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LP
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UMA 182LP
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$29.50
PREORDER
RELEASE DATE: 4/26/2024
Atrax Morgue, the artistic moniker of the Italian musician Marco Corbelli, stands as an enigmatic figure within the realm of industrial and noise music. Revered for his gloomy sonic explorations, Corbelli forged a distinctive path through the auditory landscape, leaving an indelible mark on the Italian (and worldwide) underground music scene. Employing very minimal electronic instrumentation, Corbelli sculpted an auditory experience that transcends the conventional confines of music. Corbelli's compositions, characterized by their sick nature, evoke a sense of otherworldly melancholia, challenging the listener to confront the boundaries of their auditory comfort zone. Negative Frequencies is a profound musical testament that emerged from the visionary mind of the Italian artist Marco Corbelli, released in February 2006. The album encapsulates the diseased and bleak essence for which Corbelli's project, Atrax Morgue, is renowned. Corbelli, through his meticulous approach, manipulates synth and analog tape to craft a sonic landscape that challenges conventional notions of music, inviting introspection into the darker recesses of the human psyche. In a poignant turn of events, this seminal work is now set to be reissued for the first time on vinyl, marking a significant moment in Atrax Morgue's discography. This reissue not only amplifies the significance of Negative Frequencies within the avant-garde canon but also serves as a poignant reminder of Marco Corbelli's enduring artistic legacy. Tragically, shortly after the album's CD release in 2006, Corbelli took his own life, rendering this album one of the last tangible echoes of his creative brilliance. This vinyl reissue feature also a meticulously crafted four-page A3 folded booklet, containing the original notes and drawings by the talented Marco Corbelli from the CD edition. Additionally, this booklet is enriched with a collection of new annotations and previously unreleased photographs, graciously provided by Andrea Marutti. Edition of 199.
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12 CASSETTE BOX
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URA 048CS
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Mind-blowing and space-expanding, an absolute spectacular object. Tape after tape, from degeneration to degeneration, with the sole help of an analog synthesizer Sequential Circuits Six-Trak, a microphone connected with a Yamaha multi-effect, tape decks and a mixer, Marco Corbelli blows up emotions and delusions, cutting out the hard way inspired portraits of phobias and deviation. With this minimal equipment Marco has created all his shocking early cassettes, always characterized by his cold, sick and querulous synthesizer; pitch perfect for the industrial movement into which he first emerged. These aspects of his practice are particularly drawn into the light by the main manifesto of Atrax Morgue -- the analysis of the death, his perfection and complete habituation: injections of death to continue to live! Beautifully brilliant, profoundly ambitious and crucial in constructing a more inclusive vision of Atrax Morgue's deep, extensive work, From Degeneration To Degeneration box set represents an absolute approach to the industrial and noise scene in the nineteens. The putrescence is palpable, and one could almost smell and taste the miasma of decay that pervades the entire box. Anxiety, alienation, and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power disconcerting. The psychopathological sound is white, painful and horrific; creates a mental alteration that initiates brutal operation of psychic surgery, neuroses and split personality. Crosses terrifying rooms lit by neon lights, corridors filled with gruesome tools, machines of blood and bits of human tissue floating in jars of formalin. The hum of the synth, the roar of noise and fights razor are often repeated loops, where each track has a compact structure, following the main theme (of death). An absolute triumph and essential on every count for fans of industrial and synth/experimental music and a hallucinatory and intense set of finely tuned and tectonic form pieces. A tour-de-force survey of Corbelli's remarkably diverse vision within the industrial and noise scene. Contains reissue of complete Slaughter Productions tapes titles. 12 cassettes in black wooden box 12" size; second edition of box set comes with a 40-page book with original credits from every cassette and Marco Corbelli's pics with some completely new shots, two A4 size inserts glossy coating with two unpublished Marco Corbelli self-portraits and never seen before, one postcard with unpublished Atrax Morgue self-inflicted wound pose, an official certificate hand numbered with silver ink in 99 copies and a big poster; includes download code.
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2LP/2CD
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UMA 078LP
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Originally released in 2003. On February 24, 2001 Marco Corbelli take part in the performance "Autopsia dell'opera d'arte vivente come vivisezione del corpo di dio" in the Viareggio art gallery, Studio D'Arte Memoria Indelebile. Together with three other artists he stages an autopsy on a shapeless body, which represents the living work of art. Corbelli actively participates in the pseudo autopsy, as well as sounding the live event. The recording of the sound performance will be released two years later on Slaughter Productions in an extremely limited box set titled Close To A Corpse consisting of three CDr. The first two CDr contain the complete live recording in the Tuscan art gallery. They are improvised synthesizer recordings, an infected and purulent soundtrack, which actually transports you to the mortuary of a corpse and you can smell its stench pervading your senses. The pauses between one burst of sounds and the other are just the introduction to the next nightmare. The third CDr contains ten wonderful unreleased tracks recorded in the studio in September 2002, apart from Basic Procedure Autopsy (recorded and released in 1995), without the use of vocals or other effects: just the faithful "Sequential Circuits Six-Trak". Both the live tracks and those recorded in the studio represent the artist's sonic maturity and stand out from the rest of his discography for their eccentricity and the ability to make exceptional use of analog synthesizers, pulsating tones and enveloping frequencies by mixing a shocking atmosphere of hellish manifestation, where cruelty and compulsive disorders are more evident and interesting, showing Corbelli deeper work, pushing himself further into the experience of his concrete "noise" vision. Comes in a double vinyl for studio tracks and double CD for live tracks, fully remastered by Andrea Marutti. Edition of 199.
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LP
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UMA 077LP
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Sickness Report was released in 1996 in CD format for Release Entertainment, a sub-label of Relapse were made by Marco Corb, post-industrial sound soaked in death. The A side of the record closes with "Brain Penetration", aseptic and sharp as a razor blade, which bangs you straight in the stomach. The second side of the vinyl continues to drag your mind into the perverse ecosystem created by the author, until you get to exhaustion with "Slow Agony Of A Dying Organism", where the sound of a distorted synth seems to sigh the last gasps: mind stir the suggestion of the powerful, death-diluted stuff that is put into your hands. Stunning and immersive from start to finish, Sickness Report, is pure gold and a highpoint of Atrax Morgue career; it sounds as prescient today as it did at the mid of the '90s. An absolute must that can't be missed. Carefully remastered for the vinyl edition by Andrea Marutti. Edition of 199; virgin black vinyl; A3 size poster.
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LP
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UMA 141LP
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The sadistic industrial spurts of Atrax Morgue, are secretions of body fluids converted into noise stinging and nauseous and his work is an unhealthy, stinking container, with most depraved delusions that the human brain can give birth. The fourteen splinters of Esthetik Of A Corpse were recorded in spring 1995 and released on tape by Slaughter Productions. A quick overview of the 50-minute tape: harsh electronics, sounds from obsessions and visions, death as sex, madness, pleasure, orgasm, cadavers, and plastic bags. Of course, the canvass is freshly skinned off the body of one of the victims, and Marco makes much use of the entrails in his creation. New mastering in 2020 by Andrea Marutti. 140 gram vinyl with inside-out printing sleeve; Edition of 199.
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LP
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UMA 140LP
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Exterminate, the most impressive and sinister album by Atrax Morgue first way -- it is just the thirteenth work in his name, during his first three years of artistic production, returns to torture the eardrums and brains of who comes across with his industrial, claustrophobic and distressing nightmares at least as much as the "annual reports" signed by the loving Throbbing Gristle. It was recorded straight off on a hot July night in 1995. The cassette released the same year by Slaughter Productions contains three tracks based on typical analog drones. A three-phase escalation of alienating noisy madness, made of battered analog synthesizers and occasional incursions of revolting and decaying screams, which in no way allows you to see even the lightest light, in total surrounding darkness. New mastering in 2020 by Andrea Marutti. 140 gram vinyl with inside-out printing sleeve; edition of 199.
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LP
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UMA 142LP
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Atrax Morgue has been one of the very few names to inherit the sound and annihilating effect of the power electronics school of the early 1980s. He remains faithful to visceral (anti)sounds, no structural enrichment, no attempt to improve: the skeleton of nothing, the absolute point of no return, the representation of non-being, the apology of learning, the most total desert. Overcome comes out for the first time on vinyl by Slaughter Productions in 1999. A raw album that reflects the most total cancellation not only in theoretical purposes, but is also a global clean slate in repeated, obsessive, distorted, monolithic sounds; Atrax Morgue's music curves in on itself, becoming non-sound and denying any possibility of its own existence. Disturbing and minimal, the album flows with total resignation for all seven tracks, without granting minimum penalty discounts to those who approach it. Mastered in 2020 by Andrea Marutti. 140 gram vinyl with inside-out printing; gatefold sleeve; edition of 199.
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9CD BOX
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USHI 013CD
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Marco Corbelli's artistic journey began in the early '90s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was The Pleasure Agony, followed by Sick and Murders. The aesthetics of these first fanzines were very sophisticated and the content deals with topics that will follow Marco Corbelli throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophilia, diseases, and most importantly death. In 1993, heavily influenced by his obsessions, Marco Corbelli began his musical activities creating the Slaughter Productions label and the Atrax Morgue project. Atrax Morgue released his first tape In search of death which will be followed by a series of amazing cassettes in the following years. Tape after tape, with the help of an analog synthesizer Sequential Circuits Six-Trak, a microphone connected with a Yamaha multi-effect, tape decks and a mixer, Marco Corbelli blows up emotions and delusions, cutting out the hard way inspired portraits of phobias and deviation. The main manifesto of Atrax Morgue is the analysis of the death, his perfection and complete habituation: injections of death to continue to live. The putrescence is palpable, and one could almost smell and taste the miasma of decay that pervades the entire box. Anxiety, alienation, and hypochondria turn into a deep paranoia in pain. The psychopathological sound is white, painful and horrific; creates a mental alteration that initiates brutal operation of psychic surgery, neuroses, and split personality. Crosses terrifying rooms lit by neon lights, corridors filled with gruesome tools, machines of blood and bits of human tissue floating in jars of formalin. The hum of the synth, the roar of noise and fights razor are often repeated loops, where each track has a compact structure, following the main theme (of death). Urashima presents an astonishing silver wooden box with nine CDs that include reissues of twenty terrific titles from his legendary discography. Includes A4 size foldable with original 1998 Slaughter Productions mailorder catalog cover; edition of 184.
Includes Necro-sintesi (1993), Necrophiliac Experience (1994), Basic Autopsy Procedure (1995), New York Ripper (1994), Black Slaughter (1993), Lesion 22 (1996), Spasmosynthetics (1997), Cut My Throat (1996), Homicidal Texture (1995), In Search Of Death (1993), Exterminate (1995), Esthetik Of A Corpse (1995), Catch My Agony (1995), Collection In Formaldeide (1994), Mechanic Asphyxia (1997), Death-Orgasm Connector (2003), Sweetly (1996), Woundfucker (1994), Homicidal (1997), and An Expression Of Psychic Masochism (1995).
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LP
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UMA 134LP
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Marco Corbelli's artistic journey began in the early '90s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was The Pleasure Agony, followed by Sick and Murders. The aesthetics of these first fanzines were very sophisticated and the content deals with topics that will follow Marco Corbelli throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophilia, diseases, and most importantly death. In 1993, heavily influenced by his obsessions, he began his musical activities creating the Slaughter Productions label and the Atrax Morgue project. Greatly inspired by Italian power electronics act The Sodality, with their 1987 LP Beyond Unknown Pleasures and from projects as Whitehouse and Brighter Death Now, pioneers of a minimal, evil and visceral electronic, Atrax Morgue released his first tape In search of death which will be followed by a series of amazing cassettes in the following years. In 1996, with the only help of his analog synthesizer Sequential Circuits Six-Trak, Marco Corbelli recorded four tracks of pure improvisation for the legendary noise label BloodLust! run by Mark Solotroff. The tracks are released in cassette with the title of Autoerotic Death and limited to 50 copies. The putrescence is palpable, and one could almost smell and taste the miasma of decay that pervades the entire work. The psychopathological sound is white, painful and horrific. Crosses terrifying rooms lit by neon lights, corridors filled with gruesome tools, machines of blood and bits of human tissue floating in jars of formalin. The hum of the synth is often repeated loops, where each track has a compact structure, following the main theme (of autoerotic death). 140 gram vinyl; black inner sleeve and comes in a deluxe black cardboard sleeve with logo in silver silk screen plus double side pictures (from original tape cover art) fixed on front cover LP and a small insert; Edition of 199.
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5CD BOX
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USHI 007CD
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Marco Corbelli's artistic journey began in the early '90s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was The Pleasure Agony, followed by Sick and Murders. The aesthetics of these first fanzines were very sophisticated and the content deals with topics that will follow Marco Corbelli throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophilia, diseases, and most importantly death. In 1993, heavily influenced by his obsessions, Marco Corbelli began his musical activities creating the Slaughter Productions label and the Atrax Morgue project. Greatly inspired by Italian power electronics act The Sodality, with their 1987 LP Beyond Unknown Pleasures and from projects as Whitehouse and Brighter Death Now, pioneers of a minimal, evil, and visceral electronic, Atrax Morgue released his first tape In Search Of Death which will be followed by a series of amazing cassettes in the following years. Tape after tape, with the help of an analog synthesizer Sequential Circuits Six-Trak, a microphone connected with a Yamaha multi-effect, tape decks, and a mixer, Marco Corbelli blows up emotions and delusions, cutting out the hard way inspired portraits of phobias and deviation. With this minimal equipment Marco has created all his shocking releases, excluding 1995's Cut My Throat (UMA 124LP), where he used the Crumar Spirit and in the latest works before he died, as for the collaboration with M.B., he also used RE-201 Space Echo (the only other machines he had used were Crumar Bit One and the Roland 909, both of which were used only for the Mörder Machine project). The main manifesto of Atrax Morgue is the analysis of the death, his perfection, and complete habituation: injections of death to continue to live. The hum of the synth, the roar of noise and fights razor are often repeated loops, where each track has a compact structure, following the main theme (of death). Urashima present a red wooden box with five CDs that include reissues of eleven terrific titles from his legendary label Slaughter Productions: In Search Of Death (1993), Exterminate (1995), Esthetik Of A Corpse, Catch My Agony (1995), Collection In Formaldeide (1994), Mechanic Asphyxia (1997), Death-Orgasm Connector (2003), Sweetly (1996), Woundfucker (1998), HomicidalI (1997), and An Expression Of Psychic Masochism (1995). Each single CD comes inside cardboard wallet with credits and new artwork; Edition of 300 (numbered).
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4CD BOX
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USHI 005CD
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Marco Corbelli's artistic journey began in the early '90s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was The Pleasure Agony, followed by Sick and Murders. The aesthetics of these first fanzines were very sophisticated and the content deals with topics that will follow Marco Corbelli throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophilia, diseases, and most importantly death. In 1993, heavily influenced by his obsessions, Marco Corbelli began his musical activities creating the Slaughter Productions label and the Atrax Morgue project. Greatly inspired by Italian power electronics act The Sodality, with their 1987 LP Beyond Unknown Pleasures and from projects such as Whitehouse and Brighter Death Now, pioneers of a minimal, evil, and visceral electronic, Atrax Morgue released his first tape In Search Of Death (1993) which was followed by a series of amazing cassettes in the following years. Tape after tape, with the help of an analog synthesizer Sequential Circuits Six-Trak, a microphone connected with a multi-effect, tape decks, and a mixer, Marco Corbelli blows up emotions and delusions, cutting out the hard way inspired portraits of phobias and deviation. The main manifesto of Atrax Morgue is the analysis of the death, his perfection and complete habituation: injections of death to continue to live. The putrescence is palpable, and one could almost smell and taste the miasma of decay that pervades the entire box. Anxiety, alienation, and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power disconcerting. The psychopathological sound is white, painful, and horrific; it creates a mental alteration that initiates brutal operation of psychic surgery, neuroses, and split personality. The hum of the synth, the roar of noise and razor are often repeated loops, where each track has a compact structure, following the main theme (of death). Urashima continue the tribute to the degenerate art of Atrax Morgue with an astonishing black wooden box with four CDs that include reissue of nine terrific titles: Black Slaughter (1993), Necro-sintesi (1993), Basic Autopsy Procedure (1995), Necrophiliac Experience (1994), New York Ripper (1994), Lesion 22 (1996), Spasmosynthetics (1997), Cut My Throat (1996), Homicidal Texture (1996). Each CD comes in a cardboard wallet with credits and new artwork; Edition of 199 (numbered).
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LP+CD
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UMA 124LP
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Urashima present a reissue of Atrax Morgue's Cut My Throat, originally released in 1995. Atrax Morgue is anxious and psychotic side of the power electronics and industrial music. With the help of an analog synth, Marco Corbelli blows up emotions and delusions, cutting out the hard way inspired portraits of phobias and deviations. Cut My Throat is recorded straight off and in a day. The first CD of the artist contains two paths based on typical analog drones that characterize all the first production of Atrax Morgue. The tracks on here are monolithic machines of industrial death that are portrayed in lovingly grating and rasping detail, with engines of soul rapine and pulsating contraptions eager to slice their way through soft flesh. The putrescence is tangible, and one could almost smell and taste the miasma of decay that pervades the entire vinyl. A seminal power electronics masterpiece for this unforgotten cult artist. Reprinted for the first time on LP. Includes bonus CD with all the LP tracks, plus all tracks from Atrax Morgue's Homicidal Texture tape (1995). 140 gram vinyl; Comes in a deluxe silver silkscreen on black cardboard; Black label and black inner sleeve; Includes an insert and a poster; Edition of 199.
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LP
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UMA 121LP
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Marco Corbelli's artistic journey began in the early '90s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was "The Pleasure Agony", followed by "Sick" and "Murders". The aesthetics of these first fanzines were very sophisticated and the content deals with topics that would follow Marco Corbelli throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophilia, diseases, and most importantly, death. In 1993, heavily influenced by his obsessions, Marco Corbelli began his musical activities creating the Slaughter Productions label and the Atrax Morgue project. Greatly inspired by Italian power electronics act The Sodality and projects such as Whitehouse and Brighter Death Now, pioneers of a minimal, evil and visceral electronic, Atrax Morgue released his first tape In Search Of Death (1993) which would be followed by a series of amazing cassettes in the following years. In 1995, the activity of the Slaughter Productions became more and more frantic, releasing countless tapes. At the end of the same year they produced two important works by Atrax Morgue. The first was titled An Expression Of Psychic Masochism, with one only track that was based on unique white, painful, and horrific synth drones; generating a mental alteration that initiates brutal operation of psychic surgery, neuroses and split personality. The second was titled Catch My Agony with two tracks that were founded on abrasive synth drones; the harsh and glacial sound atmosphere melts with murder, necrophilia, and dead bodies forming a macabre collage. Work was inspired by novel written by Hugh Fleetwood The Order of Death (1976), which has also been put on the screen by the Italian director Roberto Faenza (1983). It was originally packed in an outstanding bundle, literally stuck in a real mousetrap. The smell of death is saturated in every sound produced by the brilliant and twisted mind of Marco Corbelli in these two works. Anxiety, alienation, and hypochondria turn into a deep paranoia in pain. Without hesitation, the bodies are emptied, leaving the field to an electronics purulence of rare power disconcerting. Comes in a deluxe silver silkscreen on black cardboard sleeve; Includes a sheet with credits and art from first original Slaughter Productions logo (from the first fanzines); Black inner sleeve; Remastered from the original tapes; 140 gram vinyl; Edition of 199.
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3LP BOX/2CD
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UMA 107LP
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Atrax Morgue, the brainchild of Marco Corbelli, is a sound project that started in the early nineties and focused in various areas related to the field of psychopathology: murder, violent death, sadism, necrophilia, schizophrenia and insanity. The primary influences come from projects as Brighter Death Now and Whitehouse, pioneers of a minimal, evil and visceral electronic; and from the legendary projects Mauthausen Orchestra and The Sodality. The main manifesto of Atrax Morgue is the analysis of the death, his perfection and complete habituation: injections of death to continue to live. Ripper Box follows shortly after the immediately sold out Necro Box (UMA 103LP, 2016) and continues the tribute to the degenerate art of Atrax Morgue, one of the greatest exponents of industrial/power electronics in Italy. The first LP is New York Ripper, originally released in 1994 on Slaughter Productions. It is a work from sounds obsessed with the use of very low frequencies, synthetic and disturbing - the psychopathological sound is white, painful and horrific, creating a mental alteration that initiates brutal operation of psychic surgery, neuroses and split personality. The second LP is Lesion 22, originally released in 1996 on Less Than Zero. The tracks on Lesion 22 are monolithic machines of industrial death that are portrayed in lovingly grating and rasping detail, with engines of soul rapine and pulsating, screaming contraptions eager to slice their way through soft flesh. The third LP is Spasmosynthetics, originally released on tape in 1997 on Labyrinth. The four tracks on Spasmosynthetics are based on obsessive synth drones - anxiety, alienation and hypochondria turn into a deep paranoia in pain. The Ripper Box comes in a deluxe silver silkscreen on Fedrigoni constellation black cardboard and includes: three records on 140 gram vinyl that come in three deluxe silver silkscreen on black cardboard sleeves with new artwork for each title, two CDs that include all tracks of the three LPs plus all tracks from Black Slaughter (1993), a sixteen page booklet in A5 size with credits, replica of original tape artwork and more. Box and covers handmade in Italy; All tracks have been remastered for this release; Edition of 199 (hand-numbered).
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3LP BOX/CD
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UMA 103LP
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Atrax Morgue was the brainchild of Marco Corbelli (1970-2007), a sound project started in the early '90s with a focus on various areas related to the field of psychopathology, including murder, violent death, sadism, necrophilia, schizophrenia, and insanity. The primary influences came from projects such as Brighter Death Now and Whitehouse, pioneers of a minimal, evil, and visceral electronic music, and from the legendary Italian projects Mauthausen Orchestra and The Sodality. The main concern of Atrax Morgue was the analysis of the death -- its perfection and complete habituation. Injections of death to continue to live. Necro Box is a tribute to the degenerate art of Atrax Morgue, one of Italy's greatest exponents of industrial music and power electronics. The first LP contains Necro-Sintesi, originally released as the A-side of a cassette split with Lunus on Corbelli's Slaughter Productions in 1993. It consists of three tracks based on the death-cold analog drones that characterize the first Atrax Morgue productions. Deviant, anxious sounds that assault the listener's head like razor blades. The second LP is Necrophiliac Experience, originally released as the A-side of a second cassette split with Lunus on Slaughter Productions in 1994. The glacial atmosphere incorporates murder and necrophilia to form a macabre collage. Obsessions emerge on the track "Necrophiliac Experience 3," which reproduces the word "omicidio" ("homicide") in an exasperated loop, inciting in the listener a sense of deep distress and maniacal fear. The third and final LP contains Basic Autopsy Procedure, originally released as a cassette on Slaughter Productions in 1995. Cold sound for white aseptic operating rooms and corpses in pieces. No compromise, only death! Deluxe "constellation snow" cardboard box with silver silkscreened text, manufactured by Fedrigoni, producers of fine Italian papers. Contains three high-quality 140-gram white LPs pressed in Germany with all-white labels in all-white poly-lined inner sleeves, each in a deluxe jacket bearing new individual artwork and protected by a clear plastic sleeve; a CD containing all of the tracks on the LPs; and a 16-page A5 booklet with credits, replicas of the original cassette artwork, and more. All tracks remastered for this release. Limited edition of 199 hand-numbered copies.
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