trax, SLG, Poly Face, FOQL, Mchy i Porosty, and Eltron.

Artist	Title	Format	Label	Catalog #
VA	Cyberpunk 2077: Future Sound of Night City	3LP	WRWTFWW RECORDS	WRWTFWW 094LP
$54.00 PREORDER RELEASE DATE: 7/31/2026 3LP version. Limited yellow color vinyl. 45rpm cut, triple gatefold sleeve. WRWTFWW Records presents the first ever release for the Cyberpunk 2077: Future Sound of Night City soundtrack -- atmospheric music from one of the most celebrated video games of the decade! The compilation showcases a who's who of Polish electronic underground. Dive deep into the pulsating world of Cyberpunk 2077 with an immersive soundscape perfectly capturing the gritty and neon-soaked streets of Night City. Curated by Rafał Grobel and Wojtek Sokół of Most Records, the epic 15-track compilation features a diverse offering of electrifying Polish beats, cohesively flowing between techno, ambient, synthwave, bass music, industrial, and IDM. Ominous, powerful, evocative, and filled with futuristic nostalgia, the music of Night City is a thrill ride in a dystopian urban landscape, heavy hearts riding through the night, menacing streets surrounded by infinite skyscrapers. The music transports you, soul-stirring, cinematic, and timeless, the most beautiful kind of escapism. The award-winning Cyberpunk 2077 action role-playing game was developed by CD Projekt Red and published in 2020 and has since become one of the most recognized and best-selling video games of all time. With a cast including Keanu Reeves and Idris Elba, unmistakable visuals, music, and atmosphere, CP77 has earned a spot in the pantheon of 2020s pop culture. Featuring Lutto Lento, Chino, Hatti Vatti, Private Press, Earth Trax, SLG, Poly Face, FOQL, Mchy i Porosty, and Eltron.

Artist	Title	Format	Label	Catalog #
CLUSTER	Zuckerzeit	CD	BUREAU B	BB 447CD
$16.50 PREORDER RELEASE DATE: 8/7/2026 Released in 1974, Zuckerzeit marks a clear turning point in Cluster's work, introducing shorter formats and a more defined rhythmic framework. The increased use of drum machines and structured sequencing sets it apart from the duo's earlier, more diffuse recordings, while maintaining a focus on texture and tone. Developed in close proximity to Michael Rother and under increasingly independent production conditions, the album establishes a more direct and accessible approach without simplifying its underlying ideas. This standard edition makes the album available again on CD and vinyl following the previous limited anniversary release. A key recording in Cluster's catalogue, capturing a pivotal moment of transition and refinement. In 1974, Cluster entered the sugar era. Many a thing had changed for band members Moebius and Roedelius since Cluster II: They had moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set up their own studio and had bought new equipment. As a result of this and many other things, new impulses were noticeably spurring the evolution of their music. The album Zuckerzeit ("sugar era") launched a revolution for Cluster. Strictly speaking, Zuckerzeit is not really an album by Cluster. More precisely, the LP contains two mini solo albums by Moebius and Roedelius. Those who were familiar with the stylistic peculiarities of the two musicians could easily relate the solo pieces to either one of them. As Roedelius and Moebius had not yet released any solo works by the time, it was actually not possible to draw up any comparisons yet. Zuckerzeit is light and cheerful, freed from the Germanic gravity and the mystic incense fumes that were so fashionable at the time. Cluster managed to keep both feet on the ground without becoming plain or even sterile. The friendliness of the music is clearly due to the two personalities of Roedelius and Moebius; its down-to-earth character possibly comes from Michael Rother, the album's coproducer. When comparing Zuckerzeit to the works of other electronic combos produced at the same time, it is first of all the shortness of the tracks that seems most striking. The fact that Cluster worked in such a calm and collected way, that they concentrated on their musical ideas instead of losing themselves in long-windedness -- all this taken together gave way to the creation of electronic miniatures that sounded as extraordinary in the 1970s as they still do today.

Artist	Title	Format	Label	Catalog #
CLUSTER	Zuckerzeit	LP	BUREAU B	BB 447LP
$26.00 PREORDER RELEASE DATE: 8/7/2026 LP version. Released in 1974, Zuckerzeit marks a clear turning point in Cluster's work, introducing shorter formats and a more defined rhythmic framework. The increased use of drum machines and structured sequencing sets it apart from the duo's earlier, more diffuse recordings, while maintaining a focus on texture and tone. Developed in close proximity to Michael Rother and under increasingly independent production conditions, the album establishes a more direct and accessible approach without simplifying its underlying ideas. This standard edition makes the album available again on CD and vinyl following the previous limited anniversary release. A key recording in Cluster's catalogue, capturing a pivotal moment of transition and refinement. In 1974, Cluster entered the sugar era. Many a thing had changed for band members Moebius and Roedelius since Cluster II: They had moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set up their own studio and had bought new equipment. As a result of this and many other things, new impulses were noticeably spurring the evolution of their music. The album Zuckerzeit ("sugar era") launched a revolution for Cluster. Strictly speaking, Zuckerzeit is not really an album by Cluster. More precisely, the LP contains two mini solo albums by Moebius and Roedelius. Those who were familiar with the stylistic peculiarities of the two musicians could easily relate the solo pieces to either one of them. As Roedelius and Moebius had not yet released any solo works by the time, it was actually not possible to draw up any comparisons yet. Zuckerzeit is light and cheerful, freed from the Germanic gravity and the mystic incense fumes that were so fashionable at the time. Cluster managed to keep both feet on the ground without becoming plain or even sterile. The friendliness of the music is clearly due to the two personalities of Roedelius and Moebius; its down-to-earth character possibly comes from Michael Rother, the album's coproducer. When comparing Zuckerzeit to the works of other electronic combos produced at the same time, it is first of all the shortness of the tracks that seems most striking. The fact that Cluster worked in such a calm and collected way, that they concentrated on their musical ideas instead of losing themselves in long-windedness -- all this taken together gave way to the creation of electronic miniatures that sounded as extraordinary in the 1970s as they still do today.

Artist	Title	Format	Label	Catalog #
ROBOTMAN FEAT. MARSHALL JEFFERSON	Do Da Doo	12"	DEFINITIVE RECORDINGS	DEFCLAS 032EP
$20.50 PREORDER RELEASE DATE: 8/7/2026 Definitive Recordings revisits one of its most iconic releases with a fresh reissue of Robotman feat. Marshall Jefferson -- "Do Da Doo," originally released in 1992. A cornerstone of the label's early catalogue, the track returns with newly re-recorded vocals by house legend Marshall Jefferson, bringing renewed energy to a timeless classic. Robotman, a moniker of Richie Hawtin (aka Plastikman), represents an essential chapter in the evolution of house and techno. On this release, the original Plastikman Acid House Mix stands as a true highlight. On the flipside, Detroit's DJ Minx brings a fresh perspective with a groove-heavy house interpretation.

Artist	Title	Format	Label	Catalog #
VA	Listen Up! Roots Reggae (Green Vinyl)	LP	KINGSTON SOUNDS	KSLP 035G-LP
$20.00 PREORDER RELEASE DATE: 8/7/2026 Welcome to the roots reggae sound. A period in reggae's history that followed the two year supremacy of rocksteady, that began to tail off around the end of 1968. The reggae sound many say did not come initially from the chop of the guitar but from the stabs from the keyboard/organ that produced that jeggae/jerking feel. The roots element can be heard in the heartfelt lyrics and the stories told in the songs. So sit back and enjoy some roots reggae straight from the heart of Jamaica. Featuring Johnny Clarke, Barry Brown, Cornell Campbell, Leroy Smart, Horace Andy, Linval Thompson, and Delroy Wilson.

Artist	Title	Format	Label	Catalog #
DURUTTI COLUMN, THE	Vini Reilly (2026 Re-Issue)	LP	LONDON RECORDS	LMS 1725862
$31.50 PREORDER RELEASE DATE: 8/7/2026 LP version. The Durutti Column's Vini Reilly album is available again to everyone. Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order). Many new champions cite the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis). Includes booklet.

Artist	Title	Format	Label	Catalog #
DURUTTI COLUMN, THE	Vini Reilly (2026 Re-Issue)	CD	LONDON RECORDS	LMS 1725876
$11.00 PREORDER RELEASE DATE: 8/7/2026 The Durutti Column's Vini Reilly album is available again to everyone. Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order). Many new champions cite the band as an influence (Blood Orange, Harry Styles, The Avalanches, Mark William Lewis). Includes booklet.

Artist	Title	Format	Label	Catalog #
MEHANNA, HANY	The Miracles Of The Seven Dances	LP	SOUMA RECORDS	RMLP 004X-LP
$28.50 PREORDER RELEASE DATE: 8/7/2026 2026 repress. The belly dance holy grail from the organ king of Cairo, combining traditional rhythms with spaced out modern sounds. Hany Mehanna, beloved musician and composer of the greatest artists from the Arab world such as Oum Kalthoum and Abdel Halim Hafez, shows himself from a more experimental side on his solo albums. Originally released in 1973, The Miracles of the Seven Dances is a pure work of genius: hypnotic organ grooves, psychedelic guitars, mystic strings and haunting percussion.

Artist	Title	Format	Label	Catalog #
VA	Zamaan Ya Sukkar	LP	SOUMA RECORDS	RMLP 005X-LP
$31.50 PREORDER RELEASE DATE: 8/7/2026 2026 repress. Zamaan Ya Sukkar is a rich musical portrait from the time when Cairo was the vibrant cultural heart of the Middle East and the grandeur of the leading orchestras was incomparable. Un-earthed Latin and jazz-tinged tracks will let your mind drift off to the glamorous nightlife of '60s Cairo. Meet some forgotten souls of the Egyptian music scene and cinema world. Sensual voices and Bolly-wood-like orchestra sounds inflame the senses of the body with an in-tangible exotic twist! All music is remastered from original 45's produced by Sono Cairo. Featuring Salim El Baroudi, Sayed Salamah, Abd Al Fattah Mansi, Soad Mohamed, Al Thourathy Al Mareh, Taha Al-Ugayl, Mohamed Fawzy, Magda Ali, and Sayed Salamah.

Artist	Title	Format	Label	Catalog #
JOHNSON AND RALPH HARRISSON, RAGNAR	Ethiopian Musics 1971	2CD	SUB ROSA	SR 584CD
$20.00 PREORDER RELEASE DATE: 8/7/2026 These recordings were made in the Empire of Ethiopia in 1971. The music recorded in Addis Ababa uses masenko fiddles, craar and bagana lyres, washint flutes and kabaro drums. There is folk music played in Addis Ababa tej beit bars with vocals, craar, masenko, washint and kabaro, Ethiopian Christian songs accompanied by the bagana large "Harp of David" and Mary Armede's craar accompanied Amharic sung poetry. There are Afar chants and flutes from the Danakil Desert, Anuak thumb piano, Nuer harp and dance drumming and a Fila Flute Dance from the Sudan and Kenya borderlands. A few words from the recordists: "The recordings that Ragnar Johnson and Ralph Harrisson made in Ethiopia in 1971 have preserved the skill of the musicians and the beauty of the music for posterity. After more than fifty years the music lives on for the listener."

Artist	Title	Format	Label	Catalog #
JOHNSON AND RALPH HARRISSON, RAGNAR	Ethiopian Musics 1971	2LP	SUB ROSA	SR 584LP
$33.00 PREORDER RELEASE DATE: 8/7/2026 Double LP version. These recordings were made in the Empire of Ethiopia in 1971. The music recorded in Addis Ababa uses masenko fiddles, craar and bagana lyres, washint flutes and kabaro drums. There is folk music played in Addis Ababa tej beit bars with vocals, craar, masenko, washint and kabaro, Ethiopian Christian songs accompanied by the bagana large "Harp of David" and Mary Armede's craar accompanied Amharic sung poetry. There are Afar chants and flutes from the Danakil Desert, Anuak thumb piano, Nuer harp and dance drumming and a Fila Flute Dance from the Sudan and Kenya borderlands. A few words from the recordists: "The recordings that Ragnar Johnson and Ralph Harrisson made in Ethiopia in 1971 have preserved the skill of the musicians and the beauty of the music for posterity. After more than fifty years the music lives on for the listener."

Artist	Title	Format	Label	Catalog #
PAGEANT	Astra EP	12"	STASIS RECORDINGS	SRWAX 028EP
$15.50 PREORDER RELEASE DATE: 8/7/2026 Pageant flexes his D&B production skills on this spatial themed four-track EP.

Artist	Title	Format	Label	Catalog #
PLANETARY ASSAULT SYSTEMS	Planetary People	3LP	OSTGUT TON	OSTGUT 039LP
$87.00 PREORDER RELEASE DATE: 8/14/2026 Since Temporary Suspension brought its machine-tooled weight and alien feeling to the label in 2009, each Planetary Assault Systems release on Ostgut Ton has been its own quest for discovery, from The Messenger's search for sounds not yet present in club music to Arc Angel's focus on melody to the deep hypnosis of Plantae. His new album, Planetary People has the deliberate imagination and depth of a record that took its time, shaped as much by live rooms and crowds as by the studio. "Into The Night" creates a haunting, dystopic environment of corroded acid saturated in echo, absorbing from the first second. "Labyrinth" breaks into buoyant tribal percussion, modulated chirps trading off over propulsive drums. "Quadrant 10" is clean, delay-drenched techno, buzzing with noise splatters over saturated thuds. "Sermon Of The Light Tides" scrambles metallic bell sequences that distort and evolve throughout, reminiscent of a dial-up modem crossed with a game of Frogger, squelching between percussive bursts and stripped-back kicks. "Brave Cosmo" is tormentingly menacing, eerie synths panning around buried vocal fragments over frantic percussion. "Retina Burn" rolls on fierce, cement-mixer 909 cycles, rave stabs over a ride that locks you in, the whole track stuttering and repeating before stripping back to a bare echoing kick and building itself again. "Thunder Major" barrels on open hats and reverb-drenched claps ricocheting through twisting wreaths of delay, mesmeric and relentless. "Beton Brut" marches juggernaut percussion stamping through hall reverb so vast you can visualize the room, the darkest and most unrelenting track on the record. "No Ninja" crunches in metallic and immediate, a wiry plucked lead threading through glitch with the bass held low and deep, mixed so precisely you can see every layer stacked in your mind's eye. "Ha Jam" is danceable techno with plenty of funk and a sophisticated looseness, a vocal laugh bouncing off clanging metal blocks and rave stabs. "Lynx" lowpasses its rave stabs and crystalline beeps, chirpy hats ticking, cold metal repeats, old school and mesmeric. "Generation Slip" closes everything out, ominous and churning, skittering percussion and electrical sparks rattling through steel, a freight train barreling on into oblivion.

Artist	Title	Format	Label	Catalog #
KALSOUM, OM	Alf Leila Wa Leila	LP	SOUMA RECORDS	SMR 001LP
$33.00 PREORDER RELEASE DATE: 8/14/2026 2026 repress. Om Kalsoum! They call her "The Rose of the Nile," "The Queen of the Nile," "The Daughter of the Nile" or even "The 4th Pyramid of Egypt" since she's known as the greatest Egyptian singer of all times. Om Kalsoum's mythical life story of a poor peasant girl who grew up to become the face of Egypt is a 20th-century fairytale. Almost half a decade after her death the power of her music and singing is still moving the hearts of millions of people worldwide. At the end of her overwhelming career she was introduced to the young but brilliant composer Baligh Hamdy who wrote this 30-minute lasting monument for her in 1969. In the footsteps of Mohamed Abdel Wahab, the godfather of Egyptian modern music, Baligh Hamdy refreshed the classical Egyptian orchestra sound with the addition of stylish instruments like electric guitar (Omar Khorshid), organ (Hany Mehanna), accordeon and horns that were adapted to the eastern tonal system. The studio version of this immortal Alf Leila we Leila must undeniably be archived under the best recordings ever made in music history!

Artist	Title	Format	Label	Catalog #
KALSOUM, OM	El Hob Kollo	LP	SOUMA RECORDS	SMR 002LP
$33.00 PREORDER RELEASE DATE: 8/14/2026 2026 repress. Om Kalsoum! They call her "The Rose of the Nile," "The Queen of the Nile," "The Daughter of the Nile" or even "The 4th Pyramid of Egypt" since she's known as the greatest Egyptian singer of all times. Om Kalsoum's mythical life story of a poor peasant girl who grew up to become the face of Egypt is a 20th-century fairytale. Almost half a decade after her death the power of her music and singing is still moving the hearts of millions of people worldwide. At the end of her overwhelming career, she was introduced to the young but brilliant composer Baligh Hamdy who wrote this 30-minute lasting monument for her in 1970. In the footsteps of Mohamed Abdel Wahab, the godfather of Egyptian modern music, Baligh Hamdy refreshed the classical Egyptian orchestra sound with the addition of stylish instruments like accordeon (Faruk Salamah), electric guitar (Omar Khorshid), organ (Gamal Salamah) and horns that were adapted to the eastern tonal system. Together with the immortal Alf Leila we Leila, El Hob Kollo must undeniably be archived under the best recordings ever made in music history!

Artist	Title	Format	Label	Catalog #
KALSOUM, OM	Enta Omri	LP	SOUMA RECORDS	SMR 003LP
$33.00 PREORDER RELEASE DATE: 8/14/2026 2026 repress. "Enta Omri" is Om Kalsoum's most famous song, composed by Mohamed Abdel Wahab, who is still rightly regarded as a prominent musician and composer in Egypt. The creation of this song was the first long expected collaboration of two musical giants, which came at the repeated urging of Egyptian President Gamal Abdul Nasser. There was talk in Egypt on the streets and in the media about what was believed to be a cold relationship between the two legends. Finally, after years of estrangement, Mohamed Abdel Wahab took the initiative and offered Om Kalsoum a song by poet Ahmed Shafiq Kamel, for which he had just composed a musical score. To his surprise, she responded positively and started to like the theme upon hearing it a few times. After a month of rehearsals, "Enta Omri" was released in February 1964 to critical acclaim and packed performances. The event was so grand it was labeled "The Cloud Meeting." With "Enta Omri," Abdel Wahab opened up the traditional repertoire of the diva to a more innovative style, which the composer was known for. The use of the electric guitar and a long instrumental intro, fusing oriental themes with Western musical elements, made the song particularly special, securing its place in Egyptian musical history. Despite some criticism from other Egyptian composers from that era, the song was soon recognized as a milestone and opened a path to modernize Arabic music for many other musicians and singers. "Enta Omri" is loved by Arab and non-Arab audiences alike. Paying respect to the great diva, dozens of artists around the world have reinterpreted the song, adopting the intro's catchy guitar melody in their compositions.

Artist	Title	Format	Label	Catalog #
KALSOUM, OM	Laylat Hob	LP	SOUMA RECORDS	SMR 004LP
$33.00 PREORDER RELEASE DATE: 8/14/2026 2026 repress. The rich and lengthy instrumental intro is just a precursor of the emotion present in this song. The talent of the composer is underlined by how he utilizes the traditional style of singing poetry in a more open and creative way. Abdel Wahab's infusing of long and groovy interludes with varied tonality, rhythmical patterns and an overall unique approach, carries Om Kalsoum's powerful voice and brings the song to an incredible climax. In this way, he gives more color and depth to the music and the skilled soloists in the orchestra are finally able to breathe. Sensual rhythms, breaks and dazzling solos of accordeon (Faruk Salamah), guitar (Omar Khorshid), violin (Ahmed Al Hefnawy) and organ (Hany Mehanna), have ensured this song is an all-time classic for belly dance routines. Souma Records thought it was time to re-release this monument on a high-quality vinyl format.

Artist	Title	Format	Label	Catalog #
HUDSON, KEITH	Torch Of Freedom	2LP	17 NORTH PARADE	VP 2773LP
$43.00 PREORDER RELEASE DATE: 8/14/2026 "Limited edition double LP set. For the first time together, the complete Torch Of Freedom sessions. The acclaimed follow up to the classic Pick A Dub And Flesh Of My Skin album. Original raw manmba label Jamaican mix, plus Keith's UK remix and re-sequence. Includes bonus dub crying previously only available on rare import 7" single. Features the classic 'Turn The Heater On' as cover by New Order. Extensive sleeve notes by Keith Hudson biographer Vincent Ellis."

Artist	Title	Format	Label	Catalog #
MAGMA	1001 Centigrades	CD	GM RECORDS	GME 936CD
$20.00 PREORDER RELEASE DATE: 8/21/2026 2026 repress forthcoming. Magma, is a French cross-genre, jazz-rock rooted, progressive rock and fusion band founded in 1969 by drummer Christian Vander. Magma have existed in two phases, the first was formed in the summer of 1969 and debuted on LP in 1970, continuing through to 1983. 1001 Centigrades was released April of 1971.

Artist	Title	Format	Label	Catalog #
MAGMA	Kobaia	2CD	GM RECORDS	GME 938CD
$20.00 PREORDER RELEASE DATE: 8/21/2026 2026 repress forthcoming. Magma, is a French cross-genre, jazz-rock rooted, progressive rock and fusion band founded in 1969 by drummer Christian Vander. Magma have existed in two phases, the first was formed in the summer of 1969 and debuted on LP in 1970, continuing through to 1983. Kobaia was released in the spring of 1970.

Artist	Title	Format	Label	Catalog #
HAPPY MONDAYS	Pills 'n' Thrills and Bellyaches (2026 Edition)	2CD	LONDON RECORDS	LMS 1725733
$20.00 PREORDER RELEASE DATE: 8/21/2026 Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.

Artist	Title	Format	Label	Catalog #
HAPPY MONDAYS	Pills 'n' Thrills and Bellyaches (2026 Edition)	4CD BOX	LONDON RECORDS	LMS 1725734
$82.50 PREORDER RELEASE DATE: 8/21/2026 4CD box version. Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.

Artist	Title	Format	Label	Catalog #
HAPPY MONDAYS	Pills 'n' Thrills and Bellyaches (2026 Edition)	LP	LONDON RECORDS	LMS 1725735
$30.50 PREORDER RELEASE DATE: 8/21/2026 LP version. Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.

Artist	Title	Format	Label	Catalog #
HAPPY MONDAYS	Pills 'n' Thrills and Bellyaches (2026 Edition) (Red Vinyl)	LP	LONDON RECORDS	LMS 1725739
$32.00 PREORDER RELEASE DATE: 8/21/2026 LP version. Red color vinyl. Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.

Artist	Title	Format	Label	Catalog #
HAPPY MONDAYS	Pills 'n' Thrills and Bellyaches (2026 Edition)	5LP BOX	LONDON RECORDS	LMS 1725740
$191.50 PREORDER RELEASE DATE: 8/21/2026 5LP box set version. Originally released in 1990 by Happy Mondays, this album captured the chaotic, euphoric spirit of the Madchester movement, blending indie rock, acid house rhythms and funk grooves into a sound that helped reshape British alternative music. Featuring era-defining tracks such as "Step On" and "Kinky Afro," the record became both a commercial breakthrough and a cultural snapshot of a generation fueled by dance culture and Northern nightlife. More than three decades later, its grooves, attitude and genre-blurring production still resonate strongly with contemporary audiences, influencing modern indie and electronicartists alike. This 2026 reissue of Pills 'n' Thrills and Bellyaches is presented in multiple formats, and marks the first major reissue campaign for one of the defining records of the late-'80s/early-'90s British club and indie crossover era. Available as: 5LP Boxset (LMS 1725740), which includes 64-page hardback bound book with brand new essays from James Brown and Central Station, previously unseen photos and more, plus a Slipmat and folded tour poster. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 4CD Boxset (LMS 1725734), which includes 60-page booklet with brand new essays from James Brown and Central Station, as well as previously unseen photos and more. Includes the remaster album, remixes, rarities, the Baby Bighead Bootleg live album from 1991 restored; 2CD version (LMS 1725733) , featuring the remasted album plus 12 remixes; red color LP version (LMS 1725739), featuring the remastered album; black LP version (LMS 1725740), featuring remastered album. All Audio fully remastered on all formats.

Artist	Title	Format	Label	Catalog #
CRAMPS, THE	Gravest Gravy	CD	VENGEANCE RECORDS	VEN 678CD
$16.00 PREORDER RELEASE DATE: 8/21/2026 "In October 1977, the Cramps ventured into Ardent Studios in Memphis, Tennessee with producer and Cramps translator extraordinaire, Alex Chilton. The band had planned on recording their song 'TV Set,' as an A side, along with another track or tracks. Mr. Chilton told them the way he liked to work was to have a band record a lot of songs and from that they would pick the best of the bunch. Luckily for Cramps fans everywhere, the band did just that. The first evidence of these sessions was unleashed upon an 'unsuspecting human world' in April 1978 on the band's own Vengeance Records label. It was a two song 7-inch with a version of the Trashmen's 1963 classic 'Surfin' Bird,' pushed well beyond its breaking point, forcing it to mutate into a much higher form of lowdown, and Jack Scott's 1959 cool burning 'The Way I Walk,' dragged back into the Stone Age. After one listen, it was clear the Cramps had absolutely tapped into rock 'n' roll's mainline. In November of the same year, and again from the October 1977 sessions came another two-song lesson in how it's done, or undone, with easily one of the greatest A sides of all time: 'Human Fly.' The B side was held hostage by 'Domino,' originally sung by Roy Orbison. The Cramps' version swaggers with infinite confidence and is an absolute thrill to listen to. In the summer of 1979, young degenerates in England were treated to a 12-inch by the Cramps called Gravest Hits, which featured not only the aforementioned four tracks, but also a fifth, again from the October 1977 sessions. This release features the legendary band's unreleased sessions with producer Alex Chilton from 1977. Liner Notes by Henry Rollins."

Artist	Title	Format	Label	Catalog #
CRAMPS, THE	Gravest Gravy	LP	VENGEANCE RECORDS	VEN 678LP
$27.00 PREORDER RELEASE DATE: 8/21/2026 LP version. "In October 1977, the Cramps ventured into Ardent Studios in Memphis, Tennessee with producer and Cramps translator extraordinaire, Alex Chilton. The band had planned on recording their song 'TV Set,' as an A side, along with another track or tracks. Mr. Chilton told them the way he liked to work was to have a band record a lot of songs and from that they would pick the best of the bunch. Luckily for Cramps fans everywhere, the band did just that. The first evidence of these sessions was unleashed upon an 'unsuspecting human world' in April 1978 on the band's own Vengeance Records label. It was a two song 7-inch with a version of the Trashmen's 1963 classic 'Surfin' Bird,' pushed well beyond its breaking point, forcing it to mutate into a much higher form of lowdown, and Jack Scott's 1959 cool burning 'The Way I Walk,' dragged back into the Stone Age. After one listen, it was clear the Cramps had absolutely tapped into rock 'n' roll's mainline. In November of the same year, and again from the October 1977 sessions came another two-song lesson in how it's done, or undone, with easily one of the greatest A sides of all time: 'Human Fly.' The B side was held hostage by 'Domino,' originally sung by Roy Orbison. The Cramps' version swaggers with infinite confidence and is an absolute thrill to listen to. In the summer of 1979, young degenerates in England were treated to a 12-inch by the Cramps called Gravest Hits, which featured not only the aforementioned four tracks, but also a fifth, again from the October 1977 sessions. This release features the legendary band's unreleased sessions with producer Alex Chilton from 1977. Liner Notes by Henry Rollins."

Artist	Title	Format	Label	Catalog #
CRAMPS, THE	Gravest Gravy (Color Vinyl)	LP	VENGEANCE RECORDS	VEN 678X-LP
$29.00 PREORDER RELEASE DATE: 8/21/2026 LP version. Glow in the dark color vinyl. "In October 1977, the Cramps ventured into Ardent Studios in Memphis, Tennessee with producer and Cramps translator extraordinaire, Alex Chilton. The band had planned on recording their song 'TV Set,' as an A side, along with another track or tracks. Mr. Chilton told them the way he liked to work was to have a band record a lot of songs and from that they would pick the best of the bunch. Luckily for Cramps fans everywhere, the band did just that. The first evidence of these sessions was unleashed upon an 'unsuspecting human world' in April 1978 on the band's own Vengeance Records label. It was a two song 7-inch with a version of the Trashmen's 1963 classic 'Surfin' Bird,' pushed well beyond its breaking point, forcing it to mutate into a much higher form of lowdown, and Jack Scott's 1959 cool burning 'The Way I Walk,' dragged back into the Stone Age. After one listen, it was clear the Cramps had absolutely tapped into rock 'n' roll's mainline. In November of the same year, and again from the October 1977 sessions came another two-song lesson in how it's done, or undone, with easily one of the greatest A sides of all time: 'Human Fly.' The B side was held hostage by 'Domino,' originally sung by Roy Orbison. The Cramps' version swaggers with infinite confidence and is an absolute thrill to listen to. In the summer of 1979, young degenerates in England were treated to a 12-inch by the Cramps called Gravest Hits, which featured not only the aforementioned four tracks, but also a fifth, again from the October 1977 sessions. This release features the legendary band's unreleased sessions with producer Alex Chilton from 1977. Liner Notes by Henry Rollins."

Artist	Title	Format	Label	Catalog #
ANDY, HORACE	A Serious Thing	LP	GORGON MUSIC	VPRL 4243LP
$43.00 PREORDER RELEASE DATE: 8/21/2026 "20 Massive Hits from Horace Andy on one beautifully packaged essential double album. Includes hit after hit including 'Skylarking,' 'Just Say Who,' 'Money Money,' 'Zion Gate' and many more. Features the original 'You Are My Angel' as later re-imagined with Massive Attack on their multi-million selling Mezzanine album. Produced by Bunny Lee at Channel One, Dynamics, Harry J's, Joe Gibbs & Randy's. Mixed at King Tubby's by King Tubby, Prince Jammy & Phillip Smart. Horace Andy's work with Massive Attack has made him an international star and his work at Studio One has become an essential of the Great Jamaican Songbook. However it is Horace Andy's work with Bunny Lee that is considered to be his 'most successful association with a producer' and in the 1970's they would create a broad catalogue composed of nothing but certified classics."

Artist	Title	Format	Label	Catalog #
CLARKE, JOHNNY	Originally Mr. Clarke	LP	GORGON MUSIC	VPRL 4267LP
$27.00 PREORDER RELEASE DATE: 8/21/2026 "Classic Johnny Clarke album from 1980, restored and re-mastered for the best-ever sound. Features the hit singles 'Every Knee Shall Bow,' 'Can't Keep A Good Man Down,' along with the Jah Shaka sound system anthem 'Bad Days Are Going.' Produced by Bunny Lee, Brad Osbourne, and Johnny Clarke. Recorded at Channel One, King Tubby's, Aircraft Studio & Shep Studio. Mixed at King Tubby's, Shep Studio & Blanktape Studios. Jamaican artist of the year in both '75 & '76, Johnny signed to Virgin Records and released two highly acclaimed albums for Virgin's Front Line label. Still performing and recording today, Johnny also tasted crossover success when his 'Everyday Wondering' hit made number 2 on the UK Charts with its Rupie Edwards 'Irie Feelings' dub deconstruction. Johnathan Richman also turned Johnny's Earl Zero penned 'None Shal Escape The Judgement' hit into the international chart topper 'Egyptian Reggae' in 1977."

Artist	Title	Format	Label	Catalog #
BLIND YEO	The Lemoine Point	CD	BONGO JOE RECORDS	BJR 122CD
$18.00 PREORDER RELEASE DATE: 8/28/2026 Based in Cornwall, Blind Yeo emerged from the isolation of lockdown. Built as an open collective, the project brings together musicians, visual artists and performers, developing a practice rooted in improvisation, live energy and shared creation. The Lemoine Point, their debut album, was recorded on a disused airfield near St Agnes. The title refers to a hidden geometric center where lines converge, a metaphor that runs through the record as past, present and future meet within a single moment. Much of the album was captured live by a core ensemble including Sam Pert, Phil Self, Henry Greenham, Philippa Blum, Jake Sheridan, Will Greenham, and Anouska Helm. These recordings are balanced by more intimate sessions, shaping a sound that moves between reworked folk traditions, electronic textures and raw, organic energy. Across the album, fragments of stories and emotions intertwine, exploring themes of love, duality and disorientation in time. Rooted in the Cornish landscape yet open in form, The Lemoine Point unfolds as a space where place, people and memory converge into a fluid and immersive whole.

Artist	Title	Format	Label	Catalog #
BLIND YEO	The Lemoine Point	LP	BONGO JOE RECORDS	BJR 122LP
$29.50 PREORDER RELEASE DATE: 8/28/2026 LP version. Based in Cornwall, Blind Yeo emerged from the isolation of lockdown. Built as an open collective, the project brings together musicians, visual artists and performers, developing a practice rooted in improvisation, live energy and shared creation. The Lemoine Point, their debut album, was recorded on a disused airfield near St Agnes. The title refers to a hidden geometric center where lines converge, a metaphor that runs through the record as past, present and future meet within a single moment. Much of the album was captured live by a core ensemble including Sam Pert, Phil Self, Henry Greenham, Philippa Blum, Jake Sheridan, Will Greenham, and Anouska Helm. These recordings are balanced by more intimate sessions, shaping a sound that moves between reworked folk traditions, electronic textures and raw, organic energy. Across the album, fragments of stories and emotions intertwine, exploring themes of love, duality and disorientation in time. Rooted in the Cornish landscape yet open in form, The Lemoine Point unfolds as a space where place, people and memory converge into a fluid and immersive whole.

Artist	Title	Format	Label	Catalog #
BEAR BONES/LAY LOW/LASLO UMBREIT	Tales from the Source	LP	DISCREPANT	CREP 123LP
$29.50 PREORDER RELEASE DATE: 8/28/2026 Discrepant presents the LP edition of Tales from the Source, the original film soundtrack by Bear Bones, Lay Low, and Laszlo Umbreit. Originally composed for Belgian-Congolese artist Léonard Pongo's 2024 film of the same name, this release reworks the film's audio into a continuous, fluid listening experience. The album is built on a direct contrast between heavy electronic manipulation and raw environmental audio. Laszlo Umbreit captured the foundation of the record through field recordings and additional electronics, focusing on the quiet, tactile sounds of water, riverbeds, and natural spaces. These recordings were then processed and expanded by Bear Bones, Lay Low, who layered the tracks using synthesizers, samplers and various effects processors. Rather than acting as a standard background score, the music functions as a detailed piece of environmental sound art. The tracks are edited to blend into one another without distinct gaps, mirroring the slow pace and visual flow of the film. Through the use of tape loops, filtering, and electronic processing, the natural landscapes are systematically distorted and rearranged. The result is a dark, slow-moving suite of electroacoustic music that strips away traditional melody to focus entirely on texture, resonance, and the changing dynamics of the recorded environments.

Artist	Title	Format	Label	Catalog #
SEGALL, TY	Chrome	CD	DRAG CITY	DC 980CD
$13.50 PREORDER RELEASE DATE: 8/28/2026 "In the spring of 2025, right around the release of Possession, Ty Segall started hearing voices, calmly at first, but soon screaming: 'Get the band back together!!!' Immediately, his mind began working, creating, collecting and collating riffs for songs, an album that he and the band -- Ben Boye, Evan Burrows, Mikal Cronin, Emmett Kelly -- will come to all call Chrome. Chrome -- the element, not the album -- is shiny, reflective, resistant to corrosion. Chrome the album's got that too: in hard-springing rock strung with lyrically allusive passages moving furtive and bleak through labyrinthine paths in the darkness. Joining social phenomena and autobiographical dream imagery in song-sequenced, head-snapping flashes, hitting left/right hemispheres fast and furiously. In massive riffs and thudding power in the rhythm core, twin-guitar attack and parry, tightly arrayed lines of fuzz distortion, keyboard textures of bright and thickness. All mixed immediate and flexible, colorful and clean, spicy-sweet, with Ty's vocals of vinegar and sand, wine and grains of silver nitrate, pointing the way. That's Chrome. The band came together fast and hard, their five heads writing half the songs here, with others featuring Ty and Evan collabing, Matt Yoka and Denée Segall writing some too. Accounting for its high-performing social nature and hot rocks. Its guitars slammed immaculate, big waves and dark apocolypto energy bonfires on the beach, from proto to punk to grunch, projected from the crowd-sourced energy of their mind-meld to shake the cages of the larger collective beyond. RIYL: Television, Blue Oyster Cult, The Adolescents, Pink Fairies, Iggy, Crazy Horse, Nirvana."

Artist	Title	Format	Label	Catalog #
SEGALL, TY	Chrome	Cassette	DRAG CITY	DC 980CS
$12.00 PREORDER RELEASE DATE: 8/28/2026 Cassette version. "In the spring of 2025, right around the release of Possession, Ty Segall started hearing voices, calmly at first, but soon screaming: 'Get the band back together!!!' Immediately, his mind began working, creating, collecting and collating riffs for songs, an album that he and the band -- Ben Boye, Evan Burrows, Mikal Cronin, Emmett Kelly -- will come to all call Chrome. Chrome -- the element, not the album -- is shiny, reflective, resistant to corrosion. Chrome the album's got that too: in hard-springing rock strung with lyrically allusive passages moving furtive and bleak through labyrinthine paths in the darkness. Joining social phenomena and autobiographical dream imagery in song-sequenced, head-snapping flashes, hitting left/right hemispheres fast and furiously. In massive riffs and thudding power in the rhythm core, twin-guitar attack and parry, tightly arrayed lines of fuzz distortion, keyboard textures of bright and thickness. All mixed immediate and flexible, colorful and clean, spicy-sweet, with Ty's vocals of vinegar and sand, wine and grains of silver nitrate, pointing the way. That's Chrome. The band came together fast and hard, their five heads writing half the songs here, with others featuring Ty and Evan collabing, Matt Yoka and Denée Segall writing some too. Accounting for its high-performing social nature and hot rocks. Its guitars slammed immaculate, big waves and dark apocolypto energy bonfires on the beach, from proto to punk to grunch, projected from the crowd-sourced energy of their mind-meld to shake the cages of the larger collective beyond. RIYL: Television, Blue Oyster Cult, The Adolescents, Pink Fairies, Iggy, Crazy Horse, Nirvana."

Artist	Title	Format	Label	Catalog #
SEGALL, TY	Chrome	LP	DRAG CITY	DC 980LP
$27.00 PREORDER RELEASE DATE: 8/28/2026 LP version. "In the spring of 2025, right around the release of Possession, Ty Segall started hearing voices, calmly at first, but soon screaming: 'Get the band back together!!!' Immediately, his mind began working, creating, collecting and collating riffs for songs, an album that he and the band -- Ben Boye, Evan Burrows, Mikal Cronin, Emmett Kelly -- will come to all call Chrome. Chrome -- the element, not the album -- is shiny, reflective, resistant to corrosion. Chrome the album's got that too: in hard-springing rock strung with lyrically allusive passages moving furtive and bleak through labyrinthine paths in the darkness. Joining social phenomena and autobiographical dream imagery in song-sequenced, head-snapping flashes, hitting left/right hemispheres fast and furiously. In massive riffs and thudding power in the rhythm core, twin-guitar attack and parry, tightly arrayed lines of fuzz distortion, keyboard textures of bright and thickness. All mixed immediate and flexible, colorful and clean, spicy-sweet, with Ty's vocals of vinegar and sand, wine and grains of silver nitrate, pointing the way. That's Chrome. The band came together fast and hard, their five heads writing half the songs here, with others featuring Ty and Evan collabing, Matt Yoka and Denée Segall writing some too. Accounting for its high-performing social nature and hot rocks. Its guitars slammed immaculate, big waves and dark apocolypto energy bonfires on the beach, from proto to punk to grunch, projected from the crowd-sourced energy of their mind-meld to shake the cages of the larger collective beyond. RIYL: Television, Blue Oyster Cult, The Adolescents, Pink Fairies, Iggy, Crazy Horse, Nirvana."

Artist	Title	Format	Label	Catalog #
HANSEN, JUAN	Ultrasonido	LP	ULTRASONIDO	US 001LP
$35.50 PREORDER RELEASE DATE: 8/28/2026 Argentinian artist Juan Hansen presents his debut album Ultrasonido; twelve tracks spanning indie dance, tech house, and soft melodic house, released on his own newly founded label Ultrasonido. After his breakthrough Boiler Room appearance in 2019, Juan has been on a relentless quest to push the boundaries, playing major stages around the globe, becoming one of the figureheads of the Argentinian electronic music world. As an exceptional live artist, multi-instrumentalist and vocalist, Juan brings a real sense of groove to the stage, merging two worlds effortlessly: deeply emotional songwriting and direct, dancefloor-focused club tracks. Ultrasonido brings both sides together. The album is a clear evolution of Juan Hansen, presenting a wider range of his sound, which he also presents in his live performances. A journey through the musical world of Juan Hansen. Across twelve tracks, with contributions from Clér Letiv, Santi Portillo, Franco BA, Rocio Giorgi, Miko Franconi, Brigado Crew, and Marley Waters, Juan shifts between club-focused tracks and more intimate, song-driven moments, moving naturally between Spanish and English. It's a debut album that captures both his roots and the direction he's evolving toward. Juan Hansen's story doesn't start on the dancefloor, it starts with acoustic instruments. He built his foundation in the indie and rock scenes of Argentina before crossing into electronic music, a journey that's still audible in every track he makes. After years of building his profile with live performances, mesmerizing audiences from Cosquín Rock and Ultra in Argentina to Watergate in Berlin, Burning Man in the Nevada desert, and Grand Factory in Beirut. His search is real and visceral; a search for the different, mixing genres without prejudice, with a seriously playful attitude. Positioned within a new generation of artists dedicated to improvising on stage, Juan fuses electronic sounds with analog instruments and organic soundscapes. There's no genre cage. Ultrasonido is his debut album and the launch of his own label, also named Ultrasonido.

Artist	Title	Format	Label	Catalog #
CHAT PILE	Who Loves The Sun	CD	THE FLENSER	FLENSER 200CD
$16.00 PREORDER RELEASE DATE: 9/4/2026 "In a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band's formation, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap'n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic. Whereas their debut album God's Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse. As with much of Chat Pile's work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record's cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground. The album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of 'Christabel '26' to the eerie trip-hop pulse of 'Same Rules,' Who Loves The Sun is deeply human despite its allusions to a dying, divided."

Artist	Title	Format	Label	Catalog #
CHAT PILE	Who Loves The Sun	Cassette	THE FLENSER	FLENSER 200CS
$15.00 PREORDER RELEASE DATE: 9/4/2026 Cassette version. "In a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band's formation, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap'n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic. Whereas their debut album God's Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse. As with much of Chat Pile's work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record's cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground. The album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of 'Christabel '26' to the eerie trip-hop pulse of 'Same Rules,' Who Loves The Sun is deeply human despite its allusions to a dying, divided."

Artist	Title	Format	Label	Catalog #
CHAT PILE	Who Loves The Sun	LP	THE FLENSER	FLENSER 200LP
$26.00 PREORDER RELEASE DATE: 9/4/2026 LP version. "In a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band's formation, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap'n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic. Whereas their debut album God's Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse. As with much of Chat Pile's work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record's cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground. The album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of 'Christabel '26' to the eerie trip-hop pulse of 'Same Rules,' Who Loves The Sun is deeply human despite its allusions to a dying, divided."

Artist	Title	Format	Label	Catalog #
CHAT PILE	Who Loves The Sun (Color Vinyl)	LP	THE FLENSER	FLENSER 200X-LP
$29.00 PREORDER RELEASE DATE: 9/4/2026 LP version. Color vinyl. "In a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band's formation, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap'n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic. Whereas their debut album God's Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse. As with much of Chat Pile's work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record's cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground. The album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of 'Christabel '26' to the eerie trip-hop pulse of 'Same Rules,' Who Loves The Sun is deeply human despite its allusions to a dying, divided."

Artist	Title	Format	Label	Catalog #
SAMARA, EDEN	Odyssey	LP	LAPSUS RECORDS	LAPSUS 045LP
$29.50 PREORDER RELEASE DATE: 9/4/2026 Eden Samara grew up in the mountains of western Canada, writing folk songs and performing in the theatre. Following a trip to Europe where she had her first formative clubbing experiences, she relocated to London in 2019 where she's become a consistent presence and voice in the city's underground, collaborating with artists like Parris, Ciel, and Loraine James and earning praise from The Guardian, Pitchfork, Rolling Stone, Crack, and DJ Mag. 2022 saw Eden release her debut album Rough Night on Local Action, blending freaky club-pop, introspective R&B and more while collaborating with leading scene figures TSVI, Call Super, and Shanti Celeste. Described by Dazed as "an embarrassment of riches" and by Mixmag as one of the best albums of the year, in Eden's words it was simply "a tragicomedy in seven scenes and an interlude." On her second album Odyssey, Eden brings more elements into her ensemble (jungle, choral singing, live harp) while honing her song-writing -- it's an expansion and a tightening at the same time. Inspired by epic literary works like Homer's Odyssey, The Alchemist and The Picture of Dorian Gray, the album reimagines the archetypal quest through a personal lens: a healing journey amid the collapse of close relationships to addiction, mental illness, and the weight of codependency disguised as love. In Eden's words: "This work is a narrative and sonic expedition -- part myth, part memoir -- that traces my path through the emotional aftermath of watching loved ones struggle with drug addiction and mental health crises, and the impact it had on my own mental wellbeing. The album addresses substance abuse, toxic relationships, and the internalized belief that love must come through sacrifice, even at the cost of one's selfhood." For this special release, Barcelona's Lapsus and London's Local Action join forces for the first time in their respective journeys, reflecting the affinity between both platforms and their shared vision of contemporary electronic music.

Artist	Title	Format	Label	Catalog #
DOLLAR BRAND/DON CHERRY/CARLOS WARD	The Third World-Underground (1974)	CD	WEWANTSOUNDS	WWSCD 125CD
$18.00 PREORDER RELEASE DATE: 9/11/2026 Wewantsounds presents the first-ever international release of the legendary collaboration between Abdullah Ibrahim (Dollar Brand) and Don Cherry, featuring Carlos Ward. Recorded live in 1972 at Jazzhus Montmartre in Copenhagen, this highly sought-after album was originally released exclusively in Japan in 1974 on the cult jazz label Trio Records via its revered Nadja imprint. An essential chapter in the musicians' discographies, the performance masterfully blends jazz with rich South African rhythms and global influences. This long-awaited edition features fully remastered audio, the original Japanese artwork, and a four-page booklet with new bilingual liner notes (English/French) by Jacques Denis. The Third World-Underground captures a rare convergence of three singular musical voices: Don Cherry's nomadic imagination, Abdullah Ibrahim's deeply rooted South African lyricism, and Carlos Ward's muscular alto saxophone. By 1972 when this magical album was recorded, Cherry and Ibrahim had already spent a decade redefining jazz by pushing beyond its foundations and embracing a broader, global musical language. Cherry was in constant search of new musical pathways. Drawing inspiration from the traditional sounds of Turkey, India, Africa, and beyond, he cultivated a fluid, borderless approach that expanded far beyond the trumpet, incorporating voice, percussion, and communal improvisation into his work. Ibrahim brought an equally profound sensibility. A spiritual heir to Duke Ellington, shaped by Cape Town gospel, township jive, and the emotional weight of exile, he transformed the piano into an instrument capable of both celebration and lament. Having first crossed paths in the mid-1960s, the musicians shared a deep mutual affinity that culminated in this performance. Recording under a name that reflected the era's growing decolonization movements, the trio created a fearless, boundary-defying statement across seven hypnotic pieces. The music unfolds as a continuous conversation: Ibrahim's cyclical piano figures provide an emotional foundation while Cherry and Ward drift, soar, and chant in ecstatic unison, searching collectively for new ground. Originally released in Japan in 1974 on Trio Records, the album was never reissued on vinyl, gradually attaining cult status among collectors and fans of Don Cherry and Dollar Brand alike. Freed from convention, The Third World-Underground remains a restless and deeply human work of collective discovery whose resonance continues to unfold with every listen.

Artist	Title	Format	Label	Catalog #
DOLLAR BRAND/DON CHERRY/CARLOS WARD	The Third World-Underground (1974)	LP	WEWANTSOUNDS	WWSLP 125LP
$33.00 PREORDER RELEASE DATE: 9/11/2026 LP version. Wewantsounds presents the first-ever international release of the legendary collaboration between Abdullah Ibrahim (Dollar Brand) and Don Cherry, featuring Carlos Ward. Recorded live in 1972 at Jazzhus Montmartre in Copenhagen, this highly sought-after album was originally released exclusively in Japan in 1974 on the cult jazz label Trio Records via its revered Nadja imprint. An essential chapter in the musicians' discographies, the performance masterfully blends jazz with rich South African rhythms and global influences. This long-awaited edition features fully remastered audio, the original Japanese artwork, and a four-page booklet with new bilingual liner notes (English/French) by Jacques Denis. The Third World-Underground captures a rare convergence of three singular musical voices: Don Cherry's nomadic imagination, Abdullah Ibrahim's deeply rooted South African lyricism, and Carlos Ward's muscular alto saxophone. By 1972 when this magical album was recorded, Cherry and Ibrahim had already spent a decade redefining jazz by pushing beyond its foundations and embracing a broader, global musical language. Cherry was in constant search of new musical pathways. Drawing inspiration from the traditional sounds of Turkey, India, Africa, and beyond, he cultivated a fluid, borderless approach that expanded far beyond the trumpet, incorporating voice, percussion, and communal improvisation into his work. Ibrahim brought an equally profound sensibility. A spiritual heir to Duke Ellington, shaped by Cape Town gospel, township jive, and the emotional weight of exile, he transformed the piano into an instrument capable of both celebration and lament. Having first crossed paths in the mid-1960s, the musicians shared a deep mutual affinity that culminated in this performance. Recording under a name that reflected the era's growing decolonization movements, the trio created a fearless, boundary-defying statement across seven hypnotic pieces. The music unfolds as a continuous conversation: Ibrahim's cyclical piano figures provide an emotional foundation while Cherry and Ward drift, soar, and chant in ecstatic unison, searching collectively for new ground. Originally released in Japan in 1974 on Trio Records, the album was never reissued on vinyl, gradually attaining cult status among collectors and fans of Don Cherry and Dollar Brand alike. Freed from convention, The Third World-Underground remains a restless and deeply human work of collective discovery whose resonance continues to unfold with every listen.

Artist	Title	Format	Label	Catalog #
OSEES	Off Course	CD	DEATHGOD CORP	DG 011CD
$15.00 PREORDER RELEASE DATE: 9/25/2026 "We went back to an older method of writing for this one. We jammed and jammed and jammed. I took the tapes home and ironed out some mutant tunes. We went back into the studio and burned them to tape live and then I took it home to Stu-Stu-Studio and did the vocals and bought in Tom Dolas and Brigid Dawson to put the finish on. Spice is always nice. Mixed it all up in the cauldron and thus we have a strange brew indeed. Floating in the smoke we have: A couple long jams, a couple short jams and a finale that'll dump a bucket of ear worms on you (reminiscent of 'the axis'). Dip your toe in organ rock and roll. So without further ado we present to you Off Course. An album wondering where the fuck are we and how did we get here. A signal dispatched out into the darkness. We are here. We are alive. And we are together."

Artist	Title	Format	Label	Catalog #
OSEES	Off Course	LP	DEATHGOD CORP	DG 011LP
$26.00 PREORDER RELEASE DATE: 9/25/2026 LP version. "We went back to an older method of writing for this one. We jammed and jammed and jammed. I took the tapes home and ironed out some mutant tunes. We went back into the studio and burned them to tape live and then I took it home to Stu-Stu-Studio and did the vocals and bought in Tom Dolas and Brigid Dawson to put the finish on. Spice is always nice. Mixed it all up in the cauldron and thus we have a strange brew indeed. Floating in the smoke we have: A couple long jams, a couple short jams and a finale that'll dump a bucket of ear worms on you (reminiscent of 'the axis'). Dip your toe in organ rock and roll. So without further ado we present to you Off Course. An album wondering where the fuck are we and how did we get here. A signal dispatched out into the darkness. We are here. We are alive. And we are together."

Artist	Title	Format	Label	Catalog #
OSEES	Off Course (Blue Vinyl)	LP	DEATHGOD CORP	DG 011X-LP
$29.00 PREORDER RELEASE DATE: 9/25/2026 LP version. Blue color vinyl. "We went back to an older method of writing for this one. We jammed and jammed and jammed. I took the tapes home and ironed out some mutant tunes. We went back into the studio and burned them to tape live and then I took it home to Stu-Stu-Studio and did the vocals and bought in Tom Dolas and Brigid Dawson to put the finish on. Spice is always nice. Mixed it all up in the cauldron and thus we have a strange brew indeed. Floating in the smoke we have: A couple long jams, a couple short jams and a finale that'll dump a bucket of ear worms on you (reminiscent of 'the axis'). Dip your toe in organ rock and roll. So without further ado we present to you Off Course. An album wondering where the fuck are we and how did we get here. A signal dispatched out into the darkness. We are here. We are alive. And we are together."

Artist	Title	Format	Label	Catalog #
CLAUS, GASPAR	Cells	CD	INFINE	IF 1105CD
$20.50 PREORDER RELEASE DATE: 9/25/2026 Following the sensory adventure of Tancade, in which Gaspar Claus led his listeners to a secret beach, somewhere between friends' parties and summer sun, a new territory opens up. With Cells, he offers an even more expansive journey: an inner journey as much as a cosmic shift, a plunge to the point of origin, where life is invented. True to his sole instrument, the cello, Gaspar multiplies its sound to the point of abstraction. This new work seeks to reach the primordial moment of the first cell division: a tiny, infinite moment when everything was still possible. On stage, he has built a shelter, a refuge-cell, a porous space where the visible and the invisible respond to one another. Lights, electronic breath, uncertain presences -- everything conspires to confront the audience with its own dizzying presence in the world. On the album, this architecture unfolds across ten "musical cells." Each piece observes the same phenomenon: the cello allows itself to be absorbed, dissolved, stretched, or replicated by the machines. Sometimes preserved, often transformed, the instrument becomes living matter, an unstable organism, capable of emitting both electronic landscapes and archaic beats. A rich, luminous album, imbued with an almost healing energy, Cells might seem more electronic than Tancade. Yet every sound that makes it up comes from the cello -- transformed, filtered, and reworked through a series of successive transformations. This is music that doesn't merely describe life: it re-enacts it, cell by cell.

Artist	Title	Format	Label	Catalog #
CLAUS, GASPAR	Cells	LP	INFINE	IF 1105LP
$41.00 PREORDER RELEASE DATE: 9/25/2026 LP version. Following the sensory adventure of Tancade, in which Gaspar Claus led his listeners to a secret beach, somewhere between friends' parties and summer sun, a new territory opens up. With Cells, he offers an even more expansive journey: an inner journey as much as a cosmic shift, a plunge to the point of origin, where life is invented. True to his sole instrument, the cello, Gaspar multiplies its sound to the point of abstraction. This new work seeks to reach the primordial moment of the first cell division: a tiny, infinite moment when everything was still possible. On stage, he has built a shelter, a refuge-cell, a porous space where the visible and the invisible respond to one another. Lights, electronic breath, uncertain presences -- everything conspires to confront the audience with its own dizzying presence in the world. On the album, this architecture unfolds across ten "musical cells." Each piece observes the same phenomenon: the cello allows itself to be absorbed, dissolved, stretched, or replicated by the machines. Sometimes preserved, often transformed, the instrument becomes living matter, an unstable organism, capable of emitting both electronic landscapes and archaic beats. A rich, luminous album, imbued with an almost healing energy, Cells might seem more electronic than Tancade. Yet every sound that makes it up comes from the cello -- transformed, filtered, and reworked through a series of successive transformations. This is music that doesn't merely describe life: it re-enacts it, cell by cell.

Artist	Title	Format	Label	Catalog #
RADA, RUBEN	La Yapla Mata	LP	LITTLE BUTTERFLY RECORDS	LBR 156LP
$35.50 PREORDER RELEASE DATE: 9/25/2026 Blending Afro-Uruguayan rhythms with rock, soul, jazz, and funk, Ruben Rada has left an indelible mark on the musical landscapes of Uruguay and Argentina from the 1960s to the present. In the '60s, alongside Eduardo Mateo, he helped pioneer candombe beat with the legendary band El Kinto. In the early 1970s, Rada broke new ground again with Totem, fusing Afrobeat and rock into a sound well ahead of its time. He later joined the Fattoruso brothers and Airto Moreira in Opa, contributing to the band's now-iconic jazz fusion sound during his time in the United States. In the 1980s, Rada relocated to Buenos Aires, where he formed a powerhouse ensemble featuring top musicians from both sides of the Río de la Plata. Together, they created a string of acclaimed albums blending candombe with jazz and rock -- marking one of the most celebrated periods of his career. La Yapla Mata (1985) stands out as one of the finest records Rada produced during that era -- a vibrant fusion of candombe rhythms with rock, jazz fusion, and soul, all anchored by his extraordinary voice. The album includes some of his most iconic songs, such as "Candombe para Gardel." Once a well-kept secret in Uruguay and Argentina, La Yapla Mata is now being released internationally for the first time -- forty years later.

Artist	Title	Format	Label	Catalog #
MAGMA	1001 Centigrades	LP	GM RECORDS	GME 937LP
$35.00 PREORDER RELEASE DATE: 10/2/2026 2026 repress forthcoming; LP version. Magma, is a French cross-genre, jazz-rock rooted, progressive rock and fusion band founded in 1969 by drummer Christian Vander. Magma have existed in two phases, the first was formed in the summer of 1969 and debuted on LP in 1970, continuing through to 1983. 1001 Centigrades was released April of 1971.

Artist	Title	Format	Label	Catalog #
SMITH, KAITLYN AURELIA	Ruin: It's Not Just Music	CD	SOMEONE SPECIAL	SPECIAL 001CD
$13.50 PREORDER RELEASE DATE: 10/16/2026 Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.

Artist	Title	Format	Label	Catalog #
SMITH, KAITLYN AURELIA	Ruin: It's Not Just Music	LP	SOMEONE SPECIAL	SPECIAL 001LP
$34.00 PREORDER RELEASE DATE: 10/16/2026 LP version. Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.