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5CD
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SPDM 023CD
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$40.00
PREORDER
RELEASE DATE: 1/24/2025
Five OSTs from Renzo Rossellini, Piero Umiliani, Carlo Savina, Gianni Ferrio, and Riz Ortolani. Il Segno Di Venere: The mono master tapes of the original recording session have survived in excellent condition. Digitmovies has used every note recorded to assemble the entire OST. The main score is cheerful, but also vaguely contemporary in orchestration. The music reflects a Roman setting and the relationships between the characters involving love, jealousy and loneliness. Il Vigile: At that time, RCA had issued an extended-play in mono with four selections. For this CD Digitmovies was able to access the original recording session in mono which allowed the label to create a CD containing the complete OST as well as material from the extremely rare LP. Maestro Umiliani composed a very pleasing OST which, in its various musical nuances, perfectly embodies the comic vein of the great Alberto Sordi. Il Moralista: Only a 45rpm EP was recorded for this film, with the main score written by Franco Migliacci and Carlo Savina and performed by Fred Buscaglione. Nothing had been previously released from the instrumental OST, but thanks to the mono master tapes it was possible to release all of Savina's background music. This CD contains the song from the opening credits, and a single with a different intro. Travolto Dagli Affetti Familiari/Il Vizio Di Famiglia: Gianni Ferrio is without a doubt one of the biggest names in film music. He used his immense talent to create music for Gialli films, Westerns and erotic comedies and also left an unforgettable mark in Italian television and pop music. For this film, Gianni Ferrio composed an enjoyable score where the recurring main melody is happy and carefree for the male protagonist and is alternated with romantic orchestral phrases. For Il Vizio Di Famiglia, unfortunately a country style song is missing, which is played during the scene where Edwige Fenech is on a motorcycle (but it could also be archive material). The composer created spirited and funny background music played by an orchestra and synthesizer, which is alternated with lounge music with sounds of pop music as well as the mysterious moods of giallo films. Gegè Bellavita: Riz Ortolani composed "Nun me scuccià," the brilliant and funky main theme sung in Neapolitan by the protagonist Flavio Bucci, which describes Gegè's laziness to work and his passion for women. This pleasant motif returns in an instrumental version, alternating with a recurring upbeat tarantella in a pop version, and a romantic love theme. This is another CD that enriches the discography of one of the most beloved composers in the world.
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5CD
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SPDM 022CD
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$40.00
PREORDER
RELEASE DATE: 1/24/2025
Five OSTs from Carlo Franci, Francesco De Masi, Roberto Nicolosi, Marcello Giombini, and Bruno Canfora. Il Gladiatore Invincibile: Carlo Franci, also known under the pseudonym Francis Clark, studied in Rome with Goffredo Petrassi. He is an orchestra conductor and a composer for theatre productions. For this film the composer wrote a symphonic score to describe the heroic endeavors, where dramatic and violent passages for the battle scenes are alternated with a romantic and nostalgic love theme which is gloriously reprised in the finale. For the realization of this CD, Digitmovies used the mono master tapes of the recording session which took place over half a century ago and have been kept in good condition until now. Gli Schiavi Più Forti Del Mondo: Francesco De Masi composed and conducted a symphonic OST with heroic tones alternating with robust action music and a sweet love theme along with cheerful and comical passages. For this CD, Digitmovies used the master tape that half a century ago was assembled for the release of the original LP, and have added new previously unreleased material, including a rare stereo mix which has been properly restored and remastered. A dutiful homage to artistic music by the unforgettable Maestro Francesco De Masi. La Regina Delle Amazzoni: This CD was made possible thanks to the mono master tapes from the recording session which were kept in excellent condition. Robert Nicolosi composed and directed a symphonic OST containing all the classical elements of Peplum, but with an interesting idea. The main score is modern (for that time period), but there are hints of blues, jazz and swing, which the composer dances between again and again. This creates a soundtrack with two dimensions. Le Sette Fatiche Di Ali' Babà: For this CD Digitmovies was able to use the mono master tapes of the original recording. The author composed a recurring main score in a Middle Eastern Arabian Nights style, alternating between suspenseful music and music with violent and dramatic motifs for the battle scenes. Giombini transforms the main melody into a delicate and exotic love theme, contrasting with the exciting action scenes. La Regina Dei Tartari: For this CD, Digitmovies used every note contained in the mono master tapes of the original recording session. Maestro Canfora, for this particular OST removed the strings and used only the brass, woodwind and percussion. These create atmospheres with an ancient flavor, between heroic and mysterious, alternating with vigorous music for battle, and the recurring presence of a delicate love theme.
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5CD
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SPDM 021CD
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$40.00
PREORDER
RELEASE DATE: 1/24/2025
Five OSTs from Francesco De Masi, Luis Bacalov, Piero Umiliani, and Stelvio Cipriani. Per Un Pugno Nell'occhio: De Masi composed and conducted an orchestral comment alternating between dramatic and comical passages enriched with delicious Morriconian citations typical for the cult Leone movies. The record opens with gun shoots (reprising the opening credits style characteristic for some Leone westerns) that introduce "Titoli", a funny theme with the great harmonica sound of Franco De Gemini accompanied by Jewish's harp, bell tolls, organ, harpsichord and fast vibe passages. A masterpiece from the Silver Age of the Italian Film Music, luckily rescued. 2 Samurai Per 100 Geishe: This unprecedented OST was written by Nico Fidenco and Luis Bacalov. Despite the humor in the film, the OST is very orchestral and dramatic as it develops, with a recurring oriental feel. The authors put together a mystical holy melody which is contrasted with many battle motifs. Digitmovies used the mono master tapes from the original recording session. I Due Sanculotti: The soundtrack of the film was entrusted to Maestro Umiliani, (1956-1984) a prolific author of soundtracks who was active from 1958 to 1984. He made his debut as a musical composer for film, in 1958 thanks to Mario Monicelli, who called him to compose the musical score for the movie I soliti ignoti. Given the success of the film, in the following years Umiliani was called by the great and good of Italian cinema. From comedies starring Totò or Franco and Ciccio to espionage, from westerns to thrillers, from documentaries to drama all the way up to horror. I Due Parà: Maestro Umiliani composed a funny circus theme for "Head credits" alternating with the music of the atmosphere with an Arab flavor, to western-style Deguello music, Waltz, Mexican Mariachi, American march, a wild South American dance music for trumpet, and suspense. I Due Della Formula 1 Alla Corsa Piu' Pazza, Pazza Del Mondo: Stelvio Cipriani composed a brilliant OST with an amusing recurring main score with a touch of beat style. The author recalls the score in different versions and alternates it with a love theme in Bossa tempo, and with adventure-style music with harp interventions for the gang of bandits who try to make life difficult for Franco and Ciccio.
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5CD
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SPDM 024CD
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$66.00
PREORDER
RELEASE DATE: 1/24/2025
Five OSTs from Luciano Michelini, Franco Micalizzi, and Manuel De Sica.La Polizia Accusa: Il Servizio Segreto Uccide: Luciano Michelini created symphonic background music that alternates romanticism with drama and mystery. This CD opens with the theme of the opening credits, a dark motif produced by strings, percussion and piano which is reprised later in the film. Da Corleone A Brooklyn: Franco Micalizzi composed and conducted an OST which contains all the elements of a genre that still has a large audience of loyal enthusiasts, even after decades. The nostalgic main theme is performed by an orchestra with wind and rhythms typical of this genre. Maestro Micalizzi wrote a second recurring theme, a motif with a pop flavor that we hear in a version sung by a male voice with an orchestral accompaniment and guitar accompaniment which is reprised in several fast and slow orchestral versions. For this CD, the stereo master tapes of the original recording session were used. Genova A Mano Armata: Franco Micalizzi wrote one of his best OSTs for the Poliziesco genre with this one. The OST opens with the strong main score written for woodwinds and percussion, which is then reprised with different arrangements throughout the film. It is also alternated with moments of suspense. For this CD, the master tapes of the recording session were used. La Banda Del Gobbo: Franco Micalizzi composed and conducted one of his most iconic OSTs for the crime drama genre with this soundtrack. Within the soundtrack emerges a recurring main theme, using a Moog synthesizer, that is then developed by an energetic woodwind section. It is then reprised in slow and fast versions. Camorra: Manuel De Sica wrote an orchestral comment based on a recurring symphonic tarantella, which is the main theme retaken in symphonic version or with a solo guitar, alternated with lounge tracks like "Rough", sung by De Sica himself, who was 23 years old. RCA printed a promo LP, put together by De Sica, 30:30 minutes long. In 1994 the same material was printed on CD, paired with "The Garden of the Finzi-Continis" Digitmovies were able to have access to the original session mono masters, which brought the label to discover some unpublished material.
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2LP
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LPDM 034LP
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$55.50
PREORDER
RELEASE DATE: 1/17/2025
Digitmovies presents Bruno Nicolai's The Case Of The Scorpion's Tail (aka La coda dello scorpione), The Case Of The Bloody Iris (aka Perché quelle strane gocce di sangue sul corpo di Jennifer?), All The Colors Of The Dark (aka Tutti i colori del buio), and Your Vice Is A Locked Room And Only I Have The Key (aka Il tuo vizio è una stanza chiusa e solo io ne ho la chiave) OSTs on LP. This limited-edition double vinyl record presents a selection of the best themes of the four OSTs, one for each side of the records. The Case Of The Scorpion's Tail: Maestro Bruno Nicolai knew how to put in music the macabre homicides of that event, writing a dissonant music soaked with elements of avant-garde and jazz. The soundtrack is enriched by two romantic yet nostalgic themes, as background of the love story of the protagonists. For this publication Digitmovies used every take found in the original masters. Your Vice Is A Locked Room And Only I Have A Key: Maestro Bruno Nicolai wrote a monothematic score based on variations of a nostalgic and romantic classical adagio for strings and harpsichord. All the horrifying aspects of this story are described through a series of dramatic and atonal themes, alternated to the classic adagio. All The Colors Of The Dark: Bruno Nicolai wrote and directed one of his best soundtracks for thriller genre. The soundtrack is mainly based on orchestral dark passages, sometimes rhythmic, sometimes atmospheric, which give a great sense of constant stress. Other than the romantic love theme, the soundtrack includes another very important theme: that for the "Sabba" in coral version and lounge-psychedelic version with Beat arrangements, performed by Alessandroni's Modern Cantors. It also contains the sitar execution of the great Alessandro Alessandroni. The Case Of The Bloody Iris: Bruno Nicolai wrote a romantic theme for Jennifer, which is re-taken in various versions during the whole soundtrack. The main theme has dark and dissonant strings passages, which make the listener feel tense and distressed.
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2LP
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LPDM 047LP
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Double LP version. Digitmovies presents the soundtracks composed by Bruno Nicolai for four of Jess Franco's movies: A Virgin Among The Living Dead, 99 Women, Nightmares Come At Night, and Eugenie De Sade'70. A Virgin Among The Living Dead's score features several atonal music themes for strings with additional distorted electric guitar. Nicolai has written a wonderful love theme for the main character of Christine, a sweet and melancholic theme performed by the crystal voice of Edda Dell'Orso. For Nightmares Come At Night, Bruno Nicolai has written an OST of experimental kind, perfect as background for the protagonist's recurrent nightmares. He alternates experimental atmospheres with piano and percussions, with suspended motifs for guitar, organ and light percussions and with a magic love theme. The soundtrack for Eugenie De Sade'70 was originally released in 1969 on the Gemelli label. On the 99 Women soundtrack, Nicolai has written and conducted a symphonic score that alternates mysterious, dramatic and action themes to other romantic and sensual ones given by the sax and the orchestra that reprise instrumental variations of the main theme song. For this publication, Digitmovies used every take found in the original master tapes.
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CD
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CDDM 326CD
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Digitmovies reintroduces this remarkable progressive avant-garde rock soundtrack based on Antonio Bido's 1977 cult movie Watch Me When I Kill. Music is written and performed by Trans Europa Express. For this CD, Digitmovies used the recording session's master stereo tapes. Its progressive style follows the band's origins. Trans Europa Express's lineup consisted of: Mauro Lusini (singer), Gianfranco Coletta (guitarist for Chetro & Co and for the earliest Banco del Mutuo Soccorso's formation), Glauco Borrelli (Albero Motore's bass player), Adriano Monteduro (guitarist who recorded his first album as singer and song writer together with Reale Accademia di Musica). The atrocious killings are highlighted by a theme full of mystery, where the electric bass prevails, creating those atmospheres typical of Dario Argento's movies, and by rhythmical rock themes. This score alternates delicate moments, magical and romantic, to a great variety of avant-garde tracks, very impactful both in the movie and out. A soundtrack for every archive devoted to noir genre.
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5CD
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DPDM 019CD
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Digitmovies presents the soundtracks composed by Bruno Nicolai for four of Jess Franco's movies: A Virgin Among The Living Dead, 99 Women, Nightmares Come At Night, and Eugenie De Sade'70. A Virgin Among The Living Dead's score features several atonal music themes for strings with additional distorted electric guitar. Nicolai has written a wonderful love theme for the main character of Christine, a sweet and melancholic theme performed by the crystal voice of Edda Dell'Orso. For Nightmares Come At Night, Bruno Nicolai has written an OST of experimental kind, perfect as background for the protagonist's recurrent nightmares. He alternates experimental atmospheres with piano and percussions, with suspended motifs for guitar, organ and light percussions and with a magic love theme. The soundtrack for Eugenie De Sade'70 was originally released in 1969 on the Gemelli label. On the 99 Women soundtrack, Nicolai has written and conducted a symphonic score that alternates mysterious, dramatic and action themes to other romantic and sensual ones given by the sax and the orchestra that reprise instrumental variations of the main theme song. For this publication, Digitmovies used every take found in the original master tapes.
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3CD
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CDDM 329CD
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Digitmovies presents, for the first time in a complete edition in a 3CD box, six OSTs by Guido and Maurizio De Angelis, composed for television between 1972 and 1975 and taken from the archive of the historic RCA. The beloved brothers, who had already been active for some years for cinema with such famous soundtracks as "Per grazia ricevuta," "Continuavano a chiamarlo Trinità," "...e poi lo chiamarono il magnifico," "Più forte ragazzi," "Trastevere," and preceding by a year the worldwide success of "Sandokan" (1976), composed beautiful OSTs whose main theme was released in the '70s by RCA only on singles, but which we present here in their entirety, thanks to the masters of the original mono and stereo sessions archived at Universal Music Publishing Ricordi. Through sixty-nine tracks, the listener will travel through fascinating sound dimensions: beat, rock, progressive, folk, and experimental, alternating romantic themes with dramatic and mysterious ones that demonstrate the enormous talent of Guido & Maurizio De Angelis, then young composers, had gained a lot of experience in soundtracks, thanks to work done for years with other colleagues. This box also contains featured versions released at the time, such as the famous "Verde" from Quaranta giorni di libertà, "London Town" from Dedicato ad una coppia, "Majorana Theme" from Ipotesi sulla scomparsa di un fisico atomico, "Carolis Theme" from Sul filo della memoria, "Don Minzoni Theme" from Delitto di regime (Il caso Don Minzoni), and "Naples oggi" from Il Marsigliese. This box, produced with love, fills a hole in the huge discography of Guido & Maurizio De Angelis and Digitmovies dedicates it to their immeasurable Musical Art.
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CD
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CDDM 320CD
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This album would not have been possible if Edipan hadn't conserved two mono masters in good conditions in its archives (stereo mixes have gone lost). Unfortunately, it was not possible to cancel some magnetic flaws. Digitmovies have brought to life an original soundtrack that contains all the popular and well-respected music elements of maestro Nicolai: dissonant strings segments, experimental effects of an evocative classical main theme, ambiguous and mysterious, accompanied by pop rhythms. Directed by Peter Collinson in 1974 and starring Oliver Reed, Elke Sommer, Richard Attenborough, Gert Fröbe, Herbert Lom, Charles Aznavour, Maria Rohm, Adolfo Celi, Stéphane Audran, Alberto de Mendoza, Orson Welles (just voice). A stranger that calls himself U.N. Owen invites ten people to stay at an isolated house in the Iran desert, drowning them with weird excuses. The nearest town is two hundred miles away and there are no phone in the house. Once arrived, they don't meet the house owner but they hear his voice recorded while he accuses them of several homicides still unpunished, for which they would pay with their lives. From this moment on, they will start to get killed one by one. Only two of them will save themselves: Vera Clyde and Hugh Lombard, who didn't commit the crime Owen accused them of, since they were mistakenly called to the house.
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LP
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LPDM 041LP
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LP version. This album would not have been possible if Edipan hadn't conserved two mono masters in good conditions in its archives (stereo mixes have gone lost). Unfortunately, it was not possible to cancel some magnetic flaws. Digitmovies have brought to life an original soundtrack that contains all the popular and well-respected music elements of maestro Nicolai: dissonant strings segments, experimental effects of an evocative classical main theme, ambiguous and mysterious, accompanied by pop rhythms. Directed by Peter Collinson in 1974 and starring Oliver Reed, Elke Sommer, Richard Attenborough, Gert Fröbe, Herbert Lom, Charles Aznavour, Maria Rohm, Adolfo Celi, Stéphane Audran, Alberto de Mendoza, Orson Welles (just voice). A stranger that calls himself U.N. Owen invites ten people to stay at an isolated house in the Iran desert, drowning them with weird excuses. The nearest town is two hundred miles away and there are no phone in the house. Once arrived, they don't meet the house owner but they hear his voice recorded while he accuses them of several homicides still unpunished, for which they would pay with their lives. From this moment on, they will start to get killed one by one. Only two of them will save themselves: Vera Clyde and Hugh Lombard, who didn't commit the crime Owen accused them of, since they were mistakenly called to the house.
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CD
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CDDM 323CD
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Manuel De Sica wrote an orchestral comment based on a recurring symphonic tarantella, which is the main theme retaken in symphonic version or with a solo guitar, alternated with lounge tracks like "Rough", sung by De Sica himself, who was 23 years old back then, with the fabulous "Bossa Nova Boss", with the extravagant "Casa da gioco" and with the "Anna e Tonino" love theme. RCA printed a promo LP (SP 8046), put together by De Sica. In 1994 the same material was printed on CD (original soundtrack - OST 125), paired with The Garden of the Finzi-Continis (aka "Il giardino dei Finzi-Contini"). Digitmovies were able to access the original session mono masters, which brought them to discover some unpublished material, that results in a 46:38 minutes long CD. A sincere homage to the Musical Art of the dear departed Manuel De Sica. Directed by Pasquale Squitieri in 1972 and starring Fabio Testi, Jean Seberg, Raymond Pellegrin, Lilla Brignone, Charles Vanel, Germana Carnacina, Enzo Cannavale, Ugo D'Alessio, Paul Muller, Enzo Turco, Salvatore Puntillo, Marcello Filotico, Alberto Farnese, Nino Vingelli, Leopoldo Mastelloni. Tonino Russo, son of a humble and honest cobbler and engaged to Anna, just released after two years in prison for personal injury, gets challenged by a neighbor. Member of the Camorra Don Mario Capece witnesses the duel, from which Tonino comes out as winner. Impressed by the young man, Don Mario offers him a job in his organization. From that moment on, motivated by an insatiable thirst for power, Tonino only aims to go higher and higher. Greeted by Don Capece, thanks to his services and to his control over two gambling houses, after bringing to his side even the boss's partner, Tonino tries his big shot: take the boss's place in a deal of real estate speculation. Found out the betrayal, Don Mario kills Tonino's ex fiancée and tries to make him make a faux pas: murder an untouchable boss of the Camorra. Failed, Capece, knowing that Russo will try to kill him, moves the attack up by kidnapping his little brother. Tonino still manages to kill the boss, then, convinced by his father not to shoot the cops arrived there, turns himself in.
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CD
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CDDM 324CD
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Composer and conductor Vito Lo Re signs the soundtrack of Io Sono L'abisso, the new film by Donato Carrisi -- based on the novel of the same name. "It is an atypical soundtrack," says Vito Lo Re, "It is essentially based on a single piece that has the task of accompanying the most important and most difficult scene of the film. And the director had told me that he was going to shoot it without sound, relying only on the music. It was a huge responsibility because the emotional effect of the ending depends on that scene and that piece." Vito Lo Re is a conductor, composer, author of musical comedies, musicals, music for short films, documentaries, films and television programs as well as an orchestrator and arranger, an activity that has made him range through the most heterogeneous musical genres.
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4CD BOX/BOOK
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CDDM 316CD
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Digitmovies presents a limited edition set including Bruno Nicolai's The Case of the Scorpion's Tail (aka La coda dello scorpione), The Case of the Bloody Iris (aka Perché quelle strane gocce di sangue sul corpo di Jennifer?), All The Colors of the Dark (aka Tutti i colori del buio), and Your Vice is a Locked Room and Only I Have the Key (aka Il tuo vizio è una stanza chiusa e solo io ne ho la chiave). Four-CD box version includes book.
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2LP BOX/4CD/BK
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SPDM 018LP
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Double LP version. Marble yellow vinyl with a selection of the best themes of the four OSTs, one for each side of the records; includes four CDs with the full versions OSTs of maestro Bruno Nicolai's Gialli; includes one booklet of 32 pages with movie and music annotations, pictures, posters reproductions, and typographic molds of that time; also includes one poster. Digitmovies presents a limited edition set including Bruno Nicolai's The Case of the Scorpion's Tail (aka La coda dello scorpione), The Case of the Bloody Iris (aka Perché quelle strane gocce di sangue sul corpo di Jennifer?), All The Colors of the Dark (aka Tutti i colori del buio), and Your Vice is a Locked Room and Only I Have the Key (aka Il tuo vizio è una stanza chiusa e solo io ne ho la chiave).
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CD
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SPDM 019CD
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Digitmovies presents on CD the original soundtrack from the film Nati Morti performed by Basement's Glare. Directed by Alex Visani and starring Lorenzo Lepori, Ingrid Monacelli, and Ester Andriani. Luna is a young embalmer with a strange passion for everything concerning death. One day, during a trip in the woods, she finds two bodies. The first one is a dead woman, the other one is a man who is still barely breathing. From this moment, Luna's life will change forever and a horrifying spiral of violence will take place around her existence. Basement's Glare began shortly before the Covid-19 pandemic exploded. Following the restrictions caused by the imposed isolation, Basement's Glare have recorded and released their first single, "Red Zone", which deals directly with the issue of social distancing and its consequences. Subsequently, the duo decided to complete the recordings of the eponymous EP as previously scheduled, working mostly remotely. Basement's Glare are composed by Riccardo Adamo and Daniele Marinelli as stable members, and by various session musicians. The collaboration turned out to be so fruitful and satisfying that the duo decided to cement it, opening musical horizons and making Basement's Glare an all-round musical project, with no limits of musical genre or intended use. Edition of 300.
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CD
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CDDM 319CD
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Digitmovies presents the original soundtrack for Jesus Franco's Count Dracula (aka Il Conte Dracula). The series Bruno Nicolai for Jess Franco comes back, years after, with this divine soundtrack composed and directed by Bruno Nicolai. Although the film was released in theaters in 1970, it was only in 1982 that Edipan released a LP record containing twenty stereo tracks selected by the author. In 1994, that same material was released on CD. Thanks to the stereo master tapes of the original recording session, one unpublished track was discovered. The soundtrack opens with Dracula's theme called "Processo", epic and suggestive piece with the intervention of the Hungarian harpsichord played by Leonida Torrebuono, which is then brought back in several tracks, such as "Sparviero", "Incubi", and "Magia". Dramatic music takes turns with classical music, like "Concerto variator". This edition is a new chapter in the ever-growing discography of maestro Nicolai, a musician much loved by his fans all over the world.
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LP
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LPDM 040LP
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LP version. Color vinyl. Digitmovies presents the original soundtrack for Jesus Franco's Count Dracula (aka Il Conte Dracula). The series Bruno Nicolai for Jess Franco comes back, years after, with this divine soundtrack composed and directed by Bruno Nicolai. Although the film was released in theaters in 1970, it was only in 1982 that Edipan released a LP record containing twenty stereo tracks selected by the author. In 1994, that same material was released on CD. Thanks to the stereo master tapes of the original recording session, one unpublished track was discovered. The soundtrack opens with Dracula's theme called "Processo", epic and suggestive piece with the intervention of the Hungarian harpsichord played by Leonida Torrebuono, which is then brought back in several tracks, such as "Sparviero", "Incubi", and "Magia". Dramatic music takes turns with classical music, like "Concerto variator". This edition is a new chapter in the ever-growing discography of maestro Nicolai, a musician much loved by his fans all over the world.
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LP
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LPDM 036LP
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Digitmovies presents on LP another musical jewel by Ennio Morricone from the TV movie broadcasted by Italian Rai Television in 1978 Il Prigioniero (The Prisoner). Ennio Morricone has composed an extremely serious score which reflects the whole sentimental and dramatic side of the historic atmosphere, in which the protagonist is immersed. The author varies the main theme with different orchestrations: the romantic, but nostalgic "L'estate È Finite" for flute, harpsichord and orchestra, reprised with harpsichord chromatism and with harpsichord and orchestra. The second motif "I Due Prigionieri" is introduced by the solo flutes in an almost experimental context, later accompanied by cellos and basses and then reprised as a background to psychological suspense with brass, piano and vibes and with fascinating variations. This painful atmosphere is broken up by "source music" which re-creates the sound of that era, like the Sicilian folk song for voice and guitar "Si L'ammuri" and the romantic old-fashioned romantic tune for male voice, piano and guitar "Dove sei amore". Edition of 300.
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LP
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LPDM 035LP
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Digitmovies release an LP of the OST by Ennio Morricone: Noi Lazzaroni (We Rascals). Ennio Morricone has composed a very "rural" score with the sounds that represent the life of the protagonist. Although integrated within modern society, the soul of this man is always directed to his past, to his land, to the teachings of his father which he could never leave behind. This adherence to the homeland is expressed through deliberately wild and almost enraged vocal performances of Edda Dell'Orso. Ennio Morricone has composed music which reflects the bucolic atmosphere of this tale through a series of archaically flavored themes played by instruments like recorder and mandolin. Among the recurrent themes there are a mysterious motif, dramatic music for dissonant strings and a lounge theme with the typical Morricone sound. The main theme is reprised for recorder and guitar and there is Baroque music for the puppet theater played by woodwinds and percussions. Contains two bonus tracks, unreleased alternate takes of the original album versions which will surely be quite attractive for fans and scholars of the music of Ennio Morricone. Edition of 300.
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2CD
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DGST 049CD
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Digitmovies releases on double CD for the very first time in full edition, three of Stelvio Cipriani's original soundtracks of the costume erotic comedies Metti lo diavolo tuo ne lo mio inferno (Put your devil into my hell), Leva lo diavolo tuo dal... convento (The countess died of laughter), and Racconti proibiti... di niente vestiti (Master of love). Three completely unpublished soundtracks from Stelvio Cipriani, based on costume erotic comedies influenced by antique novels of Decameron and Boccaccio. This trilogy was formerly supposed to be a quadrilogy with ...E continuavano a mettere lo diavolo ne lo inferno, but unfortunately the master tapes were lost. Thanks to stereo master tapes, Digitmovies used every single note recorded back then, with a result of 140 minutes of music. The author composed many themes that go from classical passages to more modern ones, from holy to profane, both funny and dramatic with the intervention of Nora Orlandi's vocalisms and her notorious choir.
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SPDM 017CD
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Digitmovies presents on CD the original soundtrack from the film Flesh Contagium. Music composed by Daniele Marinelli, Luca Maria Burocchi, Riccardo Adamo; performed by Basement's Glare. Directed by Lorenzo Lepori in 2020 and starring Pio Bisanti, Shiri Binder, Lorenzo Lepori. In a world devastated by epidemic, humans seek refuge outside the cities. Pursued by armed groups called "executors", the protagonists end up in an old fortress apparently abandoned: instead, they will find something that goes beyond their worst nightmares. The project Basement's Glare began shortly before the Covid-19 pandemic exploded. Following the restrictions caused by the imposed isolation, Basement's Glare have recorded and released their first single, "Red Zone", which deals directly with the issue of social distancing and its consequences. Subsequently, the duo decided to complete the recordings of the eponymous EP as previously scheduled, working mostly remotely. Basement's Glare are composed by Riccardo Adamo and Daniele Marinelli as stable members, and by various session musicians. The collaboration turned out to be so fruitful and satisfying that the duo decided to cement it, opening musical horizons and making Basement's Glare an all-round musical project, with no limits of musical genre or intended use.
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DGST 050CD
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Digitmovies release on CD for the very first time in full edition, Ivan Vandor's spy movie Bersaglio Mobile (Death on the run) original soundtrack. Ivan Vandor (Pécs, 1932) has written many OSTs like I giorni contati (1962), Nudi per vivere (1964), Amori pericolosi (1964), Andremo in città (1966), Se sei vivo spara (1967). Death on the run commentary has all the classic features of Euro-spy genre: jazz, blues, Latin, Balcan music, a wild shake, love themes and orchestral passages full of tension and violence. A young Stelvio Cipriani vigorously conducts the orchestra. For this 57-minutes-long CD of Digitmovies used the recording session's mono masters.
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DGST 004CD
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Digitmovies release on CD, for the very first time in full edition, Nico Fidenco's drama Country Lady original soundtrack. Nico Fidenco (pseudonym of Domenico Colarossi), notorious singer and author of cult OSTs such as the Emanuelle series, has composed an evocative musical commentary directed by his all-time collaborator Giacomo Dell'Orso, which reflects the struggle both internal and physical of the members of a family. This daily battle full of resentment and humiliations has the Po valley fogs on the background, wistfully described by a recurring theme with strings, very sweet and sad, where a feeling of extreme loneliness emerges. The author contrasts the sweetness with dissonant tracks, which reflect the characters' mood. He also alternates many foxtrots of that period. For this CD, Digitmovies used Recording Session's stereo masters.
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DGST 047CD
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Digitmovies are releasing on CD, for the very first time in full edition, Giovanni Fusco's The Cossacks original soundtrack. Giovanni Fusco (Sant'Agata de' Goti, October 10th, 1908 -Rome, June 1st, 1968) composed a symphonic commentary masterfully directed by Carlo Savina. The composer created a dramatic main theme alternated to Russian dances, coral tracks, waltzes, polkas, quadrilles, battle music, and a moving love theme that often recurs in the soundtrack. Digitmovies used mono master tapes of the session of that time, which allowed the label to assemble a 73-minute plus long CD. Another CD dedicated to the great Giovanni Fusco, Michelangelo Antonioni's favorite musician.
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