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LP
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KSLP 080LP
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$20.00
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RELEASE DATE: 4/12/2019
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12"
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CPT 546EP
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$12.00
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RELEASE DATE: 4/12/2019
Mr Raoul K vs Timmy Regisford, Claudio Coccoluto, Lehar, Musumeci! Five top guys on a breakout EP. No filler, just killer. A real range of house from spooky, trippy deep house to dusty melodies and electrifying modal techy tracks, but all fitting well together and sharing a penchant for twisted dance sonics, and a tribal element.
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LP
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RUB 2003LP
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$27.50
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RELEASE DATE: 4/12/2019
Rubble present a collection of rare and obscure 45s from around the world in an international showdown of teenage angst, despair, and delinquency. The toxic sound of '60s garage punk never sounded so good! Blasted through 60-watt amplifiers on a diet of amphetamines and adrenalin, Diggin' For Gold offers torment and misery with an explosive twist in mind-bending mono! A collection of demented '60s R&B, punk, and mesmerizing pop. Edition of 1000. Features Dayaks, The Moondogs, Mad Comics, Paul & Johnny with the Blue Jets, The Scarlets, The Leather Souls, The Soul Agents, The Rhythm Checkers, The Pieces Fit, The Robots, The Rhythms, The Party Brothers, Phase 4, Cool Stove, and Tommy Scott.
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CD
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KSCD 080CD
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$12.50
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RELEASE DATE: 4/12/2019
Rastafarianism came to prominence in the late 1960s/1970s and had a huge influence on the musical culture in Jamaica. The sentiments of the songs reflected the struggles of life, as reggae music always did but now with an added spiritual/conscious element to the lyrics. By the mid-1970s most, if not all the top-flight singers were following the doctrine and growing their har to dreadlocks. Everything was truly "Dread". At the heart of this musical explosion was again Bunny "Striker" Lee a man who was always at the heart of the action and many times in his career ahead of the musical game. As Bunny Lee's stable of singers were at this time nearly all Rasta's and with the worldwide acceptance of Bob Marley, in especially the foreign territories, this musical style was the way forward for reggae music in the mid-1970s. The visual focal point of this new turn in reggae music would be a call to all things "Dread". Add to the mix Bunny Lee's close working relationship with studio wizard King Tubby, again not a Rasta himself, but someone who could sonically bring what was needed to the table and enable the whole musical chemistry to fall into place. Heavy rhythms were created to match the heavy and serious lyrics and "Versions Galore" as they say were coming out fast and furious. We have compiled a set of conscious tunes that not only match the "Dread" criteria, but also are just great tunes. The great Jacob Miller's "Zion Gates", Cornell Campbell's "Two Faced Rasta", Horace Andy's "It's Gonna Be Dread" alongside Linval Thompson's "Never Conquer Jah". Two timeless cuts from the The Abyssinians get a fresh outing by two great singers, firstly Don Carlos's cut to "Satta Massaganna" and the prince of reggae himself, Dennis Brown works "Declaration of Rights" in fine style. Johnny Clarke's "Man Like Me" and "Dem Say Rasta" still sounds as fresh today as when they were first laid down and Wayne Jarrett's "Live On Jah" and Frankie Jones's "Satta And Praise Jah" add to this great selection. All great "Dread" tunes that were cut or voiced at King Tubby's giving them that extra shine. So if you are Rasta or not this is a great set of tunes to make you move and also like all of the best things in life, makes you think... Also features Bonnie Davis. CD version includes three bonus tracks; includes a track by Leroy Smart.
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2CD
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SR 471CD
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$18.00
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RELEASE DATE: 3/29/2019
An Anthology of Greek Experimental Electronic Music 1966-2016 aspires to map the heterogenous landscape of Greek experimental electronic music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception: it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both "Greeks" and "experimentalists". Experimental electronic music is generally expected to be highly variegated, especially when examined in a breadth of several decades, and with respect to all sorts of artistic, academic, subcultural, and other influences. What is not so obvious, however, is that the very notion of Greekness, as well as its contextual and historical offshoots, are highly diversified, too. This anthology is an attempt to map the various kinds of experimental music that has been produced by Greeks over the last few decades. More, it is also an attempt to delineate different understandings of what "Greek" or "experimental" may stand for, by means of zeroing in on the numerous, often overlapping, realities and micro-scenes that are associated with the former. Double-CD version includes 20-page booklet.
Features Anestis Logothetis, Dimitra Lazaridou-Chatzigoga, Panayiotis Kokoras, Christos Michalakos, Free Piece Of Tape, Ilan Manouach, Anastasis Grivas, Theodoros Zioutos, Nicolas Malevitsis, Ilios, Michalis Adamis, Fani Konstantinidou, Scizhic InzC, Georgia Spyropoulos, Panayiotis Velianitis, Iannis Xenakis, and Marinos Koutsomichalis. Double-CD version also features Katerina Tzedaki, Yiorgis Sakellariou, Elainie Lillios, Apostolos Loufopoulos, Costis Drygianakis, Nikos Veliotis, Acte Vide, Coti K, Nikos Veliotis, Dimitris Kamarotos, Panayiotis Simsiroglou, Alexandros Drymonitis, Panos Alexiades, and YERMA.
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CD
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KLTMP 008CD
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$15.50
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RELEASE DATE: 3/29/2019
Welcome to Klik Records' world. El Rey Alobar follows its heart, just like the legendary king. Chooses to be different and unique, in a flat world defined by the majority. El Rey Alobar follows its senses, Just like every free spirit. Chooses to appear as a distinctive musical scent, so special, made in such a way that you'll always have the urge to come back. El Rey Alobar follows life. Just like every unique human being. Chooses to dive into the magic world of blends, spices, and elixirs, enjoying mysterious, delicious, and thirst-quenching cocktails. El Rey Alobar is a compilation crafted with exceptional music and tones of love. Nomad sounds blending with the warmth and passion that deep house and electronica have to offer, creating a unique outcome. El Rey Alobar pleases the ears, pleases the mind, pleases the soul. Simple and beautiful. What more is there to ask. Features Nordfold & Bremer, Sam Goku, Luca Musto, Louve, Simon Vuarambon, Ivan Garci, Savvas, Aris Kokou, Bona Fide, PHCK, Magnolia Savvas, GHIZ, Erdi Irmak, Glass Coffee, Coyote, Anadel, and Holy Deep.
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2LP
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KOM 398LP
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$28.50
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RELEASE DATE: 3/29/2019
Double LP version. 180 gram vinyl; Includes download code. Velvet Desert Music Vol. 1 introduces a new compilation series on Kompakt, curated by one of Cologne's leading figures in electronic music, Jörg Burger (aka The Modernist, The Bionaut, Burger/Ink, and many more). Velvet Desert Music Vol. 1 combines elements of rock, folk, country, surf, krautrock, and psychedelic in contemporary electronic music. The compilation features unreleased music and mixes from Matias Aguayo (Terrapin), Fantastic Twins, Paulor, Rebolledo, Sascha Funke & Cosmo Vitelli, Superpitcher, The Modernist, and more. The concept shares some similarities to Kompakt's Pop Ambient series as unlike a conventional compilation of tracks from different artists, Velvet Desert Music Vol. 1 is a collection of music that creates a distinct vibe and atmosphere. The release is intended to be heard as you would hear an album from an (imaginary) band. Jörg Burger is responsible for the concept and selection. The styles of music presented on Velvet Desert Music Vol. 1 play a crucial role and influence in his work for many years. Now he has created a platform for these styles. Beside showcasing his own music, Jörg Burger kept to inviting a close circle of friends and colleagues that share similar influences in their work. All of their contributions were specially composed or remixed for this collection. Velvet Desert Music Vol. 1 features the first new Burger/Ink track since the release of their iconic full length Las Vegas on Harvest and Matador Records in 1996. Also features The Novotones, Cologne Tape, Kenneth James Gibson. CD version includes tracks by Jörg Burger, Metope, and Paul Mac.
"Just think... from Sergio Leone to David Lynch, from Elvis in his deepest moments to Johnny Cash somewhere between amphetamine backlash and American Recordings, from 'Hollywood Babylon' to 'Hotel California', from Mulholland Drive to Paris, Texas. Served with a pinch of Tago Mago and Pink Floyd at Pompeii. Then you know exactly what Velvet Desert Music is about... " --Jörg Burger
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LP
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AKU 1012LP
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$23.50
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RELEASE DATE: 3/29/2019
Akuphone resumes its reissue operations with its latest compilation, Malam Minggu: A Saturday Night In Sunda. This release brings us once again to Southeast Asia, with a stopover in the Indonesian archipelago -- to the region of Sunda in western Java. As its name suggests, this collection immerses us in the vibes of Sundanese nights at the turn of the 1980s. During the post-independence climate of the 1960s, Presidents Sukarno and Suharto encouraged artists to renew and innovate traditional Indonesian art forms in an attempt to limit and control the spread of Western music -- which was banned from broadcasting in 1961. This policy saw a revival of traditional musical styles like gamelan degung, and the emergence of Indonesian singing genres: jaipong and pop sunda. Recorded between 1978 and 1985, this unique and surprising selection presents some of the most popular artists of the time, such as Nano S. and Tati Saleh. It is richly documented by Southeast Asian music specialist Edouard Degay Delpeuch. Also features: Group Gentra Madya, Tati Saleh & Marriza Group, and Mang Memed Group.
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12"
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FPS 004EP
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$14.00
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RELEASE DATE: 3/29/2019
Homegrown talent from the beautiful inland town of Hamar, surrounded by the beautiful Furuberget and lake Mjøsa. First collaboration with these former Skwee-stars on Full Pupp Splits. Features Melkeveien, Sprutbass, and Pt.
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LP
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BR 107LP
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$25.00
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RELEASE DATE: 3/29/2019
Buh Records present Grabar Y Coagular: A History Of Audio Pieces By Peruvian Artists (1972-2018), the first collection that explores the relationship between recording art and conceptual pieces. With a range that goes from experimentation in sound poetry to radio art, eccentric compositions that evoke the Fluxus's spirit, appropriationism, and more. In Peru, the visual arts and sound creation have, in the last years, taken a common path: visual artists have begun to produce sound creations, experimental musicians have begun to move into the visual arts circuit... A sound art movement has turned visual and audible. Grabar Y Coagular brings together for the first time the pioneering works of Jorge Eduardo Eielson (audio-paintings) and Francisco Mariotti (computer poetry), as well as works by Luz María Bedoya, Elena Tejada-Herrera, José Luis Martinat, Eliana Otta, Paola Torres Núñez Del Prado, Maya Watanabe, Alberto Casari (and PPPP), Daniel Jacoby, Gilda Mantilla Y Raimond Chaves, Los Parafusos, Nicolas Lamas, and Juan Diego Tobalina. Grabar Y Coagular ("Record and Coagulate"), curated by Luis Alvarado, is a much awaited and needed release, a collection of audio pieces produced by Peruvian artists which defines a scope of creation where sound is the matter and form in which information becomes present.
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LP
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QUILOMBO 004LP
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$22.00
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RELEASE DATE: 3/29/2019
The journey of Latin American artists from the '60s and '70s with a Jamaican style has a new stop: Latinameriska's fourth volume. And even though it may sound like a cliché we Gran Quilombo Discos would like to say this is the best installment of the series without a doubt. Here's why: You'll get to learn about unknown bands (from out of the Jamaican scene like Los Creyentes De B.C. or studio ones like The Stars), get almost impossible to find tunes (from Rosario or Los Costeños) or listen to covers as good as the original (hurray for Los Robbin's). Or with sounds that enrich the cover (those amazing Calypso touches of René Santos or the cumbia flavor of Carmen Rivero). The richness of "Latin Jamaica" has no limits, and from north-to-south and east-to-west the treasure chest keeps growing with gems of all kinds. These precious stones are all different and all highly valuable -- from Jamaican beat to early reggae or calypso -- with covers that range not only from Jamaican scene classics to jazz and soul. With such good raw materials and the label's culinary expertise, it was impossible not to cook a delicatessen to be consumed with the ears. And once again, there's a ghost track at the end, from Panamá this time and giving an Antillean flavor to another Jamaican classic. Enjoy this new installment and be calm, it won't be the last one! Also features Hugo Blanco, Su Arpa Viajera Y Su Conjunto, Julián Ber't, Carmen Rivero Y Su Conjunto, René Santos Y Sus Estrellas, Roberto Delgado And His Orchestra, Ely Combo, Las Cuatro Monedas, Los Yorsy's, and As Exorcistas.
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LP
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ONEINST 001LP
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$20.00
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RELEASE DATE: 3/29/2019
One Instrument is run by Aimée Portioli aka Grand River. In a scenario of an overwhelming number of instruments, musicians often do not take the time to deepen and explore the creative possibilities of each piece of gear they possess. One Instrument Volume 01 aims to counter-act this tendency by challenging and limiting each artist in producing a composition by using only one instrument of their choice. The various artists format aims similarly to create a harmonious journey across different sub-genres in the ambient, techno and experimental worlds, which can perfectly embrace each other. One Instrument Volume 01 opens with a composition by In Bloom, the new project of Martino Bertola, who drives directly into a melodic ambience. Following it is the dense, polyrhythmic experiment by Fabian Kempe's project Korridor. Serena Butler's piece is built around spacey sounds and breezy rhythms. Yhdessa, the newly born Dutch-Italian duo formed by Grand River (Aimée Portioli) and Enrica Falqui, leans towards ambient atmospherics and ominous sonorities with a refined northern European touch. Yair Elazar Glotman ventures forth his contrabass skills, giving an acoustic touch to the record. Swedish producer Fjäder (Ida Matsdotter), handles the flip with a moody techno cut filled with evasive analog cues. Claudio PRC delivers an electroacoustic soundscape created with a tiny, graceful drone machine. The Dutch duo Wanderwelle closes the LP with a dreamy and delicate excursion evoking the mysterious sides of nature.
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2LP
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VAMPI 143LP
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$31.00
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RELEASE DATE: 3/29/2019
"The 'resurrection' of Peruvian tropical music, of psychedelic cumbia or, as others like to call it, 'chicha,' is perhaps one of the most surprising musical phenomena in recent years . . . Elements of rock, folklore, música criolla, Andean music, Amazonian music, Colombian cumbia, salsa and even psychedelia intermingle in this 'cannibal' genre capable of devouring and assimilating every possible influence. Both Enrique Delgado and Manzanita, the two great founding guitarists of the genre, made music that absorbed all possible manner of styles. Vampisoul features not only tunes from Delgado with his group Los Destellos and from Manzanita, but also from their side projects: Delgado's Los Casmeños and Manzanita's El Monje Loco. Los Girasoles, Los Yungas, Los Beta 5 and Los Ecos continued those sonic explorations . . . Although this compilation consists mostly of instrumentals, a classic of Peruvian tropical music, 'Colegiala' by Los Ilusionistas, is included with vocals from Carlos Ramírez 'Centeno'. Los Beta 5 would never turn to the sung format . . . Another group that has in their origins instrumental beat spirit and sound are Los Ecos. The sparkling-clean guitar sound of their leader Beto Cuestas always shines in songs filled with a delicate pop sensibility and melodies that oscillate between melancholy and danceable experimentation. Los Yungas had recorded songs in which música criolla and huayno are 'cumbianized,' but the more significant point of departure happened when Los Demonios Del Mantaro released a historic single . . . [Carlos] Baquerizo was also the first to introduce an electric guitar in Peruvian cumbia in Los 5 Palomillas, a side project of Los Demonios. The influence of the 'provincial sound' would be felt by many other guitarists . . . One of the most original and surprising guitar sounds in Peruvian tropical music would be that of Maximiliano Chávez from Los Orientales De Paramonga, who created a very peculiar style of tropical music with deep basses, galloping percussion, and wah-wah guitar . . .Los Mirlos, with their guitars and hypnotic grooves, achieved the most popular and transnational of the Amazonian sounds. The other Amazonian miracle was Juaneco Y Su Combo, led by Juan Wong. Their music, full of references to Amazonian mythology and to ayahuasca (a psychoactive drink), featured the guitar of Noé Fachín." --Alfredo Villar
Also features Los Orientales, Compay Quinto, Los Pecos, Los Titanes, Los Yungas, Grupo Celeste, Los Santos, Aniceto Y Sus Fabulosos, and José Y Sus Antillanos.
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LP
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DJ 010LP
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$19.50
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RELEASE DATE: 3/29/2019
After seven years of label making, Dorfjungs says goodbye with a final, various artists collection. GroupWorks mixes improvised vocal jazz and tropical ambient with sweet pop music, bad-tampered hip-hop and pitched-down techno tracks. Dorfjungs thanks all their friends, fans, and collaborators. Features Hanna Schörken, Lucky Charmz & Devotion, ~, Aztlan Fm, Marvin Horsch, Assam Jr., Paul Trachtenberg, TULIPS, Becks Karamell, VIBA, Der Kleine Herr Jakob, Jiyun Park, Antonia Alessia Virginia Beeskow, Huyghend, and Philipp Lack. Edition of 300.
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LP
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QUILOMBO 003LP
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$22.00
PREORDER
RELEASE DATE: 3/29/2019
When Gran Quilombo Discos started planning on compiling '60s and '70s songs influenced by Jamaican rhythms by different artists from the Latin American continent, and published the first two volumes of Latinameriska (QUILOMBO 001LP and QUILOMBO 002LP, 2013), the label didn't think they would be able to continue with the series. However, this period of time has allowed them to continue with the "archaeologic work" of the search and capture that every collector has in its blood. There's no bigger pleasure than being on a trip and going through a flea market, shop or just exploring the web and coming across a gem to thicken your record collection. Likewise, it's also a big satisfaction showing those discoveries and making them available to other collectors (so they can start their own hunt) or to the general public which would simply dance and enjoy them, which is enough. Thus, this record is the fruit of that passion and has no different goal to the previous volumes that you listen, dance and enjoy this "piece" of Jamaica born in Latin American territory. You'll find artists you'll already know from previous volumes, such as Las Cuatro Monedas or Conjunto Habana, together with real rarities such as Aristides Paz or The King's Trials... With covers of Jamaican classics ("Ritmo Del Alma") and original tracks ("Cuando Tú Me Quieras"), from vintage ska ("Lucky Lucky") to reggae with skinhead roots ("Doble Barril")... but always with the same essence. And not to lose a good habit we close with a new ghost track, from Colombia in this case and merging a Jamaican music classic with other classic rhythms. Enjoy it one more time! Also features Malvicino, El Klan, Leo Dan, Los Teen Agers, The Summits, Los Palmeras, Los Chijuas, Marimba Orquesta La Perla Del Soconusco, and Palito Ortega.
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CD
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KOMP 152CD
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$15.50
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RELEASE DATE: 3/29/2019
Velvet Desert Music Vol. 1 introduces a new compilation series on Kompakt, curated by one of Cologne's leading figures in electronic music, Jörg Burger (aka The Modernist, The Bionaut, Burger/Ink, and many more). Velvet Desert Music Vol. 1 combines elements of rock, folk, country, surf, krautrock, and psychedelic in contemporary electronic music. The compilation features unreleased music and mixes from Matias Aguayo (Terrapin), Fantastic Twins, Paulor, Rebolledo, Sascha Funke & Cosmo Vitelli, Superpitcher, The Modernist, and more. The concept shares some similarities to Kompakt's Pop Ambient series as unlike a conventional compilation of tracks from different artists, Velvet Desert Music Vol. 1 is a collection of music that creates a distinct vibe and atmosphere. The release is intended to be heard as you would hear an album from an (imaginary) band. Jörg Burger is responsible for the concept and selection. The styles of music presented on Velvet Desert Music Vol. 1 play a crucial role and influence in his work for many years. Now he has created a platform for these styles. Beside showcasing his own music, Jörg Burger kept to inviting a close circle of friends and colleagues that share similar influences in their work. All of their contributions were specially composed or remixed for this collection. Velvet Desert Music Vol. 1 features the first new Burger/Ink track since the release of their iconic full length Las Vegas on Harvest and Matador Records in 1996. Also features The Novotones, Cologne Tape, Kenneth James Gibson. CD version includes tracks by Jörg Burger, Metope, and Paul Mac.
"Just think... from Sergio Leone to David Lynch, from Elvis in his deepest moments to Johnny Cash somewhere between amphetamine backlash and American Recordings, from 'Hollywood Babylon' to 'Hotel California', from Mulholland Drive to Paris, Texas. Served with a pinch of Tago Mago and Pink Floyd at Pompeii. Then you know exactly what Velvet Desert Music is about... " --Jörg Burger
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2LP
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VAMPI 116LP
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$31.00
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RELEASE DATE: 3/29/2019
Subtitled: Experimental Guitar-Driven Tropical Sounds from Peru 1966-1976. In mid-50s Peru, mambo was progressively replaced by preferences for other rhythms like merengue, guaguancó, cha cha cha, joropo, guaracha, rumba and cumbia, which timidly begins to sound during these years. In Lima it's the golden age of great orchestras and music ensembles which are capable of playing swing and jazz, but especially the diverse tropical variants inundating the market. The most successful of all, La Sonora De Lucho Macedo, released in 1965 an LP consisting exclusively of cumbia. Around this time, the successful folklore group Los Pacharacos released the album Los Ídolos Del Pueblo, which included a cumbia number in the middle of the potpourri of huaynos, waltzes, and polkas. The groups preserved the fusion of fox trot and mambo rhythms along with huayno and cumbia in the execution of their music. That feeling would be the basis for the success of such unorthodox and unclassifiable songs as "La Chichera" or "Peti Pan". The recording in 1965 of these two songs by Los Demonios Del Mantaro on a seminal 45 with the Sono Radio label was the jumping off point for the birth of cumbia andina, also called "chichi" precisely for this song, which is dedicated to a vendor of the well-known Incan liquor. The electric shock of rock guitars enters the world of cumbia in 1968. The cause of such copulation was Enrique Delgado Montes, regarded as the genre's godfather. He did it, as part of his band Los Destellos, on a 45 and an eponymous 1968 LP (CAL 001LP/CALC 001LP). His songs constitute the most surprising musical fusions and amalgams of the time, whether they merge Cuban music and psychedelia, explore the sounds of Andean or Amazonian music, combine the digitalization of the Creole guitar with huayno melodies or abuse fuzz tones and distortion pedals. There wasn't an innovation that tropical guitarists didn't add to their sound: delay, fuzz tone, overdrive, wah-wah, reverb, modulating effects typical of rock bands are assimilated into a stunning sonic cocktail. In this context, cumbia reached the top of the charts in popularity. It replaced rock as the urban sound. Includes extensive liner notes in English and Spanish, photos, and memorabilia.
Also features Silvestre Montez Y Sus Guantanameros, Los Orientales De Paramonga, Grupo Celeste, Los Mirlos, Manzanita Y Su Conjunto, Los Wembler's De Iquitos, Los Beltons, Los Beta 5, Los Galax, Aniceto Y Sus Fabulosos, Juaneco Y Su Combo, Los Sanders De Ñaña, Los Diablos Rojos, Los Ecos, and Los Demonios De Corocochay.
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2LP
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VAMPI 187LP
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$31.00
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RELEASE DATE: 3/29/2019
Double LP version. "Fifty years after the release of one of the founding records of the genre known as Peruvian cumbia (by guitar players Enrique Delgado Montes and Berardo Hernández 'Manzanita'), Vampisoul presents this third volume in the series Cumbia Beat, which brings together 45 rpm rarities from acclaimed groups, short-lived bands and outstanding huaycumbias. Like the previous volumes in this series, listening to this record takes you on a journey across the geography of Peru, as the majority of the groups on this collection were from different regions of the country, or had close links to them, although all of the artists recorded in Lima. Most of the bands emerged during the period 1968-1980, a time of deep political and social change implemented by the nationalist military dictatorship. Los Demonios Del Mantaro, Los Demonios De Corocochay, and Los 5 Palomillas are the exceptions to this, as they recorded between 1965 and 1967 and produced a hybrid of cumbia and huayno called huaycumbia, a genre which achieved high sales figures during those years. Despite the characteristics of huaycumbia, the early composers of Peruvian cumbia didn't consider it a direct source of inspiration. They admit to being more influenced by Colombian cumbia, Cuban guaracha, beat, and psychedelic music from the UK and US that they had played since the end of the '60s, in their 'own style', as a part of a musical appropriation process that quickly led them to forge a singular sound. Peruvian cumbia developed, spurred by the music school erudition of the guitarist Enrique Delgado Montes on the one hand and, on the other, by the self-taught creativity of Berardo Hernández 'Manzanita'. Largely ignored by the elites, it steadily won over audiences and created its own market, establishing its own broadcast channels and distribution channels. As Enrique Delgado stated in 1973: 'We've defined a typically Peruvian cumbia which, strange as it might appear, people also like in Colombia and several other countries.' Finally, setting up their own labels, competing hard against one another and enriching their music with sounds they brought from their specific regions, these bands that gradually sprung up all over the country managed to consolidate a tradition that is still alive today." --Hugo Lévano G
Also features Silvestre Montez Y Sus Guantanameros, Los Cóndores Del Cusco, Los Gitanos, Los Orientales De Paramonga, Los Casmeños, Los Beta 5, Los Girasoles, Paco Zambrano Y Sus Ratones, Los Ecos, Los Tantos, Los Scorpios, Los Blue Kings De Ñaña, Grupo Siglo XX, Los Sander's De Ñaña, Los Quantos, Los Diablos Rojos, Marco Merry Y Sus Golfos, and Sonido Verde De Moyobamba.
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2CD
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SDBAN 013CD
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$14.50
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RELEASE DATE: 3/29/2019
After taking a deep dive into the dusty crates with Belgian and Dutch music, Harde Smart unearths Flemish & Dutch Grooves From The 70's, a smooth selection of jazzy, funky, and soulful gems from their collected vinyl stash. All the music presented here was recorded and produced during the 1970s, in either Flanders (the Dutch-speaking part of Belgium) or Holland. Besides exquisite grooves and hard-pounding drums, the selected songs also have Dutch lyrics in common, making this a rather unique way to approach and compile lyric-driven Flemish and Dutch music from back in the days. Record collectors all over this language area seem to have neglected a considerable part of their own musical legacy for a few decades, while firmly searching for rare grooves and breaks in the bins with more exotic music; nothing is so certain as the unexpected. Flemish & Dutch Grooves From The 70's is the first "Dutch" compilation album to uncover the genuine, Afro-American funk and soul vibe of the time. It is a sound that - albeit infrequently - influenced the work of some of the popular and less popular singers and musicians in this small part of the world in the '70s, although influences undoubtedly also derived from French chanson and rock music from that era. This 21-track album smashes all musical predictability and takes one on a weird and nostalgic trip, offering a revised set of essential homegrown classics for the local listener, yet also being very exciting to the ears of the non-Dutch speaking audience. Includes tracks by Lamp, Lazerus & Kris, Spectrum, Josine Van Dalsum, Magenta, and more. Also features: Laurentius, Raymond Van Het Groenewoud, André Van Der Veken, Luk Bral, Moeder En Haar Jongens, Lieven Coppieters, Jimmy Frey, Jan De Beer, Daan Broos, Elly & Rikkert, Bizjoe, Daan Broos & Dapokaster, Schralen Tsjip En De Mussenschrik, Herman De Bruycker, Lamp & Lazerus, Liesbeth List, and Della Bosiers. 2CD version includes a mixtape CD on the first disc, and the full-length tracks on the second disc; in slipcase with 16-page booklet. 2LP version in gatefold sleeve; includes download card for the mixtape CD.
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SDBAN 013LP
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$25.00
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Double LP version; includes download code.
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GPM 207CD
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$15.50
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RELEASE DATE: 3/29/2019
India: an ancient land of abundant spices, colorful languages, vibrant cultures, infinite beliefs, and ever-shifting terrains. This 5000-year-old society was one of the earliest in the world to philosophize and document the natural relationship between music and human spirituality. And through the decades of the recent past, modern India has been interestingly unique (and highly accommodative) to contemporary and global electronic dance music. This, in turn, has developed into fertile soil for local DJs and producers, to thrive and bloom across the motherland. From India's capital (New Delhi) to its major cities (Mumbai, Calcutta, Bangalore) and emerging cities (Hyderabad, Pune, Pondicherry) -- all shades of contemporary house and techno are now being accepted as the popular pulse for their nights. It's fascinating how this fairly recent "western" phenomenon has now deeply woven itself into India's "eastern" culture and rich musical tapestry. But then again, electronic music could never be "claimed" by any particular country or continent. Through the past 16 years, supporters and followers of Get Physical Music have had this innate sensibility -- which collectively eclipses geographical, ideological, and musical boundaries. India Gets Physical is another endeavor by the label to present the next breed of contemporary Indian electronic music and artists, to dance music aficionados across Europe and rest of the world. Going beyond their release commitments, Get Physical Music also proactively aims to explore and discover the Indian scene and extend their support locally. All the Indian artists on this compilation have been brought together by the mysterious Todh Teri (who also happens to be the mastermind behind the mix). An ardent revivalist of Indian cinema's rich disco and cabaret music legacy, Todh Teri's live sets blend these sensibilities with the funk, house, and acid influences of being a Berliner. When asked about India Gets Physical, he says "The artists and music I've put together for this project are predominantly electronic, but with just a pinch of India in it. Clearly steering away from all probable clichés -- all of these tracks sound very international but with just a hint of an Indian tone, scale, or sound." Features Soulspace, Pawas, Arooj Aftab, Unnayanaa, Erika Lernot, Small Town Guy, Adil Smaali, Hamza, Troja, Low Volume, Arnold From Mumbai, Kone Kone, Todh Teri, Murthovic, and MALFNKTION, MadStarBase.
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VAMPI 187CD
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$17.50
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RELEASE DATE: 3/29/2019
"Fifty years after the release of one of the founding records of the genre known as Peruvian cumbia (by guitar players Enrique Delgado Montes and Berardo Hernández 'Manzanita'), Vampisoul presents this third volume in the series Cumbia Beat, which brings together 45 rpm rarities from acclaimed groups, short-lived bands and outstanding huaycumbias. Like the previous volumes in this series, listening to this record takes you on a journey across the geography of Peru, as the majority of the groups on this collection were from different regions of the country, or had close links to them, although all of the artists recorded in Lima. Most of the bands emerged during the period 1968-1980, a time of deep political and social change implemented by the nationalist military dictatorship. Los Demonios Del Mantaro, Los Demonios De Corocochay, and Los 5 Palomillas are the exceptions to this, as they recorded between 1965 and 1967 and produced a hybrid of cumbia and huayno called huaycumbia, a genre which achieved high sales figures during those years. Despite the characteristics of huaycumbia, the early composers of Peruvian cumbia didn't consider it a direct source of inspiration. They admit to being more influenced by Colombian cumbia, Cuban guaracha, beat, and psychedelic music from the UK and US that they had played since the end of the '60s, in their 'own style', as a part of a musical appropriation process that quickly led them to forge a singular sound. Peruvian cumbia developed, spurred by the music school erudition of the guitarist Enrique Delgado Montes on the one hand and, on the other, by the self-taught creativity of Berardo Hernández 'Manzanita'. Largely ignored by the elites, it steadily won over audiences and created its own market, establishing its own broadcast channels and distribution channels. As Enrique Delgado stated in 1973: 'We've defined a typically Peruvian cumbia which, strange as it might appear, people also like in Colombia and several other countries.' Finally, setting up their own labels, competing hard against one another and enriching their music with sounds they brought from their specific regions, these bands that gradually sprung up all over the country managed to consolidate a tradition that is still alive today." --Hugo Lévano G
Also features Silvestre Montez Y Sus Guantanameros, Los Cóndores Del Cusco, Los Gitanos, Los Orientales De Paramonga, Los Casmeños, Los Beta 5, Los Girasoles, Paco Zambrano Y Sus Ratones, Los Ecos, Los Tantos, Los Scorpios, Los Blue Kings De Ñaña, Grupo Siglo XX, Los Sander's De Ñaña, Los Quantos, Los Diablos Rojos, Marco Merry Y Sus Golfos, and Sonido Verde De Moyobamba.
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PART 4103CD
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$17.00
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RELEASE DATE: 3/29/2019
Mixed Up Minds Part Fourteen offers another tantalizing dose of forgotten dreams from the suburban drifts of Britain. In the aftermath of psychedelia, and in a less flamboyant 1970s, fading stars continued to shine as brightly, but to much less acclaim. Amidst the glam rock and progressive bourgeoisie, pop songs knew their place, but for every T-Rex, 10cc, Bowie, and Queen, there was other more unlucky and less commercial artists that sat in the underbelly of pomp and hysteria. Part Fourteen collects together another 20 ripping yarns that were cruelly denied their crown first time round, all recorded between 1970-1975. Features The Searchers, Peter Noone, Vaughan Thomas, Billy Nicholls, Driftwood, A & A North, Brian Protheroe, Gerry Morris, Rick Price, Pete Dello, Trader Horne, Valerie Savage, Stavely Makepeace, Paul Ryan, Fresh Air, The Fortunes, M. J. Parker, Eddie Addenberry, Billy Kinsley, and Timon.
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SR 471LP
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$23.50
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RELEASE DATE: 3/29/2019
Double LP version. Includes two inserts. An Anthology of Greek Experimental Electronic Music 1966-2016 aspires to map the heterogenous landscape of Greek experimental electronic music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception: it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both "Greeks" and "experimentalists". Experimental electronic music is generally expected to be highly variegated, especially when examined in a breadth of several decades, and with respect to all sorts of artistic, academic, subcultural, and other influences. What is not so obvious, however, is that the very notion of Greekness, as well as its contextual and historical offshoots, are highly diversified, too. This anthology is an attempt to map the various kinds of experimental music that has been produced by Greeks over the last few decades. More, it is also an attempt to delineate different understandings of what "Greek" or "experimental" may stand for, by means of zeroing in on the numerous, often overlapping, realities and micro-scenes that are associated with the former. Double-CD version includes 20-page booklet.
Features Anestis Logothetis, Dimitra Lazaridou-Chatzigoga, Panayiotis Kokoras, Christos Michalakos, Free Piece Of Tape, Ilan Manouach, Anastasis Grivas, Theodoros Zioutos, Nicolas Malevitsis, Ilios, Michalis Adamis, Fani Konstantinidou, Scizhic InzC, Georgia Spyropoulos, Panayiotis Velianitis, Iannis Xenakis, and Marinos Koutsomichalis.
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PART 4102CD
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$17.00
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RELEASE DATE: 3/29/2019
From the creators of Mixed Up Minds, Mr Pratt's Electric Pyjamas, Upside Down, Corporal! Where's Your Underwear?, and more disturbed, missing pop mantras. Not to everyone's taste alas, but not everyone is to our taste either! So Particles is here with the 17th installment of Jockstrap Poo (aka Cornflake Zoo) bringing forth untold pleasures from the European pop landscape. Impress your friends with this latest collection when they ask: "Is that really #17 you have in your pocket or are you just pleased to see me?" 20 tracks recorded between 1967-1971. Features Wallace Collection, Apocalypse, Aleph, Jupiter Sunset, The Jackpots, The Pebbles, R & The Rs, Zen, Le Systeme Crapoutchik, Rowing Gamblers, Epta, After Tea, Ro-D-Ys, Wonderland, David Copperfield Style, and Tidal Wave. Includes 20-page, full-color booklet with comprehensive liner notes and rare color photographs.
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