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viewing 1 To 25 of 137 items
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CD
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TMR 1072CD
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$11.00
PREORDER
RELEASE DATE: 7/18/2025
"The much-anticipated follow-up to LA-based singer-songwriter Natalie Bergman's critically acclaimed 2021 solo debut album Mercy. If you re-envisioned and rebuilt Motown somewhere in the California desert, it might sound something like My Home Is Not In This World. Recorded analog-to-tape and produced by her brother and longtime collaborator Elliot Bergman, the 12-track record shimmers with gospel soul, country-western heartache, and rock 'n' roll grit, all filtered through Natalie's unmistakable voice. Where her critically acclaimed 2021 debut solo album Mercy was steeped in grief and spiritual reckoning, written in the wake of the sudden loss of her father and stepmother, My Home Is Not In This World emerges from new life and rebirth. Natalie gave birth to her son, Arthur, in 2024, and the experience of motherhood has transformed her music into something equally tender and transcendent."
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LP
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TMR 1072LP
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$26.00
PREORDER
RELEASE DATE: 7/18/2025
LP version. "The much-anticipated follow-up to LA-based singer-songwriter Natalie Bergman's critically acclaimed 2021 solo debut album Mercy. If you re-envisioned and rebuilt Motown somewhere in the California desert, it might sound something like My Home Is Not In This World. Recorded analog-to-tape and produced by her brother and longtime collaborator Elliot Bergman, the 12-track record shimmers with gospel soul, country-western heartache, and rock 'n' roll grit, all filtered through Natalie's unmistakable voice. Where her critically acclaimed 2021 debut solo album Mercy was steeped in grief and spiritual reckoning, written in the wake of the sudden loss of her father and stepmother, My Home Is Not In This World emerges from new life and rebirth. Natalie gave birth to her son, Arthur, in 2024, and the experience of motherhood has transformed her music into something equally tender and transcendent."
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TMR 1072X-LP
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$29.00
PREORDER
RELEASE DATE: 7/18/2025
LP version. White color vinyl. "The much-anticipated follow-up to LA-based singer-songwriter Natalie Bergman's critically acclaimed 2021 solo debut album Mercy. If you re-envisioned and rebuilt Motown somewhere in the California desert, it might sound something like My Home Is Not In This World. Recorded analog-to-tape and produced by her brother and longtime collaborator Elliot Bergman, the 12-track record shimmers with gospel soul, country-western heartache, and rock 'n' roll grit, all filtered through Natalie's unmistakable voice. Where her critically acclaimed 2021 debut solo album Mercy was steeped in grief and spiritual reckoning, written in the wake of the sudden loss of her father and stepmother, My Home Is Not In This World emerges from new life and rebirth. Natalie gave birth to her son, Arthur, in 2024, and the experience of motherhood has transformed her music into something equally tender and transcendent."
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CD
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TMR 996CD
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$11.00
PREORDER
RELEASE DATE: 6/20/2025
"Following the release of their triumphant breakthrough album Cartwheel, which gained widespread critical acclaim from the likes of Pitchfork (8.4/10 Best New Music) and Stereogum (Top 10 Albums of 2023), NYC's Hotline TNT are back with their best album yet, Raspberry Moon. The record marks what many are calling 'the next phase in New American Shoegaze.' Hotline TNT have toured relentlessly, including US-wide tours with Wednesday and Snail Mail, enduring seemingly endless lineup shifts to become a linchpin of several interconnecting DIY scenes. Whilst Cartwheel was largely conceived by frontman Will Anderson (previously of cult indie group Weed), Raspberry Moon is very much a full-band effort, which is evident in the album's all-consuming, rip-roaring sound. For fans of Teenage Fanclub, Dinosaur Jr., and My Bloody Valentine."
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TMR 996LP
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$26.00
PREORDER
RELEASE DATE: 6/20/2025
LP version. "Following the release of their triumphant breakthrough album Cartwheel, which gained widespread critical acclaim from the likes of Pitchfork (8.4/10 Best New Music) and Stereogum (Top 10 Albums of 2023), NYC's Hotline TNT are back with their best album yet, Raspberry Moon. The record marks what many are calling 'the next phase in New American Shoegaze.' Hotline TNT have toured relentlessly, including US-wide tours with Wednesday and Snail Mail, enduring seemingly endless lineup shifts to become a linchpin of several interconnecting DIY scenes. Whilst Cartwheel was largely conceived by frontman Will Anderson (previously of cult indie group Weed), Raspberry Moon is very much a full-band effort, which is evident in the album's all-consuming, rip-roaring sound. For fans of Teenage Fanclub, Dinosaur Jr., and My Bloody Valentine."
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TMR 996X-LP
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$29.00
PREORDER
RELEASE DATE: 6/20/2025
LP version. Indie exclusive. "Following the release of their triumphant breakthrough album Cartwheel, which gained widespread critical acclaim from the likes of Pitchfork (8.4/10 Best New Music) and Stereogum (Top 10 Albums of 2023), NYC's Hotline TNT are back with their best album yet, Raspberry Moon. The record marks what many are calling 'the next phase in New American Shoegaze.' Hotline TNT have toured relentlessly, including US-wide tours with Wednesday and Snail Mail, enduring seemingly endless lineup shifts to become a linchpin of several interconnecting DIY scenes. Whilst Cartwheel was largely conceived by frontman Will Anderson (previously of cult indie group Weed), Raspberry Moon is very much a full-band effort, which is evident in the album's all-consuming, rip-roaring sound. For fans of Teenage Fanclub, Dinosaur Jr., and My Bloody Valentine."
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TMR 997LP
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"Ted Lucas' self-titled album appears on Third Man Records, for the first time on vinyl since 2018, pressed in Detroit at Third Man Pressing. This self-titled work published album by singer-songwriter and master guitarist Ted Lucas has achieved an almost mystical reputation among aficionados and collectors. Ted Lucas is a seamless marriage of moody odes and raga style instrumentals regarded by many to be, simply put, the greatest private press folk/psych album ever recorded. Lucas was a fixture in the Detroit rock scene of the sixties and seventies. In 1972, the demo for Warner Brothers which would become Ted Lucas was recorded at Motown, and released in two private editions in 1975 and known informally to friends and family as The OM Album, after Lucas' own label. The album was released with artwork by the legendary Stanley Mouse originally created for Jimi Hendrix. RIYL: John Fahey, Joni Mitchell, Nick Drake."
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TMR 931LP
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"Playing Favorites is Sheer Mag's third full-length and first with Third Man Records. The band capitalize on a decade's worth of devotion to their own collective spirit -- a spirit refined in both the sweaty trenches of punk warehouses and the larger-than-life glamour of concert halls -- emerging with a dense work of gripping emotions, massive hooks, and masterfully constructed power-pop anthems. This is the record the Philadelphian rock and roll four-piece has always been destined to make."
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TMR 922LP
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"David Nance and the Mowed Sound, the first album by Nance to be released on Third Man Records, cuts deep. Memories sprout back, like the sounds of a great rock song blasting from the neighbor's truck as it revs away into the night. There is a definite connection to the past, but the swinging guitar boogie and snarled blues you might expect from Nance and company sounds leaner and completely hypnotic. What remains are ten tracks from a well-oiled group so rhythmically together that the songs on the album seem as connected as links in a chain."
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TMR 852LP
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"Elvin Jones, one of the true great drummers in jazz, recorded this album in 1971 after having led his own band for several years following his immortal work with the John Coltrane Quartet. This unique recording has a spacious feel with plenty of room for the players to work out the melodic compositions created by the members of the group. At times the recording creates an almost cinematic space, yet always propelling forward into unexpected territory. No pandering to contemporary tastes at this date or following the trends of the time, this is simply a great example of mature musicians given the freedom to create their own vision and place in time. Saxophonists Frank Foster and Dave Liebman instruments intertwine in a spellbinding way with opportunities to showcase Jones' incredible virtuosity as a drummer. An album that reveals itself to the listener slowly with new delights every time it's removed from the jacket."
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TMR 853LP
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"Recorded at GM Recording Studio, East Detroit, MI 1969 by Jim Bruzzese. Detroit has a long tradition of being the farm team for the Big Apple jazz big leagues, but just as important is the acknowledgement of local legends who left their mark on the city by staying put and releasing amazing music right in Detroit. Kenny Cox and the Contemporary Jazz Quintet is one such group that could have and definitely should have had a wider audience in their day, but their recorded legacy continues to grow in estimation. Truly a comprehensive group with no weak links, the compositions and playing on this record show the incredible talent and innovation that was brewing in Detroit before, during and after Motown locked its doors in the Motor City. Of note is group member Charles Moore, an important figure in the jazz and arts scene in Detroit and founding member of an underground art and music co-operative called the Detroit Artist Workshop. A talented musician and composer in his own right, Moore and group leader Cox composed all the material on Multidirection. Cox described it as 'more of an orchestral-type effort than just a combo per se.' in the original release liner notes by Nat Hentoff. Both were integral in the future DIY jazz universe by co-founding the highly influential Strata Records. But before embarking on that journey, his group recorded two timeless classics for Blue Note Records. Like many of the greatest musical albums, this work shines brightest as a whole with new dimensions to discover with each listen. This new and exciting re-issue is certain to provide the listening experience with the best possible platform."
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TMR 676LP
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2024 repress. 2020 release. "The apocryphal tale of the Stooges performance at the Goose Lake festival has been told countless times over the past five decades. Bassist Dave Alexander, due to nerves or overindulgence or whatever you choose to fill in the blank, absolutely spaces in front of 200,000 attendees. He does not play a single note on stage. He is summarily fired by Iggy Pop immediately following the gig. Here starts the beginning of the end of the Stooges. But what if that simply...wasn't the case? What if you could prove otherwise? Well, it'd be the proto-punk equivalent of having an immediate, on-the-scene, man on the street report of all those folkies booing Dylan's electric set at Newport in '65. Irrefutable evidence of what ACTUALLY went down. Found buried in the basement of a Michigan farmhouse amongst other tasty analog artifacts of the same era, the 1/4" stereo two-track tape of the Stooges complete performance at Goose Lake on August 8th, 1970 is the Rosetta Stone for fans of this seminal band. Not only is this the last ever performance of the original godhead Stooges line-up, but it is the ONLY known soundboard recording of said line-up. Playing the entirety of their canonical 1970 masterpiece, Fun House, the sound, the performance, everything about this record is revelatory. Would you believe that...Alexander actually DID play bass on this occasion? Or that, despite a handful of flubs, he manages to hold his own? Especially on the bass-led songs 'Dirt' and 'Fun House'? Does Iggy provoke the crowd to tear down festival barriers? Did the powers that be pull the plug on the Stooges? So many questions are answered only to have more arise. Released to coincide with the 50th anniversary of the performance, Live at Goose Lake: August 8th, 1970, is the rare release that literally rewrites the history of these Rock and Roll Hall of Fame inductees."
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7"
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TMR 307EP
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2024 repress. "The 7" Sun Records reissue version of the Grammy Nominated 2015 Record Store Day Exclusive 10" facsimile of Elvis Presley's first ever recording from 1953. Read more about this 'holy grail of rock-n-roll' in Jack White's Billboard cover story from 2015."
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7"
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TMR 187EP
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2024 repress. "Released in 1956, 'Get Rhythm' is an upbeat number by Johnny Cash with positive lyrics speaking of a happy shoe-shine boy. While the song is classic, inimitable Cash, it would quickly become overshadowed by its B-side, 'I Walk the Line.' A peculiar song that changes key between each verse and has no chorus, 'I Walk the Line' would become the song Cash is best known for, a tale of pledged fidelity with lyrical undertones implying even deeper meaning. Rolling Stone magazine ranked the song at #30 in their 2004 list of the 500 greatest songs of all time."
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7"
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TMR 266EP
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2024 repress. "While largely overshadowed by the pop hits he crafted for Monument later in his career, Roy Orbison's work for Sun is deserving of praise. From the aching of 'Ooby Dooby' or the proto rockabilly of 'Go! Go! Go!' Roy's work here is solid and energetic enough that all of Texas should be proud. And if you can't shake it to 'Chicken Hearted' you need to check your pulse."
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TMR 045LP
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2024 repress. "Third Man Records' second full length reissue LP, The 5.6.7.8's self-titled album. This record is pressed on black vinyl and carries 14 tracks from the all-female, Japanese, super rock band."
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CD
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TMR 676CD
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2024 repress. "The apocryphal tale of the Stooges performance at the Goose Lake festival has been told countless times over the past five decades. Bassist Dave Alexander, due to nerves or overindulgence or whatever you choose to fill in the blank, absolutely spaces in front of 200,000 attendees. He does not play a single note on stage. He is summarily fired by Iggy Pop immediately following the gig. Here starts the beginning of the end of the Stooges. But what if that simply... wasn't the case? What if you could prove otherwise? Well, it'd be the proto-punk equivalent of having an immediate, on-the-scene, man on the street report of all those folkies booing Dylan's electric set at Newport in '65. Irrefutable evidence of what ACTUALLY went down. Found buried in the basement of a Michigan farmhouse amongst other tasty analog artifacts of the same era, the 1/4" stereo two-track tape of the Stooges complete performance at Goose Lake on August 8th, 1970 is the Rosetta Stone for fans of this seminal band. Not only is this the last ever performance of the original godhead Stooges line-up, but it is the ONLY known soundboard recording of said line-up. Playing the entirety of their canonical 1970 masterpiece, Fun House, the sound, the performance, everything about this record is revelatory. Would you believe that Alexander actually DID play bass on this occasion? Or that, despite a handful of flubs, he manages to hold his own? Especially on the bass-led songs 'Dirt' and 'Fun House'? Does Iggy provoke the crowd to tear down festival barriers? Did the powers that be pull the plug on the Stooges? So many questions are answered only to have more arise. Released to coincide with the 50th anniversary of the performance, Live at Goose Lake: August 8th, 1970, is the rare release that literally rewrites the history of these Rock and Roll Hall of Fame inductees."
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TMR 375LP
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2024 repress. "The first-ever official release of The White Stripes Peel Sessions on two stuffed-to-the-brim discs. Capturing Jack and Meg at the precipice of international renown in the hubbub of 'White Blood Cells,' their two live sessions with famed BBC DJ John Peel are arguably the best document of the White Stripes at that time. Having been widely bootlegged since their initial broadcast in 2001, these recordings are enjoying their first authorized release in celebration of their 15-year anniversary."
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CD
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TMR 899CD
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"Neil Gust and Elliott Smith arrived in Portland, OR together in the summer of 1991 to start a new band with drummer/producer Tony Lash. Within a year of adding bassist Brandt Peterson on bass, they were playing across the West Coast and demoing dozens of songs for their first LP. Six of these tracks were self-released on the cassette titled The Music of Heatmiser which was sold at shows, local record shops, and handed out to record labels. The sound of the band changed a lot over 3 LPs, but this is Heatmiser right out of the gate. New, energetic, excited, moving quickly through styles, totally broke and making it work in whatever way possible. It's guitar rock, full-blast, through 100-watt Marshall half stacks, when grunge was ascendant in the Pacific Northwest and the Portland scene was exploding. Fast, tight, loud, fun. Third Man Records presents this original set of six songs on vinyl and streaming for the first time, along with 23 demos, live tracks, rare versions and never before released songs."
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TMR 899LP
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LP version. "Neil Gust and Elliott Smith arrived in Portland, OR together in the summer of 1991 to start a new band with drummer/producer Tony Lash. Within a year of adding bassist Brandt Peterson on bass, they were playing across the West Coast and demoing dozens of songs for their first LP. Six of these tracks were self-released on the cassette titled The Music of Heatmiser which was sold at shows, local record shops, and handed out to record labels. The sound of the band changed a lot over 3 LPs, but this is Heatmiser right out of the gate. New, energetic, excited, moving quickly through styles, totally broke and making it work in whatever way possible. It's guitar rock, full-blast, through 100-watt Marshall half stacks, when grunge was ascendant in the Pacific Northwest and the Portland scene was exploding. Fast, tight, loud, fun. Third Man Records presents this original set of six songs on vinyl and streaming for the first time, along with 23 demos, live tracks, rare versions and never before released songs."
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TMR 850LP
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"Recorded live at Club Mozambique, Detroit, MI 1971 by Francis Wolff. The funk fans have been waiting for this one. Finally available on vinyl, Grant Green's near perfect slice of jazz funk and soul, Live at Club Mozambique, remastered and rendered back in the Motor City. Grant Green's band had been playing a series of live dates at Detroit's Club Mozambique, (before it became a fabled male dance club) when this session was recorded live on two cold January nights in 1971. Powerhouse drummer Idris Muhammad and soulful tenor star Houston Person were brought in to supplement Green's current band featuring Ronnie Foster on organ and Clarence Thomas on soprano and tenor sax and Blue Note producer Francis Wolff recorded. This treasure was never released, though, and (conjectures aside) remained in the Blue Notes vaults for 35 years before a 2006 CD release. Sounding incredibly fresh and live, you'd be hard-pressed to find a more real stamping of Grant Green at the top of his game. The LP blends extremely hypnotic and wild funk such as their opening cover of a local funk hit 'Jan Jan' by the Fabulous Counts next to laidback renditions of early '70s soul favorites 'Walk on By,' 'Patches' and 'One More Chance' by the Jackson 5. It perfectly captures the magic of hearing a legendary band effortlessly doing their thing in a small club while the audience unwinds after a long work day. Green pulls it all together with his melodic genius and perfect delivery. Great artists make it seem so easy. No pretensions here, just a great band burning up the stage with unmistakable chemistry on what might be the ultimate jazz funk time capsule."
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2CD
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TMR 960CD
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"Devotion, Grossmann's debut for Jack White's U.S.-based Third Man Records label, continues her musical evolution, arriving at a sound that wears inspirations transparently, but in practice, is markedly original holistic work. It is titled after Grossmann's experience of a natural sense of devotion that arose from her Buddhist meditation practice. She says, 'noticing that sounds are dissolving into the vast empty space, the true nature of reality. Just as thoughts are always dissolving into the stillness of our mind, we slowly realize that the essence of our mind is clarity. Devotion is a dedicated aural engagement with extremely talented musicians. It reflects a deep spirituality in composition, expression discovery through kaleidoscopic, 21st century jazz.'"
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2LP
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TMR 960LP
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Double LP version. "Devotion, Grossmann's debut for Jack White's U.S.-based Third Man Records label, continues her musical evolution, arriving at a sound that wears inspirations transparently, but in practice, is markedly original holistic work. It is titled after Grossmann's experience of a natural sense of devotion that arose from her Buddhist meditation practice. She says, 'noticing that sounds are dissolving into the vast empty space, the true nature of reality. Just as thoughts are always dissolving into the stillness of our mind, we slowly realize that the essence of our mind is clarity. Devotion is a dedicated aural engagement with extremely talented musicians. It reflects a deep spirituality in composition, expression discovery through kaleidoscopic, 21st century jazz.'"
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TMR 934LP
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"History has shown that the greatest bands -- bands with that certain, ever elusive quality called lasting power -- neither conform to nor buck the trends of their time, but rather force the times to catch up to them. Sheer Mag has such lasting power in droves. After almost a decade spent carving out a career that has already become the stuff of modern underground legend, the band's new stand-alone single, All Lined Up, comes alongside the announcement of their signing to Third Man Records -- their first partnership with a larger independent label -- who will also be physically and digitally re-releasing the entirety of Sheer Mag's back-catalogue, including their cult-beloved early EPs I (2014), II (2015), and III (2016), as well as their first two breakthrough LPs, Need To Feel Your Love (2017) and A Distant Call (2019). Sheer Mag's sensibility, as fervently beloved by baseball-tee clad garage rockers and tattoo-less indie kids as it is by leather-and-stud-loyal punks, finds its strength in an unconventional mixture of refined complexity and straight-forward pop prowess. Seamlessly trading between head-turning guitar heroics and a charmingly timeless blend of disco, hard rock, and garage inflected hooks, Sheer Mag's oft-referenced, never-replicated sound has played an undeniably large role in stoking the current resurgence of interest power-pop forward rock music. While quickly adopted as a fan-favorite amongst the sweat-caked crowds of the early 2010s underground, time has attested to Sheer Mag's singular cultural mutability: though never straying too far from their home-town Philadelphian origins."
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TMR 933LP
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"History has shown that the greatest bands -- bands with that certain, ever elusive quality called lasting power -- neither conform to nor buck the trends of their time, but rather force the times to catch up to them. Sheer Mag has such lasting power in droves. After almost a decade spent carving out a career that has already become the stuff of modern underground legend, the band's new stand-alone single, All Lined Up, comes alongside the announcement of their signing to Third Man Records -- their first partnership with a larger independent label -- who will also be physically and digitally re-releasing the entirety of Sheer Mag's back-catalogue, including their cult-beloved early EPs I (2014), II (2015), and III (2016), as well as their first two breakthrough LPs, Need To Feel Your Love (2017) and A Distant Call (2019). Sheer Mag's sensibility, as fervently beloved by baseball-tee clad garage rockers and tattoo-less indie kids as it is by leather-and-stud-loyal punks, finds its strength in an unconventional mixture of refined complexity and straight-forward pop prowess. Seamlessly trading between head-turning guitar heroics and a charmingly timeless blend of disco, hard rock, and garage inflected hooks, Sheer Mag's oft-referenced, never-replicated sound has played an undeniably large role in stoking the current resurgence of interest power-pop forward rock music. While quickly adopted as a fan-favorite amongst the sweat-caked crowds of the early 2010s underground, time has attested to Sheer Mag's singular cultural mutability: though never straying too far from their home-town Philadelphian origins."
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