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viewing 1 To 25 of 90 items
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BANG 143LP
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$26.50
PREORDER
RELEASE DATE: 3/5/2021
I Won't Bend For You, the new posthumous album by Brian Henry Hooper (The Beasts of Bourbon), is packed with darkest and most intimate melodies in his solo career. Released now almost three years after his passing. Recorded at the end of his days with the collaboration of friends of the stature of: Kim Salmon (The Beasts of Bourbon, Scientists, Surrealists, Salmon), Spencer P. Jones (The Beasts of Bourbon, The Johnnys, The Green Mist, The Butcher Shop), Mick Harvey (Nick Cave and the Bad Seeds, The Birthday Party, The Wallbangers), among others. The album goes a step beyond his previous album What Would I Know? (BANG 118LP, 2018) revealing a final period in the musical and personal evolution of the artist, where the darkest and most intimate melodies intersect, announcing the subsequent outcome, as well as the genius and creativity of the musical musculature of this group of unique musicians of their kind. Edited courtesy of Ninevah Hooper. Gatefold sleeve; edition of 500.
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BANG 139LP
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$26.50
PREORDER
RELEASE DATE: 3/5/2021
Recorded at legendary NY studio Funhouse by alternative rock supergroup, the Knoxville Girls, these recordings have remained mostly unheard so far. Here we have the original album as it was conceived with their pristine swamp, country, blues, and New York sound. Finally seeing the light of day here we have an unreleased album recorded in NYC in 1999 by this super band: Jerry Teel on vocals, guitar (The Chrome Cranks, Honeymoon Killers, Boss Hog, Big City Stompers), Kid Congo Powers on vocals, guitar (The Gun Club, The Cramps, Nick Cave and the Bad Seeds, The Butcher Shop), Jack Martin on guitar (Five Dollar Priest), Barry London on organ, piano, harp, Bob Bert on drums (The Chrome Cranks, Five Dollar Priest, Sonic Youth, Pussy Galore, Lydia Lunch). Recorded at legendary NY studio Funhouse, these recordings have remained unheard so far (except the Tom Waits cover) and some of the tracks were afterwards rerecorded for their last album. But here we have the original album as it was conceived. An absolute must for fans of The Gun Club, The Beasts of Bourbon, etc. Edition of 500.
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BANG 140LP
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$26.50
PREORDER
RELEASE DATE: 1/29/2021
Recorded in Seattle in 1999, this monster record is now being reissued on vinyl remastered by Jack Endino. As soon as the opening track of Electric Children begins, you realize that The Monkeywrench have gotten much tighter in their second album, since their debut eight years before. The production also seems more raw, possibly due to the fact that the band moved from Conrad Uno to veteran Seattle producer Jack Endino, who also engineered the first releases from bassist Steve Turner and vocalist Mark Arm's other band, Mudhoney. Also contributing to the rawness of the record is the absence of Arm's trademark piano and organ. This enhances the energy, causing you to notice a more frantic, electrified side of the band. As on the debut album, Clean as a Broke-Dick Dog (1992), several genres of music are given equal time, including the country of "Thirteen Nights" and "The Empty Place", the rockabilly of "The Weasel's In The Barn", the Eastern modal quality of "Around Again", and the noise rock of the closing number, "In the days of the Five". The Monkeywrench have grown in their ability to craft a song, and the result is a masterpiece. Check this band: Mark Arm (Mudhoney, Bloodloss), Steve Turner (Mudhoney), Tim Kerr (Big Boys), Tom Price (Gas Huffer, U-Men), Martin Bland (Bloodloss, Lubricated Goat). Licensed by Estrus Records.
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BANG 144LP
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$26.50
PREORDER
RELEASE DATE: 1/29/2021
Recently discovered ultra-rare tape of a set by the legendary Detroit super group recorded in 1976 and with excellent quality. Pre the iconic 7" single release of City Slang. This record is a historic reference since this is the origins of Sonic's Rendezvous Band where the band develops a strong cross between blues rock and high energy, including ultra-rare covers of artists such as Bob Dylan and Ray Charles, among others. Sonic's Rendezvous Band came from the ashes of four Michigan rock bands: Fred "Sonic" Smith formerly of the MC5, Scott Morgan formerly of the Rationals, a soul-influenced Detroit band of the 1960s, Gary Rasmussen formerly of The Up, and Scott Asheton formerly of The Stooges. They remained virtually unknown, but their one and only single retained high interest among fans of Detroit rock. The band had had only enough money to mix one song, "City Slang", so it was pressed on both sides of the single. One side was labeled mono and one side stereo although both sides were identical. A badly recorded bootleg LP called Strikes Like Lightning was traded in the 1980s. Renewed interest in Scott Morgan, who was critically acclaimed in the 1980s with bands like Scots Pirates and the Scott Morgan Band who were largely successful only in the Midwest. SRB disciples, Sweden's Hellacopters recorded five Scott Morgan/SRB compositions which further popularized the group. Scott Morgan went on to record with the Hellacopter's Nicke Royale, releasing two Hydromatics albums as well as two soul albums by The Solution. The band has enjoyed renewed interest, along with mainstream critical acclaim in the music press, with the September 2006, release of a six-disc box set, Sonic's Rendezvous Band, by UK label Easy Action. The record was reviewed by Rolling Stone, October 19, 2006, by David Fricke, as one of "Fricke's Picks." saying of the band's 1978 single (included in the set) "City Slang," "5:15 of assault guitars, railroad drumming and Smith's determined-rebel call -- has all you need to know why SRB were masters of their domain." That domain, as Fricke put it was "the Detroit Church of High Energy Rock."
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BANG 141LP
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Señor No is the ultimate Basque rock band. No bullshit. Be ready for a fucking bulldozer running over you at 100 miles per hour! It's no secret that Señor No is one of Bang! Records' favorite bands ever. And the list of reasons for it is endless... But now they have gone further than ever before! Three guitars based on a stomping pounding rhythm section that makes your home floor vibrate. Each guitar going in a different direction and with no limits. All of it directed by Xabi Garre, master and commander of Señor No since 1994. And here is where the title comes from... 94/20 is their very latest and new recording based on old tracks unknown and rare tracks, all now re-recorded building a rock solid new album which brings you to the sonic abuse of Bored!, with the unique touch of Hoss and basic roots of Motörhead and MC5. And for those unlucky ones who do not understand the lyrics they are pure street poetry Bukowski style engaged to lost women and low life fulfilled with smoke, booze and drugs... If your rock music knowledge is so wide that you know about the boiling Basque rock scene of the late '80s to early '90s, Xabi was one of the founding members of La Perrera in San Sebastian. Absolutely mandatory for fans of Bored!, Radio Birdman, Sonic's Rendezvous Band, Hellacopters, MC5, Stooges, Motörhead. 150 gram vinyl; edition of 700.
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2LP
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BANG 142LP
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Bang! Records reissue The Drones' Here Come The Lies, originally released in 2002. At last! The Drones' first album on vinyl available outside of Australia. In order to exceed the sound pollution of Melbourne's -- the hometown of the band -- big city noise back in the day (2003), The Drones overdrive their amps to a brutal level, strum their strings the hard way and beat the drums in an unheard-of way. This is blues from the gutter. Big city blues, although some call it noise. Sure, there's enough overdriven chords on this album to please any noise fan, but there's more. The sound sways between a chorus of dissonance and numerous tactical silences, only to emphasize the music even more. You can't have noise if you don't have silence (makes sense doesn't it?) Also, the band writes lyrics that fully correspond to the music, making the package truly whole. Helping the band doing this is the anti-production-a-go-go; thank you for the squeals and the good feedback. Rock and blues, that's what The Drones are all about. Doing it the hard way. 150 gram vinyl; gatefold sleeve; edition of 500.
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BANG 137LP
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Asteroid B-612's Forced Into A Corner is released for its very first time on vinyl. This is the second album of legendary Australian band, and it is the killer predecessor to their cult album Not Meant For This World! (BANG 134LP). Originally recorded and released in Melbourne, Australia in 1994, this album was produced by Dave Thomas from Bored! So... you can assume it is a monster piece of sonic hazard and guitar army sound mixing Detroit's wildest with Australian classics. This album was originally released only on CD and only in Australia. It's remastered here in order to deliver the most brutal sound of this band. A total must for all fans worldwide of MC5, Stooges, Dark Carnival, Sonic's Rendezvous Band, Radio Birdman, The New Christs, Bored!, Hellacopters, etc.
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BANG 136LP
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The Real Sound of "In Heat": the disclaimer on the album states, "NOT produced by Shel Talmy" (The Who, Kinks). The original version of the album In Heat from The Fuzztones, as it was intended to sound. The Fuzztones have been around for over 30 years as a garage rock revival band. Though originally from New York City, they worked mainly in Europe where their brand of retro '60s trash rock burned up radios from Hungary to Poland to Italy. The original In Heat was released in 1989 at the peak of the garage revival, when bands like the Chesterfield Kings, Lyres, and Cynics were all the rage. Unsurprising, the music industry turned a blind eye, yet miraculously The Fuzztones signed a major label deal with RCA. Label politics had the band in a "real" studio with a "name" producer who watered down their unharnessed energy and snotty attitude. In the end the original disc was a second-rate affair with most of the grit rubbed out only to die a sad, quick death at the hands of critics who never appreciated the band's live act anyway. With the resurgence in garage rock in The Hives and The Strokes, the time may be right again for The Fuzztones to get a second shot. Raw Heat therefore turns the clock back in time when garage rock rivaled punk as the most exciting musical scene to come along in decades. Produced by founder/guitarist/singer Rudi Protrudi and Jordan Tarlow (Outta Place, Morlocks) the recording gets a second wind when "Heathen Set" comes roaring out of the speakers. The running order has changed from the original recording putting more power up front. Both the classic church organ and dangerous guitars are better controlled in the mix (originally the organ overpowered the whole thing). "Hurt On Hold" still stands strong as the band's real chance at a single although "Me Tarzan, You Jane" with its featured harmonica is a close second. The added punch of the bass and primitive drums give the whole thing a real boost especially on "Cheyenne Rider" and "You Must Be A Witch" -- no wonder Ian Asbury of The Cult was so hooked on these guys. The best song might be the title track "In Heat" -- "We'll I'm a big bad wolf, can't ya hear me howl" Give the boys the credit they deserve... and all the fame!
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BANG 138LP
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2021 repress forthcoming. Bang! Records present a reissue of Lydia Lunch and Rowland S. Howard's Shotgun Wedding, originally released in 1991. Lydia Lunch: New York City's provocateur, poet, singer, author, performer, and actress. From fronting the influential no-wave group Teenage Jesus and The Jerks to her current musical incarnation as Big Sexy Noise, with Gallon Drunk's noise makers James Johnston, Terry Edwards, and Ian White; countless collaborations and projects in between Lydia has never played by anyone's rules but her own. This 1991 collaboration with the Australian iconic cult figure Rowland S. Howard is perhaps one of her most revered. Featuring production by JG Thirwell (Foetus, Manorexia) and drums by Jim Sclavunos (Bad Seeds, Grinderman) it's a veritable who is who of the post punk/no wave scene of the time. Rowland S. Howard is no doubt best known for his work with the Birthday Party, his discordant guitar is an essential factor in their sound. Howard sadly passed away from liver cancer in 2009. A hugely influential alternative musician, in 2011 he was subject to a 110-minute documentary entitled Autoluminescent, by cult filmmakers Richard Lowenstein and Lynne Maree Milburn, which received an independent cinema release. Featuring luminaries such as Nick Cave, Bobby Gillespie, Wim Wenders, and of course... Lydia Lunch, the film highlights Howard s genius, talent, and rightfully elevates him to the cult status he so deserves. With both parties at the height of their respective talents, this is an alternative rock gem, yet however maintains an atmosphere of eerie beauty throughout. Out of print for years, this re-press is a must have.
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BANG 134LP
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The long-awaited vinyl reissue of Asteroid B-612's Not Meant for This World!, a classic album of Australian high-energy rock n' roll. Originally recorded and released in Sydney, Australia in 1996 under guidance of their leader John A. Spittles (aka Johnny Casino), this album reached the maximum exposition of sonic attack and guitar army sound mixing Detroit's wildest with Australian classics. This album was released only in Australia, on CD and with a super short vinyl edition which is impossible to find nowadays. Bang! Records have reissued it here with added graphic material. Remastered in order to reach the deserved level of sharpened guitars and rusted wall of sound! A total must for all fans of MC5, Stooges, Dark Carnival, Sonic's Rendezvous Band, Radio Birdman, The New Christs, Bored!, Hellacopters, etc. 150 gram vinyl; edition of 500.
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BANG 133LP
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Bored!'s finest, most sublime, purest excellence, perfection of sonic hazard and guitar violence. Dave Thomas once spoke about this recording as them jamming in the studio with the tape rolling until it finished and the band kept on playing further and further. The most brutal recording ever done in Australia on the roots of Detroit sound. Take It Out On You is a 1990s Bored! EP that has now, on this release, been expanded with three bonus tracks in order to complete the full recordings of the band in 1990, and with Tim Hemensley (GOD, Powder Monkeys) on bass and vocals. 150 gram vinyl; Edition of 500.
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BANG 132LP
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Bang! Records release The Lords of the New Church's Los Diablos for the first time on vinyl, a superb performance recorded in 1984 at Spanish TV Studio for program La Edad de Oro. The Lords of the New Church were at the peak of their career and they proved so by delivering this recording where they approach the most rocking and wild face with an astonishing quality of sound which has been remastered for the occasion. Band formed by: Stiv Bators - vocals (The Dead Boys); Brian James - guitar (The Damned); Dave Tregunna - bass (Sham 69); Nicky Turner - drums (Barracudas). An absolute must for all fans of this legendary band. Album is released courtesy of Easy Action Rcds. 150 gram vinyl; edition of 500.
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BANG 131LP
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Originally released only on CD in 1993, here is The Ugly Truth, the masterpiece from cult Australian artists Louis Tillett and Charlie Owen (The Beasts of Bourbon). Acoustic album with piano and guitar where Louis Tillett prints his most intimate, dark and emotional art in the shape of precious melodies, supported and backed by Charlie Owen. This album is absolutely mandatory for all fans of Louis Tillett and The Beasts of Bourbon. It was necessary to be released on vinyl, no doubt. 150 gram vinyl; edition of 300.
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BANG 135LP
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Detroit high-energy rock at its purest essence! Niagara (Destroy All Monsters) and Ron Asheton (The Stooges), among other great Detroit musicians, recorded this killer album back in 1996. Now it is finally reissued on vinyl with two added tracks to the original vinyl release, remastered in order to get its purest sound, and new artwork courtesy of Mrs. Niagara Detroit and Mr. Colonel Galaxy. And guess what? This is an extension of Destroy All Monsters with absolutely killer guitars in line with The Stooges' Funhouse with the unique stamp and signature of Mr. Ron Asheton. Ten classic shots which need to be in your record collection right by The Stooges, Destroy All Monsters, MC5, Sonic's Rendezvous Band, Radio Birdman, The New Christs, Bored!, etc. 150 gram vinyl; edition of 500.
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BANG 129LP
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The Drones last album up to date available out of Australia. Feelin Kinda Free is The Drones' seventh studio album. It was recorded in January 2015 at Tropical Fuck Storm Studios in Melbourne Australia with Aaron Cupples who recorded their 2006 album, Gala Mill. It is also the first album original drummer Christian Strybosch has played on since 2005's Wait Long By The River And The Bodies Of Your Enemies Will Float By. He is joined by long time members Gareth Liddiard, Fiona Kitschin, Dan Luscombe, and Steve Hesketh. Feelin Kinda Free is a bad trip you can dance to. It's a punch in the brain summed up by the first line of the album's opener "Private Execution": "The best songs are like bad dreams". It is not like other music. It is not your stock jock "modern" retro rehash, rather an avant avalanche of everything coming back to haunt. It has been described by Australia's premier right-wing tabloid superstar and Richard Wagner fanboy Andrew Bolt as "stamping on the ashes of the West's musical traditions". Lyrically, it explores themes such as Koro syndrome, the fruits of western imperialism, ISIS, celebrity chefs, seaside statecraft, beach-bum race riots, Rupert Murdoch, the new middle Eastern/European diaspora, the specter of neofascism, Hugo Boss, Luftwaffe psychological warfare techniques, girls, sweet revenge, capitalist consumer psychosis, body image dysmorphia/mania, Gertrude Bell, eating people and selling yourself, having great skin, leftist utopianism, scientific triumphalism, E.T. and the mindless assumption that alien lifeforms would be nicer than us simply because of their technological superiority. 150 gram vinyl; Edition of 500.
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BANG 130LP
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Bang! Records presents a reissue of Hugo Race's Stations Of The Cross, originally released in 1994. Presented here for the first time on vinyl, this superb and rare masterpiece is Hugo Race solo in the studio developing the rawest, darkest and most extreme swamp tracks he ever recorded. This album was originally only released on CD back in the day and in a limited edition. Here it is available for all fans of this magnificent artist, one with a cult following all over the world. This is a must for all fans of The Beasts of Bourbon, Nick Cave and the Bad Seeds, The Drones, The Chrome Cranks, The Gun Club, and The Kill Devil Hills.
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BANG 128LP
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LP version. 150 gram vinyl; gatefold sleeve. After an extremely emotional final performance with the Beasts of Bourbon, Tex Perkins hit upon the idea of getting all of the band's members, past and present, into a recording studio with no particular agenda. It was more of a celebratory thing he had in mind than anything else. Sadly, bassist Brian Hooper didn't make it along as he passed away a week after the Beasts last show. Assembled in Soundpark Studio a couple of weeks later were Charlie Owen, Boris Sujdovic, Tony Pola, Spencer Jones, Kim Salmon, and Tex Perkins. They were unprepared save for some sketchy ideas, loose ends, and a couple of covers. With limited time the band knocked together a collection of jams pretty much true to the crazy M.O. employed back when The Axeman's Jazz got laid down in that fateful eight-hour session in 1983. Songs weren't so much learned as ideas were thrown together and recorded the moment they began to coalesce. Captured were: Brian Hooper's "What The Hell Was I Thinking", James Baker's "Drunk On A Train", Boris' "Don't Pull Me Over", Kim's "Pearls Before Swine", Tex's "On My Back" and "Just Let Go", and Spencer's "At The Hospital". There was also Zappa's "The Torture Never Stops" and Warren Zevon's "My Shit's Fucked Up" (was there ever a more appropriate cover for the Beasts?) Add to that some untitled jams that became the hilarious "Your Honour" and "It's All Lies". Sound like an album? You betchya! Deeply sad is that Spencer was only around long enough to make it onto one track. Absolutely wonderful is that he did make it onto the recording. And with such a funny and typically Jones style piece of observation as "At The Hospital". With respect, this isn't the Beasts of Bourbon. It would need to have Jonesy on every track to be that!
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BANG 128CD
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After an extremely emotional final performance with the Beasts of Bourbon, Tex Perkins hit upon the idea of getting all of the band's members, past and present, into a recording studio with no particular agenda. It was more of a celebratory thing he had in mind than anything else. Sadly, bassist Brian Hooper didn't make it along as he passed away a week after the Beasts last show. Assembled in Soundpark Studio a couple of weeks later were Charlie Owen, Boris Sujdovic, Tony Pola, Spencer Jones, Kim Salmon, and Tex Perkins. They were unprepared save for some sketchy ideas, loose ends, and a couple of covers. With limited time the band knocked together a collection of jams pretty much true to the crazy M.O. employed back when The Axeman's Jazz got laid down in that fateful eight-hour session in 1983. Songs weren't so much learned as ideas were thrown together and recorded the moment they began to coalesce. Captured were: Brian Hooper's "What The Hell Was I Thinking", James Baker's "Drunk On A Train", Boris' "Don't Pull Me Over", Kim's "Pearls Before Swine", Tex's "On My Back" and "Just Let Go", and Spencer's "At The Hospital". There was also Zappa's "The Torture Never Stops" and Warren Zevon's "My Shit's Fucked Up" (was there ever a more appropriate cover for the Beasts?) Add to that some untitled jams that became the hilarious "Your Honour" and "It's All Lies". Sound like an album? You betchya! Deeply sad is that Spencer was only around long enough to make it onto one track. Absolutely wonderful is that he did make it onto the recording. And with such a funny and typically Jones style piece of observation as "At The Hospital". With respect, this isn't the Beasts of Bourbon. It would need to have Jonesy on every track to be that!
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BANG 127LP
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Bang! Records announces Thinking Of Another Place, Lou Reed´s first triple-live vinyl LP from 1976's Rock´n´Roll Heart USA tour. A superb performance recorded for radio broadcast, restored and remastered, Reed plays seven tracks from that album alongside songs from Transformer (1972), Berlin (1973), Sally Can´t Dance (1974, and Coney Island Baby (1975), as well as some excellent Velvet Underground thrown in for good measure. Absolutely killer live performance with high sound quality, released in a trifold jacket with extensive liner notes by Jaime Gonzalo and Nina Antonia, including previously unseen photography courtesy of Bob Bery and rare live posters and magazine covers from those days courtesy of Gonzalo. Recorded at Civic Theatre, Akron, Ohio (USA), October 23rd, 1976. Edition of 500, released under license from Easy Action Records. Personnel: Lou Reed - vocals and guitar; Michael Fonfara - keyboards; Bruce Yaw - bass; Marty Fogel - sax; Michael Suchorsky - drums.
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BANG 126LP
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At last, The Telescopes's first four EPs are compiled as Early Studio Recordings, a reissue of their studio recordings from 1989 to 1990. Not only that, but they have been remastered to achieve the deserved sound of this legendary British band leading the late '80s and early '90s shoe-gaze and melodic noise scene alongside the likes of The Jesus And Mary Chain. The Telescopes, with their leader Stephen Lawrie, recorded these EPs in the same period as their first album, Taste (1989).The band's sound is tons of guitar noise and distortion covering beautiful melodies; this music is an absolute must in order to understand all indie and underground music coming from the U.K. and worldwide afterwards.
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BANG 120LP
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Here it is! Bored!'s very first release from 1988, Get Off My Wah-Wah And... Suck This!. Originally released in 1988, only 300 copies in cassette format were manufactured... and needless to mention they reach impossible prices in the second-hand market. It is now released on vinyl, remastered and with extensive liner notes and previously not-seen photography. Brutality, feedback, sonic abuse... a total pleasure for this legendary Australian band fans worldwide. Includes poster. Edition of 500.
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BANG 118LP
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Bang! Records present What Would I Know?, the posthumous album from Brian Hooper. The release of this album is bittersweet; on one hand it is a happy and proud moment, while on the other, it feels deeply sad that this is the posthumous album of much-admired artist Brian Hooper. Entering into the album, can one imagine a new album from Brian Henry Hooper (The Beasts of Bourbon, Kim Salmon and the Surrealists, Rowland S. Howard) with Gareth Liddiard of The Drones? What does it sound like? Picture Syd Barrett lost in Australia and you've got it! This is a truly personal and magical album, full of identity and openly exposing the genius of Brian Hooper. Features liner texts courtesy of Kim Salmon.
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BANG 122LP
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Sonic's Rendezvous Band were Detroit '70s legends that included Fred "Sonic" Smith of The MC5 and Scott Asheton of The Stooges. In 1978 Sonic's Rendezvous Band recorded only two studio tracks which are in this LP, including the mighty "City Slang" plus other tracks recorded live in Detroit in 1978 with excellent sound quality. A total must-have for all fans of The Stooges and The MC5 as well as Bored!, Radio Birdman, The New Christs, The Hellacopters, etc. This album has been previously released under the name Too Much Crack. Released under license from Easy Action Records.
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BANG 123LP
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The Dwarves, the most extreme and cool American punk rock band, present this insane release. And what is it? Well, well, well... Mr. Nick Oliveri (Kyuss, The Queens Of Stone Age) is The Dwarves bass player, and here Rex Everything compiles those tracks where Nick Oliveri is singing, screaming, and shouting out loud. The album is played by The Dwarves and produced by Blag Dhalia. As you can expect from The Dwarves this is a 20-minute LP with 12 direct punk rock shots to make your ears bleed! 150 gram vinyl; Edition of 1000.
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BANG 124LP
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The Kill Devil Hills' fifth album, Pink Fit! In this occasion the band deliver six long tracks, fulfilled of complex melodies and intensity. The Kill Devil Hills are one of Australia's best kept secrets. Coming from the isolated city of Perth, these musicians continue their growth and evolution delivering the very finest and most intense music which takes you, with their unique stamp and signature, to the world of The Drones, The Beasts Of Bourbon, Kim Salmon, The Gun Club, Johnny Cash... After the highly demanded reissue of their 2004 debut (BANG 017LP), here comes another magnificent musical work by these excellent and finest Australian musicians. 150 gram vinyl; Edition of 500.
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