Musica Per Immagini is an independent record label, dedicated to obscure, rare and unreleased sounds from late '60s to mid '90s for cinema, radio and television.
|
|
|
viewing 1 To 4 of 4 items
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
MPI 004LP
|
Musica Per Immagini present the first vinyl release of Detto Mariano's Delitto Al Ristorante Cinese, the second original soundtrack in the so-called "delitti" series. It's another classic iteration of the crime-comedy films that came out of the partnership between director Bruno Corbucci and actor Tomas Milian, a special connection that had started with the great success of Squadra Antiscippo (1976) and was followed by eleven more pictures, all centered on the character of Nico Giraldi, a former criminal who, while having become a cop, was unwilling to give up his in your face attitude and the Roman slang of the city's thieves. The score by the Italian composer is a mix of sounds characterized by a unique investigation of musical timbre. Nine tracks that cross the entire sound spectrum: electronic pulses, funk rhythms, jazz, and Mediterranean sounds, and some oriental atmospheres.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MPI 003LP
|
Abstract Forms is a selection of rare as yet unreleased in any physical format Sandro Brugnolini recordings from the late '80s and early '90s. The sixteen electronic tracks were produced for television background use or synchronization and, thanks to their great intensity and suspense, are still perfect to be scored in any number of thriller sequences, connecting smooth jazz memoirs filtered with machines overplayed on videogame sounding backgrounds. The majority of these experiments are not only characterized by their use of electronic instruments, as dictated with the requirements of the time, they also have a specific rhythmic inventiveness that gives them their identity. One more time, the Italian brilliant composer follows his strong drive in drawing inspiration from what technology can offer him.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
MPI 002LP
|
One of Piero Piccioni's best contributions for the seveth art. Recorded for the homonymous documentary (1974) by Folco Quilici and Carlo Alberto Pinelli, looking for some people who reject civilization to withdraw in nature and peace, Il Dio Sotto La Pelle was released for the first time in 2000, quickly becoming one of the most sought-after records by many collectors and fans. Musica Per Immagini and Sonor Music Editions release a renewed edition of Il Dio Sotto La Pelle, where jazz, exotic and lounge music and psychedelia are mixed in an admirable way: introduced by the dreamy voice of Catherine Howe for "It's Possible", Piero Piccioni's organ gives you fragments of a dazzling splendor such as "Night To Come" or "Give Love A Chance", while "Inventions" and "Katmandu" handed down to the posterity the guitarist vein of the opera, demonstration of the period of great creativity crossed by the Italian composers, capable of filtering their traditional and classical action with some rock elements. Il Dio Sotto La Pelle is available again as double-LP album with tracks remastered by Claudio Fuiano from first generation master tapes and sequenced by Lorenzo Fabrizi. Also including twelve unreleased gems, new graphics inspired by the original posters. Designed by Luca Barcellona and Marco Ferretti's liner notes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MPI 001LP
|
The Earth and the sky are the only entities that unite past, present, and future. The man has always scrutinized the immensity of the space above him. Night after night, linking the bright stars together, the ancient populations of our planet imagined they could translate their myths and religious beliefs into the constellations, ordering today's eighty-eight and calculating with incredible precision, despite the meager tools available, both time and cosmic cycles. From the proliferation of superstitions to the establish of the sciences, the journey has been long and sometimes problematic. The space only still "imagined" with naked eyes, or observed with rudimentary telescopes, has slowly become "conquerable" and, since the '60s of the last century, at the center of an international competition between the two superpowers, the United States and the Soviet Union. From the first satellite launched into orbit at the man's landing on the Moon, successful facts have multiplied. Many artists, at any latitude or longitude, tried to "confront" themselves with spatial themes. The composer Giuliano Sorgini is among them. Some tracks of this unreleased album composed in 1973 represent, in fact, an attempt to fill with notes the distances that separate man from infinity, through "itineraries" that do not indicate a precise destination such as, for example, "Upwards", "Outer", and "Thought". Others, instead, describe events that are impossible to be seized, such as "Death Of A Comet", breathtaking landscapes to observe as you float in the air like astronauts tied to the "umbilical cord" of their own spaceship, just think of "Into The Space Immensity" and "Sweet Trance", even human and non-human presences, with the opener "Man In The Space" and the romantic "Ufo" as further demonstrations of the artist's genius. Each track tells what is possible, although invisible to many. Creativity compensates for reality. The sounds of Giuliano Sorgini delicately invest the listener, favoring his immersion in a third dimension, in which elements of classical and electronic music, both with a strong communicative character, are merged and continually mixed up, between echoes and reverberations in the background. The prolonged repetition of tones and the almost imperceptible timbral variations don't hinder the harmonic weaving, explained by piano and flute, or the obscure psychedelic solutions adopted by the composer resulting from an appropriate use of the first synthesizers.
|
|
|
|