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viewing 1 To 22 of 22 items
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CD
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BCM 9583CD
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Beat Records presents for the first time on CD the complete edition of the soundtrack by Piero Piccioni for L'Italia Vista Dal Cielo, a series of fourteen documentaries directed by Folco Quilici from 1966 to 1978, all commissioned, sponsored, and produced by Italian Esso with the aim of portraying the scenic, artistic and architectural beauties of each region of Italy with aerial shots taken by helicopter. The most prestigious theaters were chosen in the capitals of the interested regions, such as the Teatro La Fenice in Venice, the Teatro Massimo in Palermo, the Teatro Argentina in Rome, the Teatro Nuovo in Milan, the Teatro San Carlo in Naples, the Petruzzelli Theater in Bari and the Municipal Theater in Bologna, screened in the presence of political, civil, cultural, and religious representatives. The films were also shown in schools and universities and in the main cities of each region, eventually also disseminated abroad with English, French, German, and Spanish versions. Numerous screenings were organized together with the Italian embassies and institutes of culture through an agreement with the Ministry of Foreign Affairs. The films were put on display at fairs, Italian festivals, and other events. Presented here are the beautiful scores by Piccioni for the L'Italia Vista Dal Cielo episodes "Emilia," "Marche", and "Sicilia" in their entirety, assembled from the stereo master tapes of the original recording sessions. Previously, only one mono track called "Primavera" was issued on a C.A.M. library LP. For the regions "Emilia" and "Marche," Piccioni composed a score that is a true hymn to the joy of living. The main titles theme ("Primavera") provides the background for the aerial shots of colorful balloons flying in the background of a blue sky with green landscapes below, a perfect marriage of music and image. The pleasing motif is performed by a symphonic orchestra with beat arrangements. Piero Piccioni reprises this main theme with many wonderful versions, including Latin American, beat, sacred, cheerful, sad, slow, fast, etc., each allowing the listener to realize the greatness of this musician. For the "Sicily" region, Piero Piccioni wrote pastoral passages of rare beauty with sparse instrumentation including organ, guitar, flute, and oboe. This CD represents another wonderful addition to the ever-growing discography of Piccioni. Jewel case with a 12-page booklet designed by Alessio Iannuzzi. Mastering and liner notes by Claudio Fuiano.
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CD
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DGST 039CD
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Digitmovies present a reissue of Piero Piccioni's original soundtrack for La Citta' Prigioniera, originally released in 1962. Piccioni, one of the colossal names of international film music, composed this symphonic OST in the early '60s where gloomy and tense passages frequently recur to perfectly describe the dramatic situation in Athens during the Second World War. The author alternates a melancholic love theme that timidly emerges to contrast with suspense music and exciting battle pieces, all enriched with Greek folk music. Originally C.A.M. released a vinyl LP containing fifteen tracks in mono and an EP single with two tracks in mono. In 1991, the same material was re-released for the first time on CD in the series C.A.M.'s Soundtrack Encyclopedia with audio filtered in Dolby Surround. For Digitmovies' CD, the label was able to use a first-generation master tape with the LP recording along with the mono master tapes from the original recording session, discovering almost forty minutes of previously unreleased material, all specially restored.
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DGST 034CD
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Digitmovies release, for the first time on CD, the complete edition of Piero Piccioni's original sound track for the drama The Big Night (aka Bad Girls Don't Cry, original title La Notte Brava). Piero Piccioni (1921-2004) wrote and directed this score where jazz and blues create the right atmosphere for the young protagonists of the story. Originally, not a single note was released from this prestigious soundtrack. Digitmovies' CD was possible thanks to the mono master tapes from the original recording session. Maestro Piccioni composed a recurring main score which is introduced in the opening credits and reprised in different versions: slow for bassoons, with horns, a fast swing, and with the addition of female voices. Piero Piccioni alternates this with numerous dance melodies like the mambo, rock n'roll, swing, tango, and the song with a female voice, "Hello You", which is reprised in an instrumental version. The inner side of the main characters is emphasized by very evocative passages. This album is another masterpiece by Piero Piccioni which has finally been recovered and preserved on CD forever. Edition of 300.
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CDDM 201CD
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2011 release. Digitmovies remember the great Alberto Sordi by releasing, for the first time on CD Piero Piccioni's original soundtrack in full stereo for the movie Finchè C'è Guerra C'è Speranza (aka "Where There Was War There's Hope"). Directed by and starring Alberto Sordi with Silvia Monti, Alessandro Cutolo, Matilde Costa Giuffrida, Edoardo Faceta, Mauro Firmani, Eliana De Santis, and Fernando Daviddi. Pietro Chiocca (Sordi) is a water pumps dealer who succeeds in improving his standard of living by devoting himself to a more lucrative business, the one of weapons, and so he spends his own life touring the countries of the third world, mangled by civil wars, while his family lives in luxury in a new villa to which the family has just moved away. All is going very well until one day a journalist of the Corriere della Sera, who gave him the contact to sell the weapons to a national liberation movement in Angola, in public denounces Chiocca's actions with an article titled -- I have met a death merchant. Wife and sons show all their contempt, but then presented with the alternative to dispense with the comforts and luxuries they are now accustomed to, they will prefer to keep on pretending to not knowing anything about the source of the family father's money. Piero Piccioni has written one of his nicest OSTs with colors from Africa and from Latin America: it was indeed for this movie that the composer has written a theme which has become the one among many that identifies the comical, but also nostalgic figure of Alberto Sordi: "Rugido Do Leao", a sparkling samba the actor-director wanted to be re-used as main title for the very popular TV program Story Of An Italian conceived, realized, and hosted by Sordi himself, containing selected scenes from his movies and broadcasted during four seasons between 1979 and 1986. For this CD Digitmovies could use the first-generation stereo master tape assembled for the original album issued in 1974, which in fact contains all the music recorded for the movie. The label also uncovers three unreleased versions of "Rugido Do Leao".
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CD
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CDDM 191CD
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Digitmovies release for the first time on CD Piero Piccioni's complete original soundtrack for the movie Il Monaco (aka "The Monk") in full stereo. Directed in 1972 by Ado Kyrou and starring Franco Nero, Nathalie Delon, Nicol Williamson, Elisabeth Wiener, Nadja Tiller, and Eliana De Santis. The scenario by Luis Buñuel and Jean-Claude Carrière is based on the novel The Monk written in 1796 by Matthew Gregory Lewis. In 17th century Madrid Father Ambrosio (Nero), prior of the Capuchins, is noted for the austerity of his costumes, his intransigent faith and his excessive chastity. The monk gives in to carnal temptations by copulating with the very beautiful Mathilde (Delon), a witch sent to earth by Satan and who introduces herself disguised as a male novice. After becoming his lover, she moves to the castle of Duke Calembour (Williamson), a diabolical being who lets little female orphans being kidnapped for the sole purpose of eating them or sacrificing them to the devil. The little girl Antonia enters the scene with whom the monk falls in love, but when he can't take hold of her, he later kills her mother. After remorse and confession of his crimes, Ambrosio falls anew into the dark whirlpool of sin bewitched by the magic arts of Mathilde whom he follows to the castle. There the protagonist finds again the little girl Antonia who commits suicide after being kidnapped by the evil duke. With the intervention of the inquisition the nobleman, Mathilde and the monk are arrested: Calembour suceeds in being declared innocent; due to her powers, the witch sets herself free; father Ambrosio, by selling his soul to the devil, not only escapes his faults, but he will even become pope. In 1993 Cinevox issued nine selections from the score on the CD Fantafestival Vol. 4. For Digitmovies' CD the label has used every note recorded in stereo at that time and preserved on the original master tapes of the Cinevox Record archives. Legendary composer Piero Piccioni has written a short, but very effective symphonic score of a dramatic kind that evokes the whole atmosphere of the plot between sacred and profane, emphasizing above all the diabolical side. The monk theme is introduced in "Main Titles", a sacred, Gregorian chant-like motif for organ and orchestra where strings intrude with macabre dissonances. Satan's presence is often underlined by slow and gloomy music.
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CD
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CDDM 015CD
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2004 release. Digitmovies reissue the soundtrack by Piero Piccioni from the movie directed in 1972 by Domenico Paolella (aka Paolo Dominici, Le Monache Di Sant'arcangelo. Published on a rare LP, the comment it describes the appearing rigor of the monastic life of a female convent. One young Ornella Muti is one young nun who continues secretly outside a loving history with a boy, but same it is object of "particular" attentions from the mother priora (Anne Heywood). Here, Piccioni has written liturgic topics for chorus and classical music, inspiring itself to music of 17th century. Using the stereophonic tapes complete of the Recording session they have been added six takes never appeared before. This C includes also the complete soundtrack of Storia Di Una Monaca Di Clausura, directed by Domenico Paolella in 1973 and interpreted by Suzy Kendall, Catherine Spaak, and Eleonora Giorgi. A morose story in a dark monastery where the devil's presence is. Piero Piccioni wrote a completely new soundtrack, but in the film, they have re-use music from the first film. This CD includes only the compositions written for this sequel.
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CD
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CDDM 263CD
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2014 release. Digitmovies release Piero Piccioni's complete original soundtrack for the film Romolo E Remo (aka "Duel Of The Titans"). In 1961 when the film came out, no record was released. But in 1984 a 33rpm LP finally saw the light of day. The record was in the Phoenix limited edition series and contained 19 tracks. It was then rereleased twice in 1995 on CD at C.A.M. Soundtrack Encyclopedia. For Digitmovies' CD they were able to access the mono master tapes from the original recording session and the first-generation master tape assembled by the author for a vinyl record. The label discovered previously unreleased music. Piccioni composed a recurring battle theme emphasizing French horns for the two protagonists. This theme alternates with very dramatic war songs having an ethnic pastoral theme for the wolf scene and a mystical theme for the soldiers at the spring. Directed in 1961 by Sergio Corbucci. The film tells the story of two founding brothers of Rome, from their birth to their death. Romulus and Remus are the children of Rea Silvia who was banished and condemned to death by Amulias. Amulias abandons the brothers to die in the Tiber river but they are saved by a female wolf who raises them like her own pups. The brothers decide to build their own small village and start by demarcating their terrain. Remus disobeys his brother when he violates his boundaries and is then killed. Later you see Romulus as an adult who has become the first king of Rome and head of the army against the king of the Sabines, Titus Tatius. At this point the famous event happens -- The Rape of the Sabine Women, where Romulus abducts Sabine women in order to create families with them and his tribe. This causes a war between the two tribes. In a certain sense Rome comes out as the winner because the Sabines join them and become one Roman people. At the end, the old Romulus dies during a stormy night and ascends to heaven, taking the name of "Quirinus".
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2CD
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CDDM 288CD
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Digitmovies release for the first time a double-CD with Piero Piccioni's original soundtrack for the 1985 comedy film Sono Un Fenomeno Paranormale ("Babasciò", or "I'm an ESP"). Piero Piccioni composed one of his most brilliant soundtracks for this film. He uses sentimental and elegant themes to accompany the protagonist on his journey from Italy to India, including numerous pieces using sitar and tablas. On this soundtrack, Edda Dell'Orso with her crystal voice is the exceptional guest star we can hear on numerous tracks. Originally, General Music had released an LP containing sixteen tracks in stereo. For this double album (totaling over two hours) Digitmovies have included over an hour and a half of new material with film versions and alternate takes which we discovered in addition to the original master which had been assembled for the album. This album proves the artistic greatness of Piero Piccioni once again, not only for the huge amount of material recorded (most of which was not used in the film), but also the high quality of the scores, which are reprised in different versions and with different instruments. Edition of 300.
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LP
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DOC 142LP
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Doxy present Piero Piccioni's complete soundtrack for the 1963 film Il Terrorista on vinyl for the first time. Directed in 1963 by Gianfranco De Bosio and starring Gian Maria Volontè, Anouk Aimée, Tino Carraro, Philippe Leroy, the great Piero Piccioni created "easy listening" music such as foxtrots, band music, waltzes as opposed to serious music for large orchestras that dramatically describes all the historical and political aspect of the story. Complete version for the first time on vinyl. Edition of 500.
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CD
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CDDM 296CD
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Digitmovies present Piero Piccioni's complete original soundtrack in mono and in full stereo for the episodes "La Strega Bruciata Viva" ("The Witch Scorched Alive") by Luchino Visconti and "Una Sera Come Le Altre" ("A Night Like Any Other") by Vittorio De Sica for the 1967 movie Le Streghe (aka The Witches) produced by Dino de Laurentiis. The film, which was released on February 22, 1967, is divided into five episodes starring the fascinating Diva Silvana Mangano. The Mauro Bolognini and Franco Rossi episodes have virtually no music -- except very brief fragments of atonal strings (possibly library music) in the Rossi episode and just a reprise of the "main theme" written by Piero Piccioni for the Visconti episode at the end of the Bolognini episode. This CD focuses only on the music of Piero Piccioni for this film. The tapes were kept in the private archives of Piccioni and they have been found with the big help of Jason Piccioni, the son of the composer. Two ¼ reel tapes, one in stereo and one in mono, which have been preserved until today in very good conditions. For "The Witch Scorched Alive" Piero Piccioni wrote a refined dancefloor theme, a shake for piano, organ, drums, guitars and brass, which we might call "The Witches Shake", reprised with different instrumentations and which is the background dance of Gloria in the hotel lounge room. This dancefloor music is alternated with a romantic, rarefied, and haunting love theme that, without doubt, is one of the most beautiful love themes of the whole career of Piero Piccioni: a jazzy, slow, suspended, almost sacred theme for harp, vibraphone, guitar, celesta, flute, and bass. The score was brilliantly conducted by Bruno Nicolai and Piero Piccioni himself. Please note also that in this soundtrack and almost in all his soundtracks, Piccioni performs solo piano and organ. CD version includes two bonus tracks, for historical and artistic purposes: the very rare mono version of the shake theme as featured in the opening titles -- with some sound effect found in the mono master tape of the final film music/effects mix -- and a long stereo suite re-recorded by Piccioni.
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LP
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LPDM 015LP
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LP version. Digitmovies present Piero Piccioni's complete original soundtrack in mono and in full stereo for the episodes "La Strega Bruciata Viva" ("The Witch Scorched Alive") by Luchino Visconti and "Una Sera Come Le Altre" ("A Night Like Any Other") by Vittorio De Sica for the 1967 movie Le Streghe (aka The Witches) produced by Dino de Laurentiis. The film, which was released on February 22, 1967, is divided into five episodes starring the fascinating Diva Silvana Mangano. The Mauro Bolognini and Franco Rossi episodes have virtually no music -- except very brief fragments of atonal strings (possibly library music) in the Rossi episode and just a reprise of the "main theme" written by Piero Piccioni for the Visconti episode at the end of the Bolognini episode. This CD focuses only on the music of Piero Piccioni for this film. The tapes were kept in the private archives of Piccioni and they have been found with the big help of Jason Piccioni, the son of the composer. Two ¼ reel tapes, one in stereo and one in mono, which have been preserved until today in very good conditions. For "The Witch Scorched Alive" Piero Piccioni wrote a refined dancefloor theme, a shake for piano, organ, drums, guitars and brass, which we might call "The Witches Shake", reprised with different instrumentations and which is the background dance of Gloria in the hotel lounge room. This dancefloor music is alternated with a romantic, rarefied, and haunting love theme that, without doubt, is one of the most beautiful love themes of the whole career of Piero Piccioni: a jazzy, slow, suspended, almost sacred theme for harp, vibraphone, guitar, celesta, flute, and bass. The score was brilliantly conducted by Bruno Nicolai and Piero Piccioni himself. Please note also that in this soundtrack and almost in all his soundtracks, Piccioni performs solo piano and organ. CD version includes two bonus tracks, for historical and artistic purposes: the very rare mono version of the shake theme as featured in the opening titles -- with some sound effect found in the mono master tape of the final film music/effects mix -- and a long stereo suite re-recorded by Piccioni.
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LP
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SME 049LP
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Sonor Music Editions present a reissue of Piero Piccioni's Al Cinema Con Piero Piccioni, originally released in 1968. Originally composed of two volumes and released on the famed RCA SP series in 1968, compiled with a curated selection of the best tracks and presented with renewed striking artwork. Two absolutely cult and impossible to find albums of Italian discography released in a unique LP edition and carefully remastered by from the original RCA master tapes. Includes original soundtrack of the films Il Terrorista (1963), Le Mani Sulla Città (1963), Nude, Calde E Pure (1965), La Donna E' Una Cosa Meravigliosa (1964), Chi Lavora E' Perduto (Tinto Brass) (1963), with the huge jazz imprint of maestro Piccioni. 180 gram vinyl. Heavy cardboard sleeve, like the originals; Limited to 300.
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LP
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RED 243LP
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Dagored present a reissue of Piero Piccioni's soundtrack for Cadaveri Eccellenti, originally released in 1976. A superb soundtrack composed for Francesco Rosi's film Cadaveri Eccellenti, based on the novel Il Trattato by Leonardo Sciascia. A portrait of Italy during the infamous Years of Lead ("Anni di Piombo"), Cadaveri Eccellenti, presented in 1976 at the Cannes Film Festival, caused an outcry for the inconvenient issues addressed. Jazz and funky tunes are mixed here with a big orchestra-style peculiar of the best compositions by the maestro Piero Piccioni. This album is an enjoyable journey into dark and light atmospheres. This marks the first time the complete version has appeared on vinyl. Edition of 500.
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LP
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SUBOST 006LP
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Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The maestro Piero Piccioni is in rare groove mode here, lost between acid jazz breaks and deep funk rhythms. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate is reminiscent of the compositions of the late '60s from the master; memorable sessions that would lead to the publication of the classic posthumous Camille 2000 (BF 103LP). The glamorous arrangements are fascinating, incorporating Mediterranean warmth through the US's R&B demarcation lines. This is the first ever vinyl reprint of a minor classic.
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LP
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SUBOST 006X-LP
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Color vinyl version. Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The maestro Piero Piccioni is in rare groove mode here, lost between acid jazz breaks and deep funk rhythms. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate is reminiscent of the compositions of the late '60s from the master; memorable sessions that would lead to the publication of the classic posthumous Camille 2000 (BF 103LP). The glamorous arrangements are fascinating, incorporating Mediterranean warmth through the US's R&B demarcation lines. This is the first ever vinyl reprint of a minor classic.
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LP
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SUBOST 004LP
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A stunning Piero Piccioni score for the soundtrack of the homonymous film released in 1972 and directed by Al Bagram (a pseudonym used by Spanish filmmaker and screenwriter Alfonso Balcázar). Jazz-noir numbers and disturbing chamber arrangements enforce the dark atmosphere of the film, a Gothic film that transcended the Italian giallo tradition (which was actually an Italian-Spanish co-production). The themes created by the maestro for this metaphysical horror bring to light a disturbing classicism, wrapping the listener in a gloomy, often nightmarish, horizon. One of the most sought after soundtracks by Piero Piccioni, made available for the first time on vinyl by Sub Ost.
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LP
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SUBOST 004X-LP
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Red vinyl version. A stunning Piero Piccioni score for the soundtrack of the homonymous film released in 1972 and directed by Al Bagram (a pseudonym used by Spanish filmmaker and screenwriter Alfonso Balcázar). Jazz-noir numbers and disturbing chamber arrangements enforce the dark atmosphere of the film, a Gothic film that transcended the Italian giallo tradition (which was actually an Italian-Spanish co-production). The themes created by the maestro for this metaphysical horror bring to light a disturbing classicism, wrapping the listener in a gloomy, often nightmarish, horizon. One of the most sought after soundtracks by Piero Piccioni, made available for the first time on vinyl by Sub Ost.
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2LP
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BF 103LP
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2018 repress. Blind Faith Records present Piero Piccioni's soundtrack for the 1969 film Camille 2000. Rome, Aventino, one of the most amazing neighborhoods in the South area of the capital city. In an old garage, fully stored and preserved, tons of 1/4 inch tapes represent the monumental and brilliant work of one of the greatest composers of the twentieth century: the master Piero Piccioni. Caring for, listening to, and taking stock is his son Jason, Blind Faith Records have asked him to select three, out of many, chapters of the master's work, three scores to be rescued and brought to light in all their expressive and communicative power. Camille 2000 marks the first in the ongoing series. Never before published on vinyl, it was carefully transferred from the original masters and embellished with several unpublished alternative takes and fragments. The work of restoration was performed by Giuliano Radiciotti, while the material was mastered was by multi Grammy winner Brian Lucey. Jason on the music of Camille 2000: "I remember when I heard this music for the very first time in my father's studio in the early 90s. It was truly something revolutionary. It sounded so contemporary that it seems it was written in those days. Can't believe it was twenty years before then, instead!"
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LP
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CNST 702LP
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Restocked, lower pricing. Cinedelic Records present a reissue of Musica Amore, the extraordinary album by Maestro Piccioni originally released in 1972. Musica Amore includes songs from various soundtracks showing Piccioni's many facets. He utilizes the gorgeous voice of Shawn Robinson in "Right Or Wrong" and "Once and Again", from giallo thriller ...Dopo Di Che, Uccide Il Maschio E Lo Divora (1971), the choir I Cantori Moderni di Alessandro Alessandroni, the band of I Marc 4 (Maurizio Majorana, Antonello Vannucchi, Roberto Podio, Carlo Pes) and soloists of the caliber of Gianni Basso and Dino Piana. An absolutely killer album with superb arrangements, funky beats, exotic sounds ("Ebony Ride"), breaks, erotic lounge, beat, shake ("Abigaille"), psychedelia ("Fiore Nero"), and jazz, that stands as a key album in the world of Italian library music and soundtracks.
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LP
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RED 233LP
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Dagored present for the first on vinyl Piero Piccioni's complete score for Le Mani Sulla Città (1963). A racy and doomy soundtrack filled with incredibly dark jazz tunes composed by the great Piccioni for the Italian cinema masterpiece Le Mani Sulla Città, directed by Francesco Rosi. The film was the winner of the Leone d'Oro at the Venice Film Festival of 1963. Piero Piccioni has composed more than 300 scores for film, television, radio, ballet and orchestra, working with legendary directors as Luchino Visconti, Vittorio De Sica and Dino Risi. Edition of 500.
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CD
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RED 174CD
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"Released in 1961, Alberto Lattuada's L'imprevisto ('The Unexpected') is a gripping drama involving the kidnapping of the baby of a wealthy businessman. Piccioni -- composer of some 200 soundtracks for Italian cinema -- creates an impeccable soundtrack with the necessary pathos for a dramatic and existentialist plot."
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CD
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DCR 039CD
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"DC Recordings is proud to present the previously unreleased soundtrack to Geoffrey Reeve's Puppet On A Chain. Based on Alistair Maclean's novel of the same name, the film tells the story of Paul Sherman, an Interpol narcotics agent who arrives in Amsterdam to investigate a gang of heroin smugglers. The music that accompanies the film comes courtesy of one of Italy's most prolific and respected soundtrack composers -- Piero Piccioni -- who has over 150 film scores to his name including Alberto Lattuadas' I Dolci Inganni, Luchino Visconti's The Stranger, Jean-Luc Godard's Contempt and Francesco Rosi's Salvatore Giuliano. Often mentioned in the same breath as his peer's Ennio Morricone and Bruno Nicolai, Piccioni's work has always embraced the celluloid spectrum, from demented sex comedies and spaghetti Westerns to bloody horror exploitation flicks. Recorded in 1970 Puppet On A Chain is a blistering, Hammond-heavy score that effortlessly mixes elements of sybaritic lounge listening, hard edged, beat driven funk/jazz and big band swagger."
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