Guitarist Eddie Glass and drummer Ruben Romano formed Nebula in 1997 after breaking away from desert rock pioneers Fu Manchu, eventually recruiting bassist Mark Abshire. The power trio specializes in feedback-drenched heavy rock, incorporating liberal doses of Black Sabbath riffery, psychedelia, and space rock. The band released a number of EPs before moving onto full-length albums like 1999's To the Center and 2001's Charged. They've mainly distinguished themselves as a very hard-working live unit Nebula creates pure guitar-driven, conscious expanding rock for the 21st century. They are a culmination of their rock forbearers such as Jimi Hendrix, MC5, The Stooges, and Mudhoney turned up a notch, taken to the next level, and blasting through space. Nebula spread their gospel through their music and what they are preaching will leave the congregation on the floor. In 2017 the band decided to reissue three of their crucial early works via Heavy Psych Sounds Records: 1998's Let it Burn, 1999's To the Center, and 2002's Dos EPs, which includes the material originally released on 1999's Sun Creature and a Nebula/Lowrider split. Followed by the re-release of Nebula's Charged and the special release of Demos & Outtakes '98-02 in early 2019, this summer and after 13 years will be seeing the band return with not only a new line-up but also their brand new full-length, a news that will definitely make every desert rock-heart beat faster.
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CD
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HPS 113CD
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$16.50
PREORDER
RELEASE DATE: 2/28/2020
The Giöbia album Plasmatic Idol is simply impressive: a collection of different sounds and atmospheres, brings the listener to another sidereal world full of dreams and mind travels. You can clearly feel the influence of certain Pink Floyd in some passages but also pinches of Italian progressive rock, horror soundtrack sounds from '70s movies, '60s garage influences, US West Coast psychedelia, and late '60s space rock a la Hawkwind. The production is delicate and smooth, the album flows without interruptions and the music immerses your mind in a cosmic dimension. The vintage organs and synthesizers are used in the best way possible, eight tracks that capture your attention without distraction. Produced by Bazu, the guitar player and singer of the band. Mixed and mastered by Brett Orrison (Black Angels, Jack White) at Spaceflight Records in Austin, Texas. Cover artwork by Metastazis.
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LP
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HPS 113LP
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$23.50
PREORDER
RELEASE DATE: 2/28/2020
LP version. The Giöbia album Plasmatic Idol is simply impressive: a collection of different sounds and atmospheres, brings the listener to another sidereal world full of dreams and mind travels. You can clearly feel the influence of certain Pink Floyd in some passages but also pinches of Italian progressive rock, horror soundtrack sounds from '70s movies, '60s garage influences, US West Coast psychedelia, and late '60s space rock a la Hawkwind. The production is delicate and smooth, the album flows without interruptions and the music immerses your mind in a cosmic dimension. The vintage organs and synthesizers are used in the best way possible, eight tracks that capture your attention without distraction. Produced by Bazu, the guitar player and singer of the band. Mixed and mastered by Brett Orrison (Black Angels, Jack White) at Spaceflight Records in Austin, Texas. Cover artwork by Metastazis.
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LP
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HPS 113LTD-LP
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$33.00
PREORDER
RELEASE DATE: 2/28/2020
LP version. Color vinyl. The Giöbia album Plasmatic Idol is simply impressive: a collection of different sounds and atmospheres, brings the listener to another sidereal world full of dreams and mind travels. You can clearly feel the influence of certain Pink Floyd in some passages but also pinches of Italian progressive rock, horror soundtrack sounds from '70s movies, '60s garage influences, US West Coast psychedelia, and late '60s space rock a la Hawkwind. The production is delicate and smooth, the album flows without interruptions and the music immerses your mind in a cosmic dimension. The vintage organs and synthesizers are used in the best way possible, eight tracks that capture your attention without distraction. Produced by Bazu, the guitar player and singer of the band. Mixed and mastered by Brett Orrison (Black Angels, Jack White) at Spaceflight Records in Austin, Texas. Cover artwork by Metastazis.
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HPS 114LP
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$23.50
PREORDER
RELEASE DATE: 2/14/2020
LP version. Big Scenic Nowhere's Vision Beyond Horizon is a collaborative effort and even greater than the sum of its parts. The basic riffs and song structures were done by Bob Balch and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg, and Alain Johannes make this record what it is. There was never a discussion of what kind of music they wanted to make. This album is a unique gem, manufactured by multiple artists, including different atmospheres: from melodic stoner mellowness, to faster tempos, to classic heavy sounds, the songwriting is never customary. One could say Fu Manchu's killer riffing meets the desert psychedelia of Yawning Man. For sure that is something that's never been tried before! Bob Balch and Gary Arce together give life to an amazing new adventure which sounds fresh and dynamic. The vocal parts are always choral and interesting. There's a variety in the songs which always keeps the listener focused and intrigued about what's next. This is a special record and deserves full attention; over time one will hear different elements within it. Dig in and get lost; let your journey begin.
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HPS 114LTD-LP
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$33.00
PREORDER
RELEASE DATE: 2/14/2020
LP version. Purple vinyl version. Big Scenic Nowhere's Vision Beyond Horizon is a collaborative effort and even greater than the sum of its parts. The basic riffs and song structures were done by Bob Balch and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg, and Alain Johannes make this record what it is. There was never a discussion of what kind of music they wanted to make. This album is a unique gem, manufactured by multiple artists, including different atmospheres: from melodic stoner mellowness, to faster tempos, to classic heavy sounds, the songwriting is never customary. One could say Fu Manchu's killer riffing meets the desert psychedelia of Yawning Man. For sure that is something that's never been tried before! Bob Balch and Gary Arce together give life to an amazing new adventure which sounds fresh and dynamic. The vocal parts are always choral and interesting. There's a variety in the songs which always keeps the listener focused and intrigued about what's next. This is a special record and deserves full attention; over time one will hear different elements within it. Dig in and get lost; let your journey begin.
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CD
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HPS 114CD
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$16.50
PREORDER
RELEASE DATE: 2/14/2020
Big Scenic Nowhere's Vision Beyond Horizon is a collaborative effort and even greater than the sum of its parts. The basic riffs and song structures were done by Bob Balch and Gary Arce, but the contributions from Tony Reed, Lisa Alley, Ian Graham, Mario Lalli, Nick Oliveri, Bill Stinson, Per Wiberg, and Alain Johannes make this record what it is. There was never a discussion of what kind of music they wanted to make. This album is a unique gem, manufactured by multiple artists, including different atmospheres: from melodic stoner mellowness, to faster tempos, to classic heavy sounds, the songwriting is never customary. One could say Fu Manchu's killer riffing meets the desert psychedelia of Yawning Man. For sure that is something that's never been tried before! Bob Balch and Gary Arce together give life to an amazing new adventure which sounds fresh and dynamic. The vocal parts are always choral and interesting. There's a variety in the songs which always keeps the listener focused and intrigued about what's next. This is a special record and deserves full attention; over time one will hear different elements within it. Dig in and get lost; let your journey begin.
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HPS 060COL-LP
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$23.50
PREORDER
RELEASE DATE: 12/20/2019
2019 repress, red vinyl. A hammered four-stroke beat like a twin cylinder engine running on idle, a roaring guitar riff revving up the rpms of the iron-built motorcycle-inspired band, then the fresh and insisting breeze of a Farfisa organ whispering "let's ride", and a heavy bass greasing up the reliable crank and rods of that authentic rock'n'roll machine, and there it goes ladies and gents, the mighty Lords Of Altamont combo! Riding hard on backyard-built, loud pipes, and rigid frame indestructible raw choppers, the band left their garage enlivened by the year of 1969, right at the crossroads of the Summer of Love and the birth of punk rock. Fueled up by the MC5, the Stooges, and the Chambers Brothers, to name a few, the pack follows Jake "The Preacher" Cavaliere (vocals, organ) on his uncompromising rock'n'roll journey ; Dani Sindaco (guitar), Rob Zimmermann (bass), and Steven Van Der Werff (drums) along with their front man are now spreading out The Wild Sounds Of Lords Of Altamont, their latest record, around the planet! Through fads and fashions, either on wax or on stage, the Lords can take you back to this era of freedom and rebellion with their hi-octane tunes. The gang has been already rocking the world for 17 years with spectacular performances, firmly run-in by five solid stainless records and they're now fine-tuned with this new release of ten powerful late-sixties tracks which manage to sound fiendishly contemporary. Our era needs the Heavy Psych Sounds label and the Lords real bad: nine new original stunning songs plus an arrogant and totally mind-blowing Howlin' Wolf cover ("Evil Is Going On"). Let's welcome the LA combo back and hit the road to rock'n'roll with the "Savage 4". Carefully produced at Kitten Robot Studios in LA by punk rock legend Paul Roessler (Screamers); analog-mastered by Dave Schultz at D2 Mastering Lab.
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HPS 103COL-LP
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$36.50
PREORDER
RELEASE DATE: 11/22/2019
New limited repress. 22 years after their first release (1999) and ten years after their last album (2008), Nebula are back. And you're thinking "Holy shit!" right now, you pretty much nailed it. Holy Shit is Nebula's first LP since 2009's Heavy Psych, and it quickly puts to rest the question that's loomed since guitarist/vocalist Eddie Glass, bassist Tom Davies, and drummer Michael Amster announced the band's reformation in 2017: Nebula are still Nebula. It's there in the inimitable space-grunge of "It's All Over", or the take-a-drag-and-be-gone "Let's Get Lost", or the way "Tomorrow Never Comes" manages to be so, so heavy and laid back at the same time. It's in the paradise-psych of "Gates Of Eden" and even the snoring you hear before the devilish "Man's Best Friend" kicks in to open the album (the studio couch became a crash spot). Since the days of 1998's Let It Burn EP and the now-classic To The Center debut album (HPS 066CD/LP/LTD-LP), Nebula have always been just a little more dangerous. Just a little more unhinged. Holy Shit shows this front-to-back for the essential part of their character it is, and yet it's not trying to be anything they've done before, whether it's those early outings or Heavy Psych or 2001's Charged (HPS 087CD/LP/LTD-LP), 2003's Apollo, or 2005's Atomic Ritual. It's a sixth Nebula album -- something for which even the most ardent of fans could hardly have hoped. The basic tracks were done in two days, recorded at Mysterious Mammal Studios in LA with Matt Lynch (also of Snail) at the helm. Leads and loops and feedback effects were done live by Glass and Davies as they recorded the basic tracks, just the way they'd do it on stage, and overdubs followed after as needed. A glut of material was produced and whittled down to the core of what you hear here. A sixth Nebula album. And when you hear it, you'll find yourself saying that title all over again. Cover art by Robin Gnista. Edition of 250, yellow transparent splatter vinyl, black/red/green fluorescent gatefold sleeve.
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CD
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HPS 112CD
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$16.50
PREORDER
RELEASE DATE: 10/25/2019
On the back of last 2018's critically acclaimed Amber & Gold EP, Alunah return with Violet Hour, the new album and first for Heavy Psych Sounds. Violet Hour sees the energy of Alunah's dark, doom-tinged hard rock being cranked up with the arrival of guitarist Dean Ashton (bassist in Diamond Head) alongside the soaring vocals of Sian Greenaway and rhythmic foundation of Dan Burchmore and Jake Mason. Recorded at the historic Welsh Foel Studio and produced by Chris Fielding (Conan, Electric Wizard, Primordial) the eight tracks on display show the fruits of a productive early 2019 with a searing combination of melodies, riffs, and focused writing. From the opening combination of "Trapped & Bound" and "Dance Of Deceit", the album pulls the listener in to an ominous world brought to life by artist Felipe Froeder - Arcano XV and doesn't let go until the brooding finale "Lake Of Fire". With roots dating back to 2006 in "Sabbath City" UK and an evolution that has grown over four previous albums and numerous European tours/festival dates, the momentum now picks up the pace.
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HPS 112LP
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LP version. On the back of last 2018's critically acclaimed Amber & Gold EP, Alunah return with Violet Hour, the new album and first for Heavy Psych Sounds. Violet Hour sees the energy of Alunah's dark, doom-tinged hard rock being cranked up with the arrival of guitarist Dean Ashton (bassist in Diamond Head) alongside the soaring vocals of Sian Greenaway and rhythmic foundation of Dan Burchmore and Jake Mason. Recorded at the historic Welsh Foel Studio and produced by Chris Fielding (Conan, Electric Wizard, Primordial) the eight tracks on display show the fruits of a productive early 2019 with a searing combination of melodies, riffs, and focused writing. From the opening combination of "Trapped & Bound" and "Dance Of Deceit", the album pulls the listener in to an ominous world brought to life by artist Felipe Froeder - Arcano XV and doesn't let go until the brooding finale "Lake Of Fire". With roots dating back to 2006 in "Sabbath City" UK and an evolution that has grown over four previous albums and numerous European tours/festival dates, the momentum now picks up the pace.
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CD
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HPS 111CD
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The legendary stoner rockers are back! One of the first bands of the genre present their eighth album after their first EP, Side FX, back in 1994, the era of grunge rock. This time the album hits directly to the soul. Eight new tracks which are different to each other, combining groovy parts with heaviness and melodies. The guitars are still heavy but spacey and psychedelic at the same time. The bass is always groovy with intense playing. All together with a lot of catchy melodies and the power of Argy's vocals are the secret of the music of Nightstalker. Raw rock 'n roll simplicity, stunning riffs, and electric haze are what have kept the band going for more than 20 years. Produced by Nightstalker again, and this time it is recorded and mixed at Wreck it Sound Studios. Listening to Nightstalker you can figure out why Greece is the perfect country for stoner rock bands and why the Greek stoner scene is one of the greatest worldwide. For fans of: Black Sabbath, Motorhead, Monster Magnet, Kyuss.
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LP
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HPS 111LP
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LP version. The legendary stoner rockers are back! One of the first bands of the genre present their eighth album after their first EP, Side FX, back in 1994, the era of grunge rock. This time the album hits directly to the soul. Eight new tracks which are different to each other, combining groovy parts with heaviness and melodies. The guitars are still heavy but spacey and psychedelic at the same time. The bass is always groovy with intense playing. All together with a lot of catchy melodies and the power of Argy's vocals are the secret of the music of Nightstalker. Raw rock 'n roll simplicity, stunning riffs, and electric haze are what have kept the band going for more than 20 years. Produced by Nightstalker again, and this time it is recorded and mixed at Wreck it Sound Studios. Listening to Nightstalker you can figure out why Greece is the perfect country for stoner rock bands and why the Greek stoner scene is one of the greatest worldwide. For fans of: Black Sabbath, Motorhead, Monster Magnet, Kyuss.
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LP
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HPS 111LTD-LP
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LP version. Limited edition color vinyl. The legendary stoner rockers are back! One of the first bands of the genre present their eighth album after their first EP, Side FX, back in 1994, the era of grunge rock. This time the album hits directly to the soul. Eight new tracks which are different to each other, combining groovy parts with heaviness and melodies. The guitars are still heavy but spacey and psychedelic at the same time. The bass is always groovy with intense playing. All together with a lot of catchy melodies and the power of Argy's vocals are the secret of the music of Nightstalker. Raw rock 'n roll simplicity, stunning riffs, and electric haze are what have kept the band going for more than 20 years. Produced by Nightstalker again, and this time it is recorded and mixed at Wreck it Sound Studios. Listening to Nightstalker you can figure out why Greece is the perfect country for stoner rock bands and why the Greek stoner scene is one of the greatest worldwide. For fans of: Black Sabbath, Motorhead, Monster Magnet, Kyuss.
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CD
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HPS 108CD
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In 2019, at a time in which irrationalism seems to be king, with far-right politics enjoying mainstream status worldwide, religious fundamentalists, flat-earthers, and anti-vaccinists testing the limits of freedom of speech, Planet Of Zeus return with their highly anticipated fifth studio album, Faith In Physics. Lyrically, this album seems to be Planet Of Zeus's most socio-politically conscious release, dealing with themes such as digitalization, religion, social network pseudo-revolution, addiction, and lonerism. Musically, it sounds like the band's chosen to take the dirtiest path possible in order to create the highly charged atmosphere needed to get its messages through. 46 minutes of heavy, intellectual riffology and fat grooves, reminiscent of Rage Against The Machine's best days, MC5-esque attitude and energy, coupled with Queens Of The Stone Age's pop sensibilities. An album that flows like water and closes with Planet Of Zeus's signature psychedelic last track, that sounds like The Doors landing in 2019 Athens via teleportation.
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LP
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HPS 108LTD-LP
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LP version. Limited edition color vinyl. In 2019, at a time in which irrationalism seems to be king, with far-right politics enjoying mainstream status worldwide, religious fundamentalists, flat-earthers, and anti-vaccinists testing the limits of freedom of speech, Planet Of Zeus return with their highly anticipated fifth studio album, Faith In Physics. Lyrically, this album seems to be Planet Of Zeus's most socio-politically conscious release, dealing with themes such as digitalization, religion, social network pseudo-revolution, addiction, and lonerism. Musically, it sounds like the band's chosen to take the dirtiest path possible in order to create the highly charged atmosphere needed to get its messages through. 46 minutes of heavy, intellectual riffology and fat grooves, reminiscent of Rage Against The Machine's best days, MC5-esque attitude and energy, coupled with Queens Of The Stone Age's pop sensibilities. An album that flows like water and closes with Planet Of Zeus's signature psychedelic last track, that sounds like The Doors landing in 2019 Athens via teleportation.
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HPS 112LTD-LP
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LP version. Limited edition color vinyl. On the back of last 2018's critically acclaimed Amber & Gold EP, Alunah return with Violet Hour, the new album and first for Heavy Psych Sounds. Violet Hour sees the energy of Alunah's dark, doom-tinged hard rock being cranked up with the arrival of guitarist Dean Ashton (bassist in Diamond Head) alongside the soaring vocals of Sian Greenaway and rhythmic foundation of Dan Burchmore and Jake Mason. Recorded at the historic Welsh Foel Studio and produced by Chris Fielding (Conan, Electric Wizard, Primordial) the eight tracks on display show the fruits of a productive early 2019 with a searing combination of melodies, riffs, and focused writing. From the opening combination of "Trapped & Bound" and "Dance Of Deceit", the album pulls the listener in to an ominous world brought to life by artist Felipe Froeder - Arcano XV and doesn't let go until the brooding finale "Lake Of Fire". With roots dating back to 2006 in "Sabbath City" UK and an evolution that has grown over four previous albums and numerous European tours/festival dates, the momentum now picks up the pace.
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LP
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HPS 108LP
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LP version. In 2019, at a time in which irrationalism seems to be king, with far-right politics enjoying mainstream status worldwide, religious fundamentalists, flat-earthers, and anti-vaccinists testing the limits of freedom of speech, Planet Of Zeus return with their highly anticipated fifth studio album, Faith In Physics. Lyrically, this album seems to be Planet Of Zeus's most socio-politically conscious release, dealing with themes such as digitalization, religion, social network pseudo-revolution, addiction, and lonerism. Musically, it sounds like the band's chosen to take the dirtiest path possible in order to create the highly charged atmosphere needed to get its messages through. 46 minutes of heavy, intellectual riffology and fat grooves, reminiscent of Rage Against The Machine's best days, MC5-esque attitude and energy, coupled with Queens Of The Stone Age's pop sensibilities. An album that flows like water and closes with Planet Of Zeus's signature psychedelic last track, that sounds like The Doors landing in 2019 Athens via teleportation.
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HPS 109CD
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Philadelphia heavy psych quartet Ecstatic Vision (regarded as the second coming of vintage Hawkwind) return with For the Masses. After bursting onto the scene with their 2015 tribal-psychedelic LP, Sonic Praise (HPS 110LP/LTD-LP), touring the USA with Yob and Uncle Acid & The Deadbeats, crushing Roadburn, then quickly releasing a for-heads-only, noisy, psychedelic-garage record to weed out the weak (Raw Rock Fury, 2017), Ecstatic Vision have pulled themselves out of the muck to deliver their finest album to date. Recorded in Philadelphia at Retro City Studios with Joe Boldizar and mixed/mastered by Tim Green (Earthless, The Melvins) at Louder Studios in Grass Valley, CA, Ecstatic Vision's recent fuzzed-out sound has been sculpted it into a hi/fi psychedelic wonderland. This album is the closest the band has gotten to achieving the energy of their untouchable live shows on tape. EV took a simpler approach on the art this time, using the Spanish dream-team of Edko Fuzz and Bangalore Studios. For The Masses blends tripped-out synth, semi-catatonic desert driving tunes, Afro-tribal funkadelic bibes, troglodyte-Detroit rock grooves, acid freak-outs, ethereal psychedelic hymns, and mind-altering krautrock into Ecstatic Vision's outsider take on modern music. It's like if Tangerine Dream jammed with Lemmy and the Asheton Brothers and decided to play some world music and free jazz in 1971.
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HPS 109LP
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LP version. Philadelphia heavy psych quartet Ecstatic Vision (regarded as the second coming of vintage Hawkwind) return with For the Masses. After bursting onto the scene with their 2015 tribal-psychedelic LP, Sonic Praise (HPS 110LP/LTD-LP), touring the USA with Yob and Uncle Acid & The Deadbeats, crushing Roadburn, then quickly releasing a for-heads-only, noisy, psychedelic-garage record to weed out the weak (Raw Rock Fury, 2017), Ecstatic Vision have pulled themselves out of the muck to deliver their finest album to date. Recorded in Philadelphia at Retro City Studios with Joe Boldizar and mixed/mastered by Tim Green (Earthless, The Melvins) at Louder Studios in Grass Valley, CA, Ecstatic Vision's recent fuzzed-out sound has been sculpted it into a hi/fi psychedelic wonderland. This album is the closest the band has gotten to achieving the energy of their untouchable live shows on tape. EV took a simpler approach on the art this time, using the Spanish dream-team of Edko Fuzz and Bangalore Studios. For The Masses blends tripped-out synth, semi-catatonic desert driving tunes, Afro-tribal funkadelic bibes, troglodyte-Detroit rock grooves, acid freak-outs, ethereal psychedelic hymns, and mind-altering krautrock into Ecstatic Vision's outsider take on modern music. It's like if Tangerine Dream jammed with Lemmy and the Asheton Brothers and decided to play some world music and free jazz in 1971.
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HPS 107LP
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Double LP version. Heavy Psych Sounds present a reissue of Brant Bjork's Jalamanta, originally released in 1999. Brant Bjork: "Jalamanta was a life changing record for me. It's the record that launched my journey as Brant Bjork. Listening to the tapes 20 years later was amazing. Tony Mason and myself were transported back to that moment in time. Jalamanta was a first for both Tony and myself. My first record as a solo artist and his first record as an engineer. We didn't think twice about re-mixing it. With our combined experience over the years, we knew we could take Jalamanta to the place we always wanted it to go... and we did. Dig it." Features a Blue Öyster Cult cover, "Take Me Away".
Produced by Brant Bjork. Recorded by Tony Mason at Rancho De La Luna, Joshua Tree, California, February 1999. Re-mixed by Tony Mason and Brant Bjork at North Star Ave., 29 Palms, California, March 2019. Re-mastered by John McBain, JPM Mastering, San Francisco, California. All songs written, composed and performed by Brant Bjork. Words and vocals on "Toot" by Mario Lalli, additional guitars by Mario Lalli and Gary Arcy. Cover photo by Sam Grant, Skull Modern Relics by Joe Herbick. Art direction by Ryan Jones, layout by Branca Studio.
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HPS 107CD
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Heavy Psych Sounds present a reissue of Brant Bjork's Jalamanta, originally released in 1999. Brant Bjork: "Jalamanta was a life changing record for me. It's the record that launched my journey as Brant Bjork. Listening to the tapes 20 years later was amazing. Tony Mason and myself were transported back to that moment in time. Jalamanta was a first for both Tony and myself. My first record as a solo artist and his first record as an engineer. We didn't think twice about re-mixing it. With our combined experience over the years, we knew we could take Jalamanta to the place we always wanted it to go... and we did. Dig it." Features a Blue Öyster Cult cover, "Take Me Away".
Produced by Brant Bjork. Recorded by Tony Mason at Rancho De La Luna, Joshua Tree, California, February 1999. Re-mixed by Tony Mason and Brant Bjork at North Star Ave., 29 Palms, California, March 2019. Re-mastered by John McBain, JPM Mastering, San Francisco, California. All songs written, composed and performed by Brant Bjork. Words and vocals on "Toot" by Mario Lalli, additional guitars by Mario Lalli and Gary Arcy. Cover photo by Sam Grant, Skull Modern Relics by Joe Herbick. Art direction by Ryan Jones, layout by Branca Studio.
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HPS 109LTD-LP
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LP version. Limited edition color vinyl. Philadelphia heavy psych quartet Ecstatic Vision (regarded as the second coming of vintage Hawkwind) return with For the Masses. After bursting onto the scene with their 2015 tribal-psychedelic LP, Sonic Praise (HPS 110LP/LTD-LP), touring the USA with Yob and Uncle Acid & The Deadbeats, crushing Roadburn, then quickly releasing a for-heads-only, noisy, psychedelic-garage record to weed out the weak (Raw Rock Fury, 2017), Ecstatic Vision have pulled themselves out of the muck to deliver their finest album to date. Recorded in Philadelphia at Retro City Studios with Joe Boldizar and mixed/mastered by Tim Green (Earthless, The Melvins) at Louder Studios in Grass Valley, CA, Ecstatic Vision's recent fuzzed-out sound has been sculpted it into a hi/fi psychedelic wonderland. This album is the closest the band has gotten to achieving the energy of their untouchable live shows on tape. EV took a simpler approach on the art this time, using the Spanish dream-team of Edko Fuzz and Bangalore Studios. For The Masses blends tripped-out synth, semi-catatonic desert driving tunes, Afro-tribal funkadelic bibes, troglodyte-Detroit rock grooves, acid freak-outs, ethereal psychedelic hymns, and mind-altering krautrock into Ecstatic Vision's outsider take on modern music. It's like if Tangerine Dream jammed with Lemmy and the Asheton Brothers and decided to play some world music and free jazz in 1971.
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HPS 110LP
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Reissue of the legendary album with brand new cover art. Sonic Praise is the album that put Philadelphia's Ecstatic Vision on the map. Originally released by Relapse in 2015, this album was critically acclaimed and led to worldwide touring with the likes of Uncle Acid & the Deadbeats, Yob, and headlining shows across Europe, culminating in a breakout performance at Roadburn 2016. The album itself introduced something different to the Heavy Psych Sounds scene, incorporating tribal rhythms from around the world, with bone-crushing heavy rock a-la-Hawkwind circa 1972, and cosmic psychedelic sounds. After years of being sold out, Heavy Psych Sounds announce this long-awaited reissue. Honorary members Joe Martin (Welivebynight) and Bangalore Studios, have contributed their accomplished talent to create new visionary artwork for this release.
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LP
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HPS 110LTD-LP
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LP version. Limited edition color vinyl. Reissue of the legendary album with brand new cover art. Sonic Praise is the album that put Philadelphia's Ecstatic Vision on the map. Originally released by Relapse in 2015, this album was critically acclaimed and led to worldwide touring with the likes of Uncle Acid & the Deadbeats, Yob, and headlining shows across Europe, culminating in a breakout performance at Roadburn 2016. The album itself introduced something different to the Heavy Psych Sounds scene, incorporating tribal rhythms from around the world, with bone-crushing heavy rock a-la-Hawkwind circa 1972, and cosmic psychedelic sounds. After years of being sold out, Heavy Psych Sounds announce this long-awaited reissue. Honorary members Joe Martin (Welivebynight) and Bangalore Studios, have contributed their accomplished talent to create new visionary artwork for this release.
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2LP
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HPS 107LTD-LP
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Double LP version. Limited edition color vinyl. Heavy Psych Sounds present a reissue of Brant Bjork's Jalamanta, originally released in 1999. Brant Bjork: "Jalamanta was a life changing record for me. It's the record that launched my journey as Brant Bjork. Listening to the tapes 20 years later was amazing. Tony Mason and myself were transported back to that moment in time. Jalamanta was a first for both Tony and myself. My first record as a solo artist and his first record as an engineer. We didn't think twice about re-mixing it. With our combined experience over the years, we knew we could take Jalamanta to the place we always wanted it to go... and we did. Dig it." Features a Blue Öyster Cult cover, "Take Me Away".
Produced by Brant Bjork. Recorded by Tony Mason at Rancho De La Luna, Joshua Tree, California, February 1999. Re-mixed by Tony Mason and Brant Bjork at North Star Ave., 29 Palms, California, March 2019. Re-mastered by John McBain, JPM Mastering, San Francisco, California. All songs written, composed and performed by Brant Bjork. Words and vocals on "Toot" by Mario Lalli, additional guitars by Mario Lalli and Gary Arcy. Cover photo by Sam Grant, Skull Modern Relics by Joe Herbick. Art direction by Ryan Jones, layout by Branca Studio.
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