The Guerssen label is based in Catalonia, Spain, and has been in business since 1996. Their growing catalog is filled with reissues of some of the best psychedelic, folk and progressive titles from the late '60s to early '80s, combining well-known titles with some of the most unknown, obscure records in the worldwide scene. Baris Manço, Factory, Merrell Fankhauser (Fapardokly, HMS Bounty), Barry Dransfield, Tree People, and Dave Bixby are some of the artists represented, and there's both vinyl LP and CD versions of most of their titles.
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7"
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GUESS SG005EP
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Two killer Wicked Lady tracks pressed for the first time on a 45rpm 7" for maximum volume and power! "Run The Night", recorded in 1969, taken from the Axeman Cometh album (GUESS 042CD/098LP, it's raw psychedelic hard-rock with dirty fuzz-wah, sounding like a mix between Black Sabbath and The Stooges. "I'm a Freak", recorded in 1972, taken from Psychotic Overkill (GUESS 041CD/099LP). It's a proto-Motörhead hard-rock bomb. Edition of 500 (no repress). RIYL: Black Sabbath, Stooges, Motörhead, Dark.
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LP
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GUESS 157LP
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Guerssen Records present a reissue of Tapiman's self-titled release, originally released in 1971. First reissued on vinyl by Guerssen in 2003 and long out of print, here's a new, deluxe edition of this Spanish monster rarity. Legendary psychedelic hard-rock album from 1971 with prog and blues influences by this extremely underground hard-rocking power trio from Barcelona. Line-up features Max Sunyer on killer guitar (later in Iceberg), and Tapi on drums (just after leaving pioneering psych band Maquina). Newly remastered sound; Hard cardboard sleeve and obi; Includes reproduction of the original promo poster and four-page insert with an interview with Max Sunyer plus many unseen photos. RIYL: Black Sabbath, Cream, Mountain, Thin Lizzy, Amboy Dukes.
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LP + 7"
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GUESS 156LP
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Guerssen Records present a reissue of Caedmon's legendary debut from 1978, originally released as a private pressing. One of the most sought-after progressive folk-rock albums from the UK. Caedmon -- a five-piece student band in the '70s -- recorded this album to mark their farewell concert in early 1978, before they went their separate ways after university. They had literally no idea of the myths, rumors, and tales that would embellish (and sometimes distort) the musical arc traced by this album in the decades to come. The album contains twelve songs. Ten were written by the band. One was based on an ancient text by seventh century poet Caedmon. And the final track was a traditional gospel song. Angela Naylor's lead vocals are supported by close harmony male vocals throughout. Acoustic guitars, mandolin, and cello jostle with electric guitar, keyboards, percussion, and bass. The resultant blend can only be described as eclectic, conjuring a slightly bizarre mix of folk ballad, bossa-nova, and psychedelic jazz and funk. Little did they know that this would be described as acid-folk in years to come. Unusual time signatures, tight arrangements, improbable instrumentation, oblique and poetic stories tackling spirituality, distorted fuzz guitar, and the odd recorder solo. 1978 was the era of punk. Caedmon adopted a self-produced approach and recorded their farewell to fans in Barclay Towers Studio in Edinburgh, an attic flat, patronized by the Rezillos, among others. Essentially each song was recorded "live" in two or three takes on a four-track tape machine, with occasional overdubs. During the pressing, a call from the pressing plant informed the band that they had too much music recorded to fit on a 33rpm 12" vinyl. A quick decision resulted in two tracks being moved across to a 45rpm 7" single. The band was unsigned, boasted a small fan-base (mostly in Scotland), only occasionally played south of the border (notably at a disastrous gig at the Greenbelt Festival in 1977), enjoyed some success at the Edinburgh Fringe. Their niche fame came twenty years later. Both a re-release of the original album on CD by Kissing Spell Records, and a burgeoning world-wide vinyl collectors market made possible by the internet led to feverish demand for copies of the original vinyl of 1978. First licensed reissue of the 1978 album since the Kissing Spell CD. 24-bit remastering from the original master tapes; Four-page color insert with lyrics, rare photos, and liner notes; Original artwork.
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GUESS 155LP
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Originally issued as a 12" mini-album in 1986, Tyrnaround's Colour Your Mind has become a touchstone of 1980s neo-psychedelia and almost certainly one of the best records of the second psychedelic era. Influenced by classic '60s British psychedelia, it was also inspired by The Dukes of Stratosphear's "25-O-Clock" and perhaps exceeds that record's trip factor with the acid-infused title track -- featured on Amorphous Androgynous Wizards of Oz compilation, and also famously covered by Vibravoid -- blending searing acid fuzz guitar, swirling keyboards, surreal lyrics, and sumptuous early Floyd-like harmonies. Now expanded to a full-length LP, including all the bands singles as well as the rare Freakbeat Magazine 45 "Paragon-Smythe" (featuring the never released before unedited version), this could be seen as Tyrnaround's perfect debut album. Trippy '60s-styled psychedelia from Australia. Comes in '60s UK styled backflaps sleeve; includes insert with unseen photos and a full history of the band by Richard Allen (Freakbeat, Delerium, Shindig!); Includes download card which includes rare demo and live tracks.
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LP
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GUESS 154LP
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Guerssen Records present a reissue of Miguel Abuelo & Nada, originally released in 1975. A stunning blend of psychedelia, hard-rock, and prog-folk courtesy of Miguel Ángel Peralta, aka Miguel Abuelo, the legendary Argentinean rock pioneer. Recorded and released only in France in 1975, featuring some top Argentinean musicians such as killer guitar player Daniel Sbarra. Miguel Abuelo was a musician, poet and singer from Buenos Aires, Argentine. During the '60s, he was the leader of early psychedelic band Los Abuelos de la Nada, who released a highly sought-after 45 in 1968. In the early '70s, Miguel, a free spirit who left Argentina for Europe and ended up busking in Paris. There, he formed a band called Nada featuring guitar player Daniel Sbarra and other expat Argentinean musicians. Supported by their producer, Moshé Naïm, who was fascinated with Miguel's personality and voice, they registered in France their only album, recorded circa 1973 but actually released in 1975 on Moshé's own label, just when the band had decided to part ways. Housed in a beautiful gatefold cover depicting Miguel in full hippie-fashion along with his little child Gato Azul, Miguel Abuelo & Nada is simply one of the best Argentinean rock albums ever recorded. Cleary influenced by bands like Deep Purple, Led Zeppelin, Jethro Tull, and the like, Miguel and Daniel managed to create a very unique sound, powerful yet delicate, highlighted by Miguel's heartfelt vocals (sometimes treated as just another instrument), outstanding guitar playing by Daniel (listen to him doing one of the early known examples of proto-metal tapping on "Tirando Piedras Al Río"), well-crafted songs and deep, poetic lyrics. The album was recorded at a state-of-the-art studio located in the countryside and was carefully produced: electric and acoustic guitars, bass, drums, flute, keyboards (including Moog), cello, violin. Sadly, the release date kept getting delayed, the band had to go on tour without the album in the street and when it was finally released, Miguel and Daniel had decided to take separate ways. During the '80s, Miguel obtained mainstream success in Argentine until his death in 1988. Miguel Abuelo & Nada is now widely regarded worldwide as a legendary, cult album. Master tape sound. Original artwork in gatefold sleeve; includes insert with lyrics, rare photos, and liner notes by Daniel Sbarra.
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LP
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GUESS 048LP
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2018 repress. Reissue of Farpardokly's self-titled release, originally released in 1967. Fapardokly is probably regarded as the most important release in Merrell Fankhauser's long career, and an absolute collector's item. The band recorded about 30 tracks in a small studio in Palmdale, California, from 1965 to 1967, when the owner of the studio decided to release an album with some of these tracks. With such different recording dates, you find here different sounds -- organized '60s pop, jangly folk-rock, psychedelia -- a truly fantastic album that finally gets, for the first time, a legit vinyl reissue and with the original artwork. Comes with an insert featuring photo from Merrell's personal archive, and liner notes by him as well.
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LP
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GUESS 153LP
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Restocked; the legendary 1967-68 recordings by UK mod band The Action, registered when they were in transition from mod-beat to full-blown psychedelia, just prior to becoming Mighty Baby. Originally recorded as a set of demos with the intention of obtaining an album deal which inexplicably never materialized, Rolled Gold is a collection of brilliant songs, melancholic yet powerful. The Action's classic line-up of Reg King, Alan "Bam" King, Michael Evans, and Roger Powell is augmented with the inclusion of new members Martin Stone on guitar and Ian Whiteman on flute/organ. All of them are playing their hearts out: superb harmonies, great guitar work, and clever arrangements which show the influence of bands like The Byrds and the psychedelic sounds that were coming from the west coast and UK as well as jazz giants like Coltrane. Always the stuff of legend, the Rolled Gold tapes were shelved at the time, not released until 1997 when the Dig The Fuzz label discovered them and did a limited LP/CD run. Out of print on vinyl for many years, Guerssen Records present a new vinyl edition. If you dig the psychedelic era of Small Faces, Pretty Things, The Who, Plus The Creation, Nazz, Tomorrow, Blossom Toes, The End, or Traffic -- look no further. Digitally remastered from the master tapes. Includes insert with photos and detailed liner notes by Jason Barnard (Shindig!).
"It's as if Paul Weller time-travelled back to 1967 and wrote the best songs of his career. Every track is a fully realized melodic and lyrical statement." --Matt Collar, All Music
"I could imagine, if they had been able to do them 'properly,' Rolled Gold stood to be thought of as their Ogden's Nut Gone Flake." --David M. Snyder (Popdiggers)
"We were really excited about what we were doing and felt we were creating something fresh and new."--Alan "Bam" King
"The Action never became stars, but Rolled Gold justifies the legend." --David Fricke (Rolling Stone)
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LP
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GUESS 058B-LP
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Repress in vintage-styled tip-on hard cardboard sleeve. Guerssen Records present a reissue of Dave Bixby's Ode To Quetzalcoatl, originally released in 1969. Since its discovery in the late '90s, Dave Bixby's legendary $2000 private press album from 1969 is considered by all serious record collectors as the king in the loner/downer folk genre. After being involved in '60s Michigan folk and garage-rock bands such as The Shillelaghs and Peter & The Prophets, Bixby started playing acoustic guitar and experimenting with LSD. After a year of drug abuse, he felt broken. Starting a soul-searching, spiritual journey, he wrote Ode To Quetzalcoatl and most of the material for his second album, Harbinger's Second Coming (1970) in just one month and a half. Assisted by fellow musician Brian MacInness, who played some guitar parts on the album, Dave recorded Quetzalcoatl using an echo-laden four-track machine in a flat's living room. The sound is lo-fi and sparse: just acoustic guitars and some occasional harmonica and flute, added to Bixby's haunting, emotional vocals, spiritual lyrics, and solid songwriting. The opening cut, the eerie and painful "Drug Song" sets the mood perfectly for the rest of the album which contains more tormented titles like "666", "Lonely Faces", "Open Doors", "Secret Forest" -- never has an acoustic folk album sounded so intense. Carefully remastered sound from vinyl (no master tapes exists) done at Shadoks Music Studios. Includes insert with detailed liner notes by Matvei Procak, who found Bixby in 2006, plus some rare pictures.
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CD
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GUESS 061CD
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Previously unreleased DIY homemade psychedelia, teen beat, and fuzz-psych/prog by the amazing Swedish band Cymbeline, recorded from 1965-1971. Tracks like "Third Image" or "Look At The Stars" are an incredible find for anyone into US garage-psych (they wouldn't sound out of place on any Pebbles or Psychedelic Unknowns volume) and others like "Flicka", "Stolta Vingar", or "Mittuppslag" are top-notch, '70s fuzzed-out Scandinavian psych/prog. Formed in the industrial town of Norrköping in the mid '60s, Cymbeline (also known as Motala Ström and W&J) only released a 45 in 1971 before breaking up. But during their existence, the band recorded a lot of stuff, included here for the first time along with their rare 45. Cymbeline was basically two guys, Michael Journath and Anders Weyde, who met in 1965 while they both played in beat bands. They started recording songs at Anders's little home studio with help with some friends, and that's how songs like "Imagination" and "Look At The Stars" -- amazing examples of homemade teen beat -- were born. At the same time, Michael and Anders were feeling a bit tired of playing cover versions with their beat bands, so they decided to start recording more experimental stuff, using armchairs and furniture as percussion, sounds from seagulls and birds, an electric cocktail mixer, and improvising lyrics -- these incredible experiments were recorded as "Images", including the killer garage-psych sounding "Third Image". As the years passed by, the home studio improved and new songs were recorded in a more psych-prog vein, some of them included here. They also played a few live gigs with some help from other local musicians. In 1970, Ulf Ryberg joined the group and soon after a 45 was released containing his song "New York". The flip side was "Sixth Image", originally one of the "Images" but rearranged and re-recorded (1971). In 1971, demos for an LP were recorded at Europafilm Studios in Stockholm. Two fantastic songs are included here and the sound is different from the earlier recordings -- closer to the groups live performances. So, 40 years later, here is the LP that Cymbeline always dreamed of. Remastered sound; Insert with photos and liner notes by band member Michael Journath.
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LP
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GUESS 152LP
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Previously unreleased DIY homemade psychedelia, teen beat, and fuzz-psych/prog by the amazing Swedish band Cymbeline, recorded from 1965-1971. Tracks like "Third Image" or "Look At The Stars" are an incredible find for anyone into US garage-psych (they wouldn't sound out of place on any Pebbles or Psychedelic Unknowns volume) and others like "Flicka", "Stolta Vingar", or "Mittuppslag" are top-notch, '70s fuzzed-out Scandinavian psych/prog. Formed in the industrial town of Norrköping in the mid '60s, Cymbeline (also known as Motala Ström and W&J) only released a 45 in 1971 before breaking up. But during their existence, the band recorded a lot of stuff, included here for the first time along with their rare 45. Cymbeline was basically two guys, Michael Journath and Anders Weyde, who met in 1965 while they both played in beat bands. They started recording songs at Anders's little home studio with help with some friends, and that's how songs like "Imagination" and "Look At The Stars" -- amazing examples of homemade teen beat -- were born. At the same time, Michael and Anders were feeling a bit tired of playing cover versions with their beat bands, so they decided to start recording more experimental stuff, using armchairs and furniture as percussion, sounds from seagulls and birds, an electric cocktail mixer, and improvising lyrics -- these incredible experiments were recorded as "Images", including the killer garage-psych sounding "Third Image". As the years passed by, the home studio improved and new songs were recorded in a more psych-prog vein, some of them included here. They also played a few live gigs with some help from other local musicians. In 1970, Ulf Ryberg joined the group and soon after a 45 was released containing his song "New York". The flip side was "Sixth Image", originally one of the "Images" but rearranged and re-recorded (1971). In 1971, demos for an LP were recorded at Europafilm Studios in Stockholm. Two fantastic songs are included here and the sound is different from the earlier recordings -- closer to the groups live performances. So, 40 years later, here is the LP that Cymbeline always dreamed of. Remastered sound; Insert with photos and liner notes by band member Michael Journath.
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LP
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GUESS 148LP
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Guerssen Records present a reissue of The New Tweedy Bros!, originally released in 1968. Originally from Portland, the New Tweedy Brothers were formed by brothers Fred and Danny Lackaff, plus Dennis Fagaly and Steve Ekman. In 1966, they relocated to San Francisco, where they were part of the exploding, nascent psychedelic ballroom scene, influencing none other than Jerry Garcia, and sharing the stage with bands like The Warlocks (pre-Grateful Dead), Quicksilver, and Big Brother, among others. Upon returning to Oregon, they self-released their only album in 1968, housed in a striking hexagonal, over-sized silver foil cover, now a holy grail between psychedelic collectors. Innocent vocal harmonies, fuzzy bass, jangly guitars, raga sounds -- 100% uncut psychedelia and garage-y, jangly folk-rock from 1968. RIYL: The Byrds, Moby Grape, Jefferson Airplane, The Charlatans, Buffalo Springfield. "Many punters feel that this LP epitomizes the innocent first wave of 'the West Coast Sound' before it was quickly corrupted." --John T. Berg Master tape sound; Includes insert with rare photos, memorabilia, and an interview with original band member Fred Lackaff; Original hexagonal silver foil artwork adapted to a standard cover.
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LP
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GUESS 151LP
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LP version. Includes digital download. Previously unreleased homemade recordings from 1971 by Barcelona's hairiest power trio, Tapiman. Raw, in-your-face, hard-rock and proto-metal, plus some surprising psychedelic, Canterbury-styled moves. Featuring the very first line-up of the band comprised of killer guitar player Miguel Ángel Núñez, the legendary Tapi (ex-Máquina) on drums, and Pepe Fernández on bass. Includes a cover of Black Sabbath's "Planet Caravan", a killer first version of "No Control" featuring Núñez on guitar (later recorded again for their first album with Max Sunyer), the proto-metal sounding "Hard Drive" (previously unreleased), and more. Deluxe insert with detailed liner notes and rare photos.
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CD
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GUESS 060CD
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Previously unreleased homemade recordings from 1971 by Barcelona's hairiest power trio, Tapiman. Raw, in-your-face, hard-rock and proto-metal, plus some surprising psychedelic, Canterbury-styled moves. Featuring the very first line-up of the band comprised of killer guitar player Miguel Ángel Núñez, the legendary Tapi (ex-Máquina) on drums, and Pepe Fernández on bass. Includes a cover of Black Sabbath's "Planet Caravan", a killer first version of "No Control" featuring Núñez on guitar (later recorded again for their first album with Max Sunyer), the proto-metal sounding "Hard Drive" (previously unreleased), and more. Deluxe insert with detailed liner notes and rare photos.
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LP
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GUESS 149LP
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Guerssen Records present a reissue of Blops' self-titled debut, originally released in 1970. Los Blops formed in Santiago, Chile in 1964, as a beat/cover band. But during the following years, they developed a unique sound, mixing folk, rock, psychedelia, and Chilean folklore. This is their legendary first album, originally released in 1970 on the Dicap label. Psychedelic folk-rock of the highest order with beautiful songs, touching Spanish vocals, acoustic and electric guitars, flute, organ, percussion, xylophone, and a lost-in-time, mysterious feel. Includes the famous "Los Momentos" and more. RIYL: Kissing Spell, Congreso, Embrujo, Ithaca, Agincourt. Comes with a color insert with photos and liner notes in English and Spanish; Housed in old style heavy cardboard tip-on sleeve.
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LP
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GUESS 150LP
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Guerssen Records present a reissue of Blops' second eponymous album, also known as Del Volar De Las Palomas, originally released in 1971. This is the second album from the legendary Blops from Chile, released while the band lived in a communal house known as "Manchufela". Del Volar De Las Palomas is another superb psychedelic folk-rock offering with a slightly more electrified sound on some of the tracks. Great songs, melancholic atmospheres, deep Spanish vocals, acoustic and electric guitars, flute, organ, percussion, drums, cello, violin, and backward effects. Comes with a color insert with photos and liner notes in English and Spanish - Reproduction of the rare original lyrics/illustrations booklet; Housed in old style heavy cardboard tip-on sleeve.
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LP
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GUESS 147LP
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Blastin' underground hard rock from Canada, 1971. Ultra-raw guitars and lots of attitude. Think Black Sabbath and Elias Hulk. Ellison were formed in Montréal in late 1967 by Vincent Marandola, Richard Arcand, Robert Cager, and Christian Tremblay. The band started playing quite frequently in and around Montréal, and actually played a few other gigs in Québec. They recorded their one and only LP in 1971, and it was originally released on Trans-World Records. This welcome reissue of the rare and sought-after album features newly remastered sound. Tip-on sleeve; includes insert with liner notes and photos.
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3LP BOX
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GUESS 146LP
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Limited repress. Three-LP box version in purple-and-gold hot-foil-stamped box with eight-page insert and poster. A treasure trove of previously unreleased West Coast guitar psychedelia, 1966-1975. "Uther Pendragon was more than just a band, it was a family. Closer than brothers, they lived together, made music together, worked, played, laughed, cried and dreamed together." --Mike Stax (Ugly Things)
This is the incredible story of Uther Pendragon, a lost psychedelic band from San Francisco whose music has remained buried until now. Formed in the Bay Area in 1966 as a teen garage group called Blue Fever, Uther Pendragon lasted from 1966 until 1978. During that time, the band went through different names and phases, as their music evolved from garage to psychedelia to hard rock, but the core of the band always remained the same: Mark Lightcap (rhythm guitar, vocals), Bruce Marelich (lead guitar, vocals), and Martin Espinosa (bass, vocals). After finding their ultimate drummer in Mike Beers, the group finally settled on the Uther Pendragon name in the early '70s. But despite being active for all that time and recording at numerous studios (including their own in Palo Alto), Uther Pendragon never released any recordings. Their complex and fascinating story, which involves winning a Bay Area Battle of the Bands and playing with Country Joe & The Fish, recording a killer garage-psych 7" acetate in 1967, going to the legendary Pacific Recording Studios in 1969 to record a demo, living as a family in the same house for many years and rehearsing seven days a week, building their own recording studio and music corporation, being managed by Craig Pedersen (Something Wild, Tripsichord Music Box), being involved in an occult-themed rock opera called Sabbat, and much more, is told with all the details by Mike Stax from Ugly Things in this set's extensive liner notes, with rare photos. Produced from the band's vast archive of original master tapes, San Francisco Earthquake includes their unknown-until-now 7" acetate from 1967 (fab garage-psych in the vein of The Human Expression or The Music Machine); tracks from 1966-'69 including a groundbreaking, moody psycher from 1966; a demo tape from 1969 recorded at Pacific Recording -- an incredible document for any lover of early SF garage-psych (think Oxford Circle, The Savage Resurrection, Moby Grape . . .) -- and many tracks recorded at their home studio in Palo Alto. 100% unadulterated West Coast guitar psych and hard rock that recalls QMS and even Kurihara-era White Heaven.
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GUESS 059CD
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A treasure trove of previously unreleased West Coast guitar psychedelia, 1966-1975. "Uther Pendragon was more than just a band, it was a family. Closer than brothers, they lived together, made music together, worked, played, laughed, cried and dreamed together." --Mike Stax (Ugly Things)
This is the incredible story of Uther Pendragon, a lost psychedelic band from San Francisco whose music has remained buried until now. Formed in the Bay Area in 1966 as a teen garage group called Blue Fever, Uther Pendragon lasted from 1966 until 1978. During that time, the band went through different names and phases, as their music evolved from garage to psychedelia to hard rock, but the core of the band always remained the same: Mark Lightcap (rhythm guitar, vocals), Bruce Marelich (lead guitar, vocals), and Martin Espinosa (bass, vocals). After finding their ultimate drummer in Mike Beers, the group finally settled on the Uther Pendragon name in the early '70s. But despite being active for all that time and recording at numerous studios (including their own in Palo Alto), Uther Pendragon never released any recordings. Their complex and fascinating story, which involves winning a Bay Area Battle of the Bands and playing with Country Joe & The Fish, recording a killer garage-psych 7" acetate in 1967, going to the legendary Pacific Recording Studios in 1969 to record a demo, living as a family in the same house for many years and rehearsing seven days a week, building their own recording studio and music corporation, being managed by Craig Pedersen (Something Wild, Tripsichord Music Box), being involved in an occult-themed rock opera called Sabbat, and much more, is told with all the details by Mike Stax from Ugly Things in this set's extensive liner notes, with rare photos. Produced from the band's vast archive of original master tapes, San Francisco Earthquake includes their unknown-until-now 7" acetate from 1967 (fab garage-psych in the vein of The Human Expression or The Music Machine); tracks from 1966-'69 including a groundbreaking, moody psycher from 1966; a demo tape from 1969 recorded at Pacific Recording -- an incredible document for any lover of early SF garage-psych (think Oxford Circle, The Savage Resurrection, Moby Grape . . .) -- and many tracks recorded at their home studio in Palo Alto. 100% unadulterated West Coast guitar psych and hard rock that recalls QMS and even Kurihara-era White Heaven.
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MENS MED T-SHIRT
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GUESS WL-M-M
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100% cotton men's medium T-shirt, all in wasted black, bearing the name of Wicked Lady, the legendary UK underground power trio led by ace guitarist Martin Weaver (Dark). Wicked Lady existed from 1968 to 1972 and played excessive, over-the-top, doomy, psychedelic hard rock with enough fuzz, wah-wah, and heavy riffs to blow the mind of any hard psych collector. Guerssen reissued the band's complete recordings in 2012 in the form of The Axeman Cometh (GUESS 042CD/098LP) and Psychotic Overkill (GUESS 041CD/099LP).
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2CD
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GUESS 058CD
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Bedroom/lo-fi psychedelia by unsung heroes of the '80s DIY cassette culture scene. From outsider synth-pop to Barrett-esque lysergic folk; from lo-fi garage-punk to basement prog: acid-fuzz guitars, cheap keyboards, primitive electronics, homemade vibes, and bizarre, funny lyrics. Pig Rider were formed in Kent, UK, in the late '60s by John Mayes and Colin Kitchener. With the help from some friends they recorded and self-released a series of acetate-only psych-folk albums in the mid-'70s (Heterophonies, Bloody Turkey Sandwiches...), which are prime examples of early DIY psychedelic music, highly sought-after since a review of Heterophonies appeared in Richard Morton Jack's Galactic Ramble book. In 2013, collector Alexandre Mansuy (from the influential Somewhere There Is Music blog) found Mayes and Kitchener and was astonished when they told him their story: Heterophonies was only one of their many, many great recordings, 22 in all, including 45s, acetates, and tapes. Thanks to Mansuy, Guerssen is launching a comprehensive Pig Rider reissue campaign, starting with The Robinson Scratch Theory. The compilation includes tracks originally recorded between 1980 and 1986 and released as private cassettes. Pig Rider's sound brings to mind obscure DIY bands like The Desperate Bicycles, Instant Automatons, or Beyond the Implode -- if those bands knew how to write catchy and well-crafted songs. But the most amazing thing is that Pig Rider were creating this kind of music for their own amusement without any knowledge of the post-punk or DIY movement. Although they were listening to bands like the Bonzos, Pink Floyd, and The Misunderstood -- "I played their 'Children of the Sun' 45 until the groove was worn out!" says Kitchener -- Pig Rider claim that the main influence on what they played was the availability of instruments and what they could do with them -- not always what they were designed for -- and always pushing their limits. The Robinson Scratch Theory is presented in master tape sound with an insert/booklet containing detailed liner notes and photos. The double CD edition includes four bonus tracks that are also available as a free download via Bandcamp. The compilation is released in advance of first-ever reissues of two of Pig Rider's ultra-rare '70s acetates, Bloody Turkey Sandwiches (1974) and Heterophonies (1975). Welcome to the twisted world of one of the truly pioneering DIY psychedelic pop bands.
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2LP
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GUESS 145LP
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Double LP version. Bedroom/lo-fi psychedelia by unsung heroes of the '80s DIY cassette culture scene. From outsider synth-pop to Barrett-esque lysergic folk; from lo-fi garage-punk to basement prog: acid-fuzz guitars, cheap keyboards, primitive electronics, homemade vibes, and bizarre, funny lyrics. Pig Rider were formed in Kent, UK, in the late '60s by John Mayes and Colin Kitchener. With the help from some friends they recorded and self-released a series of acetate-only psych-folk albums in the mid-'70s (Heterophonies, Bloody Turkey Sandwiches...), which are prime examples of early DIY psychedelic music, highly sought-after since a review of Heterophonies appeared in Richard Morton Jack's Galactic Ramble book. In 2013, collector Alexandre Mansuy (from the influential Somewhere There Is Music blog) found Mayes and Kitchener and was astonished when they told him their story: Heterophonies was only one of their many, many great recordings, 22 in all, including 45s, acetates, and tapes. Thanks to Mansuy, Guerssen is launching a comprehensive Pig Rider reissue campaign, starting with The Robinson Scratch Theory. The compilation includes tracks originally recorded between 1980 and 1986 and released as private cassettes. Pig Rider's sound brings to mind obscure DIY bands like The Desperate Bicycles, Instant Automatons, or Beyond the Implode -- if those bands knew how to write catchy and well-crafted songs. But the most amazing thing is that Pig Rider were creating this kind of music for their own amusement without any knowledge of the post-punk or DIY movement. Although they were listening to bands like the Bonzos, Pink Floyd, and The Misunderstood -- "I played their 'Children of the Sun' 45 until the groove was worn out!" says Kitchener -- Pig Rider claim that the main influence on what they played was the availability of instruments and what they could do with them -- not always what they were designed for -- and always pushing their limits. The Robinson Scratch Theory is presented in master tape sound with an insert/booklet containing detailed liner notes and photos. The compilation is released in advance of first-ever reissues of two of Pig Rider's ultra-rare '70s acetates, Bloody Turkey Sandwiches (1974) and Heterophonies (1975). Welcome to the twisted world of one of the truly pioneering DIY psychedelic pop bands.
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MENS XL T-SHIRT
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GUESS WL-M-XL
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100% cotton men's extra-large T-shirt, all in wasted black, bearing the name of Wicked Lady, the legendary UK underground power trio led by ace guitarist Martin Weaver (Dark). Wicked Lady existed from 1968 to 1972 and played excessive, over-the-top, doomy, psychedelic hard rock with enough fuzz, wah-wah, and heavy riffs to blow the mind of any hard psych collector. Guerssen reissued the band's complete recordings in 2012 in the form of The Axeman Cometh (GUESS 042CD/098LP) and Psychotic Overkill (GUESS 041CD/099LP).
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MENS LARGE T-SHIRT
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GUESS WL-M-L
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100% cotton men's large T-shirt, all in wasted black, bearing the name of Wicked Lady, the legendary UK underground power trio led by ace guitarist Martin Weaver (Dark). Wicked Lady existed from 1968 to 1972 and played excessive, over-the-top, doomy, psychedelic hard rock with enough fuzz, wah-wah, and heavy riffs to blow the mind of any hard psych collector. Guerssen reissued the band's complete recordings in 2012 in the form of The Axeman Cometh (GUESS 042CD/098LP) and Psychotic Overkill (GUESS 041CD/099LP).
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WOMENS LARGE T-SHIRT
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GUESS WL-W-L
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100% cotton women's large T-shirt, all in wasted black, bearing the name of Wicked Lady, the legendary UK underground power trio led by ace guitarist Martin Weaver (Dark). Wicked Lady existed from 1968 to 1972 and played excessive, over-the-top, doomy, psychedelic hard rock with enough fuzz, wah-wah, and heavy riffs to blow the mind of any hard psych collector. Guerssen reissued the band's complete recordings in 2012 in the form of The Axeman Cometh (GUESS 042CD/098LP) and Psychotic Overkill (GUESS 041CD/099LP).
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WOMENS MED T-SHIRT
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GUESS WL-W-M
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100% cotton women's medium T-shirt, all in wasted black, bearing the name of Wicked Lady, the legendary UK underground power trio led by ace guitarist Martin Weaver (Dark). Wicked Lady existed from 1968 to 1972 and played excessive, over-the-top, doomy, psychedelic hard rock with enough fuzz, wah-wah, and heavy riffs to blow the mind of any hard psych collector. Guerssen reissued the band's complete recordings in 2012 in the form of The Axeman Cometh (GUESS 042CD/098LP) and Psychotic Overkill (GUESS 041CD/099LP).
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