URASHIMA - Forced Exposure

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Solmania's limited-edition vinyl reissue of the Re-Rurr LP is a monumental work of avant-garde noise music that immerses listeners in a sonic experience unlike any other. Led by the visionary Masahiko Ohno, who founded Solmania in 1984, this reissue serves as a testament to the boundless creativity and technical brilliance that have established Solmania as a trailblazer in the Japanese music landscape. Ohno's unconventional approach to crafting electric guitars from spare parts has not only yielded unique instruments but has also paved the way for a musical journey that is as innovative as it is captivating. Originally released on cassette by Fatagaga Tapes in 1985, the two expansive tracks featured on this vinyl reissue invite listeners to embark on a transcendent voyage through experimental soundscapes and uncharted musical territories. Ohno's mastery of multi-neck guitars and harp guitars, with their unconventional body shapes and peculiar pickup placements, creates a sonic tapestry that is both haunting and sublime. Drawing inspiration from various musical genres such as progressive, punk, metal, noise, and drone music, Solmania's compositions not only defy conventional boundaries but also elevate the art of free improvisation to new and exhilarating heights. On side A of the album, listeners are taken on a mesmerizing voyage through a mystical landscape of shimmering chords and intricate melodies, each note resonating with a sense of ethereal beauty and enigmatic allure. As the music unfolds, Ohno's exceptional technical prowess and profound musical sensitivity reveal themselves, guiding the audience through a sonic journey that is not only introspective but also truly awe-inspiring. As the album transitions to side B, the exploration of free noise sculpting reaches new heights, plunging the listener into a realm of raw, unfiltered sound that challenges perception and sparks a spirit of adventurous exploration and discovery. Ohno's command of improvisation and experimentation takes center stage, as intricate layers of sound intertwine and collide in a cacophony of sonic innovation. Through the progression from side A to side B, the Re-Rurr LP reissue becomes a transformative sonic odyssey that not only challenges traditional notions of music but also invites listeners to embark on a deep and introspective journey of self-discovery. Whether you are a dedicated follower of Solmania or a newcomer to the world of experimental noise music, this vinyl reissue promises a transformative and enlightening experience that will leave a lasting impression on all who dare to immerse themselves in its captivating soundscape.

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Masonna, the brainchild of Yamazaki "Maso" Takushi, holds a revered place within the Japanoise scene alongside peers like Merzbow, Incapacitants, CCCC, Violent Onsen Geisha, and Hijokaidan. The project, named Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, epitomizes the extreme end of the noise spectrum, intertwining cascades of electronic disarray with a distinct psychedelic touch and violent vocalizations. The new limited edition vinyl reissue of maso+onna=masonna, originally released on cassette by the Coquette label in 1989, breathes new life into this landmark recording, which has long been the subject of underground lore for its intense, almost mythical presence in the world of noise music. This reissue, limited to just 199 copies, captures Masonna at one of his most pivotal moments, offering two tracks that span roughly 20 minutes each. This format, with one piece per side, creates a compelling dynamic, allowing the listener to fully immerse themselves in the sprawling auditory landscapes that Masonna weaves. Side A delves into the tumultuous depths of distortion and feedback, showcasing the bracing intensity for which Masonna is famed. Here, Takushi's vocal manipulations become ferocious outbursts of sound, transformed through extreme distortion and delay into frantic bursts of static. The noise is relentless, taking the listener through a labyrinthine journey of high-pitched screeches, electronic burbles, and blues pulsations with disturbing whispers and hallucinating screams. Side B, in stark contrast, starts on a different trajectory. Opening with an incredible clutter of guitar and vocal, before the mayhem dissipates, buried under thick blankets of feedback and electronic distortion. This side is more organized yet still unrestrained, reminiscent of the controlled chaos in Steve Reich's minimalist compositions. The side's progression towards increasingly intricate and textured environments makes it a compelling counterpart to the more immediate assault of Side A. This album is not just an essential listen for seasoned aficionados of Japanoise but also for anyone beginning their journey into the world of extreme sonic art. Historically, maso+onna=masonna holds a monumental status, not just within Masonna's amazing catalogue but also within the broader genre of noise music. This vinyl reissue honors that legacy, offering a carefully remastered version that maintains the raw energy and emotional breadth of the original recordings. This limited-edition vinyl is a rare opportunity to experience Masonna's groundbreaking work in its full, remastered glory, and it is a must-have for any serious collector or enthusiast of noise music.

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Prepare to embark on a sonic odyssey as Urashima unveils the official reissue of Grim's groundbreaking Amaterasu 7". A visionary one-man project, crafted by Jun Konagaya, Grim transcends the conventional boundaries of industrial music, power electronics, and noise. Emerging from the ashes of the legendary White Hospital, Konagaya's artistic trajectory spans nearly three decades, with a unique ability to draw inspiration from a diverse array of influences, ranging from the abrasive sounds of Whitehouse and SPK to the haunting traditional folk music of Tibet. The Amaterasu 7" represents a pivotal moment in Grim's discography, a concise yet profoundly impactful exploration into the avant-garde realms of noise. In this meticulous reissue by Urashima, every nuance of the original release is faithfully preserved. The 14-page booklet, an integral part of the initial release, is reproduced with utmost precision, allowing enthusiasts to delve into the visual and thematic richness that accompanies Grim's sonic tapestries. The vinyl itself is housed in an exquisite wooden box, adorned with an intricately designed color-printed artwork by the artist, adding a tangible and aesthetic dimension to the overall presentation. As if the faithful reissue weren't enticing enough, this edition includes a tantalizing bonus -- a second 7" titled Tsukuyomi. Featuring three previously unreleased tracks, meticulously recorded during the same period as Amaterasu, this additional record serves as a portal to the creative process that defined Grim's sonic landscape during that specific epoch. Additionally, the box set includes a digital download, ensuring that enthusiasts can enjoy the avant-garde journey of Grim's Amaterasu and Tsukuyomi anytime, anywhere.

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Emerging from the vibrant tapestry of Japan's experimental music scene in the late '80s, Incapacitants had beginnings as Toshiji Mikawa's solo project in 1981. The original epicenter of their creative endeavors was Osaka, where Mikawa collaborated with luminaries such as Yamatsuka Eye, JOJO and others. However, the trajectory of Incapacitants evolved with a move to Tokyo, where Fumio Kosakai joined forces with Mikawa, solidifying the current duo that continues to shape the landscape of experimental music. The dynamic twain have spent decades challenging preconceived notions of sound, weaving a complex tapestry of auditory exploration. Their avant-garde approach and relentless commitment to pushing boundaries have solidified Incapacitants as a cornerstone in the global noise music phenomenon. Their ability to seamlessly blend raw energy with the sheer beauty of their noise is a testament to their unique artistry. Originally released in 1999 on CD by legendary Alchemy Records, Default Standard is a testament to Incapacitants' relentless pursuit of pure noise. Carefully remastered under the skillful guidance of the highly respected engineer, producer as well as sound artist Lasse Marhaug, this reissue invites listeners to rediscover the sonic intricacies that define Incapacitants' artistry. The five tracks on Default Standard immerse listeners in a sonic landscape marked by tumultuous chaos. The album showcases an extensive incorporation of feedback, distortions, and electronic manipulations, creating an avant-garde and experimental auditory experience is at the core of Incapacitants' artistic approach. Each piece is a testament to the band's commitment to pushing the limits of conventional musical structures. Incapacitants often employs dissonant tones, unconventional time signatures, and unpredictable arrangements, inviting listeners to engage with the music on a level that goes beyond traditional notions of melody and harmony. Available in only 199 copies. Beyond the auditory experience, delve into a big poster and inserts featuring unpublished photos by Yuichi Jibiki, offering a glimpse into the era of the original CD release. And then explore a four-page A3 folded insert with previously unpublished photos with extensive notes from both Lasse Marhaug and Toshiji Mikawa, alongside a 1999 interview translated into English, from Japanese music magazine EATER.

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Atrax Morgue, the artistic moniker of the Italian musician Marco Corbelli, stands as an enigmatic figure within the realm of industrial and noise music. Revered for his gloomy sonic explorations, Corbelli forged a distinctive path through the auditory landscape, leaving an indelible mark on the Italian (and worldwide) underground music scene. Employing very minimal electronic instrumentation, Corbelli sculpted an auditory experience that transcends the conventional confines of music. Corbelli's compositions, characterized by their sick nature, evoke a sense of otherworldly melancholia, challenging the listener to confront the boundaries of their auditory comfort zone. Negative Frequencies is a profound musical testament that emerged from the visionary mind of the Italian artist Marco Corbelli, released in February 2006. The album encapsulates the diseased and bleak essence for which Corbelli's project, Atrax Morgue, is renowned. Corbelli, through his meticulous approach, manipulates synth and analog tape to craft a sonic landscape that challenges conventional notions of music, inviting introspection into the darker recesses of the human psyche. In a poignant turn of events, this seminal work is now set to be reissued for the first time on vinyl, marking a significant moment in Atrax Morgue's discography. This reissue not only amplifies the significance of Negative Frequencies within the avant-garde canon but also serves as a poignant reminder of Marco Corbelli's enduring artistic legacy. Tragically, shortly after the album's CD release in 2006, Corbelli took his own life, rendering this album one of the last tangible echoes of his creative brilliance. This vinyl reissue feature also a meticulously crafted four-page A3 folded booklet, containing the original notes and drawings by the talented Marco Corbelli from the CD edition. Additionally, this booklet is enriched with a collection of new annotations and previously unreleased photographs, graciously provided by Andrea Marutti. Edition of 199.

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Akifumi Nakajima, renowned for his prolific and captivating work under the alias Aube, stands as one of Japan's most intriguing noise artists. His artistic prowess extends beyond the sonic realm, encompassing an impeccable sense of design and a deep appreciation for materials. Under his unique label G.R.O.S.S., dedicated to experimental music and noise, Nakajima's creativity flourished. His innovative approach to packaging, transcending conventional paper mediums, became a hallmark of his artistic identity. Discover Aube's sonic mastery in Sensory Symphonies, a meticulously curated box set featuring four iconic titles released in the '90s by Praxis Dr. Bearmann: Pulse Resonator, originally on red 12" vinyl with a transparent 7"; Throb In Manic Red, vibrant on red 12" vinyl; Sigh In Depressive Blue, profound on deep blue 12" vinyl; and Vas In Euthymic Violet, regal on royal purple 12" vinyl. Encased in a charming wooden box adorned with colorful artwork, this set not only captures the essence of Aube's visual and auditory creativity but also pays homage to each vinyl's unique aesthetics. The CD reissues within Sensory Symphonies faithfully reproduce the original artwork, making this box set a collector's treasure -- an invitation to explore the essential and fundamental elements of Nakajima's sonic landscape. Embarking on this sonic odyssey through Aube's captivating world, every CD within Sensory Symphonies has been masterfully remastered by Andrea Marutti, utilizing the DAT masters meticulously preserved in the G.R.O.S.S. archive. This ensures an unparalleled sonic experience that faithfully retains the intricacies of Nakajima's original artistic vision. The enchantment doesn't stop there -- nestled within the charming wooden box, you'll discover an insert featuring Cristiano Renzoni notes, offering insights into the contextual tapestry of Aube's sonic landscape. To further enhance your experience, each box set comes with a download code, providing access to digital copies of these timeless sonic explorations. Sensory Symphonies is more than a collection; it's an invitation to immerse yourself in the essence of Aube's artistry, beautifully preserved and thoughtfully presented.

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Merzbow's impact transcends the confines of traditional music, embodying an ethos of constant innovation and fearless exploration into uncharted realms of sound. Navigating through the annals of Merzbow's extensive career reveals an artist who, for over 40 years, has remained dedicated to reshaping understanding of music and pushing the boundaries of sonic expression. Now, Urashima unveils the highly anticipated vinyl reissue of Merzbow's groundbreaking album Oersted. This album, originally released on CD in 1996, marked a significant milestone in the experimental noise music scene, showcasing the unparalleled sonic explorations of the legendary Masami Akita, known as Merzbow. Oersted is a sonic journey through realms of noise, texture, and intensity that have solidified Merzbow's status as a pioneer in the realm of noise music. The album features a collection of meticulously crafted tracks that push the boundaries of sound manipulation and composition, creating an immersive experience for listeners daring enough to delve into its sonic landscapes. The vinyl reissue, masterfully remastered for the first time by the esteemed James Plotkin, renowned for his unparalleled expertise, breathes fresh life and depth into the album's already rich and intricate sonic landscape, unveiling new detail within its reverberant dense tapestry and complex noise palette. Features four untitled tracks originally on CD, each occupying an entire side of the vinyl, except for the track on side D, which shares the side with two bonus tracks. These tracks epitomize a profound and multifaceted sonic odyssey, harnessing various tapes and the raw power of analog instruments and tools such as EMS Synthia, metallic electronics, various filters, and processed audio mixer. The original artwork for the 1996 CD digipack, curated by Masami Akita, stands out for its minimalism and visual impact. The vinyl reissue faithfully replicates the graphics with a gatefold cover, enhancing the visual impact of the original artwork. The blending of pink and green colors creates a striking visual effect, highlighting the beauty of simplicity in Akita's graphic design. This limited vinyl reissue, expertly remastered by the wizard of mastering, James Plotkin, with 299 copies available on black vinyl, is a must-have for collectors, audiophiles, and fans of avant-garde music alike. Immerse yourself in the mesmerizing world of Merzbow's Oersted and experience the raw power and beauty of noise in its purest form.

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Step into the enigmatic world of Morthond, a captivating music project that took shape during the winter of 1990 under the creative guidance of the singular talent, BJ Nilsen. Unlike traditional projects, Morthond thrives on pushing sonic boundaries and challenging the norm. BJ Nilsen's craftsmanship lies in his ability to orchestrate sounds that immerse listeners in a realm where emotions intertwine with auditory perceptions. Urashima's vinyl reissue of Death Time is a mesmerizing portal to the project's formative years. Originally introduced on cassette through Sound Source in 1991, this album serves as the inaugural chapter in Morthond's sonic journey. Death Time not only showcases the debut of the project but also unveils a realm of experimental artistry that defies convention. It's an audacious fusion of experimental compositions and ambient soundscapes, a testament to BJ Nilsen's unrelenting quest to carve out an auditory path that transcends labels. This album stands as an embodiment of Morthond's early ethos: to defy the norm and venture into uncharted territories of sonic expression. The experimental nature of the album invites the listener to relinquish preconceived notions and embrace the unknown. Each sonic element serves a purpose -- from the echoing whispers to the evocative textures -- creating a composition that resonates with thought-provoking depth. Urashima's reissue transforms Death Time into a tangible experience. The vinyl format adds an organic richness to the album's soundscape, inviting listeners to immerse themselves fully in Morthond's world. Death Time isn't merely a collection of tracks; it's a passage through the creative psyche of BJ Nilsen and the birth of Morthond. It captures a moment of artistic inception, where experimental ideas are given voice, and darkly ethereal atmospheres are conjured. This reissue isn't a mere resurrection; it's an invitation to rediscover the avant-garde essence of Morthond. Death Time remains a testament to the enduring power of experimental music to provoke thought and emotion. BJ Nilsen's visionary approach is evident in every sonic layer, making this vinyl reissue a commemoration of artistic exploration and a testament to the ongoing evolution of Morthond's sonic legacy.

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Step into a time capsule of industrial experimentation with Crematorius, an elusive music project created by the visionary Henrik Nordvargr Björkk. Recorded on a portable four-track in 1987, Crematorius captures a raw and unfiltered glimpse into the early creative explorations of one of the genre's most influential figures. This project predates even the formation of the iconic black industrial group MZ 412, offering a unique perspective on Björkk's artistic evolution. The soundscapes of Crematorius offer a glimpse into the formative years of industrial music. The tracks echo with a sense of urgency, reflecting the pioneering spirit of an artist who dared to push the envelope. Elements of distortion, manipulated samples, and unconventional rhythms intertwine to create an auditory experience that transcends time. The sonic imperfections add to the authenticity, taking you back to a time when artists sculpted sound with limited resources and limitless creativity. Urashima's vinyl reissue of Crematorius marks an unprecedented moment in industrial music history. This collection of unreleased tracks sheds light on Björkk's formative years, revealing the origins of his artistic trajectory. With resonances reminiscent of the early releases on the legendary Cold Meat Industry label, Crematorius delves into the raw and unrefined sonic experimentation that defined the genre's infancy. These tracks serve as a sonic time capsule, preserving the essence of a period when industrial music was just beginning to take shape. As you listen, you'll hear the echoes of industrial pioneers who paved the way for a genre that would later resonate across the musical landscape. The vinyl format enhances the authenticity of these recordings, inviting you to experience the textures and tones in a way that pays homage to their original creation. The remastering process by Lasse Marhaug elevates these tracks to new heights. Every nuance, every sonic fragment, is revitalized, breathing fresh life into the recordings while preserving their original spirit. The vinyl medium adds warmth and depth, allowing you to immerse yourself in the intricate layers of sound. With Crematorius, Henrik Nordvargr Björkk takes you on a journey to the genesis of his industrial exploration. These tracks are not just a glimpse into the past; they are a testament to the enduring impact of artistic innovation.

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Immerse yourself in the mysterious and haunting world of Megaptera, a captivating music project that pushes the boundaries of industrial and dark ambient genres. Initiated by Peter Nyström alongside Mikael Svensson, with the participation of Magnus Åslund, Megaptera embarked on a sonic journey into the heart of darkness, where atmospheric textures and chilling soundscapes intertwine. Prepare to be transported to the edge of consciousness with the Urashima's vinyl reissue of Near Death. Originally released on Sound Source in 1991, this pivotal album not only marked the inception of the Megaptera project but also carved a niche for itself in the annals of dark ambient and industrial music. From the first notes, Near Death envelops the listener in an uncanny aura, a sense of foreboding that guides you through its enigmatic passages. The album is a testament to the trio's ability to manipulate sound, sculpting it into a chilling narrative that unfolds across its tracks. The atmospheric textures evoke a sense of unease, while the pulsating rhythms create a hypnotic rhythm that carries you along the journey. The layers of sound intertwine, creating an intricate web that seems to echo the labyrinthine corridors of the subconscious. Urashima's vinyl reissue captures the essence of Near Death in its purest form. The tactile experience of placing the needle on the vinyl and allowing the album to unfold as intended by the artists adds a new dimension to the sonic journey. The haunting melodies and unsettling textures resonate even more powerfully, making this reissue not just a reproduction but a revival of the album's visceral impact. Megaptera is not for the faint of heart; it is an invitation to confront the shadows that reside within us all. Through its intense sonic explorations, the project beckons listeners to embrace the darkness and embark on a journey that delves into the most primal aspects of human experience.

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Dive into the enigmatic world of raison d'être, a mesmerizing music project masterminded by the Swedish composer and sound artist, Peter Andersson. Renowned for his profound ability to conjure immersive auditory landscapes, Andersson's raison d'être has left an indelible mark on the ambient and dark-industrial genres. At the core of "raison d'être" lies a philosophy deeply intertwined with the exploration of existential themes and the mysteries of human consciousness. Andersson's sonic tapestries are intricate and multi-layered, weaving a delicate web of dark ambient, drone, and experimental sounds. The compositions are meticulously crafted, with each note and texture contributing to a greater narrative that evokes a profound sense of immersion and contemplation. The vinyl reissue of Après Nous Le Déluge marks the beginning in the ongoing story of the project. Originally released on Sound Source in 1992, the album's title translates to "After Us, the Deluge," a phrase often attributed to Madame de Pompadour, suggesting an impending catastrophe. This sentiment echoes throughout the album, as it conjures sonic landscapes that are both foreboding and introspective. From the somber tones to the ethereal drone, Après Nous Le Déluge encapsulates raison d'être's ability to evoke emotions that reside in the shadows of our psyche. Après Nous Le Déluge is more than an album; it's a sonic meditation. The gradual evolution of sounds, the interplay of ambient elements, and the delicate nuances create an immersive experience that demands your full attention. Whether experienced through headphones or on a grand stereo system, the vinyl reissue breathes new life into this iconic release, allowing you to discover new dimensions within its familiar depths. Urashima Records' meticulous attention to detail is evident in the pristine audio quality and the exquisite packaging of this reissue. The vinyl itself becomes a portal to another world, inviting you to immerse yourself fully in raison d'être's evocative sonic universe. This reissue captures the essence of the original work while adding a touch of modern refinement, making it a must-have for both dedicated fans and those new to the world of raison d'être.

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Prepare to immerse yourself once more in the chilling, dissonant realms of Kranivm, as Urashima prepares to unveil a double CD digipack reissue titled Post Fata Resurgam. This complete collection is a resurrection of Kranivm's harrowing odyssey, featuring his sole three iconic cassette tapes: Insanatorivm, The Brighter Edge of Death, and I - The Blood. Contained within meticulously designed digipack artistry, the essence of Kranivm beckons you to dive into the dissonant beauty of Marco Corbelli's creations. Traverse a spectrum of emotions ranging from discomfort to morbid fascination as you journey through the auditory labyrinth that reflects the mind of a visionary artist. Through this reissue, you'll honor Corbelli's enduring legacy, his influence forever etched into the industrial and experimental music tapestry. As you navigate the sonic landscapes of Post Fata Resurgam you'll bear witness to the very sonic entities that once haunted Corbelli's thoughts and fears. This limited-edition release extends an invitation to honor an artist who courageously delved into darkness and transformed it into a mesmerizing form of art, thereby shaping the trajectory of dark ambient and experimental death music's evolution.

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Reissue, originally released in 1998. Masonna, the rough noise project of the Japanese artist Yamazaki "Maso" Takushi, has long been revered for his uncompromising and extreme approach to sonic exploration. Vestal Spacy Ritual, initially released on CD by the Japanese label Alchemy Records in 1999, is a testament to Masonna's ability to create an overwhelming and mind-altering listening experience. Vestal Spacy Ritual starts with a cacophonous explosion of distorted noise and frenzied electronic manipulation. From the very start, Masonna immerses the listener in a relentless sonic assault, utilizing piercing high frequencies, distorted vocals, and a barrage of abrasive textures. The second track (all album's tracks are untitled) sets the stage for the tumultuous journey ahead plunges the listener into a maelstrom of sound, with waves of screeching feedback and distorted pulsations. Masonna's mastery lies in his ability to create a sense of disorientation and unease, as if the listener is navigating through a swirling vortex of chaos. The following handful of tracks that round out the first side of the vinyl reissue are a relentless onslaught of noise, pushing the boundaries of sonic intensity with a really psychedelic touch. The B-side delves even deeper into the realms of sonic extremity. Layers of distorted vocals, shrieking frequencies, and distorted electronic elements converge to create an atmosphere of sheer sonic psychedelic madness. The relentless assault on the senses is unrelenting, leaving the listener in a state of sonic disarray. As well as the usual use of "harstronics'", synth, ring modulator and echo chambers are employed here. Vestal Spacy Ritual can be considered the transition album to Yamazaki's cosmic phase, where the first analog "space" machines are tried out, combining elements of noise, distortion, and harsh vocals into an overwhelming "space" sonic experience. All the tracks showcase Masonna's ability to manipulate sound, creating an immersive and chaotic soundscape that is simultaneously captivating and unnerving. The cacophony builds to a crescendo, immersing the listener in a tumultuous cosmic sonic ritual. With its unrelenting intensity and psychedelic aesthetic, Vestal Spacy Ritual stands as a testament to Masonna's artistic vision and his commitment to pushing the boundaries of sonic expression. Original psychedelic artwork by Japanese designer and artist Masahiko Ohno. Includes twelve-inch insert format plus psyco-postcard using the same original CD art. Edition of 199.

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Conceived as a vehicle to explore electronic synthesis around the turn of the new millennium, Space Machine is Takushi "Maso" Yamazaki's "analog electronic cosmic sound project". Combining elements of psychedelia, drone, and experimental music, Space Machine crafts a sonic tapestry that defies categorization. Yamazaki's sonic palette encompasses layers of space ring, hypnotic rhythms, and ethereal synthesizers, creating a rich and textured soundscape. His mastery lies in the ability to blend these disparate elements seamlessly, resulting in a cohesive and transcendent musical journey. Space Machine draws on the artists deep and long-standing love of early electronic music from the '50s and '60s, his collecting of analog synthesizers and vintage electronic equipment over the years that he was primarily active as Masonna, and a desire to find a new creative pathway for his work, which was facilitated by being forced, in 2000, to temporarily cease Masonna activities due to ill health, allowed him to concentrate more fully on that project that would emerge later that year. In rapid succession between 2001 and 2005, Yamazaki released three full lengths and four EPs, all the products of his daily, tripped out inner explorations of music at his Space Machine Systems Studio. Complete Space Tuning Box gathers all these works, the project's debut -- Cosmos from Diode Ladder Filter -- the beautiful album 2 and 3 and the entirety of those EPs. Space Machine is the perfect counterpoint to Masonna. Rather than screaming noise and physical action, here Yamazaki veers toward the territory of non-rhythmic, pure electronics that resonate heavily with post-war avant-garde synthesis, channeling a similar territory of sonority that emerged from studios like Princeton, Columbia, EMS, GRM, conjoined with more contemporary temperaments of electronica and Onkyo free improvisation as well as the krautrock of Tangerine Dream or Klaus Schulze's early solo works via analog echo machines and synthesizers (EMS VSC3, Roland System 100 & 100M, PAIA 4700 Modular, Doepfer Modular, among many others). The music of Space Machine has an otherworldly quality, evoking visions of distant galaxies and cosmic landscapes. Deluxe wooden box with digital printing on the lid; contains the first album Cosmos from Diode Ladder Filter released on CD on Alchemy Records, 2 released on Midi Creative, 3 released on double-LP on Tiliqua Records and the four CD EPs released on P-Tapes, California based label run by Damion Romero, reissued for the first in a complete box; accompanied by a square pin and a series of photos of the impressive equipment used; extensive notes in Japanese by Satoru Higashiseto, translated into English by Alan Cummings; edition of 300.

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First time vinyl reissue, originally released in 1989. Repo, the enthralling album by the Japanese experimental project Incapacitants, is a sonic masterpiece that pushes the boundaries of noise music to exhilarating heights. Originally released on vinyl in just 300 copies by Japan's legendary Alchemy Records, this record showcases the immense creativity and technical prowess of the man behind Incapacitants, Toshiji Mikawa, here still alone (Repo is the last album as a one-man project, as Fumio Kosakai, about two years after this release, became a permanent member). With its relentless cacophony and innovative soundscapes, Repo is a testament to the enduring power of noise as an art form. From the very first seconds, Repo grabs your attention with an onslaught of piercing high frequencies and distorted textures. Mikawa's ability to manipulate sound is immediately apparent as they create a disorienting and immersive atmosphere. The side A evolves, incorporating layers of chaotic noise, visceral feedback, and unexpected sonic surprises, leaving the listener captivated and intrigued. The other side explore the concept of rhythm within noise music, defying conventions and embracing experimentation. The pulsating beats and distorted tones create a captivating sense of momentum, while unexpected disruptions and bursts of dissonance add an element of unpredictability. The juxtaposition of rhythmic elements and abrasive noise creates a dynamic listening experience that keeps the audience on the edge of their seats. Repo is an extraordinary album that drives the limits of noise music, showcasing Toshiji Mikawa mastery of sound manipulation and their unwavering dedication to experimentation. With its relentless energy and daring sonic exploration, Repo is a testament to the enduring power of noise as an art form, and a must-listen for anyone seeking an audacious and boundary-pushing musical experience. A highly sought-after milestone in noise music -- an absolute must for any Japanoise fan. Fully remastered by Lasse Marhaug. Includes four-page A3 folded insert with previously unpublished photos, notes from 2001 by JOJO Hiroshige (with an addendum by T. Mikawa), and new comprehensive notes made for this reissue by Lasse Marhaug. Edition of 300.

$43.50 IN STOCK

Reissue, originally released in 1997. Merzbow is the moniker of Japanese artist Masami Akita inspired by dadaism and surrealism. During the mid-1990s, the Japanese artist went through his most prolific and inspired period of the analog era, releasing masterpieces such as Noisembryo, Venereology, Hybrid Noisebloom, or Green Wheels. In that same period, one of his notable and iconic releases, Space Metalizer, released in 1997 under the Canadian label Alien8 Recordings on CD, stands as a testament to his ability to create immersive and mind-altering soundscapes. This album takes listeners on an otherworldly journey, fusing electro-psychedelic noise, EMS Synthesizer, filter and electronics with techno-oriented resonance into a unique sonic experience. Opening with a surge of swirling noise and cosmic echoes, "Space Metalizer Pt. 1" immediately establishes a sense of vastness and otherworldliness. Merzbow masterfully combines layers of distorted metallic sounds, oscillating frequencies, and disorienting textures, creating an immersive soundscape that feels like traversing the depths of the universe. The intensity builds gradually, capturing the listener's attention and propelling them into a sonic voyage. Closes the A-side of the first record of the vinyl reissue "Mirage" a sonic exploration of interstellar phenomena in non-silent way. This track features a swirling combination of celestial textures, shimmering frequencies, and cosmic bursts of noise. The B-side, that include the bonus track "Spaceout" introduces a more pronounced metallic element, intertwining with the dense layers of noise, filtered with techno resonance. Merzbow's intricate use of metallic samples and distorted textures creates an industrial, almost mechanical, atmosphere with an interspatial rhythmic patterning. The tracks on second vinyl pulsates with a relentless energy, akin to the cosmic machinery of the universe. The cacophonous climax leaves a lasting impact, cementing "Space Metalizer Pt. 2" as a standout moment on the album. Through a combination of cosmic atmospheres, metallic elements, the use of the EMS, the Theremin and the filters, Merzbow takes listeners on a transcendent journey through the depths of space. Reissue for the first time, in a doble vinyl in sole 199 copies, this album stands as a testament to Merzbow's artistic vision and his relentless pursuit of pushing the folds of noise. A must-listen for enthusiasts of noise music and anyone seeking a transformative and immersive sonic experience. Comes with original cover collage plus a bonus postcard and poster with amazing colored new and old collages by Masami Akita.

$28.00 IN STOCK

C.C.C.C. (Cosmic Coincidence Control Center) is a legendary Japanese noise music collective that was founded in Tokyo in 1989. The group originally had four members -- Mayuko Hino, Hiroshi Hasegawa, Fumio Kosakai, and Ryuichi Nagakubo -- who are known for their unique approach to noise music, and quickly gained a reputation for their intense and chaotic live performances. The group's sound is characterized by its use of high-volume, distorted noise, feedback, and electronics, as well as their incorporation of unconventional instruments and objects. Beyond their music, members of C.C.C.C. has also been involved in a variety of artistic endeavors, including film, performance and installation art. C.C.C.C.'s Reflexive Universe cassette, released on the Japanese label Vanilla Records in 1991, is a must-have for fans of Japanese noise music. The cassette features one track intense and immersive noise, showcasing the group's unique approach to sound and experimentation. The album is a 23-minute epic that builds from a fast, almost hypersonic opening to a wall of noise that seems to encompass the entire universe. Recorded live at Maya in Kobe on September 15th, 1991 only with two members performing: Mayuko Hino at electronics and voice, plus Hiroshi Hasegawa at synthesizer and electronics. The performance is a testament to the group's innovative and boundary-pushing approach to sound, and a reminder of the enduring power of noise music as an art form and Vanilla Records label has done an excellent job of capturing the raw and visceral sound of the group's live performance. Whether you're a longtime fan of C.C.C.C. or a newcomer to their unique brand of noise music, this vinyl reissue of Reflexive Universe is an essential addition to any record collection. Reissue for the first time in vinyl. Includes an additional amazing live performance on other side, recorded one month before Reflexive Universe at Donzoko House in Kyoto with all four members. Housed in a deluxe sleeve with a glossy finish using original pictures by Hidenobu Kaneda and an insert with a photo of the band performing live; edition of 199.

$40.00 IN STOCK

Reissue, originally released in 1990. Merzbow came roaring onto the Tokyo scene in 1979. To this day, the project remains one of the most prolific and aggressively forward-thinking acts in experimental music. Initially a duo of Masami Akita and Kiyoshi Mizutani, before settling as the moniker of Akita alone, the project took its name from German artist Kurt Schwitters's pre-war architectural assemblage, The Cathedral of Erotic Misery or Merzbau, and quickly set out to challenge entrenched notions of what music could be. Embracing technology and the machine, even in its earliest iterations, Merzbow broke boundaries and pushed toward new territories of the extreme, arriving at an unadulterated manifestation of sonic expression that has continued across the last 44 years, setting the pace for the entire genre of noise along the way. When it comes to Japanese noise, few projects have pushed boundaries or risen to a more iconic status than Merzbow. The mutant child of punk and experimental music, the project's blistering sounds -- as singular and wild as they are unique -- are among the movement's most important, definitive statements, continuously laying the groundwork for countless artists who have followed in its wake. Cloud Cock OO Grand marks a new era for Merzbow, the first of many CDs that will go in the direction we'd see in the '90s. It is also the first time that this seminal document from Merzbow's '90s period has ever appeared on vinyl. Composed and performed on synthesizers, metal devices, noise electronics, and string instruments, all recorded at extreme volumes, Cloud Cock OO Grand's five tracks present an enthralling sonic assault, deeply driven by the presence of electronic sounds, played against the sparse interjections of Akita's heavily processed strings, that push toward new territories of the extreme, while subtly nodding toward historical gestures from the early years of the avant-garde. On the double vinyl, the tracks are not only remastered by Merzbow, but are recontextualized and open up a new sense of his studio experimentation at the time. Cloud Cock OO Grand is a stunning feat of remarkable importance within the genre of noise, delivering this long unavailable masterstroke back into our hands, while further illuminating the project's crucial work from the 1990s. This is an absolute must for the indoctrinated Merbow fan as much as those just entering this incredible world. Cover faithfully reproduces the original artwork; includes a poster; edition of 299.

$28.00 NOT IN STOCK

First time reissue, originally released in 1986. Solmania is a Japanese noise music project founded in 1984 by Masahiko Ohno. The hallmark of this amazing artist, who builds his experimental electric guitars from spare parts, is his freakish ability to use the stringed instrument by generating absolutely unique sounds, both in his live performances and recordings. The guitars used by Masahiko Ohno are multi-neck guitars and harp guitars and take on extremely bizarre shapes, using unconventional body shapes, extra-necks, strings, and pickups in unusual places, and various extraneous gadgets such as mics or tweets. Pushing far beyond expectations of free improvisation, Solmania weaves blistering passages that incorporate touchstones from progressive, punk, metal, noise, and drone, into more intricate movements of dystopian avant-gardism, culminating as a strikingly forward-thinking expanse of sonic creativity that pushing toward uncharted ground. Still, in all this, his advanced technical and interpretive skills are always evident, and his sense of lyricism in all music, quite profound. Traveling through the winding and jagged grooves of modified noise guitar, you come across Highdrophobia. Recorded and mixed in September 1986 and released the following month on cassette on Fatagaga Tapes FTC-08 in an extremely limited edition, this rare gem finally rears its ugly head in a new analog version on 12" vinyl. With his stunning modified guitar, Solmania uses tape, radio, metal, turntable, and vocals to create three incredible sound tracks of wild noise madness, offering the listener an excellent overview of his music's development. From side A single session, with its gumtree-shaking shimmer and mottled chords, through to the wildly sophisticated free noise sculpting of side B, divided into two tracks, where a horse-galloping guitar figure transform and uplift it from standard to something deeply original. A sublime, noisy effort of left field DIY minimalism constructed from recurring guitar pieces, vocal and a peppering of diverse object as turntables, radio and invisible effects, Highdrophobia illuminates a hidden but remarkable legacy of a great performer at the begin of his creativity and consciousness in the mid of the '80s. A masterpiece of guitar drone, its dense harmonics and overtones induce trance-like states, providing one of the most creatively thrilling, immersive experiences. New artwork by the artist himself; reverse cardboard sleeve plus 12" insert; edition of 199.

$160.50 NOT IN STOCK

Mind-blowing and space-expanding, an absolute spectacular object. Tape after tape, from degeneration to degeneration, with the sole help of an analog synthesizer Sequential Circuits Six-Trak, a microphone connected with a Yamaha multi-effect, tape decks and a mixer, Marco Corbelli blows up emotions and delusions, cutting out the hard way inspired portraits of phobias and deviation. With this minimal equipment Marco has created all his shocking early cassettes, always characterized by his cold, sick and querulous synthesizer; pitch perfect for the industrial movement into which he first emerged. These aspects of his practice are particularly drawn into the light by the main manifesto of Atrax Morgue -- the analysis of the death, his perfection and complete habituation: injections of death to continue to live! Beautifully brilliant, profoundly ambitious and crucial in constructing a more inclusive vision of Atrax Morgue's deep, extensive work, From Degeneration To Degeneration box set represents an absolute approach to the industrial and noise scene in the nineteens. The putrescence is palpable, and one could almost smell and taste the miasma of decay that pervades the entire box. Anxiety, alienation, and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power disconcerting. The psychopathological sound is white, painful and horrific; creates a mental alteration that initiates brutal operation of psychic surgery, neuroses and split personality. Crosses terrifying rooms lit by neon lights, corridors filled with gruesome tools, machines of blood and bits of human tissue floating in jars of formalin. The hum of the synth, the roar of noise and fights razor are often repeated loops, where each track has a compact structure, following the main theme (of death). An absolute triumph and essential on every count for fans of industrial and synth/experimental music and a hallucinatory and intense set of finely tuned and tectonic form pieces. A tour-de-force survey of Corbelli's remarkably diverse vision within the industrial and noise scene. Contains reissue of complete Slaughter Productions tapes titles. 12 cassettes in black wooden box 12" size; second edition of box set comes with a 40-page book with original credits from every cassette and Marco Corbelli's pics with some completely new shots, two A4 size inserts glossy coating with two unpublished Marco Corbelli self-portraits and never seen before, one postcard with unpublished Atrax Morgue self-inflicted wound pose, an official certificate hand numbered with silver ink in 99 copies and a big poster; includes download code.

$28.00 IN STOCK

In 1987, Nakahara Masaya founded the project Violent Onsen Geisha, which quickly became one of the most well-known and influential names in the Japanese noise music scene, distinctive among others for frequently displaying a bizarre, sarcastic, and mischievous sense of humor. The band's name, which translates to "violent hot springs geisha," is a reference to the traditional Japanese practice of hot spring bathing, as well as a nod to Nakahara's confrontational and irreverent approach to music. As Violent Onsen Geisha, he creates experimental music that blends elements of noise, industrial, and avant-garde styles. He is known for his use of unconventional instruments and sounds, including feedback loops, field recordings, appropriated or "found" music, in addition to (or even instead of) straight-ahead noise. As well as his work as a musician, Nakahara is also a prolific visual artist and writer. His artwork has been exhibited in galleries and museums around the world, and he has published several books on the subjects of art and music. He is known for his irreverent and humorous approach to art, which often subverts traditional Japanese imagery and cultural norms. Despite his underground status, Nakahara has been a highly influential figure in the Japanese art and music scenes for over three decades. His work has inspired countless musicians and artists both in Japan and around the world. Wagamama Na Ofukuro is a super rare 1993 cassette release by Nakahara's label, My Fiance's Lifework. The title translates to "Selfish Mother" in English, and the tape is known for its confrontational and irreverent approach to music. It consists of handful of tracks that features a barrage of harsh noise, feedback, and distorted vocals. Despite its abrasive nature, there is a sense of humor and playfulness to the music, with artist incorporating samples of children's songs and nursery rhymes into the mix. Nakahara's use of unconventional instruments and sounds, as well as his willingness to push boundaries and challenge established norms, make this cassette a standout in the noise genre. Reissued on vinyl for the first time. High-quality remaster of the original recording. A prime example of Violent Onsen Geisha's confrontational and irreverent approach to music. Inside-out sleeve featuring the original artwork by Nakahara Masaya with scattered collages added and includes a printed insert on felt-textured on both sides paper; edition of 299.

$28.00 IN STOCK

Reissue, originally released in 1996. Along with Merzbow, Incapacitants, and Hijokaidan, Masonna is one of the best (known) Japanese noise projects. A psychedelic touch, cascades of electronic noise and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled named for Masonna. Yamazaki "Maso" Takushi created Masonna in 1987 and simultaneously he started recordings on cassette tapes and seven inches for his own label named Coquette. His plentiful productions were presented in an ultra-limited edition, sometime totally confidential (one sole copy), and contributed to create a mythology based above all on the astonishing intensity with which "Maso" devastates and reprocesses the vocal cords, in a true total electronic song. In his impressive live performances, he created and electrically overcharged universe, punctuating the electric and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to his pieces. Inner Mind Mystique, released for the first time in 1996, includes seven studio recordings are making full use skillfully editing how to edit cut-up, in which elaborate lump-sum making has been performed with the effects, burbling electro noises, high-pitched twees, and other sci-fi sounds, erupting out to drown out the screams, as if to make full use of the ancestral vocal sound. With the "harshtronics", the extensive set of pedals that is used by Masonna to filter vocal and feedbacks, are surpassed all extremes with a full frequency violence that is as fast as it was psychedelic. Everything is scraped, cosmic, and beautiful and focuses an electrically overcharged universe, punctuating the thrilling and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to work. Each pieces display a vast array of electronic sound events meticulously sequenced to a complex vocal fusion symbolizing the entire spectrum of earthly and heavenly sounds. Dynamic extremes evoke a restless flight through space, or through the depths of human subconsciousness, between dream and reality. Ultimately the noise disappears, like a dot in the sky gradually fading into nothingness -- an "ascension" that closes the loop in a ritual of life that can begin anew again at any time. Truly stunning and historically monumental within the genre, it can't be missed by any fan of Japanese experimental music and noise. Faithful reproduction of the original 1996 release on Release Entertainment; includes A3 poster and cardboard insert; edition of 299.

$28.00 IN STOCK

Monde Bruits is a Japanese experimental noise project formed in the early 1990s, from the brainchild of Iwasaki Shōhei. The sound has been compared to other experimental noise acts of the time, such as Merzbow, Hijokaidan, or Incapacitants. However, Monde Bruits' approach to noise is distinct, incorporating elements of musique concrète, industrial, and free improvisation which raw and bristly aesthetic. Purgatory cassette, released on the G.R.O.S.S. Japanese tape label, founded and run by Akifumi Nakajima, in 1992, is a significant document of Japanese experimental noise music from the early '90s. The cassette's limited release on a legendary Japanese tape label adds to its underground and obscure appeal, making it a sought-after collector's item for fans of experimental noise music. The opening track, occupying the entire A-side of the vinyl reissue, "In to Purgatory," sets the stage with its distorted and unsettling sounds that build to a crescendo before giving way to the pounding noise. The track is a melancholic ode to the fleeting beauty of life, is a long and intense composition that seems to guide you through the levels of hell with its mix of distorted sounds and synthetic melodies, which creates a sense of unease with its eerie atmosphere and unsettling sounds. On the flip side, the second track "Out to Purgatory" is another highlight, with its throbbing beat and distorted feedback, its harsh and abrasive sound, unconventional approach and a lo-fi production that seem to be calling out from the depths of the underworld. Overall, Purgatory is an incredibly immersive and powerful release that showcases the unique talents of Monde Bruits. The use of distorted sounds, industrial textures, and electronic melodies creates a haunting and foreboding atmosphere that transports the listener to another world. If you're a fan of experimental music that pushes boundaries and explores new sonic territories, then this release is definitely worth checking out. This is a must-listen for fans of noise, industrial, and avant-garde music. Remastered at Audio Dissection from the original audio master by Emanuele Bonini. Original artwork and double insert with original credits and complete interview by Satoru Higashiteto, translated in English by David Hopkins (RIP) originally published on Bananafish magazine; edition of 199.

$29.50 LOW STOCK LEVEL

Limited 2024 restock. Japanese solo project Jun Konagaya's Grim released the beautiful EP, Message, in 1987. It was his first and sole full folk music release despite having an album called Folk Music in 1986 that was a classic industrial album, featuring Yukio Nagoshi, founding member of the Vasilisk unit, on guitar and percussion and A. Takahashi on vocals, with collaboration and technical support from Tomo Kuwabara, partner and co-founder with Jun Konagaya of the legendary group White Hospital. This EP kind of feels like walking through an ancient fairy tale forest, all hazy, and magical, and slightly creepy. Remastered with the entire A-side enclosing the original six tracks and the B-side featuring the 2021 noise-oriented remix.

$38.50 IN STOCK

Reissue, originally released in 1991. Incapacitants are the best noise band to ever come out of Japan; the group was formed in 1981 in Osaka, as the solo project of Toshiji Mikawa, a member of the amazing noise group Hijokaidan. Mikawa later moved to Tokyo, where he joined with Fumio Kosakai (also an occasional member of Hijokaidan, as well as a former member of C.C.C.C.) to make Incapacitants a duo and they released its first album Feedback of N.M.S. on Alchemy Records CD in 1991. Sometimes it's the result of luck. In others it's due to years of rigorous work or through unlikely combinations of individual creative practices. In the case of Feedback of N.M.S., the first release to feature the collaborative duo of Mikawa and Kosakai, all three are in play. Comprising three tracks of visionary expression -- incorporating elements of junk metal, modular synthesis, hand-made noisy objects, and real-time instrumental and vocal improvisation -- it encounters each artist entering a new stage of their career, harnessing the challenges posed by the other as a means to drive toward new creative unknowns. Central to this is the pair's unique approach to structure and form, in addition to their chosen instruments and electronics. The first track "Curse Of Ceauşescu", played on two sides of the first vinyl is something incredible. A truly stunning, visionary expanse of texture and tonality -- pushing noise practice and the very notions of language into uncharted realms. The others two tracks that fill the sides of the second vinyl complete this masterpiece increasingly pushing into more constrained of electronics phenomena, site specific resonance, and complex harmonic interplay, that consistently rethink the terms of noise, infusing it with tension, dissonance, and a deeply emotive, human touch. An absolutely masterful piece of work, threaded with risk, ambition, raw immediacy, and precision. While astounding artists in their own right, deserving every bit of the accolades they've thus far received, Toshiji Mikawa and Fumio Kosakai seem capable of something profound together that has yet to have heard. Feedback of N.M.S. is everything you would hope to hear from an experimental endeavor and so much more. Includes six cards reproducing Takuya Sakaguchi's original drawings and adding an unreleased drawing and extensive notes in Japanese and English; edition of 299.