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viewing 1 To 25 of 152 items
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LP
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CSR 023LP
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$30.50
PREORDER
RELEASE DATE: 11/2/2018
LP version. 180 gram vinyl; Includes printed inner sleeve with lyrics; Includes download code. Repressed; 1999 release. A Perfect Pain is a manifestation of the incredible power created by Genesis Breyer P-Orridge (Psychic TV/Throbbing Gristle) -- the founding father of the industrial world, and Merzbow -- the undisputed king of Japanese noise. Recorded exclusively for Cold Spring, A Perfect Pain has been hailed as an important album and an extremely successful collaboration.
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CD
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CSR 023CD
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$15.50
PREORDER
RELEASE DATE: 11/2/2018
Repressed; 1999 release. A Perfect Pain is a manifestation of the incredible power created by Genesis Breyer P-Orridge (Psychic TV/Throbbing Gristle) -- the founding father of the industrial world, and Merzbow -- the undisputed king of Japanese noise. Recorded exclusively for Cold Spring, A Perfect Pain has been hailed as an important album and an extremely successful collaboration. CD version comes in digipak with eight-page booklet with all lyrics.
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CD
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CSR 231CD
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$15.50
PREORDER
RELEASE DATE: 10/5/2018
Mine is the second release for the Italian artist Alice Kundalini with her solo project She Spread Sorrow. Between the dark rooms of an abandoned college, where whispers and obscene thoughts mingle, where little bells and distortions come together, the inner voices are fleeing to the rules of harmony to awaken a darker sound, hidden and deprived, of those who have something to hide. Ritual deathscapes, obscure death industrial, sinful power electronics, this expanded reissue includes two bonus tracks, bringing the album to 46 minutes. Like the album as a whole, they are majestic, heavy and claustrophobic, perfectly complementing this already intense masterpiece.
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2CD
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CSR 260CD
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$19.50
PREORDER
RELEASE DATE: 10/5/2018
Maximum Implosion collects all collaborative pieces between Zeni Geva (KK Null) and Steve Albini (Big Black/Shellac): "Nai-Ha" and "All Right, You Little B*st*rds!". Also included are bonus tracks from the limited 12" Superunit (1996), presented with meticulous CEDAR mastering by Denis Blackham. On the first disc, Zeni Geva present ultra-heavy Japanese noise rock, with sludgy riffs, thundering feedback, lumbering drums, subhuman bass crawl, and complex noise textures, with Null's trademark vocals and guitar accompanied by Albini's heavy guitar. "Nai-Ha" loosely translates to "broken inside", with the title track relaying the gruesome aftermath of a car accident. The second disc captures Zeni Geva and Albini's live-to-desk tracks from Tokyo & Osaka in 1992. Albini also makes vocal appearances, as well as guitar throughout. All production and mixing by Albini, final mastering by Martin Bowes at Cage Studios in England, and presented here in its complete form for the first time on Cold Spring. Original artwork/photo by Mitsushiro Hiruma and design/layout by Alonso Urbanos.
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LP
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CSR 263LP
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LP version. Includes download card. Cold Spring Records present the complete recording of A Slow Fade To Total Transparency. Recorded on August 24th, 1983 at the Air Gallery in London, UK. Personnel for the performance: John Balance (Coil), John Gosling (Zos Kia), Marc Almond (Soft Cell), and live mix by Peter Christopherson (Coil, Throbbing Gristle). Features: "How To Destroy Angels", the complete 23-minute piece; "How To Destroy Angels (Zos Kia Remix)", a nine-minute, unheard remix by John Gosling; and "Baptism Of Fire", an unreleased recording of Zos Kia/Coil at Recession Studios, London, England on October 12, 1983. Liner notes by Michel Faber (Under The Skin (2000), The Crimson Petal And The White). All audio, previously unreleased, has been remastered from the original tapes and is exclusive to this release.
Michel Faber: "Imagine how out-of-step with the dominant culture Coil were when they unveiled themselves in the Air Gallery to perform A Slow Fade To Total Transparency. Subtitled: How To Destroy Angels, the music -- a backing track prepared by John Balance, John Gosling and Peter Christopherson -- bears only scant resemblance to the How To Destroy Angels 12" that Coil would release as their debut vinyl the following year. Instead of the meditative ritual gongs of the 12", what we hear here is a restless, queasy melange of industrial noise, its eerie whistles the perfect backdrop for Marc Almond as he recites a bitter tirade against an ex-lover."
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CD
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CSR 263CD
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Cold Spring Records present the complete recording of A Slow Fade To Total Transparency. Recorded on August 24th, 1983 at the Air Gallery in London, UK. Personnel for the performance: John Balance (Coil), John Gosling (Zos Kia), Marc Almond (Soft Cell), and live mix by Peter Christopherson (Coil, Throbbing Gristle). Features: "How To Destroy Angels", the complete 23-minute piece; "How To Destroy Angels (Zos Kia Remix)", a nine-minute, unheard remix by John Gosling; and "Baptism Of Fire", an unreleased recording of Zos Kia/Coil at Recession Studios, London, England on October 12, 1983. Liner notes by Michel Faber (Under The Skin (2000), The Crimson Petal And The White). All audio, previously unreleased, has been remastered from the original tapes and is exclusive to this release.
Michel Faber: "Imagine how out-of-step with the dominant culture Coil were when they unveiled themselves in the Air Gallery to perform A Slow Fade To Total Transparency. Subtitled: How To Destroy Angels, the music -- a backing track prepared by John Balance, John Gosling and Peter Christopherson -- bears only scant resemblance to the How To Destroy Angels 12" that Coil would release as their debut vinyl the following year. Instead of the meditative ritual gongs of the 12", what we hear here is a restless, queasy melange of industrial noise, its eerie whistles the perfect backdrop for Marc Almond as he recites a bitter tirade against an ex-lover."
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CD
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CSR 259CD
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Originally released in a tiny self-financed run of just 60 CDs in 2011, Cold Spring Records gives Oh Magick Kingdom, the impossible-to-find release by Penny Rimbaud (Crass), the wider attention it deserves. 27 minutes of dark jazz, industrial, bursts of repetitive noise rock and foreboding classical cello, with the initial music laid down by New York duo Japanther, and organically interwoven with the punk poetry of Penny and other Shakespearean "voices". The lyrical subject centers on broken relationships and the conflicts which can exist between love and desire. All elements were recorded at the legendary Dial House in Essex. Comes in a digisleeve.
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CD
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CSR 158CD
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2018 repress. 2012 release. Tighten That Muscle Ring features collaborators such as Bryin Dall of Thee Majesty, Boyd Rice of NON, and Sleazy of Coil/Throbbing Gristle. The music is real. The sex is real. Created by Harley Phoenix and his musical partner, Bryin Dall. "I play Hirsute Pursuit at all of my DJ gigs" --Peter Christopherson
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10"
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CSR 248EP
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2018 marks the 30th anniversary of MZ. 412. This limited edition 10" Ulvens Broder is taken and adapted from their long-awaited new album Svartmyrkr and features a very special B-side with Tomas from Ordo Rosarius Equilibrio.
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CD
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CSR 256CD
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Tunnels Of Ah is Stephen Ah Burroughs (Head Of David). Charnel Transmissions is the fourth Tunnels Of Ah release and once more the TOAH sound is taken into ever more oblique regions. Inspired by the "chime and gong stations" recordings of the Cold War era, Charnel Transmissions sets out to evoke rather than recreate the alienated spirit(s) of those recordings. With the ritual percussion of Francis P. weaving throughout the album alongside cracked electronics, Charnel Transmissions is a disquieting spiral into an ashen world of "mythostatic psychopomp" where this world is transformed into a charnel ground of gods, ghosts, and jackals. Crumbling drones, splintered bursts of noise, and buried voices make Charnel Transmissions unconventional and non-linear, much like those charnel dwellers who seek out the lowest to attain the highest. For lovers of ceremonial sounds and dark places. Digipak. File next to Coil, Z'ev, Arktau Eos, Head Of David.
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CD
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CSR 255CD
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C.3.3. is a personal project from Paul Jamrozy, co-founder of original industrial agitators Test Dept. The work is inspired by the real life experience of Her Majesty's Prison Reading. Tracing the history of the location through to the present current political and social situation, evoking the harsh realities of Victorian and modern-day Britain. Reminiscent of the finest mid-era Test Dept., such as Gododdin (1989) or Pax Britannica (1991), with heavy percussion, strings, and strident vocals. The title C.3.3. is drawn from the cell number where the literary figure Oscar Wilde was incarcerated in Reading Gaol under gross indecency charges. C.3.3. was the pseudonym used for the publication "The Ballad of Reading Gaol", a poem based on the execution of a fellow inmate. This sonic rendition draws upon the writings of Wilde's poem and the horrors of prison life for a condemned man, as a metaphor for the universal predicament of all humankind. Originally released on CDr in 2011. Remastered with two bonus tracks, featuring Test Dept.; Six-panel digipak.
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CD
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CSR 247CD
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Praise my fame, my violent heart. United (Through Iron And Blood) is NDE's third album and sees a return to the harsher sounds of their debut, Krieg Blut Ehre Asche (CSR 110CD, 2011). Deranged black metal vocals over uncompromising, blood-soaked death industrial, rhythmic power noise, and claustrophobic power electronics. United is NDE's strongest "song-based" album to date, with assured harsh dancefloor fillers. "Sons of truth gather now, colour your hands with their blood..." For devotees of Trepaneringsritualen, Propergol, Navicon Torture Technologies, Genocide Organ.
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CD
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CSR 251CD
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Midori is the third album by Italian artist She Spread Sorrow (Alice Kudalini). Midori tells a story, the escape from a harsh reality that becomes an echo of nightmares and visions, a house that is the scene of fear and anguish, a soul that is lost in pain to an epilogue of death and purification. The gloomy, intense, dream-like sound, sometimes distorted, sometimes angelic is the soundtrack of a dramatic story, but also of relief. Duplicity is the key to this work. Death industrial with female vocals and ambient moments, more dilated, with sounds that also refer to a ritualistic horizon. Presented in a six-panel digipak.
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CSR 249CD
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Siberian band Nytt Land presents its new epic musical canvas. Working with the same unchanging four band-members, the musicians continue to revive the true magical sound of the Ancient North. Ođal... Heritage... Path to the roots... Ođal is inspired by the traditional music of the indigenous peoples of Siberia, the Old Icelandic epic and the atmosphere of classic Norwegian black metal. This time the album was recorded without using samples; all parts of the instruments were performed live. All songs were recorded and mixed in one of the technical quality best Russian studios, "Radio Sibir", which strongly affected the sound quality. All the sounds of nature were recorded in western Siberia and northern Norway. For the first time the four-year-old son of Natalia and Anatoly, Yuri Pakhalenko, took part. By this they emphasize the concept of the album -- heritage. As in the previous album, Fimbulvinter (CSR 234CD, 2017), Ođal features the traditional Siberian overtone singing technique "kargyraa", but the overtone singing by vocalist Natalia Pakhalenko gives a special character to the sound. This is very unique, since this technique is an almost exclusively a male singing practice due to its physicality. So, it's time to start the path to the roots... For fans of: Wardruna, Forndom. Presented in a six-panel digipak.
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CD
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CSR 253CD
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Eerie drones, oscillations from the ether, distorted dark matter, signals from other dimensions... The music of Sonologyst fluctuates between scientific sonic documentaries and psychedelic abstraction, illuminated by early experimentation of the '50s and '60s, as well as future possibilities of the electronic and electro-acoustic. Silencers (The Conspiracy Theory Dossiers) is inspired by the testimonies of those who have had contact with the so-called "Silencers" or "Men in Black". Federal agents? Aliens? International conspirators? Sonologyst makes a documentary in music, including spy tech, declassified documents, official recordings, control techs, secreted scientific information, CIA Deep Black Programs, NASA classified tapes, Secret societies, and breakaway civilization hypotheses. Recommended for those who follow the nebulous paths of Inade, Schloss Tegal, Bad Sector, Lustmord. Presented in a digipak with booklet.
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CD
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CSR 245CD
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Lunisolar is the second solo album from the "Queen Of Japanese Noise", Mayuko Hino. "Faintainhead" unleashes swathes of densely layered noise, undulating in intensity and ferociousness. Although claustrophobic throughout, there are moments of gentle metallic percussion, punctuating the raging vibrations beneath. "Astral Travelling" offers no such relief, featuring unrelenting, piercing electronics throughout until the final few minutes of psychedelic comedown. In addition to self-made instruments, Hino plays noise with her six-theremin oscillators (in bright pink) -- the only one in the world, specially made by Ryo Araishi (aka ichion). Prolific as a live performer, Hino is most well-known for forming C.C.C.C. (Cosmic Coincidence Control Center) in 1990, together with Hiroshi Hasegawa, Fumio Kosakai, and Ryuichi Nagakubo. In its early phase, the band grabbed attention by combining noise music with Hino's sadomasochism performance using bondage ropes and dripping candle wax. She has since been a member of Mne-Mic, DFH-M3, and Transparentz.
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LP
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CSR 240LP
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Repressed! Corrupted is a mysterious Japanese doom metal band, formed in 1994. Immensely down-tuned guitar and crushingly slow bass are shrouded under deep layers of feedback. They are rightly hailed as one of the heaviest and darkest doom metal bands of all time. This record isn't your standard doom fare. The title-less tracks are to be played at either standard vinyl speed. Therefore, and at the band's request, no samples or download code. The limited 12" is accompanied by a foldout poster.
"Humankind's folly it its continuing idiocy. This is the beginning of the 'Hollow' series. The schoolyard of the school was buried in the mountains of radioactive contaminated rubble. We cannot hear children's voices from anywhere. I hear it is the world of sound of only footsteps and the warning sound of the Geiger counter..." --Chew Hasegawa
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CD
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CSR 235CD
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On his second album, Colossloth continues his esoteric sonic crusade of volatile yet absorbing audio textures. Cold electronica, with swathes of rhythmic power noise and industrial harshness, tempered with penetrating song structures. Eleven tracks of austere, reflective, and exploratory electronics for journeys made into the hidden realms underpinning daily life, spanning the bridge between gnosis and praxis. The dissonance of opposites falling into elemental synthesis with a sound and approach influenced from the past, present, and future letting you remain anachronistic yet be temporal voyeurs in the abyss. Comes in digipak.
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2CD BOX/DVD
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CSR 246CD
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Cold Spring Records present Kondole / Dead Cat, a double CD and DVD collection. The rare film features: Derek Jarman, Andrew Tiernan -- The Pianist (2002), 300 (2006), The Bunker (2001), Derek Jarman's Edward II (1991) -- and Genesis P-Orridge (Psychic TV, Throbbing Gristle). The first CD features the complete, long version of "Dead Cat". "...what could be more beautiful that such a sustaining & chronic radical as Gen could have provided us all -- in the form of Kondole -- with a piece of truly necessary Everyday Listening?" --Julian Cope, Head Heritage. The second CD contains three tracks. "Thee Whale" was recorded at Time Square Studios, Chiswick, London, on January 23rd, 1988. It is the soundtrack to an unmade 23-minute film called Kondole (Thee Whale), by David Lewis and Andy Crabb. The second part, "Thee Shadow Creatures" was recorded at Hyperdelic Studios, San Francisco on January 23rd, 1993. The third part, "Dead Cat" was recorded at Time Square Studios, Chiswick, London, on January 23rd, 1989. It is the soundtrack to the film Dead Cat by David Lewis (1989). The DVD contains the film Dead Cat. It was released in 1989 and shown only at a handful of cinemas that year, including once at the infamous Scala Cinema in London. It was never issued on general release and has only recently been uncovered by David Lewis (writer and director). The full film is presented here, re-authored from the original source. The film itself features unique starring roles from cult film director Derek Jarman, Andrew Tiernan, and Genesis P-Orridge. The film features the music of Psychic TV. Presented in a lavish eight-panel matt digipak with booklet. DVD is PAL region free.
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CD
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CSR 244CD
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King Ov Hell (Gorgoroth, Sahg, God Seed) and Kvitrafn (aka Einar Selvik of Wardruna, Skuggsjá, Gorgoroth) teamed up and formed Jotunspor ("tracks/traces of giants"). Musically, Gleipnirs Smeder binds grim and primitive black metal together with elements of noisy dark-ambient, while the concept of Jotunspor is strongly founded in the Old Norse cults and beliefs. "Glepnirs Smeder", or the The Forgers of Gleipnir, explores some of the incidents surrounding the creation of the world and Ragnarok, the ultimate doom/transformation. The chain Gleipnir, its forgers from the depths of Svartalvheim and Fenris -- the chained jotun-wolf are some of the most important themes on the album, on which the lyrics are sung in Norwegian and Old Norse tongue. Produced and engineered in Norway by Kvitrafn, the album was originally released in 2006 by Satanas Rex. Comes in a digipak.
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LP
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CSR 241LP
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Pan Sonic, arranged and edited by Barry Adamson, with an additional re-arrangement by The Hafler Trio. Here, Barry Adamson and Pan Sonic have composed a 12-minute music piece that is performed by the Hljomeyki Choir and Pan Sonic. Originally released on CD by Icelandic label Kitchen Motors in 2001, now released on vinyl for the first time by Cold Spring. Produced by Barry Adamson, Jóhann Jóhannsson, and Pan Sonic. The cover art features Icelandic electronic composer Magnús Blöndal Jóhannsson having a brain scan performed while listening to this disc. 180 gram vinyl with matte card sleeve; Includes download card. "...a blend of an Icelandic choir performing Barry's (treated) microtonal, urgent score is slowly infiltrated, first with an electronic breath and then by well-rounded bass that evolves into a satisfactory crescendo before the scary humhum returns... highly successful" --Vital Weekly.
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2CD
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CSR 242CD
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A gathering of majestic, heavy, dark ambient, ritual, drone, and noise music from Iran. Highly original and monolithic, with stunning production, Visions Of Darkness stands shoulder to shoulder with the giants of the dark ambient scene. In a country where youth culture has been heavily restricted for so long, it's significant when a cultural form such as this has an opportunity to reach a wider audience -- aided by the abstract nature of dark ambient, drone, and noise. In comparison, the dance music scene has a harder time taking root in Iran due to the illegality of men and women dancing in public together. However, the growth of the experimental electronic scene is going to be about more than a mere novelty reaction to a political paradigm shift. The darkness here is a consequence of the mood of the artists -- darker after the country was put on a black list and more restrictions were applied to many things, including monetary transactions to and from Iran. As a consequence, Iranian artists have a great difficulty getting the resources to better develop their projects. Despite this, the enthusiasm and will for Iranian musicians to promote their music shines through. Edited by Unexplained Sounds Group; Curated by Raffaele Pezzella (Sonologyst) and Morego Dimmer (aka Mohamadreza G). Features: Saint Abdullah, Xerxes The Dark, S.S.M.P, Alphaxone, Limen, Ali Phi, Reza Solatipour, Nojan, Hossein RangChi, Narcissa Kasraï, Rhonchus, DSM¸ idft, Nyctalllz, Poo Yar, Anunnaki Signal, Soheil Soheili, XSIX, Crows In The Rain, Downtown Of Hong Kong, and Mehdi Behbudi & Vahide Sistaani.
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CD
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CSR 243CD
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The triumphant reawakening of San Francisco's masters of behemoth ritualistic darkness. Within Shrines For The Unwanted, Respite For The Cast Aside, bone, antler, and voice produce connective threads between the worlds, as guitar and percussion punctuate shifts in mood. Voices call to the spirits, and the spirits call back in return. Recorded in 2016 during four private, collective only rituals, the pieces pull the listener through the darkest and most overgrown trails of the blackest forest. Monumental and horizon-less, ritualistic black ambience. Vocal visitations by A.C. Way of Sutekh Hexen. Common Eider, King Eider is headed by Rob Fisk (ex-Deerhoof), Andee Connors (A Minor Forest, legendary aQuarius boss). Spot-varnished digipak.
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CD
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CSR 239CD
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Kernschmelze: "the dying gasps of the Age of Enlightenment". Kernschmelze II is a cantata for voices, in this case the voice of Crass songstress Eve Libertine, processed by Charles Webber to almost choral proportions. Working on Kernschmelze II alongside Eve Libertine, Penny Rimbaud has been able to produce a classic album on par with their 1984 album Acts Of Love released by Crass Records. Libertine's sparse, vulnerable poetics counter the almost Wagnerian scale of the work, challenging preconceptions of what music should be and making strong suggestions as to what it might yet become. Extreme electronics sourced solely from vocal sounds to create noise music of an intense and highly demanding nature. Comes in an ecopak with artwork by Gee Vaucher.
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CSR 238CD
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Cold Spring Records present a reissue of Krzysztof Penderecki's Kosmogonia, originally released in 1974. Unnerving, intense, bloodcurdling, sinister, dramatic -- the music of Kosmogonia features Penderecki's famous, unorthodox instrumental techniques, and some of the darkest music ever composed. Hailed by The Guardian as "Poland's greatest living composer," Krzysztof Penderecki is the maestro behind the unforgettable, disturbing music on 1980's The Shining (including "De Natura Sonoris II," featured here). A complex tapestry of sound with striking use of pizzicato and flexatone, with aggressive barrages from brass and percussion, dissonant woodwind chords, spoken and hissing sounds, fervent strings, swirling organ, and climactic choral and solo vocals. Krzysztof Penderecki's unique music has featured in films such as: The Shining, The Exorcist (1973), Children Of Men (2006), The People Under The Stairs (1991), Shutter Island (2010), and many more. Thanks to the estate of Krzysztof Penderecki, Cold Spring Records present this masterpiece in digital format for the first time since the 1974 vinyl release. Sympathetically remastered for CD by Denis Blackham and Martin Bowes; Comes in a digipak.
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