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2CD
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KR 058CD
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$20.00
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RELEASE DATE: 6/15/2018
28 artists celebrate the 200th anniversary of the great philosopher and economist Karl Marx with a benefit compilation. Exclusive/previously unreleased tracks by AGF, Aidan Baker, Frank Bretschneider, Natalie Beridze, Schneider TM, Kammerflimmer Kollektief, Reinhold Friedl, Jasmine Guffond, Caspar Brötzmann, Andreas Reihse (Kreidler), and many more. In times of an untamed capitalism, seemingly endless greed and persisting exploitation of underprivileged humans, the 200th anniversary of Karl Marx is a welcome and necessary reason to remember the great philosopher and economist's theories on capitalism and to re-think the state of the world of today, look out for alternative ways of economic organization and appropriate means to bridge the gap between rich and poor. 28 artists express their upset with the current state of society by contributing a track to this benefit compilation -- with one exception, these tracks are exclusive or previously unreleased, adding up to two hours of experimental music from diverse genres like ambient/drone, electronics, electro-acoustic, noise, contemporary music, etc. Besides the music, Karl Marx's 200th provides essays and philosophical reflections by Nina Power (The Guardian, Wire), Kerstin Stakemeier (professor for art theory and mediation at the Academy Of Fine Arts Nuremberg), feminist philosopher Ewa Majewska, artist ME Raabenstein, and Alex Gawronski (Sydney College Of The Arts, University Of Sydney). Also features Nicolas Wiese, ME Raabenstein, Hans Castrup, Gitter, Yr Lovely Dead Moon, Pharoah Chromium, Alexandre Babel, Marc Weiser, Jens Pauly, Dominika Jerkic, Narrow Bridges, Nickolas Mohanna, Philippe Petit, Seda Mimaroğlu, Wi Tiarks, Guido Möbius, Porya Hatami, and Warnings.
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2LP
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SRV 061LP
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$42.00
PREORDER
RELEASE DATE: 6/15/2018
The Amsterdam BeatClub 15th anniversary album: The Best Place To Go! Go! Vol. 2. An outstanding, two record-set presenting the very best bands and artists that performed at Amsterdam BeatClub from 2003-2018. You'll find the best in garage, rock n' roll, surf, beat, etc. ever to be combined on one record. Includes a wicked 16-page book full of photos, rare flyers, full-length stories and inside information about 15 years of Amsterdam BeatClub. Edition of 750. Features Meschiya Lake & The Little Big Horns, The Uppertones, The Wiseguyz, The Rhythm Shakers, The Rhum Runners, Rosie Stevens with Dry Riverbed Trio, Surfer Joe & The Deadrocks, The Spunyboys, The Real Gone Tones, The Paladins, Lil' Sal & The Wildtones, The Velvedettes, Black River Four, The Phantom Surfers, Messer Chups, Ixtahuele, Working Voodoo Club, The Stangs, Max Meser, The Spinshots, The Reaction, The Works, Mark & The Spies, Labretta Suede & The Motel 6, The Jackets, Sir Bald Diddley & His Ripcurls, The Beat Girls, The Courettes, The Kik, The Kryng, Julia P. & The Hengles, and Bruut!.
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12"
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TIMEDANCE 013EP
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$12.50
PREORDER
RELEASE DATE: 6/1/2018
A sampler for the forthcoming Patina Echoes compilation, a collection of tracks from a new exciting breed of young producers worldwide. The sampler gives a taste of the forward thinking, synthetic yet natural style the compilation covers. Don't Be Afraid regular rRoxymore debuts her first track on Timedance, Bruce returns to the label for the first time in two years with a stunning sound design exploration, and newcomer Chekov's widely-played "Stasis 113" finally sees a release.
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2LP
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AALP 086LP
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$31.00
PREORDER
RELEASE DATE: 6/1/2018
Double LP version. 140 gram vinyl; Gatefold sleeve; Includes 24-page, LP-size booklet. Who knew that some of the most exciting Afro-funk records of all time were actually made in the small West African country of Benin? Once Analog Africa released the first African Scream Contest in 2008 (AACD 063CD/AALP 063LP), the proof was there for all to hear; gut-busting yelps, lethally well-drilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space. Ten years on, intrepid crate-digger Samy Ben Redjeb unveils a new treasure trove of Vodoun-inspired Afrobeat heavy funk crossover greatness. Right from the laceratingly raw guitar fanfare which kicks off Les Sympathics de Porto Novo's pile-driving opener, it's clear that African Scream Contest 2 is every bit as joyous a voyage of discovery as its predecessor. Ignace De Souza & The Melody Aces' "Asaw Fofor" would've been a killer instrumental but once you've factored in the improbably-rich-to-the-point-of-being-Nat-King-Cole-influenced lead vocal, it's a total revelation. The screaming does not stop there, in fact it's only just beginning. Already familiar to fans of the first African Scream Contest as a mainstay of ruthlessly disciplined military band Les Volcans de la Capitale, Lokonon André vanished in a cloud of dust at Ben Redjeb's behest with a list of names and some petrol money, only to return a few days later having miraculously tracked down every single name he'd been given. The source of this Afrobeat bounty-hunter's impressive people-finding skills -- his training with the KGB -- highlights the tension between encroaching authoritarian politics and fearless expressions of personal creative freedom which is the back-story of so much great African music of the '60s and '70s. Happily, in this instance, Lokonon was tracking the artists down to offer them licensing deals, rather than to arrest them. Samy Ben Redjeb's determination to track this amazing music to its human sources pays huge karmic dividends. Features Stanislas Tohon, Elias Akadiri & Sunny Black´s Band, Picoby Band D´Abomey, Antoine Dougbé, Orch. Poly-Rythmo de Cotonou, Black Santiago, Lokonon André et Les Volcans, Sebastien Pynasco and L´Orchestre Black Santiago, Super Borgou de Parakou, Cornaire Salifou Michel et L´Orchestre El Rego & ses Commandos, Gnonnas Pedro and His Dadjes Band, and Orchestre Poly-Rythmo de Cotonou. African Scream Contest 2 includes meticulously researched text and effortlessly fashion-forward photography, supplied by the artists themselves.
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CD
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AACD 086CD
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$22.00
PREORDER
RELEASE DATE: 6/1/2018
Who knew that some of the most exciting Afro-funk records of all time were actually made in the small West African country of Benin? Once Analog Africa released the first African Scream Contest in 2008 (AACD 063CD/AALP 063LP), the proof was there for all to hear; gut-busting yelps, lethally well-drilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space. Ten years on, intrepid crate-digger Samy Ben Redjeb unveils a new treasure trove of Vodoun-inspired Afrobeat heavy funk crossover greatness. Right from the laceratingly raw guitar fanfare which kicks off Les Sympathics de Porto Novo's pile-driving opener, it's clear that African Scream Contest 2 is every bit as joyous a voyage of discovery as its predecessor. Ignace De Souza & The Melody Aces' "Asaw Fofor" would've been a killer instrumental but once you've factored in the improbably-rich-to-the-point-of-being-Nat-King-Cole-influenced lead vocal, it's a total revelation. The screaming does not stop there, in fact it's only just beginning. Already familiar to fans of the first African Scream Contest as a mainstay of ruthlessly disciplined military band Les Volcans de la Capitale, Lokonon André vanished in a cloud of dust at Ben Redjeb's behest with a list of names and some petrol money, only to return a few days later having miraculously tracked down every single name he'd been given. The source of this Afrobeat bounty-hunter's impressive people-finding skills -- his training with the KGB -- highlights the tension between encroaching authoritarian politics and fearless expressions of personal creative freedom which is the back-story of so much great African music of the '60s and '70s. Happily, in this instance, Lokonon was tracking the artists down to offer them licensing deals, rather than to arrest them. Samy Ben Redjeb's determination to track this amazing music to its human sources pays huge karmic dividends. Features Stanislas Tohon, Elias Akadiri & Sunny Black´s Band, Picoby Band D´Abomey, Antoine Dougbé, Orch. Poly-Rythmo de Cotonou, Black Santiago, Lokonon André et Les Volcans, Sebastien Pynasco and L´Orchestre Black Santiago, Super Borgou de Parakou, Cornaire Salifou Michel et L´Orchestre El Rego & ses Commandos, Gnonnas Pedro and His Dadjes Band, and Orchestre Poly-Rythmo de Cotonou. African Scream Contest 2 includes meticulously researched text and effortlessly fashion-forward photography, supplied by the artists themselves. CD version comes with a 44-page booklet.
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12"
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DPC 067EP
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$12.00
PREORDER
RELEASE DATE: 6/1/2018
Drum Union is a new series documenting the different shades of leftfield house. Look Like merges Afro-Cuban rhythms with modern electronica soundshapes. Manuel Fischer presents a beat-driven disco-influenced track to make any dancefloor bur. London-based Tony Nwachukwu (aka Attica Blues, aka Wah-Chu-Ku) provides a deep broken dub techno monster. Mitsubishi Galaxy, who are also known as Jack Pattern take you into a wavy trip to another dimension. A journey wider and deeper than most of the average 4/4 business!
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2CD
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MFM 031CD
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$22.00
PREORDER
RELEASE DATE: 6/1/2018
Uneven Paths: Deviant Pop From Europe 1980-1991 is the second multiple artist compilation on Music From Memory. It's compiled by record connoisseur Raphael Top-Secret and label man Jamie Tiller. The compilation brings together twenty-one tracks from across the continent; exploring the more unusual and unexpected sides of pop music produced during that period. Drawing material from cult experimental artists such as Steve Beresford, Brenda Ray, and Bill Nelson alongside one-off independent musical projects rescued from the fringes, Uneven Paths focuses on a selection of tracks that go beyond the confines of mainstream pop music but which also transcend expectations of much of the "experimental" music of the time. This is music with one foot in the avant-garde and another foot firmly rooted within the sensibilities of pop; where jazz musicians detour into synth-pop, punk bands break into boogie jams, and student doctors jam out on odd melodies with synthesizers and drum machines during their night shifts. Features Nightfall In Camp, Stroer Duo Howard Fine, Tony Hymas, Violet Eves, Miko & Mubare, Piscine Et Charles, John Makin & Friends, Nonobstant, Wolfgang Klingler, Thomas Heimes, Hans-Christian Mittag, Sound On Sound, Harte 10, Pete Brandt's Method, Lost Gringos, Patrick Forgas, Brenda And The Beachballs, Xavier Jouvelet, Lou Blic, Steve Beresford, Bill Nelson's Orchestra Arcana, Harte 10, and Monica Rypma.
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3CD/DVD/Book
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DTD 053CD
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$55.00
PREORDER
RELEASE DATE: 6/1/2018
This watershed release represents the life's work of William Ferris, an audio recordist, filmmaker, folklorist, and teacher with an unwavering commitment to establish and to expand the study of the American South. William Ferris was born in Vicksburg, Mississippi in 1942. Growing up on a working farm, Ferris began at a young age documenting the artwork, music, and lives of the people on the farm and in his local community. The archive of recordings that he created and the documentary films that he had a hand in producing have served as powerful tools in institutions of higher learning for decades. Dust-to-Digital present these films and recordings. The label's hope is that the enjoyment and educational value that has been received by Ferris's students over the years will be transmitted to listeners around the world and further the understanding of Southern culture. Voices of Mississippi: Artists and Musicians Documented by William Ferris includes: a 120-page hardcover book in full color edited by William Ferris Writings by Scott Barretta, David Evans, and Tom Rankin; three CDs -- two of the CDs feature blues and gospel recordings (1966-1978), and the final CD features interviews and storytelling (1968-1994); and one DVD featuring documentary films (1972-1980). Transcriptions and annotations are provided for each track. Comes in a cigar box.
In addition to being a groundbreaking documentarian of the American South, William Ferris is Joel R. Williamson Eminent Professor of History and senior associate director of the Center for the Study of the American South at the University of North Carolina at Chapel Hill. A former chairman of the National Endowment for the Humanities, Ferris co-edited the Encyclopedia of Southern Culture (1989) and is the author of multiple books. In 1991, Rolling Stone magazine named him among the top ten professors in the United States.
The recordings feature James "Son Ford" Thomas, Lovey Williams, Wallace "Pine-Top" Johnson, Maudie Shirley, and Jasper Love, Scott Dunbar, Mississippi Fred McDowell, Louis Dotson, Sonny Boy Watson, Sam Myers, Tom Dumas, Unidentified Musician with Mississippi Fred McDowell, Walter Lee Hood, Wash Heron and "Big" Jack Johnson, James Hughes, Leland Musician, Inmates at Parchman Farm, George Lee "Sun Bud" Spears, James "Son Ford" Thomas with Sonny Boy Watson, Mary and Amanda Gordon, The Southland Hummingbirds, Lovey Williams, Reverend Smith and Family, Liddle Hines, Providence Missionary Baptist Church, Church of God in Christ, Fannie Bell Chapman, Mary Alice and Alan Mcgowan, Reverend Ott and Family, Rose Hill Church, Lovey Williams and Family, Fannie Bell Chapman and Family, Reverend Isaac Thomas and Rose Hill Church, Barry Hannah, Alice Walker, Alex Haley, Ray Lum, Bobby Rush, Joe "Skeet" Skillet, Joe Cooper, Shelby "Poppa Jazz" Brown, B.B. King, Allen Ginsberg, James "Son Ford" Thomas, and Bill Ferris, Robert Penn Warren, Pecolia Warner, Victor Bobb, and Pete Seeger.
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LP
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OS 036LP
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$26.35
PREORDER
RELEASE DATE: 5/18/2018
The first chapter of Onderstroom digging into the history of Dutch minimal synth and wave. Who needs a big, expensive recording studio with all those fancy high-tech machines that only make your weary head spin when you can do it all by yourself at home in your (teenage) bedroom? Way back in the early eighties all you really needed was an idea, quite a bit of guts and some rudimentary equipment. You could basically do whatever you wanted. The means were limited, yet the sky was unbounded. It was the time of the Cold War nuclear threat, social unrest and mass unemployment but at the same time it was an era of infinite possibilities. The future was just around the corner. A lot of music that was being produced sounded just like that: a brave new world of sound and rhythm. Music was simply put on cheap cassettes, easily duplicated, and swiftly distributed in limited quantities into the big world outside. Tracks recorded in Amsterdam, Arnhem of Heiloo ended up in unimaginable destinations such as Brisbane or Buenos Aires. Prolific international underground scenes were informed of this new wave of Dutch electronic artists by means of word of mouth, fanzines, devoted underground tape traders, and sometimes that tiny bit of luck. As their predecessors of the (in)famous Dutch East-India Company (now cult) acts such as The Actor, Ende Shneafliet, Das Ding, Störung, S.M. Nurse, Nine Circles, Beatnik Love Affair, and Van Kaye + Ignit all explored their own paths. Some went straight into oblivion, others had a brief taste of modest upper-ground success. Mind: the names presented here are but the proverbial tip of the iceberg. Some of these early tapes became much sought-after collectors' items; others gathered dust. The rest, well, is history. Now, decades upon decades later, Onderstroom digs again in history and surfaces with a selection of tracks that illustrate the rich past of electronic Holland. Call it minimal wave, synth-pop, or experimental electronics. Onderstroom call it the real Dutch treat. Features Nine Circles, Beatnik Love Affair, The Actor, Störung, Van Kaye + Ignit, S.M. Nurse, Ende Shneafliet, and Das Ding. Comes in a gatefold sleeve with metallic finishing; 180 gram vinyl.
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LP
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ADC 004LP
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$31.00
PREORDER
RELEASE DATE: 5/18/2018
Mid last century: Commercial music is a machine that generates dances that run each other over in the urge to reach the audiences and mark their place in time and history. A never-ending list of choreographies co-habit: hully gully, madison, rock, limbo, twist, and a long etcetera, until a new dance, bossa nova takes over the dancefloors. Joao Gilberto, Tom Jobim, or Vinicius de Moraes reach stardom in Brazil with this mix of samba and jazz, but the genre doesn't explode internationally until a few American jazzmen decide to import it. From there it reaches Europe, via France, thanks to Sacha Distel, the first on the continent to record an EP completely dedicated to this phenomenon. It is 1962: Shortly after in Spain, the number of artists including original or adapted tracks in their albums, escalate: Tony Vilaplana, Mina, Duo Dinámico, Latin Combo, Los 4 Brujos, Gina Baró, Grau Carol, Salomé, or Marisol, who popularizes the new trend by recording Marisol rumbo a Río (1963), a blockbuster film partially filmed in Brazil. The maestro Augusto Algueró writes the film's soundtrack. For this compilation, Adarce Records have consciously dug into the archives of three Barcelona based labels like Belter, Discophon, and Olympo to serve Spanish-sung bossa nova songs that have never, inexplicably, been released on vinyl, all songs are recorded during those two (musically speaking) prodigious decades: the twentieth century's '60s and '70s. Features Paula, Salomé, Cocky Mazzetti, Elsa Baeza, La Nueva Generación, Bruno Lomas, Seison Show, Antonio González, Antonio Prieto, Los 3 Sudamericanos, Los Aguacates, Hermanas Benítez, Los Millonarios, and Richard Y Sus Bambucos.
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CD
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WC 002CD
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$21.00
PREORDER
RELEASE DATE: 5/18/2018
Wan Chai Records is a Hong Kong based label, specializing in rare Asian records and quality reissues. After a few years of hard diggin' in Asia, meeting the artists and many local figures of the '60s, '70s, and '80s scene in Hong Kong, Singapore, and Taiwan, the label wanted to share their best finds and put them together with the best productions ever made in soul-jazz, disco, funk, modern-soul, and AOR. The result is a selection of ten totally unknown gems sung mostly in English and Cantonese with amazing covers of classics like "Lovin' You", "Make Me Believe In You", or "Hurt So Bad". Features Ajl Band, The Reflection, Charing Carpio, Deanie, Tracy, Julie Sue, Oscar & His Orchestra, The New Topnotes, Louie Castro, and Rita Kwong.
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12"
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SNDW 12028EP
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$18.00
PREORDER
RELEASE DATE: 5/18/2018
Four slices of disco-dub heat focused on the Heads label out of South Africa -- a sister 12" to Gumba Fire (SNDW 124CD/LP). William & The Young Five's "You Turn Me On" is a meaty, classic early '80s disco jam. New York's JKriv takes elements of the vocal and dub and reworks them into a condensed dancefloor winner. Sofrito's Frankie Francis gives Adaye's 1980s track "Turn it Up" and the Manyane cut "Thabong" the cut-up treatment, focusing heavily on the spaced-out weirdness of the dub versions. The set ends with "Picnic" by the mostly instrumental studio outfit Starlight.
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2CD/SACD
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NEOS 1116-17CD
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$15.50
PREORDER
RELEASE DATE: 5/11/2018
Neos present Donaueschinger Musiktage 2016. A collection of compositions featuring Rebecca Saunders, Bernhard Gander, Martin Smolka, James Dillon, Franck Bedrossian, Martin Jaggi, and Georg Friedrich Haas.
"The first acid tests of the newly formed SWR Symphonieorchester after the fusion, with some high-carat world premieres." --Dirk Wieschollek Fono Forum January 2018/Critic survey 2017
SACD 1 features the world premieres of Rebecca Saunders's "Skin" for soprano and 13 instruments (2015/16) performed by: Juliet Fraser (soprano), Klangforum Wien, and Titus Engel (conductor); Bernhard Gander's "Cold Cadaver with Thirteen Scary Scars" for 21 instruments (2016) performed by: Steamboat Switzerland, Klangforum Wien, and Titus Engel (conductor); and Martin Smolka's "a yell with misprints" two movements for ensemble (2016) performed by ensemble recherche.
SACD 2 features the world premieres of James Dillon's "The Gates" for string quartet and orchestra (2016) performed by Arditti Quartet, SWR Symphonieorchester, and Pierre-André Valade (conductor); Franck Bedrossian's "Twist" for orchestra and electronics (2016) performed by SWR Symphonieorchester, Alejo Pérez (conductor), IRCAM, and Robin Meier (computer music designer); Martin Jaggi's "Caral" for orchestra (2016) performed by SWR Symphonieorchester and Pierre-André Valade (conductor); and of Georg Friedrich Haas's "Konzert für Posaune und Orchester" (2015/16) performed by Mike Svoboda (trombone), SWR Symphonieorchester, and Alejo Pérez (conductor).
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LP
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MRP 109LP
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$17.00
PREORDER
RELEASE DATE: 5/4/2018
"Compilation of Aboriginal Australian country music. When we say country, it is a broader category than you might imagine. This LP contains all kinds of sounds. The cosmic organ driven dream song of Black Allan Barker, the drone-y intensely political Glararrwuy Yunupingu, the straight up rocking Warumpi Band, the ballad singing of Maisie Kelly, the down home pop of Bobby McLeod and much more. A diverse cross section of Aboriginal 'country'. All of this material has never been reissued on vinyl before. Political and powerful songs from communities throughout Australia. This is a truly unique LP. Comes with extensive liner notes and photos. A co-release with our friends Flipping Yeah Records."
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12"
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MPD 017EP
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$14.00
PREORDER
RELEASE DATE: 5/4/2018
Musique Pour La Danse takes a short break from reissuing rare and essential music to bring you a selection of four new and exclusive tracks from the French underground entitled Equipe De Danse. Curated by label co-manager Ed Isar, a DJ and promoter active in the Paris underground since more than a decade, this EP brings together different producers and styles, highlighting the diversity and the creativity currently flowing through the French scene and providing DJs and ravers with quality tunes to work with and dance to. Features Automat, Cuften, Sina, and Raymond D Barre.
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CD
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KSCD 073CD
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$14.00
PREORDER
RELEASE DATE: 5/4/2018
The skinhead sound grew from the music that was coming out of Jamaica around 1968 to 1971 and was adopted by the British youth. The music seemed tailor made for their sharp look and natty dress style, a style that was heavily influenced by the Jamaican rude boy look. The skinhead movement started around 1968 and by the following year it became the style fashion of English teenagers. The uniform consisted of boots, braces, and jeans and the upbeat sound of reggae seemed to match the style perfectly. The tempo of the music seemed to be picking up around 1966 to 1968 the rocksteady period, which was when the earlier ska sound slowed down. The sound system dances needed a slower bear to swing the night away to, some say to cater for the extreme heatwave that hit Jamaica around that time. Kingston Sounds have selected a bunch of tunes that would have provided a sound to those heady times, so sit back and enjoy some of the tunes the youths were listening to when the skinheads hit town. Features Derrick Morgan & Owen Grey, The Versatiles, Derrick & Patsy, Bunny Lee Allstars, Stranger Cole & Lester Sterling, Ronald Russell, Derrick Morgan, Lloyd Robinson, Young Freddie, The Termites, Eric Barnett, Dervon & The Tartans, and Max Romeo. CD version includes three bonus tracks featuring Lennox Brown, Peter Tosh, and Owen Grey.
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2CD
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HH 3058CD
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$23.00
PREORDER
RELEASE DATE: 5/4/2018
Live Under The Sky Festival of 1986 and 1987, at Yomiuri-Land Theatre East, Tokyo, Japan. From 1977 to 1992, Live Under the Sky was one of the top jazz festivals in Japan, presenting legends from around the world. This two-disc set features performances from the 1986 and 1987 festivals at Yomiuri-Land Theatre East, Tokyo, Japan, broadcast on NHK BS Channel 1, including selections from Herbie Hancock, Chick Corea, Ornette Coleman & Prime Time Band, Wayne Shorter Quartet, Al Di Meola, Larry Coryell, and Miles Davis. Also features The Chick Corea Elektric Band and Herbie Hancock Quartet. Digitally remastered for greatly enhanced sound quality, this set includes background liners.
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CD
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P 015CD
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$14.50
PREORDER
RELEASE DATE: 5/4/2018
2016 release. Mambos Levis D'Outro Mundo features DJ Nunex, DJ Famifox, DJ CiroFox, DJ Lycox, DJ Danifox, Deejay Ary, DJ TL, DJ Lilocox, DJ Marfox, DJ Firmeza, K30, Niagara, Nídia Minaj, DJ Nigga Fox, DJ Dadifox, Babaz Fox, DJ Bebedera, DJ Maboku, DJ Safari, Puto Anderson, Puto Márcio, DJ Ninoo, DJ Wayne, Puto Adriano, DJ Nervoso, DJ Adifox, and Blacksea Não Maya.
"As to strategy, we learned in the struggle; some people think that we adopted a foreign method, or something like this. Our principle is that each people have to create its own struggle. Naturally, we have something to learn from the experience that can be adapted to the real situation of the country. But we bettered our struggle in the culture of our people, in the realities of our country, historical, economical, cultural, etc, and we developed the struggle, supported by our people which is the first and main condition: the support of the people." Amílcar Cabral, interview to Cameron Duodu/Radio-Ghana at Accra, 1973
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LP
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KSLP 073LP
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$19.50
PREORDER
RELEASE DATE: 5/4/2018
LP version. The skinhead sound grew from the music that was coming out of Jamaica around 1968 to 1971 and was adopted by the British youth. The music seemed tailor made for their sharp look and natty dress style, a style that was heavily influenced by the Jamaican rude boy look. The skinhead movement started around 1968 and by the following year it became the style fashion of English teenagers. The uniform consisted of boots, braces, and jeans and the upbeat sound of reggae seemed to match the style perfectly. The tempo of the music seemed to be picking up around 1966 to 1968 the rocksteady period, which was when the earlier ska sound slowed down. The sound system dances needed a slower bear to swing the night away to, some say to cater for the extreme heatwave that hit Jamaica around that time. Kingston Sounds have selected a bunch of tunes that would have provided a sound to those heady times, so sit back and enjoy some of the tunes the youths were listening to when the skinheads hit town. Features Derrick Morgan & Owen Grey, The Versatiles, Derrick & Patsy, Bunny Lee Allstars, Stranger Cole & Lester Sterling, Ronald Russell, Derrick Morgan, Lloyd Robinson, Young Freddie, The Termites, Eric Barnett, Dervon & The Tartans, and Max Romeo.
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10"
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STAGO 123LP
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On this limited edition 10" you'll hear tunes the Modernist cherished in the early '60s. An ultracool mix of danceable rhythm & blues, Hammond Jazz, raw electric blues from labels like Chess and Excello, and something that mutated into soul in the years to come. As there was no proper distribution at the time and one could not fly to the United States to buy records like today (prices for flights were enormous) these tunes could only be heard in clubs like The Scene or Flamingo spun by forward thinking DJs like Guy Stevens. Wikipedia explains Mod: "Mod is a subculture that began in London in 1958 and spread throughout Great Britain and elsewhere, eventually influencing fashions and trends in other countries, and continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men in the late 1950s who were termed modernists because they listened to modern jazz. Significant elements of the mod subculture include fashion (often tailor-made suits); music (including soul, ska, and R&B); and motor scooters (usually Lambretta or Vespa.) The original mod scene was associated with amphetamine-fueled all-night dancing at clubs." Features Sonny Boy Williamson, Bobby Freeman, Booker T. & The MG's, Oscar Brown Jr., Marty Lewis, Bobby Blue Bland, Otis Rush & His Band, Mose Allison, The Dave Brubeck Quartet, Nat Kendrick & The Swans, The Triumphs, and Louisiana Red. Edition of 500.
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2LP
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MFM 031LP
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Uneven Paths: Deviant Pop From Europe 1980-1991 is the second multiple artist compilation on Music From Memory. It's compiled by record connoisseur Raphael Top-Secret and label man Jamie Tiller. The compilation brings together twenty-one tracks from across the continent; exploring the more unusual and unexpected sides of pop music produced during that period. Drawing material from cult experimental artists such as Steve Beresford, Brenda Ray, and Bill Nelson alongside one-off independent musical projects rescued from the fringes, Uneven Paths focuses on a selection of tracks that go beyond the confines of mainstream pop music but which also transcend expectations of much of the "experimental" music of the time. This is music with one foot in the avant-garde and another foot firmly rooted within the sensibilities of pop; where jazz musicians detour into synth-pop, punk bands break into boogie jams, and student doctors jam out on odd melodies with synthesizers and drum machines during their night shifts. Features Nightfall In Camp, Stroer Duo Howard Fine, Tony Hymas, Violet Eves, Miko & Mubare, Piscine Et Charles, John Makin & Friends, Nonobstant, Wolfgang Klingler, Thomas Heimes, Hans-Christian Mittag, Sound On Sound, Pete Brandt's Method, Lost Gringos, Vanakos, Brenda And The Beachballs, Patrick Forgas, Xavier Jouvelet, Lou Blic, Steve Beresford, Bill Nelson's Orchestra Arcana, Harte 10, and Monica Rypma.
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2LP
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TILLE 001LP
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25 years of Distillery. That's a memory-laden, even historical event for underground and club culture. Or let's just say, culture in general. Getting into detail about the impact, this club had for the last quarter-century, would fill a couple pages, so let's just state the obvious real quick: Distillery has witnessed and co-determined socio-cultural change and progress in its past. Be it in its hometown Leipzig, basically building up the city's infrastructure for club culture over the years. Or be it on national or international scale. It carries a legacy of being one of the longest-serving and one of the most influential clubs in Germany. At the same time, it's focus always lies ahead, sensing trends, running a booking that intersects the big players with the up and coming of an underground electronic music scene. With the same spirit that supported DJ/producers on their way to international careers, it brings up new talent. It is this spirit in particular that now finally led into the idea of mirroring the club's philosophy within the agenda of a record label. And as catalogue number one, unfolding a whole new chapter in Tille history, this anniversary compilation right here already nails what Distillery Records will be about. A conjunction of familiar faces and newcomers. A playground for residents, affiliates, and just great artists that the label likes. You'll find "Thursday Noon", the opening synth-driven house-banger of young blood Napoleon Dynamite next to deep and spaced-out techno courtesy of Tille-resident Chris Manura. Lars Christian Müller's atmospheric trip "No Future" next to Leipzig-scene-honcho Filburt who hands in a stomping and steaming cut, tinged by electro-references. You'll find a joint venture by Daniel Stefanik and Mathias Kaden that progresses from Detroit leanings into an affectionate piano finale, bass heavy breaks by Monkey Maffia, acid-grounded dub techno by genre-heavy weight Joel Mull, a rather odd take on techno by Georg Bigalke, and the record's mightiest bounce in form of Héctor Oak's take-no-prisoners-approach to move a crowd as the conclusion of this compilation. A compilation that's evidently curated with an all-killer-no-filler-agenda and the overall sensible approach to manifest the unique Distillery vibe on two plates of vinyl. Includes download code with three digital-only bonus tracks from Matthias Tanzmann, Thomas Stieler, and Sven Tasnadi.
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3x7"
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P 019EP
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2017 release. Txiga means something like "come close" and that takes you to the heart of the matter. Although especially apparent in the tarraxo style they are so connected to, the expression reveals unbounded enthusiasm for music, taken from the roots up, wherever the feeling projects it to. And so Príncipe felt this crew had to come across in a special way. Three seven" records, one for each of the main producers represent three branches of the same tree. Features K30, DJ NinOo, and Puto Anderson.
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LP
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PINCHE 004LP
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$25.00
PREORDER
RELEASE DATE: 5/4/2018
Second installment of this amazing quest for '60s Mexican gold, Wild Mexico Vol. 2 comes filled to the rafters with the same untamed spirit that made Volume 1 such a special record. This is fun, frantic and obscure rock n' roll at its best, 14 tracks of pure Mexican awesomeness sure to set your ass on fire and leave you asking for more. Get those margaritas ready, set this Pinche Discos record on your hi-fi system and get ready for your jaw to drop, órale! Features Los Hitters, Los Versalites, Beto Diaz Y Su Orquesta, Nanina Y Orquesta De Arturo Castro, Los Puntos Suspensivos, Los Correcaminos, Los Sellers, César Costa, Diego De Cossio Y Sus Barrocks, Los 4 Crickets, Los Beatteens, Dyno, Los Black Birds, and Angélica María.
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12"
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DKMNTL 10-010-1
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As part of the ten-year anniversary Dekmantel presents the final record in a ten-part-EP series. Split into two parts, the final instalment is a reissue of Tony Allen's "Asiko (In A Silent Mix)" originally released in 1999 and remixes by Motor City Drum Ensemble and Ricardo Villalobos. The first part features a grandiose 29-minute Ricardo Villalobos version of the Afrobeat master's cut. A true collaboration of giants.
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