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viewing 1 To 20 of 20 items
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LP
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DMOO 088LP
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$20.50
PREORDER
RELEASE DATE: 5/16/2025
Released in 1959, The Amazing Nina Simone marked her debut with Colpix Records, blending jazz, gospel, and folk with a striking orchestral touch. Unlike her piano-driven debut, this album leans on lush string arrangements led by renowned conductor Bob Mersey. A bold departure that highlighted her vocal depth, it showcased Simone's ability to transcend genres with effortless grace.
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LP
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VMP 1203LP
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"Nina was singular in both her ability and the music she made. She will always be one of the best to ever do it. Nina Simone Sings the Blues comes on 180gram blue vinyl." Originally released by RCA, 1967. 180 gram vinyl, with 8-page liner notes + photo booklet
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LP
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VMP 2211LP
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"Baltimore, an album originally made for the jazz label CTI, is a deep cut in Nina Simone's catalog. It's truly a lost sound found and VMP are proud to feature it here in celebration of her 90th birthday. Limited to 2000 copies, the VMP exclusive version of Nina Simone's Baltimore is pressed on (AAA) 180g red marble vinyl at GZ Vinyl. The LP comes in a gatefold, tip-on, foil-stamped and numbered jacket. The (AAA) lacquers were cut from tapes by Ryan Smith at Sterling Sound. Originally released in 1978."
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Cassette
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DMOOK 025CS
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The versatile singer, songwriter, pianist, musical arranger and civil rights activist Nina Simone was one of the most iconic of all jazz performers. Operating in a range of genres, from folk, blues and rhythm 'n' blues to pop, gospel and classical, Simone issued over 40 albums during a long and successful career, though bipolar disorder dramatically affected her later years. Born Eunice Kathleen Waymon in 1933, she was one of eight children in a poor black family. Coolpix's 1963 release, Nina's Choice, was titled in reference to the fact that Simone chose the entire contents, drawing from a range of pop, folk, blues and show tunes, all interpreted and delivered in her uniquely expressive style.
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LP
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DMOO 061LP
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First issued in 1961 on Columbia's early music venture Colpix, Forbidden Fruit is widely acknowledged as the best of Nina Simone's early releases. Producer Cal Lampley chose to cast her in varied settings, blending a rendition of Oscar Brown's "Rags And Old Iron" with a unique take of Bessie Smith's "Gin House Blues," contrasting with Billie Holiday's "No Good Man" and "I'll Look Around," which Simone shifts to her own image. Her backing trio aim for the understated, the rhythm section leaving ample room for Simone's appealing piano lines, nicely complimented by Al Shackman's guitar. An excellent set from Miss Simone -- grab it!
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LP
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DOL 890HG-LP
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Reissue, originally released in 1959. 180 gram vinyl. "There is a remarkable amount of variety on this disc, Nina Simone's second recording. Her repertoire ranges from a swinging 'Stompin' at the Savoy' and an emotional 'It Might as Well Be Spring' to an English folk ballad ('Tomorrow'), spirituals, an R&B song ('You've Been Gone Too Long') and the theme song from the movie Middle of the Night. Somehow Simone brings credibility to each of these very different songs. She does not play much piano (just cameos on two songs) and is backed by a subtle orchestra arranged by Bob Mersey that is effective accompanying her vocals. This session finds Nina Simone's voice in top form and with a few exceptions is generally jazz-oriented." --Scott Yanow, AllMusic
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LP
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DMOO 026LP
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Reissue, originally released in 1966. The singer-songwriter and pianist Nina Simone came to prominence in the late 1950s after she signed to the Bethlehem label for her debut album, Little Girl Blue. Her move to Colpix Records, the audio subsidiary of Columbia Pictures, allowed her near total artistic control of her material and her lengthy tenure with the company brought plenty of popular album releases. The 1966 oddity Nina Simone With Strings was issued by Colpix a couple of years after she left the company to begin recording for Philips; a strange mix of live recordings and studio outtakes, released without her knowledge or permission where the presence of orchestral strings on several tracks gives the album its title and overriding theme. Clear vinyl; numbered.
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LP
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DMOO 025LP
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Reissue, originally released in 1963. The versatile singer, songwriter, pianist, musical arranger, and civil rights activist Nina Simone was one of the most iconic of all jazz performers. Operating in a range of genres, from folk, blues, and rhythm 'n' blues to pop, gospel, and classical, Simone issued over 40 albums during a long and successful career, though bipolar disorder dramatically affected her later years. Born Eunice Kathleen Waymon in 1933, she was one of eight children in a poor black family. Colpix Records' 1963 release, Nina's Choice, was titled in reference to the fact that Simone chose the entire contents, drawing from a range of pop, folk, blues, and show tunes, all interpreted and delivered in her uniquely expressive style. Clear vinyl; numbered.
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LP
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NAKED 027LP
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The Amazing Nina Simone -- originally released in 1959 -- was Nina Simone's first album for Colpix Records. The album contains a variety of material, including jazz, gospel, and folk songs. Compared to her debut, which showcased Simone's piano playing ability in addition to her singing, the piano was downplayed on Amazing in favor of string arrangements. The orchestra is led by famous conductor Bob Mersey (staff arranger/composer for CBS television and Columbia Records and also their musical director).
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LP
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NAKED 019LP
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This is the epic Town Hall concert held by Nina Simone (with Jimmy Bond on bass and Albert "Tootie" Heath on drums) in New York on September 15th 1959 and originally released as her second album for Colpix Records. The repertoire included both traditional material and original songs written by Nina herself, plus some beautiful renditions of standards such as Gershwin's "Summertime" and Billie Holiday's "Fine and Mellow". Even though some of the songs featured in the concert were subsequently re-recorded in a studio for the album release.
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LP
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WLV 82121LP
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Wax Love presents a reissue of Nina Simone's At The Village Gate, originally issued in 1962. Nina Simone is one of those rare artists whose greatest work might have been her live recordings; a consummate interpreter of others' songs, it was on live recordings that she really stretched out her sound and truly found her most powerful voice. This 1962 live recording was her third live album for Colpix and the loose, swinging trio that backs her perfectly complements her versions of classics like "House of the Rising Sun", "Bye Bye Blackbird", and Olatunji's "Zungo". A perfect live recording from one of the masters.
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CD
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RV 2088CD
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Nina Simone, live in New Jersey 1968. By 1968, Nina Simone was deeply entrenched in the Civil Rights movement, as well as enjoying considerable commercial success. Originally broadcast on WBGO-FM radio, this superb live set contains many of her best-known songs, offering a vivid snapshot of a legendary artist at the peak of her powers. The broadcast is presented here in its entirety, digitally remastered, together with background notes and images.
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LP
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WLV 82095LP
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Wax Love present a reissue of The Amazing Nina Simone, originally released in 1959. Nina Simone's second LP, The Amazing Nina Simone, was her first for the Colpix label who would release most of her early material. A collection of blues, jazz, gospel, and folk music, mostly made up of standards and traditional tunes and favoring string arrangements to the piano work Simone is most known for, The Amazing Nina Simone is a beautiful and unique album when compared to the rest of her body of work. Showcasing her beautiful voice on legendary songs like "Willow Weep For Me" and the Rodgers/Hammerstein standard "It Might As Well Be Spring", this is a gorgeous album from one of the most powerful and idiosyncratic performers of the mid-20th century.
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CD
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TRAIT 003CD
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A strong and varied set of songs performed by the unique high priestess of soul, Nina Simone, including classic live performances at Town Hall and the Village Gate. Includes selections from Nina Simone (1971), Nina Simone At Town Hall (1969), The Amazing Nina Simon (1969), Forbidden Fruit (1961), At The Village Gate (1962), and Little Girl Blue (1968).
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LP
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TRAIT 003LP
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LP version. A strong and varied set of songs performed by the unique high priestess of soul, Nina Simone, including classic live performances at Town Hall and the Village Gate. Includes selections from Nina Simone (1971), Nina Simone At Town Hall (1969), The Amazing Nina Simon (1969), Forbidden Fruit (1961), At The Village Gate (1962), and Little Girl Blue (1968).
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LP
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WLV 82064LP
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Wax Love present a reissue of Nina Simone's Nina At Newport, originally released in 1960. When this album was recorded live at the Newport Jazz Festival in 1960, Nina Simone had just had her first Top 20 hit with "I Loves You, Porgy", but the "Porgy" found here (written by Jimmy McHugh and Dorothy Fields, most famous for "I Can't Give You Anything But Love") is actually a continuation of Gershwin's original version of the story. Other highlights include "Flo Me La", an African work chant, and "Little Liza Jane", an African American folk song. A truly marvelous live performance from one of the most original voices in 20th century music.
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2LP
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ACV 4002LP
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2024 repress. "On May 12, 1963, Miss Simone gave her first concert in Carnegie Hall. Her impeccable piano mastery and her distinctive vocal stylings thrilled those present in the famed landmark of musical events (...) From her vast repertoire, including many numbers that have become 'her' songs, either because she introduced them or because she had recorded the definitive version, Miss Simone compiled an exceptional program for her Carnegie Hall concert. Some of the numbers in this album have been done on disks before, but none have ever sounded as well." --from the original liner notes; The COMPLETE Nina Simone at Carnegie Hall double LP in ACV (Audiophile Clear Vinyl) quality with an exceptional number of bonus tracks (side 3 and side 4).
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7"
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POPC 117EP
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Two absolutely killer R&B sides from the high priestess of soul, Nina Simone. "Come On Back, Jack" is Nina's answer to Ray Charles' smash "Hit the Road Jack," using a similar riff to the original version and packing just as much dancefloor impact. "Work Song," perhaps the quintessential jazzy mod number, was recorded by dozens, scores, perhaps hundreds of other singers, but few injected it with as much heart and sass as Ms. Simone. The version here was previously available on LP only.
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LP+CD
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DOK 203LP
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2016 repress. "Nina Simone's first album is quite simply one of the finest debuts in the history of recorded music. Backed here only by Jimmy Bond on bass and Albert Heath on drums, this stripped down trio format brings Nina's considerable talents (as a classically trained pianist) to the fore. Her soulful versions of songs like 'Mood Indigo,' 'My Baby Just Cares For Me' and 'I Loves You, Porgy' have all become standards in their own right and Nina the declared idol of many." Housed in a gatefold sleeve.
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LP
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LSP 4757HLP
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2021 restock. 180 gram vinyl reissue, printed inner sleeve. "This unusual record from 1972 is Nina Simone's statement on the Vietnam War. The cover is a collage of news clippings from the conflict, and the song selection and arrangement, though dealing with matters more spiritual than political, reflect the events of the day. The entire first side consists of a powerhouse medley of George Harrison's 'My Sweet Lord' and a poem by David Nelson called 'Today Is a Killer,' set to music by Simone. The Harrison song is transformed into a sweaty gospel workout that takes its rhythm from the Capitols' 'Cool Jerk' and its call-and-response vocal arrangement from the Reverend James Cleveland. Simone artfully alternates the celebratory romp with slow, somber passages featuring her improvised lyrics and passages from the Nelson poem. Even as it passes the 18-minute mark, the medley never loses power, and it remains one of Simone's finest moments. After the triumph of the first side, the flip is only a slight letdown. "Poppies" is melodically vague, but Simone's strong delivery sells it, while George Harrison's 'Isn't It a Pity' gets an intense, drawn-out treatment, mostly featuring just Simone's piano and voice. The cover of Emergency Ward! claims it was recorded in concert, but only the first side appears to be live, and even that is riddled with sloppy edits. Though it is one of the stranger records in the Simone oeuvre, Emergency Ward! is consistently thrilling." -- All Music Guide
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viewing 1 To 20 of 20 items
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