|
|
viewing 1 To 11 of 11 items
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
UMA 175LP
|
Reissue, originally released in 1998. Masonna, the rough noise project of the Japanese artist Yamazaki "Maso" Takushi, has long been revered for his uncompromising and extreme approach to sonic exploration. Vestal Spacy Ritual, initially released on CD by the Japanese label Alchemy Records in 1999, is a testament to Masonna's ability to create an overwhelming and mind-altering listening experience. Vestal Spacy Ritual starts with a cacophonous explosion of distorted noise and frenzied electronic manipulation. From the very start, Masonna immerses the listener in a relentless sonic assault, utilizing piercing high frequencies, distorted vocals, and a barrage of abrasive textures. The second track (all album's tracks are untitled) sets the stage for the tumultuous journey ahead plunges the listener into a maelstrom of sound, with waves of screeching feedback and distorted pulsations. Masonna's mastery lies in his ability to create a sense of disorientation and unease, as if the listener is navigating through a swirling vortex of chaos. The following handful of tracks that round out the first side of the vinyl reissue are a relentless onslaught of noise, pushing the boundaries of sonic intensity with a really psychedelic touch. The B-side delves even deeper into the realms of sonic extremity. Layers of distorted vocals, shrieking frequencies, and distorted electronic elements converge to create an atmosphere of sheer sonic psychedelic madness. The relentless assault on the senses is unrelenting, leaving the listener in a state of sonic disarray. As well as the usual use of "harstronics'", synth, ring modulator and echo chambers are employed here. Vestal Spacy Ritual can be considered the transition album to Yamazaki's cosmic phase, where the first analog "space" machines are tried out, combining elements of noise, distortion, and harsh vocals into an overwhelming "space" sonic experience. All the tracks showcase Masonna's ability to manipulate sound, creating an immersive and chaotic soundscape that is simultaneously captivating and unnerving. The cacophony builds to a crescendo, immersing the listener in a tumultuous cosmic sonic ritual. With its unrelenting intensity and psychedelic aesthetic, Vestal Spacy Ritual stands as a testament to Masonna's artistic vision and his commitment to pushing the boundaries of sonic expression. Original psychedelic artwork by Japanese designer and artist Masahiko Ohno. Includes twelve-inch insert format plus psyco-postcard using the same original CD art. Edition of 199.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
UMA 168LP
|
Reissue, originally released in 1996. Along with Merzbow, Incapacitants, and Hijokaidan, Masonna is one of the best (known) Japanese noise projects. A psychedelic touch, cascades of electronic noise and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled named for Masonna. Yamazaki "Maso" Takushi created Masonna in 1987 and simultaneously he started recordings on cassette tapes and seven inches for his own label named Coquette. His plentiful productions were presented in an ultra-limited edition, sometime totally confidential (one sole copy), and contributed to create a mythology based above all on the astonishing intensity with which "Maso" devastates and reprocesses the vocal cords, in a true total electronic song. In his impressive live performances, he created and electrically overcharged universe, punctuating the electric and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to his pieces. Inner Mind Mystique, released for the first time in 1996, includes seven studio recordings are making full use skillfully editing how to edit cut-up, in which elaborate lump-sum making has been performed with the effects, burbling electro noises, high-pitched twees, and other sci-fi sounds, erupting out to drown out the screams, as if to make full use of the ancestral vocal sound. With the "harshtronics", the extensive set of pedals that is used by Masonna to filter vocal and feedbacks, are surpassed all extremes with a full frequency violence that is as fast as it was psychedelic. Everything is scraped, cosmic, and beautiful and focuses an electrically overcharged universe, punctuating the thrilling and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to work. Each pieces display a vast array of electronic sound events meticulously sequenced to a complex vocal fusion symbolizing the entire spectrum of earthly and heavenly sounds. Dynamic extremes evoke a restless flight through space, or through the depths of human subconsciousness, between dream and reality. Ultimately the noise disappears, like a dot in the sky gradually fading into nothingness -- an "ascension" that closes the loop in a ritual of life that can begin anew again at any time. Truly stunning and historically monumental within the genre, it can't be missed by any fan of Japanese experimental music and noise. Faithful reproduction of the original 1996 release on Release Entertainment; includes A3 poster and cardboard insert; edition of 299.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
UMA 157LP
|
Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna, is one of most prolific, adventurous, and respected noise artists, making dozens of releases on his own legendary and astonishing label Coquette, presenting them in very limited editions, and reflecting his predilection for '60s psychedelic music revisited in its own very peculiar way. He transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts become clipped bursts of overloaded sound, doubled and extended by a delay that displace the sounds into stuttered blasts of static. Masonna claims that his interest in making noise is rooted in childhood encounters with the sounds of destruction on TV. Initially playing in Japanese punk band The Sadist, active since the mid '80s, as a vocalist under aliases of Rin with his buddy and guitarist Michio Teshima, who founded Vanilla Records in 1985 to release the band's works. In a very few years Michio's label will become a reference point for all Japanese noise projects, releasing artists such as Violent Onsen Geisha, C.C.C.C., Incapacitants, Solmania, Aube, Merzbow, and Masonna. In 1988, Masonna released debut album Like a Vagina on cassette by Coquette, an overdriven blast of psychedelia and harsh noise. Masonna Vs. Bananamara, Masonna's second release, was originally issued on Vanilla Records in 1989 in a tiny vinyl edition of 290 copies. Given its iconic status and rarity, it's little wonder that it currently commands heavy figures on the secondary market. In classic DIY form, it was recorded at home by Masonna on a variety of instruments, with hallucinatory vocals, and used no mixing and overdubbing, rendering a startlingly visceral and dense effect. Across the album's two sides -- containing a mind boggling 29 tracks -- Masonna transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts become clipped bursts of overloaded sound, doubled and extended by a delay that displace the sounds into stuttered blasts of static, heavily underscored by explosive blistering guitars, and cascades of electronic noise, culminating as one of the most striking and emotive gestures in the entire genre of noise. Absolutely incredible and visionary -- not to mention an engrossing, challenging, and thrilling listen -- Masonna Vs. Bananamara allows you to witness where it all began for a hugely important artist's lifelong commitment to an exploration of noise music. First ever reissue; edition of 299.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
CSR 297LP
|
Originally released on CD in 1998, Frequency L.S.D. is now presented on vinyl for the first time. Features 14 ear-wrenching, extreme Japanese noise tracks from Maso Yamazaki (Controlled Death). "Frequency L.S.D. is the best Masonna CD ever, and one of the top five noise albums of all time" --Matt Kaufmann, Exile Osaka. "The cult icon of Japanoise once again makes another proverbial anti-statement with his uniquely harsh blend of screams, feedback, and constantly changing blasts, rumbles and blips of sonic destruction... The main attraction of this release to new and old fans alike is the use of '60s psychedelia in the warped textures of sound laid out in each track. Instead of being treated to a barrage of uncontrolled, harsh, and maddening noise, we are treated to lengthy explorations into the joys of warped synthesizer repetition and digitally altered radio frequency loops... the best noise release put out by any artist and, after just one listen, it's not hard to hear why" Chronicles Of Chaos. Personnel: Maso Yamazaki - voice, microphone, EXPJ Ringmodulater, Colorsound pedals, '60s fuzz noise canister; Spectral Audio Analogsynth, Sherman Filterbank, delay. 180 gram vinyl; edition of 400.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
UMA 153LP
|
Urashima present the first vinyl reissue of Masonna's Hate, originally released in 1995. Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna, of course, is one of most prolific, adventurous, and respected noise artists, making dozens of releases on his own legendary and astonishing label Coquette, presenting them in very limited editions, sometime totally confidential (one sole copy), and reflecting his predilection for '60s psychedelic music revisited in its own very peculiar way. He transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts become clipped bursts of overloaded sound, doubled and extended by a delay that displace the sounds into stuttered blasts of static. From noise lines, to minimal, warbling expanses, to the ambiences and schizoid thinking effects, it's a journey into a versatile mind who we clearly never heard enough from. Released by Coquette on cassette in 1995 in just 15 copies with handmade covers, composed of different materials and inserted in transparent envelopes, the album Hate features one of Masonna's most exciting and extraordinary work. By deploying stripped down microphone-and-scream foundations, Masonna's ingenious sonic palette and his unerring sense of rage are cast in thrilling, clear-eyed relief. The use of pedals and effects overwhelms the vocalizations that are practically not heard and creates an irresistible tension, layering a dazzling array of rich sonic colors, hard fragments, and unsettling timbres over the sort of taut psychedelic feedback used in kosmische musik and the echo of Tangerine Dream's masterpiece Zeit ring out in the grooves of the double vinyl reissue. The polarities are pronounced and brilliantly assembled, injecting even the most rough brushwork with an inescapable air of suspense; it's a real gem, deftly balancing harsh noise and otherworldly effects. A towering holy grail of Japan noise music. Among the most ferocious and rare cassette from the artist discography, finally entering the light of day on vinyl analog support. Gatefold cover; edition of 299.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
UMA 151LP
|
Originally released in 1988. Cascades of electronic noise, in a very peculiar way. Masonna transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts become clipped bursts of overloaded sound, doubled and extended by a delay that displace the sounds into stuttered blasts of static. Like A Vagina is one of Maso's first recordings and was released on cassette on his home label Coquette in 1988. The original cassette is graphically provocative and contains a long track on each side. Although quite immature as recordings, you are faced with a real discovery, what will become an exceptional blast of vigor and revelation from Japan. Masonna surpassed all extremes with a full frequency violence that was as fast as it was psychedelic. Explosive few seconds of visceral feedback, fast and beautiful and focuses an electrically overcharged universe then awesome screaming create a complete audio assault. A revelation and terrific listen from start to finish, not to mention a crucial addition to the canon of Japanese noise music and its shadowy history that radically challenges and expands the terms of movement's definitions. An absolutely amazing accomplishment for which Urashima deserve a great deal of credit, offering long overdue attention to a never before available body of work composed by one of Japanese noise's most important figures. An absolute must for seasoned noise music fans and devotes of obscure side of Japan electronic music. Edition of 299.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
UMA 148LP
|
Urashima present a reissue of Masonna's Filled With Unquestionable Feelings, originally released in 1995. Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in "Japanoise" scene. Masonna's abundant productions on his own legendary and astonishing label Coquette were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for '60s psychedelic music revisited in its own very peculiar way. Filled With Unquestionable Feelings along with Freak is an ultra-rare cassette originally released in 1995 by Coquette in an edition of only 36 copies. The two sides of the album are completely different from each other. Side A can be considered a classic Masonna piece, where it reaches its full artistic maturity here. This side is very brash, earsplitting and mad. The distortion and effects on the vocals are top notch, they in combination with his awesome screaming create a complete audio assault. Remind also to his first period as Open Your Cunt and Like A Vagina tapes. Everything is scraped, fast and beautiful and focuses an electrically overcharged universe, punctuating the thrilling and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to work. Side B is completely different. The voice disappears (or is no longer heard because it is covered or transformed by feedback). The structure is more compact and organized but eventually becomes far wilder, building up to pointillistic bleeps and dense layers of electronic fizz that unexpectedly cut to near-silence; these bear many uncanny resemblances to the simple melodic improvs and incessant ostinatos of Terry Riley. At once beautiful and remarkably challenging, Filled With Unquestionable Feelings, is an absolutely revelation in the wide discography of Masonna and easily one of the early contenders for the best artist release. Original tape copies are virtually unobtainable, skirting well into the three figure realm. First time vinyl issued, fully remastered. Edition of 299.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
UMA 145LP
|
Urashima reissue Masonna's Freak, originally released on cassette in 1995. Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in "Japanoise" scene. Masonna's abundant productions on his own legendary and astonishing label Coquette were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for '60s psychedelic music revisited in its own very peculiar way. He transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts become clipped bursts of overloaded sound, doubled and extended by a delay that displace the sounds into stuttered blasts of static. Freak is an ultra-rare cassette originally released in 1995 by Coquette in an edition of 36 copies in a special gold paper and now return for the first time in a flabbergasting vinyl format fully remastered. This mature work is very brash, earsplitting and mad. The distortion and effects on the vocals are top notch, they in combination with his awesome screaming create a complete audio assault. Sometimes pleading sobs are heard. And they are all, regularly, philologically broken, retouched, stiffened. And they mingle in the vortex. Or at most they come back to be slaughtered a little more only to be thrown back again, finally in the centrifuge. Everything is scraped, fast and beautiful and focuses an electrically overcharged universe, punctuating the thrilling and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to this work. Originally released as single side tape C30, this vinyl edition divided into two parts of about fifteen minutes each. Freak is an absolutely astounding piece of work by one of the great pioneers of extreme noise from Japan. This is bound to be a revelation for anyone and it can't be missed. Includes A3 size poster with Masonna in "action pose". Edition of 299.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
UMA 138LP
|
Urashima present a reissue of Masonna's All Live Recording At My Room, originally released in 1989. Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in "Japanoise" scene. Predating the era of digital domination, there was a time where artist-run labels putting out primarily, if not exclusively, tapes were legion. Masonna's abundant productions on his own legendary and astonishing label were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for '60s psychedelic music revisited in its own very peculiar way. Maso Yamazaki transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts became clipped bursts of overloaded sound, doubled and extended by a delay that displaced the sounds into stuttered blasts of static. These vocal sounds fuse into a rattling background of harsh metallic fuzz, which was created by frantically shaking a highly amplified box filled with coins. All Live Recording At My Room have been released in 1989 on Coquette, and now return for the first time in astonishing vinyl format fully remastered. The tracks were recorded live, at home, with no mixing and no overdubs. The album is full of very rough harsh noise that's mostly made up of lots of distorted screaming. This early work is very loud, noisy, and has lots of angry energy. The distortion and effects on the vocals are top notch, they in combination with his awesome screaming create a complete audio assault. Divided into two parts of fifteen minutes each that focuses an electrically overcharged universe, punctuating the electric and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to these tracks. Controlled, gorgeous, and absolutely intense, encountered with distance, Masonna's stunning All Live Recording At My Room stands with the absolute best of its era, and outsteps a great deal more. Chaos and noise, while direct and at ease with its own voice, it's nearly impossible to not fall in love with this record once heard. Masonna is an emblematic figure of Japanoise, who shines by a personal approach and an immediately recognizable style. 140 gram vinyl with full color label and sleeve; edition of 199.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
UMA 132LP
|
Cascades of electronic noise, a psychedelic touch, and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in "Japanoise" scene. Predating the era of digital domination, there was a time where artist-run labels putting out primarily, if not exclusively, tapes were legion: Toshiji Mikawa's own Pariah Tapes, Masami Akita's ZSF Produkt, Koji Tano's MSBR Records, Masaya Nakahara's My Fiance's Lifework Productions, Akifumi Nakajima's G.R.O.S.S., Kimihide Kusafuka's Kinky Musik Institute, Hiroshi Hasegawa's Endorphine Factory, Hiroshi Hashimoto's SSSM, and Maso Yamazaki's Coquette are just a few examples from Japan alone. Masonna's abundant productions on his own legendary and astonishing label were presented in very limited edition, sometime totally confidential (one sole copy), and reflect his predilection for '60s psychedelic music revisited in its own very peculiar way. Maso Yamazaki transforms his voice into noise, feeding the microphone back through a process of extreme distortion. His shouts became clipped bursts of overloaded sound, doubled and extended by a delay that displaced the sounds into stuttered blasts of static. These vocal sounds fuse into a rattling background of harsh metallic fuzz, which was created by frantically shaking a highly amplified box filled with coins. Bursting Absolute Moods should have been the 1989 debut LP album on Vis a Vis Audio Arts, the legendary label run by Juntaro Yamanouchi, but it's never been released. All tracks were recorded live, at home, with no mixing and no overdubs. Album is full of very rough harsh noise that's mostly made up of lots of distorted screaming. This early work is very loud, noisy, and has lots of angry energy. The distortion and effects on the vocals are top notch, they in combination with his awesome screaming create a complete audio assault. Divided into two parts of twenty minutes each that focuses an electrically overcharged universe, punctuating the electric and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to these tracks. 140 gram vinyl; comes in a deluxe silver silkscreen on black cardboard sleeve; Includes full-color postcard in 300gr, foldable in A4 size and business card with art cover replica of Coquette tape All Live Recording At My Room (1989); Edition of 300.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
4CD BOX
|
|
USHI 006CD
|
Along with Merzbow and Hijokaidan, Masonna is one of the best (known) Japanese noise projects. A psychedelic touch, cascades of electronic noise, and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé (1993), the double-barreled named for Masonna. Yamazaki "Maso" Takushi created Masonna in 1987 and he started recording for his own legendary label Coquette. His plentiful productions were presented in an ultra-limited edition, sometime totally confidential (one sole copy), on cassette, 7" acetate disc produced by a portable cutting machine, and Minidisc. They contributed to create a mythology based above all on the astonishing intensity with which "Maso" devastates and reprocesses the vocal cords, in a true "total electronic song". In his impressive live performances, he created and electrically overcharged universe, punctuating the electric and vocal sonorous power with some quite moments and brief interruptions, conferring a very particular dynamic to his pieces. Studio recordings are making full use skillfully editing how to edit cut-up, in which elaborate lump-sum making has been performed, the psychedelic taste for each track of time is taken into consideration, Yamazaki extends musical width. Masonna is an emblematic figure of Japanoise, who shines by a personal approach and an immediately recognizable style. A zenith in the noisy Japanese landscape. Urashima present seven amazing Coquette tapes for the first time remastered digitally on four CD in an exclusive black wooden box with laser-engraving: Like A Vagina (1988), All Live Recording At My Room (1989), Mad Onna (1989), Maso + Onna = Masonna (1989), Hate (1995), Freak (1995), and Filled With Unquestionable Feelings (1995). Each single CD comes in a cardboard wallet with credits and new artwork; individually-numbered certificate in 199 copies. Inside the chaos: the God of noise!
|
viewing 1 To 11 of 11 items
|
|