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viewing 1 To 25 of 44 items
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CS 9217C-LP
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Color vinyl reissue of the first album of Delta blues legend Son House on the Columbia label, originally released in 1965. Canned Heat founding member Al Wilson appears. Includes the 9+ minute closing track "Levee Camp Moan."
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CS 34396CLP
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Reissue. Originally released in 1976. Color vinyl. "Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired."
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CS 34396HLP
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Reissue. Originally released in 1976. 180 gram vinyl. "Water Babies is a compilation album by American jazz trumpeter Miles Davis. It compiled music Davis recorded in studio sessions with his quintet in 1967 and 1968, including outtakes from his 1968 album Nefertiti and recordings that foreshadowed his direction on In a Silent Way (1969), while covering styles such as jazz fusion and post-bop. Water Babies was released by Columbia Records in 1976 after Davis had (temporarily) retired."
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CS 9217LP
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The first album of Delta blues legend Son House on the Columbia label, originally released in 1965. Canned Heat founding member Al Wilson appears. Includes the 9+ minute closing track "Levee Camp Moan."
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CS 9604HLP
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2017 German pressing, repress of 2010 Music on Vinyl label mono masters. Dylan's eighth studio album, released in 1967. "A calm, reflective album, John Wesley Harding strips away all of the wilder tendencies of Dylan's rock albums -- even the then-unreleased Basement Tapes he made the previous year -- but it isn't a return to his folk roots. If anything, the album is his first serious foray into country, but only a handful of songs, such as 'I'll Be Your Baby Tonight,' are straight country songs. Instead, John Wesley Harding is informed by the rustic sound of country, as well as many rural myths, with seemingly simple songs like 'All Along the Watchtower,' 'I Dreamed I Saw St. Augustine,' and 'The Wicked Messenger' revealing several layers of meaning with repeated plays." --All Music Guide
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CS 9875HLP
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2021 restock. 2013 reissue of Miles Davis' 1969 LP on 180 gram vinyl. "There is no melody, not even a melodic frame. There are only vamps and solos, grooves layered on top of other grooves spiraling toward space but ending in silence. But even these don't begin until almost ten minutes into the piece. It's Miles and John McLaughlin, sparely breathing and wending their way through a series of seemingly disconnected phrases until the groove monster kicks in." --All Music
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PC 31906HLP
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2021 restock. 180 gram reissue of Miles Davis' expansive 1972 album. ""Here are killer groove riffs that barely hold on as bleating trumpet and soprano sax lines (courtesy of Dave Liebman on track one) interact with John McLaughlin's distortion-box frenzy. Michael Henderson's bass keeps the basic so basic it hypnotizes; keyboards slowly enter the picture, a pair of them handled by Herbie Hancock and Chick Corea, as well as Ivory Williams' synthesizer." --All Music
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CS 9401HLP
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2021 repress on 180 gram vinyl, originally released in 1966. "With their second album, Miles Smiles, the second Miles Davis Quintet really began to hit their stride, delving deeper into the more adventurous, exploratory side of their signature sound. This is clear as soon as 'Orbits' comes crashing out the gate, but it's not just the fast, manic material that has an edge -- slower, quieter numbers are mercurial, not just in how they shift melodies and chords, but how the voicing and phrasing never settles into a comfortable groove. This is music that demands attention, never taking predictable paths or easy choices." --All Music
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JC 35705LP
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Exact repro of the 1978 jazz fusion album from Tony Williams. "It would be an understatement to say that there was a fair amount of variety on this set. Drummer Tony Williams is heard in two duets with keyboardist Jan Hammer, with a quartet also including keyboardist Herbie Hancock, Tom Scott (who unfortunately sticks to lyricon) and bassist Stanley Clarke, and he welcomes rock guitarist Ronnie Montrose, keyboardist Brian Auger, guitarist George Benson, Hammer and tenorman Michael Brecker on other tracks." -- All Music Guide
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CS 8171HLP
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2018 repress. 180 gram reissue. "When driving a band with the upright, or double bass, Charles Mingus looked -- and was -- gigantic, in more ways than one. He had huge creative appetites (as well as being hot tempered), creating his own combination of hard bop, blues, and avant-garde jazz. There was no one more multi-faceted than Mingus between the 1950s and 1970s and of his many albums, Mingus Ah Um (1959) is considered to be a jazz classic."
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CL 1654HLP
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2015 repress; pressed on 180 gram vinyl. "If there is such a thing as a greatest-hits package available on Johnson, this landmark album, which jump-started the whole '60s blues revival, would certainly be the one. The majority of Johnson's best-known tunes, the ones that made the legend, are all aboard: 'Crossroads,' 'Walkin' Blues,' 'Me & the Devil Blues,' 'Come On in My Kitchen,' and the apocalyptic visions contained in 'Hellhound On My Trail' are the blues at its finest, the lyrics sheer poetry." -- All Music Guide
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C 30034HLP
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180 gram reissue of this 1970 collection. "....a collection of 16 songs by the greatest downhome blues singer of all time." Tracks: "Kind Hearted Woman Blues," "I Believe I'll Dust My Broom," "Sweet Home Chicago," "Rambling On My Mind," "Phonograph Blues," "They're Red Hot," "Dead Shrimp Blues," "Preachin' Blues," "I'm A Steady Rollin' Man," "From Four Till Late," "Little Queen Of Spades," "Malted Milk," "Drunken Hearted Man," "Stop Breakin' Down Blues," "Honeymoon Blues" and "Love In Vain."
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P 760423HLP
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180 gram reissue of this 1969 collection featuring "Take Five."
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PC 32965HLP
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180 gram reissue, originally released in 1974. "Hancock continues to reach into the rapidly changing high-tech world for new sounds, most notably the metallic sheen of the then-new ARP string synthesizer which was already becoming a staple item on pop and jazz-rock records. Again, there are only four long tracks, three of which ('Palm Grease,' 'Actual Proof,' 'Spank-A-Lee') concentrate on the funk, with plenty of Hancock's wah-wah clavinet, synthesizer textures and effects, and electric piano ruminations that still venture beyond the outer limits of post-bop." --All Music Guide
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MS 7317HLP
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2019 repress. A student of electronic music, experimental composition, acoustics, psychology, Indian music and more in the 60s, Joe Byrd blended electronics with psychedelic rock in a purely entrancing style. 180 gram reissue, originally released in 1969.
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COL 30131HLP
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2022 restock. Terry Riley (piano, organ, soprano saxophone) & John Cale (bass, harpsichord, piano, guitar, viola, organ) collaborated on this one-off album, released in 1970. At this time, rock music was a serious movement, removed from the joke it once was, quite unaware of the joke it would eventually become, and things like this sometimes happened. Cale, classically trained on the viola, must have been pretty pleased to get a shot to record with the '60s king of minimalist pulse, Terry Riley. The album features 4 collaborative tracks between the two; while maybe not earth-shattering, they are quite fine for horizontal home listening pleasure at just about any hour of the day. Instrumental jams, mixing the styles of the two players pretty evenly (if you're vaguely awake, you can imagine this easily). The fifth track is a psychedelic pop masterpiece by Cale, "The Soul of Patrick Lee." Exactly why this track is included here has never been adequately explained, but it is about as beautiful as music in song form can get. 180 gram exact repro reissue.
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PC 34178LP
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Third album from Brooklyn funk/soul outfit B.T. Express, originally released in 1976. Tracks include "Herbs," "Can't Stop Groovin' Now, Wanna Do It Some More," "Time Tunnel" and "Make Your Body Move." Exact repro.
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CL 9449LP
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Hard bop with tenor saxophonist Jimmy Heath, pianist Cedar Walton, bassist Walter Booker and drummer Mickey Roker. Exact repro reissue, originally released in 1967.
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CS 8882LP
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Exact repro of this 1963 release from Hammond organist Bill Doggett. Tracks: "Soul Zone," "Without Love," "The Love Of My Man," "Memphis," "The Worm," "One Fine Day," "Monkey".... by the time you reach the end of this piece, you're hearing "Hot Fudge."
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PC 36805LP
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Thelonious Monk songs with a few originals. With Kenny Clarke and Pierre Michelot. Originally released in 1965.
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C 31025LP
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Reissue of this 1974 "handsome collaboration" between Venezuelan composer Aldemaro Romero and guitarist Charlie Byrd. A fusion of jazz, Latin-American pop and the unbending classicism of man's love of the beach.
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LP
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CS 9217HLP
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2021 restock; 180 gram reissue of the first album of Delta blues legend Son House on the Columbia label, originally released in 1965. Canned Heat founding member Al Wilson appears. Includes the 9+ minute closing track "Levee Camp Moan."
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CL 941LP
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The Brass Ensemble consists of Gunther Schuller, John Lewis, Jimmy Giuffre, and J.J. Johnson; conducted by Dimitri Mitropoulos and Gunther Schuller. Miles Davis also appears as a soloist. Exact repro, originally released in 1956.
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CS 9987HLP
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2022 restock. 180 gram reissue, originally released in 1970. "Entire genres of music would look and sound vastly different if not for the contributions of Vicksburg, Mississippi's Willie Dixon. A writer of songs such as 'Hoochie Coochie Man', 'Spoonful', and 'My Babe', among so many others, Dixon's songs have gone on to become standards of blues music, after being covered by legends such as Muddy Waters, Howlin' Wolf, and Little Walter, while these same songs served as inspirational templates for the evolution of rock and roll music. Along with Muddy Waters, Dixon is to this day considered one of the most influential figures to the development of the post-World War II music scene.
Dixon originally began as a performer, but as his career as a songwriter and session musician took off he performed less and less, working behind the scenes more frequently. In 1970 however, he entered the studios to record a selection of his own tunes. The end result was titled I Am The Blues, and consisted of songs written during his time as a staff-writer with Chess Records, previously performed by the likes of Waters, Howlin' Wolf, Otis Rush, and Willie Mabon. Dixon was joined by a solid lineup of seasoned session veterans, many of whom had performed as sidemen for the same singers he'd written for. A remarkable collection of new renditions of classic songs, straight from the original source."
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KC 31061LP
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Legendary 1971 session featuring Dewey Redman, Don Cherry (pocket trumpet), Charlie Haden (bass), Billy Higgins (drums), Ed Blackwell (drums) and Bobby Bradford (trumpet).
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viewing 1 To 25 of 44 items
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