Jazzman Records has been in business as a reissue label since 1998, immediately stepping into the niche market of re-releasing rare, obscure and esoteric jazz, soul and funk music on LP, CD and 45. A worldwide network of knowledgeable and enthusiastic collectors, dealers and researchers makes Jazzman well positioned to create lovingly crafted reissues, but it isn't the extensive, original notes nor the exhaustive attention to detail that makes Jazzman popular -- it's a true love of music, a reputation of 'doing things right' and damn good taste that makes Jazzman releases not only highly valued, but regarded as collector's items in their own right.
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LP
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JMAN 132LP
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$26.00
PREORDER
RELEASE DATE: 10/28/2022
LP version. Includes download card. Welsh harpist Amanda Whiting returns on Jazzman Records following on from her successful debut album After Dark (JMAN 125CD/LP, 2021). New explorations and global changing events have led Whiting to Lost in Abstraction. The Reynolds/Thorne/Whiting trio is joined again by the mesmerizing lines of flautist Chip Wickham, resuming their conversation reminiscent of Dorothy Ashby and Frank Wess. Lost in Abstraction was written during a period of the unknown when Whiting, like most, explored her own sense of self. The world paused, with no timeframe, and the fragility of life was laid bare. A time when humanity was left searching for purpose. Freedom and the dependable structures of familiarity were dissolved in most aspects of life. But music stayed constant. Creativity kept weaving its thread, connecting music and its makers in an indissoluble bond. The album explores the questions and realizations whilst confined. The spiritual findings, the playful curiousness and the reflective moments of loss. Whiting's writing indulges the listener with the spiritual ethereal washes of sound demanded of the harp, whilst also embracing her influences across many genres. Classically trained, her roots are evident. But with an emotionally charged energy and spiritual questioning, a new soundscape of modernity has emerged. So often associated with Ashby and Coltrane, the harp finds itself in the hands of a new voice which tells the story of a period of time where the world was unified in reflection. So, what is that feeling when you resonate? When your breath steadies and you let go. Lines no longer restrict or choke. Energies envelop, yet set you free. Are you lost or found? Personnel: Amanda Whiting - harp; Chip Wickham - flute; Aidan Thorne - bass; Jon Reynolds - drums; Baldo Verdú - percussion.
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CD
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JMAN 132CD
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$14.50
PREORDER
RELEASE DATE: 6/24/2022
Welsh harpist Amanda Whiting returns on Jazzman Records following on from her successful debut album After Dark (JMAN 125CD/LP, 2021). New explorations and global changing events have led Whiting to Lost in Abstraction. The Reynolds/Thorne/Whiting trio is joined again by the mesmerizing lines of flautist Chip Wickham, resuming their conversation reminiscent of Dorothy Ashby and Frank Wess. Lost in Abstraction was written during a period of the unknown when Whiting, like most, explored her own sense of self. The world paused, with no timeframe, and the fragility of life was laid bare. A time when humanity was left searching for purpose. Freedom and the dependable structures of familiarity were dissolved in most aspects of life. But music stayed constant. Creativity kept weaving its thread, connecting music and its makers in an indissoluble bond. The album explores the questions and realizations whilst confined. The spiritual findings, the playful curiousness and the reflective moments of loss. Whiting's writing indulges the listener with the spiritual ethereal washes of sound demanded of the harp, whilst also embracing her influences across many genres. Classically trained, her roots are evident. But with an emotionally charged energy and spiritual questioning, a new soundscape of modernity has emerged. So often associated with Ashby and Coltrane, the harp finds itself in the hands of a new voice which tells the story of a period of time where the world was unified in reflection. So, what is that feeling when you resonate? When your breath steadies and you let go. Lines no longer restrict or choke. Energies envelop, yet set you free. Are you lost or found? Personnel: Amanda Whiting - harp; Chip Wickham - flute; Aidan Thorne - bass; Jon Reynolds - drums; Baldo Verdú - percussion.
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LP
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JMAN 131LP
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$26.00
PREORDER
RELEASE DATE: 6/17/2022
LP version. Tip on sleeve; printed inner with liners and pictures; includes download card. Jazzman have already given legitimate release to albums that fell foul of the notorious '70s "tax scam" practice, namely those by Sounds of the City Experience and Ricardo Marrero. It now gives the label great satisfaction to present Reality's Disco Party album, for the very first time in agreement with the surviving members of the band. Possibly the most obscure of all the obscurities in the TSG catalog, Disco Party isn't actually "disco" at all, moreover it's a fully rounded excursion into mid-70s dancefloor funk and proto-disco-jazz, performed by a group of expert musicians at the height of their powers. Recorded in one long session in NYC, until now, bandleader Dr. Otto Gomez and the rest of his crew had never even heard the recordings they'd made almost 50 years ago. Indeed, none of the band even knew that their album had been released. At Jazzman, the label considers it their mission to shine new light on music that went under-appreciated at the time of its original release. There are many varied circumstances which can cause an otherwise great record to not do so well -- for instance, poor budget, marketing, promo and sometimes just plain old bad luck. Perhaps the most unjust circumstance involves the tax loss releases of the mid-70s -- records made purely to cheat a few dollars out of the tax man. Here, along with restoring the music, the label have dug deep into the backstory of the group, interviewing Gomez and others to find out exactly who this unheralded NYC funk orchestra were and what happened to them before and after the monumental session laid out on this record. Jazzman Records' liner notes tell the story of the TSG label and the "tax loss" phenomenon, and they delve into the history of the band from their humble beginnings as the Smokin' Shades of Black to the present day. Jazzman also find out exactly what it means to record some brilliant music -- only to have it taken away -- and discarded.
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CD
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JMAN 131CD
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$14.50
PREORDER
RELEASE DATE: 6/17/2022
Jazzman have already given legitimate release to albums that fell foul of the notorious '70s "tax scam" practice, namely those by Sounds of the City Experience and Ricardo Marrero. It now gives the label great satisfaction to present Reality's Disco Party album, for the very first time in agreement with the surviving members of the band. Possibly the most obscure of all the obscurities in the TSG catalog, Disco Party isn't actually "disco" at all, moreover it's a fully rounded excursion into mid-70s dancefloor funk and proto-disco-jazz, performed by a group of expert musicians at the height of their powers. Recorded in one long session in NYC, until now, bandleader Dr. Otto Gomez and the rest of his crew had never even heard the recordings they'd made almost 50 years ago. Indeed, none of the band even knew that their album had been released. At Jazzman, the label considers it their mission to shine new light on music that went under-appreciated at the time of its original release. There are many varied circumstances which can cause an otherwise great record to not do so well -- for instance, poor budget, marketing, promo and sometimes just plain old bad luck. Perhaps the most unjust circumstance involves the tax loss releases of the mid-70s -- records made purely to cheat a few dollars out of the tax man. Here, along with restoring the music, the label have dug deep into the backstory of the group, interviewing Gomez and others to find out exactly who this unheralded NYC funk orchestra were and what happened to them before and after the monumental session laid out on this record. Jazzman Records' liner notes tell the story of the TSG label and the "tax loss" phenomenon, and they delve into the history of the band from their humble beginnings as the Smokin' Shades of Black to the present day. Jazzman also find out exactly what it means to record some brilliant music -- only to have it taken away -- and discarded. CD version includes eight-page color booklet.
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10"
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JMAN 124LP
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From Wales, the home of the harp, Amanda Whiting has taken her classical roots and forged them in the path of jazz harpist Dorothy Ashby. She has toured extensively with Matthew Halsall and the Gondwana Orchestra performing at jazz festivals around the world. More recent collaborations have included recording with DJ Yoda and Chip Wickham and touring Wickham's latest album including appearances at Ronnie Scotts and Le Petit Halle, Paris. Whiting's first album was recorded as a trio for CD in 2013, and pays tribute to Coltrane and Ashby with her own take on standards. She's joined by Deej Williams (bass) and Tony Robinson (drums). Here, Jazzman Records have taken a selection of tracks for inclusion on vinyl. Housed in a beautiful bespoke flip-back sleeve; edition of 500.
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CD
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JMAN 100CD
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Jazzman Records present a reissue of Ron Everett's Glitter of the City, originally released in 1977. As private pressings go, Ron Everett's Glitter of the City is certainly one of the most obscure, controversial and mysterious of them all. Until now, the name Ron Everett has been practically unheard of outside his native Philadelphia, and only devoted funk and jazz enthusiasts have been aware of his album, originals of which are owned by literally just a handful of collectors scattered across the world. But with the help of noted local music buff Dave "Philly Dave" Louis, Jazzman Records has spent the past few years unearthing an incredible and unlikely story of selflessness, determination and tragedy. With its plain sleeve and homemade ethic, the Glitter of the City wasn't sold in stores upon release, nor did it have any kind of distribution. Yet it comprises of funky jams, sweet jazzy soul and all manner of funk and blues infused jazz -- a shimmering celebration of Philadelphia and its vibrant musical community. Jazzman's efforts have resulted in an official release complete with liner notes and photographs which tell the story of Ron Everett and his life in music. The label's research also yielded the master tape of an as-yet unreleased album, of which we have taken three tracks and added them to the record. Number 30 of the celebrated Jazzman Holy Grail Series. CD with booklet, includes three previously unreleased bonus tracks.
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LP
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JMAN 100LP
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LP version. 180 gram vinyl in tip-on sleeve; includes printed inner sleeve and download code with three previously unreleased bonus tracks. Jazzman Records present a reissue of Ron Everett's Glitter of the City, originally released in 1977. As private pressings go, Ron Everett's Glitter of the City is certainly one of the most obscure, controversial and mysterious of them all. Until now, the name Ron Everett has been practically unheard of outside his native Philadelphia, and only devoted funk and jazz enthusiasts have been aware of his album, originals of which are owned by literally just a handful of collectors scattered across the world. But with the help of noted local music buff Dave "Philly Dave" Louis, Jazzman Records has spent the past few years unearthing an incredible and unlikely story of selflessness, determination and tragedy. With its plain sleeve and homemade ethic, the Glitter of the City wasn't sold in stores upon release, nor did it have any kind of distribution. Yet it comprises of funky jams, sweet jazzy soul and all manner of funk and blues infused jazz -- a shimmering celebration of Philadelphia and its vibrant musical community. Jazzman's efforts have resulted in an official release complete with liner notes and photographs which tell the story of Ron Everett and his life in music. The label's research also yielded the master tape of an as-yet unreleased album, of which we have taken three tracks and added them to the record. Number 30 of the celebrated Jazzman Holy Grail Series.
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LP
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JMAN 125LP
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LP version. 180 gram vinyl; tip-on sleeve. Taking cues from Dorothy Ashby and Alice Coltrane at their most delicate, renowned Welsh harpist Amanda Whiting's mesmerizing Jazzman full-length After Dark arrives as soft as moonlight to gladden the soul and delight the ear -- without forgetting to bring the swing. Summoning the nocturnal mood suggested by the album's title, Whiting's harp flows and cascades, dances and alights, broods and haunts, informed by a deep understanding of both classical and jazz music, ultimately revealing a top-drawer composer with rare melodic gifts at the top of her game. From the melancholy opening track "Time Stands Still" to the more rhythmically unorthodox "Who Knows" to the achingly beautiful title track, the album is underpinned by a supportive band, John Reynolds on drums and Aidan Thorne on bass, who are perfectly suited to engage in an effortless, intimate musical dialogue. Already an inveterate international jazz festival performer with Matthew Halsall's Gondwana Orchestra, Whiting has supported and performed with a diverse range of DJs and jazz and pop artists including Jamie Cullum, DJ Yoda, Rebecca Vasmant, True Jazzchild, Danii Minogue, Jazzanova, and Chip Wickham (who features on three tracks on After Dark, adding a touch of the graceful warmth for which he has been so justly acclaimed). And as jazz harp teacher at the Royal Welsh College of Music and Drama, the Royal Birmingham Conservatoire, and RNCM, Amanda is as warmly received in the lecture hall as the concert hall. Be sure to expect more from Amanda in the not-too distant future.
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CD
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JMAN 125CD
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Taking cues from Dorothy Ashby and Alice Coltrane at their most delicate, renowned Welsh harpist Amanda Whiting's mesmerizing Jazzman full-length After Dark arrives as soft as moonlight to gladden the soul and delight the ear -- without forgetting to bring the swing. Summoning the nocturnal mood suggested by the album's title, Whiting's harp flows and cascades, dances and alights, broods and haunts, informed by a deep understanding of both classical and jazz music, ultimately revealing a top-drawer composer with rare melodic gifts at the top of her game. From the melancholy opening track "Time Stands Still" to the more rhythmically unorthodox "Who Knows" to the achingly beautiful title track, the album is underpinned by a supportive band, John Reynolds on drums and Aidan Thorne on bass, who are perfectly suited to engage in an effortless, intimate musical dialogue. Already an inveterate international jazz festival performer with Matthew Halsall's Gondwana Orchestra, Whiting has supported and performed with a diverse range of DJs and jazz and pop artists including Jamie Cullum, DJ Yoda, Rebecca Vasmant, True Jazzchild, Danii Minogue, Jazzanova, and Chip Wickham (who features on three tracks on After Dark, adding a touch of the graceful warmth for which he has been so justly acclaimed). And as jazz harp teacher at the Royal Welsh College of Music and Drama, the Royal Birmingham Conservatoire, and RNCM, Amanda is as warmly received in the lecture hall as the concert hall. Be sure to expect more from Amanda in the not-too distant future.
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LP
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JMAN 041X-LP
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Recorded in Sweden, Dark is the Sun is a concept album based on themes and variations by British pianist/composer/arranger Greg Foat, who has created an intriguing blend of non-contemporary jazz sounds with classic scoring techniques. An exotic array of unorthodox instrumentation was utilized, including harpsichord, tubular bells and a 15-piece choir. With musical reference and influence from such luminaries as Bruno Nicolai, Michel Legrand, and Serge Gainsbourg as well as a firm nod towards UK jazzmen Michael Garrick, Keith Mansfield, and Alan Hawkshaw, the result is highly-listenable, enduring and fulfilling for those who like real music played with real instruments. Special 10th anniversary edition comes in tip-on gatefold sleeve with cover art in bronze, including archive pics & new liners. 180 gram vinyl; includes download card.
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CD
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JMAN 126CD
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Modern sounds for the 21st century featuring modal, progressive and esoteric contemporary jazz from the UK, Spain, Netherlands, Finland, USA, Belgium, Canada, South Africa, Sweden, Germany, and Italy. The first 12 volumes of Jazzman Records' hugely popular Spiritual Jazz series have unearthed a wealth of historic recordings in the genre, collating a variety of works from the '50s to the '80s by artists from all around the world. And so, with Volume 13, the label turn their attention to what's happening NOW. Over the course of 24 tracks and spanning two sets, Jazzman Records present an overview of the contemporary exponents of spiritual jazz; musicians who are intent on bringing something personal to the table, as much as they recognize the importance of those who have paved the way for them. We feature music recorded within the past 20 years and from 15 different countries, including modern classics from veterans Steve Reid and Idris Ackamoor, providing a vital link between the past masters and the enlightened new generation. It's pioneers such as John Coltrane, Sun Ra, Pharoah Sanders, et al, with their innovations in reaching another plane of consciousness that was and remains uppermost in the minds of exponents of spiritual jazz. Fittingly, several of the artists featured on this compilation, such as Cat Toren and David Boykin, are practitioners of the art of music therapy and sound healing, and have absolute conviction in the role of song as solace. The pioneers may no longer be with us, but their saintly selves loom large, shining a light in the darkness, inspiring many a brave new disciple today, as this album will testify: the new wave of jazz is gathering pace and still sounds fresh, vibrant and as relevant as ever. Extensive liners with pictures. Features Benjamin Herman, Idris Ackamoor & The Pyramids, Nat Birchall, Chip Wickham, Jimi Tenor And Kabukabu, Black Flower, Darryl Yokley, Damon Locks Black Monument Ensemble, Oiro Pena, Cat Toren, Shabaka & The Ancestors, and Makaya McCraven.
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2LP
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JMAN 126LP
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Double LP version. Gatefold sleeve; includes download card. Modern sounds for the 21st century featuring modal, progressive and esoteric contemporary jazz from the UK, Spain, Netherlands, Finland, USA, Belgium, Canada, South Africa, Sweden, Germany, and Italy. The first 12 volumes of Jazzman Records' hugely popular Spiritual Jazz series have unearthed a wealth of historic recordings in the genre, collating a variety of works from the '50s to the '80s by artists from all around the world. And so, with Volume 13, the label turn their attention to what's happening NOW. Over the course of 24 tracks and spanning two sets, Jazzman Records present an overview of the contemporary exponents of spiritual jazz; musicians who are intent on bringing something personal to the table, as much as they recognize the importance of those who have paved the way for them. We feature music recorded within the past 20 years and from 15 different countries, including modern classics from veterans Steve Reid and Idris Ackamoor, providing a vital link between the past masters and the enlightened new generation. It's pioneers such as John Coltrane, Sun Ra, Pharoah Sanders, et al, with their innovations in reaching another plane of consciousness that was and remains uppermost in the minds of exponents of spiritual jazz. Fittingly, several of the artists featured on this compilation, such as Cat Toren and David Boykin, are practitioners of the art of music therapy and sound healing, and have absolute conviction in the role of song as solace. The pioneers may no longer be with us, but their saintly selves loom large, shining a light in the darkness, inspiring many a brave new disciple today, as this album will testify: the new wave of jazz is gathering pace and still sounds fresh, vibrant and as relevant as ever. Extensive liners with pictures. Features Benjamin Herman, Idris Ackamoor & The Pyramids, Nat Birchall, Chip Wickham, Jimi Tenor And Kabukabu, Black Flower, Darryl Yokley, Damon Locks Black Monument Ensemble, Oiro Pena, Cat Toren, Shabaka & The Ancestors, and Makaya McCraven.
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2LP
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JMAN 127LP
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Double LP version. Gatefold sleeve; includes download card. Modern sounds for the 21st century featuring modal, progressive and esoteric contemporary jazz from the UK, Spain, Netherlands, Finland, USA, Belgium, Canada, South Africa, Sweden, Germany, and Italy. The first 12 volumes of Jazzman Records' hugely popular Spiritual Jazz series have unearthed a wealth of historic recordings in the genre, collating a variety of works from the '50s to the '80s by artists from all around the world. And so, with Volume 13, the label turn their attention to what's happening NOW. Over the course of 24 tracks and spanning two sets, Jazzman Records present an overview of the contemporary exponents of spiritual jazz; musicians who are intent on bringing something personal to the table, as much as they recognize the importance of those who have paved the way for them. We feature music recorded within the past 20 years and from 15 different countries, including modern classics from veterans Steve Reid and Idris Ackamoor, providing a vital link between the past masters and the enlightened new generation. It's pioneers such as John Coltrane, Sun Ra, Pharoah Sanders, et al, with their innovations in reaching another plane of consciousness that was and remains uppermost in the minds of exponents of spiritual jazz. Fittingly, several of the artists featured on this compilation, such as Cat Toren and David Boykin, are practitioners of the art of music therapy and sound healing, and have absolute conviction in the role of song as solace. The pioneers may no longer be with us, but their saintly selves loom large, shining a light in the darkness, inspiring many a brave new disciple today, as this album will testify: the new wave of jazz is gathering pace and still sounds fresh, vibrant and as relevant as ever. Extensive liners with pictures. Features The Cosmic Range, Vibration Black Finger, Abeeku, Wildflower, The Pyramids, Steve Reid, Carla Marciano, Angel Bat Dawid, Menagerie, Teemu Akerblom, The Jamie Saft Quartet, and Jonas Kullhammar.
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CD
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JMAN 127CD
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Modern sounds for the 21st century featuring modal, progressive and esoteric contemporary jazz from the UK, Spain, Netherlands, Finland, USA, Belgium, Canada, South Africa, Sweden, Germany, and Italy. The first 12 volumes of Jazzman Records' hugely popular Spiritual Jazz series have unearthed a wealth of historic recordings in the genre, collating a variety of works from the '50s to the '80s by artists from all around the world. And so, with Volume 13, the label turn their attention to what's happening NOW. Over the course of 24 tracks and spanning two sets, Jazzman Records present an overview of the contemporary exponents of spiritual jazz; musicians who are intent on bringing something personal to the table, as much as they recognize the importance of those who have paved the way for them. We feature music recorded within the past 20 years and from 15 different countries, including modern classics from veterans Steve Reid and Idris Ackamoor, providing a vital link between the past masters and the enlightened new generation. It's pioneers such as John Coltrane, Sun Ra, Pharoah Sanders, et al, with their innovations in reaching another plane of consciousness that was and remains uppermost in the minds of exponents of spiritual jazz. Fittingly, several of the artists featured on this compilation, such as Cat Toren and David Boykin, are practitioners of the art of music therapy and sound healing, and have absolute conviction in the role of song as solace. The pioneers may no longer be with us, but their saintly selves loom large, shining a light in the darkness, inspiring many a brave new disciple today, as this album will testify: the new wave of jazz is gathering pace and still sounds fresh, vibrant and as relevant as ever. Extensive liners with pictures. Features The Cosmic Range, Vibration Black Finger, Abeeku, Wildflower, The Pyramids, Steve Reid, Carla Marciano, Angel Bat Dawid, Menagerie, Teemu Akerblom, The Jamie Saft Quartet, and Jonas Kullhammar.
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3LP
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JMAN 122LP
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Triple LP version. Gatefold sleeve. In Jazzman Records' latest chapter of Spiritual Jazz, the label returns to the source -- the Impulse! label, and the monumental influence of its most prominent artist, John Coltrane. Since the first release in the series back in 2008, Jazzman Records has mapped out the growth of the spiritual sound in jazz. Spiritually energized and politically conscious, the spiritual sound in jazz music is one of the most important currents in the music. The label's series has charted the growth of the style from early experiments at Blue Note and Prestige to European excursions, exiled experimentalists, and sounds from across the globe. But whenever you think of spiritual jazz, it's a fair bet that the double exclamation mark and orange-and-black spine of Impulse quickly comes to mind. Home to John and Alice Coltrane, Pharoah Sanders, Yusef Lateef, McCoy Tyner, and countless other musical pioneers, Impulse! was the most important and forward-thinking jazz label of the 1960s. With the music-first attitude of an independent but the clout of a major, producers Creed Taylor and Bob Thiele made Impulse! the defining imprint of a crucial decade. They hand-picked the top players of the moment and gave them freedom to record the music they wanted, setting out their stall with a bold slogan: "The New Wave Of Jazz Is On Impulse!" Here, Jazzman Records dive deep into the Impulse! catalog, bringing celebrated masterpieces from Alice Coltrane and Pharaoh Sanders into the arena, together with lesser known cuts from Phil Woods and John Klemmer as well as straight-up classics such from Yusef Lateef and Elvin Jones. Fifty years on and the new wave of jazz still sounds fresh, vibrant, and as relevant as ever. Also features Max Roach, Freddie Hubbard, Archie Shepp, Michael White, and Marion Brown.
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2CD
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JMAN 122CD
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In Jazzman Records' latest chapter of Spiritual Jazz, the label returns to the source -- the Impulse! label, and the monumental influence of its most prominent artist, John Coltrane. Since the first release in the series back in 2008, Jazzman Records has mapped out the growth of the spiritual sound in jazz. Spiritually energized and politically conscious, the spiritual sound in jazz music is one of the most important currents in the music. The label's series has charted the growth of the style from early experiments at Blue Note and Prestige to European excursions, exiled experimentalists, and sounds from across the globe. But whenever you think of spiritual jazz, it's a fair bet that the double exclamation mark and orange-and-black spine of Impulse quickly comes to mind. Home to John and Alice Coltrane, Pharoah Sanders, Yusef Lateef, McCoy Tyner, and countless other musical pioneers, Impulse! was the most important and forward-thinking jazz label of the 1960s. With the music-first attitude of an independent but the clout of a major, producers Creed Taylor and Bob Thiele made Impulse! the defining imprint of a crucial decade. They hand-picked the top players of the moment and gave them freedom to record the music they wanted, setting out their stall with a bold slogan: "The New Wave Of Jazz Is On Impulse!" Here, Jazzman Records dive deep into the Impulse! catalog, bringing celebrated masterpieces from Alice Coltrane and Pharaoh Sanders into the arena, together with lesser known cuts from Phil Woods and John Klemmer as well as straight-up classics such from Yusef Lateef and Elvin Jones. Fifty years on and the new wave of jazz still sounds fresh, vibrant, and as relevant as ever. Also features Max Roach, Freddie Hubbard, Archie Shepp, Michael White, and Marion Brown.
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LP
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JMAN 123LP
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Limited restock; LP version. Tip-on sleeve. For every celebrated name in jazz, soul and related music, there are probably another 1000 musicians who had all the talent and potential but for whom widespread recognition remained elusive. Roscoe Weathers is one such figure, a jazzman who earned his chops the hard way, a sideman in smoky clubs from Memphis to Seattle, before finally settling in LA. He recorded a significant amount of music through the 1960s, but never found the slightest modicum of commercial acclaim nor the success that comes with it. Overlooked by all but the tiniest of record labels, Weathers's released much of his material himself. Indeed, Jazzman Records can lay claim to be the first outside label to release any of his music since the early 1960s. That's sixty years of being overlooked by the record industry, so Jazzman Records release this first full-length album of his music in a first attempt at righting that historic wrong. A multi-instrumentalist, Weathers mainly led on the flute in his recorded output. The music here spans the course of the 1960s, and moves from laid back beatnik jazz stylings through to percussion heavy Afro-Latin influenced workouts. As usual with Jazzman, the label has not only dug deep to unearth Weathers's music but also his background and biographical details, shining much deserved light on this enigmatic and largely unheralded figure for the first time.
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CD
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JMAN 123CD
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For every celebrated name in jazz, soul and related music, there are probably another 1000 musicians who had all the talent and potential but for whom widespread recognition remained elusive. Roscoe Weathers is one such figure, a jazzman who earned his chops the hard way, a sideman in smoky clubs from Memphis to Seattle, before finally settling in LA. He recorded a significant amount of music through the 1960s, but never found the slightest modicum of commercial acclaim nor the success that comes with it. Overlooked by all but the tiniest of record labels, Weathers's released much of his material himself. Indeed, Jazzman Records can lay claim to be the first outside label to release any of his music since the early 1960s. That's sixty years of being overlooked by the record industry, so Jazzman Records release this first full-length album of his music in a first attempt at righting that historic wrong. A multi-instrumentalist, Weathers mainly led on the flute in his recorded output. The music here spans the course of the 1960s, and moves from laid back beatnik jazz stylings through to percussion heavy Afro-Latin influenced workouts. As usual with Jazzman, the label has not only dug deep to unearth Weathers's music but also his background and biographical details, shining much deserved light on this enigmatic and largely unheralded figure for the first time.
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LP
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JMAN 121LP
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LP version. Includes download card. Lascelle "Lascelles" Gordon -- the driving force behind Vibration Black Finger -- astonishes yet again with a magnificent second album. Once more his inspiration is drawn from the obscure spiritual jazz collectives of the 1970s where he employs a vast array of like-minded collaborators to create a listening experience infused with an ever-present undercurrent of personal expression and cultural empowerment that's as enriched with ideas as it is progressive in its form. Having earned his chops as founding member of the Brand New Heavies, Campag Velocet, and Heliocentric World, Lascelle's latest album Can You See What I'm Trying to Say bursts with energy and vivid contrasts, flowing effortlessly between beat-laden grooves, oscillating improvisations, soulful recitations, audio verité, and moody atmospherics. The album drops like a post-hip-hop reimagining of foundational genres, with a prayer to the future. "Can You See What I'm Trying to Say" is a quote from Marion Brown, the great alto saxophonist's explains Gordon. "The album was put together over the last three years, not in the conventional way of going into the recording studio with musicians, but starting from ideas I had on various formats (cassettes, mini disc, DATs & reel to reel). I also used field recordings. I did a lot of home recording with long time musical friends Ben Cowen and Diana Gutkind, some of them going back 20 years. The voices of my nieces (heard on 'Law Of The Universe') were recorded 25 years ago. 'Only In A Dream' and 'Empty Streets' are the only songs that were recorded live in the studio. "Empty Streets"opens the album, with vocalist Ebony Rose turning in a thoroughly haunting vocal performance. Following "Empty Streets", some instrumental interludes segue into a dimensional drift of beats, space synths, horns, and electronics; there's a vocal reprise of "Acting For Liberation", sung with gusto by Maggie Nichols, and then there's the album's momentous finale, "Only In A Dream", which takes off as an ominous drone before a delicious bassline from the late Ken Kambayashi transforms it into an intense, soaring epic which finally descends onto another world. In a career spanning several decades, Lascelle Gordon remains an omnivorous musical force, whether as DJ, collaborator, or radio broadcaster. As amply demonstrated on Can You See What I'm Trying to Say, he refuses to rest on his laurels and continues to impress with music that is as rich, vital, and contemporary as anything he's done before.
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JMAN 121CD
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Lascelle "Lascelles" Gordon -- the driving force behind Vibration Black Finger -- astonishes yet again with a magnificent second album. Once more his inspiration is drawn from the obscure spiritual jazz collectives of the 1970s where he employs a vast array of like-minded collaborators to create a listening experience infused with an ever-present undercurrent of personal expression and cultural empowerment that's as enriched with ideas as it is progressive in its form. Having earned his chops as founding member of the Brand New Heavies, Campag Velocet, and Heliocentric World, Lascelle's latest album Can You See What I'm Trying to Say bursts with energy and vivid contrasts, flowing effortlessly between beat-laden grooves, oscillating improvisations, soulful recitations, audio verité, and moody atmospherics. The album drops like a post-hip-hop reimagining of foundational genres, with a prayer to the future. "Can You See What I'm Trying to Say" is a quote from Marion Brown, the great alto saxophonist's explains Gordon. "The album was put together over the last three years, not in the conventional way of going into the recording studio with musicians, but starting from ideas I had on various formats (cassettes, mini disc, DATs & reel to reel). I also used field recordings. I did a lot of home recording with long time musical friends Ben Cowen and Diana Gutkind, some of them going back 20 years. The voices of my nieces (heard on 'Law Of The Universe') were recorded 25 years ago. 'Only In A Dream' and 'Empty Streets' are the only songs that were recorded live in the studio. "Empty Streets"opens the album, with vocalist Ebony Rose turning in a thoroughly haunting vocal performance. Following "Empty Streets", some instrumental interludes segue into a dimensional drift of beats, space synths, horns, and electronics; there's a vocal reprise of "Acting For Liberation", sung with gusto by Maggie Nichols, and then there's the album's momentous finale, "Only In A Dream", which takes off as an ominous drone before a delicious bassline from the late Ken Kambayashi transforms it into an intense, soaring epic which finally descends onto another world. In a career spanning several decades, Lascelle Gordon remains an omnivorous musical force, whether as DJ, collaborator, or radio broadcaster. As amply demonstrated on Can You See What I'm Trying to Say, he refuses to rest on his laurels and continues to impress with music that is as rich, vital, and contemporary as anything he's done before.
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JMAN 119CD
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Born in Paris, raised in Vienna, resident in Ibiza, saxophonist and composer Muriel Grossmann embodies the borderless, pan-continental energies of contemporary European jazz. Her music emerges from the lineage of European jazz that's absorbed the progressive music of Coltrane, Dolphy, and Sanders. Today, she cites players such as Illinois Jacquet and Lester Young in the same breath as the masters of the avant-garde, and her playing marries the directness and eloquence of the older generation with the questing, spiritualized playing epitomized by Coltrane. The roster of musicians she has played with is long, and includes veteran European avant-gardists including Joachim and Rolf Kühn, Wolfgang Reisinger and Thomas Heidepriem, and she works tirelessly with contemporary groups and big bands across the continent. Since her first recordings in the early 2000s, Grossmann has released a dozen albums as leader, featuring sounds ranging from hard-swinging modernist jams to free improvisation, expansive spiritual work to rhythm-focused Afrocentrism. But at the center of her work is a thread of pure and heartfelt spiritual music in the modal tradition defined by Coltrane and close collaborators like Pharoah Sanders and Alice Coltrane. You can't play this music successfully if you don't mean it; like the music of her contemporary Nat Birchall, Grossmann's engagement with the Coltrane tradition is sincere and deep. Her music resonates within the tradition; more than just a style, it adds a new chapter to the story of modal and spiritual jazz in Europe. This Jazzman set draws a selection from her 2016 album Natural Time ("Your Pace", "Peace For All") and from 2017's Momentum ("Elevation", "Chant", and "Rising"). Featuring her regular quartet of Radomir Milojkovic (guitar), Uros Stamenkovic (drums), and Gina Schwarz (bass), the music on Elevation is pure sound, soul and spirit!
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JMAN 119LP
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Born in Paris, raised in Vienna, resident in Ibiza, saxophonist and composer Muriel Grossmann embodies the borderless, pan-continental energies of contemporary European jazz. Her music emerges from the lineage of European jazz that's absorbed the progressive music of Coltrane, Dolphy, and Sanders. Today, she cites players such as Illinois Jacquet and Lester Young in the same breath as the masters of the avant-garde, and her playing marries the directness and eloquence of the older generation with the questing, spiritualized playing epitomized by Coltrane. The roster of musicians she has played with is long, and includes veteran European avant-gardists including Joachim and Rolf Kühn, Wolfgang Reisinger and Thomas Heidepriem, and she works tirelessly with contemporary groups and big bands across the continent. Since her first recordings in the early 2000s, Grossmann has released a dozen albums as leader, featuring sounds ranging from hard-swinging modernist jams to free improvisation, expansive spiritual work to rhythm-focused Afrocentrism. But at the center of her work is a thread of pure and heartfelt spiritual music in the modal tradition defined by Coltrane and close collaborators like Pharoah Sanders and Alice Coltrane. You can't play this music successfully if you don't mean it; like the music of her contemporary Nat Birchall, Grossmann's engagement with the Coltrane tradition is sincere and deep. Her music resonates within the tradition; more than just a style, it adds a new chapter to the story of modal and spiritual jazz in Europe. This Jazzman set draws a selection from her 2016 album Natural Time ("Your Pace", "Peace For All") and from 2017's Momentum ("Elevation", "Chant", and "Rising"). Featuring her regular quartet of Radomir Milojkovic (guitar), Uros Stamenkovic (drums), and Gina Schwarz (bass), the music on Elevation is pure sound, soul and spirit! LP only with thick Tip-On sleeve; includes download card.
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JMAN 120CD
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Subtitled: Esoteric, modal and progressive jazz from the SteepleChase label, 1974-84. Founded in 1972, SteepleChase Records is one of the most significant and prolific European jazz record labels. With a catalog running to well over 200 titles, the Copenhagen-based imprint has recorded and released music from some of the greatest names in jazz, including Dexter Gordon, Andrew Hill, Jackie McLean, Horace Parlan, Chet Baker, and Stan Getz. Starting out by recording visiting Americans when they performed at the legendary Café Montmartre, founder Nils Winther was encouraged to start the label by none other than the great Jackie McLean, who was the first artist to release a record on the new imprint. From there, Steeplechase rapidly grew into one of the foremost labels to document European jazz with all its distinctive originality and style. With a particular emphasis on recording front rank American artists who had chosen the expatriate life in Europe, Steeplechase was first in line to document the sounds of the greats as they developed in exile. Features extensive liner notes including a history of the label as well as notes on each of the individual tracks. Photos from the recording sessions and cover art from each of the LPs from which Jazzman Records' selection has been taken is also included. With in-demand tracks from the likes of Billy Gault, Johnny Dyani, and Khan Jamal, and the unearthing of deep cuts from greats like Jackie McLean and Mary Lou Williams, Jazzman Records' Spiritual Jazz Vol. 11: Steeplechase pays tribute to one of Europe's most important jazz labels and furthers our exploration into the infinite realms of spiritual jazz. Also features Sam Jones, Rene McLean, Jim McNeely, Michael Carvin, and Ken McIntyre.
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2LP
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JMAN 120LP
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Limited restock; double LP version. Gatefold sleeve; features two vinyl-only tracks from Jackie McLean & The Cosmic Brotherhood and Michael Carvin; includes download card. Subtitled: Esoteric, modal and progressive jazz from the SteepleChase label, 1974-84. Founded in 1972, SteepleChase Records is one of the most significant and prolific European jazz record labels. With a catalog running to well over 200 titles, the Copenhagen-based imprint has recorded and released music from some of the greatest names in jazz, including Dexter Gordon, Andrew Hill, Jackie McLean, Horace Parlan, Chet Baker, and Stan Getz. Starting out by recording visiting Americans when they performed at the legendary Café Montmartre, founder Nils Winther was encouraged to start the label by none other than the great Jackie McLean, who was the first artist to release a record on the new imprint. From there, Steeplechase rapidly grew into one of the foremost labels to document European jazz with all its distinctive originality and style. With a particular emphasis on recording front rank American artists who had chosen the expatriate life in Europe, Steeplechase was first in line to document the sounds of the greats as they developed in exile. Features extensive liner notes including a history of the label as well as notes on each of the individual tracks. Photos from the recording sessions and cover art from each of the LPs from which Jazzman Records' selection has been taken is also included. With in-demand tracks from the likes of Billy Gault, Johnny Dyani, and Khan Jamal, and the unearthing of deep cuts from greats like Jackie McLean and Mary Lou Williams, Jazzman Records' Spiritual Jazz Vol. 11: Steeplechase pays tribute to one of Europe's most important jazz labels and furthers our exploration into the infinite realms of spiritual jazz. Also features Sam Jones, Rene McLean, Jim McNeely, Michael Carvin, and Ken McIntyre.
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LP
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JMAN 118LP
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First released on digital formats back in 2016, and here now given a richly deserved full vinyl release, Holy Science, the debut outing from Amirtha Kidambi and her New York based quartet The Elder Ones, is a work of dazzling singularity. Delicately yet unashamedly divulging its complex network of influences at every turn, Holy Science simultaneously disperses of boundary and limitation, emerging as an album steeped in tradition yet located firmly in the futuristic present. Amirtha Kidambi, the Elder Ones' leader, composer and vocalist, was a child of South Indian heritage, and she grew up immersed in the tradition of devotional singing, joining in with free-form, improvised Bhajans on regular Sundays. She began simultaneously accompanying her voice with the harmonium from the age of three. These formative experiences continued to instruct and merge with her ongoing musical explorations as she went on to study classical music, all the while ingesting the punk, R&B and rap that surrounded her. A particularly significant discovery was that of free and avant jazz, and in particular the music of Alice and John Coltrane, in whom Kidambi found clear echoes and parallels with those Bhajans and Ragas of her earliest musical awakenings. All these influences collide on Holy Science, at times as explosive blasts of sky-opening thunder, at others as moments of soothing, meditative bliss. These holy bursts are enacted by Kidambi's assembled musicians and are given permission to explore the science of spiritual alchemy, plundering their individual and collective soul for the sake of musical expression, and all of the unpredictable and profound revelations such an approach might yield. Holy Science is a work underpinned by traditions, be they the Bhajan spirituals, or the jazz and classical avant gardes, that are in their own manner, archetypal. But perhaps most importantly, all of these forms contain an inbuilt capacity for discovery and progression. Amirtha Kidambi's musical pathway has been defined by a studied determination to occupy this specific space, the unbounded realm of improvisation and exploration, summoning the acquired instruments of experience, knowledge, culture, and tradition to unlock secrets of the past, present and future. The most cherished music is often remarked upon as having a timeless quality -- ancient, modern and futuristic, all at once. And so it is with Holy Science. Liner notes by DJ Cherrystones.
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