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viewing 1 To 11 of 11 items
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12"
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RBDC 013EP
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"Are You in Heaven?" was famously shouted by Roxy DJ Eddy de Clercq to the crowd at one of the very first legendary house parties in Amsterdam. This phrase not only symbolizes an iconic moment that captured the spirit of the era -- it's also the title of one of the three tracks featured here. In 1991, inspired by the dance music craze that swept across Europe at the time, Arnoud Winkler and Jochem Peteri (who would later become the one-man supergroup Newworldaquarium) produced music that is equal parts euphoric, emotive, vital, and vibrant -- youthful in spirit, naive yet clever. A European translation of a US-American art form, born from pure enthusiasm and concentrated passion for a culture that, to this day, continues to resonate universally. Originally released on Lower East Side Records, the story told here is full of rave symbolism, after-party joy, and literal can-you-feel-it moments: rattling sub-bass, blissful pads, whispering voices, dub techniques, and subconscious peak-time signals. Complemented by a new edit of "Ulysses Horizon" by Gerd Janson (alongside a revised version of the original), alongside "Flowerdale Beach," and "Are You in Heaven?," the music here hasn't lost a single inch of its charm or allure. A taste of Dutch house deluxe.
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12"
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RBDC 014-1EP
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Part 1. A noughties classic, an earworming anthem, an eventual schoolyard ringtone favorite; Roman Flügel's once inescapable "Geht's Noch?" celebrates turning 21 on Running Back, refreshed and remixed by a scene-spanning set of artists paying keen tribute to its absurdist energy. Casually released as part of a Cocoon Records compilation in 2004, "Geht's Noch?" rose from the depths with the support of Sven Väth, becoming an international phenomenon, conquering and uniting the dominant scenes of minimal and electroclash alike. Some have said it laid the foundations for the "Dirty Dutch" house scene, albeit from over the border in Germany. Well known for injecting much-needed levity into the contemporary club landscape via her Live From Earth parties, DJ Gigola adds additional firepower to "Geht's Noch?," inducing a planet-shaking kick drum, before sending the track's signature bleeps into nonsensical Morse code for even greater pleasure. Another rave culture connoisseur, Luca Lozano, offers two alternate takes; his "Technocs" mix rolls deep with additional cowbells, robotic voice commands and stadium-sized claps. Meanwhile, the "Gehts Garage Remix" draws a savvy connection with the original's as-yet-untapped UK funky potential. Peder Mannerfelt, who straddles the line between innovation, functionality, humor and seriousness quite like its original author, takes "Geht's Noch?" to truly wuthering heights. His remix builds unexpected drama and catharsis around the enduring riff, before a collaboration with studio partner Par Grindvik as Aasthma spins the club out with a glossy, anime-tinted take, full of whimsy and color. This vinyl release presses Steve Angello vs Who's Who remix to wax, that which helped take "Geht's Noch?" out of the underground and into the stratosphere. Twenty years on, and Flügel's offbeat hit is always ascending. Love it or hate it, "Geht's Noch?" will still get you good.
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12"
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RBDC 014-2EP
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Part 2. A noughties classic, an earworming anthem, an eventual schoolyard ringtone favorite; Roman Flügel's once inescapable "Geht's Noch?" celebrates turning 21 on Running Back, refreshed and remixed by a scene-spanning set of artists paying keen tribute to its absurdist energy. Casually released as part of a Cocoon Records compilation in 2004, "Geht's Noch?" rose from the depths with the support of Sven Väth, becoming an international phenomenon, conquering and uniting the dominant scenes of minimal and electroclash alike. Some have said it laid the foundations for the "Dirty Dutch" house scene, albeit from over the border in Germany. Well known for injecting much-needed levity into the contemporary club landscape via her Live From Earth parties, DJ Gigola adds additional firepower to "Geht's Noch?," inducing a planet-shaking kick drum, before sending the track's signature bleeps into nonsensical Morse code for even greater pleasure. Another rave culture connoisseur, Luca Lozano, offers two alternate takes; his "Technocs" mix rolls deep with additional cowbells, robotic voice commands and stadium-sized claps. Meanwhile, the "Gehts Garage Remix" draws a savvy connection with the original's as-yet-untapped UK funky potential. Peder Mannerfelt, who straddles the line between innovation, functionality, humor and seriousness quite like its original author, takes "Geht's Noch?" to truly wuthering heights. His remix builds unexpected drama and catharsis around the enduring riff, before a collaboration with studio partner Par Grindvik as Aasthma spins the club out with a glossy, anime-tinted take, full of whimsy and color. This vinyl release presses Steve Angello vs Who's Who remix to wax, that which helped take "Geht's Noch?" out of the underground and into the stratosphere. Twenty years on, and Flügel's offbeat hit is always ascending. Love it or hate it, "Geht's Noch?" will still get you good.
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12"
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RBDC 012EP
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Reissue alert! Whirlpool Productions' Fly Hi/Gimme appeared first in 1993 on the one time and made-up label 5th&Madison. The fascination that a young Justus Köhncke had for the then bubbling sounds, strictly rhythms and nu grooves of New York house music sparked the idea to join in the chant with a production of his own. Add his co-producer Fred Heimermann, the buzzing DJ and brilliant music journalist Hans Nieswandt, and a visitor from San Francisco named Eric D. Clark, the singer Heather Sachs and samples by Mel Tormé to the flamboyant picture and you know why the records sounds like it does: swinging house music through the lenses of a colorful cast or how some German people thought New Jersey's Zanzibar would sound. "Fly Hi" embodies the sophisticated deep and soulful approach, while "Gimme" satisfies the more hysteric approach. Favored and championed by DJs like Tony Humphries at the time, officially released by Snap's Logic Records and never vacated from Move D's record bag, it's reissued in all its glory for the first time on Running Back. Additionally, Move D puts his fingerprint on it with a disco leaning and upbeat remix of "Gimme." Extensive liner notes by Hans Nieswandt upon request. Life is still in hi-fly!
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2x12"
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RBDC 011EP
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Liner notes by Gerd Janson: "In its main mix, 'Surprise' is a classic early nineties house track that heavily nods towards the Big Apple, house music's disco roots and the power of swinging drum programming, albeit with meticulous production work and engineering. In short, it sounded and sounds as un-German as Germans can. The 'Holy Bassline Mix' on the other hand is already in the shape of things to come. Carried by a Roland TB-303, sprinkled with trance bits and elegiac pads, it's in perfect balance. Others thought so as well. Heavily supported by David Holmes and Andrew Weatherall, it was the manager of the latter who licensed it to Eye-Q Records UK with the addition of the 'Fake Jazz Mix' and ordered remixes by freshmen Isoleé and Losoul who became pillars of Playhouse. The first known for his idiosyncratic and sculptural ways of creating dance music meets the irresistible funk of his peer and both add spice to the already great menu. Here you have the chance to listen and digest Surprise in all its glory and entirety for the first time. Carefully remastered and processed by Lopazz and packaged by Running Back. Remember the good times and get some more."
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12"
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RBDC 010EP
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2025 repress. Running Back's Double Copy subsidiary for house music history returns with four musical masterpieces from Chicago, London, and an international cast from Italy on its first various artist sampler. Originally released on Roy Davis Jr.'s Undaground Therapy outlet, "Destination Heaven" by the enigmatic Earth Boys project delivers a piece of cloud-nine-deep-house that was a staple at Frankfurt's Wild Pitch Club and during the early days of its successor Robert Johnson. Produced by Cloudy Eyes and Cole Brooks, unfortunately the duo has never been heard from again. Luckily, Family of Few have been a little bit more productive. Also known as Mind Readers, Kevin Elliot and Billy "Jack" Williams produced some of the more tender moments on Detroits 430 West label. "Intervoles" is amongst the most peculiar and catchy tracks that slow-burning dancefloors can hope for. The flip side turns the attention to the conclusions that Europe drew from its US role models. Released in 1992 on Rena Records with the involvement of New York's JoVonn (a distinct genius of deep grooves himself), the keyboard skills of Pierre Audetat and the production work of I. Betti, M. Clemente, and W. Brown, Dummy Head is one of a kind. Swirly echoes, dubby textures and a heavy bass line mate on the "Edit Mix" of "I Have Been Wanting You" to create one of the very first examples of fully formed dub-house. Similar pioneering properties can be ascribed to the work of Rob Mello. There isn't enough room here to list all his merits, but rest assured that the UK's house scene wouldn't be the same without him (Luxury Service Records, Classic et al). Under the Karim guise, Mello delivered a unique stroke of genius. Distilling the essence of deep house, while looking far into the future, "In My Mind" is many things at once: broken beat, electro, house with embracing chords, and -- if you will -- a warm-up banger. and does, what all the tracks in here do: turning heads then, turning heads now. Hardcore deep house.
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2x12"
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RBDC 008EP
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In certain circles, this is a record that would easily be called "eternal". Back in 1996, when it was originally released, it sounded like nothing else -- and still does. The sixth record of Frankfurt's soon to be imperial Playhouse label and Losoul's first outing on the label, it hot-wired many things at once: house and techno, US roots and European fruits, grittiness and wittiness, high tech funk, the expansion pf playtimes and the concept of minimalism in dance music. Elegance met effectiveness. A composition that hooked you and also caused a stir elsewhere. Daniel Bell licensed it to his Elevate label and commissioned a very young Theo Parrish to remix it, Michel De Hey did the same with his EC Records and treatments by Gerd among others. Here you finally get both of those carefully restored, remastered and reissued next to the originals. Amply placed on a double 12", it also features the previously unreleased "D1". Stemming from the same time and era as "Open Door," it rings and feels like a compact lost brother. Addictive as on the very first day and here to stay.
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12"
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RBDC 005EP
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Subtle Houzze were Boris Dlugosch and the late Gary D. The joint venture of Hamburg's golden boy and Front resident Dlugosch and his Unit/Tunnel counterpart Gary D was like a moment in love. Written and produced in 1992, it cast the grappling statues of techno soul and deep house in bronze. Save for two tracks of the original release, albeit graced with another and previously unavailable mix of "Hemisphere", all the glory of the future of the past is available again. Remastered, restored and reconfigured via the Running Back Double Copy series. If you need more proof, see this quote from Discogs user guigui612 from September 26, 2019: "Super good EP. Very diverse, full of deepness and emotions."
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12"
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RBDC 004EP
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Re-issue of Hologram's valuable Schematic classic, Solstice, with additional Prins Thomas Remix.
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12"
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RBDC 003EP
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A little while before Metro Area came into life, there was Acronym City. Originally released on Sub Freq Recordings in 1996, Darshan Jesrani's moniker deals with the impact that electronic music from Detroit had on some inhabitants of said metro area. Darshan Jesrani finds the missing link between techno soul and the sort of contemplative and playful heavy deep house of the early nineties in New York's underground. Backed up by an ethereal stop-and-go remix version of "Powermoves" by DJ Sprout and escorted by "The Push", this one is for the users. Restored, re-mastered, and slightly re-edited by Gerd Janson.
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12"
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RBDC 001EP
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Running Back Double Copy reissues the Final Cut Mateo and Matos holy grail. Originally released in 1992. Lovingly remastered.
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