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LPF 097LP
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"Almost 20 years ago I was a cinema producer overloaded with engagements. A very adventurous period of my life, always taking off for a different cinematic set, leaving behind a trail of adrenaline which was giving me a lot, but the time for a pause came. I needed some time for myself and music, as it happened many times in my life, helped me. In that moment of great introspection, I had the idea of this album dedicated to the songs which faithfully accompanied me, for all my life, a tribute to my favorite cues performed through my emotional filter. Tenco, Gaber, Armstrong, Baglioni, De André, Paoli, Brel, Battisti, and Guido & Maurizio. I spent many nights in studio in order to give life to this selection to which now I'm really fond of, through it I relive a life of musical emotions with a first-person interpretation. I still remember the sound of silence, nighttime when going back home from the studio, full of emotions. My emotions, nothing more than feelings, for a dreamer." --Guido De Angelis
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LPF 096LP
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Walter Rizzati's soundtrack to Italo Zingarelli's Io sto con gli ippopotami ("I'm for the Hippopotamus"). This album, dedicated to the memory of Italo Zingarelli, is presented on 180-gram colored vinyl. Mastering by Enrico De Gemini, graphic layout by Daniele De Gemini.
"Shot in Africa in the late '70s, Io sto con gli ippopotami (aka "I'm for the Hippopotamus"), is a movie that in my imagination is just like Italo: humorously menacing and bulky, protective, awesome and sweet, a description that also fits the mascot of this delicious film, the hippopotamus. In this movie we feel the presence of its producer/director's poetry, often handed down with great passion and cheerfulness through his cinema. It's a simple message of love for nature, respect for the weaker and the duty to intervene when they are subjected to abuse. Everything is presented with disarming simplicity, as powerful as it is beautiful. You must confess that you were moved when Terence Hill, toward the end of the movie, delights himself with his friend-of-a-thousand- adventures Bud Spencer by watching the flight of the animals from Mr. Ormond's boat to the wonderful notes of 'Freedom,' where [the] harmonica together with the melody infuses the scene with an almost maternal sweetness. Well, we are all in debt to this big guy for his kind message and the clean, sparkling, soft and amusing sincerity that dwells there, among the lines of his cinema, apparently devoted to simple entertainment but so wonderfully deep and full of feeling." -Beat Records
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BCM 9619CD
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Beat Records presents this reissue on CD of the original soundtrack by Nora Orlandi for the classic Western Johnny Yuma, directed in 1966 by Romolo Guerrieri. At the time of the film's release, RCA released only a 45-rpm single with the two mono tracks "Johnny Yuma" and "That Silent Man," sung by The Wilder Brothers (John Ireson and Wayn Parham). In 1968, another single was released in Japan (where the film was a huge success) on the Victor SS-1741 label, featuring the song performed by The Wilder Brothers and the instrumental version on the B-side. This CD is a reissue of the long out-of-print CD issued in 2009. In addition to the tracks mixed in stereo, this CD contains the entire soundtrack taken from the mono masters of the original sessions, for a total duration of 74:49. Nora Orlandi composed an epic and dramatic score, conducted by the well-known Robby Poitevin. The main theme, "Johnny Yuma' (a country ballad sung by The Wilder Brothers), is introduced in the opening credits and reprised in the movie. The Wilder Brothers also perform the heroic song "That Silent Man." Exceptional soloists on this beautiful soundtrack include 4+4 by Nora Orlandi and the magnificent harmonica of Franco De Gemini. Mastering and liner notes by Claudio Fuiano, graphic layout by Daniele De Gemini.
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CDCR 152CD
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I 3 serpenti d'oro, a chapter of the cinematic series Kommissar X, was scored by Maestro Rizzati together with late Maestro Roberto Pregadio, and was recorded in two tapes. A wonderful finding full of music in the '60s spy movie style featuring jazz sounds, a real threat rediscovered under layers of dust brought back to life with care on CD in the collector releases series. Mastering by Enrico De Gemini, graphic layout by Daniele De Gemini and liner notes by Fabio Babini.
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CDCR 151CD
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Beat Records presents the unreleased original motion picture soundtrack composed by Renato Serio for the movie Il Ginecologo Della Mutua, a movie in the sexy comedy genre directed by great Joe D'Amato with brilliant Renzo Montagnani in the cast along with good actors of the period such as Massimo Serato, Paola Senatore, and Daniela Doria. The score composed by Maestro Serio, collaborator and friend of immortal Armando Trovajoli, color the plot in a sparkling way and sees the collaboration with the latter thanks to the presence of two cues, "Remembering" and "Tema per Luciana," aside "Gotta Get Rich Quick," composed with four hands. Up to nowadays just available on an extended play which featured two cues from the movie' score of "Quando c'era lui caro lei," now complete on CD with 50 minutes of music, a 12-page illustrated booklet edited by Daniele De Gemini, mastering by Enrico De Gemini, liner notes by Fabio Babini and Renato Massaccesi, nephew of Great Aristide.
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BCM 9601CD
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Beat Records relaunches on the market the classic OST by Ennio Morricone for the Western film Le pistole non discutono, directed in 1964 by Mario Caiano and starring Rod Cameron, Ángel Aranda, Vivi Bach, Horst Frank, José Canalejas, Kay Fisher, Joseph Martin, Hans Nielsen, Dick Palmer, Judy Robbins, and Andrew Ray. For this film, Ennio Morricone composed the song "Lonesome Billy," a Western ballad with an American sound introduced by guitars and whistle with the voice of Pete Tevis (who also wrote the lyrics). Le pistole non discutono, a cavalcade theme for orchestra with horns alternated to dramatic orchestral passages such as "Gli indiani" and the percussive "Le pistole non discutono (#2)" with accompanying harmonica. This OST is also characterized by the burlesque motif "La ragazza e lo sceriffo" and Mexican mariachi music performed on solo guitar and also with female vocals. This CD, with a total duration of 41:45, was assembled using the mono masters of the original sessions, with the inclusion of the three stereo mixes that Maestro Morricone authorized for the previous edition released years ago. Mastering and liner notes by Claudio Fuiano, graphic layout by Daniele De Gemini.
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BCM 9615CD
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La trappola scatta a Beirut (aka Agent 505 Todesfalle Beirut) is a spy movie directed in 1966 by Manfred R. Kohler, with a screenplay by Manfred R. Kohler and Mario Siciliano, photography by Knut Seedorf and Rolf Kästel, editing by Waltraut Lindenau and Manfred R. Kohler, and music by Ennio Morricone. With La trappola scatta a Beirut, Ennio Morricone entered the world of Eurospy with a great American-flavored jazz-swing score in which the composer completely eliminates the strings, leaving room for brass and rhythm section in the cues "La trappola scatta a Beirut (Titoli)," "Inseguimento," and "Missione pericolosa," and incorporating the organ to create atmospheres that evoke mystery and science fiction. There is no shortage of lounge moments either, such as the relaxing "Relax per un agente segreto," "Baci dopo le pallottole," "Languidamente," "Tramonto su Beirut," and the danceable "In piscina." Pure dynamite for all fans of the genre! Il successo is a comedy film directed in 1963 by Mauro Morassi, again with music by Ennio Morricone. For Il successo, Ennio Morricone wrote a jazzy OST with explosive winds and rhythms in "Il successo (Titoli)" and "Il successo (Finale)," featuring Nunzio Rotondo's trumpet. The life of the protagonist, a man who wants to reach the peak of professional success at any cost, is underlined by various themes that characterize his lifestyle, between parties and the desperate desire to reach enormous patrimonial wealth, as heard in "Con eleganza," "Il successo (Twist)," and "Allegra Sambina." The Maestro also composed a nostalgic theme for flute and small ensemble entitled "Per Vittorio," which is also reprised in the Latin version "Per Vittorio (Bossa)." This CD was taken from the mono master tapes of the original sessions (whose first edition was assembled by this writer under the supervision of Maestro Morricone himself), presents a good opportunity for all those who are only now discovering the greatness of Ennio Morricone to include it in their collections.
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BCM 9607CD
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Beat Records presents this reissue on CD of a classic OST by Ennio Morricone for the Western comedy film Che c'entriamo noi con la revolution? (aka What Am I Doing in the Middle of a Revolution?), directed in 1972 by Sergio Corbucci and starring Vittorio Gassman, Paolo Villaggio, Riccardo Garrone, Leo Anchóriz, Simón Arriaga, José Canalejas, Eduardo Fajardo, and Carmen Pericolo. Taken directly from the mono and stereo tapes of the recording sessions, this CD contains everything that was recorded at the time for a total length of 55:40. This OST is represented by the main theme "Che c'entriamo noi?" for orchestra and choir, stylistically situated somewhere between country and religious music, which is reprised in the OST and alternated with versions of "Rivoluzione??" including whistles, guitar and harpsichord, banjo and piano, and flute. This OST also contains various comedic themes with whimsical vocal effects in "Tarantella prima" and "Tarantella seconda," a light-hearted motif for trumpet for the priest Don Albino, then reprised with the whistle march written for the character of Guido Guidi. The return to the market of this enjoyable OST by Ennio Morricone will allow new generations of fans to include it in their collections dedicated to quality film music. Mastering and liner notes by Claudio Fuiano, graphic layout by Daniele De Gemini.
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LP
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DDJ 018DLX-LP
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Color vinyl LP. I Predatori Di Atlantide (AKA Atlantis Inferno) is a post-atomic movie directed by Ruggero Deodato in 1983. It narrates the adventures of Mike Ross (Christopher Connelly), Washington (Malik Farrakhan) and of a group of characters bound to the events revolving around the sinking of a Soviet submarine, close to Florida shores. A series of twists will bring the group on an island, just submerged from the abyss which is the mythical Atlantis. The score, unreleased (aside from a 7" vinyl from the '80s featuring the song "Black Inferno,") is finally integrally available, displaying a magnificent electronic style in the prevalent mood of many of the De Angelis' brothers' scores of that decade such as Alien 2 sulla terra or dopo la caduta di New York. A much-requested title by fans of the composers, Beat Records put an end to the waiting thanks to this release featuring a jewel case edition, mastering by Enrico De Gemini, graphic layout by Daniele De Gemini, and derailing liner notes by eclectic musical critic Fabio Babini. Limited edition to 500 copies.
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BCM 9612CD
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Beat Records presents a reissue of classic OST by Ennio Morricone for the drama movie La donna invisibile aka ("The invisible woman") directed in 1969 by Paolo Spinola and starring Giovanna Ralli, Silvano Tranquilli, Carla Gravina, Anita Sanders, Gizi Rizzi, Franca Sciutto, Gino Cassani, Raùl Martinez, Elena Persiani. Ennio Morricone has composed an excellent lounge-type orchestral soundtrack for La donna invisibile. "La donna invisibile" main theme is introduced in the opening credits with prominent oboe, a romantic atmosphere with an epic and melancholy flavor, more airy and cheerful in the second part with Latin American rhythms, then sad again in the coda and lyrical. "Ritratto d'autore" is the best-known song among the fans as it is present on numerous compilations: a romantic motif with a bossa nova tempo and extremely elegant. Edda Dell'Orso appears on "In un sogno il sogno." "Mille ricordi" a very evocative piece that develops for strings only between crescendo and decrescendo with pauses in between. Ennio Morricone has composed three danceable shakes that accompany the protagonist's social life often at parties full of people, food and drink, but which do not fill her life as an invisible woman in the eyes of her husband. For this CD, the stereo master tapes of the original 1969 session were used. Another masterpiece by Ennio Morricone which is back on the market to the delight of those who did not own this compact disc and which adds to the musician's already gigantic discography. Mastering and liner notes by Claudio Fuiano, graphic layout by Daniele De Gemini.
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DDJ 056CD
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I Predatori Di Atlantide (AKA Atlantis Inferno) is a post-atomic movie directed by Ruggero Deodato in 1983. It narrates the adventures of Mike Ross (Christopher Connelly), Washington (Malik Farrakhan) and of a group of characters bound to the events revolving around the sinking of a Soviet submarine, close to Florida shores. A series of twists will bring the group on an island, just submerged from the abyss which is the mythical Atlantis. The score, unreleased (aside from a 7" vinyl from the '80s featuring the song "Black Inferno,") is finally integrally available, displaying a magnificent electronic style in the prevalent mood of many of the De Angelis' brothers' scores of that decade such as Alien 2 sulla terra or dopo la caduta di New York. A much-requested title by fans of the composers, Beat Records put an end to the waiting thanks to this release featuring a jewel case edition, mastering by Enrico De Gemini, graphic layout by Daniele De Gemini, and derailing liner notes by eclectic musical critic Fabio Babini. Limited edition to 500 copies.
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LP
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LPF 095LP
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LP version. Red and black color vinyl. A long-awaited release for a wonderful soundtrack composed by Guido & Maurizio De Angelis for the first Italian cop-movie. A great proof of ability by the director Enzo G. Castellari with this superb movie interpreted by a great Franco Nero. A mile stone in the Italian cinema and '70s Italian music available again in this deluxe edition on CD to celebrate the 50th anniversary of the movie, now featuring all the original tracklist plus a new cool easter egg, right at the start of the CD. Jewel case edition with transparent tray, liner notes by Enzo G. Castellari and Alessandro Di Giovanni, artwork by Daniele De Gemini, mastering by Enrico De Gemini. Also available in a heavy weight colored vinyl (black and red).
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CDCR 150CD
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A long-awaited release for a wonderful soundtrack composed by Guido & Maurizio De Angelis for the first Italian cop-movie. A great proof of ability by the director Enzo G. Castellari with this superb movie interpreted by a great Franco Nero. A mile stone in the Italian cinema and '70s Italian music available again in this deluxe edition on CD to celebrate the 50th anniversary of the movie, now featuring all the original tracklist plus a new cool easter egg, right at the start of the CD. Jewel case edition with transparent tray, liner notes by Enzo G. Castellari and Alessandro Di Giovanni, artwork by Daniele De Gemini, mastering by Enrico De Gemini. Also available in a heavy weight colored vinyl (black and red).
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LP
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DDJ 017DLX-LP
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Beat Records, in collaboration with Cabum presents the original motion picture soundtrack of L'allenatore nel pallone, for the first time ever on a colored 180 heavy weight vinyl (green, marmorized). It's the story of Oronzo Canà (Lino Banfi), an unemployed football coach that is hired by Longobarda's president, Mr. Borlotti (Camillo Milli), whose team just arrived in the top Italian football league. On the lookout for new talent, our hero is sent to Brazil to recruit some top players. Negotiations for hiring Junior and Socrates quickly fail, and events bring Longobarda's trainer to watch a football game on a pitch close to Maracanà stadium. There, aided by Giginho and Bergonzoni -- two unlikely talent scouts (Gigi e Andrea) -- he finds young Aristoteles (Urs Althaus), Brazilian talent of the ginga. Thus, the incredible Longobarda adventure begins in the highest Italian league, the A series, with his "B zone" scheme. After an uncertain start, the team begins to score points, carried by Aristoteles' talent, but soon problems arise that undermine Canà ambitions. By the end of the championship, before the final match against Atlanta, Oronzo Canà will have to make a difficult decision on which the destiny of him and his team will depend. A soundtrack lies firmly in the pop key, with carioca influences (Aristoteles' saudade theme), easygoing cues that color the comedic aspect of the movie (such as the main titles), the wonderful "Mundialito" (already featured in some other scores but made famous by this movie) and many other sonorities.
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CD
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QR 449CD
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Quartet Records, in collaboration with Gruppo Sugar, presents the world premiere release of the catchy score by Guido & Maurizio De Angelis for Lando Buzzanca's sex-comedy vehicle, San Pasquale Baylonne Protettore Delle Donne (1976). The film, directed by Luigi Filippo D'Amico, follows petty criminal Giuseppe Cicerchia (Buzzanca) who can't catch a break following separation from his wife, Iolanda. That is, until he moves to the isolated mountain town of Busolone, where the crafty con man finds the recipe for success. The score by the De Angelis brothers is almost a musical sequel to their score for Per La Grazia Ricevuta (1971), a film with which San Pasquale Bayllone has much in common. A folk/pop hybrid approach characterizes the whole score, mixed with the brothers' indisputable gift for melody and lovely, heart-warming tunes. A religiously inspired, folksy waltz serves as the main theme. Mastered by Claudio Fuiano from stereo session master tapes provided by Gruppo Sugar. CD comes in a richly illustrated package featuring liner notes by Gergely Hubai that cover both the film and score.
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QR 457CD
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Quartet Records, in collaboration with Gruppo Sugar, presents the CD premiere of the delicious Detto Mariano comedy score for the Maurizio Nichetti classic, Ratataplan (1979). The film was written and directed by Maurizio Nichetti, whose specialization was pantomime acting and who also stars in the film. The wordless movie stars Nichetti as Colombo, an engineer who is known for coming up with unusual solutions to problems. In a number of colorful vignettes, you see him invent brilliant contraptions such as a breakfast machine, the secret of eternal life and even a dancing robot. The score composed by Detto Mariano is as colorful as Colombo's inventions. The main theme is a vocal duet, reflecting on the film's optimistic message that even an oddball like the hero can find a mate. Colorful source cues for the flats around Colombo's loft are augmented with great music for the film's memorable set pieces, including a theatrical performance where a cardboard piano comes to life and a couple of infectious disco songs to which the dancing robot can jam. CAM released a 33-minute LP in 1979; for this edition, the program has expanded to offer the complete score. Mastered by Claudio Fuiano from stereo session master tapes provided by Gruppo Sugar. Comes in a richly illustrated package featuring liner notes by Gergely Hubai that discuss both film and score.
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CD
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CFS 010CD
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CFSoundtracks and Beat Record Company release for the first time on CD the two OSTs by Lallo Gori for the spy comedy films Come Svaligiammo La Banca d'Italia and Il Lungo, Il Corto, Il Gatto starring Franco Franchi and Ciccio Ingrassia. Come Svaligiammo La Banca d'Italia directed in 1966 by Lucio Fulci, story by Alfonso Brescia, screenplay by Roberto Gianviti, Lucio Fulci, Amedeo Sollazzo, photography by Fausto Rossi, editing by Nella Nannuzzi, produced by Anteos Film, distributed by Rank Film. Il Lungo, Il Corto, Il Gatto directed in 1967 by Lucio Fulci, screenplay by Roberto Gianviti, Lucio Fulci, Amedeo Sollazzo, photography by Fausto Rossi, editing by Nella Nannuzzi, produced by Anteos Film - Fono Roma. These two soundtracks feature the shake and the beat, but also swing, jazz, and blues passages with the fabulous choir performances of the Cantori Moderni di Alessandroni and the 4+4 di Nora Orlandi. From the mono master tapes of the original sessions. Brilliant and very agreeable sonorities, perfect background for Franco Franchi and Ciccio Ingrassia. Album produced by Claudio Fuiano and Daniele De Gemini for CFSoundtracks and Beat Record Company. Remastering by Enrico De Gemini. Graphic layout by Claudio Fuiano and Daniele De Gemini. Liner notes by Giacomo Di Nicolò.
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CD
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DDJ 059CD
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Beat Records release for the very first time on CD the complete edition of the brilliant soundtrack by Riz Ortolani for the comedy Nessuno è perfetto directed in 1981 by Pasquale Festa Campanile and starring Renato Pozzetto and Ornella Muti. For a story in which a man falls in love with a beautiful girl (later it turns out that the woman is an ex-military transsexual), the author alternates a romantic love theme with female vocalism to another cheerful motif with a funky sound that takes up with variations throughout the OST. This CD derives from the stereo master tapes of the original session. Another record that adds to the ever-growing discography of one of the greatest film music composers. Mastering by Claudio Fuiano. Graphic layout by Daniele De Gemini. Liner notes by Fabio Babini.
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CD
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BCM 9610CD
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Beat Records reissue the classic original soundtrack by Ennio Morricone for the western movie Il Mercenario (aka "The Mercenary"), Ennio Morricone composed a wonderful soundtrack for a genre for which he has written immortal masterpieces. The Roman maestro surrounded himself with his usual collaborators such as Bruno Nicolai for the conducting of the orchestra, I Cantori Moderni Choir, and Alessandro Alessandroni for his famous whistling. For this CD, the original stereo master tape assembled for the 33rpm of the time was used, since to this day the complete recording sessions remain missing. Following a dramatic introduction by the winds, "Bamba vivace (Main Titles)" develops with an excited mariachi for orchestra and choir. An atmosphere of suspended mystery is provided by the whistle, orchestra and castanets in "Estasi," "Il mercenario," "The Mercenary (Reprise)," and "The Mercenary (Reprise Terza)." A moment of great romanticism and heroism is reached in "Libertà," a thrilling piece with the intervention of the Cantori Moderni. "Paco" takes up the choral Mexican motif of the opening credits, and "Ricciolo" is a piece for guitars and castanets with the melody of the organ. The climax of the soundtrack is "The Mercenary (L'arena)," arranged with whistle and castanets, trumpet and electric guitar that introduce a heroic motif for orchestra and chorus of Mexican flavor, also used by Quentin Tarantino in Kill Bill Vol. 2 in 2004. There is no shortage of Mexican folk music such as "Sueno Mejicano," "Fiesta (Mariachi)," and "Canto a mi Tierra," plus a waltz for the party scene. This CD is essential for any collection dedicated to the musical art of Ennio Morricone and the Italian western genre. Mastering and liner notes by Claudio Fuiano. Graphic layout by Daniele De Gemini. Includes 12-page booklet.
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CD
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CDCR 148CD
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Beat Records reissue on CD Riz Ortolani's scores for Requiescant and O'Cangaceiro, with a special bonus: the world premiere release of his music from the film I Tre Spietati. This interesting Western-adventure triptych, made between 1963 and 1969, bears the authoritative signature of the great maestro Riz Ortolani. All the material included here comes from the mono masters of the original sessions, with the exception of O'Cangaceiro, of which only the two tracks of the original 45 have survived (the film had very little music anyway due to an artistic choice by the director). For the unreleased I Tre Spietati, Riz Ortolani composed a symphonic commentary that pays homage to the American Western, echoing the sound of Elmer Bernstein's The Magnificent Seven, an epic and exciting main theme that is alternated with a tender love theme, dramatic sequences and suspenseful tension, which provide contrast to the cheerful saloon themes. Ortolani's approach for Requiescant was quite different, closer in tone to his score for La Notte Dei Serpente (1969), with saloon pieces and a delicate love theme featuring the magnificent harmonica of Franco De Gemini accompanied by the orchestra. Franco De Gemini's harmonica returns in a cavalcade theme, a motif that is reprised by the orchestra. From O'Cangaceiro, Beat Records present the two songs issued on the original single: "Mulhe Rendeira," a lively samba for choir, and "Vou caminhando," an evocative, slow bossa tempo piece for male voice. This CD, dedicated to the musical art of Riz Ortolani, is surely an essential addition to any collection dedicated to quality film music. Mastering and liner notes by Claudio Fuiano. Graphic layout by Daniele De Gemini. Includes 12-page booklet.
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BCM 9594CD
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Beat Records present the world premiere CD release of Space: 1999, featuring the original motion picture soundtrack of the Italian theatrical version composed by two-time Oscar-winner Ennio Morricone. Space: 1999 premiered in Italian theatres on January 14, 1975, and was created through the process of editing together three episodes from season one of the TV series: Breakaway, Ring Around the Moon, and Another Time, Another Place. The theatrical release of Space: 1999 predated the series' debut on Italian television by a year, with the first six episodes being broadcast from January 31, 1976. Six more episodes followed in July and the remaining twelve episodes in the fall of the same year. The series' original iconic score was not used for the Italian theatrical version (the series originally premiered on British television on September 4, 1975), instead being replaced with a fascinating score by Ennio Morricone, who composed original material featuring frantic jazz themes and futuristic electronic sequences reminiscent of Barry Gray's work on UFO. This release also includes avant-garde material by Morricone that was carefully selected as background music for various scenes in the movie, taken directly from the RCA promotional series of library vinyl LPs titled Dimensioni Sonore, performed by symphonic orchestra and presented here in full stereo. Also included is the final large orchestral theme heard over the end credits, featuring vocals by Edda Dell'Orso and I Cantori Moderni di Alessandroni. This theme was reused for the 1979 mini-series Orient Express, again scored by Ennio Morricone. Comes with a full-color, 20-page booklet containing double cover, archive stills, a foreword from Fanderson chairman Nick Williams (the official Fanderson UK fan club) and plot synopses and credits for the three original episodes. This release was officially approved by ITV Studios and will be available from September 13, 2016, the day in which the moon separated from Earth's orbit in Space: 1999. Mastering by Claudio Fuiano and Daniel Winkler. Graphic layout by Daniele De Gemini.
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BCM 9613CD
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Beat Records reissues a classic original soundtrack by Ennio Morricone for the Giallo film Le foto proibite di una Signora per bene (aka The Forbidden Photos of a Lady Above Suspicion), directed in 1971 by Luciano Ercoli starring Dagmar Lassander, Nieves Navarro, Simón Andreu, Pier Paolo Capponi, Osvaldo Genazzani, and Salvador Huguet. Ennio Morricone composed a solid OST for a genre for which he had written many memorable scores. For this film he penned an orchestral score in which the crystal voice of Edda Dell'Orso intervenes as an additional instrument in the main theme "Le foto proibite di una Signora per bene," performed in a bossa nova tempo that opens and closes the CD. "Amore come dolore" is a romantic-mysterious theme with beat rhythms, contrasting with numerous dissonant themes and the tense atmosphere in which the female protagonist is immersed. Beat dance music is not lacking with themes much loved by fans such as "Allegretto per Signora," "Intermezzino pop", and "Secondo intermezzino pop," which have also been included in various lounge music compilations. For this CD, Beat Records used the stereo master tapes from the original recording sessions. Mastering and liner notes by Claudio Fuiano. Graphic layout by Daniele De Gemini.
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CD
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CDOSTPK 046CD
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Cinevox Record, in collaboration with Pick Up Records and Beat Records, present the CD featuring the original soundtrack of Squadra Antigangsters, composed by Goblin, the fifth movie with Tomas Milian in the role of commissioner Nico Giraldi. At the time speaking Cinevox released an album with eight cues, included two songs singed by Asha Puthli that bring the listener into late '70s American discotheques. Goblin (Fabio Pignatelli, Claudio Simonetti, Agostino Marangolo, and Carlo Pennisi) composed a brilliant OST, with different styles. This new edition on CD has been remastered and includes the original album program and the three bonus tracks already featured in the preceding version, booklet has been structured with a double cover featuring the two original posters of the movie. Digital remastering by Claudio Fuiano. Liner notes by Roberto Attanasio and Fabio Capuzzo. Graphic design by Daniele De Gemini.
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CD
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CFS 007CD
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An homage to the Eurospy genre by releasing on CD the complete edition of Riz Ortolani's music for the spy film Tiffany Memorandum, directed in 1967 by Sergio Grieco. As this is the seventh volume of the label, in reference to the film genre this CD here has, not by chance, the catalog number CFS007, also in honor of the sixty years of James Bond, Secret Agent 007. For this CD, the label was able to use the mono tapes of the original session which allowed them to discover unreleased material, for a length totaling just over 55 minutes. Riz Ortolani composed a brilliant score based on danceable music (as was in vogue at the time) which you can hear in "Beat Fuga Shake," which is frequently reprised throughout the score. This OST features wild "shake" rhythms alternated with suspenseful pieces for electric guitar, winds, and percussion. Generally, a secret agent is always in the company of beautiful women, and this glamorous side of a spy is underlined by sensual and refined romantic themes. Dedicated to the musical art of the great maestro Riz Ortolani and is an essential addition to the collections of those who love the espionage genre, from James Bond, Matt Helm, and Derek Flint to all of the Eurospy secret agents. Mastering and liner notes by Claudio Fuiano. Graphic layout by Claudio Fuiano and Daniele De Gemini.
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LP
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DDJ 015DLX-LP
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LP version. 180 gram, marbled yellow vinyl. Beat Records present the long-awaited release of Guido & Maurizio De Angelis's original soundtrack for and Bud Spencer's Banana Joe. After forty years since it's theatrical debut, one of the greatest voids in the two maestros' discography is finally filled. Thanks to the finding of the original master tapes in Cabum archives, the label of the two musician brothers, it has been possible to prepare this issue. Mastering by Enrico De Gemini. Graphic layout by Daniele De Gemini featuring the iconic original artwork painted by Renato Casaro.
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