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LP
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AR 147LP
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Manuel Volpe (Rhabdomantic Orchestra) about this album: "This album is a music novel inspired by surrealism and South American magic realism. Every instrument acts as a character in action and its narrative set is studied to give an imaginary experience during the listening. The main themes are the transformation, the spiritual awakening and the political consciousness, the sublime and the worldly. To write it I've studied lot of different music formulas from all over the world (Afrobeat, Sufí music, Balinese gamelan, Colombian corrulao, merengue, Pygmies poliphonies, contemporary... etc.) with the aim to avoid a genre-oriented music but to reach a resume, something like a universal in music."
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AR 137LP
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LP version. Includes download card. Praised as heirs of Amazonic psychedelia and chicha traditions, as well as sound innovators, Peruvian band Bareto mix exciting versions of cumbia classics with their own, unique compositions, in concerts that should be promoted as dance parties. Bareto were performers at Womex 2016, have toured Europe and North America, including Roskilde Festival 2015 and Montreal Jazz Festival 2017, among others. Recorded just before the Covid pandemic between Lima and Bogotá, El Amor No Es Para Los Débiles is Bareto's second effort with Colombian producer Felipe Álvarez. The album marks the debut of singer Javier Arias in duets with some renown Peruvian figures such as creole diva Bartola and techno cumbia queen Rossy War. The album also features sonero and comedian Melcochita and a bunch of Colombian guests, including singer María del Rosario Cardona and percussionist Chongo. The first single is "Tu Recuerdo", a song that mixes cumbia with an Andean flavor. Both their last two records of original material, Ves Lo Quequieres Ver (You See What You Want To See, 2013) and Impredecible (Impredictable, 2015), have been nominated for the Latin Grammy Awards. Line-up: Rolo Gallardo -- guitar, background vocals; Pedro Rodríguez -- guitar; Jorge Giraldo -- bass, background vocals; Jorge Olazo -- percussion; Sergio Sarria -- drums; Raffo Carlos -- keys, background vocals; Javier Arias - lead vocals.
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CD
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AR 155CD
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Fresh Afro-soul music -- Ghana's highlife going by the heartbeat of '70s soul music. Jembaa Groove is a multicultural band founded in late 2020 by bass player and composer Yannick Nolting, and singer-percussionist Eric Owusu. Speaking the same musical language, they quickly realized the fruitful outcome of their musical encounter and decided to spend a couple of months composing their original music. Digging deep into both their backgrounds and musical identities, they came up with an organic result both like to label as Afro-soul. After seeking for the right companions for the upcoming journey and stumbling on a few of Berlin's finest musicians, they finally formed Jembaa Groove, a seven-piece band that combines fresh sounds from Berlin's underground music scene with traditional West-African sounds from Ghana and Mali, such as highlife, Adowa, and Wassoulou. Their aesthetic vision is inspired by soul music from the '60s and '70s and avoids overly-produced commercial arrangements while merging driving bass grooves and steady drum patterns with fresh horn lines and catchy melodies. Produced by Yannick Nolting. Composed and arranged by Yannick Nolting. Vocal arrangements and lyrics by Eric Owusu.
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AR 155LP
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$26.00
PREORDER
RELEASE DATE: 4/1/2022
LP version. Includes download card. Fresh Afro-soul music -- Ghana's highlife going by the heartbeat of '70s soul music. Jembaa Groove is a multicultural band founded in late 2020 by bass player and composer Yannick Nolting, and singer-percussionist Eric Owusu. Speaking the same musical language, they quickly realized the fruitful outcome of their musical encounter and decided to spend a couple of months composing their original music. Digging deep into both their backgrounds and musical identities, they came up with an organic result both like to label as Afro-soul. After seeking for the right companions for the upcoming journey and stumbling on a few of Berlin's finest musicians, they finally formed Jembaa Groove, a seven-piece band that combines fresh sounds from Berlin's underground music scene with traditional West-African sounds from Ghana and Mali, such as highlife, Adowa, and Wassoulou. Their aesthetic vision is inspired by soul music from the '60s and '70s and avoids overly-produced commercial arrangements while merging driving bass grooves and steady drum patterns with fresh horn lines and catchy melodies. Produced by Yannick Nolting. Composed and arranged by Yannick Nolting. Vocal arrangements and lyrics by Eric Owusu.
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AR 137CD
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Praised as heirs of Amazonic psychedelia and chicha traditions, as well as sound innovators, Peruvian band Bareto mix exciting versions of cumbia classics with their own, unique compositions, in concerts that should be promoted as dance parties. Bareto were performers at Womex 2016, have toured Europe and North America, including Roskilde Festival 2015 and Montreal Jazz Festival 2017, among others. Recorded just before the Covid pandemic between Lima and Bogotá, El Amor No Es Para Los Débiles is Bareto's second effort with Colombian producer Felipe Álvarez. The album marks the debut of singer Javier Arias in duets with some renown Peruvian figures such as creole diva Bartola and techno cumbia queen Rossy War. The album also features sonero and comedian Melcochita and a bunch of Colombian guests, including singer María del Rosario Cardona and percussionist Chongo. The first single is "Tu Recuerdo", a song that mixes cumbia with an Andean flavor. Both their last two records of original material, Ves Lo Quequieres Ver (You See What You Want To See, 2013) and Impredecible (Impredictable, 2015), have been nominated for the Latin Grammy Awards. Line-up: Rolo Gallardo -- guitar, background vocals; Pedro Rodríguez -- guitar; Jorge Giraldo -- bass, background vocals; Jorge Olazo -- percussion; Sergio Sarria -- drums; Raffo Carlos -- keys, background vocals; Javier Arias - lead vocals.
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LP
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AR 141LP
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$23.50
PREORDER
RELEASE DATE: 12/3/2021
RSN, producer, DJ and musician from Athens, Greece, delivers his fifth album named Motion and his second LP for Agogo Records. In this nine-track album (two instrumental songs and seven with vocals) RSN shows all of his music influences. From hip-hop to electronica and from blues to trip-hop. Thaliah, MC Yinka, Lefteris Samson, Irene, Quilombo and JB Nimble all feature on the record the cover is designed by Till Noon.
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2LP
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AR 145LP
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Double LP version. Gatefold sleeve. Not long after the release of Two Tribes Vol. 1 (AR 113CD/LP), Agogo Records realized that the journey had only just begun and lots of stories still had to be told. Motivated by lots of positive responses, the label soon put to work researching and compiling music for what would become Two Tribes Volume Two. Agogo Records put emphasis on expanding to other European regions as well as including different countries than on Vol. 1 and the label also wanted to give it a bit of a different musical twist. The result are 14 tracks covering what the label considers a broad and diverse spectrum but still clinging to our initial idea of building a musical bridge between the continents of Africa and Europe. The immense cultural diversity of both is represented by newcomers alongside more well-known names, both of which have a strong connection to the rich musical traditions of Africa. On board are African artists living in diaspora on equal footing with Europeans that incorporate their high affinity to the African continent into their music. Exciting outer-national collaborations round off the selection for Volume Two. Features tracks by Onipa (Strut Records), Karthala 72, David Nesselhauf (Kryptox Records), Wanubalé vs. Dr. Markuse, Lua Preta, Isilda Viegas, Alai K, Isaac and Octa Push, Guts, Jowee Omicil, The Kutimangoes, Dowdelin, Afrodyssey Orchestra, Rabii Harnoune & V.B. Kühl, Alma Negra, Andi Otto, and Kaleo Sansaa.
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AR 145CD
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Not long after the release of Two Tribes Vol. 1 (AR 113CD/LP), Agogo Records realized that the journey had only just begun and lots of stories still had to be told. Motivated by lots of positive responses, the label soon put to work researching and compiling music for what would become Two Tribes Volume Two. Agogo Records put emphasis on expanding to other European regions as well as including different countries than on Vol. 1 and the label also wanted to give it a bit of a different musical twist. The result are 14 tracks covering what the label considers a broad and diverse spectrum but still clinging to our initial idea of building a musical bridge between the continents of Africa and Europe. The immense cultural diversity of both is represented by newcomers alongside more well-known names, both of which have a strong connection to the rich musical traditions of Africa. On board are African artists living in diaspora on equal footing with Europeans that incorporate their high affinity to the African continent into their music. Exciting outer-national collaborations round off the selection for Volume Two. Features tracks by Onipa (Strut Records), Karthala 72, David Nesselhauf (Kryptox Records), Wanubalé vs. Dr. Markuse, Lua Preta, Isilda Viegas, Alai K, Isaac and Octa Push, Guts, Jowee Omicil, The Kutimangoes, Dowdelin, Afrodyssey Orchestra, Rabii Harnoune & V.B. Kühl, Alma Negra, Andi Otto, and Kaleo Sansaa.
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AR 143LP
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Double LP version. Gatefold sleeve. "For me, these special moments when we close our eyes and look inwards are intense experiences. Between sleep and wakefulness, such impressions inspire me to translate images from daydreams into music. Jazz and Funk, Arabic and Central Asian sounds and grooves, and above all, improvisation -- this is my musical language. Thank you to the wonderful musicians who have brought these compositions to life!" --Rolf Zielke, February 2021
The pianist Rolf Zielke has been a constant in the German Jazz scene for many years. The spectrum of his work, bands and projects is huge and he keeps surprising us with new ideas and concepts. On his new work Beaches In Your Soul he takes you on an exciting musical journey that should not be missed. Each piece on this album embodies its own story, sets a different basic mood and takes us to a different imaginary place. And yet everything interlocks wonderfully. From the first piece you can feel that Rolf Zielke and his band are interested in something. It goes on a spiritual excursion with an impressive variety of rhythms, a great wealth of instruments and an almost outrageously positive playing attitude. Despite all the virtuosity and joy of playing, nothing is "overplayed" here. The focus here is not on refinements, but rather on the unexcited search for the appropriate form of expression and the right timbre. Or to put it another way: It's more about sounds than notes. The unusual instrumentation alone results in many surprising moments. Based on a long-standing core band around percussionist Mustafa Boztüy, saxophonist Stephan Abel, and cellist Stephan Braun, Rolf Zielke has expanded his ensemble in a targeted manner. Particularly unusual in this context: the timpanist Friedhelm May, whose playing gives the piece "Welcome the Shaman". It is also striking that there is no bass player in this band. The cellist Stephan Braun takes on the bass part in most cases, but is also able to play grandiose improvised solos on the cello, which have so far only rarely been heard in this form in jazz. Particularly impressive in the second part of the opening piece "Awakening" or in the piece "Night Sea Journey", in which the cello engages in a gripping dialogue with Mohannad Nasser's oud.
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AR 143CD
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"For me, these special moments when we close our eyes and look inwards are intense experiences. Between sleep and wakefulness, such impressions inspire me to translate images from daydreams into music. Jazz and Funk, Arabic and Central Asian sounds and grooves, and above all, improvisation -- this is my musical language. Thank you to the wonderful musicians who have brought these compositions to life!" --Rolf Zielke, February 2021
The pianist Rolf Zielke has been a constant in the German Jazz scene for many years. The spectrum of his work, bands and projects is huge and he keeps surprising us with new ideas and concepts. On his new work Beaches In Your Soul he takes you on an exciting musical journey that should not be missed. Each piece on this album embodies its own story, sets a different basic mood and takes us to a different imaginary place. And yet everything interlocks wonderfully. From the first piece you can feel that Rolf Zielke and his band are interested in something. It goes on a spiritual excursion with an impressive variety of rhythms, a great wealth of instruments and an almost outrageously positive playing attitude. Despite all the virtuosity and joy of playing, nothing is "overplayed" here. The focus here is not on refinements, but rather on the unexcited search for the appropriate form of expression and the right timbre. Or to put it another way: It's more about sounds than notes. The unusual instrumentation alone results in many surprising moments. Based on a long-standing core band around percussionist Mustafa Boztüy, saxophonist Stephan Abel, and cellist Stephan Braun, Rolf Zielke has expanded his ensemble in a targeted manner. Particularly unusual in this context: the timpanist Friedhelm May, whose playing gives the piece "Welcome the Shaman". It is also striking that there is no bass player in this band. The cellist Stephan Braun takes on the bass part in most cases, but is also able to play grandiose improvised solos on the cello, which have so far only rarely been heard in this form in jazz. Particularly impressive in the second part of the opening piece "Awakening" or in the piece "Night Sea Journey", in which the cello engages in a gripping dialogue with Mohannad Nasser's oud.
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AR 135CD
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To Know Without Knowing, Mulatu Astatke & Black Jesus Experience's album, is their second together. A grooving transcontinental gem, recorded in Melbourne, Australia, and Addis Ababa, Ethiopia. Filled with the warmth of the mentorship and friendship of their creative partnership honed over a decade of performing together in Africa, Australia, and UK/Europe. Mulatu Astatke is the father of Ethio-jazz and one of Africa's most influential and enduring musical figures. Black Jesus Experience is a community of artists, centered around a twelve-piece global-funk-machine born of Australia's vibrant multiculturalism. Mulatu and Black Jesus Experience met in Addis Ababa in 2009, embarking on both a musical relationship and a friendship that has led Mulatu Astake to describe Black Jesus Experience as, "My favorite backing band" and, "...they're family." Mulatu's great contribution to music has been to combine Jazz and funk grooves with Ethiopia's distinctive pentatonic scales. His musical genius is the sensuality and sophistication with which Mulatu contrasts these minimalist scales with richly chromatic harmony. But Mulatu's equally great contribution has been to share both his enduringly unique modernity and Ethiopia's timelessly spiritual music with the world. Black Jesus Experience treasure the special relationship of generosity, mentorship and collaboration they have been privileged to share with this master musician. To Know Without Knowing is the product of this gift.
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AR 135LP
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2021 restock; LP version. To Know Without Knowing, Mulatu Astatke & Black Jesus Experience's album, is their second together. A grooving transcontinental gem, recorded in Melbourne, Australia, and Addis Ababa, Ethiopia. Filled with the warmth of the mentorship and friendship of their creative partnership honed over a decade of performing together in Africa, Australia, and UK/Europe. Mulatu Astatke is the father of Ethio-jazz and one of Africa's most influential and enduring musical figures. Black Jesus Experience is a community of artists, centered around a twelve-piece global-funk-machine born of Australia's vibrant multiculturalism. Mulatu and Black Jesus Experience met in Addis Ababa in 2009, embarking on both a musical relationship and a friendship that has led Mulatu Astake to describe Black Jesus Experience as, "My favorite backing band" and, "...they're family." Mulatu's great contribution to music has been to combine Jazz and funk grooves with Ethiopia's distinctive pentatonic scales. His musical genius is the sensuality and sophistication with which Mulatu contrasts these minimalist scales with richly chromatic harmony. But Mulatu's equally great contribution has been to share both his enduringly unique modernity and Ethiopia's timelessly spiritual music with the world. Black Jesus Experience treasure the special relationship of generosity, mentorship and collaboration they have been privileged to share with this master musician. To Know Without Knowing is the product of this gift.
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AR 127CD
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Debut album by prize-winning recording artist, composer, and arranger Natalie Greffel out of Berlin. Natalie was born in post-colonial Mozambique and raised in Denmark from infancy. After moving to Berlin in 2010 to attend a music conservatory, and while engaged in various projects -- Radio Citizen, Karl Hector & The Malcouns, Onom Agemo & The Disco Jumpers -- that exercised her stylistic flexibility. She was introduced to the pianist of Brazilian star Ed Motta; he encouraged her to record a demo. Inspired anew by the harmonic structures of Antonio Carlos Jobim, Hermeto Pascoal, Noel Rosa, Nelson Cavaquinho, Milton Nascimento, Elza Soares, Elis Regina, Gilberto Gil, and Chico Buarque, architects of Brazilian music, Natalie began to interpret these blueprints in her own unique lexicon.
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AR 127LP
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LP version. Debut album by prize-winning recording artist, composer, and arranger Natalie Greffel out of Berlin. Natalie was born in post-colonial Mozambique and raised in Denmark from infancy. After moving to Berlin in 2010 to attend a music conservatory, and while engaged in various projects -- Radio Citizen, Karl Hector & The Malcouns, Onom Agemo & The Disco Jumpers -- that exercised her stylistic flexibility. She was introduced to the pianist of Brazilian star Ed Motta; he encouraged her to record a demo. Inspired anew by the harmonic structures of Antonio Carlos Jobim, Hermeto Pascoal, Noel Rosa, Nelson Cavaquinho, Milton Nascimento, Elza Soares, Elis Regina, Gilberto Gil, and Chico Buarque, architects of Brazilian music, Natalie began to interpret these blueprints in her own unique lexicon.
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AR 029LP
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2013 release. Anyone familiar with Mop Mop will already know that their refined style has already lend them a unique place somewhere between the worlds of jazz, funk, Latin, and the Italian postmodern style allowed the band to achieve the International film business as part of Woody Allen's To Rome With Love (2013) movie soundtrack. But with this latest LP, Isle Of Magic, Mop Mop digs even deeper to bring us one of their most engaging and organic records yet. Mop Mop's fourth studio album has come together over the course of a couple of years where producer Andrea Benini has been searching for new directions with the band. Collaborations in the album include funk legend Fred Wesley, Trinidad-born poet/singer Anthony Joseph, and Finnish-Egyptian vocalist Sara Sayed. Over fifteen musicians were involved during the production of the album including Andrea Benini's co-arranger Alex Trebo on piano, Pasquale Mirra on vibraphone and marimba, Guglielmo Pagnozzi on clarinet and flute, Johannes Schleiermacher (Bajka, Radio Citizen, Woima Collective) on baritone sax, Lorenzo Ternelli and Salvatore Lauriola on bass, and Danilo Mineo on percussions, just to name a few. Isle Of Magic contains 13 tracks of pure Voodoo jazz, Caribbean flavors, Afro-funk, exotic rhythms, and soul music. The album has been recorded between Germany and Italy with the use of vintage analog equipment to achieve a sound with all the "warm" qualities of vintage analog tape recordings; sessions have been recorded during the period March/August 2011. Isle Of Magic is an imaginary land populated by musicians who spend their time fishing, cooking, playing, and practicing Voodoo rites at night. The whole album represents the soundtrack of this imaginary life. 180 gram vinyl; includes download code.
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AR 131CD
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Gyedu-Blay Ambolley was born on the 11th Street in Sekondi, Ghana 72 years ago. On the cover photo, on the right side, is the house of his birth, which was also his parental home. The Ghanaian legend's latest release 11th Street, Sekondi shows off a pride in his heritage, and his honed talent for mixing highlife with other genres like rap, Afro-funk and disco Ghanaian highlife. 11th Street, Sekondi is his 31st album since his debut in 1973. The charismatic stage personality, no stranger to mixing humor into his music and who has performed alongside Afrobeat legend Fela Kuti and highlife bandleader Ebo Taylor, has been a record collector's staple since his appearance on the seminal Ghana Soundz (SNDW 001LP, 2002), which re-introduced the world to his trademark Simigwa style. Highlife, which started in Sierra Leone and Liberia, took hold in Ghana in the 1940s as a coming together of the musicians fed up with the foxtrot and quickstep parties originally hosted by English colonists. It began with big band horns and happy lyrics, popularized by artists such as E.T. Mensah, before opening up in the '50s and '60s with a wave of guitar-driven, socially conscious and more danceable Afro-funk hits -- a product of the easy movement of people between Nigeria and Ghana. It was then that Ambolley's trademark baritone vocals burst onto the scene, under the tutelage of close personal friend Taylor. Ambolley's latest album, named after the area of West Ghana in which he grew up, is a look back at the area and musical styles that shaped the musician's life. "Black Woman" is a funky number that opens the album with Ambolley on a tenor sax solo, while tracks like "Little Small Girl" showcase his renowned James Brown-influenced vocal flourishes. Soul, jazz, blues, and comedy are present -- in keeping with his fervent belief that music must always be entertaining for the listener. The album is the second of his to be released German label Agogo records, after the acclaimed Ketan (2017). It also stays true to highlife's social ambitions, with reflections on the misguided pursuit of European ideals ahead of African values. Ambolley's career has been filled with accolades, including a Lifetime Achievement Award from the Charles R Drew University in Los Angeles, and formal recognition from the Ghanaian Embassy in Washington DC for producing the first ever commercially recorded rap album.
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AR 131LP
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2LP version. Gyedu-Blay Ambolley was born on the 11th Street in Sekondi, Ghana 72 years ago. On the cover photo, on the right side, is the house of his birth, which was also his parental home. The Ghanaian legend's latest release 11th Street, Sekondi shows off a pride in his heritage, and his honed talent for mixing highlife with other genres like rap, Afro-funk and disco Ghanaian highlife. 11th Street, Sekondi is his 31st album since his debut in 1973. The charismatic stage personality, no stranger to mixing humor into his music and who has performed alongside Afrobeat legend Fela Kuti and highlife bandleader Ebo Taylor, has been a record collector's staple since his appearance on the seminal Ghana Soundz (SNDW 001LP, 2002), which re-introduced the world to his trademark Simigwa style. Highlife, which started in Sierra Leone and Liberia, took hold in Ghana in the 1940s as a coming together of the musicians fed up with the foxtrot and quickstep parties originally hosted by English colonists. It began with big band horns and happy lyrics, popularized by artists such as E.T. Mensah, before opening up in the '50s and '60s with a wave of guitar-driven, socially conscious and more danceable Afro-funk hits -- a product of the easy movement of people between Nigeria and Ghana. It was then that Ambolley's trademark baritone vocals burst onto the scene, under the tutelage of close personal friend Taylor. Ambolley's latest album, named after the area of West Ghana in which he grew up, is a look back at the area and musical styles that shaped the musician's life. "Black Woman" is a funky number that opens the album with Ambolley on a tenor sax solo, while tracks like "Little Small Girl" showcase his renowned James Brown-influenced vocal flourishes. Soul, jazz, blues, and comedy are present -- in keeping with his fervent belief that music must always be entertaining for the listener. The album is the second of his to be released German label Agogo records, after the acclaimed Ketan (2017). It also stays true to highlife's social ambitions, with reflections on the misguided pursuit of European ideals ahead of African values. Ambolley's career has been filled with accolades, including a Lifetime Achievement Award from the Charles R Drew University in Los Angeles, and formal recognition from the Ghanaian Embassy in Washington DC for producing the first ever commercially recorded rap album.
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AR 119LP
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DJ Oonops presents Volume 2 of his extensive compilation covering genres from dub, jazz, funk, soul to beats and hip-hop, featuring pretty well-known artists as well as zooming newcomers. He spent more than one year to select artists from around the globe who reflect the sounds of his "Oonops Drops" broadcast on Brooklyn Radio (NYC). Be that jazzy beats or virtuoso live jazz drums, keys, and guitars from Japan by Kazumi Kaneda, RF, and 45, aka Swing-O, a first-time-on-vinyl dub remix by Great Britain's Coldcut or a brass cover version of Rihanna's "Stay" by Sly5thAve out of the US. Most of the tracks are exclusives or first time available on vinyl for this compilation, like the song "Measly Peace" by Magic In Trees out of Nashville, German beatmaker Twit One with an ill Jazz instrumental or London based rapper and singer Amy Tru featuring Nubya Garcia. Also you're gonna hear a unique and rump-shaking cover version of Blackstreet's "No Diggity" by T Bird & The Breaks, John Turell's powerful voice over some heavy beats by Soopasoul, Kinny with a catchy tune, Igor Zhukovsky from The Soul Surfers & MRR Drumetrics with an exclusive, pumping psychedelic drum track and Schemes from Montreal who take all the credits at the moment from the web by Vice, Okayplayer, Music Is My Sanctuary and many more. For the artwork, Oonops collaborated once again with San Francisco based artist Lindsey Kustusch who mirrored the atmosphere of New York City on point with her oil painted artwork. Be sure to get your hands on this limited peace of work before it's gone like Volume 1. Also features Ce'Cile & Toddla T, Manasseh, Bird Moves, Amy True, and Nubya Garcia. Gatefold sleeve.
Beside his vinyl-only show on Brooklyn Radio, Oonops is spinning banging club sets to relaxed mixtures for vernissages, museums, or theaters. And furthermore, he works as a product designer and he's listed in the top 50 of Germany's best table tennis players and focuses all his skills in an event which will bring all this together.
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AR 129LP
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Double LP version. Gatefold sleeve. Wanubalé -- nine guys from Berlin, inspired by the city's fresh jazz scene and distinct club culture. Wanubalé met at school. Five of the nine in the band went to the same musical high school in Berlin. Heavy influences from jazz, neo soul, and funk shape their compositions. However, electronic sounds are just as important to Wanubalé. All of the nine are in their early twenties. All of them are into dub, bass music, and broken beats. And several members are DJs, as well. The Wanubalés are first-rate musicians. They tend to take their time writing arrangements, yet they are careful not to overly emphasize their jazz skills. Songwriting is a collaborative affair; everything is developed organically. Just like the band name, which dates back to the days of fooling around in the schoolyard, playing with syllables ("nuba" came first). Sound was crucial. Some say "Wanubalé" means "brother" in Swahili. Wanubalé: four horns, two drummers, guitar, bass, keyboards. Nine musicians with a knack for funky breaks, mighty brass sounds, and great melodies. The musicians don't hide their influences: Snarky Puppy, Fat Freddy's Drop, plus younger acts like Hiatus Kaiyote. But Wanubalé do their own thing. Wanubalé: four horns, two drummers, guitar, bass, keyboards. Nine musicians with a knack for funky breaks, mighty brass sounds and great melodies. All songs are written, produced, and arranged by Wanubalé. Recorded at Jazzanova Studio, Berlin.
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AR 129CD
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Wanubalé -- nine guys from Berlin, inspired by the city's fresh jazz scene and distinct club culture. Wanubalé met at school. Five of the nine in the band went to the same musical high school in Berlin. Heavy influences from jazz, neo soul, and funk shape their compositions. However, electronic sounds are just as important to Wanubalé. All of the nine are in their early twenties. All of them are into dub, bass music, and broken beats. And several members are DJs, as well. The Wanubalés are first-rate musicians. They tend to take their time writing arrangements, yet they are careful not to overly emphasize their jazz skills. Songwriting is a collaborative affair; everything is developed organically. Just like the band name, which dates back to the days of fooling around in the schoolyard, playing with syllables ("nuba" came first). Sound was crucial. Some say "Wanubalé" means "brother" in Swahili. Wanubalé: four horns, two drummers, guitar, bass, keyboards. Nine musicians with a knack for funky breaks, mighty brass sounds, and great melodies. The musicians don't hide their influences: Snarky Puppy, Fat Freddy's Drop, plus younger acts like Hiatus Kaiyote. But Wanubalé do their own thing. Wanubalé: four horns, two drummers, guitar, bass, keyboards. Nine musicians with a knack for funky breaks, mighty brass sounds and great melodies. All songs are written, produced, and arranged by Wanubalé. Recorded at Jazzanova Studio, Berlin.
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AR 123CD
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The Hoodna Orchestra is a 12-member orchestra who studies and investigates the African origins of western popular music; Ofel is their second album. The Orchestra was formed in 2012, in the south side of Tel Aviv, by a group of musicians, and it functions as a collective and a record label. Hoodna's musical director is the guitarist and composer Ilan Smilan. The cultural and musical environment that surrounds the group has a great effect on its creative process. Exposure to Ethiopian, Eritrean and Arabic musical traditions, coupled with an ongoing study and exploration of different jazz styles, creates a unique blend which has made The Hoodna Orchestra one of the most appreciated and sought-after live shows in Israel. Personnel: Elad Gelert - baritone saxophone; Rom Shani - alto saxophone; Eylon Tushiner - tenor saxophone; Uri Selinger - trombone; Asaf Oseasohn - trumpet; Sefi Zisling - trumpet; Arthur Krasnobaev - trumpet; Tomer Zuk - keyboards; Amir Sadot - bass guitar; Ilan Smilan - electric guitar; Matan Asayag - drums; Rani Birenbaum - percussion; Shahar Ber - percussion; Raz Eytan - percussion.
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AR 121CD
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Were David Hanke to pass on from this mortal coil tomorrow, Nevertheless might prove his perfect epitaph. It's a refreshingly honest and autobiographical album that harks back to his early twenty first century musical influences but actually has its route much earlier in this self-styled "Renegade Of Jazz"'s life. The album's appellation refers back to Hanke's first live concert experience when in 1984, at the age of six, he went to see a blues-rock band called Nevertheless whose guitarist was none other than his own father. With music clearly already running through Hanke's DNA, this was the moment that, perhaps subconsciously, triggered his life-long love affair with soulful sonic creativity. Nevertheless sparks into action with the irresistibly uplifting "Lemon Squeezers," a suitably life-affirming opener complete with exhilarating guitars and as the man tells us, "(the) basic characteristic, the beat!" and it's a rock-solid beat at that. With some Renegades Of Jazz trademark horns added for extra spice, and of course everything programmed by Hanke himself, this is the perfect introduction to his scintillating style. "Big Fish" continues the brass obsession -- it has a more sonorous, almost big band feel, even though it is being delivered solely by one pair of hands and that singular, special musical brain. Hanke adds some nifty piano work for extra cheekiness, a theme continued on "Another Day (Going In Too Deep)," where Hammond-style keys and perfectly chosen vocal samples do battle with more foot-friendly beats, before going deep with Afro-flavored licks and horn riffs. The title track starts life as something of a moment of calm with a more introspective feel, but not for long as it makes way for more trademark beats and vocal loops, and more of those irresistible horns! It's the prelude for a watershed moment on the album as Hanke introduces his first guest in the shape of Bristolian rapper Donnie Numeric (one half of Delegates Of Rhyme) on the scorching "Hot Wired." It's the perfect illustration of our producer's love for the hip-hop art form, and Donnie's smooth lyrical flow combines with those Renegades Of Jazz brass and guitar riffs to make more demands to move one's feet. CD version in digipak.
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2LP
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AR 121LP
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Double LP version. Gatefold sleeve. Were David Hanke to pass on from this mortal coil tomorrow, Nevertheless might prove his perfect epitaph. It's a refreshingly honest and autobiographical album that harks back to his early twenty first century musical influences but actually has its route much earlier in this self-styled "Renegade Of Jazz"'s life. The album's appellation refers back to Hanke's first live concert experience when in 1984, at the age of six, he went to see a blues-rock band called Nevertheless whose guitarist was none other than his own father. With music clearly already running through Hanke's DNA, this was the moment that, perhaps subconsciously, triggered his life-long love affair with soulful sonic creativity. Nevertheless sparks into action with the irresistibly uplifting "Lemon Squeezers," a suitably life-affirming opener complete with exhilarating guitars and as the man tells us, "(the) basic characteristic, the beat!" and it's a rock-solid beat at that. With some Renegades Of Jazz trademark horns added for extra spice, and of course everything programmed by Hanke himself, this is the perfect introduction to his scintillating style. "Big Fish" continues the brass obsession -- it has a more sonorous, almost big band feel, even though it is being delivered solely by one pair of hands and that singular, special musical brain. Hanke adds some nifty piano work for extra cheekiness, a theme continued on "Another Day (Going In Too Deep)," where Hammond-style keys and perfectly chosen vocal samples do battle with more foot-friendly beats, before going deep with Afro-flavored licks and horn riffs. The title track starts life as something of a moment of calm with a more introspective feel, but not for long as it makes way for more trademark beats and vocal loops, and more of those irresistible horns! It's the prelude for a watershed moment on the album as Hanke introduces his first guest in the shape of Bristolian rapper Donnie Numeric (one half of Delegates Of Rhyme) on the scorching "Hot Wired." It's the perfect illustration of our producer's love for the hip-hop art form, and Donnie's smooth lyrical flow combines with those Renegades Of Jazz brass and guitar riffs to make more demands to move one's feet.
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2LP
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AR 117LP
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Double LP version. Now, in the twentieth year of their existence, there cannot be a better title for the new album by Mo'Horizons, Music Sun Love. Let it be Latin, soul reggae, cumbia, samba or music from the Balkans, Mo'Horizons are cultural travelers and feel at home where music is alive. Over the years the duo toured the world. For Music Sun Love they re-reconnected with a lot of the musicians they met on their ongoing journey. The albums kicks off with "Wagabunga Dance", a collaboration with Stoyan Royanov from Bulgaria. The multi-instrumental talent is a member of the Mo'Horizons Soundsystem. "Rhythm Is A Dancer" was recorded in Columbia with local musicians and you may have guessed it by now, it is Mo'Horizons' interpretation of the Eurodance classic by Snap!, adding even more rhythm, fire, and emotion to turn it into a Cumbia burner. Mo'Horizons move on with "Mo Space" and "Hang Loose", recorded together with hangdrum virtuoso Patrik from the Czech Republic. The first single "You Gotta Know It" is one these Mo'Horizons sure shots, an irresistibly driving rhythm with a catchy chorus sung by Noam Bar from Israel. Which brings in Mr. Morski from Bulgaria, another global mover. "Little Mouse" is his kind of theme tune, recorded with a lot of charm and even more fun. "La Vida Es Solo Hoy" adds Ivan Camelo from Columbia to the impressive line-up. He played with Mo'Horizons for the first time in 2017 rocking the Gran Baba, the Horizons' favorite Chiringuito hang-out in Spain, with his unique vocal stylings. "Ella Dice" takes Music Sun Love back home, re-uniting the team with Nené Vasquez from Venezuela who adds a vibrant live feeling to the track. The list of international guests is endless. "Gypsy Ghetto Feel" gets a groovy boost by percussionist Elvis Aljus, aka Gypsy Brown, who is an integral member of Australian funk favorites The Bamboos' rhythm section and often joins Mo'Horizons when they tour down under. Noam Bar returns for the vocal part, adding a cross cultural soul feeling to this Israeli-Australian groove venture. "Inner Melody" closes Music Sun Love in style. It is an unreleased Mo'Horizons remix of the reggae original by Greek DJ colleague Palov turned into a very '60s sounding club track. Also features Connección Bogotá and Tricky Pantrick.
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CD
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AR 117CD
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Now, in the twentieth year of their existence, there cannot be a better title for the new album by Mo'Horizons, Music Sun Love. Let it be Latin, soul reggae, cumbia, samba or music from the Balkans, Mo'Horizons are cultural travelers and feel at home where music is alive. Over the years the duo toured the world. For Music Sun Love they re-reconnected with a lot of the musicians they met on their ongoing journey. The albums kicks off with "Wagabunga Dance", a collaboration with Stoyan Royanov from Bulgaria. The multi-instrumental talent is a member of the Mo'Horizons Soundsystem. "Rhythm Is A Dancer" was recorded in Columbia with local musicians and you may have guessed it by now, it is Mo'Horizons' interpretation of the Eurodance classic by Snap!, adding even more rhythm, fire, and emotion to turn it into a Cumbia burner. Mo'Horizons move on with "Mo Space" and "Hang Loose", recorded together with hangdrum virtuoso Patrik from the Czech Republic. The first single "You Gotta Know It" is one these Mo'Horizons sure shots, an irresistibly driving rhythm with a catchy chorus sung by Noam Bar from Israel. Which brings in Mr. Morski from Bulgaria, another global mover. "Little Mouse" is his kind of theme tune, recorded with a lot of charm and even more fun. "La Vida Es Solo Hoy" adds Ivan Camelo from Columbia to the impressive line-up. He played with Mo'Horizons for the first time in 2017 rocking the Gran Baba, the Horizons' favorite Chiringuito hang-out in Spain, with his unique vocal stylings. "Ella Dice" takes Music Sun Love back home, re-uniting the team with Nené Vasquez from Venezuela who adds a vibrant live feeling to the track. The list of international guests is endless. "Gypsy Ghetto Feel" gets a groovy boost by percussionist Elvis Aljus, aka Gypsy Brown, who is an integral member of Australian funk favorites The Bamboos' rhythm section and often joins Mo'Horizons when they tour down under. Noam Bar returns for the vocal part, adding a cross cultural soul feeling to this Israeli-Australian groove venture. "Inner Melody" closes Music Sun Love in style. It is an unreleased Mo'Horizons remix of the reggae original by Greek DJ colleague Palov turned into a very '60s sounding club track. Also features Connección Bogotá and Tricky Pantrick.
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