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viewing 1 To 15 of 15 items
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LP
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OJC 016LP
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$21.00
PREORDER
RELEASE DATE: 7/10/2020
2015 release. Originally released in 1956; Remastered; Mono. "Thelonious Monk's Prestige recordings have been somewhat neglected through the years but, with the exception of a date for Vogue, they are the only documentation that exists of the unique pianist-composer's work as a leader during the latter half of 1952 through 1954. This set has four numbers (including Monk's originals 'Wee See,' 'Locomotive' and the catchy 'Hackensack') featuring Monk with trumpeter Ray Copeland (an underrated player), tenor saxophonist Frank Foster, bassist Curly Russell and drummer Art Blakey. However, it is 'Let's Call This' and the two versions of 'Think of One' that are best-known, for Monk teams up with the French horn wizard Julius Watkins, bassist Percy Heath, drummer Willie Jones and the great tenor Sonny Rollins. Every Thelonious Monk recording is well worth getting although this one is not quite essential." --Scott Yanow, All Music
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LP
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WLV 82132LP
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Wax Love present a reissue of the seven-song The Unique Thelonious Monk, originally released in 1956. The release was the pianist's second during his remarkable five-year tenure on Riverside. His debut for the label was the aptly titled Plays Duke Ellington (1955) and once again, on this disc, Thelonious Monk's song selection did not feature any original compositions. Rather, the well-chosen standards included exemplify and help further establish the pianist and bandleader within the context of familiar melodies at the head of a trio -- consisting of Oscar Pettiford (bass) and Art Blakey (drums). Regarding the personnel, while Pettiford had also accompanied Monk on the Ellington sides, Blakey replaces Kenny Clarke. The pairing of Monk and Blakey cannot be overstated. Immediately, evidence of their uncanny instrumental interaction is the rhythmic focal point of "Liza, All the Clouds'll Roll Away" as the two play musical cat-and-mouse. They cajole and wheedle atop Pettiford's undulating undercurrent as it sonically corals their skilled syncopation and otherwise inspired mile-a-minute interjections. This is starkly contrast to the haunting, lyrical piano solo on "Memories Of You". Monk infuses the piece with such profound ingenuity and integrity that his re-evaluation and innovative arrangement are singularly and undeniably his own.
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LP
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TRAIT 005LP
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LP version. One of the greatest visionary in jazz history, Thelonious Monk, caught here in different formations -- solo, trio, quartet, and quintet -- including saxophone masters such as Coleman Hawkins, Johnny Griffin, and John Coltrane. Includes selections from Thelonious Monk Trio (1954), Monk's Music (1957), Brilliant Corners (1957), Misterioso (1958), and Thelonious Himself (1957).
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CD
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TRAIT 005CD
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One of the greatest visionary in jazz history, Thelonious Monk, caught here in different formations -- solo, trio, quartet, and quintet -- including saxophone masters such as Coleman Hawkins, Johnny Griffin, and John Coltrane. Includes selections from Thelonious Monk Trio (1954), Monk's Music (1957), Brilliant Corners (1957), Misterioso (1958), and Thelonious Himself (1957).
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LP
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ACV 2081LP
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Doxy present a reissue of Thelonious Monk's Monk's Music, originally released in 1957. "(...) Monk's Music is among the most significant of Thelonious Monk's classic albums. Here he was literally looking back and ahead at the same time, by bringing together Coleman Hawkins (the very first important voice on tenor saxophone) and John Coltrane (on the verge of becoming a major shaping force of the '60s). Equally notable is the incredible rhythmic support provided by combining Art Blakey and Wilbur Ware; and, justifying the album title, a selection of vital Monk compositions - plus his choice of the 19th century hymn, 'Abide With Me' (written by one William H. Monk) (...)" --Music Direct. Edition of 500 (numbered).
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CD
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HH 3062CD
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Thelonious Monk, live at the Montreal Jazz Festival, Palace Des Arts, Canada on the 21st of August, 1965. Following his move to Columbia Records in 1963 and his appearance on the cover of Time the following year, 1965 found Thelonious Monk at his commercial peak. This superb performance at Montreal Jazz Festival on 21st August 1965, finds him on remarkable form, though sadly his powers would dwindle thereafter, as mental illness made a recluse of him. This CBC radio broadcast features several of his most enduring compositions and it's presented here in excellent quality, together with background notes and images.
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LP
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JD 109LP
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1956's The Unique Thelonious Monk was the legendary pianist's second LP for the Riverside label, with which he would have a fruitful relationship that would span six years and over a dozen albums. Though this is, in fact, a piano trio album made up of standards, it is so much more than that might imply as it is also a Thelonious Monk record. As always, his genius for improvisation and interpretation of melody are on full display, a fantastic early record from one of the true iconoclasts of jazz, and another fine reissue from Jeanne Dielman.
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LP
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DOL 744LP
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"Recorded in 1959 for Riverside, Thelonious Monk's 5 By Monk By 5 is exactly that: 5 Monk originals played in a quintet setting. Monk, who was famous for trying to showcase many of the lesser-known talents out there, uses this album as an opportunity to highlight the cornet playing of Thad Jones, and the two new pieces on this album--'Jackie-ing' (named for Monk's niece) and 'Played Twice'--were written with Jones' cornet playing in mind. The quintet is filled out by Charlie Rouse (tenor sax), Sam Jones (bass), and Art Taylor (drums). Rouse would go on to become one of Monk's main sidemen over the next decade."
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LP
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DOL 739LP
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"During his early years, Thelonious Monk was considered one of the 'most challenging, provocative and disturbing figures in modern music.' His music was considered difficult to listen to and understand, causing many fans initially to shy away from trying to 'dig Monk.' This album helped remedy that problem. Recorded in December 1956 for Riverside with a quartet featuring primarily Max Roach (percussion), Sonny Rollins (tenor sax), Oscar Pettiford (bass), Ernie Henry (alto sax), Clark Terry (trumpet), Brilliant Corners, an album of mostly self-penned numbers, is one of his greatest recordings. While still not casual listening, its pure brilliance and vitality can reach just about any listener."
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LP
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DOL 746LP
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2013 release. "An absolute genius, Monk brought jazz piano to levels unheard before, both for composition and interpretation. A musician so ahead of his time that he was often sheepishly denied the credit he deserved, leaving to future and more finely tuned ears the capability to fully understand his potential. Doxy's plan to bring back the magnificent opus of this strong personality in music and art is now enriched with this incredible tribute to one of modern music maestros, along that same trail blazed by Duke Ellington. Faithfully re-released on 180 gram virgin vinyl, this 1955 album, originally released on Riverside, is back in black for all who want to experience the beauty of music on the grooves that it was made for."
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10"
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BN 5009LP
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2015 reissue from Blue Note Records' 75th Anniversary Vinyl Initiative series. Originally released in 1952. "The second volume in this two-disc series displays Thelonious Monk coming into his own fully as a leader. The program consists almost entirely of original compositions, and in fact it opens with two of his most difficult: 'Four in One' (with its conventional bop intro that leads into a bizarre, repeated five-against-two quintuplet sequence) and the forbiddingly abstract 'Criss Cross.' Get through those and you'll eventually be rewarded with the relatively straightforward, blues-based 'Straight No Chaser' and the sweet ballad 'Ask Me Now,' among other treats. Sidemen include the young trumpeter Kenny Dorham and bassist Al McKibbon, as well as a more clued-in Art Blakey and (replacing Blakey on half of the program) Max Roach. Sahib Shihab's sax tone is more appropriate this time out, and the production quality is somewhat better. This disc, along with Volume 1, belongs in every jazz collection." --Rick Anderson, All Music
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LP
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BLP 30141LP
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Originally released in 1973. Featuring Monk with Al McKibbon (bass) and Art Blakey (drums). Includes a version of "Misterioso" which "illustrates the marvelous musical partnership between Monk and Art Blakey who, while the composer develops the double-tempo implications of his 8-to-the-bar theme, not only prompts him but, without being in the least obdurate, gradually engages him in a perfect dialogue."
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LP
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P 757675HLP
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180 gram reissue, originally released in 1964. Featuring Charlie Rouse (tenor sax), Butch Warren (bass), Ben Riley (drums) and Thelonious Monk (piano). "It's Monk's Time (1964) contains some of the best -- if not arguably the best -- studio sides that the pianist cut during his final years as a recording musician.... From four sessions in early 1964, It's Monk's Time gathers four quartet and two solo sides, presenting the pinnacle of what these musicians offered stylistically as well as from the standpoint of presentation. There is sense of mischievous playfulness in Monk's nimble keyboard work, especially notable on the beautifully off-kilter unaccompanied opening to 'Lulu's Back in Town,' and the same practically impish quality also drives the solo performance on 'Nice Work if You Can Get It.' Both pop standards are prime examples of the bop pioneer's inimitable approach to arranging, and also provide an uncanny insight to his influences." -- All Music Guide
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LP
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P 757674HLP
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180 gram reissue, originally released in 1969. Arranged and conducted by Oliver Nelson. "Monk's genius shines through on some of the more sensible and sensitive arrangements, such as 'Reflections,' 'Monk's Point,' and the surprisingly tasteful 'Brilliant Corners.'" -- All Music Guide
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LP
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P 757673HLP
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180 gram exact repro reissue. His seventh album for Columbia Records, originally released in 1965. Featuring Thelonious Monk (piano), Larry Gales (bass), Ben Riley (Drums) and Charlie Rouse (tenor saxophone). "Thelonious Monk is an example of an exceptionally uncorrupted creative talent. He has accepted the challenges that one must accept to forge a music utilizing the jazz process. Because he lacks, perhaps fortunately, exposure to the Western classical music tradition or, for that matter, comprehensive exposure to any music other than jazz and American popular music, his reflections of formal superficialities and their replacement with fundamental structure has resulted in a unique and astoundingly pure music."
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viewing 1 To 15 of 15 items
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