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viewing 1 To 25 of 221 items
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LP
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DOX 869LP
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2024 repress. 180-gram vinyl. In the late fifties the Chicago-born John Jenkins was an up-and-coming young alto saxophone player on the New York jazz scene, playing with top jazzmen like Charles Mingus, Donald Byrd, and Hank Mobley, among others. It looked like he was going to have a long and promising career, when suddenly in the mid-sixties he gave up music altogether and disappeared from the jazz world. Thankfully, before doing so he recorded several sessions, including two as leader for Blue Note in 1957. This quintet session (recorded with the all-star rhythm section of Kenny Burrell, Sonny Clark, Paul Chambers, and Danny Richmond) is considered to be the better of the two. Here Jenkins also gets an opportunity to show off his flair for composition as well, contributing three of the six pieces found on the album ("Motif," "Sharon" and "Chalumeau"). After such a competent start, jazz fans can only mourn the fact that Jenkins didn't continue recording!
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DOX 878LP
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2024 repress. Although Sonny Clark was just 31 years old when he passed away, he still managed to carve out his place in history as one of jazz music's top pianists. Blues in the Night, recorded in December 1958 for Blue Note, was a trio session featuring Sonny Clark on piano, Paul Chambers on bass, and Wes Landers on drums. Blues in the Night is an extremely rare LP that was shelved until 1979, when it finally released as part of the Japanese Blue Note series by King Records. It has since also been released on CD, but it has never been reissued on vinyl. The session finds the piano trio playing an array of standard tunes that were originally intended for release as jukebox singles. The final track, "Gee Baby, Ain't I Good to You (Alt. Take)," recorded in November 1958, was taken from Sonny Clark's Art of the Trio session, also recorded at the Van Gelder studio, and featuring Jymie Merritt instead of Paul Chambers on bass. 180-gram vinyl.
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2LP
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ACV 4009LP
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2024 repress. Doxy present a combined reissue of legendary jazz harpist and poly-instrumentalist Dorothy Ashby's Hip Harp and In A Minor Groove, both released separately in 1958. Both albums feature Frank Wess. Dorothy Ashby had a unique soul jazz harp sound, and although the instrument she used is probably more thought of in terms of bedtime lullabies, she actually makes it swing nicely, and with a soulful sound that draws back to traditions of African stringed instruments. Ashby was part of the same scene as Yusef Lateef, and like Lateef, she managed to use odd instrumentation in new contexts, to get a very unique jazz sound. 140 gram clear vinyl; First pressing comes in an edition of 500 (numbered).
From the original liner notes for Hip Harp: "In Hip Harp in addition to the interpretations of standards like 'Moonlight In Vermont', 'Dancing In The Dark', 'Charmaine' and 'There's A Small Hotel', Dorothy and Frank work out on three Ashby tunes: 'Pawky', a minor-key blues, 'Back Talk', major-key blues and 'Jollity', a medium-up original. Dorothy Ashby has added to the basic territory that the harp previously occupied. In fusing her sometimes guitar-like, swinging line to the expected harp effects, she has added another step to the instrument-scope of jazz (...)"
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DOC 145LP
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2024 repress. Akira Ifukube's score to the legendary 1962 monster movie King Kong vs. Godzilla. Ifukube's visionary music is tense and violent, a perfect complement to Ishirō Honda's film. This incredible score alternates between brass and strings as you witness the death and destruction that comes in the wake of these two classic film monsters' battles.
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LP
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ACV 2105LP
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DOXY presents a reissue of the George Russell Septet's The Stratus Seekers, originally issued in 1962. Joe Goldberg, from the original liner notes: "'Color' is a word that crops up with great frequency whenever George Russell discusses music. 'Dixieland has a color,' he has said; 'bop is a definite color, and so is atonality.' Following that train of thought, one might extend Russell's thesis and refer to him as a kaleidoscopic musical figure: so many different 'colors,' to use his phrase, appear on this album in so many shifting patterns that such a designation becomes almost inevitable. Colors, kaleidoscopes, and a music that insists on pushing its way out of arbitrary bags and containers. And although Russell's music is experimental, often difficult, and based on considerable technical theory, it is definitely full of just such vivid, electric and appealing qualities." Numbered edition of 500.
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LP
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ACV 2102LP
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Change My Way Revisited is a revisitation of classic tunes from the legendary Howlin' Wolf's best middle-period (1959-1963) material. A must-have for any blues enthusiast that stands proudly among the best of Howlin' Wolf's released material. Numbered edition of 500.
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LP
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ACV 2106LP
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Doxy presents a reissue of Cecil Taylor and Buell Neidlinger's New York City R&B originally issued in 1972, recorded in 1961. Two nights in January, 1961, high up on West 57th St. A fantastic line-up. Nat Hentoff, in the original liner notes: "I asked Buell Neidlinger about the title of the album: New York City R&B. 'That's what it is', he answered. 'We were all based in New York City then. The session, moreover, has two blues ('O.P.' and 'Things Ain't What They Used To Be') and one of the songs, 'Cindy's Main Mood', has an l-got-rhythm set up. 'Cell Walk'? Well, that's Cecil.' It would be difficult, as well as pointless, to label the music on this Neidlinger/Taylor album. It is of itself, and is so strongly original that it has not dated in the least. Taylor and Neidlinger, to be sure, have gone on and beyond; but what they did on those nights in January is going to last forever." Personnel: Cecil Taylor - piano; Buell Neidlinger - bass; Billy Higgins - drums and tympani; Archie Shepp - tenor saxophone; Denis Charles - drums; Clark Terry - trumpet; Roswell Rudd -trombone; Steve Lacy - soprano saxophone; Charles Davis - baritone saxophone. Numbered edition of 500.
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DOC 144LP
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2024 repress. Akira Ifukube's mighty score to the legendary monster movie that started it all, Godzilla! Ifukube's visionary music is super dark reflecting the horror of Ishiro Honda's film. This incredible score music alternates between brass and strings as we witness the death and destruction that comes in Godzilla's wake.
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DOC 143LP
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2020 restock. Doxy present Ennio Morricone's complete soundtrack for the 1961 film Il Federale ("The Fascist") on vinyl for the first time. This soundtrack written by a young Morricone for Luciano Salce's Il Federale starring Ugo Tognazzi, is a music jewel containing many elements so typical of his later style that he has developed and matured during his incredible career; this score is important from a historical point of view since it represents Morricone's absolute first film scoring assignment. First time complete edition on vinyl. Edition of 500.
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DOC 142LP
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Doxy present Piero Piccioni's complete soundtrack for the 1963 film Il Terrorista on vinyl for the first time. Directed in 1963 by Gianfranco De Bosio and starring Gian Maria Volontè, Anouk Aimée, Tino Carraro, Philippe Leroy, the great Piero Piccioni created "easy listening" music such as foxtrots, band music, waltzes as opposed to serious music for large orchestras that dramatically describes all the historical and political aspect of the story. Complete version for the first time on vinyl. Edition of 500.
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ACV 2101LP
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Doxy present a reissue of Sonny Terry and Brownie McGhee's Blues In My Soul, originally released in 1961. Edition of 500 (numbered). From original liner notes: "Brownie and Sonny work excellently together, not as a convenience certainly, and not just because they're both blues men. I think it's because they're such good foils for one another; whatever brought them together brought together talents that are exceptional contrasts and complements -- in background, style, and in emotion. And in a sense, together they span many years of development in the blues. Add Roy Haynes on the second side of this LP, and we are covering a lot of ground (...)"
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ACV 2097LP
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Doxy present a reissue of Dionne Warwick's Don't Make Me Over, originally released in 1963. A stunning compilation of buried gems from Dionne Warwick's early years, bringing out great versions of a few of the biggest hits with Bacharach/David, a handful of underappreciated albums and other rare treasures. The great Dionne Warwick for the first time on Doxy. Edition of 500 (numbered).
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LP
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ACV 2103LP
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The legendary Howlin' Wolf recorded dozens of stellar Chicago blues singles for RPM and Chess Records between 1951 and 1962. In this stunning compilation is a selection of incredible rarities from the first decade of his career. Edition of 500 (numbered).
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10CD BOX
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OXY 031-40CD
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A massive ten-CD box set spanning from the deep of the Mississippi Delta, through various country blues traditions such as Piedmont, Louisiana, and Texas up to the core of the Chicago sound. An extensive exploration of the rise of the blues and its influence on the today's global music and culture. The transformation of the blues idiom following the path traced by a selection of cornerstone recordings. From Robert Johnson, Blind Boy Fuller, and Leadbelly's seminal voices, through the classic sound of Willie Dixon, Muddy Waters, and B.B. King till the electric revolution of Howlin' Wolf, Buddy Guy, and Junior Wells.
Features: B.B. King - Blues In My Heart (1963); Blind Boy Fuller - Greatest Hits 1935-1938 (2017); Buddy Guy/Junior Wells - Chicago Blues Festival (2000); Howlin' Wolf - Big City Blues (1962); Leadbelly - Take This Hammer (1965); Lightnin' Hopkins - Lightnin' Strikes (1966); Little Walter - Best Of Little Walter (1957); Muddy Waters - At Newport (1960); Robert Johnson - King Of The Delta Blues (1961); Willie Dixon & Memphis Slim - Willie's Blues (1960).
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LP
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ACV 2095LP
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When the great bassist and composer Charles Mingus recorded these sessions for the Candid label in 1960 he was arguably at the peak of his career. Featuring an all-star formation composed of Eric Dolphy, Charles McPherson, Booker Ervin, and Jimmy Knepper among others. The legendary Charles Mingus Candid Sessions are now available for the first time on Doxy across two volumes. Part One was recorded on October 20, 1960. Personnel: Ted Curson - trumpet; Eric Dolphy - alto sax, bass clarinet, flute; Charles Mingus - bass; Dannie Richmond - drums. Edition of 500 (numbered).
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LP
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ACV 2096LP
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When the great bassist and composer Charles Mingus recorded these sessions for the Candid label in 1960 he was arguably at the peak of his career. Featuring an all-star formation composed of Eric Dolphy, Charles McPherson, Booker Ervin, and Jimmy Knepper among others. The legendary Charles Mingus Candid Sessions are now available for the first time on Doxy across two volumes. Part One was recorded on October 20, 1960. Personnel: Ted Curson - trumpet; Lonnie Hillyer - trumpet; Eric Dolphy - alto sax, bass clarinet, flute; Charles McPherson - alto sax; Booker Ervin - tenor sax; Jimmy Knepper - trombone; Britt Woodman - trombone; Nico Bunick - piano. Edition of 500 (numbered).
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LP
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DOC 141LP
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Doxy present a reissue of Nino Rota and Armando Trovajoli's soundtrack for the 1962 Italian anthology film, Boccaccio '70. From original liner notes: "Two of Italy's top soundtrack musicians, Nino Rota and Armando Trovajoli, are responsible for the exciting music featured in Boccaccio '70. Rota has been the composer of dozens of famous film soundtracks and his music contributed greatly to Fellini's previous hit films, La Strada (1954), I Vitelloni (1953) and La Dolce Vita (1960). In The Temptation of Dr. Antonio, Rota subtly underlines the obsession for morality which dominates the life of Dr. Antonio, the leading character in the episode . . . and his sensitive musical comment on Visconti's contribution to Boccaccio '70 -- The Job is a unique asset to the great director's work. Armando Trovajoli is the composer of the musical commentary to De Sica's The Raffle. Trovajoli was the first composer to induce Sophia Loren to sing in a film . . . and in The Raffle, Sophia sings again. The strikingly effective underscoring for Boccaccio '70, composed by these two outstanding musicians, is in no small way responsible for the smash box-office success of the film around the world." Edition of 500.
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DOC 140LP
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Doxy present Angelo Lavagnino's soundtrack for the 1968 film, The Lost Continent. From an interview with the Maestro Lavagnino, one of the legendary Italian score masters: "If I talk about The Lost Continent, I talk about one of my favorites, just because it gave me the opportunity to show myself as a man and as a composer. I was gone for more than six months in Indonesia. At that time, for an Italian, going to Indonesia was like Marco Polo going to China! I found there what I expected to find: in their forests were many bamboo trees with which I created incredible sounds. The bamboo, opened at the middle and laid on the floor, made sounds in 'pitch'. Using the 'diapason' I made a 'scale' out of it! (...) I did not have any problem in scoring this movie. I loved the Indonesian music, but I wrote music that reflected my personality. The music took ten days to write, arrange and conduct, and I am very satisfied with what I did (...)" Edition of 500.
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LP
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ACV 2099LP
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The second volume in a stunning collection documenting the early years of the great Miles Davis. The first steps into the legend of the young man with the horn. Side A, recorded May 9, 1952. Personnel: Jackie McLean - alto saxophone; Jay Jay Johnson - trombone; "Gil" Coggins - piano; Oscar Pettiford - bass; Kenny Clarke - drums.
Side B, recorded February 19, 1953. Personnel: Al Cohn and Zoot Sims - tenor saxophones; Sonny Truitt - trombone; John Lewis - piano; Leonard Gaskin - bass; Kenny Clarke - drums.
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ACV 2100LP
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The third and final volume in a stunning collection documenting the early years of the great Miles Davis. The first steps into the legend of the young man with the horn. Side A, recorded April 20, 1953. Personnel: Jimmy Heath - tenor saxophone; Jay Jay Johnson - trombone; "Gil" Coggins - piano; Percy Heath - bass; Art Blakey - drums.
Side B, recorded March 6, 1954. Personnel: Horace Silver - piano; Percy Heath - bass; Art Blakey - drums.
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ACV 2098LP
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The first volume in a stunning collection documenting the early years of the great Miles Davis. The first steps into the legend of the young man with the horn. Side A, tracks 1-4, recorded January 17, 1951. Personnel: Sonny Rollins - tenor saxophone; Bennie Green - trombone; John Lewis - piano; Percy Heath - bass; Roy Haynes - drums.
Side A, tracks 5-8, recorded March 8, 1951. Personnel: Lee Konitz - saxophone; Sal Mosca - piano; Billy Bauer - guitar; Arnold Fishkin - bass; Art Blakey - drums.
Side B, recorded October 5, 1951. Personnel: Sonny Rollins - tenor saxophone; Walter Bishop - piano; Tommy Potter - bass; Art Blakey - drums.
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LP
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DOC 138LP
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Doxy present a reissue of Ray Heindorf's interpretation of Victor Young's film score for the 1942 film For Whom The Bells Toll. Heindorf's interpretation was released in 1958. Longtime Hollywood music director for Warner Bros., Raymond "Ray" Heindorf is one of the most important and prolific American film score composers; his career brought him eighteen Academy Award nominations and three Oscars. Based on Ernest Hemingway's masterpiece, For Whom The Bell Tolls is the 1958 recording of Victor Young's score for the same film that came out in 1942. The vibrant, dramatic emotionalism of Hemingway's novel is revealed with immense impact in Heindorf's interpretation. The sound of the bell tolling, the violent crescendo of the violins, the deafening roar of war in all its turbulence is a thrilling musical experience; one that does not easily escape the listener. Edition of 500.
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LP
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ACV 2094LP
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Doxy present a reissue of Clark Terry Quintet's Serenade To A Bus Seat, originally released in 1957. Jazz pioneer Clark Terry, aka "Mumbles", has been one of the most original trumpet players of his generation. In his long lasting career he has been collaborating with people of the likes of Quincy Jones, Duke Ellington, Count Basie, Charlie Barnet, and Oscar Peterson. As told by the artist himself Serenade To A Bus Seat is a kind of autobiographical album, the bus is indeed the metaphoric image of the life of the jazz orchestra in constant movement. The quintet is made of Clark Terry, Johnny Griffin, Wynton Kelly, Paul Chambers, and Philly Joe Jones. From Orrin Keepnews's original liner notes: "On this LP, Clark Terry comes into his own. It does not seem exaggeration to say that a few more like this will establish him as a truly major jazz figure." Edition of 500 (numbered).
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LP
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ACV 2093LP
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Doxy present a reissue of George Russell Sextet's Ezz-thetics, originally released in 1961. The sextet features George Russell, Dave Baker, Don Ellis, Eric Dolphy, Steve Swallow, and Joe Hunt. Includes bonus track. Edition of 300 (numbered).
"With a group of musicians assembled for the occasion, pianist/composer/theorist George Russell goes into Riverside's studios in 1960 to record Ezz-thetics. Nowadays frequently found on 'greatest jazz albums' lists, this fantastic record is difficult to categorize and that's for the best. Exacerbated be-bop, modal concepts, hard bop and even hints at burgeoning free-jazz give this opus a unique and enchanting sound. Success always has many fathers. On one hand the compositions are remarkable, the four from Russell unfold with a surprising phrasing that avoids well-trodden paths. Miles Davis 'Nardis' is beautifully rearranged and Dave Baker's 'Honesty' adds a bluesy touch that doesn't hurt the overall cohesion. On the other hand you've got the soloists. Baker isn't afraid to play fast and precise on his trombone, Don Ellis displays his effects but above all Eric Dolphy who already steals the show with his alto solo on the first track. And if all that wasn't enough the album closes on one of the best version of Monk's classic ''Round Midnight' where Dolphy just dominates and proves his style also works on ballads." --AllMusic
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LP
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DOC 139LP
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Doxy present Bernard Herrmann's soundtrack for John Lee Thompson's 1962 thriller Cape Fear. Super classic score from the great Bernard Herrmann, one of the most famous American soundtrack composers known for his collaborations with director Alfred Hitchcock -- 1960's Psycho (DOC 118LP/DOP 8008LP/DOY 650LP), 1959's North By Northwest, 1956's The Man Who Knew Too Much, 1958's Vertigo (DOC 115LP/DOP 8009LP) -- and other cinema masterpieces including Citizen Kane (1941), The Day The Earth Stood Still (1951), and Taxi Driver (1976). Edition of 500.
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