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LPDM 024LP
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$38.50
PREORDER
RELEASE DATE: 3/27/2020
LP version. Armando Trovajoli composed and directed a brilliant lounge-style soundtrack based on the main theme. It is introduced in the opening credits and sung by Mal dei Primivites on the first track, and is then reprised with captivating instrumental arrangements. For the four protagonists, maestro Trovajoli composed a jazz motif with a spy-like atmosphere. Armando Trovajoli performs the scat singing with an airy piece using organ and tempo and performs the main theme on the piano. For this release, Digitmovies were able to use the mono tapes from the recording session.
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CDDM 305CD
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$23.50
PREORDER
RELEASE DATE: 3/27/2020
Armando Trovajoli composed and directed a brilliant lounge-style soundtrack based on the main theme. It is introduced in the opening credits and sung by Mal dei Primivites on the first track, and is then reprised with captivating instrumental arrangements. For the four protagonists, maestro Trovajoli composed a jazz motif with a spy-like atmosphere. Armando Trovajoli performs the scat singing with an airy piece using organ and tempo and performs the main theme on the piano. For this release, Digitmovies were able to use the mono tapes from the recording session.
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CDDM 306CD
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$23.50
PREORDER
RELEASE DATE: 3/27/2020
Stelvio Cipriani wrote a rhythmic score with a nostalgic feeling which is then reprised in bossa, suspense, and action music versions. Maestro Cipriani also composed a folk theme to describe the mafia and camorra characters who are fighting each other in the film. The album closes by reprising the folk theme and the main theme. Stelvio Cipriani's bravura as a piano soloist is also found in this OST. This album was made possible thanks to the mono masters preserved in the historical archives of the RCA.
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LPDM 025LP
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$38.50
PREORDER
RELEASE DATE: 3/27/2020
LP version. Stelvio Cipriani wrote a rhythmic score with a nostalgic feeling which is then reprised in bossa, suspense, and action music versions. Maestro Cipriani also composed a folk theme to describe the mafia and camorra characters who are fighting each other in the film. The album closes by reprising the folk theme and the main theme. Stelvio Cipriani's bravura as a piano soloist is also found in this OST. This album was made possible thanks to the mono masters preserved in the historical archives of the RCA.
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DGST 046CD
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Digitmovies release the complete edition original soundtrack by Riz Ortolani for the film Gegè Bellavita (aka "Genarino, hombre objeto femenino") for the absolute first time on CD. Riz Ortolani composed "Nun Me Scuccià ", the brilliant and funky main theme sung in Neapolitan by the protagonist Flavio Bucci, which describes Gegè's laziness to work and his passion for women. This pleasant motif returns in an instrumental version, alternating with a recurring upbeat tarantella in a pop version, and a romantic love theme. Originally C.A.M. published only one single with two tracks (tracks 1 and 2). Digitmovies were able to access the masters in stereo from the original recording session, which allowed the label to use everything that had been recorded. This is another CD that enriches the discography of one of the most beloved composers in the world.
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DGST 048CD
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Digitmovies release the complete edition original soundtrack by Riz Ortolani for the film Mimi (aka Un dramma borghese) for the first time on CD. Riz Ortolani composed an orchestral soundtrack with a recurring main theme resembling a children's lullaby which was written for the adolescent girl in the film. It has a dramatic introduction and is then expanded on with the harpsichord and reprised in different versions with oboe, harp, and guitar, giving it a touch of magic. The rustic atmosphere is often interrupted by dramatic and mysterious passages (which perfectly evoke the daughter's unhealthy relationship with her father), as well as baroque music in a pop arrangement. Digitmovies were able to access the masters in stereo from the original recording session and use everything that had been recorded. Here is another CD that enriches the discography of one of the most beloved composers in the world.
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CDDM 304CD
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Digitmovies presents the original soundtrack by Nico Fidenco for the film Blue Jeans. An EP single (RCA, TBBO 1114) was originally released with the songs "Blue Jeans" and "A Final Step", performed by the group Cyan, which open sides A and B. For this LP, Digitmovies used the original tapes in full stereo that were preserved in the RCA archives. Nico Fidenco composed a pleasant soundtrack with a pastoral flair which is dominated by the main theme, a romantic ballad where you hear a faster and slower vocal version. It is then reprised with different instruments: cheerful and rhythmic flute, harmonica and orchestra, harmonica and strings with a touch of country, harpsichord, and classic guitar. Directed in 1975 by Mario Imperoli, Blue Jeans starred Gloria Guida, Paolo Carlini, Annie Carol Edel, Gianluigi Chirizzi, Mario Pisu, Marco Tulli, Barbara Betti, Rino Bolognesi, Domenico Bua, and Mario Di Girolamo.
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LPDM 023LP
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LP version. The soundtrack appears here for the first time on vinyl; Edition of 300. Digitmovies presents the original soundtrack by Nico Fidenco for the film Blue Jeans. An EP single (RCA, TBBO 1114) was originally released with the songs "Blue Jeans" and "A Final Step", performed by the group Cyan, which open sides A and B. For this LP, Digitmovies used the original tapes in full stereo that were preserved in the RCA archives. Nico Fidenco composed a pleasant soundtrack with a pastoral flair which is dominated by the main theme, a romantic ballad where you hear a faster and slower vocal version. It is then reprised with different instruments: cheerful and rhythmic flute, harmonica and orchestra, harmonica and strings with a touch of country, harpsichord, and classic guitar. Directed in 1975 by Mario Imperoli, Blue Jeans starred Gloria Guida, Paolo Carlini, Annie Carol Edel, Gianluigi Chirizzi, Mario Pisu, Marco Tulli, Barbara Betti, Rino Bolognesi, Domenico Bua, and Mario Di Girolamo.
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DGST 045CD
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Digitmovies release the complete edition CD of the original soundtrack by Gianni Ferrio for the spaghetti western A Dollar of Fear (original title: Un Dollaro Si Fifa). The Italian-style western, or spaghetti western, officially originated with the famous Dollar trilogy by Sergio Leone, even though it was Gunfight at Red Sands (aka Gringo) by Mario Caian which inaugurated the genre in Italy in 1963. With A Dollar of Fear the series started in 1960, although this film was just a comical parody of the worldwide success of Rio Bravo, directed by Howard Hawks in 1959. The Digitmovies producers used the title Un Dollaro Di Fifa which plays on the Italian title Un Dollaro d'Onore (Rio Bravo in the US). Gianni Ferrio composed a brilliant orchestral soundtrack with epic, action and romantic passages alternating with a pleasant saloon song with a female voice and songs with mixed choirs. For this CD, Digitmovies were able to use the mono master tapes of the original recording session. This CD is definitely a rarity for fans of spaghetti westerns.
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DGST 044CD
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Digitmovies presents a complete CD edition of Riz Ortolani's OST for the film Make Love, Not War (aka Non Faccio La Guerra, Faccio L'amore) (1966). Ortolani composed a pleasant symphonic OST dominated by a romantic main theme. It's introduced with horns and performed by trumpet and orchestra in the opening credits, and then reprised throughout the soundtrack in a series of captivating variations. The motif is alternated with romantic moods, suspense pieces, jazz and folk music, the brilliant Latin theme for billionaire Don Getullio, and a wild shake. Originally C.A.M. had only released a 45 rpm single with two mono tracks. For this CD, the masters from the original recording session -- which was entirely in stereo -- were used.
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CDDM 302CD
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Digitmovies is pleased to reissue, the OST by Carlo Savina for spy film Suicide Mission To Singapore (1966) (original title Goldsnake Anonima Killers). For this OST, Carlo Savina composed lounge background music, at times dominated by a mysterious Asian vibe and by sophisticated jazzy vibes. "Gold Snake", the main score, is interpreted by the fabulous voice of Iva Zanicchi, written for a symphony orchestra, and accompanied by the New Orlandi choir. The leitmotif is reprised in a shake version and a slow danceable version. The well-known actress Yoko Tani, the film's protagonist, performs the romantic piece "Crazy", which also recorded in an instrumental version. The spy aspect of the plot is emphasized by suspense and action music. The mono master tapes of the recording session were used for the remaster. LP version is the first time on vinyl; 180 gram pressing.
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LPDM 021LP
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LP version, first time pressing on 180 gram vinyl. Digitmovies is pleased to reissue, the OST by Carlo Savina for spy film Suicide Mission To Singapore (1966) (original title Goldsnake Anonima Killers). For this OST, Carlo Savina composed lounge background music, at times dominated by a mysterious Asian vibe and by sophisticated jazzy vibes. "Gold Snake", the main score, is interpreted by the fabulous voice of Iva Zanicchi, written for a symphony orchestra, and accompanied by the New Orlandi choir. The leitmotif is reprised in a shake version and a slow danceable version. The well-known actress Yoko Tani, the film's protagonist, performs the romantic piece "Crazy", which also recorded in an instrumental version. The spy aspect of the plot is emphasized by suspense and action music. The mono master tapes of the recording session were used for the remaster.
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DGST 041CD
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Digitmovies release the complete edition CD of the original soundtrack by Francis Lai for the 1977 drama The Forbidden Room (aka Anima Persa). The legendary Oscar-winning composer Francis Lai wrote the music for this psychological film based on a recurring nostalgic main theme for orchestra with Moog interventions, which is introduced in the opening credits. The author has succeeded perfectly in representing the atmosphere of a mysterious and esoteric Venice, with a whole series of tense motifs alternated with romantic pop atmospheres and baroque phrases. C.A.M. had originally released a vinyl LP with 14 tracks. Thanks to the stereo master tapes from the recording session, Digitmovies were able to discover six unreleased tracks which bring our CD. This is without a doubt one of Francis Lai's masterpieces, and one of the greatest in international film music, which Digitmovies reissue after already having released his fabulous music for Baby Sitter in 2010. Directed in 1976 by Dino Risi, the film features Vittorio Gassman, Catherine Deneuve, Danilo Mattei, Anicée Alvina, Ester Carloni, Gino Cavalieri, Michele Capnist, and Aristide Caporale. Nineteen-year-old Tino, an aspiring painter, goes to Venice to visit his uncle Fabio Stolz -- a former engineer at a gas company who is proud of his Hapsburg origin -- and his wife Elisa, a sickly blonde woman who is completely submissive to her husband. One evening Tino hears unexplainable noises coming from the attic in the ancient building they live in. The hired help reveals to Tino what the noises are and Tino's aunt and uncle reluctantly confirm what she says -- Fabio's lunatic brother lives in the attic. He went insane after causing the death of his niece Beba, Elisa's ten-year-old daughter from her first marriage, whom he had fallen in love with. However, there are conflicting versions to the story: according to Fabio, Elisa let her daughter die of pneumonia because she did not treat it in time. But where is Beba's grave? There is no trace of it at the cemetery. Increasingly intrigued, Tino discovers another lie: his uncle does not work but instead spends his days with friends, squandering Elisa's fortune. Once Tino finds the attic door open he finally has an explanation to the mystery: a shocking explanation that will convince him to leave Venice forever.
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CDDM 300CD
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Digitmovies present the original soundtrack for the mythical De Angelis brothers for the movie ... E Poi Lo Chiamarono Il Magnifico (Man of the East), originally released in 1972. After Franco Micalizzi had written the music for the first trinity movie and Guido and Maurizio De Angelis for its sequel, the two musician brothers were recruited again to write a new original score that was issued in those days on an LP with 12 tracks and also on a 45rpm single with two tracks. Digitmovies have searched for the original recording session master tapes which were recently rescued in very good condition and in full stereo: this gave the label the chance to add six bonus tracks not included in the original vinyl. A note for collectors and audiophiles: for this ultimate edition Digitmovies did not use the album master assembled in 1972, but they were able to recreate the original album mock-up's sequence/editing with all the takes taken directly from first generation stereo session tapes. And this new version has a really improved sound quality. The main theme is called "Don't Lose Control", a romantic-epic theme with country-pop flavor performed by Gene Roman and reprised as an instrumental version played by a large orchestra. The De Angelis brothers have succeeded in recreating the whole Western atmosphere by alternating classic Western-flavored themes with soft ones like the romantic love theme "Tema Di Candida" (Jesus Come To My Heart), a gospel with sacred flavor vocalized by the Nora Orlandi choir. Directed in 1972 by E.B. Clucher (real name Enzo Barboni) and starring Terence Hill, Gregory Walcott, Yanti Somer, Dominic Barto, Enzo Fiermonte, and Riccardo Pizzuti. The young Viscount Sir Thomas Moore (Hill), a polite English guy who goes to America to take possession of the inheritance left over from his father. He finds himself in the Wild West and falls in love with the young daughter of a landowner who is already courted by another cowboy. Three friends of the deceased parent shall teach him to shoot so that he can compete with his rival in a duel for the beloved one.
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LPDM 020LP
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LP version. Digitmovies present the original soundtrack for the mythical De Angelis brothers for the movie ... E Poi Lo Chiamarono Il Magnifico (Man of the East), originally released in 1972. After Franco Micalizzi had written the music for the first trinity movie and Guido and Maurizio De Angelis for its sequel, the two musician brothers were recruited again to write a new original score that was issued in those days on an LP with 12 tracks and also on a 45rpm single with two tracks. Digitmovies have searched for the original recording session master tapes which were recently rescued in very good condition and in full stereo: this gave the label the chance to add six bonus tracks not included in the original vinyl. A note for collectors and audiophiles: for this ultimate edition Digitmovies did not use the album master assembled in 1972, but they were able to recreate the original album mock-up's sequence/editing with all the takes taken directly from first generation stereo session tapes. And this new version has a really improved sound quality. The main theme is called "Don't Lose Control", a romantic-epic theme with country-pop flavor performed by Gene Roman and reprised as an instrumental version played by a large orchestra. The De Angelis brothers have succeeded in recreating the whole Western atmosphere by alternating classic Western-flavored themes with soft ones like the romantic love theme "Tema Di Candida" (Jesus Come To My Heart), a gospel with sacred flavor vocalized by the Nora Orlandi choir. Directed in 1972 by E.B. Clucher (real name Enzo Barboni) and starring Terence Hill, Gregory Walcott, Yanti Somer, Dominic Barto, Enzo Fiermonte, and Riccardo Pizzuti. The young Viscount Sir Thomas Moore (Hill), a polite English guy who goes to America to take possession of the inheritance left over from his father. He finds himself in the Wild West and falls in love with the young daughter of a landowner who is already courted by another cowboy. Three friends of the deceased parent shall teach him to shoot so that he can compete with his rival in a duel for the beloved one.
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LPDM 019LP
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LP version. Digitmovies presents a reissue of Ennio Morricone's soundtrack for Ruba Al Prossimo Tuo, a 1968 film by Francesco "Citto" Maselli. The 1995 GDM Music compilation With Love presented a collection of love themes by Ennio Morricone. One theme, from Ruba Al Prossimo Tuo, was enclosed directly transferred from the music track of the movie itself, but the source was in such terrible conditions that did not make it possible to create a CD master. An expanded suite (from the same disputable source) was later enclosed on a Japanese CD, but unfortunately the sound quality was mediocre. The original master tapes containing the whole original recording session in very good mono sound, have now been discovered. This CD compiles every musical note recorded in 1968. The present version contains only the original music composed by Morricone, conducted perfectly by Bruno Nicolai. Morricone wrote a monothematic score including several orchestral variations of the main theme, a brilliant and very romantic motif with lounge flavor, vocalized by I Cantori Moderni di Alessandroni. Introduced first in "Titoli di Testa" and reprised with several variations throughout the score, the theme is presented in a classic-style version with harpsichord, organ and mandolin, a slow and dreamy version with the voice of Edda and also the choir I Cantori, a samba version, a beat-flavored mysterious version, another version once again with the splendid magical voice of Edda and a slower variation with the whistle of Alessandro Alessandroni. The style of Morricone thus delivers a strongly recognizable second theme, very romantic and lounge-styled, featuring a keyboard used by the author in other scores like Giu La Testa (1971). A classic-style minuet theme with the operatic vocalism of Edda enriches the score. The third theme is a brilliant orchestral samba introduced by a typewriter and developed by the whole orchestra and then reprised with the performance of the wonderful Cantori Moderni.
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CDDM 299CD
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Digitmovies presents a reissue of Ennio Morricone's soundtrack for Ruba Al Prossimo Tuo, a 1968 film by Francesco "Citto" Maselli. The 1995 GDM Music compilation With Love presented a collection of love themes by Ennio Morricone. One theme, from Ruba Al Prossimo Tuo, was enclosed directly transferred from the music track of the movie itself, but the source was in such terrible conditions that did not make it possible to create a CD master. An expanded suite (from the same disputable source) was later enclosed on a Japanese CD, but unfortunately the sound quality was mediocre. The original master tapes containing the whole original recording session in very good mono sound, have now been discovered. This CD compiles every musical note recorded in 1968. The present version contains only the original music composed by Morricone, conducted perfectly by Bruno Nicolai. Morricone wrote a monothematic score including several orchestral variations of the main theme, a brilliant and very romantic motif with lounge flavor, vocalized by I Cantori Moderni di Alessandroni. Introduced first in "Titoli di Testa" and reprised with several variations throughout the score, the theme is presented in a classic-style version with harpsichord, organ and mandolin, a slow and dreamy version with the voice of Edda and also the choir I Cantori, a samba version, a beat-flavored mysterious version, another version once again with the splendid magical voice of Edda and a slower variation with the whistle of Alessandro Alessandroni. The style of Morricone thus delivers a strongly recognizable second theme, very romantic and lounge-styled, featuring a keyboard used by the author in other scores like Giu La Testa (1971). A classic-style minuet theme with the operatic vocalism of Edda enriches the score. The third theme is a brilliant orchestral samba introduced by a typewriter and developed by the whole orchestra and then reprised with the performance of the wonderful Cantori Moderni. The CD also contains three superb "shake" dance floor music themes that bring us the unforgettable Beat atmospheres of those days' discotheques.
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DGST 040CD
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Digitmovies release, for the first time as a complete edition on CD, Marcello Giombini's soundtrack for the horror film Enter The Devil ("L'Ossessa") (1974). Giombini (July 8, 1928 Rome-December 12, 2003 Assisi) experimented with symphonic music, electronic music and also religious music with a rock beat during his career. For cinema he wrote numerous soundtracks including the well-known ones from the Sabata trilogy of spaghetti westerns, for the cult horror film Antropophagus (1980) and the main score for the Italo-German science fiction film Mission Stardust (1967). For the present CD the mono master tapes (with the exception of two tracks in stereo) from the original recording session were used. The composer wrote an experimental electronic soundtrack with gloomy and dramatic passages as well as female voices for the satanic litanies and demonic sabbaths. The evil atmosphere is broken up by enjoyable pieces such as a samba and the recurring "Tema dell'ossessa", an extremely lyrical and sad motif. Edition of 300.
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CDDM 301CD
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At the time of the film's release only a 45rpm single of this original soundtrack was issued which contained the song "Can Be Done", with lyrics by Sergio Bardotti and sung by Rocky Roberts (in 1966, Luis Bacalov had already collaborated with Roberts, performer of the main theme from the highly successful 2012 western movie Django). Only in 1995, Point Records released a CD which contained the instrumental score coupled with the OST from Il Grande Duello. For this issue, Digitmovies' new digitally restored and remastered record, the label had access to the mono master tapes of the recording session which gave them the chance to discover some unreleased takes which we have assembled in a nearly eight-minute suite. In addition, a special bonus track features the very rare stereo-mixed version of the original 45rpm single song. Luis Bacalov succeeds in representing in his music the whole sentimental side of the plot (the friendship between the corpulent, but good-hearted Thompson and the child Chip) by writing a sweet and cheerful main theme that is introduced in the opening credits in a pop key and with a little Bacharach flavor called "Can Be Done", sung by Rocky Roberts and accompanied by a children's choir. This theme is reprised with orchestral variations sometimes dramatically, sometimes in an epic western context with the use of the harmonica of the great Franco De Gemini and alternated with saloon as well as instrumental and choir folk music. This CD is dedicated to all the fans of the mythic Bud Spencer, of the Italian Western, and the music art of the Academy Award winner Luis Bacalov.
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DGST 039CD
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Digitmovies present a reissue of Piero Piccioni's original soundtrack for La Citta' Prigioniera, originally released in 1962. Piccioni, one of the colossal names of international film music, composed this symphonic OST in the early '60s where gloomy and tense passages frequently recur to perfectly describe the dramatic situation in Athens during the Second World War. The author alternates a melancholic love theme that timidly emerges to contrast with suspense music and exciting battle pieces, all enriched with Greek folk music. Originally C.A.M. released a vinyl LP containing fifteen tracks in mono and an EP single with two tracks in mono. In 1991, the same material was re-released for the first time on CD in the series C.A.M.'s Soundtrack Encyclopedia with audio filtered in Dolby Surround. For Digitmovies' CD, the label was able to use a first-generation master tape with the LP recording along with the mono master tapes from the original recording session, discovering almost forty minutes of previously unreleased material, all specially restored.
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LPDM 018LP
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LP version. At the time of the film's release only a 45rpm single of this original soundtrack was issued which contained the song "Can Be Done", with lyrics by Sergio Bardotti and sung by Rocky Roberts (in 1966, Luis Bacalov had already collaborated with Roberts, performer of the main theme from the highly successful 2012 western movie Django). Only in 1995, Point Records released a CD which contained the instrumental score coupled with the OST from Il Grande Duello. For this issue, Digitmovies' new digitally restored and remastered record, the label had access to the mono master tapes of the recording session which gave them the chance to discover some unreleased takes which we have assembled in a nearly eight-minute suite. In addition, a special bonus track features the very rare stereo-mixed version of the original 45rpm single song. Luis Bacalov succeeds in representing in his music the whole sentimental side of the plot (the friendship between the corpulent, but good-hearted Thompson and the child Chip) by writing a sweet and cheerful main theme that is introduced in the opening credits in a pop key and with a little Bacharach flavor called "Can Be Done", sung by Rocky Roberts and accompanied by a children's choir. This theme is reprised with orchestral variations sometimes dramatically, sometimes in an epic western context with the use of the harmonica of the great Franco De Gemini and alternated with saloon as well as instrumental and choir folk music.
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DGST 037CD
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Digitmovies release the complete edition CD of Carlo Savina and Aldemaro Romero's original sound track for the historical film Simon Bolivar. The film was presented at the XI Festival of Moscow (1969) where it won the Special Jury Prize, Carlo Savina and Aldemaro Romero work together on this symphonic score dominated by the charming sounds of Latin America. The historical figure of Simon Bolivar is emphasized through heroic passages for orchestra and chorus which alternate with a romantic love theme and music for the battle scenes. C.A.M. originally released a vinyl LP (SAG 9022) with eighteen stereo selections, which was reissued for the first time on CD in 1992 in the C.A.M. Soundtrack Encyclopedia series. Thanks to the stereo master tapes from the original recording session, which were kept in excellent condition, Digitmovies discovered about forty minutes of previously unreleased material such as alternative mixes and film versions. Edition of 300.
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DGST 038CD
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Digitmovies present the complete edition of Stelvio Cipriani's original sound track for the action film Tough To Kill ("Duri A Morire") for the first time on CD. Stelvio Cipriani composed an OST where funk music, which was typical at the time, blends with Latin American sounds. The wild dance song in the opening credits is reprised in a fast version, a slow version with South American rhythms, and then contrasted with sad and dramatic strings. Electronic and rhythmic suspense pieces are perfect to describe the hidden dangers waiting for the protagonists of the story. There is no lack of piano pieces performed by the composer, Greek folk music, and military themes. For this CD, the restored stereo master tapes from the original recording session were used. Edition of 300.
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DGST 043CD
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Digitmovies presents the soundtrack by brothers Guido & Maurizio De Angelis for the movie Zorro (1974). At that time a 45 rpm single was issued in Italy and in Japan, with the songs "Zorro Is Back" and "To You Mi Chica", and a vinyl album with twelve selections was issued in France, Germany and Japan and later reissued with the same contents by C.A.M. on CD in 1991. For this CD, Digitmovies uses the first generation stereo master tapes of the original recording session allowing for almost forty extra minutes of material. The De Angelis brothers have written a cheerful main theme for the masked avenger Zorro called "Zorro Is Back", introduced in the version performed by Oliver Onions in "Titoli Di Testa" and reprised in instrumental form. This motif is alternated with the love theme "To You Mi Chica" for solo guitar, orchestra, and vocal with dramatic symphonic music with Latin flavor for the heroic actions of Zorro. The bonus material contains exciting reprises of the album versions of "Zorro Is Back", "To You Mi Chica" and the dramatic background themes among which a remarkable rarity can be found: the off-vocal take of the main theme song, that is to say "karaoke" with Zorro! Edition of 300.
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CD
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CDDM 295CD
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In a small village in Emilia, pastor Don Camillo (Terence Hill) and Communist Mayor Peppone (Colin Blakely) are from opposing political factions and are invaluable friend/enemies. They clash at every opportunity, which often ends up in a fight -- as in the case of the football game played by teams which they had trained. Obviously, the mayor is not happy with Don Camillo's behavior and threatens to transfer him to a remote mountain village. This is a remake of the movie Don Camillo (1952) by Julien Duvivier. It was Terence Hill's first time behind the camera and he wanted to make the action between Don Camillo and Peppone take on a more modern feel, which better suited his style. The story is set in recent times, with a sportier priest (he skates in the church), and embellished with classic fist-fights (as in the football game scene). There are also some small cameos by famous Italian ex-footballers, including Roberto Boninsegna, Roberto Pruzzo, Luciano Spinosi, and Carlo Ancelotti. Ancelotti was a soccer player for A.S. Roma and former coach of teams such as Juventus, Milan, Chelsea, Paris Saint-Germain, and Real Madrid. He is now the current coach of Bayern Munich. Music by Pino Donaggio; Conductor: Natale Massara; Producer: Roberto Danè. In this new edition Digitmovies honor the original editing of the album released in 1984 by Senso Unico.
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