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viewing 1 To 25 of 49 items
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LP
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DMOO 033LP
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Reissue, originally released in 1965.Collecting recordings made between 1953 and 1956, Miles Davis Plays For Lovers is a look at the more sensitive and sensual side of the great trumpeter, focusing on his sultry and smoky late night ballads. Mostly featuring his legendary mid-50s quintet of Coltrane, Garland, Chambers, and Jones, this collection highlights that group's ability to slow things down to a soulful, brilliant simmer. Classic jazz ballads that swing, perfect for late nights with a lover at your side. Clear vinyl; numbered.
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RANDB 105LP
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The fiery five-piece band that toured Europe in late 1969 unaccountably never made a studio LP, so high quality live recordings such as this are to be treasured. This set comprises seven tracks recorded in London for BBC TV's Jazz Night plus a complementary recording of "'Round Midnight" made for Italian television. The stellar line-up comprises Miles Davis, Wayne Shorter, Chick Corea, Dave Holland, and Jack DeJonette. Comes with full recording details and sleeve notes.
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DMOO 003LP
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Reissue. A modal masterpiece from 1959, Kind of Blue is a true classic that never gets old, no matter how many times you listen to it. Bill Evans's understated piano is the perfect foil for Miles's melodies, contrasted by the soaring alto sax of Cannonball Adderley; Jimmy Cobb and Paul Chambers keep the rhythm section steady but unobtrusive, allowing Miles and Cannonball to shine. "So What" and "Freddie Freeloader" are seductive, deceptive gems, imparting all the frustration, begrudging and joy as only a great jazz record can; "Blue In Green" and "All Blue" have melancholy hues and "Flamenco Sketches" a precursor to Sketches Of Spain (1960). Every household should have at least one copy of Kind of Blue, one of the greatest records ever made. Also features John Coltrane and Wynton Kelly. Black vinyl.
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NAKED 029LP
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The classic line-up with a twist -- Recorded live at Jazz Villa in St. Louis on May 29th, 1963. George Coleman sitting on tenor sax, right before he left band (with incoming talent Wayne Shorter on the spot). Personnel: Miles Davis - trumpet; George Coleman - tenor sax; Herbie Hancock - piano; Ron Carter - bass; Tony Williams - drums.
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GET 51473LP
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New lower pricing. "Pressed on crystal clear vinyl housed in a gatefold jacket with japanese stylized insert and deluxe obi strip. Remastered from the original analog tapes. A partner album to the previous Miles release Decoy this album is also produced by Miles and loaded with the synths of Robert Irving. You're Under Arrest has some surprising new looks at pop tunes by Michael Jackson and Cyndi Lauper and also features the return of John McLaughlin on guitar, and a guest performance from Sting. This is the final installment of the prolific and brilliant collaboration between Miles and Columbia Records. Also featured on this album are Al Foster, Kenny Garret, and Daryl Jones."
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GET 51472LP
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New lower pricing. "This record is self-produced by Miles himself! Without longtime production collaborator Teo Macero, Miles chases new directions with this 1984 recording. Miles allowed keyboardist Robert Irving and guitar legend John Scofield to write most of the material on the LP. The record is dripping with some of the new sounds of synths which makes this a very unique entry in the Miles catalog. Decoy features John Scofield on guitar, Robert Irving on synths and programming, Darryl Jones on bass, Al Foster on drums, Mino Cinelu on percussion, Bill Evans on sax, and guest appearances from Branford Marsalis. Pressed on crystal clear vinyl housed in a gatefold jacket with Japanese stylized insert and deluxe obi strip. Remastered from the original analog tapes."
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2LP
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GET 51470LP
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New lower pricing. Reissue, originally released in 1982. "Pressed on opaque yellow vinyl with Japanese stylized insert and deluxe obi strip. Remastered from the original analog tapes. The first live Miles Davis electric band release since 1977's very dark and heavy Dark Magus. The album features live performances from shows at Boston's Kix Club. The double vinyl release contains reimagined versions of songs from The Man With the Horn (1981), tunes from the pre-electric Gil Evans collaboration Porgy and Bess (1959), and a dedication to the Boston venue called Kix. While this was one of the first live Miles Davis performances in over half a decade it certainly did not show! This album features R&B legend Marcus Miller on bass, Mike Stern on guitar, Bill Evans on saxophone, Mino Cinelu on percussion, and electric band alumni Al Foster on drums. Produced and edited by long time Miles collaborator Teo Macero."
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GET 51471LP
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New lower pricing. "The return!!! After a nine-year hiatus from recording studio albums, Miles Davis returned in 1981 with a bang. Continuing the abstract improvisational funk pioneered by the Miles Davis live electric band, Miles came back with a fresh cast. While there are plenty of new players on this recording it captures the moody long-song format from the mid-70s live electric band. The album features R&B legend Marcus Miller on bass, Mike Stern on guitar, electric band alumni Al Foster on drums, and many more. Produced and edited by long term Miles Davis collaborator Teo Macero. Pressed on crystal clear vinyl with Japanese stylized insert and deluxe obi strip. Remastered from the original analog tapes."
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WHP 1445LP
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Miles Davis, the so called "dark magus", caught in full electric flight in Sao Paulo, Brazil in 1974 featuring Dave Liebman on soprano and tenor sax and flute, the electric guitars tandem of Reggie Lucas and Dominique Gaumont, the bass anchor of Michael Henderson, and the deep groove of Al Foster on drums and James "Mtume" Forman on percussion. This was Miles's mid-seventies band, a great coalition of young talents ready to set stages on fire with their visionary funk explorations.
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MIND 800LP
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Miles Davis, live in Tokyo, July 1985. FM broadcast recording.
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CS 34396CLP
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Reissue. Originally released in 1976. Color vinyl. "Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired."
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CS 34396HLP
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Reissue. Originally released in 1976. 180 gram vinyl. "Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired."
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HONEY 029LP
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2022 repress. Honey Pie Records present a reissue of Miles Davis At Carnegie Hall, originally released in 1962. A crucial live at Carnegie Hall by the renowned trumpet player, subtitled The Legendary Performances of May 19, 1961. This live performance features Miles Davis with his regular quintet and also accompanied by Gil Evans and his 21-piece orchestra. The orchestra is heard on several selections drawn from Miles Ahead as well as a complete reading of the adagio movement from "Concierto de Aranjuez" as recorded on Sketches of Spain. The concert begins with the orchestra playing the Gil Evans introduction to "So What", which is performed by the quintet, and then segues directly into the only recording of an Evans arrangement of "Spring is Here".
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2LP
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RLL 042LP
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Miles Davis Sextet, live from the Fillmore West Auditorium, San Francisco April 9th, 1970. The revolutionary Bitches Brew was released on March 30th, 1970. By that time, Miles Davis had started performing in rock venues, bringing his music to a much broader audience. His remarkable band displays near telepathic interplay throughout the fiery, confrontational performance captured on this set, originally broadcast on KSAN-FM. Taking the form of one continuous piece, it's a vital and exciting document of one of jazz's greatest innovators at his peak.
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WLV 82137LP
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Wax Love present a reissue of Miles Davis's Kind Of Blue, originally released in 1959. One the most beautiful and essential albums of all times. The 1959 Miles Davis masterpiece is one of those rare pieces of art beyond ages and genres. A must have for any musically sensitive human being on earth. Personnel: Miles Davis - trumpet; John Coltrane - tenor sax; Cannonball Adderley - alto sax; Bill Evans and Wynton Kelly - piano; Paul Chambers - bass; Jimmy Cobb - drums.
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GET 51452LP
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"Pressed on translucent red vinyl. Miles Davis was on the verge of forming one of his most acclaimed ensembles in 1964. It was this year that he travelled to perform in Japan for the first time, bringing with him 3/4ths of the musicians that would form his famed 'second great quartet'; Herbie Hancock on piano, Ron Carter on double bass, and Tony Williams on drums. In addition the jazz legend brought along saxophonist Sam Rivers to replace the recently exited George Coleman, who was primarily a free jazz musician, but had a long and extensive background in bebop. Davis and Rivers never developed any major chemistry between each other during the trip, and frequently found their distinct styles (Davis' cool and subdued traditional bop style contrasting with Rivers' wild but controlled avant-garde wandering) frequently clashing (or perhaps duelling) in their performances. But for all Davis and Rivers might not have meshed together, the crowd at Tokyo's Kohseinenkin Hall enjoyed it immensely. Davis himself reserved a special kind of respect and admiration for his Japanese audience as well, temporarily dropping his habit of exiting the stage during his fellow musicians' solos. Rivers would ultimately be dismissed from the group at the end of their trip, leading to the arrival of Wayne Shorter, and the inception of the 'second great quartet.' The partnership of Miles Davis and Sam Rivers may have been short-lived, but it did produce the live album Miles In Tokyo nearly five years later. The record is a rare jewel in Miles Davis' discography, featuring high-energy live versions of songs by Rodgers & Hart, Cole Porter, and Richard Carpenter, as well as a restlessly fast-paced take on the Davis staple 'So What'. This collection has previously only been available in Japan, but is now presented on vinyl for the first time in America by Get On Down. Miles In Tokyo is a must-have for completionists of free jazz, bop, and avant-garde alike."
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2CD
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MOCCD 13892CD
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"In Concert is a live double recorded in 1972 at the Philharmonic Hall in New York City. This album brings the funk from the outstanding studio sessions that brought On The Corner, with a taste of the sonic boom captured in Agharta and Pangaea. 'Rated X' kicks off the album starting from a rhythmic babble to a swelling wave of funk, until Mike Henderson enters in the middle of Miles's wah-wah trumpet solo. Throughout the concert its Mtume's congos, Badal Roy's tablas and Khalil Balakrishna's sitar that make this album a spicy world music gumbo, another brew that Miles masterfully stirs with his trumpet."
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GET 51279LP
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RSD Black Friday 2019 release. "Miles Davis was on the verge of forming one of his most acclaimed ensembles in 1964. It was this year that he travelled to perform in Japan for the first time, bringing with him 3/4ths of the musicians that would form his famed 'second great quartet'; Herbie Hancock on piano, Ron Carter on double bass, and Tony Williams on drums. In addition the jazz legend brought along saxophonist Sam Rivers to replace the recently exited George Coleman, who was primarily a free jazz musician, but had a long and extensive background in bebop. Davis and Rivers never developed any major chemistry between each other during the trip, and frequently found their distinct styles (Davis' cool and subdued traditional bop style contrasting with Rivers' wild but controlled avant-garde wandering) frequently clashing (or perhaps duelling) in their performances. But for all Davis and Rivers might not have meshed together, the crowd at Tokyo's Kohseinenkin Hall enjoyed it immensely. Davis himself reserved a special kind of respect and admiration for his Japanese audience as well, temporarily dropping his habit of exiting the stage during his fellow musicians' solos. Rivers would ultimately be dismissed from the group at the end of their trip, leading to the arrival of Wayne Shorter, and the inception of the 'second great quartet.' The partnership of Miles Davis and Sam Rivers may have been short-lived, but it did produce the live album Miles In Tokyo nearly five years later. The record is a rare jewel in Miles Davis' discography, featuring high-energy live versions of songs by Rodgers & Hart, Cole Porter, and Richard Carpenter, as well as a restlessly fast-paced take on the Davis staple 'So What'. This collection has previously only been available in Japan, but is now presented on vinyl for the first time in America by Get On Down, just in time for Black Friday Record Store Day. Miles In Tokyo is a must-have for completionists of free jazz, bop, and avant-garde alike."
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WLV 82131LP
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Following the 1949 and 1950 recordings compiled on Birth Of The Cool (1957), which created the sub-genre of cool jazz, Miles Davis had already moved onto the next thing, because that's what an innovator does. By 1951 he was recording hard bop of the highest order on a variety of formats, including 10" and 7". This LP compiles a number of those recordings, and the fact that the entire record was recorded on one day, October 5, 1951, would be surprising if it weren't the one and only Miles Davis. Featuring Art Blakey, Sonny Rollins, Walter Bishop, Jr., Tommy Potter, and Jackie McLean in his very first recording session, this is classic '50s Miles Davis.
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WLV 82134LP
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Recorded September 20, 1963, at the Monterey Jazz Festival, this set featured Miles Davis's new quintet, with George Coleman, Herbie Hancock, Ron Carter, and Tony Williams. This group, minus Coleman and with the addition of Wayne Shorter, would soon go on to make some of the most highly regarded jazz LPs of all time. This smoking set features a wonderful rendition of "So What", among others. Essential live jazz classic.
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2CD
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D 20003CD
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Miles Davis was the US-American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in 20th century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. He was part of the so-called bebop revolution, influenced the development of all the various styles of jazz like cool jazz, hard bop, modal jazz, and jazz-rock in a significant way and won nine Grammy awards.
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DAD 144LP
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2021 repress. Down At Dawn present a reissue of Miles Davis's Kind of Blue, originally released in 1959. One the most beautiful and essential albums of all times. The 1959 Miles Davis masterpiece is one of those rare pieces of art beyond ages and genres. A must have for any musically sensitive human being on earth. Personnel: Miles Davis - trumpet; John Coltrane - tenor sax; Cannonball Adderley - alto sax; Bill Evans and Wynton Kelly - piano; Paul Chambers - bass; Jimmy Cobb - drums.
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WLV 82128LP
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Wax Love presents a reissue of Miles Davis' Birth Of The Cool, originally released in 1957. The music conceived by Davis and Gil Evans between 1949 and 1950, and released on Capitol Records marked an important new step in jazz. Featuring an unusual line-up and innovative classically oriented arrangements, this historical album represents the birth of a new form of jazz. For the occasion Davis and Evans gathered a stellar nonet including, among others, Lee Konitz (alto sax), Gerry Mulligan (baritone sax), John Lewis (piano), and Max Roach (drums). The result was an unprecedented and highly sophisticated form of music which would be subsequently called "cool jazz."
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WLVR 006LP
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Miles Davis and his electric group of the early '70s is some of the most innovative and important jazz music ever set to tape. While the studio recordings are amazing, they often pale in comparison to the loose, improvisational and fiery heights that the group could reach in front of a live audience (as was captured on Live-Evil (1971), In Concert (1973), and Miles Davis At Fillmore (1970), among others). This set from September of 1972 is no exception. Recorded just prior to the release of On The Corner (1972), this stellar performance features tracks from that classic as well as Jack Johnson (1971) and Bitches Brew (1970). Featuring the great guitar work of his live band staple, Reggie Lucas, and the phenomenal saxophonist Carlos Garnett, this is early '70s electric Miles at its finest, a brilliant radio broadcast.
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WLV 82101LP
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Wax Love present a reissue of Miles Davis's At Newport 1958, originally released in 1958. Featuring the majority of the band that would, a year later, release the absolute pinnacle of modal jazz, Kind Of Blue (RUM 2011129LP), Davis brought his group to the Newport festival in 1958 for a brilliant performance. Though the group doesn't play any songs from that record, instead focusing on classics like "Straight No Chaser" and "Bye Bye Blackbird", one can hear the whispers of that LP. Essential live jazz from the greatest trumpet player of all time.
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