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viewing 1 To 25 of 56 items
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2CD
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LMS 5521383
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To celebrate twenty years since the release of Sugababes' iconic debut album One Touch, originally released in 2000, the band have a special anniversary edition of the album. Remastered and expanded, including unheard demos, rarities and classic/new remixes. One Touch remains a blueprint for genre-hopping mainstream music and a byword for effortlessly stylish British pop. Original band line up -- Keisha Buchanan, Mutya Buena and Siobhán Donaghy -- are back together to support this release. New remixes by MNEK, Metronomy, Blood Orange, and Majestic. Also features remixes by Tatyana, C.R.E.A.M., About 2, Ed Case, and G4orce. Featuring the hit singles "Overload", "Run For Cover", and "Same Old Story".
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LMS 5521384
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LP version. Gold vinyl; gatefold sleeve with gold foil; download code with 34 tracks.To celebrate twenty years since the release of Sugababes' iconic debut album One Touch, originally released in 2000, the band have a special anniversary edition of the album. Remastered and expanded, including unheard demos, rarities and classic/new remixes. One Touch remains a blueprint for genre-hopping mainstream music and a byword for effortlessly stylish British pop. Original band line up -- Keisha Buchanan, Mutya Buena and Siobhán Donaghy -- are back together to support this release. New remixes by MNEK, Metronomy, Blood Orange, and Majestic. Also features remixes by Tatyana, C.R.E.A.M., About 2, Ed Case, and G4orce. Featuring the hit singles "Overload", "Run For Cover", and "Same Old Story".
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LMS 5521445
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Fine Young Cannibals' first, eponymous album, originally released in 1985, remastered for the very first time with Roland Gift's involvement. Includes the hits "Johnny Come Home", "Suspicious Minds". Includes 10 rare/unreleased tracks.
"When Dave Wakeling and Ranking Roger split from the rest of the English Beat to form General Public, Andy Cox and Dave Steele originally advertised on MTV for a new lead singer for the Beat. When that didn't pan out (although it did work for Wall of Voodoo), Cox and Steele hooked up with the unique and soulful singer Roland Gift and formed the Fine Young Cannibals. Though the trio first hit the mass U.S. consciousness with 1989's electronic dance-pop The Raw and the Cooked, their 1985 debut was a soul-jazz pop charmer that's more low-key but every bit as entertaining. Along the lines of early Everything But the Girl (the two groups share a producer, Robin Millar) with a heavier Motown influence, the songs on Fine Young Cannibals are uniformly strong. The singles 'Johnny Come Home' (a plea to a runaway that sounds like the Beat's ska stripped down to its tense and obsessive essentials) and 'Blue' (one of the more oblique and successful anti-Margaret Thatcher tracks of its era) are terrific, but album tracks like the casually devastating 'Funny How Love Is' and the manic 'Like a Stranger' (which incongruously ends with a female chorus shrieking 'You've been too long in an institution!' repeatedly while Gift tries out his Otis Redding impression) are even better. The album's highlight, though, is a reworking of 'Suspicious Minds' (with scarifying backing vocals by Jimmy Somerville) that, while it doesn't replace Elvis' version, certainly takes the song into an interesting new direction. Although often overlooked, especially in the U.S., in the wake of their massively successful follow-up, Fine Young Cannibals is a powerful and satisfying debut." --Stewart Mason, AllMusic
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LMS 5521446
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The second album by the Fine Young Cannibals, The Raw and The Cooked, original released in 1989. Remastered for the very first time with Roland Gift's involvement. Fine Young Cannibals had talent to burn -- guitarist Andy Cox and multi-instrumentalist David Steele were veterans of the English Beat, and front man Roland Gift was a vocalist as distinctive as Sam Cooke or Al Green -- and 1989's The Raw and The Cooked shows the UK trio going out in style. The second and final FYC studio album neatly balances such retro-soul numbers as "Good Thing" and such Prince-influenced dance cuts as "She Drives Me Crazy." Both of those tracks became No.1 hits, and the remaining songs (all original except for a convincing cover of Buzzcocks' "Ever Fallen In Love") are also single-worthy. A double-Platinum smash, The Raw and The Cooked remains among the most listenable albums of the 1980s. Includes the hits "She Drives Me Crazy", "Good Thing", "I'm Not The Man I Used To Be". Features 22 bonus rare/unreleased tracks -- B sides, and also remixes by David Z, Ploeg Club, Dimitri From Paris Seth Troxler, Prince Paul, Youth, and Arthur Baker. Features eight rare and unreleased bonus tracks; features John Potoker and Jazzie B and Nellee Hooper.
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12"
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LMS 5521449
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INDIE EXCLUSIVE, RSD UK JULY DROP RELEASE. As part of a 35-year anniversary celebration of Fine Young Cannibals' debut album London Records are releasing the recent remixes by Dimitri From Paris and Cerrone of their huge hit "She Drives Me Crazy" on color vinyl. Including the classic track remastered plus legendary French DJ Cerrone takes the original to dancefloor. Dimitri's giddy assault of "She Drives Me Crazy" plunders sounds from pop, house, disco, and late-80s hip-hop.
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LMS 5521448
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INDIE EXCLUSIVE, RSD UK JULY DROP RELEASE. As part of a 35-year anniversary celebration of Fine Young Cannibals' debut album London Records are releasing the recent remixes by Derrick Carter and Seth Troxler of their huge hits "She Drives Me Crazy" and "Johnny Come Home" on color vinyl. Including the original version of "Johnny Come Home" remastered plus Derrick Carter isolates the brass and drills down to the bedrock of Chicago House with his re-rub. On the flip Seth Troxler's subterranean re-rub of "She Drives Me Crazy" is all static shocks and rumbling hydraulics."
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3CD
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LMS 5521366
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25 Year Anniversary Edition of Goldie's Timeless, originally released in 1995, remastered and expanded with rarities and new remixes, featuring Grooverider, 4 Hero, and [re:jazz]. Goldie's groundbreaking album Timeless turns 25, and to celebrate Clifford Joseph Price, the pioneering producer and DJ announces a reissue with London Records. A complex debut album, Timeless founded a new chapter in the history of the electronic genre originally reaching no. 7 in the charts and since been celebrated for its unique blend of sublime strings, beautiful atmospheres, and sophisticated vocals. Inarguably an ambitious blueprint at the time; Goldie's production in 1995 fashioned the edgy rhythms and bass of jungle into a newly futuristic model, now globally admired as drum & bass. Features rarities and remixes unearthed from Goldie's personal archive. New liner notes by Tim Barr. Triple CD version comes in gatefold digipak sleeve.
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3LP
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LMS 5521367
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Triple LP version. Gatefold sleeve with deluxe reflective silver board; Gold(ie) color vinyl. 25 Year Anniversary Edition of Goldie's Timeless, originally released in 1995, remastered and expanded with rarities and new remixes, featuring Grooverider, 4 Hero, and [re:jazz]. Goldie's groundbreaking album Timeless turns 25, and to celebrate Clifford Joseph Price, the pioneering producer and DJ announces a reissue with London Records. A complex debut album, Timeless founded a new chapter in the history of the electronic genre originally reaching no. 7 in the charts and since been celebrated for its unique blend of sublime strings, beautiful atmospheres, and sophisticated vocals. Inarguably an ambitious blueprint at the time; Goldie's production in 1995 fashioned the edgy rhythms and bass of jungle into a newly futuristic model, now globally admired as drum & bass. Features rarities and remixes unearthed from Goldie's personal archive. New liner notes by Tim Barr.
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12"
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LMS 5521380
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Goldie's groundbreaking album Timeless turns 25 (1995), and to celebrate Clifford Joseph Price -- the pioneering producer and DJ announces new remixes of his seminal album track and classic "Inner City Life". Diverse yet crucially characteristic, each remix brings out distinctive qualities that undoubtedly accentuated the 1995 classic -- an iconic collage of sounds that capture a fragmented and urbanized London in all its magnificent musical forms. Binary State executes restraints towards the dramatic and subtle notes of the original interweaving the late Diane Charlemagne's expansive and powerful vocal performance with a rubbery tech-house journey. It's a tightly knit and perpetually driving reworking with a the four-to-the-floor dancefloor pulse. Drum and Bass don dBridge is enlisted by Goldie himself to provide a seismic, unconstrained and at times amorphous remix; an uncompromising breakdown of the creative boundaries that we experienced in the 1995 original. Continually challenging a drum & bass records accepted norm, and the delicate eccentricities a classic remix opportunity provides, this year's package also embraces a poignant jazz rendition of "Inner City Life"; a cover that provides not only smooth relief and timeless lust for the original masterpiece. Alongside the relaxed silhouette of the (re:jazz) cover, both the original radio edit and Roni Size's legendary remix that donned the tracks initial 12" is entirely re-mastered. The enduring profile of Goldie rose to incredible prominence during the '90s through pivotal albums Timeless and Saturnz Return (LMS 5521265, LMS 5521276), collaborations with everyone from David Bowie to KRS-One and the launching of his (still operational) Metalheadz label. A complex debut album, Timeless founded a new chapter in the history of the electronic genre originally reaching no. 7 in the charts and since been celebrated for its unique blend of sublime strings, beautiful atmospheres and sophisticated vocals. Inarguably an ambitious blueprint at the time; Goldie's production in 1995 fashioned the edgy rhythms and bass of jungle into a newly futuristic model, now globally admired as drum & bass.
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2CD
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LMS 5521360
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Fine Young Cannibals' first, eponymous album, originally released in 1985, remastered for the very first time with Roland Gift's involvement. Includes the hits "Johnny Come Home", "Suspicious Minds". Includes 29 bonus rare/unreleased tracks -- B sides, live renditions including BBC session recorded with John Peel and Janice Long, and remixes with versions by Mousse T Cocktail, Derrick Carter, and Mark Moore. Double-CD version comes in six-page digipack; includes 12-page booklet.
"When Dave Wakeling and Ranking Roger split from the rest of the English Beat to form General Public, Andy Cox and Dave Steele originally advertised on MTV for a new lead singer for the Beat. When that didn't pan out (although it did work for Wall of Voodoo), Cox and Steele hooked up with the unique and soulful singer Roland Gift and formed the Fine Young Cannibals. Though the trio first hit the mass U.S. consciousness with 1989's electronic dance-pop The Raw and the Cooked, their 1985 debut was a soul-jazz pop charmer that's more low-key but every bit as entertaining. Along the lines of early Everything But the Girl (the two groups share a producer, Robin Millar) with a heavier Motown influence, the songs on Fine Young Cannibals are uniformly strong. The singles 'Johnny Come Home' (a plea to a runaway that sounds like the Beat's ska stripped down to its tense and obsessive essentials) and 'Blue' (one of the more oblique and successful anti-Margaret Thatcher tracks of its era) are terrific, but album tracks like the casually devastating 'Funny How Love Is' and the manic 'Like a Stranger' (which incongruously ends with a female chorus shrieking 'You've been too long in an institution!' repeatedly while Gift tries out his Otis Redding impression) are even better. The album's highlight, though, is a reworking of 'Suspicious Minds' (with scarifying backing vocals by Jimmy Somerville) that, while it doesn't replace Elvis' version, certainly takes the song into an interesting new direction. Although often overlooked, especially in the U.S., in the wake of their massively successful follow-up, Fine Young Cannibals is a powerful and satisfying debut." --Stewart Mason, AllMusic
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2CD
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LMS 5521362
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The second album by the Fine Young Cannibals, The Raw and The Cooked, original released in 1989. Remastered for the very first time with Roland Gift's involvement. Fine Young Cannibals had talent to burn -- guitarist Andy Cox and multi-instrumentalist David Steele were veterans of the English Beat, and front man Roland Gift was a vocalist as distinctive as Sam Cooke or Al Green -- and 1989's The Raw and The Cooked shows the UK trio going out in style. The second and final FYC studio album neatly balances such retro-soul numbers as "Good Thing" and such Prince-influenced dance cuts as "She Drives Me Crazy." Both of those tracks became No.1 hits, and the remaining songs (all original except for a convincing cover of Buzzcocks' "Ever Fallen In Love") are also single-worthy. A double-Platinum smash, The Raw and The Cooked remains among the most listenable albums of the 1980s. Includes the hits "She Drives Me Crazy", "Good Thing", "I'm Not The Man I Used To Be". Features 22 bonus rare/unreleased tracks -- B sides, and also remixes by David Z, Ploeg Club, Dimitri From Paris Seth Troxler, Prince Paul, Youth, and Arthur Baker. Double-CD version comes in six-page digipack; includes 12-page booklet.
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LMS 5521361
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LP version. Solid red vinyl; gatefold sleeve with printed inner sleeve; includes download code with the full album and 29 rare unreleased bonus tracks. Fine Young Cannibals' first, eponymous album, originally released in 1985, remastered for the very first time with Roland Gift's involvement. Includes the hits "Johnny Come Home", "Suspicious Minds". Includes 29 bonus rare/unreleased tracks -- B sides, live renditions including BBC session recorded with John Peel and Janice Long, and remixes with versions by Mousse T Cocktail, Derrick Carter, and Mark Moore. LP version comes on red vinyl; gatefold sleeve with printed inner sleeve; Includes download card which contains the 29 rare/unreleased tracks.
"When Dave Wakeling and Ranking Roger split from the rest of the English Beat to form General Public, Andy Cox and Dave Steele originally advertised on MTV for a new lead singer for the Beat. When that didn't pan out (although it did work for Wall of Voodoo), Cox and Steele hooked up with the unique and soulful singer Roland Gift and formed the Fine Young Cannibals. Though the trio first hit the mass U.S. consciousness with 1989's electronic dance-pop The Raw and the Cooked, their 1985 debut was a soul-jazz pop charmer that's more low-key but every bit as entertaining. Along the lines of early Everything But the Girl (the two groups share a producer, Robin Millar) with a heavier Motown influence, the songs on Fine Young Cannibals are uniformly strong. The singles 'Johnny Come Home' (a plea to a runaway that sounds like the Beat's ska stripped down to its tense and obsessive essentials) and 'Blue' (one of the more oblique and successful anti-Margaret Thatcher tracks of its era) are terrific, but album tracks like the casually devastating 'Funny How Love Is' and the manic 'Like a Stranger' (which incongruously ends with a female chorus shrieking 'You've been too long in an institution!' repeatedly while Gift tries out his Otis Redding impression) are even better. The album's highlight, though, is a reworking of 'Suspicious Minds' (with scarifying backing vocals by Jimmy Somerville) that, while it doesn't replace Elvis' version, certainly takes the song into an interesting new direction. Although often overlooked, especially in the U.S., in the wake of their massively successful follow-up, Fine Young Cannibals is a powerful and satisfying debut." --Stewart Mason, AllMusic
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LMS 5521363
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Repressed. LP version. Solid red white vinyl; gatefold sleeve with printed inner sleeve; includes download code with the full album and 22 rare unreleased bonus tracks. The second album by the Fine Young Cannibals, The Raw and The Cooked, original released in 1989. Remastered for the very first time with Roland Gift's involvement. Fine Young Cannibals had talent to burn -- guitarist Andy Cox and multi-instrumentalist David Steele were veterans of the English Beat, and front man Roland Gift was a vocalist as distinctive as Sam Cooke or Al Green -- and 1989's The Raw and The Cooked shows the UK trio going out in style. The second and final FYC studio album neatly balances such retro-soul numbers as "Good Thing" and such Prince-influenced dance cuts as "She Drives Me Crazy." Both of those tracks became No.1 hits, and the remaining songs (all original except for a convincing cover of Buzzcocks' "Ever Fallen In Love") are also single-worthy. A double-Platinum smash, The Raw and The Cooked remains among the most listenable albums of the 1980s. Includes the hits "She Drives Me Crazy", "Good Thing", "I'm Not The Man I Used To Be". Features 22 bonus rare/unreleased tracks -- B sides, and also remixes by David Z, Ploeg Club, Dimitri From Paris Seth Troxler, Prince Paul, Youth, and Arthur Baker.
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12"
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LMS 5521348
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New and classic remixes of the 1980s hit "You're History" by Shakespears Sister, on vinyl for the first time. Includes the new remix by Cats 'N Dogz plus much sought-after original remix by Brothers In Rhythm.
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12"
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LMS 5521337
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Honey Dijon was asked the remix her "favorite band" Blancmange and choose the magnificent disco oddity, 1983 hit "Blind Vision". The result is a stripped-back, bumping houser that sounds as much Green Velvet as it does Talking Heads. Urgent percussion and oscillating synths drive things forward, allowing a full Blancmange vocal to unfold aloft to great effect. Also features the original and sought after extended mix. The first in a new series of "London Records Remixed" releases on 12". Now at its new home as part of the Because Music Group the London Records catalogue is being revisited by pioneering, contemporary electronic producers.
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LMS 5521336
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"When I was asked to put my hands on the original tracks of Blancmange I was instantly excited. They were one of my favorite bands when I grew up as a teenager in the '80s. Listening to their music walking around with my Walkman back then was adventurous. Mainly because I was already in love with the aesthetics of synthesizers and drum machines. But also because it was unusual pop music with an extraordinary energy that made it in the charts. Remixing a favorite band is challenging but I've tried to keep the free spirits and playfulness in my mix that makes Blancmange still so special after all these years." --Roman Flügel Roman Flügel remixes the cult 1980s classic that is "Living On The Ceiling", and the result is a killer, off-kilter slice of club-focused machine funk that contains the same wonderfully bizarre cocktail of traits, that Blancmange always boasted in spades. Eerie and schizophrenic but also both bright and triumphant. Also features the original and sought after extended mix. The first in a new series of "London Records Remixed" releases on 12". Now at its new home as part of the Because Music Group the London Records catalogue is being revisited by pioneering, contemporary electronic producers.
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LP+2CD
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LMS 5521232
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Pressed on vinyl for the first time Hi-Fi Serious was the third album from A released in 2002. It includes their hit single, "Nothing", which became the band's first and only top ten hit in the UK singles chart, reaching #9. "Nothing" was followed by top 20 hit "Starbucks". At the end of the year they won the Kerrang! award for Best British Band. In 2004, "Nothing" appeared on Beyblade's Let It Rip! official soundtrack. In 2007, "Something's Going On" and "The Distance" appeared on the Surf's Up video game soundtrack. Gatefold sleeve with updated liner notes; Includes two CDs containing the album and B-sides.
"Great pop-punk records are actually a fairly rare creature in the overall picture of alternative rock . . . That is why the blissfully sweet Hi-Fi Serious is such a wonderful surprise. Whereas in the past A always showed potential, on this record they took that step forward that so many of their contemporaries are afraid to take. And what a step forward it is; gorgeous hooks, excellent production, and anthemic choruses that border on hair metal at times all add up to an irresistible sound that should appeal to any fan of the genre. By cutting away the snotty Green Day worship that makes so many of these groups obnoxiously coy, the group can explore other genres without any concern over sounding too ironic or goofy. They have definitely moved in a more commercial direction on this record, adding elements like synthesizers and heavily processed backup vocals that might damage their credibility, but make their music just that much better . . . The fantastic 'Nothing' feels like it could burst apart at any moment, but instead it holds together with a chorus that burns its way into your brain and refuses to leave. 'Took It Away' feels like it's breaking apart toward the middle, then it makes a dramatic turn into a breezy Southern California section that brings the song to the next level. 'Starbucks' is almost too catchy to be likable, but they manage to turn the song into a cutesy-but-endearing pop nugget by the end. And 'The Distance' is either a pleasantly unique punk-pop anthem or the best hair metal song written since Poison's 'Ride the Wind' . . . In a genre that is hideously oversaturated, it is a genuine relief to hear albums like this." --Bradley Torreano (All Music)
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LP+2CD
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LMS 5521251
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LP version. Red vinyl; gatefold sleeve with updated liner notes. Includes two CDs (album and B-sides). Pressed on vinyl for the first time Hi-Fi Serious was the third album from A released in 2002. It includes their hit single, "Nothing", which became the band's first and only top ten hit in the UK singles chart, reaching #9. "Nothing" was followed by top 20 hit "Starbucks". At the end of the year they won the Kerrang! award for Best British Band. In 2004, "Nothing" appeared on Beyblade's Let It Rip! official soundtrack. In 2007, "Something's Going On" and "The Distance" appeared on the Surf's Up video game soundtrack.
"Great pop-punk records are actually a fairly rare creature in the overall picture of alternative rock . . . That is why the blissfully sweet Hi-Fi Serious is such a wonderful surprise. Whereas in the past A always showed potential, on this record they took that step forward that so many of their contemporaries are afraid to take. And what a step forward it is; gorgeous hooks, excellent production, and anthemic choruses that border on hair metal at times all add up to an irresistible sound that should appeal to any fan of the genre. By cutting away the snotty Green Day worship that makes so many of these groups obnoxiously coy, the group can explore other genres without any concern over sounding too ironic or goofy. They have definitely moved in a more commercial direction on this record, adding elements like synthesizers and heavily processed backup vocals that might damage their credibility, but make their music just that much better . . . The fantastic 'Nothing' feels like it could burst apart at any moment, but instead it holds together with a chorus that burns its way into your brain and refuses to leave. 'Took It Away' feels like it's breaking apart toward the middle, then it makes a dramatic turn into a breezy Southern California section that brings the song to the next level. 'Starbucks' is almost too catchy to be likable, but they manage to turn the song into a cutesy-but-endearing pop nugget by the end. And 'The Distance' is either a pleasantly unique punk-pop anthem or the best hair metal song written since Poison's 'Ride the Wind' . . . In a genre that is hideously oversaturated, it is a genuine relief to hear albums like this." --Bradley Torreano (All Music)
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LMS 5521290
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London Records present a reissue of Happy Mondays' ...Yes Please!, originally released in 1992. The last Happy Mondays album on Factory Records -- reaching no. 14 in the UK chart. Produced by Talking Heads' Tina Weymouth and Chris Frantz. Artwork lovingly replicated by original Manchester designers Central Station Design. Features the singles "Stinkin' Thinkin", "Sunshine & Love", and "Angel". 180 gram vinyl; printed inner-sleeve; includes download code.
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LMS 5521286
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London Records present the first vinyl reissue of Happy Mondays' Bummed, originally released in 1988. Like many an influential album in rock history, the cultural significance of Happy Mondays' Bummed was apparent to precious few listeners upon its first release on November 5th, 1988. Within a decade or two, Bummed would be hailed as one of the best records of the '80s, often by the self-same publications that had slated it back in the day -- a harbinger of the seismic shift about to take place in British popular music, away from the squeaky-clean, corporately ordained pop-radio fodder which had increasingly dominated the charts since punk, and back towards the more aggressive, unruly, and experience-hungry urges which had always pulsed through rock n' roll. Artwork lovingly replicated by original Manchester designers Central Station Design. Featured the singles "Wrote For Luck" and "Lazyitis - One Armed Boxer". 180 gram vinyl; gatefold sleeve with embossing; printed inner-sleeve; includes download code.
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LMS 5521288
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2021 restock. London Records present a reissue of Happy Mondays' Pills 'N' Thrills And Bellyaches, originally released in 1990. Pills 'N' Thrills And Bellyaches was Happy Mondays commercial peak, both a No. 4 victory (in the UK) and a benchmark album in history. That year the Mondays made a generation feel like the freaks were winning again, the dreamers and schemers hurtling in from the shadows to park themselves, like grin-faced goblins, in the daylight glare of the mainstream. Artwork lovingly replicated by original Manchester designers Central Station Design. Featured the singles "Step On", "Kinky Afro", and "Loose Fit". 180 gram vinyl; gatefold sleeve; printed inner-sleeve; includes download code.
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LMS 5521284
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London Records present the first vinyl reissue of Happy Mondays' Squirrel And G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out), originally released in 1987. Released in April 1987, the Happy Mondays debut album was a perfect snapshot of a very different kind of pop culture coming from beyond the fringes. It would be an underground album but a game changer. Produced by Velvet Underground legend, John Cale, this was the accidental sound track for the endless housing estates sailing away from Manchester City center and into Salford-perfectly captured by this gang of misfits. Artwork lovingly replicated by original Manchester designers Central Station Design. Featured the singles "Tart Tart" and "24 Hour Party People". 180 gram vinyl; silk-screen printed PVC O-card; printed inner-sleeve; includes download code.
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4x12" BOX
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LMS 5521302
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London Records release Happy Mondays' The Early EPs, available as a 4x12" color vinyl box set. The release brings together the seminal Manchester band's first four EPs: Forty Five EP on transparent green vinyl (1985), Freaky Dancin/The Egg EP on transparent orange vinyl (1986), Tart Tart EP on transparent blue vinyl (1987), and 24 Hour Party People on transparent yellow vinyl (1987). Leading UK artist Pete Fowler, internationally renowned for his work with Super Furry Animals and Heavenly Records, has created a new animated video for Happy Mondays' classic "The Egg". The Early EPs have been re-mastered from the original two-inch tapes held in the Factory/London Records archive. The artwork has been redrawn and digitized by original designers Grand Central Design. London Records will follow this release later this year with vinyl reissues of Happy Mondays first four albums -- Squirrel and G-man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out) (1987), Bummed (1988), Pills 'n' Thrills and Bellyaches (1990), and Yes Please! (1992) -- later this year. None of these albums have been available on vinyl for over a decade.
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LMS 5521319
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Shakespears Sister are back with a new five-track CD Ride Again, featuring new music from their sessions with producer Nick Launay. The release follows the success of their Top 20 album Singles Party (1988-2019) (LMS 5521303/5521304). Ride Again includes the new single "When She Finds You", featuring Mercury nominated UK singer/songwriter Richard Hawley. Plus "All The Queens Horses", "C U Next Tuesday", and two brand new tracks.
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12"
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LMS 5521314
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Shakespears Sister are back with a new five-track EP Ride Again, featuring new music from their sessions with producer Nick Launay. Available on limited edition white vinyl the release follows the success of their Top 20 album Singles Party (1988-2019) (LMS 5521303/5521304). The EP includes the new single "When She Finds You", featuring Mercury nominated UK singer/songwriter Richard Hawley. Plus "All The Queens Horses", "C U Next Tuesday", and two brand new tracks. Gatefold sleeve with printed inner sleeve; white vinyl.
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