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RS 054LP
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Who is Toby Cato? On first inspection he's a painter, rapper, singer, composer, filmmaker, producer, and multi-instrumentalist, born in Brighton and based in Southeast London. Dive a little deeper into his universe (no exaggeration) and it's almost jarring how well developed, highly considered and how expertly these seemingly separate strings to Cato's bow are executed. What makes it all the more impressive is that he's a self-taught 23-year-old. He's won prizes for his animations, was a finalist in the Nicholas Daley x Fred Perry Music Grant (where Bradley Zero -- as a judge alongside Gilles Peterson and Nubya Garcia, first came across him) and his paintings are sold and exhibited worldwide. The son of a renowned Jamaican-British writer, historian and social commentator -- Cato clearly grew up in a creatively liberated household -- going some way to explain the ease with which he wrestles heavy subject matter across multiple mediums. Would it be hyperbole to call him a renaissance man? Cato might brush off this label, free falling through life: one moment at a time. "I'm only one man. Time and again, I'm falling, but holding onto my pen for the moment." And with this, humble assertion -- you witness an artist, not falling -- but flowing, in fact -- overflowing across six tracks on this -- his debut mixtape. For fans of: Cosmo Pyke, King Krule, Bakar, Yellowdays, Toro Y Moi, Blood Orange. Artwork hand drawn on by Cato. Edition of 300; numbered sleeve.
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12"
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RS 056LP
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Sometimes writing press releases is really hard. There's a certain artwork to summing up the essence of a composition to someone who hasn't yet heard the music. Thankfully, this is not the case with the latest EP from Manchester's Hidden Spheres. Tom is in his purple period -- and after nearly a decade of releasing delicately constructed songs that sit in the hinterland between dancefloor and home listening, he's finally cracked the code for creating absolute bangers, with all the class and lightness of touch present from his previous work. Hidden Spheres is in turbo mode -- and you've most likely heard these tunes without knowing it -- "Tanzen" has been a staple in Bradley Zero's set and always caused complete dancefloor destruction. Add in the Italo-flavored Paula Tape remix and you have one of the most exciting dancefloor propositions of 2023. For fans of: Paula Tape, Laurence Guy, Shinichiro Yokota, Palms Trax, Seb Wildblood, FYI Chris.
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RS 049LP
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Klein Zage veers away from dance music and into a world of innovative alt pop with an emotional portrayal of fondness, detachment, and monotony. Sage Redman (aka Klein Zage) has moved around from Seattle, to South East London, and now finds herself in upstate New York. She has always kept close a desire to reinvent herself as an artist against this backdrop of ever-changing scenery. Klein Zage established herself with previous releases on her own label, Orphan, which she runs with long term collaborator Joey G ii (real name Joe Gillick). Her previous work fuses electronic sounds with spoken social commentaries about themes of the city, femininity, and the hospitality industry. Sage's new album, Feed The Dog, is her debut release on Rhythm Section INTL. These songs have a feel of disassociated longing. A sort of serene, catatonic beauty that leaves an inwardly emotional imprint. After the music finds time to sit with the listener, Klein's poetic vision becomes even more sublime. Written in a combination of Seattle, a remote Washington fjord called Hood Canal, and London, her music covers a lot of ground. The album is full of songs that merge lines of ethereal dream pop over to left field synth-heavy incantations bursting with electronic energy and haunting ambience. Feed The Dog may sound like a transformation of the former Klein Zage sound. But this is the music she's always been making. Her career-long ambitions have come to fruition with these songs, and now seems like a perfect time for people to hear them. In her own words, Sage says the album "is about the mundane, the routines that tether you to reality, caring for a living breathing being that needs you. Defending the ones you love." These themes, apart from being a literal ode to her dog Steves, provide a metaphor for a defining moment in Klein's career as a musician and lyricist. Feed The Dog is another evolution of Klein Zage's sound as she reinterprets her own creativity once again. This constantly shifting motion is something that has always been with her through each musical endeavor. And will carry on to the next, wherever her artistic direction takes you. For fans of: Eyedress, King Krule, Portishead, FKA Twigs, Cocteau Twins, Otta, WOOM, Tirzah, Salami Rose, Joe Lewis, Homeshake, Ojerime, Ibeyi.
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RS 057LP
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Wallace has been something of a behind the scenes phenomenon. Having just two official releases at the time of writing, alongside a few white-labels on his own Tartan imprint -- the man known as Wallace has somehow worked his way into the record bags of the world's biggest DJs: Gilles Peterson, Hunee, Moxie, Ruf Dug, Gideon, and beyond. It's only a matter of time before the wider dance music community catches on and it wouldn't be surprising if by the time this record hits the shelves, Wallace-mania is in full effect. An artist like this only comes along once in a blue moon. Wallace has been quietly perfecting his craft for the last decade, and has a deep understanding of club dynamics that can't be taught. Bradley Zero himself has been playing four to five Wallace tracks per set within the last year alone. Luckily for you, the secret is out! For fans of: Kerri Chandler, Henrik Schwarz, Dixon, Black Loops, Laurence Guy, Barry Can't Swim.
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RS 055LP
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Gayance joins forces with Rhythm Section International for her debut album Mascarade. A swaying dance that moves between poetic, soulful odes to the past, accounts of the Afro-diasporic feminine experience and playfully energetic dancefloor grooves. Mascarade is a collection of dancey, broken rhythms, interwoven with heartfelt stories and bright, unapologetic outpours of joy. In her own words, "It's the story of my 20s. I wanted to pay homage to this kid everybody knew, but not deeply. It's about taking back a power that is mine and was always in my hands -- It's about making peace with the past and moving forward." Gayance (real name Aïsha Vertus) takes her alias from the Haitian creole word for joyfulness. Based in Amsterdam, born and raised in Montreal-Nord, she started as a DJ in 2013, and has toured the world with shows in Paris, Brooklyn, Marrakech, Berlin, Sao Paulo, and more, bringing electrifying and contagious energy wherever she goes. Her own production is influenced by underground UKG and the respective house scenes of Detroit and New York, with nods to the vivid, sun-soaked colors of Latin America. Shades of blues, jazz, and gospel can also be heard in her newest project, pulling together styles from each corner of the world. Following her catalog of entirely self-released projects, Gayance announces her full-length debut album on Rhythm Section, bringing some fellow Montrealers along for the ride. Features Janet King, Hua Li, Sarah MK, Judith Little D, and Raveen. For fans of: Laroi, Pierre Kwenders, Hua Li, Dego, Jitwam, Neue Grafik, Tenderlonious, Steve Spacek, Kaidi Tatham, Andrew Ashong.
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RS 052LP
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Rhythm Section International are back with another release from Saul, Mutualism. Saul is Jack Stephenson-Oliver (keys player of fellow Rhythm Section signee, Vels Trio) and producer Barney Whittaker, aka Footshooter. Their newest project is a feel good, summer-ready soundtrack, bursting with uplifting synths and groove-heavy broken beats. When the two of them get together, their jam sessions result in a fusion of alternative future jazz. Collaboration is a key element to the creative output of Saul, shining a light over individual talents such as Allysha Joy, Natty Wylah, Lex Amor, James Mollison, and Aden. For fans of: 30/70, Vels Trio, Kaidi Tatham, Ben Hauke, Dego, Floating Points, Kyle Hall, K15, Bugz In The Attic, Jay Daniel, Moodymann, Atjazz, St Germain, IG Culture, EVM128, Joe Armon Jones, Andrew Ashong, Pinty.
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LP
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RS 047EP
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Back in 2015, Mancunian DJ and producer Hidden Spheres aka Tom Harris joined the Rhythm Section family for the label's twelfth release. Storming into 2022 and approaching 50 releases, Tom has a long overdue return to the label with a synthesis of electronic house vibrations. You Are Not Your Body is a stellar collection of five tracks, which touch on the sensations of euphoria and the blissed-out intersection between early prog and Detroit House. Channeling energies for meditation and self-love, things kick off with "Improvisation" an electro infused eight-minute workout, whilst "Euan 92" is a festival-defining "hands-in-the-air" anthem tried and tested by Bradley Zero on the road throughout 2021. "Love Your Body" is a delightful disco-esque chugger reinforcing joyful energies and an infectious bassline to keep you wiggling on the dancefloor. Things come to a close with a spaced-out Balearic house remix by RS family favorite Ruf Dug. For fans of: Oscar Jerome, Ross From Friends, DJ Boring, Asquith, Seb Wildblood, Baltra, Late Nite Tuff Guy, Session Victim, Contours.
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RS 040LP
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MMYYKK's Science EP arrives at a time when the world needs it. The eponymous title track is about recognizing the power and connection that we all have to the cosmos -- and it feels like no coincidence that this body of work arrives in 2021. The EP balances universal themes with playfulness; asks hard questions relating to accountability and materiality whilst remaining musically cohesive and funky throughout. An exceedingly difficult artist to pigeonhole, MMYYKK (pronounced Mike) works concurrently within the realms of soul, jazz, hip hop, R&B and ambient; his sound equally indebted to his fellow west-coast natives Thundercat and Flying Lotus as it is to synth experimentalists Herbie Hancock and Stevie Wonder. Whilst MMYYKK operates as the multi-instrumentalist, vocalist, producer, and engineer across all six tracks, you can still hear the richness of improvisation musical collaboration involved in the making of this record, with numerous cameos from artists in MMYYKK's adopted hometown of Minneapolis as well as a feature from London's very own Demae. The city of Minneapolis, whilst not addressed directly in the lyrics, provided a backdrop like no other whilst this album was coming together. Being at the epicenter of such a tragedy had a profound effect on the formation of the EP... "The city was literally burning..." MMYYKK recalls as he goes on to explain that tackling themes such as police reform, reparations and accountability in his work is his way of taking a stand in the fight for justice. Despite the grief prevalent in the city, the EP exudes a complex "dopeness", executed so effortlessly it belies the skill involved in the process -- it's precisely this nonchalant cool that defines what Science means to the artist. While you can dissect the inspirations and trace the lineage of this body of work -- the result is singular. It's clear that Mychal Fisher, aka MMYYKK, is operating on his own terms, in a lane of his own -- and making it look easy. For fans of: The Internet, Thundercat, Flying Lotus, Moonchild, Robert Glasper, MNDSGN, Anderson .Paak. Limited edition LP version comes on yellow marbled vinyl.
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RS 040D-LP
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2023 repress; LP version. Yellow marbled vinyl. MMYYKK's Science EP arrives at a time when the world needs it. The eponymous title track is about recognizing the power and connection that we all have to the cosmos -- and it feels like no coincidence that this body of work arrives in 2021. The EP balances universal themes with playfulness; asks hard questions relating to accountability and materiality whilst remaining musically cohesive and funky throughout. An exceedingly difficult artist to pigeonhole, MMYYKK (pronounced Mike) works concurrently within the realms of soul, jazz, hip hop, R&B and ambient; his sound equally indebted to his fellow west-coast natives Thundercat and Flying Lotus as it is to synth experimentalists Herbie Hancock and Stevie Wonder. Whilst MMYYKK operates as the multi-instrumentalist, vocalist, producer, and engineer across all six tracks, you can still hear the richness of improvisation musical collaboration involved in the making of this record, with numerous cameos from artists in MMYYKK's adopted hometown of Minneapolis as well as a feature from London's very own Demae. The city of Minneapolis, whilst not addressed directly in the lyrics, provided a backdrop like no other whilst this album was coming together. Being at the epicenter of such a tragedy had a profound effect on the formation of the EP... "The city was literally burning..." MMYYKK recalls as he goes on to explain that tackling themes such as police reform, reparations and accountability in his work is his way of taking a stand in the fight for justice. Despite the grief prevalent in the city, the EP exudes a complex "dopeness", executed so effortlessly it belies the skill involved in the process -- it's precisely this nonchalant cool that defines what Science means to the artist. While you can dissect the inspirations and trace the lineage of this body of work -- the result is singular. It's clear that Mychal Fisher, aka MMYYKK, is operating on his own terms, in a lane of his own -- and making it look easy. For fans of: The Internet, Thundercat, Flying Lotus, Moonchild, Robert Glasper, MNDSGN, Anderson .Paak.
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12"
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RS 051EP
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Self Oscillation is made up of five club-ready psychedelic workouts swaying with natural momentum, from Ecuadorian superstar Nicola Cruz, who makes his second appearance on London's Rhythm Section INTL. The internationally renowned producer, Nicola Cruz, has been instrumental in pioneering the sound of Andean music over the last decade. Born and raised in Ecuador, Nicola has found his own unique way to tap into Latin America's illustrious musical past to create something utterly contemporary. His previous projects have had the four elements running through as major themes: Fire and lava erupted during his sophomore album, Siku, with an Ecuadorian volcano doubling up as a recording space. And now, with his second Rhythm Section release, you are met with sounds of flowing water that Nicola describes as "aqueous explorations". On this EP, Self Oscillation, Nicola Cruz fuses experimental production techniques with underwater, bass-heavy constructions. Moods change like the tides; from euphoric highs with acid riffs and Latin drum patterns, the music quickly dives to moody submarine basslines and dark, frenetic rhythms. Self Oscillation sees Nicola's production move to new heights as he expertly bridges the gap between natural and mechanical sounds. With the help of iconic '80s and '90s synths and the retro colors of a Roland Space Echo, his newest work is a hybrid of electronic dance music and a synaesthetic image of nature. In the spirit of his previous EP on Rhythm Section INTL, Self Oscillation showcases the synergy -- or rather ongoing battle between the organic and inorganic, the analog and digital, civilization confronted and confounded by nature. It's within this dichotomy that Cruz revels, and manages to say so much, without words.
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RS 046LP
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Bristol based band Cousin Kula announce their debut album, Double Dinners. With co-signs from the likes of BADBADNOTGOOD and newly signed to Rhythm Section, Cousin Kula have created their own musical universe of otherworldly pop serenity with vastly distinct, but complementary elements: "the possibilities of jazz, the emphatic energy of club culture, and the sonic tapestries of psychedelia" CLASH Magazine remark. Living and recording together, nestled in the sun-drenched hills on the outskirts of Bristol, Cousin Kula are masters of their craft, and also of restraint; widely regarded by their fans for their superior live show. Having performed live in various bands for the past ten years since their early teens, not being able to hit the stage during lockdown took its toll on these musicians. Ever resourceful, however, Cousin Kula began a series of their own home-made live sessions, which lead in turn to a Boiler Room Session and further a request from XL signees BADBADNOTGOOD to record a live adaptation of their new single. Now, Cousin Kula flutter into the collective consciousness with a timeless slice of psychedelic soul on debut album Double Dinners. The latest band to emerge out of the buoyant Bristol music scene, they have stripped back all excess baggage for their most accomplished recordings to date. Existing on a similar plane to contemporaries such as Connan Mockasin, Mildlife, Toro Y Moi, Mac DeMarco, and HOMESHAKE, the band caught the attention of renowned tastemaker Bradley Zero with their Casa Kula Cassette EP at the end of 2020, with the Rhythm Section founder swiftly taking the five-piece under his wing, with him commenting: "The band balance an outsider approach with more hooks than you can shake a stick at... the result being a gently beguiling sound that effortlessly draws you in, revealing more character with each listen." For fans of: Connan Mockasin, Mildlife, Toro Y Moi, Mac Demarco, HOMESHAKE, BADBADNOTGOOD.
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RS 046C-LP
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LP version. Yellow vinyl. Bristol based band Cousin Kula announce their debut album, Double Dinners. With co-signs from the likes of BADBADNOTGOOD and newly signed to Rhythm Section, Cousin Kula have created their own musical universe of otherworldly pop serenity with vastly distinct, but complementary elements: "the possibilities of jazz, the emphatic energy of club culture, and the sonic tapestries of psychedelia" CLASH Magazine remark. Living and recording together, nestled in the sun-drenched hills on the outskirts of Bristol, Cousin Kula are masters of their craft, and also of restraint; widely regarded by their fans for their superior live show. Having performed live in various bands for the past ten years since their early teens, not being able to hit the stage during lockdown took its toll on these musicians. Ever resourceful, however, Cousin Kula began a series of their own home-made live sessions, which lead in turn to a Boiler Room Session and further a request from XL signees BADBADNOTGOOD to record a live adaptation of their new single. Now, Cousin Kula flutter into the collective consciousness with a timeless slice of psychedelic soul on debut album Double Dinners. The latest band to emerge out of the buoyant Bristol music scene, they have stripped back all excess baggage for their most accomplished recordings to date. Existing on a similar plane to contemporaries such as Connan Mockasin, Mildlife, Toro Y Moi, Mac DeMarco, and HOMESHAKE, the band caught the attention of renowned tastemaker Bradley Zero with their Casa Kula Cassette EP at the end of 2020, with the Rhythm Section founder swiftly taking the five-piece under his wing, with him commenting: "The band balance an outsider approach with more hooks than you can shake a stick at... the result being a gently beguiling sound that effortlessly draws you in, revealing more character with each listen." For fans of: Connan Mockasin, Mildlife, Toro Y Moi, Mac Demarco, HOMESHAKE, BADBADNOTGOOD.
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12"
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RS 053EP
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2023 repress. Session Victim debut on Rhythm Section International with an EP of understated but highly effective jazzy house rollers. Having cemented themselves as firm favorites on the Rhythm Section dancefloor over the years, the German duo step forward to present their debut EP on the South London label: Basic Instinct. Known for their unparalleled energy when performing live or DJing, Hauke and Matthias fly the flag for sample based, soulful house music and a commitment to the art of vinyl DJing. With the never-ending search for the perfect beat at the core of what they do, it was no surprise they found a deep affinity with Rhythm Section International over years of playing for each other, jamming in the studio and crossing paths at festivals and airports around the world. In short, this record was an inevitable culmination of two passionate, like-minded groups, a match made in Heaven and a long time coming. Despite hailing from the techno meccas of Berlin and Hamburg, Session Victim are direct descendants of the German jazzy housemasters, tracing inspiration from the likes of Jazzanova, Soulphiction, and Compost Records -- the likes of which have gone onto inspire a renaissance of this more soulful sound in German clubs, spearheaded by labels like Tartelet and Toy Tonics -- the latter of which the duo recently released an EP with. This latest effort on Rhythm Section International is a masterclass in restraint, demonstrating a deep understanding of dancefloor dynamics, putting the maxim "less is more" to great effect. The opening track, "Trying To Make it Home" is the most immediately engaging cut: a double bass riff drives along a Kerri Chandler-esque filtered piano pattern which gives way to a soaring gospel vocal, allowing the groove to take control as flutes, strings and occasional guitar licks meander in and out of the mix to create areal "heads down, arms up" moment for the dancefloor.
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RS 050LP
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The South-London based musician Tone announces his debut album So I Can See You, due for release via Rhythm Section. With a mixtape already under his belt, one that he says was thrown together on a whim; this new body of work was created during the pregnancy and subsequent birth of his daughter. Tone, real name Basil Anthony Harewood, was compelled to capture this significant moment, recording mostly at night, with his new life and old life in mind. The album is less a departure of who he was but an embrace of the future and the new life that arrives with beginning a family. Across the 11 tracks, you hear tender guitar riffs and off-beat R&B elements press up against influences of dub and shoegaze leaving you with a woozy afterglow. Tone's distinctive vocals are complemented by the familiar voices of Coby Sey on "So I Can See You", Fran Lobo on "From the North" and Roxanne Tataei on "Make It Drop". Having both Afro-Caribbean and Welsh heritage has informed the ways in which he sees things and the music he has been magnetized to, especially growing up in both a tiny village in the north of England in East Yorkshire as well as further afield in Europe. Time spent in St Kitts and Nevis as a child opened his eyes and ears to calypso, reggae and dub and while back home in the UK, he fell in love with ska, punk and skinhead culture none of which he ever outgrew and to this day still informs his music practice. Each track was recorded on a Tascam 38 tape machine in the studio he set up with Mica Levi and Coby Sey in Hither Green with the drums, played by Marc Pell (Good Bad Happy Sad) were recorded at Andy Ramsey's studio (Stereolab). Alongside, Levi and Sey, Tone is a CURL collective member and was half of the short-lived punk-duo, Farai. For fans of: Mica Levi, Tirzah, Coby Sey, Smerz, Blood Orange, Dean Blunt, Erika De Casier, Farai, L'rain, Joviale. LP versions on black vinyl (RS 050LP) and transparent violet vinyl (RS 050C-LP).
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RS 050C-LP
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LP version. Transparent violet vinyl. The South-London based musician Tone announces his debut album So I Can See You, due for release via Rhythm Section. With a mixtape already under his belt, one that he says was thrown together on a whim; this new body of work was created during the pregnancy and subsequent birth of his daughter. Tone, real name Basil Anthony Harewood, was compelled to capture this significant moment, recording mostly at night, with his new life and old life in mind. The album is less a departure of who he was but an embrace of the future and the new life that arrives with beginning a family. Across the 11 tracks, you hear tender guitar riffs and off-beat R&B elements press up against influences of dub and shoegaze leaving you with a woozy afterglow. Tone's distinctive vocals are complemented by the familiar voices of Coby Sey on "So I Can See You", Fran Lobo on "From the North" and Roxanne Tataei on "Make It Drop". Having both Afro-Caribbean and Welsh heritage has informed the ways in which he sees things and the music he has been magnetized to, especially growing up in both a tiny village in the north of England in East Yorkshire as well as further afield in Europe. Time spent in St Kitts and Nevis as a child opened his eyes and ears to calypso, reggae and dub and while back home in the UK, he fell in love with ska, punk and skinhead culture none of which he ever outgrew and to this day still informs his music practice. Each track was recorded on a Tascam 38 tape machine in the studio he set up with Mica Levi and Coby Sey in Hither Green with the drums, played by Marc Pell (Good Bad Happy Sad) were recorded at Andy Ramsey's studio (Stereolab). Alongside, Levi and Sey, Tone is a CURL collective member and was half of the short-lived punk-duo, Farai. For fans of: Mica Levi, Tirzah, Coby Sey, Smerz, Blood Orange, Dean Blunt, Erika De Casier, Farai, L'rain, Joviale.
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RS 048C-EP
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After learning her craft at an after-hours club in her hometown of Santiago de Chile, a pivotal move to Milan at the end of 2015 proved to be the ticket that would propel Paula Tape into the European club circuit. Six years later Paula has made a name for herself as a purveyor of eclectic selections, stomping Italo beats, percussive Balearic excursions and synth-heavy rarities, both through her international DJ sets and shows on Worldwide FM and Milan's Radio Raheem. With two EPs under her belt via Alzaya and SOBO, collaborations with Project Pablo, Tornado Wallace, and Elias Mazian to boot, and standout singles on Permanent Vacation, Ransom Note Records, and Rhythm Section International's highly regarded SHOUTS compilation, Rhythm Section welcomes the announcement of a knockout four-tracker from the Chilean producer on the same Peckham-based label. In the last 12 months she's taken the Mixmag Lab and Boiler Room by storm, and with a slew of international tour dates and forthcoming releases lined up, 2021 looks set to be Paula's year. "When I started working on the Astroturismo EP I didn't know the music I was writing was going to shape into an EP. Finalizing the first track 'Body Nature' helped me a lot to orientate the correct use of all the music I have been producing during the lockdown months and Rhythm Section team was constantly supporting me to make me feel free to explore musically without needing to stick to club music." "Body Nature" embodies strong energies, in a very personal way: "I noted down those silly lyrics and kept singing the melody in my head for days, in the end, that drove me to create a groove that would work and transfer the mood I was feeling. This track is about feeling relief with dancing, whether in a private moment like I did in those days or in a public space, few easy moves to trigger positive energy and improve your emotional state." For fans of: Nicola Cruz, Peggy Gou, Fantastic Man, CC:Disco, Dan Shake, Young Marco.
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2LP
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RS 035LP
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Love marks the long-awaited return of Melbourne based producer Prequel to Rhythm Section INTL, following outings on Distant Hawaii (now Distant Horizons), Local Talk, and an EP on Lumberjacks in Hell. The lead track, "Love Is" is a joint effort with long term collaborator Cazeaux O.S.L.O. Its a meditation on Love, in all its complexities. This exploration is dissected across this deeply personal concept album -- a 50-minute journey through the highs and lows of love and loss. Across 12 tracks we're taken on a journey which seamlessly incorporates soul, jazz, hip-hop, and Brazilian influences -- all drenched in a deep longing which traces its roots back to the masters of deep, melancholic house music. Born into a musical family and brought up on a blend of jazz and hip-hop, Prequel supplements his sample-based style with a number of luminaries of the Australian music scene in the form of guests Horatio Luna on bass, Josh Kelly on sax, Cazeaux O.S.L.O on vocals, Javier Fredes on percussion and Tamil Rogeon on violin/viola. Deeply influenced by his love of film, the album is accompanied by a series of music videos edited by Prequel that whilst creating companion pieces to each single, also looks to further expand the meditation of what we talk about when we talk about Love. For fans of: Osunlade, Gilles Peterson, K15, Seven Davis Jr., Lefto, Moxie. Red vinyl.
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RS 039D-LP
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LP version. Splatter vinyl. Vels Trio reap their jazz-fusion crop with a stellar 11-track debut album Celestial Greens on Rhythm Section International. Wandering through their versatile musical vision, the album represents the amalgamation of London's finest jazz players; Jack Stephenson-Oliver on keys (Poppy Ajudha), Dougal Taylor behind the drum kit (Emma Jean-Thackray) and Cameron Dawson on bass (Puma Blue). The end result: 40 minutes of high-fidelity worthy audio elation, destined for the "album of year" lists. Incorporating bona fide sleeper hit "The Wad", alongside new singles "May As Well Be", a dreamy jam with funk-indebted bass, and "Pop Stuff", a melancholic and potent composition that dissolves into pitched down slow core. The album soars through psychedelic synth progressions, deep arrangements and finessed groove sections. Recorded mostly in Kate Bush's personal studio in Welling, Wicker Studios, Vels Trio went through numerous versions of each track until settling on the right take to build the composition from, always considering the album format first and foremost. This arduous process has gilded the record, elevating their musicianship to unseen heights. Celestial Greens represents an exploration of a new vision of modern progressive music, consolidating their influence on the emerging UK soul and RnB scenes, whilst creating a sound that's idiosyncratic yet accessible to any fan of electronic music. For fans of: Yussef Dates, Richard Spaven, BadBadNotGood, Snarky Puppy, Sons Of Kemet, Emma Jean-Thackray, Alfa Mist, Ruby Rushton, Mansur Brown.
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RS 039C-LP
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LP version. Transparent green vinyl. Vels Trio reap their jazz-fusion crop with a stellar 11-track debut album Celestial Greens on Rhythm Section International. Wandering through their versatile musical vision, the album represents the amalgamation of London's finest jazz players; Jack Stephenson-Oliver on keys (Poppy Ajudha), Dougal Taylor behind the drum kit (Emma Jean-Thackray) and Cameron Dawson on bass (Puma Blue). The end result: 40 minutes of high-fidelity worthy audio elation, destined for the "album of year" lists. Incorporating bona fide sleeper hit "The Wad", alongside new singles "May As Well Be", a dreamy jam with funk-indebted bass, and "Pop Stuff", a melancholic and potent composition that dissolves into pitched down slow core. The album soars through psychedelic synth progressions, deep arrangements and finessed groove sections. Recorded mostly in Kate Bush's personal studio in Welling, Wicker Studios, Vels Trio went through numerous versions of each track until settling on the right take to build the composition from, always considering the album format first and foremost. This arduous process has gilded the record, elevating their musicianship to unseen heights. Celestial Greens represents an exploration of a new vision of modern progressive music, consolidating their influence on the emerging UK soul and RnB scenes, whilst creating a sound that's idiosyncratic yet accessible to any fan of electronic music. For fans of: Yussef Dates, Richard Spaven, BadBadNotGood, Snarky Puppy, Sons Of Kemet, Emma Jean-Thackray, Alfa Mist, Ruby Rushton, Mansur Brown.
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LP
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RS 044EP
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Bradley Zero's Rhythm Section International imprint curate the second instalment of Shouts, a 12-track compilation with a diverse selection of artists whose music spans spoken word, DIY funk, house, techno, trap, indie, RnB and the many sub genres in between. Shouts 2021 highlights the dynamic journey and sound of the Rhythm Section International imprint, this time focusing on a global selection of completely new artists. An opportunity to shout about the next generation of musical talent from across the UK, Ireland, US, Middle East, Australia, Switzerland, and the Netherlands. Released over two separate LPs as Volume 1 and Volume 2 (RS 045EP).
"Shouts 2021 celebrates the future sounds of Rhythm Section International and explores our intention to diversify what the label is moving forward. The direction and scope of the label has definitely widened. You reach a turning point when you want to explore other sounds that you're interested in and the beauty of being an independent label has allowed us to do that. The Shouts series gives us an opportunity to release so many genres that we enjoy in one hit, and that has fed into our overall growth." --Bradley Zero
Shouts 2021 boasts an incredible selection of a once in a generation type of burgeoning talent. Disco sleeve with artwork designed by producer and graphic artist extraordinaire Big Ever FKA Cop Envy. For fans of: Desert Sound Colony, Four Tet, Violet, Shanti Celeste, Pangea, Yu Su, D Tiffany, Bruce, Chaos In The CBD. Volume 1 features Liluzu, Mafou, Nídia, Yushh, Dylan Bryne, and Klein Zage.
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LP
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RS 045EP
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Bradley Zero's Rhythm Section International imprint curate the second instalment of Shouts, a 12-track compilation with a diverse selection of artists whose music spans spoken word, DIY funk, house, techno, trap, indie, RnB and the many sub genres in between. Shouts 2021 highlights the dynamic journey and sound of the Rhythm Section International imprint, this time focusing on a global selection of completely new artists. An opportunity to shout about the next generation of musical talent from across the UK, Ireland, US, Middle East, Australia, Switzerland, and the Netherlands. Released over two separate LPs as Volume 1 (RS 044EP) and Volume 2.
"Shouts 2021 celebrates the future sounds of Rhythm Section International and explores our intention to diversify what the label is moving forward. The direction and scope of the label has definitely widened. You reach a turning point when you want to explore other sounds that you're interested in and the beauty of being an independent label has allowed us to do that. The Shouts series gives us an opportunity to release so many genres that we enjoy in one hit, and that has fed into our overall growth." --Bradley Zero
Shouts 2021 boasts an incredible selection of a once in a generation type of burgeoning talent. Disco sleeve with artwork designed by producer and graphic artist extraordinaire Big Ever FKA Cop Envy. For fans of: Desert Sound Colony, Four Tet, Violet, Shanti Celeste, Pangea, Yu Su, D Tiffany, Bruce, Chaos In The CBD. Volume 2 features Soso Tharpa, Tom Esselle, Pookie, Hassan Abou Alam, Adam Pits, and Kareem Ali.
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LP
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RS 039LP
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LP version. Vels Trio reap their jazz-fusion crop with a stellar 11-track debut album Celestial Greens on Rhythm Section International. Wandering through their versatile musical vision, the album represents the amalgamation of London's finest jazz players; Jack Stephenson-Oliver on keys (Poppy Ajudha), Dougal Taylor behind the drum kit (Emma Jean-Thackray) and Cameron Dawson on bass (Puma Blue). The end result: 40 minutes of high-fidelity worthy audio elation, destined for the "album of year" lists. Incorporating bona fide sleeper hit "The Wad", alongside new singles "May As Well Be", a dreamy jam with funk-indebted bass, and "Pop Stuff", a melancholic and potent composition that dissolves into pitched down slow core. The album soars through psychedelic synth progressions, deep arrangements and finessed groove sections. Recorded mostly in Kate Bush's personal studio in Welling, Wicker Studios, Vels Trio went through numerous versions of each track until settling on the right take to build the composition from, always considering the album format first and foremost. This arduous process has gilded the record, elevating their musicianship to unseen heights. Celestial Greens represents an exploration of a new vision of modern progressive music, consolidating their influence on the emerging UK soul and RnB scenes, whilst creating a sound that's idiosyncratic yet accessible to any fan of electronic music. For fans of: Yussef Dates, Richard Spaven, BadBadNotGood, Snarky Puppy, Sons Of Kemet, Emma Jean-Thackray, Alfa Mist, Ruby Rushton, Mansur Brown.
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CD
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RS 039CD
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Vels Trio reap their jazz-fusion crop with a stellar 11-track debut album Celestial Greens on Rhythm Section International. Wandering through their versatile musical vision, the album represents the amalgamation of London's finest jazz players; Jack Stephenson-Oliver on keys (Poppy Ajudha), Dougal Taylor behind the drum kit (Emma Jean-Thackray) and Cameron Dawson on bass (Puma Blue). The end result: 40 minutes of high-fidelity worthy audio elation, destined for the "album of year" lists. Incorporating bona fide sleeper hit "The Wad", alongside new singles "May As Well Be", a dreamy jam with funk-indebted bass, and "Pop Stuff", a melancholic and potent composition that dissolves into pitched down slow core. The album soars through psychedelic synth progressions, deep arrangements and finessed groove sections. Recorded mostly in Kate Bush's personal studio in Welling, Wicker Studios, Vels Trio went through numerous versions of each track until settling on the right take to build the composition from, always considering the album format first and foremost. This arduous process has gilded the record, elevating their musicianship to unseen heights. Celestial Greens represents an exploration of a new vision of modern progressive music, consolidating their influence on the emerging UK soul and RnB scenes, whilst creating a sound that's idiosyncratic yet accessible to any fan of electronic music. For fans of: Yussef Dates, Richard Spaven, BadBadNotGood, Snarky Puppy, Sons Of Kemet, Emma Jean-Thackray, Alfa Mist, Ruby Rushton, Mansur Brown.
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RS 041EP
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30/70 and Rhythm Section team up once more to deliver their most ambitious remix package to date. Call outs to friends and family of the label and collective offered up a selection of some of the most exciting electronic music producers in the scene and the fruits of the collaboration have arrived. The remix package continues 30/70's practice of rebirthing their music in a contemporary club sound but this time takes that intention a step further, veering into unexpected and more experimental territory for the band, calling in a new era for their musical endeavors. The record opens with a duo that need no introduction, label legends Chaos In The CBD work their magic on "Tastes Like Freedom", playing on Josh Kelly's drawn out noir-esque sax notes and Allysha's whispering tones to create a sultry and sophisticated house number in their typically infectious style. Next up, Utrecht native Carista enters with the sound of the Netherlands for a new wave electro trip fresh off her BBC Radio 1 residency. Tornado Wallace takes you straight to a hot pink sunset on the long-lost festival floor with his "Red Face Remix" of "Tastes Like Freedom". Closing out are the cerebral and ethereal sounds of Yu Su's "Midnight Blossom" Remix, where the Kaifeng-born composer, DJ and sound artist continues her exploration of "fourth world" ambience and left-field dance music. Over the last few years, 30/70 have become something of a supergroup: with Allysha Joy, Ziggy Zeitgeist, Josh Kelly and Matthew Hayes all soaring as solo artists and band leaders. Individual talents aside, there's nothing quite like the 30/70 collective united as one unstoppable force; and the synergy is palpable in this tantalizing tour-de force.
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LP
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RS 041C-EP
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LP version. Magenta vinyl. 30/70 and Rhythm Section team up once more to deliver their most ambitious remix package to date. Call outs to friends and family of the label and collective offered up a selection of some of the most exciting electronic music producers in the scene and the fruits of the collaboration have arrived. The remix package continues 30/70's practice of rebirthing their music in a contemporary club sound but this time takes that intention a step further, veering into unexpected and more experimental territory for the band, calling in a new era for their musical endeavors. The record opens with a duo that need no introduction, label legends Chaos In The CBD work their magic on "Tastes Like Freedom", playing on Josh Kelly's drawn out noir-esque sax notes and Allysha's whispering tones to create a sultry and sophisticated house number in their typically infectious style. Next up, Utrecht native Carista enters with the sound of the Netherlands for a new wave electro trip fresh off her BBC Radio 1 residency. Tornado Wallace takes you straight to a hot pink sunset on the long-lost festival floor with his "Red Face Remix" of "Tastes Like Freedom". Closing out are the cerebral and ethereal sounds of Yu Su's "Midnight Blossom" Remix, where the Kaifeng-born composer, DJ and sound artist continues her exploration of "fourth world" ambience and left-field dance music. Over the last few years, 30/70 have become something of a supergroup: with Allysha Joy, Ziggy Zeitgeist, Josh Kelly and Matthew Hayes all soaring as solo artists and band leaders. Individual talents aside, there's nothing quite like the 30/70 collective united as one unstoppable force; and the synergy is palpable in this tantalizing tour-de force.
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