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CD
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COR 044CD
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$15.50
PREORDER
RELEASE DATE: 11/2/2018
Extrawelt are Arne Schaffhausen and Wayan Raabe. Both have been around for about 40 years, and making music together for half that time. They enjoy normal things and are ashamed of their carbon footprints due to the large number of flights they take to bring them to their gigs. Unknown is the tenth studio album from the producer team, and the fourth under the name Extrawelt; it's largely devoted to another side of their creations. Extrawelt releases always have been somehow different yet, despite becoming instantly absorbed into the familiar Extrawelt atmosphere when listening, one can't help but notice something's very different. Feet are bouncing, the mind is traveling; one imagines what it would be like to listen to Unknown with closed eyes in the midst of a throbbing concert instead of through laptop speakers. Listening to Extrawelt on crappy speakers is anyway never a good idea; leave the confines of a lo-fi laptop world and get in the car. Crank up the stereo, and cruise around aimlessly, lost in an appreciation of the music. One has the urge to speed up, even if one is usually a very sensible driver, the bass and beats blowing up in one's face. This is something undeniably Extrawelt, yet inherently different to what we've come to expect from the Hamburg pair. Something about this twelve-track journey fits together so superbly it's hard not to be overcome with at least a few shivers up the spine. With profound bass lines and cutting drums, one keeps coming back to these sounds, again and again. Whether this is exotic or native doesn't matter; all that matters is it's great, and it isn't techno! Somehow, Extrawelt have accomplished staying true to themselves despite deploying not even one four-to-the floor-bass drum. Admittedly, one can find a couple of similar tracks on a few of their previous releases, but here is got a whole album full of it. What genre of music is this actually? Neo-Electro? Alternative Electronica? Emo-EDM?? These guys don't like to be put into boxes; it's simply Extrawelt. The tracks on Unknown began simmering more than ten years ago without any goal or idea regarding if they'd end up releasing them. This explains how Unknown appeared so quickly after their most recent album, Fear Of An Extra Planet(COR 041 CD/LP, 2017).
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3LP
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COR 044LP
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$36.50
PREORDER
RELEASE DATE: 11/2/2018
Triple LP version. Extrawelt are Arne Schaffhausen and Wayan Raabe. Both have been around for about 40 years, and making music together for half that time. They enjoy normal things and are ashamed of their carbon footprints due to the large number of flights they take to bring them to their gigs. Unknown is the tenth studio album from the producer team, and the fourth under the name Extrawelt; it's largely devoted to another side of their creations. Extrawelt releases always have been somehow different yet, despite becoming instantly absorbed into the familiar Extrawelt atmosphere when listening, one can't help but notice something's very different. Feet are bouncing, the mind is traveling; one imagines what it would be like to listen to Unknown with closed eyes in the midst of a throbbing concert instead of through laptop speakers. Listening to Extrawelt on crappy speakers is anyway never a good idea; leave the confines of a lo-fi laptop world and get in the car. Crank up the stereo, and cruise around aimlessly, lost in an appreciation of the music. One has the urge to speed up, even if one is usually a very sensible driver, the bass and beats blowing up in one's face. This is something undeniably Extrawelt, yet inherently different to what we've come to expect from the Hamburg pair. Something about this twelve-track journey fits together so superbly it's hard not to be overcome with at least a few shivers up the spine. With profound bass lines and cutting drums, one keeps coming back to these sounds, again and again. Whether this is exotic or native doesn't matter; all that matters is it's great, and it isn't techno! Somehow, Extrawelt have accomplished staying true to themselves despite deploying not even one four-to-the floor-bass drum. Admittedly, one can find a couple of similar tracks on a few of their previous releases, but here is got a whole album full of it. What genre of music is this actually? Neo-Electro? Alternative Electronica? Emo-EDM?? These guys don't like to be put into boxes; it's simply Extrawelt. The tracks on Unknown began simmering more than ten years ago without any goal or idea regarding if they'd end up releasing them. This explains how Unknown appeared so quickly after their most recent album, Fear Of An Extra Planet (COR 041 CD/LP, 2017).
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CD
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CORMIX 058CD
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$15.50
PREORDER
RELEASE DATE: 10/19/2018
On the occasion of the 19th year of Cocoon's residency on Ibiza, the location may have changed from Amnesia to Pacha, but the enthusiasm for perhaps the most enduring party on the Mediterranean island is guaranteed to continue. Actually, only the sun, sea and wind are more reliable! The celebrated live sets of Bulgaria's livewire Strahil Velchev aka KiNK have been a vital ingredient for the ecstatic nights over the years. With unprecedented regularity, the man from Sofia has been voted best live act by readers of Groove magazine for the last three years, and in 2017 he was also crowned best electronic music producer. As KiNK, together with Sven Väth, he now celebrates one of the most popular evenings of this year's season as well, and what could be more logical than to repurpose the famed Cocoon Ibiza Mix series into another live document of the event? No sooner said than done, here the Bulgarian offers a 70-minute cross-section of his skills. Well-known tracks, especially from Playground (RB 010CD/LP, 2017) meet exclusive, unreleased material in a spontaneous tour de force through the history of electronic dance music. There are distinctive nods to Chicago and Detroit, jazzy organs spiraling into string-drenched skies ("The Russian"), insatiable acid excursions ("Five") and heavy-duty discoid workouts ("Use The Rhythm", "Perth") as KiNK's irresistible nature strikes repeatedly at the heart of the dance floor. The message as always is "gute Laune!" (good vibes), if one is allowed to borrow that sacred phrase for just a moment.
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12"
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COR 158EP
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Berlin producer Kevin De Vries has emerged as one of the capital's most hotly tipped newcomers. De Vries's debut for Cocoon is characterized by significantly higher levels of impulsive energy without ever losing sight of his instinctive feel for harmony. "Meraki" speckles shimmering harmonic textures over the structured bass end, reminiscent of sunlight reflecting on turbulent seas -- absolutely perfect for dancing through long summer nights! "Sonorous", featuring Weska, orchestrates a tropical heatwave before the cyclical after-hour techno of "My Blurred Dream" brilliantly rounds off this heavy duty three-tracker.
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12"
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COR 156EP
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Berlin-based American Kevin McHugh, aka Ambivalent, is definitely no stranger to the scene. Together with Dutch Clone-producer Martijn Hoogendijk, aka Alden Tyrell, Ambivalent has cooked up another serving of straightforward techno complete with rigorous hi-hats, which will no doubt summon up the uncompromising energy of his Berghain sets. With its powerful incantation of sequential rave signals, "Wallfall" recalls the best days of Jeff Mills in the form of ultra-modern Detroit-oriented premium techno, while "Détente" lays disconcerting industrial distortion over expansive dub-techno for maximum acceleration. The perfect fix for hot nights of celebration.
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12"
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COR 157EP
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Ilario Alicante has unveiled his brand new Luce EP, consisting of four fresh tracks on Cocoon Recordings. An integral member of the Cocoon family, Ilario Alicante has become a regular at Cocoon Ibiza, elrow and DC10 during his career so far. Comprised of the title track, a cosmic production packed with synth-laced flutters, and the more dancefloor-ready "Scelta", Ilario showcases his eclectic nature across the release. Using a high tempo, the Italian then rounds off the EP with the deeply atmospheric "Sensa", with the latter's rattles adding an intense nature to the production.
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12"
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COR 155EP
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JA:CK showcases his first solo release on Cocoon Recordings. Tuscany smells of pines and good food, the sea spoils you just like good wine and lots of sun. For some time now, Cocoon have been connecting with Tuscany through the legendary Cocoon events at the Tini Soundgarden in Cecina and since 2017, JA:CK has also joined their Tuscany vision. Cocoon present two new tracks by the Tuscan artist. Dry and grainy, they still come across house-y and sexy and, to put it properly in the picture, JA:CK's called the release "Paprika" -- short and crisp, red hot, and spicy.
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12"
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COR 154EP
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Rico Puestel is a phenomenon and currently one of the best artists around when it comes to solid, discerning techno. Puestel's two current Cocoon contributions "Equity" and "Immunised" are strongly reminiscent of Caravel, which was released on Cocoon Recordings in 2017 (COR 146EP). The mini breaks and prolonged dramatic pauses are all pieces in the puzzle of Puestel's arrangement and together with the hypnotic beats and constantly radiating synths and effects, they make up his own interpretation of techno sound.
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6LP BOX+CD
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COR 043LP
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6x12" version; Comes on exclusive fluorescent vinyl which glow in the dark and create a "magical" effect while played in club; Includes CD; Edition of 500. Cocoon presents R! Few other DJs embody the ability to "think outside the box" like Frankfurt's honorary citizen and Cocoon head Sven Väth, whether he's dropping Sade's version of "Why Can't We Live Together" to close out the night or ushering in Monday morning with The Bangles' "Just Another Manic Monday". Of course Sven and Cocoon are also synonymous with techno, nevertheless, it's worth looking back over the last few years of Cocoon's output to realize strict style guidelines and exaggerated pigeonholing no longer apply. It's especially true for the compilation series, which having now reached the letter R, impressively shows the arc the Frankfurt label's output continues to span. From soft and melodic with a lot of depth to highly functional and extremely crisp -- there's a creative range on offer that very few labels can boast. Sven Väth: "I listen to and play everything that I like and that touches me. I always pack a genre-spanning record bag, I'm particularly interested in those special tracks." The current compilation, R, not only continues this idea, it is a prime example of the label's philosophy. The illustrious circle of artists on the latest compilation is peppered with such prominent names as Isoleé, Lusine, Pig&Dan, Inigo Kennedy, Ambivalent & Alden Tyrell, ROD, and Mano Le Tough. Label representative and Frankfurt original Ingo Boss is once again on board and with contributions from International Anything, John Heckle, Cristi Cons, and Eduardo De La Calle, promising new faces from further afield are also represented. Of course, all this doesn't say much about the actual content, but that's exactly what it's about. Known vs. unknown, origins, discography etc., it's not important on this collection. Cocoon delivers what the label stands for and what it does best: promoting new artists, bringing celebrity names on board and above all, not building any musical walls either on or off the dancefloor. With releases like this, it's clear to us that the journey is ongoing and the wheel will continue to spin.
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CD
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COR 043CD
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Cocoon presents R! Few other DJs embody the ability to "think outside the box" like Frankfurt's honorary citizen and Cocoon head Sven Väth, whether he's dropping Sade's version of "Why Can't We Live Together" to close out the night or ushering in Monday morning with The Bangles' "Just Another Manic Monday". Of course Sven and Cocoon are also synonymous with techno, nevertheless, it's worth looking back over the last few years of Cocoon's output to realize strict style guidelines and exaggerated pigeonholing no longer apply. It's especially true for the compilation series, which having now reached the letter R, impressively shows the arc the Frankfurt label's output continues to span. From soft and melodic with a lot of depth to highly functional and extremely crisp -- there's a creative range on offer that very few labels can boast. Sven Väth: "I listen to and play everything that I like and that touches me. I always pack a genre-spanning record bag, I'm particularly interested in those special tracks." The current compilation, R, not only continues this idea, it is a prime example of the label's philosophy. The illustrious circle of artists on the latest compilation is peppered with such prominent names as Isoleé, Lusine, Pig&Dan, Inigo Kennedy, Ambivalent & Alden Tyrell, ROD, and Mano Le Tough. Label representative and Frankfurt original Ingo Boss is once again on board and with contributions from International Anything, John Heckle, Cristi Cons, and Eduardo De La Calle, promising new faces from further afield are also represented. Of course, all this doesn't say much about the actual content, but that's exactly what it's about. Known vs. unknown, origins, discography etc., it's not important on this collection. Cocoon delivers what the label stands for and what it does best: promoting new artists, bringing celebrity names on board and above all, not building any musical walls either on or off the dancefloor. With releases like this, it's clear to us that the journey is ongoing and the wheel will continue to spin.
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10"
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COR 10014EP
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DMT, aka Dorian Paic, Markus Fix, and Tobi Neumann, offer "Ride" which does exactly what it says on the tin, taking you on a nine-minute journey that starts with an extended build-up, offering a tantalizing glimpse of what's to come. From then on, house chords and dub elements abound, complemented throughout by beguiling melodic lines, hypnotic vocal samples, effects, and smooth filter action. Fabe presents "Last Shot For Bob" which creaks, growls, clatters, squeaks, and knocks in all directions creating an incredibly cool and, above all, groovy sound. It's electronic noise-funk served up in the best techno and house fashion.
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12"
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COR 150EP
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Here is an original from the exceptional producer Butch, accompanied by a remix from none other than Kölsch. On the original Butch implements a "nasty" arpeggio line that captivates you before being hunted down by a prime-time filter, summoning up a 303-less acid monster. With poise and purpose like the Lamborghini of the same name, Kölsch takes you on an epic journey with his remix here, but as things progress he still has the foresight to jams on the brakes, keeping the dancefloor honest by slowing things down to cruise control.
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12"
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COR 153EP
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Tim Green returns to Cocoon with an atmospheric new dual single. Echo/They Want Us To Fall Down is the first single from his forthcoming debut album, Her Future Ghost (COR 042CD). Echo/They Want Us To Fall Down embodies Tim Green's approach as a fiery live DJ; he's been tapped by Sven Vath to play at Cocoon events around the globe as well as solo at some of the world's most respected clubs. Now an internationally established and respected name, the release of Echo/They Want Us To Fall Down is the beginning of an exciting new chapter in Tim Green's career.
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CD
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COR 042CD
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Tim Green returns to Cocoon with his atmospheric and emotive album titled Her Future Ghost. Surprisingly, after all this time, this 11-track production is his first ever album in his career. Her Future Ghost is effectively composed similar to an electronic romantic film soundtrack: "My concept and direction for Her Future Ghost was to write a film score for a film that doesn't actually exist." says Tim. "As an avid film score lover, I wanted to create a body of work that took certain traits from common film score practices. For example, different themes that repeat throughout, like character themes that evolve and mutate. As well as a narrative and story that develops through the music. In my mind the story is set in the future, based around two people, a couple. It based on another planet, a planet so distorted and corrupted in comparison to the world we know now. Essentially they are trying to flee and stay alive in a future society where it is impossible to stay under the radar, where they have to go to extreme lengths not be caught and put into the same system and society as everyone else on this planet." The album concept was further influenced by the work of Ahmed Emad Eldin, an Egyptian digital artist who is best known for his design on Pink Floyd's 2014 album The Endless River. Tim reached out personally to the artist, and the two collaborated on the cover art for Her Future Ghost. Tim first made his production debut on four:twenty in 2006, going on to release on Dirtybird and Get Physical, before Cocoon tapped the young producer for his first EP on the label in 2011 (COR 088EP). Whilst the prolific studio head has continued to experiment on other respected labels, Cocoon and Sven Vath have helped Tim's productions reach the biggest dancefloors in Ibiza and across the globe. A fiery live DJ, Green has been tapped by Sven Vath to play at Cocoon events around the globe as well as solo at some of the world's most respected clubs. Whilst Tim Green's prowess at moving dancefloors was never in question, the release of Her Future Ghost shows the talented producer spreading his wings and pushing himself to fulfill his creative potential -- this is just the beginning of a new and exciting chapter of Green's career.
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12"
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COR 152EP
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There are no dreamy minimal sounds or deep house trips on Johannes Volk's Tears And Walls, instead you'll find headstrong techno pumping out of the speakers. "Tears And Walls" drives forward relentlessly with its meaty kick and metallic open hi-hats setting the pace. "A Little Story About Time And Space" follows in its footsteps although the mood here is notably more Detroit, reminiscent of productions on cult labels like Red Planet, Metroplex, or the Axis Records sound. Volk layers the track with more prominent harmonies and hypnotic arpeggios, giving it a subtle yet highly effective trance touch.
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3LP
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COR 028-2LP
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2017 edition. Triple LP version. 2017 edition; Originally released in 2011. From Soopertrack on Border Community in 2006 to the Titelheld EP that same year and the album Schöne Neue Extrawelt (COR 019-2CD/LP) from the year 2008, which belong to the best-selling releases on Cocoon recordings, the two Hamburg residents Arne Schaffhausen and Wayan Raabe have skyrocketed their reputations to become two of the most style-forming techno protagonists within the last ten years. "We don't want cowardly zeitgeist techno. We want to be courageous and dare new sounds and melodies. Sunrise scenarios, energy, revolution and 'Kaputtheit' -- these are all parts of the Extrawelt," the two musicians once said, and this artistic credo applies to their long-awaited second Extrawelt album, too. "We took our time and have collected tracks that have particularly touched us, no matter whether they are club-compatible or not. Besides that, we didn't want to repeat ourselves, and have created a unique second album that stands for itself." Without doubt, the two have succeeded in this. The spectrum of musical influences has again extended and the most diverse styles of electronic music connect seamlessly with the Extrawelt spirit. Here, the sonic zeitgeist is not the determining variable for the music -- what really counts is the creation of nothing more and nothing less than a new world, by means of a never-exhausting acoustic imagination which shows new facets, even after the thousandth time of listening. One should be careful with the use of superlatives, but this is exactly how masterpieces are sounding.
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CD
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COR 028-2CD
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2017 edition; Originally released in 2011. From Soopertrack on Border Community in 2006 to the Titelheld EP that same year and the album Schöne Neue Extrawelt (COR 019-2CD/LP) from the year 2008, which belong to the best-selling releases on Cocoon recordings, the two Hamburg residents Arne Schaffhausen and Wayan Raabe have skyrocketed their reputations to become two of the most style-forming techno protagonists within the last ten years. "We don't want cowardly zeitgeist techno. We want to be courageous and dare new sounds and melodies. Sunrise scenarios, energy, revolution and 'Kaputtheit' -- these are all parts of the Extrawelt," the two musicians once said, and this artistic credo applies to their long-awaited second Extrawelt album, too. "We took our time and have collected tracks that have particularly touched us, no matter whether they are club-compatible or not. Besides that, we didn't want to repeat ourselves, and have created a unique second album that stands for itself." Without doubt, the two have succeeded in this. The spectrum of musical influences has again extended and the most diverse styles of electronic music connect seamlessly with the Extrawelt spirit. Here, the sonic zeitgeist is not the determining variable for the music -- what really counts is the creation of nothing more and nothing less than a new world, by means of a never-exhausting acoustic imagination which shows new facets, even after the thousandth time of listening. One should be careful with the use of superlatives, but this is exactly how masterpieces are sounding.
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2LP
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COR 019-2LP
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2017 edition. Double LP version. 2017 edition of the 2008 debut by Hamburg's Arne Schaffhausen and Wayan Raabe aka Extrawelt. The duo describe the aesthetic of Schöne Neue Extrawelt thusly: "It's all about hooking up our music to the emotional world of electronic music at the beginning of the '90s, however, without falling for nostalgic references. We don't want to do cowardly zeitgeist techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution and kaput-ness, all these are parts of the Extrawelt." Extrawelt have been unmistakably imprinting the last three years' club sound with widely-noticed releases on Border Community (Soopertrack, 2005), Traum Schallplatten (Doch Doch, 2006), and Cocoon Recordings (Titelheld,2006) as well as with remixes for Gregor Tresher, Minilogue and Alexander Kowalski. Work on this record took over two years: "The initial idea was to present an album covering all styles of electronic music between ambient, breakbeats and techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo 'Kurt Curtain.' We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly our focus ... but our intention was definitely not to deliver an album full of superficial peak-time hits." These 12 tracks represent a pleasurable "in-betweenness", the organic development of hypnotically compressed dance music that is more than just minimal techno, reduced trance or electronic circa Warp-era. From the richly decorated musical clock intro of "One Tree Hill" to the stereo singing bowl of "Trümmerfeld", to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organically detailed richness that is permanently in motion, but is nevertheless well-balanced.
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12"
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COR 151EP
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"973" picks up exactly where "Caravel" left off (COR 146EP), kicking powerfully with irresistible, effect-loaded breaks that really twist your melon. "973" proves that "Caravel" was no flash in the pan, just one tantalizing glimpse into the musical world of Rico Puestel and that's not the end of it... "272" is a little more stripped-down and chilled to start with, but soon opens up into the same crazy atmosphere as "973". This is dominated by an up-and-running arpeggio synth, which combines with the now familiar effects-break motif to create an incredible hypnotic effect.
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2CD
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CORMIX 057CD
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Sven Väth tunes into The Sound of the 18th Season on a gentle note with Willow. A little later, the groove becomes more insistent and Madrid's Eduardo De La Calle provides a pulsating bassline and crackling hi-hats. With the daring sing-a-long of Basti Grub, Väth shows his playful side, which is superseded by the nonchalance and coolness of Eddie Fowlkes and singer Na Dee. With Fort Romeau, processed voices spread a trippy, unreal vibe. Moments later, Väth blends a special bassline into the mix, composed by Chez Damier. Ricardo Villalobos's casual, eye-opening grooves appear to be the ideal counterbalance to Damier's unbounded bassline, together forming Villa H2H. Väth senses a hidden relation between Villalobos and John Tejada's improbable, space-grabbing synthesizer sounds. With DJ Slyngshot, the mix becomes more physical and raw. But Väth does not abandon the subtlety of the mix. With Paul, he immerses himself deeper into iridescent, psychedelic dynamics. With his unique blend of joy and serenity, Isolée expresses the magic of electronic dance in one perfect track. The spacey, retro-futuristic sounds of KiNK sets a first high point and Väth provides a breather with Adam Port & Stereo MC's track. "Avalon" by &Me puts a hymn-like vocal and unbridled tribal percussions on top of a floating house groove. Patrice Baumel absorbs this pathos and creates a sonic vastness. With Fideles, Väth resolves this tension in loose synth-sounds. The ghostly "On the Way" by Gaiser feels like a message from a surreal world. The crazy, tempestuous synths of Aubrey, gives an impression of 18th Season's bold endgame. Only moments later, Väth pushes the listener a step further with an immediate Chicago-house-stomper from Slam. With "Electric Rescue", Väth grants the listener a sense of safety and relief. Väth tunes into the finale with ROD's "Hor" and madness erupts out of raw energy on the dancefloor. With Secret Cinema & Egbert, Väth lingers for a moment to reach a new climax in the unlikely mix of sirens and shouts of Peder Mannerfelt & Hodge, which is topped by Rico Puestel with carnivalesque turbulence. Väth plays Barnt's "If She Says She Is A Healer, She Is A Healer", a truly magical number, fusing the mysterious, the remote, and the immediate. Inigo Kennedy's groping, longing sounds suggest a new beginning and with the incredible strings of Paul Nazca, the listener is already in the next chapter of Sven Väth's fabulous journey.
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12"
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COR 10013EP
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This latest adventure in Cocoon's cult 10 inch vinyl-only series comes from David Koch, aka DeWalta, with Alex & Digby. Timeless, kicking, reduced to the essentials, but still interfused with daring space sounds and melodic shreds, DeWalta's "Bitter Earth Dub" speaks to your deepest dance impulses. The opening salvos of "Citadel" suggest Alex & Digby are taking a much more minimal, electronic approach, however it soon veers off in a completely different direction. Deep organ harmonies meet Black Dog and B12-like sound effects and an almost soulful deepness takes hold as we immerse ourselves in the track.
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COR 041CD
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Since their first release on James Holden's Border Community dropped in 2005, Extrawelt, Arne Schaffhausen and Wayan Raabe, have been responsible for a plethora of classics including "Schöne Neue Extrawelt" and "In Aufruhr", and their two seminal albums on Cocoon Recordings -- Schöne Neue Extrawelt (COR 019CD/LP, 2008) and In Aufruhr (COR 028CD/LP, 2011). Fear Of An Extra Planet completes the Cocoon trilogy. Fear Of An Extra Planet offers the wide open spaces and dark, dusky worlds reminiscent of their Border Community years. Timeless and elegant, "Superposition" perfectly captures the epic, dream-like quality that made James Holden's label so influential. "Gott Ist Schrott" takes a much more minimalist approach with its retro '80s drum programming, monster bass lurking in the breaks, and playful Rhodes/synth riffs that span the divide between early German techno and deep Detroit electro, with a distinctive film soundtrack aesthetic. "Oddification" continues this theme, adding extra spice reminiscent of the techno-synth vibe of Detroit with a punchy, almost Prodigy-style breakbeat complete with shredded vocal samples. "Gentle Venom" then takes the breakbeat motif to the next stage. The main focus here is the classy sprinter of a bassline, peppered with a flurry of intricate and subtle effects and modulations, that immediately trigger an intense, movie-like "in pursuit" feeling. "Das Große Flimmern" keeps with the soundtrack aesthetics, but faster and with more urgency. Almost hypnotically, Extrawelt invade their listeners with an energy and impetus that always radiates from their music. On "Silly Idol", Schaffhausen and Raabe opt again for a more minimal tack, focusing even more intensely on the dancefloor to reveal a pulsing, twisted heart to the album. "Punch The Dragon" is the hidden gem of the collection, utilizing and melting together the most bombastic and playful elements. The title track opens up like a film score, with minimal passages following dark sequences that morph into dreamy melodies, all grounded by cool, constantly alternating analog drum patterns. If you're not listening closely, you might get the impression that three or four different titles are mixed together; such is the effortless flow of the album. The morbid charm of the title "The Friendly Coroner" is captured by a fluid bassline and melodic arrangements that border on the absurd, until the funky drum beat finally drops. The dramatic end of "2084" leaves you transfixed, safe in the knowledge that you've just witnessed a science fiction epic.
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COR 019-2CD
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2017 edition of the 2008 debut by Hamburg's Arne Schaffhausen and Wayan Raabe aka Extrawelt. The duo describe the aesthetic of Schöne Neue Extrawelt thusly: "It's all about hooking up our music to the emotional world of electronic music at the beginning of the '90s, however, without falling for nostalgic references. We don't want to do cowardly zeitgeist techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution and kaput-ness, all these are parts of the Extrawelt." Extrawelt have been unmistakably imprinting the last three years' club sound with widely-noticed releases on Border Community (Soopertrack, 2005), Traum Schallplatten (Doch Doch, 2006), and Cocoon Recordings (Titelheld,2006) as well as with remixes for Gregor Tresher, Minilogue and Alexander Kowalski. Work on this record took over two years: "The initial idea was to present an album covering all styles of electronic music between ambient, breakbeats and techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo 'Kurt Curtain.' We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly our focus ... but our intention was definitely not to deliver an album full of superficial peak-time hits." These 12 tracks represent a pleasurable "in-betweenness", the organic development of hypnotically compressed dance music that is more than just minimal techno, reduced trance or electronic circa Warp-era. From the richly decorated musical clock intro of "One Tree Hill" to the stereo singing bowl of "Trümmerfeld", to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organically detailed richness that is permanently in motion, but is nevertheless well-balanced.
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3LP
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COR 041LP
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Triple LP version. Since their first release on James Holden's Border Community dropped in 2005, Extrawelt, Arne Schaffhausen and Wayan Raabe, have been responsible for a plethora of classics including "Schöne Neue Extrawelt" and "In Aufruhr", and their two seminal albums on Cocoon Recordings -- Schöne Neue Extrawelt (COR 019CD/LP, 2008) and In Aufruhr (COR 028CD/LP, 2011). Fear Of An Extra Planet completes the Cocoon trilogy. Fear Of An Extra Planet offers the wide open spaces and dark, dusky worlds reminiscent of their Border Community years. Timeless and elegant, "Superposition" perfectly captures the epic, dream-like quality that made James Holden's label so influential. "Gott Ist Schrott" takes a much more minimalist approach with its retro '80s drum programming, monster bass lurking in the breaks, and playful Rhodes/synth riffs that span the divide between early German techno and deep Detroit electro, with a distinctive film soundtrack aesthetic. "Oddification" continues this theme, adding extra spice reminiscent of the techno-synth vibe of Detroit with a punchy, almost Prodigy-style breakbeat complete with shredded vocal samples. "Gentle Venom" then takes the breakbeat motif to the next stage. The main focus here is the classy sprinter of a bassline, peppered with a flurry of intricate and subtle effects and modulations, that immediately trigger an intense, movie-like "in pursuit" feeling. "Das Große Flimmern" keeps with the soundtrack aesthetics, but faster and with more urgency. Almost hypnotically, Extrawelt invade their listeners with an energy and impetus that always radiates from their music. On "Silly Idol", Schaffhausen and Raabe opt again for a more minimal tack, focusing even more intensely on the dancefloor to reveal a pulsing, twisted heart to the album. "Punch The Dragon" is the hidden gem of the collection, utilizing and melting together the most bombastic and playful elements. The title track opens up like a film score, with minimal passages following dark sequences that morph into dreamy melodies, all grounded by cool, constantly alternating analog drum patterns. If you're not listening closely, you might get the impression that three or four different titles are mixed together; such is the effortless flow of the album. The morbid charm of the title "The Friendly Coroner" is captured by a fluid bassline and melodic arrangements that border on the absurd, until the funky drum beat finally drops. The dramatic end of "2084" leaves you transfixed, safe in the knowledge that you've just witnessed a science fiction epic.
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10"
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COR 10012EP
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The almighty Cocoon 10" series is back and it is Swedish techno grand wizard Joel Mull and Italian freshman JA:CK who gives us the rush on the floor this time. Joel Mull presents a deep techno-dub-monster with "Duke Of Huddinge", a long-builder with a slight touch of Craig's "Throw" that keeps on growing and growing. Super deep techno with lots of space, echoes, and even dark melody bits. JA:CK's "Nattura" has "Hells Bells" meets a Guy Gerber harmonies with a strong hypnotic appeal. Insane and romantic at the same, this is a musical journey on the dancefloor.
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