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CD
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COR 050CD
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$15.50
PREORDER
RELEASE DATE: 2/25/2022
Catharsis is Sven Väth's first solo album in almost 20 years, and the 50th album to be released on his incomparable label, Cocoon Recordings. Produced alongside Gregor Tresher, it is a musical autobiography that charts Sven's most extraordinary life in techno. Tresher has long been part of the Cocoon family and is a revered artist in his own right. Catharsis is a record inspired by Sven's interest in the physical and spiritual processes that take place when we dance. "My imagination for this record was fueled by the many cultural experiences and encounters I have had in my life. They gave me the strength to find a way, the way to myself." And that way to himself is through music, through purifying dancing rituals and the exchange of spiritual energies that are generated in the club. The thirteen-track album explores all facets of Sven's sound. It opens with the stomping drums but sleek synths of "What I Used To Play" and unfolds through deep and dirty rhythms like "The Worm", subtly euphoric highs on "The Inner Voice" and the bubbly tribalism of the title track. There is the impassioned call-to-arms that is "Feiern", peak-time melodic workout "Mystic Voices" and soothing electronic lullabies like "Being In Love". The second half of the album takes in many more twists and turns, such as the exotic strings and driving drums of "Butoh", the paranoid techno minimalism of "NYX" and expansive synthscapes of ambient gem "The Cranes Of Gangtey Valley" before things play out though rugged beats and emotive chords on "We Are". Then comes the moody reflection of "Silvi's Dream", written in French for Sven's girlfriend. Last but not least, we have the immersive dream that is "Panta Rhei", which completes a trio of electronica tunes on the album. Ambient music has been an integral part of almost every album Sven has written because it can bring a certain emotional deepness, a quality that Sven has always been looking for. Catharsis is an adventurous album that captures the good times, the sad times and, most importantly, the times of hope.
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3x12"
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COR 050LP
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$43.50
PREORDER
RELEASE DATE: 2/25/2022
3x12" version. Gatefold; includes paper insert. Catharsis is Sven Väth's first solo album in almost 20 years, and the 50th album to be released on his incomparable label, Cocoon Recordings. Produced alongside Gregor Tresher, it is a musical autobiography that charts Sven's most extraordinary life in techno. Tresher has long been part of the Cocoon family and is a revered artist in his own right. Catharsis is a record inspired by Sven's interest in the physical and spiritual processes that take place when we dance. "My imagination for this record was fueled by the many cultural experiences and encounters I have had in my life. They gave me the strength to find a way, the way to myself." And that way to himself is through music, through purifying dancing rituals and the exchange of spiritual energies that are generated in the club. The thirteen-track album explores all facets of Sven's sound. It opens with the stomping drums but sleek synths of "What I Used To Play" and unfolds through deep and dirty rhythms like "The Worm", subtly euphoric highs on "The Inner Voice" and the bubbly tribalism of the title track. There is the impassioned call-to-arms that is "Feiern", peak-time melodic workout "Mystic Voices" and soothing electronic lullabies like "Being In Love". The second half of the album takes in many more twists and turns, such as the exotic strings and driving drums of "Butoh", the paranoid techno minimalism of "NYX" and expansive synthscapes of ambient gem "The Cranes Of Gangtey Valley" before things play out though rugged beats and emotive chords on "We Are". Then comes the moody reflection of "Silvi's Dream", written in French for Sven's girlfriend. Last but not least, we have the immersive dream that is "Panta Rhei", which completes a trio of electronica tunes on the album. Ambient music has been an integral part of almost every album Sven has written because it can bring a certain emotional deepness, a quality that Sven has always been looking for. Catharsis is an adventurous album that captures the good times, the sad times and, most importantly, the times of hope. 3x12" vinyl version comes in gatefold sleeve with paper insert.
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12"
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COR 171EP
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$16.00
PREORDER
RELEASE DATE: 2/18/2022
Single release from the forthcoming album Catharsis (COR 050CD/LP), produced by Sven Väth and Gregor Tresher. The single contains two absolute highlight tracks. If you have heard Sven playing in the past months, you will recognize both, as they were pivotal moments in almost every set! First up, you have "Mystic Voices", a track that was created during the early stages of the album production with Sven gathering ideas and words to finally record the unmistakable vocals during a hectic tour through India, and Gregor spending days and nights on the other side of the planet in his studio to process the stream of inspiration. When the two finally sat down together in the studio, the track emerged quickly. Some would call the instant vibe that magic that every creative mind is longing to find. "Butoh" is a raw and dark force, influenced by Japanese dance, an art form that deeply touched Sven during his travels on Nippon Island. It´s an otherworldly sounding track, still based in the techno realm but heavily twisted by a long break that introduces Japanese percussion that eventually get topped by the haunting vocals of Cana Hatsushiba.
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6x12" BOX
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COR 049LP
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To celebrate 20 since inception, Sven Väth's Cocoon Recordings is serving up a special 15 track collection that brings together new and exclusive tracks from artists that have been a huge part of the journey. A suitably spectacular collection that pays homage to one of techno's finest operations. 20 years is a long time in any facet of life, but in techno it is eons. The popular character, much loved DJ and always innovative creative force started out with an early rave techno sound back in the late '80s that he has steered into much broader realms ever since. Väth has ensured Cocoon has always covered all points of the spectrum. Cocoon's unique brand of techno has always been at the heart for the operation and now, these brand new and exclusive tracks confirm that once again. Rampa kicks off with the jittery broken beat techno of "2000" and Emanuel Satie keeps the melodic vibes alive with his wistful "Departure" and then Diynamic label boss Solomun serves up a rare new production "We Will Never Have Today Again" which is a dramatic and epic groove with majestic synth work lighting up the bold drums. Gregor Tresher slips into a more slick and funky drum work out with "Nostalgia (is The Enemy)" and Joseph Ashworth's "Eavesdrop" reaches for deep space with its distant synth swirls and astral atmospheres. Pig & Dan very much came of age through their releases on Cocoon and here offers an intense cosmic workout with "Trauma", while US legend Josh Wink keeps it deep and heads down with his gritty roller "Nuclei". After lush techno trance from Ricardo Tobar comes a heavyweight collaboration between Tiga and Roman Flügel that is designed for those freaky late night hours and then exceptional minimalist Planetary Assault Systems gets you in a spin with his mind-melting cosmic melodies and pounding drum rhythms. There is paranoia and urgency in the excellent work of Jacek Sienkiewicz, dark industry when Andre Galluzzi and Daniel Stefanik link on "The Regulator" and high-grade machine soul from Extrawelt. Croatian mainstay Petar Dundov brings his trademark melodic magic to "Overtone" and things come to a perfect close with the techno warmth and mellifluous synth work of Sebastian Mullaert's "Kikaqu". Limited edition 6x12" vinyl deluxe boxset, with individual fluorescent color sleeves and paper insert; edition of 700.
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12"
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COR 049-1EP
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Cocoon's unique brand of techno has always been at the heart for the operation and now, these brand new and exclusive tracks confirm that once again. Rampa kicks off with the jittery broken beat techno of "2000" and Emanuel Satie keeps the melodic vibes alive with his wistful "Departure" and then Diynamic label boss Solomun serves up a rare new production "We Will Never Have Today Again" which is a dramatic and epic groove with majestic synth work lighting up the bold drums.
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4x12"
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COR 048LP
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To coincide with their 15-year anniversary, Extrawelt are quietly proud to release Extra Welt Hits. A collector's box, which covers every album and period from their dominant yet enigmatic history as one of Germany's most highly regarded electronic acts. Etched into the four-piece vinyl box-set is a 15-track playlist which takes you back to the dawn of their beautiful Extra World. Extra Welt Hits is a time capsule drenched in the essence of the act's DNA. Accentuated by newly remastered tracks that serve their ever-evolving, clever and out-of-the-box sound, each recording spills into the next with sonic precision. From the monumental masterpiece of the album's opening track "Ferneh", through to the "One-way ticket to oblivion, please" hits of "Soopertrack" and "Titelheld", the listener is left captivated. And, because it's what they do best, the destruction and artful reconstruction echoed through their shows are also present. These are beamed out in the exclusive live versions of "Zu Fuss", "Dark Side Of My Room", and "Herzstück". Recorded in Tokyo, Paris and at the Fusion Festival, these bent, broken and rebuilt icons prove once again why they are one of the most influential live-acts of the semi- underground. That live-act -- a futuristic symphony of dance music -- is both undefinable and strays well past the norm. Their chance to manipulate their creations in a flow of measured spontaneity, it continues to leave permanent impressions on audiences everywhere. The result is an experience focused on purism with great care in presenting the deepest core of their craft, in essence; exactly what sums up their musical galaxy. It was never the acts plan to release a best-of album, especially at the unusual 15-year mark, rather, it rolled into motion naturally as a way to immortalize the victory of being around so long (in a scene where the shelf life for most artists doesn't last much longer than an album or two, fifteen years is something of a triumph). With that, Extrawelt invite those that were there from the start to join them in getting a kick out of being "officially mature". And for those that were not, to have the chance to hear their story up until now, like it's never been told before. And yes, while the listener may have outlived many of the clubs which first introduced them, it is unlikely that anyone has outgrown this brave, intangible and absorbing music.
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2x12"
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COR 047LP
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Cocoon Recordings invites well-known international artists to once again rub shoulders with some of the freshest new talents around on Dots & Pearls 6. First up, Eduardo de la Calle and Romina Cohn's "I'm Losing My Mind" does a decent job helping you lose yours. Taking the classic DBX template as a start point, Cohn's random, spaced-out musings elevate things to another level as they filter through all manner of machinery, bathing the hypnotic percussion in a lysergic glow. Fabe's "Call Of Origin" pulls no punches either, the energetic, bass driven intro bouncing its way centerstage before expanding into lush open spaces with occasional melodic scatters and washes of warm pads that radiate good vibes. Over the last couple of years, Adana Twins have rightly consolidated their position at the top table, so it's a pleasure to have them on board with "Origo". Like snake charmers relentlessly teasing and twisting the infectious hook line in all manner of directions, they demonstrate complete control of their art, pushing all the right buttons to bring things nicely to the boil. As with all Cocoon compilations the deeper you dive, the stranger the vibe and Juan Sanchez delivers a dose of trance-inducing, minimal techno. Abiding by the same dogma as the track before, "Narcissus" offsets a constantly morphing hypnotic hook line with raw, stripped 909 beats in a classic mid '90s style. Michael Klein's "Continuation" maintains the intensity as Cocoon's Techno Tardis transports the listener even further back to a sweaty early '90s warehouse. It could be London, it could be Berlin... wherever it is, but it sure sounds like home. Rico Puestel then snuffs out the candle, plunging you back into darkness. With "Perpetua Mobilia" he unleashes a deep, prowling beast of a track. As you motor on towards morning, Radu Dracul adds some bite to proceedings with "Spectrae", a slow-burning psychedelic trip with gently percolating acid lines that smooth out the rough textures of the preceding tracks before giving way to a cavernous breakbeat inflected breakdown. And then finally, Joe Metzenmacher and Borka & The Gang close out the collection, paying homage to the melodic side of Detroit with the quirky, idiosyncratic yet ultimately beautiful "Magic Talk". It surrounds the dancefloor in a warm embrace as keys, strings, and bass combine effortlessly to produce a priceless moment of collective euphoria.
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12"
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COR 167EP
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Hot on the heels of "Flesh Is A Prison" -- the quirky, electronic wonderland he contributed to Cocoon's phenomenal S compilation (COR 046CD/LP, 2019) -- the multi-talented Neil Landstrumm consolidates his position on the label roster with a debut three-track EP that channels the uncompromising spirit of seminal UK labels like Network, Warp, and Vinyl Solution. It's clear from the first few seconds of "Sun Universe" that you're being transported back to '90s UK rave culture at a point where rave, jungle, and house were mutating into speed garage. Ruffness abounds as stuttering snare rolls accompany the rude boy bass, ragga samples and classic "hoover" synth riff, while peripheral sounds circle the groove adding a contemporary twist. Staying true to the times, the arrangement plays it straight, alternating between two distinct structures -- one labeled "jump up" and the other "spread out"! These timely juxtapositions of mood alone mean the track will blow up on any dancefloor. "Purple" continues in a similar vein, with a phat, warping bass line underpinning the blunted beats and dusty bleeps. Landstrumm rides the mix in classic old school style, cutting up the linear arrangement with sudden unexpected deviations, alternative rhythms, and layered melodies that lend a hidden complexity to the relentless groove. There's a different energy at work here, one that flies in the face of certain overcooked, modern production techniques, finding more in common with a raw, vintage Carl Cox three deck mix tape, circa 1989. To round things off, "Catnatized" drops the tempo for a slab of grimy, acid funk that recalls the early excursions of Sheffield's electronic pioneers, with a hint of embryonic Amsterdam house thrown in for good measure. Once again, the bass line grabs the headlines, rasping and morphing in its own peculiar language while twisted vocals tease the dancefloor with the logic of the absurd.
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2CD
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CORMIX 061CD
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By the '70s Ibiza had already developed into an international party destination. The fact that the third largest of the Balearic Islands is what it is today -- namely, the absolute benchmark for star DJs par excellence -- cannot be discussed without mention of Sven Väth. Even in the early '80s, more than anyone else in Germany, he stood for the idea that being a DJ could be more than just a profession, a vocation or a purpose in life: it's akin to a magician of the dancefloor, a shaman who conjures up the crowd. As a resident of Dorian Gray -- the legendary club at Frankfurt Airport that was modelled on New York's Studio 54 -- he shaped the image of the DJ like no one else in Germany at the time. Even more influential were his broadcasts on hr3 Clubnight. Without the radio shows that Väth produced there between 1990 and 2004, the seed of techno in Germany would never have been sown to such an extent. With his first club Omen, Sven wrote techno history over ten years. Soon after, the "Babba", as Väth has been lovingly and respectfully called in the scene for a long time, set new standards in international club culture with Frankfurt's CocoonClub, inspired by his Cocoon Ibiza events. Pioneer, visionary, ambassador, identification figure, DJ, label operator, club owner, and impresario; over a career spanning four decades, Väth has developed many facets of his art and yet has always remained true to himself. The fact that all over the world Berlin music temples of this kind, from Tresor to Watergate, are celebrated as the epitome of party culture, is in no small part due to Väth's influence. Like no other, Väth has given the landscape of electronic music a face -- always evolving, yet unmistakable. With In The Mix: The Sound Of The 20th Season he presents the culmination of his second decade on the "White Island," and it's impressive, how he manages to tick all the boxes. Features: New Jackson, Joseph Ashworth, Joe Metzenmacher, Dorisburg, Amberoom, Charlotte Bendiks, Stimming, Ricardo Tobar, Herzel, Erol Alkan, Rüfüs Du Sol, Zoo Brazil, Innellea, Rebuke, Patrice Bäumel, Joshua James, Josh Wink, Robert Hood, Pig & Dan, Florian Hollerith, ROD, PSYK, Daniel Avery, Inigo Kennedy, and Legowelt. In HQ lenticular print digipak.
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CD
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CORMIX 060CD
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2019's highly anticipated Live at Cocoon Ibiza mix is helmed by techno legend Luke Slater under his Planetary Assault Systems guise. As Planetary Assault Systems, UK titan Luke Slater has constantly laid down a blueprint for the future of techno. As a live performer he is a visionary who fuses mind melting minimalism, catchy cyborg funk and cinematic soundscapes that really take you on a trip. He did that once again back in July as part of Cocoon's 20th anniversary season and now the results are laid down on CD for the label to relive the magic. Over the course of eighty spellbinding minutes, Slater truly captivates with evocative sci-fi imagery and high-class melodic minimalism, smoothly shifting from moments of high-pressure drum-funk intensity to uplifting and spiritual passages of cosmic sound and back again. Along the way, he digs deep into his back catalog to serve up plenty of golden oldies as well as more contemporary cuts, and the whole thing melts together into a timeless set that explores the outer edges of techno with huge amounts of both style and substance.
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12"
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COR 166EP
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Frankfurt's Michael Klein offers two tracks for Cocoon. Clouds gather on "Yuzu" -- a full-on dose of headstrong, slamming techno. Rampant hi-hats, a rasping bass, and a frenzied acid riff conjure up a deliberately disorientating electric storm that takes a certain amount of pleasure in battering the dance floor like a force ten gale. Klein adds some extra bounce to the raw, pounding beats on "Eureka", creating a cavernous backdrop that transports you back to the heyday of E-Werk. Then, it's all aboard the night train as the sounds gradually morph into some kind of demonic locomotive.
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6LP BOX+CD
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COR 046LP
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Six-LP box set. Limited edition vinyl box-set comes with six yellow vinyl; includes CD. Cocoon Recordings goes into overdrive with the next installment of their legendary compilation series. Love Over Entropy gets the ball rolling with "As If", offering up smooth, Mediterranean vibes designed to stimulate heart-felt communication. Stimming's "The Gift That Never Stops To Give" continues in a low-slung, tribal vein peppered with jazzed-out, tubular percussion as the psychedelics gently take hold. John Talabot and Axel Boman, aka Talaboman, not only win the most bombastic track name of the year competition, but do a good job living up to it on "Big Room Anthemic Groovy Pounding Trance Dub Bomb. Superb!" The extended intro delivers a heightened sense of anticipation, as gentle bleeps, angular trance riffs and weird frequency oscillations toast the synapses. Emanuele Satie's "Planet XXX" is a perfectly balanced tech house groover, climaxing with an ecstatic breakdown. "End Days" from Edward then ups the ante with a metallic, new beat vibe that swamps you in wild analog noise before the deep brooding pads take over. Analog squiggles dominate the opening exchanges on Florian Hollerith's "KURZVOR12" as the soundsystem starts pounding relentlessly into the early hours. A strong head is certainly required under pressure from the hypnotic, rasping synth lines. Raxon gets things rolling on "The Turbulent" with electric hi-hats snaking through a dense mesh of banging snares that accompany a morphing acid line. "Jaded" then takes you into the realms of full-on industrial techno as Mark Broom transports you back to the genre's mid-90s heyday. Egbert ramps up the distortion on "Tering" with a flapping sub bass, played out across heavenly vox pads and acid washes. As you enter the final straight, "Keep Changing Basslines" from Italian maestro Dino Lenny journeys deeper stil006C, before it unfurls to reveal a myriad of arpeggiating synth and bass lines as the vocal sample of the title suggests. Deep, thoughtful and intelligent, there's also a hint of retro rave culture thrown in for good measure. Neil Landstrumm then takes us to Casio heaven on "Flesh Is A Prison", utilizing crisp sound that carries a laser-guided sting in the tail before Red Axes close things out with "Hevk". A long, spacey intro and more razor-edged riffs that morph and stutter perfectly encapsulate everything that has gone before.
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CD
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COR 046CD
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Cocoon Recordings goes into overdrive with the next installment of their legendary compilation series. Love Over Entropy gets the ball rolling with "As If", offering up smooth, Mediterranean vibes designed to stimulate heart-felt communication. Stimming's "The Gift That Never Stops To Give" continues in a low-slung, tribal vein peppered with jazzed-out, tubular percussion as the psychedelics gently take hold. John Talabot and Axel Boman, aka Talaboman, not only win the most bombastic track name of the year competition, but do a good job living up to it on "Big Room Anthemic Groovy Pounding Trance Dub Bomb. Superb!" The extended intro delivers a heightened sense of anticipation, as gentle bleeps, angular trance riffs and weird frequency oscillations toast the synapses. Emanuele Satie's "Planet XXX" is a perfectly balanced tech house groover, climaxing with an ecstatic breakdown. "End Days" from Edward then ups the ante with a metallic, new beat vibe that swamps you in wild analog noise before the deep brooding pads take over. Analog squiggles dominate the opening exchanges on Florian Hollerith's "KURZVOR12" as the soundsystem starts pounding relentlessly into the early hours. A strong head is certainly required under pressure from the hypnotic, rasping synth lines. Raxon gets things rolling on "The Turbulent" with electric hi-hats snaking through a dense mesh of banging snares that accompany a morphing acid line. "Jaded" then takes you into the realms of full-on industrial techno as Mark Broom transports you back to the genre's mid-90s heyday. Egbert ramps up the distortion on "Tering" with a flapping sub bass, played out across heavenly vox pads and acid washes. As you enter the final straight, "Keep Changing Basslines" from Italian maestro Dino Lenny journeys deeper stil006C, before it unfurls to reveal a myriad of arpeggiating synth and bass lines as the vocal sample of the title suggests. Deep, thoughtful and intelligent, there's also a hint of retro rave culture thrown in for good measure. Neil Landstrumm then takes us to Casio heaven on "Flesh Is A Prison", utilizing crisp sound that carries a laser-guided sting in the tail before Red Axes close things out with "Hevk". A long, spacey intro and more razor-edged riffs that morph and stutter perfectly encapsulate everything that has gone before.
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12"
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COR 165EP
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"Holocene" by Apir & Justin Marchacos is top-notch melodic techno, an electronic soundscape of epic proportions, built for a huge soundsystem and best experienced under cover of a warm, balmy summer night. Deep space exploration "The Fifth" sees a warm, percolating, arpeggiated bass line act as the driving force on this stripped-down excursion, while gentle automation lends a crackling neon glow to proceedings.
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12"
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COR 160EP
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Cocoon has never been shy about pitching curve balls to the crowd. It also has an instinct for knowing what they want, even before the label does! So here is the label with both these concepts in full effect in the form of International Anything's Running In The Underwood. Markus Nikolai and Ole Schulte's fledgling project has already featured on both Cocoon and Nikolai's ubiquitous Perlon imprint and the Frankfurt/Berlin axis represented by these two heavyweight labels is perfectly encapsulated in this "summer anthem in the making". Includes a Michael Mayer remix.
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12"
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COR 163EP
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Florian Hollerith presents Perlas on Cocoon. On "Perlas", he works from the inside out with complex layers creating a vortex of sound, a sonic mesh that's playful yet dangerous. "Love Summer" adds a contemporary twist to the melodic joys that drenched the early '90s in pure ecstasy. The soulful vocals soothe the mind as horn stabs punctuate the sensual groove, generating power and passion in equal measures. More retro futurism abound on "Electro Indianer" as arpeggiated bleeps usher in another vast, sprawling soundscape designed to induce a collective trance on the dancefloor.
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12"
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COR 162EP
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Seasoned producer Oliver Kapp takes you back to the glory days of underground techno where pounding sound systems ruptured the space time continuum for fun. "Mantash" is an altogether gentler excursion. Loose tribal rhythms slalom through metronomic kicks. Euphoria and delirium combine on the aptly titled "Rapture", as chopped-up vocal FX alternate across a hard-hitting 909 pattern. "Loud Whisper" is both tough and relentless, generating a hypnotic state. The fluid, rolling grooves of "Sketch" then conclude proceedings in a flurry of delayed percussion lines that skim the surface while pressure builds from below.
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12"
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COR 161EP
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Johannes Volk's second release on Cocoon Recordings continues his tonal references to the origins of techno in a highly unique style. "Nevergreen", with its driving sequencer synth, is a furious and mechanical workout with a harsh industrial vibe and unbelievable string textures will shake the dancefloor to its foundations. On "Awareness", Volk conjures up an unforgettably romantic soundscape without sacrificing any energy. After a solid minute, the foggy horizon opens up to one of those rare yet incredibly valuable moments, when you suddenly want to embrace the whole world from inside the club.
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2x12"
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COR 045LP
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To celebrate the turn of the year, Cocoon Recordings presents the fifth edition of the Dots & Pearls anthology, which has been offering an exclusive glimpse into Cocoon's treasure trove of demos at irregular intervals since 2011. Once again, the eight tracks on show represent a comprehensive snapshot of the current state of club music as 2018 fades into 2019, combining established stars of the scene with eye-catching newcomers to create a harmonious overall package. First up is Berlin production team youANDme, who have been an integral part of the capital's club life for over ten years as well as running the Rotary Cocktail label. Their epic floor filler "Claret Loss" kicks off the compilation with a refreshingly reduced yet deep tech-house showpiece as the "ear circus" begins. In fact, that's the name of the next track by promising debutant Florian Hollerith. "Ohrenzirkus" amazes with a bone-dry bass drum accompanied by an insect squadron and atonal orchestra horns. Little wonder that this bold homage with its sonic claim to immortality also takes pride of place on Sven Väth's Sound of the 19th Season (CORMIX 059CD). Geneva based, Cadenza producer Quenum then reels in the acoustic madness with the elegant, metallic percussion of "Blue Mountain", while Croatian mastermind Petar Dundov takes the listener into a highly emotional state of weightlessness with the typically anthemic "Pyroelectric". Next, Systematic label boss Marc Romboy scores with "Sequential Error", a perpetually growing ball of energy that lights the way to the dancefloor. In the midst of the mayhem, Italian newcomer Blackrachas offers up a slice of Mediterranean serenity with his snare opus "Paracasta", while veteran DJ and producer Emanuele Inglese from Rome demonstrates his special expertise for dancefloor hedonism with a flurry of modulated sequential breaks on the track "Rain". Finally, Bastian Bux of Barcelona-based label Suara, who recently also featured on John Digweed's Bedrock imprint, offers a fitting finale to the compilation with the melodic techno hymn "Inner You". Dots & Pearls 5 is set to be an indispensable part of your life.
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12"
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COR 159EP
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Pig&Dan return to their roots, Cocoon Recordings with Reset Your Bassline. Nine years on, Dan Duncan and Igor Tchkotoua have lost none of their sixth sense for moving the crowd as this uncluttered yet devilishly effective dancefloor double-header proves. "Reset Your Bassline" couldn't be more appropriately named, revealing itself with a powerful, pumping bass and tightly programmed vocal samples. An indispensable addition to this autumn's set list, "Lost Another Angel" delivers with a pure dose of after-hour bliss. It's a playful Balearic technodub with a canny sense for an unforgettable melody at sunrise, conjuring up broad smiles on glowing faces.
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2CD
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CORMIX 059CD
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Sven Väth returns with another volume of In The Mix: The Sound Of The 19th Season. To this day, Väth represents the electronic music scene like no other DJ. In the nineties he was mentor and shaman, operating from Frankfurt and introducing us to the world of electronic music. After these crazy, extroverted years, Väth created the Cocoon family as a global platform for he and his colleagues´s activities. Väth has always been for the scene "Baba", which means dad in Hessian dialect. Today he is the "Baba" for a new generation of DJs; music is not about strategizing your niche potential. It does not matter if a tune is approved by the opinion makers. It's about what you feel personally and what you can create with the music in your work as a DJ. To this day, Väth manages to play tracks that you wouldn't expect and puts them in a context you would not expect either. Like no one else he succeeds in arranging the entire electronic music cosmos, from restrained deep house to euphoric techno into one, amazing narrative. Besides Frankfurt, Ibiza is Väth's musical home. After 18 years at Club Amnesia, he and his Cocoon crew moved to Pacha to start a new chapter on the seminal island. You don´t get a clue from In The Mix: The Sound Of The 19th Season if he had some trouble finding his way in the new location. The season of 2018 is over, but Väth gives us no time for wistful feelings. After the furious closing of Ibiza in October, he retreats to his Ayurveda ritual. Then he sets off for the Sound Of The Season tour which takes him to South America, among other destinations. After New Year's Eve, he vacations in Asia, taking in inspirations. He will let the season of 2018 pass in his inner mind's eye devising a plan how to celebrate the 20th anniversary of Cocoon on Ibiza with the crazy that he will cook up! Features: Nightmares On Wax, Love Over Entropy, Adam Port, Emanuel Satie, Florian Hollerith, Talaboman, Levon Vincent, Vermont, Edward, L.B. Dub Corp, DJ Shufflemaster and Chester Beatty, Patrice Bäumel, Red Axes, Nicolas Masseyeff, Tom Pooks and Joy Kitikonti, Butch, Fabrice Lig, Robag Wruhme, Stimming, Ejeca, Radio Slave, Ilario Alicante, Anna, Michael Mayer, Younger Rebinds, and Krystal Klear.
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3LP
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COR 044LP
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Triple LP version. Extrawelt are Arne Schaffhausen and Wayan Raabe. Both have been around for about 40 years, and making music together for half that time. They enjoy normal things and are ashamed of their carbon footprints due to the large number of flights they take to bring them to their gigs. Unknown is the tenth studio album from the producer team, and the fourth under the name Extrawelt; it's largely devoted to another side of their creations. Extrawelt releases always have been somehow different yet, despite becoming instantly absorbed into the familiar Extrawelt atmosphere when listening, one can't help but notice something's very different. Feet are bouncing, the mind is traveling; one imagines what it would be like to listen to Unknown with closed eyes in the midst of a throbbing concert instead of through laptop speakers. Listening to Extrawelt on crappy speakers is anyway never a good idea; leave the confines of a lo-fi laptop world and get in the car. Crank up the stereo, and cruise around aimlessly, lost in an appreciation of the music. One has the urge to speed up, even if one is usually a very sensible driver, the bass and beats blowing up in one's face. This is something undeniably Extrawelt, yet inherently different to what we've come to expect from the Hamburg pair. Something about this twelve-track journey fits together so superbly it's hard not to be overcome with at least a few shivers up the spine. With profound bass lines and cutting drums, one keeps coming back to these sounds, again and again. Whether this is exotic or native doesn't matter; all that matters is it's great, and it isn't techno! Somehow, Extrawelt have accomplished staying true to themselves despite deploying not even one four-to-the floor-bass drum. Admittedly, one can find a couple of similar tracks on a few of their previous releases, but here is got a whole album full of it. What genre of music is this actually? Neo-Electro? Alternative Electronica? Emo-EDM?? These guys don't like to be put into boxes; it's simply Extrawelt. The tracks on Unknown began simmering more than ten years ago without any goal or idea regarding if they'd end up releasing them. This explains how Unknown appeared so quickly after their most recent album, Fear Of An Extra Planet (COR 041 CD/LP, 2017).
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CD
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COR 044CD
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Extrawelt are Arne Schaffhausen and Wayan Raabe. Both have been around for about 40 years, and making music together for half that time. They enjoy normal things and are ashamed of their carbon footprints due to the large number of flights they take to bring them to their gigs. Unknown is the tenth studio album from the producer team, and the fourth under the name Extrawelt; it's largely devoted to another side of their creations. Extrawelt releases always have been somehow different yet, despite becoming instantly absorbed into the familiar Extrawelt atmosphere when listening, one can't help but notice something's very different. Feet are bouncing, the mind is traveling; one imagines what it would be like to listen to Unknown with closed eyes in the midst of a throbbing concert instead of through laptop speakers. Listening to Extrawelt on crappy speakers is anyway never a good idea; leave the confines of a lo-fi laptop world and get in the car. Crank up the stereo, and cruise around aimlessly, lost in an appreciation of the music. One has the urge to speed up, even if one is usually a very sensible driver, the bass and beats blowing up in one's face. This is something undeniably Extrawelt, yet inherently different to what we've come to expect from the Hamburg pair. Something about this twelve-track journey fits together so superbly it's hard not to be overcome with at least a few shivers up the spine. With profound bass lines and cutting drums, one keeps coming back to these sounds, again and again. Whether this is exotic or native doesn't matter; all that matters is it's great, and it isn't techno! Somehow, Extrawelt have accomplished staying true to themselves despite deploying not even one four-to-the floor-bass drum. Admittedly, one can find a couple of similar tracks on a few of their previous releases, but here is got a whole album full of it. What genre of music is this actually? Neo-Electro? Alternative Electronica? Emo-EDM?? These guys don't like to be put into boxes; it's simply Extrawelt. The tracks on Unknown began simmering more than ten years ago without any goal or idea regarding if they'd end up releasing them. This explains how Unknown appeared so quickly after their most recent album, Fear Of An Extra Planet(COR 041 CD/LP, 2017).
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CD
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CORMIX 058CD
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On the occasion of the 19th year of Cocoon's residency on Ibiza, the location may have changed from Amnesia to Pacha, but the enthusiasm for perhaps the most enduring party on the Mediterranean island is guaranteed to continue. Actually, only the sun, sea and wind are more reliable! The celebrated live sets of Bulgaria's livewire Strahil Velchev aka KiNK have been a vital ingredient for the ecstatic nights over the years. With unprecedented regularity, the man from Sofia has been voted best live act by readers of Groove magazine for the last three years, and in 2017 he was also crowned best electronic music producer. As KiNK, together with Sven Väth, he now celebrates one of the most popular evenings of this year's season as well, and what could be more logical than to repurpose the famed Cocoon Ibiza Mix series into another live document of the event? No sooner said than done, here the Bulgarian offers a 70-minute cross-section of his skills. Well-known tracks, especially from Playground (RB 010CD/LP, 2017) meet exclusive, unreleased material in a spontaneous tour de force through the history of electronic dance music. There are distinctive nods to Chicago and Detroit, jazzy organs spiraling into string-drenched skies ("The Russian"), insatiable acid excursions ("Five") and heavy-duty discoid workouts ("Use The Rhythm", "Perth") as KiNK's irresistible nature strikes repeatedly at the heart of the dance floor. The message as always is "gute Laune!" (good vibes), if one is allowed to borrow that sacred phrase for just a moment.
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12"
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COR 158EP
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Berlin producer Kevin De Vries has emerged as one of the capital's most hotly tipped newcomers. De Vries's debut for Cocoon is characterized by significantly higher levels of impulsive energy without ever losing sight of his instinctive feel for harmony. "Meraki" speckles shimmering harmonic textures over the structured bass end, reminiscent of sunlight reflecting on turbulent seas -- absolutely perfect for dancing through long summer nights! "Sonorous", featuring Weska, orchestrates a tropical heatwave before the cyclical after-hour techno of "My Blurred Dream" brilliantly rounds off this heavy duty three-tracker.
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