GUERSSEN RECORDS - Forced Exposure

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GUERSSEN RECORDS (SPAIN) 250 Titles

The Guerssen label is based in Catalonia, Spain, and has been in business since 1996. Their growing catalog is filled with reissues of some of the best psychedelic, folk and progressive titles from the late '60s to early '80s, combining well-known titles with some of the most unknown, obscure records in the worldwide scene. Baris Manço, Factory, Merrell Fankhauser (Fapardokly, HMS Bounty), Barry Dransfield, Tree People, and Dave Bixby are some of the artists represented, and there's both vinyl LP and CD versions of most of their titles.

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Artist	Title	Format	Label	Catalog #

ATTACK/THE VOICE, THE	Magic In The Air/Train to Disaster	7"	GUERSSEN RECORDS	GUESSG 017EP
$16.00 PREORDER RELEASE DATE: 5/15/2026 Split 45 with two freakbeat/psych classics. "Magic In The Air" by The Attack was recorded in 1967 but not released at the time due to John Cann's guitar sound deemed "too heavy" by their record label. The doomy "Train To Disaster" by Scottish band The Voice (related to Robert de Grimston's Process Church Of The Final Judgment) is "freakbeat" personified.

Artist	Title	Format	Label	Catalog #
IN BLACK AND WHITE	Nowhere This Time/How Can I Make It	7"	GUERSSEN RECORDS	GUESSG 010EP
$16.00 PREORDER RELEASE DATE: 5/15/2026 Before the Wizards From Kansas, it was In Black And White. Two previously unreleased tracks recorded in 1967 by a young Stephen Barncard (producer/engineer of Grateful Dead, David Crosby). A terrific fuzzed-out psych track on Side A and a cool Byrdsy folk-rocker on the flip.

Artist	Title	Format	Label	Catalog #
JERICHO	Jericho	LP	GUERSSEN RECORDS	GUESS 286LP
$35.00 PREORDER RELEASE DATE: 5/15/2026 Already pioneers at home under their earlier name The Churchills, the band relocated to the UK in 1971 under the guidance of a big management, changing their name to Jericho Jones and finally Jericho. Released by A&M in February 1972, the self-titled Jericho album was heavier, longer, and more progressive than anything they had done before. Built around extended compositions, fearless arrangements, and telepathic ensemble playing, it captured a band operating at full creative stretch. The album opens with "Ethiopia," a ferocious multi-section rocker whose volcanic riffing and sudden twists set the tone for everything that follows. "Don't You Let Me Down," later issued as a single, delivers urgent hooks wrapped in the group's distinctive modal flavor. The towering "Featherbed" moves from melodic introspection to a widescreen instrumental workout that became the band's breakthrough moment on British stages. At the heart of the record lies "Justin and Nova," Robb Huxley's sweeping, cinematic psychedelic/ progressive epic. With its emotional narrative, dramatic dynamics, and lush piano and strings, the track has grown into a cult classic, often cited by fans as one of the era's lost masterpieces. The album closes with "Kill Me With Your Love" a hard-edged, proto-metal piece, ending the journey in grand, theatrical fashion. Internal strains and homesickness soon led to lineup changes, and despite tours, new singles, and even interest from heavyweight industry figures, momentum proved difficult to sustain. Within a short time, Jericho was over. Newly remastered sound. Includes original artwork in hard cardboard sleeve and insert with detailed liner notes by Mike Stax (Ugly Things) with input from original member Robb Huxley. Also includes extra insert with lyrics.

Artist	Title	Format	Label	Catalog #
MANDRAKE PADDLE STEAMER/FAIRFIELD SKI	Pandemonium Shadow Show/No Good Child	7"	GUERSSEN RECORDS	GUESSG 016EP
$16.00 PREORDER RELEASE DATE: 5/15/2026 Late '60s danceable British psychedelia at its best: "Pandemonium Shadow Show" (also known as "Cooger & Dark") by psych/proto-prog legends Mandrake Paddle Steamer was recorded in 1968 but never released at the time. "No Good Child" by cult psych band Fairfield Ski is a previously unreleased track from the early '70s and what a killer discovery: Hammond, catchy vocals, heavy drums.

Artist	Title	Format	Label	Catalog #
NGOZI FAMILY/CROSSBONES	Hi Babe/Really	7"	GUERSSEN RECORDS	GUESSG 021EP
$16.00 PREORDER RELEASE DATE: 5/15/2026 Two '70s Zamrock hard-fuzz monsters! "Hey Babe" by Ngozi Family was originally included on their sought-after Day of Judgement album and it features one of the loudest, nastiest Ron Asheton-esque fuzz-wah guitar solos ever committed to wax. "Really" by Crossbones is crazy fuzzed-out Sabbatt-esque hard-rock, taken from their impossible to find Wise Man album.

Artist	Title	Format	Label	Catalog #
JONES, JERICHO	Junkies, Donkeys and Monkeys	LP	GUERSSEN RECORDS	GUESS 274LP
$35.00 PREORDER RELEASE DATE: 5/15/2026 Born from Israel's groundbreaking psychedelic pioneers The Churchills, Jericho Jones emerged in 1971 with Junkies, Monkeys & Donkeys -- an internationally-minded leap into hard rock, proto-prog, and melodic songwriting. Recorded in a single, electrifying 24-hour session at London's Tangerine Studios, the album captures a band in full creative flight. Blending heavy riffs, lush melodies, and subtle Middle Eastern influences, Junkies, Monkeys & Donkeys stands today as a lost classic of early '70s rock -- a vital bridge between psychedelia and the heavier sounds that followed. Features original artwork in gatefold sleeve. Newly remastered sound. Includes insert with detailed liner notes by Mike Stax (Ugly Things) with input from original member Robb Huxley as well as extra insert with lyrics.

Artist	Title	Format	Label	Catalog #
OLIVER	Standing Stone	LP	GUERSSEN RECORDS	GUESS 287LP
$31.50 PREORDER RELEASE DATE: 4/10/2026 Part-time farmer/musician Oliver Chaplin is the person behind one of the rarest private pressings from the UK. His cult masterpiece Standing Stone was recorded in early 1974 at a remote farm in Wales, using a portable 4-track Teac reel-to-reel machine. Helped by his brother Chris at the controls (an experienced BBC engineer who had worked on Syd Barrett sessions), surrounded by animals and "smaller winged creatures," Oliver sang and played acoustic and electric guitars filtered through tape echo, distortion and multi-tracking, creating a very unique sound, a kind of DIY mutant-psychedelic-blues (think Captain Beefheart) which sounded years ahead of its time. Despite the lo-fi nature of the recording, the sound quality is amazing and timeless. Only 250 copies of the album were pressed and it even caught the attention of the Virgin label, who were interested in distribution but Oliver finally refused their offer. Musicians like JJ Cale expressed interest in Oliver's music, inviting him to a jam session but in the end, Oliver decided he was not interested in the music business and left Wales to travel around Europe. He remains a kind of a mysterious figure and Guerssen now offers a new, long-awaited reissue of Standing Stone, sanctioned by the artist.

Artist	Title	Format	Label	Catalog #
LOS NEGATIVOS	Graduado en Underground/El Club del Cerdo Violeta	7"	GUERSSEN RECORDS	GUESSG 009EP
$16.00 PREORDER RELEASE DATE: 4/10/2026 Before releasing their now legendary debut LP, Piknik Caleidoscópico in 1986, Los Negativos recorded a four-song demo with the help of their own personal "George Martin," producer and sound engineer Enric Lindo. Recorded on four tracks, it displayed clear influences from psychedelia, garage rock, and '60s folk-rock: the Beatles, the Byrds, the Seeds -- not forgetting local bands like Los Salvajes. This early demo, released on cassette, introduced them to the underground scene of the time, even getting airplay on Radio 3's "Diario Pop" program. Now, for the first time on vinyl, you can enjoy these brilliant songs exactly as they were originally conceived.

Artist	Title	Format	Label	Catalog #
LOS NEGATIVOS	Moscas y Aranas/Viaje al Norte	7"	GUERSSEN RECORDS	GUESSG 008EP
$16.00 PREORDER RELEASE DATE: 4/10/2026 Before releasing their now legendary debut LP, Piknik Caleidoscópico in 1986, Los Negativos recorded a four-song demo with the help of their own personal "George Martin," producer and sound engineer Enric Lindo. Recorded on four tracks, it displayed clear influences from psychedelia, garage rock, and '60s folk-rock: the Beatles, the Byrds, the Seeds -- not forgetting local bands like Los Salvajes. This early demo, released on cassette, introduced them to the underground scene of the time, even getting airplay on Radio 3's "Diario Pop" program. Now, for the first time on vinyl, you can enjoy these brilliant songs exactly as they were originally conceived.

Artist	Title	Format	Label	Catalog #
LOS NEGATIVOS	Piknik Caleidoscopico	LP	GUERSSEN RECORDS	GUESS 271LP
$31.50 PREORDER RELEASE DATE: 4/10/2026 From Barcelona, Los Negativos stood out within the 1980s sixties-revival scene thanks to their carefully crafted look, lyrics, and thrilling songs. With their first album, Piknik Caleidoscópico, originally released in 1986, they masterfully combined pop, psychedelia, garage, beat, and folk-rock, creating a distinctive lysergic universe that continues to captivate 40 years after its release. This 40th-anniversary reissue of Piknik Caleidoscópico preserves the album's original artwork but, for the first time, includes the black-and-white back cover, which is how the band originally designed it. In addition, the audio has been remastered again by the album's original producer, Enric Lindo, together with the members of Los Negativos. It also includes an eight-page trilingual booklet (Spanish, Catalan, and English) with informative notes by journalist and band's official biographer Àlex Oró, plus rare photos/memorabilia and a reproduction of the original lyrics insert.

Artist	Title	Format	Label	Catalog #
BEAT IN	Beat In	LP	GUERSSEN RECORDS	GUESS 283LP
$28.00 PREORDER RELEASE DATE: 4/10/2026 One of the hidden treasures of the Spanish '90s garage-revival scene, Madrid's Beat In blended beat, folk-rock, and pop, heavily influenced by bands like The Remains, Byrds, Zombies, Hollies, Kinks, and Easybeats. Songs full of melody, energy, and a true '60s spirit that never made it beyond demo tapes are now rescued and restored by Guerssen Records to celebrate the label's 30th anniversary. In the mid-'90s, Antoni, founder of Guerssen, received a cassette with demos by a Madrid band called Beat In. Despite the home-recorded sound, those songs had something special that hooked him: irresistible melodies, sparkling harmonies, and a clear connection to names like The Remains, The Byrds, and the West Coast sound. Now, Guerssen tracked down the main songwriters, Marcos de Ben and Fernando Maestú, who sent more recordings. The project slowly began to take shape, and it finally crystallized when Guerssen discovered that Jesús Sanz -- respected music tastemaker and someone Alex Carretero at Guerssen followed on social media had been the band's bassist. With Guerssen's 30th anniversary approaching, it was the perfect moment: now or never. Although Guerssen is known for rescuing psychedelic rarities from the '60s and '70s, releasing the Beat In recordings makes perfect sense. Active between 1989 and 1992 and friends with bands like Sex Museum, Los Potros (with whom they shared many influences), or Snap!, Beat In were a group deeply in love with '60s pop but with a personality of their own. In a scene dominated by raw and dirty garage sounds, they stood out for their melodic side. They left behind a good handful of home demos with memorable songs, and it's quite possible that, had they continued, they might have become one of the first bands of the Spanish indie movement.

Artist	Title	Format	Label	Catalog #
JAYBIRDS, THE	Going Our Own Ways	LP	GUERSSEN RECORDS	GUESS 279LP
$28.00 IN STOCK One of the more authentic '60s-styled Mod/R&B/beat acts in continental Europe during the '90s, The Jaybirds formed in Vienna strongly inspired by bands such as The Yardbirds (their name is a nod to them). Going Our Own Ways was their second album, originally released in 1998 (the same year that they supported the Rolling Stones in Vienna in front of an audience of 80,000 people!) As the title suggests, it was a statement of autonomy, emphasizing their distinctive path within the mod/sixties revival scene, blending classic R&B and freakbeat repertoire with their own material. Remastered sound. Featuring new artwork. Includes insert with liner notes, photos, and download card.

Artist	Title	Format	Label	Catalog #
TROPICS, THE	As Time's Gone/Time (Take The Time)	7"	GUERSSEN RECORDS	GUESSG 018EP
$16.00 LOW STOCK LEVEL Limited to 357 numbered copies! Tough to find 1967 single by the legendary Tropics from Florida, famously covered by the Fuzztones.

Artist	Title	Format	Label	Catalog #
HOOTERVILLE TROLLEY	No Silver Bird/The Warmth of Love	7"	GUERSSEN RECORDS	GUESSG 014EP
$16.00 NOT IN STOCK Limited to 515 numbered copies! Monster rare 45 from New Mexico recorded at Norman Petty's studio. Trippy fuzzed-out psych and a cool folk-rocker on the flip. Sourced from the original mono masters.

Artist	Title	Format	Label	Catalog #
VELVET ILLUSIONS, THE	Velvet Illusions/Acid Head	7"	GUERSSEN RECORDS	GUESSG 013EP
$16.00 NOT IN STOCK Limited to 314 numbered copies! Prime cut US garage-psych from 1967!

Artist	Title	Format	Label	Catalog #
KALEIDOSCOPE	Hang Out/Colours	7"	GUERSSEN RECORDS	GUESSG 019EP
$16.00 NOT IN STOCK Limited to 537 numbered copies! Two killer acid-punk/psych-fuzz tracks taken from the ultra-rare Kaleidoscope album from 1969, recorded in the in the Dominican Republic by this Boricuan/Dominican band but released only in Mexico.

Artist	Title	Format	Label	Catalog #
CREATION, THE	No Silver Bird/The Warmth of Love	7"	GUERSSEN RECORDS	GUESSG 020EP
$16.00 NOT IN STOCK Limited to 314 numbered copies! First ever reissue of this impossible to find killer psych 45 from Albuquerque featuring the original tracks later covered by Hooterville Trolley.

Artist	Title	Format	Label	Catalog #
HARD STUFF	Jay Time/The Orchestrator	7"	GUERSSEN RECORDS	GUESSG 015EP
$16.00 NOT IN STOCK Limited to 313 numbered copies! Repro of the impossible to find Japanese single from 1972 by Hard Stuff, the hard-rock/proto-metal trio featuring John Cann on guitar. Both tracks are different mixes than the ones included on their famous first LP.

Artist	Title	Format	Label	Catalog #
FINCHLEY BOYS	Everlasting Tributes	LP	GUERSSEN RECORDS	GUESS 280LP
$31.50 IN STOCK Hard psychedelic bluesy rock with heavy fuzz-wah guitar by these legends from Champaign-Urbana, Illinois, the first band to perform live with a boa constrictor, before Alice Cooper. Privately pressed in 1972, Everlasting Tributes was really a collection of studio tapes recorded in 1968/1969. Born in the summer of 1965 in Champaign-Urbana, Illinois, The Finchley Boys carved out their place as one of the Midwest's most electrifying and unpredictable rock bands. Starting with British Invasion covers (Yardbirds, Kinks, Animals, Stones), the group quickly moved into originals like "Only Me" and "Hooked," setting them apart from the pack. By 1967, they were on the road full-time -- too young to drink but old enough to blow the doors off every bar from Illinois to Iowa. A fateful merger with local favorites Somebody Groovy led to the definitive Finchley lineup: George Faber (vocals, harp), Garrett Oostdyk (guitar), Larry "Tabe" Tabeling (bass), and J. Michael Powers (drums). Named after a gang mentioned on a Kinks album, the Finchleys became infamous for their wild stage shows, psychedelic blues riffs, and outrageous theatrics -- including a real live boa constrictor on stage. They shared bills with legends like The Byrds, B.B. King, Canned Heat, MC5, Iggy & The Stooges, Rod Stewart and the Faces, John Mayall, and Humble Pie, and were hailed as one of the Midwest's most exciting live acts. Their defining moment came at The Kickapoo Creek Rock Festival (1970) -- a "mini-Woodstock" where their explosive set left tens of thousands of fans in awe and the Chicago Sun-Times proclaiming them festival standouts. Though mainstream fame eluded them, their recordings at Golden Voice Studios and Chess Studios captured their raw power and unique sound. These sessions became the cult-classic 1972 LP Everlasting Tributes -- a roaring mix of heavy blues, hard-psych and proto-punk energy that continues to inspire collectors and fans worldwide. Finchley Boys performed with . Featuring original artwork in hard cardboard sleeve plus OBI. Ultimate reissue of this classic US hard-psych album including two killer tracks that were left off of the original tracklist. Includes insert with detailed liner notes and photos/memorabilia. Sourced from the original masters.

Artist	Title	Format	Label	Catalog #
BORT, EDUARDO	Eduardo Bort	LP	GUERSSEN RECORDS	GUESS 278LP
$35.00 NOT IN STOCK 50th Anniversary edition of the legendary Eduardo Bort album, the crown jewel of Spanish hard-prog and psychedelic hard-rock from the '70s. Recorded between 1973 and 1974 and released in 1975 as part of Movieplay's legendary Gong series, Eduardo Bort's debut stands as one of the most visionary and legendary works in the birth of Spanish progressive rock. Conceived in Valencia after years of performing across Europe and enduring several failed recording attempts, Bort set out to create, without compromise or commercial restraint, an album that fused fantastic literature, instrumental virtuosity, and sonic experimentation. Inspired by the dreamlike worlds of H. P. Lovecraft and Lord Dunsany, the Valencian musician composed a conceptual suite based on the imaginary river Yann, weaving together passages of pure prog-rock, psychedelia, hard-rock, and cosmic poetry. He surrounded himself with an exceptional band -- José Soriano, Marino Hernández, Vicente Alcañiz, and Fony -- with whom he recorded the complex demos that would eventually shape the album. The sessions at Audiofilm Studios in Madrid, featuring dazzling production and a technical arsenal previously unheard of in Spain (Mellotron, Moog, Hammond organ, Rhodes piano), resulted in a sound so advanced that no local label knew what to do with it. Even EMI UK, deeply impressed by the recording, offered to release it internationally -- but the project was never finalized. Eventually, the album appeared quietly in 1975 through Movieplay, though over time it has come to be recognized worldwide as an absolute masterpiece of progressive and psychedelic rock. Featuring original artwork in gatefold sleeve. Sourced from the original masters. Includes insert with detailed liner notes (Spanish only) and photos.

Artist	Title	Format	Label	Catalog #
CHURCHILLS	Churchills	LP	GUERSSEN RECORDS	GUESS 273LP
$35.00 LOW STOCK LEVEL Psychedelic rock holy grail. Hailing from Tel Aviv, the Churchills blended Anglo-American psychedelia with Middle Eastern motifs. The band was in fact a cosmopolitan collective: vocalist Stan Solomon was Canadian, guitarist Robb Huxley came from England, while the rest of the group -- Haim Romano on guitar and mandolin, Michael 'Miki' Gavrielov on bass, and Ami Trebich on drums -- were all from Israel. Released in 1969, Churchills can be considered the first truly psychedelic rock album produced and released in Israel during the 1960s. At a time when Israeli music was dominated by folk and pop, the Churchills' English-language, fuzz-drenched, mind-bending sound and studio experimentation was wildly ahead of its time. Impossible to find in its original form, Guerssen presents a new vinyl reissue of such legendary album, sourced from the original master tapes. Includes eight-page insert with detailed liner notes by Mike Stax with input by original member Robb Huxley and rare photos.

Artist	Title	Format	Label	Catalog #
COL. TRUCK	One Fine Day	LP	GUERSSEN RECORDS	GUESS 282LP
$31.50 NOT IN STOCK Among the many forgotten bands of the late '60s, few shine as brightly (and unjustly overlooked) as Singapore's own October Cherries. From Singapore to Belgium to Abbey Road, The October Cherries reinvented themselves again and again -- Truck, Col. Truck, Jade & Pepper -- leaving behind a trail of dazzling Beatlesque pop-psych. Col. Truck's One Fine Day was released in the UK in 1976 and it's the perfect companion to the Truck's Surprise! Surprise! and October Cherries' Dreamseller albums. The October Cherries (Jay Shotam, Peter Díaz, Richard Khan, and Benny Siow plus the "fifth" member Balram "Bal" Shotam), became hometown heroes in late-'60s Singapore and Malaysia, crafting a shimmering brand of Beatlesque psychedelic pop that rivaled their UK contemporaries. After government censorship and piracy stifled their career at home, the band relocated to Belgium, releasing the Pepperish gem Dreamseller in 1972. When guitarist Peter Diaz departed to join famous Belgian band The Pebbles, Jay and Bal responded with a bold studio experiment: Truck's 1974 album Surprise! Surprise! -- a reimagined, synth-enhanced reincarnation of their earlier work, bursting with fuzz guitars, Moog flourishes, and melodic charm. What began as "revenge" became their most adventurous and collectible release. Soon after, the Balram brothers relocated to London and issued Col. Truck's One Fine Day (mixed at Abbey Road and mastered at Pye Studios), another gem blending the melodic warmth of Dreamseller with a leaner production. These projects together form one of the most fascinating hidden chapters in Asian psychedelic pop history. Long overlooked outside Southeast Asia, the October Cherries and their Truck offshoots are finally being rediscovered -- a kaleidoscopic bridge between Beatles-inspired pop and early '70s studio experimentation. Remastered sound. Includes insert with liner notes and download card. RIYL: Beatles, Bee Ges, Tin Tin, Aerovons, Badfinger, Fading Yellow Comps.

Artist	Title	Format	Label	Catalog #
TRUCK	Surprise! Surprise!	LP	GUERSSEN RECORDS	GUESS 281LP
$31.50 NOT IN STOCK Among the many forgotten bands of the late '60s, few shine as brightly (and unjustly overlooked) as Singapore's own October Cherries. From Singapore to Belgium to Abbey Road, The October Cherries reinvented themselves again and again -- Truck, Col. Truck, Jade & Pepper -- leaving behind a trail of dazzling Beatlesque pop-psych. Originally released in 1974 in Singapore/Malaysia, Truck's Surprise! Surprise! re-arranged songs first released on the Cherries Dreamseller album and sounds like it could've been part of the '60s British psych era but filtered through early '70s production: melodic, Beatles/Badfinger-influenced English vocals, catchy songs, lush arrangements, fuzz and wah wah guitar, electric piano, and cool analog synth/Moog which gives the album a wonderful unique vibe. Featuring "Earth Song," included by the late Trish Keenan of Broadcast in her celebrated Motorway Mix. This was one of the earliest Guerssen reissues, first released in 2004. Out of print for many years, the label now presents a new, updated edition. Features original artwork in hard cardboard sleeve. Remastered sound in 24-bit domain. Includes insert with liner notes and photos, as well as download card.

Artist	Title	Format	Label	Catalog #
NGC-4594	What NGC-4594 Really Means!	LP + 7"	GUERSSEN RECORDS	GUESS 272LP
$36.50 IN STOCK Named after the galactic location of the nearest black hole to Earth, Connecticut psychedelic band NGC-4594 only issued one single during their brief existence in 1967, Skipping Through The Night (truly an acid-head anthem) backed with "Going Home." Rumors of a lost, unissued full album started to circulate until psych music researcher Gray Newell found it. Top shelf acid-rock/psychedelia, highly recommended if you dig Country Joe & The Fish, Jefferson Airplane, Spirit, Doors, H.P. Lovecraft, Love. LP + 7" single, housed in a hard cardboard sleeve. Remastered sound. Insert with liner notes by Gray Newell and photos.

Artist	Title	Format	Label	Catalog #
IT'S ALL MEAT	It's All Meat	CD	GUERSSEN RECORDS	GUESS 080CD
$16.50 IN STOCK Official reissue of this sought-after Canadian psychedelic hard-rock album from 1970. Formed in Toronto in the late '60s, It's All Meat (the name was taken from a dog food commercial!) soon caught the attention of influential character Jack London (frontman of pre-Steppenwolf band Jack London and the Sparrows) who managed the band and secured a deal with major label Columbia Records. After recording their first 45, the proto-punk MC5/Stones sounding "Feel It," the band started working on their first album with the tandem of Jed MacKay and Rick McKim as main songwriters. It's All Meat was released in 1970 and offered a powerful mix of garage-rock, psychedelia and early hard-rock, drawing influences from bands like the Stones, Country Joe & The Fish, Doors, Velvet Underground -- tracks like "Roll My Own" or the lysergic "Crying Into The Deep Lake" are now considered classics of the genre. Sadly, the band would split soon after the LP was released. Remastered sound in 24-bit domain. Includes booklet with liner notes by Plastic Crimewave and rare photos/memorabilia. Features seven bonus tracks including non-LP singles and rare tracks.

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