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viewing 1 To 25 of 164 items
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CD
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CSR 254CD
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$15.50
PREORDER
RELEASE DATE: 6/7/2019
Llyn Y Cwn's Twll Du (Black Hole) is an ominous dark ambient journey through vast atmospheric landscapes. Each beautifully-crafted opus is based on a bespoke field recording and is named after an area of Cwm Idwal, home of the Twll Du. Swelling, monolithic drones reveal the majestic power of the mountains. The music conveys an immersive atmosphere and is intended to be played as the listener falls into a deep sleep. Llyn Y Cwn (Lake Of The Dogs) is a small lake at 715m in the Glyder mountain range of Snowdonia, North Wales. The Devil's Kitchen is the name given to the dark, black crack which splits the rock of Clogwyn y Geifr (Cliff Of The Goat) between Y Garn and Glyder Fawr. The Welsh name for Devil's Kitchen is Twll Du, meaning 'black hole', because of the plume of steam that is often seen rising from the crack resembling a chimney. It's said when steam can be seen rising from the chimney, the Devil is cooking. File next to fellow Welshman Lustmord.
Benjamin Ian Powell on the project's genesis: "I am an electronics technician for the School of Ocean Sciences at Bangor University; I spend a lot of time of time at sea on scientific research cruises which is where most of my music is written using a laptop and headphones. I have been on research trips to the Arctic several times on Russian, British and Canadian icebreakers, an experience that has been a large inspiration to my music. I have lived in North Wales all my life and spend as much time as I can in my camper van in the mountains."
Presented in a six-panel digipak with breathtaking photography by the artist.
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CSR 269CD
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$15.50
PREORDER
RELEASE DATE: 5/10/2019
Australian post-industrialists Kollaps are a three-piece creating a unique brand of primitive noise "intended for degenerates and outsiders". The band's distinctive primordial tones are created using appropriated waste materials like scrap metal, raw plastics, and steel plates combined with blistering percussion, bass, and vocals. This is no empty "industrial" gesture, for the band this process of creation facilitates the literal use of postmodern society against itself. Mechanical Christ, the band's sophomore release, is a conceptual continuation of its predecessor, Sibling Lovers (2017). This release sees Kollaps further their exploration of the inherent societal sickness of our times, one that manifests itself in the debasement of individual morality. Themes of exploitation, vengeance, drug addiction, paranoia, and slave labor are part of a dissonant, inverted morality play. Testament to the band's evolving conceptual depth are the overarching themes of love, life, and death that offer a sense of shared experience in the discomfort of the universal human experience. Known for their violent and nihilistic stage performances, this recording encapsulates with harsher clarity the visceral confrontation that is Kollaps' live act. Mechanical Christ was recorded and mixed over a two-month period at Aviary Studios by Mike Deslandes, and mastered by James Plotkin/Plotkinworks. A journey into the desperation and lack of resolve that is both the crux of modern social ills and at the very heart of the human condition. CD version comes in gatefold digisleeve.
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LP
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CSR 269LP
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$30.50
PREORDER
RELEASE DATE: 5/10/2019
LP version. Includes printed inner sleeve. Australian post-industrialists Kollaps are a three-piece creating a unique brand of primitive noise "intended for degenerates and outsiders". The band's distinctive primordial tones are created using appropriated waste materials like scrap metal, raw plastics, and steel plates combined with blistering percussion, bass, and vocals. This is no empty "industrial" gesture, for the band this process of creation facilitates the literal use of postmodern society against itself. Mechanical Christ, the band's sophomore release, is a conceptual continuation of its predecessor, Sibling Lovers (2017). This release sees Kollaps further their exploration of the inherent societal sickness of our times, one that manifests itself in the debasement of individual morality. Themes of exploitation, vengeance, drug addiction, paranoia, and slave labor are part of a dissonant, inverted morality play. Testament to the band's evolving conceptual depth are the overarching themes of love, life, and death that offer a sense of shared experience in the discomfort of the universal human experience. Known for their violent and nihilistic stage performances, this recording encapsulates with harsher clarity the visceral confrontation that is Kollaps' live act. Mechanical Christ was recorded and mixed over a two-month period at Aviary Studios by Mike Deslandes, and mastered by James Plotkin/Plotkinworks. A journey into the desperation and lack of resolve that is both the crux of modern social ills and at the very heart of the human condition.
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CSR 266CD
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Lost In Blue is the brand new album from Anni Hogan (Marc & The Mambas, The Willing Sinners, La Magia). An astounding, attentive work on an emotive shared journey. Songs in despair searching for hope, moments of monumental horror, and outpouring screams of consciousness. A poignant, bleak album for these times. Lost In Blue has elements of orchestral delight, dark cabaret, and modern vaudeville, with Anni's trademark torch songs evoking the dimly-lit corners of bohemian Soho and reigniting the sordid torment of those illustrious Marc & The Mambas days. All this is wrapped in the magical vocals of: Lydia Lunch, Wolfgang Flür (ex-Kraftwerk), Gavin Friday (ex-Virgin Prunes), Kid Congo Powers (The Gun Club, ex-Nick Cave & The Bad Seeds, ex-The Cramps), Richard Strange (Doctors Of Madness), and many more. Produced by Dave Ball (Soft Cell) and Riccardo Mulhall, the brilliant guests' lyrical content responds perfectly to the music, resonating with and cohabiting the sonics created. Also features Celine Hispiche, Scarlet West, and John Fiddler. Photography by Peter Ashworth. File next to: Marc & The Mambas, Jacques Brel, Nick Cave & The Bad Seeds. CD version includes bonus track.
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CSR 266LTD-LP
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LP version. Limited edition blue vinyl. Lost In Blue is the brand new album from Anni Hogan (Marc & The Mambas, The Willing Sinners, La Magia). An astounding, attentive work on an emotive shared journey. Songs in despair searching for hope, moments of monumental horror, and outpouring screams of consciousness. A poignant, bleak album for these times. Lost In Blue has elements of orchestral delight, dark cabaret, and modern vaudeville, with Anni's trademark torch songs evoking the dimly-lit corners of bohemian Soho and reigniting the sordid torment of those illustrious Marc & The Mambas days. All this is wrapped in the magical vocals of: Lydia Lunch, Wolfgang Flür (ex-Kraftwerk), Gavin Friday (ex-Virgin Prunes), Kid Congo Powers (The Gun Club, ex-Nick Cave & The Bad Seeds, ex-The Cramps), Richard Strange (Doctors Of Madness), and many more. Produced by Dave Ball (Soft Cell) and Riccardo Mulhall, the brilliant guests' lyrical content responds perfectly to the music, resonating with and cohabiting the sonics created. Also features Celine Hispiche, Scarlet West, and John Fiddler. Photography by Peter Ashworth. File next to: Marc & The Mambas, Jacques Brel, Nick Cave & The Bad Seeds. CD version includes bonus track.
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CSR 266LP
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LP version. Lost In Blue is the brand new album from Anni Hogan (Marc & The Mambas, The Willing Sinners, La Magia). An astounding, attentive work on an emotive shared journey. Songs in despair searching for hope, moments of monumental horror, and outpouring screams of consciousness. A poignant, bleak album for these times. Lost In Blue has elements of orchestral delight, dark cabaret, and modern vaudeville, with Anni's trademark torch songs evoking the dimly-lit corners of bohemian Soho and reigniting the sordid torment of those illustrious Marc & The Mambas days. All this is wrapped in the magical vocals of: Lydia Lunch, Wolfgang Flür (ex-Kraftwerk), Gavin Friday (ex-Virgin Prunes), Kid Congo Powers (The Gun Club, ex-Nick Cave & The Bad Seeds, ex-The Cramps), Richard Strange (Doctors Of Madness), and many more. Produced by Dave Ball (Soft Cell) and Riccardo Mulhall, the brilliant guests' lyrical content responds perfectly to the music, resonating with and cohabiting the sonics created. Also features Celine Hispiche, Scarlet West, and John Fiddler. Photography by Peter Ashworth. File next to: Marc & The Mambas, Jacques Brel, Nick Cave & The Bad Seeds. CD version includes bonus track.
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CD/DVD
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CSR 261CD
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Live At Sonic City includes an audio/visual document of The New Blockader's last ever live performance which took place at the Thurston Moore-curated Sonic City festival in Kortrijk, Belgium in 2017. Fans of noise music will need no introduction to the work of TNB. Ron Lessard, of legendary US Noise label RRRecords, once stated, "I'd give the nod to TNB as being the first truly devoted noise artists." TNB served as a major influence on legendary noise pioneers such as Merzbow and their influence on the current crop of popular crossover noise artists, such as Wolf Eyes, is immeasurable. TNB's performance at Sonic City can best be described as a noise symphony: metal-bashing and grinding, hammering, eviscerating microphone feedback, torrents of glorious mangle and harsh electronics all skillfully blended with a collage of manifold sounds and dynamics. Far from being a typical noise show, TNB's performance (if it can be described as such) contained elements of absurdist theater and performance art, although, TNB would likely loathe to be described as such. A magnificent display of the art of noise, TNB as defiant as ever in their total rejection of everything. "For optimal enjoyment we recommend that this DVD be viewed with no sound." Six-panel digipak. DVD is PAL format, region free.
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CSR 268CD
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As Vivian Slaughter morphs into Viviankrist, the music also changes from the intense cold desperation and raw nerve brutality of Gallhammer into a kaleidoscope of electronic sounds... still brutal and shattering, and still depicting soundscapes that close in on the darker side of the soul. A way to escape the dull pressure of a reality that sometimes seems to slip away into psych wards and chemicals. A reaction towards indifference. A shard of mentality released in wave after wave of fully analog sounds, sometimes disturbed by digital intrusions. The twilight and dawn of things to come from a renewed Viviankrist. File under: Japanese noise, power electronics, electronica.
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CSR 257LP
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LP version; in gatefold sleeve with download. Swedish behemoths MZ.412 return with Svartmyrkr, their first full-length in 12 years, once again asserting their dominion as the true kings of black industrial. Svartmyrkr is a massive tour de force that reinvents the classic sound of MZ.412 whilst retaining their trademark malevolent harshness. This album is dedicated to the true hell of the north -- Helheim -- and the giant goddess that rules it, Hel. From blackened ritual incantations, to bleak yet beautiful dark ambient arrangements, to harsh bombastic orchestrations, this album exceeds all expectations. MZ.412 blur the lines between music, magick and reality. The earth trembles... the mountains quake... all light is vanquished. The Swedish overlords darken the hearts and extinguish the souls of all who bear witness to Svartmyrkr. Beginning in 1988 (as Maschinenzimmer 412), MZ.412 are the inventors of black industrial, a genre mixing industrial noise, ritual ambient and black metal atmospheres. The band gained notoriety through their early releases on Cold Meat Industry. The mastermind behind the project is Henrik "Nordvargr" Björkk (Pouppée Fabrikk, Folkstorm, etc.), with Drakh (Beyond Sensory Experience) and Ulvtharm. Composed, recorded and produced by Nordvargr, Ulvtharm, and Drakh. 2015-2018. E.V. guitars on "Lokastafr Ablaze With The Thorns Of Death" by Kristoffer Oustad, additional atmospheres and vibrations by Siegfried Meinertz. Artwork by Axel Torvenius. Digipak.
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CD
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CSR 257CD
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Swedish behemoths MZ.412 return with Svartmyrkr, their first full-length in 12 years, once again asserting their dominion as the true kings of black industrial. Svartmyrkr is a massive tour de force that reinvents the classic sound of MZ.412 whilst retaining their trademark malevolent harshness. This album is dedicated to the true hell of the north -- Helheim -- and the giant goddess that rules it, Hel. From blackened ritual incantations, to bleak yet beautiful dark ambient arrangements, to harsh bombastic orchestrations, this album exceeds all expectations. MZ.412 blur the lines between music, magick and reality. The earth trembles... the mountains quake... all light is vanquished. The Swedish overlords darken the hearts and extinguish the souls of all who bear witness to Svartmyrkr. Beginning in 1988 (as Maschinenzimmer 412), MZ.412 are the inventors of black industrial, a genre mixing industrial noise, ritual ambient and black metal atmospheres. The band gained notoriety through their early releases on Cold Meat Industry. The mastermind behind the project is Henrik "Nordvargr" Björkk (Pouppée Fabrikk, Folkstorm, etc.), with Drakh (Beyond Sensory Experience) and Ulvtharm. Composed, recorded and produced by Nordvargr, Ulvtharm, and Drakh. 2015-2018. E.V. guitars on "Lokastafr Ablaze With The Thorns Of Death" by Kristoffer Oustad, additional atmospheres and vibrations by Siegfried Meinertz. Artwork by Axel Torvenius. Digipak.
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CD
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CSR 264CD
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Cold Spring Records presents a reissue of Bow Gamelan Ensemble's Great Noises That Fill The Air, originally released in 1988. Since 1983, Bow Gamelan Ensemble have inspired generations of artists with their radical practices and explosive performances. Charged with their individual virtuosity in performance art, avant-garde music and kinetic sculpture, their sound installations and performances are immersed in an orchestra of instruments made from scrap metal, electric motors, river barges and domestic objects including glass sheets, light bulbs and fireworks. Great Noises That Fill The Air is a dissonance between 'noise' and 'meaningful utterance' that will astonish the ears and ravish the imagination with unearthly magic. Features guest spots from: Z'EV, Nicola Kate Heys, Thames Steam Launch Co, and Eel Pie Marine. Mastered by Denis Blackham (Skye Mastering). First time CD issue; digipak.
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2CD
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CSR 250CD
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Cold Spring Records releases Earthen - A Cold Spring Sampler, a massive double CD to celebrate the label's 250th release. The compilation is an unrivalled collection of industrial, esoteric, dark ambient, ritual, drone, power electronics, doom, death industrial, experimental, torch songs, and electronica. Unearth the world of Cold Spring! Contains 29 tracks, including an exclusive unheard track from Coil. Also features: Merzbow /Genesis Breyer P-Orridge, She Spread Sorrow, Penny Rimbaud, NDE, Sonologyst, Nytt Land, Der Kätterskä Forbund, Psychic TV, Khost, Left Hand Right Hand, The New Blockaders, The Telescopes, Viviankrist, Ilpo Väisänen, MZ. 412, Anni Hogan, Xerxes The Dark, Shift, Jotunspor, Mayuko Hino, Zeni Geva and Steve Albini, C.3.3., Common Eider, King Eider, Soft Issues, Colossloth, Coil + Zos Kia + Marc Almond, Tunnels Of Āh, and Barry Adamson + Pan Sonic + The Hafler Trio. Edition of 4000 in gatefold ecopak.
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CD
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CSR 023CD
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Repressed; 1999 release. A Perfect Pain is a manifestation of the incredible power created by Genesis Breyer P-Orridge (Psychic TV/Throbbing Gristle) -- the founding father of the industrial world, and Merzbow -- the undisputed king of Japanese noise. Recorded exclusively for Cold Spring, A Perfect Pain has been hailed as an important album and an extremely successful collaboration. CD version comes in digipak with eight-page booklet with all lyrics.
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CSR 023LP
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LP version. 180 gram vinyl; Includes printed inner sleeve with lyrics; Includes download code. Repressed; 1999 release. A Perfect Pain is a manifestation of the incredible power created by Genesis Breyer P-Orridge (Psychic TV/Throbbing Gristle) -- the founding father of the industrial world, and Merzbow -- the undisputed king of Japanese noise. Recorded exclusively for Cold Spring, A Perfect Pain has been hailed as an important album and an extremely successful collaboration.
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2CD
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CSR 260CD
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Maximum Implosion collects all collaborative pieces between Zeni Geva (KK Null) and Steve Albini (Big Black/Shellac): "Nai-Ha" and "All Right, You Little B*st*rds!". Also included are bonus tracks from the limited 12" Superunit (1996), presented with meticulous CEDAR mastering by Denis Blackham. On the first disc, Zeni Geva present ultra-heavy Japanese noise rock, with sludgy riffs, thundering feedback, lumbering drums, subhuman bass crawl, and complex noise textures, with Null's trademark vocals and guitar accompanied by Albini's heavy guitar. "Nai-Ha" loosely translates to "broken inside", with the title track relaying the gruesome aftermath of a car accident. The second disc captures Zeni Geva and Albini's live-to-desk tracks from Tokyo & Osaka in 1992. Albini also makes vocal appearances, as well as guitar throughout. All production and mixing by Albini, final mastering by Martin Bowes at Cage Studios in England, and presented here in its complete form for the first time on Cold Spring. Original artwork/photo by Mitsushiro Hiruma and design/layout by Alonso Urbanos.
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CSR 231CD
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Mine is the second release for the Italian artist Alice Kundalini with her solo project She Spread Sorrow. Between the dark rooms of an abandoned college, where whispers and obscene thoughts mingle, where little bells and distortions come together, the inner voices are fleeing to the rules of harmony to awaken a darker sound, hidden and deprived, of those who have something to hide. Ritual deathscapes, obscure death industrial, sinful power electronics, this expanded reissue includes two bonus tracks, bringing the album to 46 minutes. Like the album as a whole, they are majestic, heavy and claustrophobic, perfectly complementing this already intense masterpiece.
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CSR 263LP
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LP version. Includes download card. Cold Spring Records present the complete recording of A Slow Fade To Total Transparency. Recorded on August 24th, 1983 at the Air Gallery in London, UK. Personnel for the performance: John Balance (Coil), John Gosling (Zos Kia), Marc Almond (Soft Cell), and live mix by Peter Christopherson (Coil, Throbbing Gristle). Features: "How To Destroy Angels", the complete 23-minute piece; "How To Destroy Angels (Zos Kia Remix)", a nine-minute, unheard remix by John Gosling; and "Baptism Of Fire", an unreleased recording of Zos Kia/Coil at Recession Studios, London, England on October 12, 1983. Liner notes by Michel Faber (Under The Skin (2000), The Crimson Petal And The White). All audio, previously unreleased, has been remastered from the original tapes and is exclusive to this release.
Michel Faber: "Imagine how out-of-step with the dominant culture Coil were when they unveiled themselves in the Air Gallery to perform A Slow Fade To Total Transparency. Subtitled: How To Destroy Angels, the music -- a backing track prepared by John Balance, John Gosling and Peter Christopherson -- bears only scant resemblance to the How To Destroy Angels 12" that Coil would release as their debut vinyl the following year. Instead of the meditative ritual gongs of the 12", what we hear here is a restless, queasy melange of industrial noise, its eerie whistles the perfect backdrop for Marc Almond as he recites a bitter tirade against an ex-lover."
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CSR 259CD
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Originally released in a tiny self-financed run of just 60 CDs in 2011, Cold Spring Records gives Oh Magick Kingdom, the impossible-to-find release by Penny Rimbaud (Crass), the wider attention it deserves. 27 minutes of dark jazz, industrial, bursts of repetitive noise rock and foreboding classical cello, with the initial music laid down by New York duo Japanther, and organically interwoven with the punk poetry of Penny and other Shakespearean "voices". The lyrical subject centers on broken relationships and the conflicts which can exist between love and desire. All elements were recorded at the legendary Dial House in Essex. Comes in a digisleeve.
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CSR 263CD
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Cold Spring Records present the complete recording of A Slow Fade To Total Transparency. Recorded on August 24th, 1983 at the Air Gallery in London, UK. Personnel for the performance: John Balance (Coil), John Gosling (Zos Kia), Marc Almond (Soft Cell), and live mix by Peter Christopherson (Coil, Throbbing Gristle). Features: "How To Destroy Angels", the complete 23-minute piece; "How To Destroy Angels (Zos Kia Remix)", a nine-minute, unheard remix by John Gosling; and "Baptism Of Fire", an unreleased recording of Zos Kia/Coil at Recession Studios, London, England on October 12, 1983. Liner notes by Michel Faber (Under The Skin (2000), The Crimson Petal And The White). All audio, previously unreleased, has been remastered from the original tapes and is exclusive to this release.
Michel Faber: "Imagine how out-of-step with the dominant culture Coil were when they unveiled themselves in the Air Gallery to perform A Slow Fade To Total Transparency. Subtitled: How To Destroy Angels, the music -- a backing track prepared by John Balance, John Gosling and Peter Christopherson -- bears only scant resemblance to the How To Destroy Angels 12" that Coil would release as their debut vinyl the following year. Instead of the meditative ritual gongs of the 12", what we hear here is a restless, queasy melange of industrial noise, its eerie whistles the perfect backdrop for Marc Almond as he recites a bitter tirade against an ex-lover."
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CSR 158CD
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2018 repress. 2012 release. Tighten That Muscle Ring features collaborators such as Bryin Dall of Thee Majesty, Boyd Rice of NON, and Sleazy of Coil/Throbbing Gristle. The music is real. The sex is real. Created by Harley Phoenix and his musical partner, Bryin Dall. "I play Hirsute Pursuit at all of my DJ gigs" --Peter Christopherson
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10"
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CSR 248EP
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2018 marks the 30th anniversary of MZ. 412. This limited edition 10" Ulvens Broder is taken and adapted from their long-awaited new album Svartmyrkr and features a very special B-side with Tomas from Ordo Rosarius Equilibrio.
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CSR 256CD
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Tunnels Of Ah is Stephen Ah Burroughs (Head Of David). Charnel Transmissions is the fourth Tunnels Of Ah release and once more the TOAH sound is taken into ever more oblique regions. Inspired by the "chime and gong stations" recordings of the Cold War era, Charnel Transmissions sets out to evoke rather than recreate the alienated spirit(s) of those recordings. With the ritual percussion of Francis P. weaving throughout the album alongside cracked electronics, Charnel Transmissions is a disquieting spiral into an ashen world of "mythostatic psychopomp" where this world is transformed into a charnel ground of gods, ghosts, and jackals. Crumbling drones, splintered bursts of noise, and buried voices make Charnel Transmissions unconventional and non-linear, much like those charnel dwellers who seek out the lowest to attain the highest. For lovers of ceremonial sounds and dark places. Digipak. File next to Coil, Z'ev, Arktau Eos, Head Of David.
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CSR 255CD
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C.3.3. is a personal project from Paul Jamrozy, co-founder of original industrial agitators Test Dept. The work is inspired by the real life experience of Her Majesty's Prison Reading. Tracing the history of the location through to the present current political and social situation, evoking the harsh realities of Victorian and modern-day Britain. Reminiscent of the finest mid-era Test Dept., such as Gododdin (1989) or Pax Britannica (1991), with heavy percussion, strings, and strident vocals. The title C.3.3. is drawn from the cell number where the literary figure Oscar Wilde was incarcerated in Reading Gaol under gross indecency charges. C.3.3. was the pseudonym used for the publication "The Ballad of Reading Gaol", a poem based on the execution of a fellow inmate. This sonic rendition draws upon the writings of Wilde's poem and the horrors of prison life for a condemned man, as a metaphor for the universal predicament of all humankind. Originally released on CDr in 2011. Remastered with two bonus tracks, featuring Test Dept.; Six-panel digipak.
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CSR 247CD
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Praise my fame, my violent heart. United (Through Iron And Blood) is NDE's third album and sees a return to the harsher sounds of their debut, Krieg Blut Ehre Asche (CSR 110CD, 2011). Deranged black metal vocals over uncompromising, blood-soaked death industrial, rhythmic power noise, and claustrophobic power electronics. United is NDE's strongest "song-based" album to date, with assured harsh dancefloor fillers. "Sons of truth gather now, colour your hands with their blood..." For devotees of Trepaneringsritualen, Propergol, Navicon Torture Technologies, Genocide Organ.
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CSR 251CD
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Midori is the third album by Italian artist She Spread Sorrow (Alice Kudalini). Midori tells a story, the escape from a harsh reality that becomes an echo of nightmares and visions, a house that is the scene of fear and anguish, a soul that is lost in pain to an epilogue of death and purification. The gloomy, intense, dream-like sound, sometimes distorted, sometimes angelic is the soundtrack of a dramatic story, but also of relief. Duplicity is the key to this work. Death industrial with female vocals and ambient moments, more dilated, with sounds that also refer to a ritualistic horizon. Presented in a six-panel digipak.
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