Jazzman Records has been in business as a reissue label since 1998, immediately stepping into the niche market of re-releasing rare, obscure and esoteric jazz, soul and funk music on LP, CD and 45. A worldwide network of knowledgeable and enthusiastic collectors, dealers and researchers makes Jazzman well positioned to create lovingly crafted reissues, but it isn't the extensive, original notes nor the exhaustive attention to detail that makes Jazzman popular -- it's a true love of music, a reputation of 'doing things right' and damn good taste that makes Jazzman releases not only highly valued, but regarded as collector's items in their own right.
|
|
|
viewing 1 To 25 of 204 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
2LP
|
|
JMAN 102LP
|
$25.50
PREORDER
RELEASE DATE: 3/1/2019
Double-LP version. Includes insert with pictures and liner notes; Includes download card; 45rpm; Edition of 1000 (numbered). NOTE: The original LP was released with both sides approaching 30 minutes in length. This is extraordinarily long for an LP and as such the quality of sound will suffer during playback. Jazzman Records have therefore taken the opportunity to release the album as double-LP, each cut at 45rpm, and the sound quality has greatly improved as a result. "I recorded Live Without Fear on May 31, 1979 with some of my friends. We drove up into Evanston from Chicago in three cars on a day that smelled good and spoke all day sunshine... to Live Without Fear means to live in material reality with faith... Peace on you!" --Soji Ade, 2018
With a price of well over $1000 on the few occasions the original LP has hit the market, Live Without Fear originally released in 1980, is a beautiful album of humble purity and peaceful spiritual jazz vibes that lives up to the hype. With the blessing of creator Soji Ade and colleague Kahil El Zabar, Jazzman Records are delighted to be able to finally share their music with you, 40 years since it was recorded. As so often with private pressings, few copies were pressed and those that were suffered from little or no distribution. However, with Jazzman's new remaster and with added liner notes from Chicago music archivist Steven Emmerman, their message of love and spiritual unity can now be revealed and appreciated worldwide. Number 27 in the Jazzman Holy Grail Series.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 102CD
|
$14.50
PREORDER
RELEASE DATE: 3/1/2019
"I recorded Live Without Fear on May 31, 1979 with some of my friends. We drove up into Evanston from Chicago in three cars on a day that smelled good and spoke all day sunshine... to Live Without Fear means to live in material reality with faith... Peace on you!" --Soji Ade, 2018
With a price of well over $1000 on the few occasions the original LP has hit the market, Live Without Fear originally released in 1980, is a beautiful album of humble purity and peaceful spiritual jazz vibes that lives up to the hype. With the blessing of creator Soji Ade and colleague Kahil El Zabar, Jazzman Records are delighted to be able to finally share their music with you, 40 years since it was recorded. As so often with private pressings, few copies were pressed and those that were suffered from little or no distribution. However, with Jazzman's new remaster and with added liner notes from Chicago music archivist Steven Emmerman, their message of love and spiritual unity can now be revealed and appreciated worldwide. Number 27 in the Jazzman Holy Grail Series.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
JMAN 103CD
|
$17.50
PREORDER
RELEASE DATE: 2/15/2019
The Blue Note Record label needs little introduction. Musically, graphically and sonically iconic, the label created and defined the golden age of modern jazz on record. Founded in 1939 by German émigré Alfred Lion, the label's roster of artists is a litany of giants -- Thelonious Monk, Sonny Rollins, Horace Silver, Lee Morgan, Art Blakey, Lee Morgan, Herbie Hancock, and many more. With peerless musicians in the grooves, the legendary Rudy Van Gelder behind the boards, and graphic design genius Reid Miles creating emblematic artwork for every release, Blue Note -- "the Cadillac of the jazz lines" -- was outstanding in every way. Volume 9 of Jazzman's ground-breaking Spiritual Jazz series takes a close look at the deeper side of Blue Note -- from the experimental avant-garde explored by younger musicians such as Bobby Hutcherson, Joe Henderson, and Pete La Roca, to the exciting new developments in modal sounds put forward by stalwarts Hank Mobley, Jackie McLean, and Duke Pearson. The music we have selected shows how musicians working with the label responded to a period of dramatic social and sonic change, charting the route toward the esoteric and spiritualized sounds that would dominate the deepest jazz of the 1970s. As ever, Blue Note had lit the path, and this new Spiritual Jazz collection shows that the progressive and underground jazz sound of the 1960s was not only the preserve of obscure artists and private pressings. Blue spirits and heavy sounds on Blue Note -- the finest in jazz since 1939, brought to you by Jazzman.
Available as a double-CD set, Parts One & Two (JMAN 103CD). Part One features: Bobby Hutcherson, Pete Laroca, Wayne Shorter, Elvin Jones, Andrew Hill, Eddie Gale, Duke Pearson, Bobby Hutcherson, Duke Pearson, and Freddie Hubbard. Part Two features: Joe Henderson, Jackie McLean, Duke Pearson, Wayne Shorter, Hank Mobley, Pete La Roca, Freddie Hubbard, Booker Ervin, and Solomon Ilori.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 104LP
|
$25.50
PREORDER
RELEASE DATE: 2/15/2019
Double LP; Part two of two double LP versions. Gatefold sleeve.The Blue Note Record label needs little introduction. Musically, graphically and sonically iconic, the label created and defined the golden age of modern jazz on record. Founded in 1939 by German émigré Alfred Lion, the label's roster of artists is a litany of giants -- Thelonious Monk, Sonny Rollins, Horace Silver, Lee Morgan, Art Blakey, Lee Morgan, Herbie Hancock, and many more. With peerless musicians in the grooves, the legendary Rudy Van Gelder behind the boards, and graphic design genius Reid Miles creating emblematic artwork for every release, Blue Note -- "the Cadillac of the jazz lines" -- was outstanding in every way. Volume 9 of Jazzman's ground-breaking Spiritual Jazz series takes a close look at the deeper side of Blue Note -- from the experimental avant-garde explored by younger musicians such as Bobby Hutcherson, Joe Henderson, and Pete La Roca, to the exciting new developments in modal sounds put forward by stalwarts Hank Mobley, Jackie McLean, and Duke Pearson. The music we have selected shows how musicians working with the label responded to a period of dramatic social and sonic change, charting the route toward the esoteric and spiritualized sounds that would dominate the deepest jazz of the 1970s. As ever, Blue Note had lit the path, and this new Spiritual Jazz collection shows that the progressive and underground jazz sound of the 1960s was not only the preserve of obscure artists and private pressings. Blue spirits and heavy sounds on Blue Note -- the finest in jazz since 1939, brought to you by Jazzman.
Part Two features: Joe Henderson, Jackie McLean, Duke Pearson, Wayne Shorter, Hank Mobley, Pete La Roca, Freddie Hubbard, Booker Ervin, and Solomon Ilori.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 103LP
|
$25.50
PREORDER
RELEASE DATE: 2/15/2019
Double LP; Part one of two double-LP versions. Gatefold sleeve. The Blue Note Record label needs little introduction. Musically, graphically and sonically iconic, the label created and defined the golden age of modern jazz on record. Founded in 1939 by German émigré Alfred Lion, the label's roster of artists is a litany of giants -- Thelonious Monk, Sonny Rollins, Horace Silver, Lee Morgan, Art Blakey, Lee Morgan, Herbie Hancock, and many more. With peerless musicians in the grooves, the legendary Rudy Van Gelder behind the boards, and graphic design genius Reid Miles creating emblematic artwork for every release, Blue Note -- "the Cadillac of the jazz lines" -- was outstanding in every way. Volume 9 of Jazzman's ground-breaking Spiritual Jazz series takes a close look at the deeper side of Blue Note -- from the experimental avant-garde explored by younger musicians such as Bobby Hutcherson, Joe Henderson, and Pete La Roca, to the exciting new developments in modal sounds put forward by stalwarts Hank Mobley, Jackie McLean, and Duke Pearson. The music we have selected shows how musicians working with the label responded to a period of dramatic social and sonic change, charting the route toward the esoteric and spiritualized sounds that would dominate the deepest jazz of the 1970s. As ever, Blue Note had lit the path, and this new Spiritual Jazz collection shows that the progressive and underground jazz sound of the 1960s was not only the preserve of obscure artists and private pressings. Blue spirits and heavy sounds on Blue Note -- the finest in jazz since 1939, brought to you by Jazzman.
Part One features: Bobby Hutcherson, Pete Laroca, Wayne Shorter, Elvin Jones, Andrew Hill, Eddie Gale, Duke Pearson, Bobby Hutcherson, Duke Pearson, and Freddie Hubbard.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 105CD
|
Calling all turkeynecks, dirt fiends and juiceheads! Often imitated, never equaled -- the legendary, the one-and-only, the unique Las Vegas Grind! hath finally returned! After many years scouring the greasy basement dives of the netherworld, Jazzman finally managed to locate the manic mastermind responsible for the original six volumes of deviant, demented, and depraved sleaze-ball bump and grind. Slumped at the end of a bar, we struck the deal at midnight as we drank a toast of cold rat piss, and with deep regret Jazzman can now unveil the latest in the whole sorry saga. Las Vegas Grind! Volume Seven. And so, dragged under the stripper's spotlight for the first time in 60 years, long-forgotten never-knowns by Alonzo And The Boppers and The Abstracts rock side-by-side with lurid low-life lurchers Louie And The Fat Men and The Escorts. Little Louie And The Finger Cymbals rattle their tiny pasties while Gay Poppa's Cha Cha flips us round and takes us to the other side. All in all, yet another set of crude and tasteless chud-locker choons bound to upset the whole square world all over again. 16 gruesome growlers guaranteed to torment and tease. Shameless and shocking; rotten to the core; welcome, welcome at last to Las Vegas Grind! Volume Seven. Also features: Savoys, Low Rocks, Frank Scott, B Bubba, UBs Group, Leo Valentine Trio, Los Virreyes, Bob Moore And The Temps, Little Louie And The Finger Cymbals, The Original Spacemen, and Y-Dells.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 105LP
|
LP version. Calling all turkeynecks, dirt fiends and juiceheads! Often imitated, never equaled -- the legendary, the one-and-only, the unique Las Vegas Grind! hath finally returned! After many years scouring the greasy basement dives of the netherworld, Jazzman finally managed to locate the manic mastermind responsible for the original six volumes of deviant, demented, and depraved sleaze-ball bump and grind. Slumped at the end of a bar, we struck the deal at midnight as we drank a toast of cold rat piss, and with deep regret Jazzman can now unveil the latest in the whole sorry saga. Las Vegas Grind! Volume Seven. And so, dragged under the stripper's spotlight for the first time in 60 years, long-forgotten never-knowns by Alonzo And The Boppers and The Abstracts rock side-by-side with lurid low-life lurchers Louie And The Fat Men and The Escorts. Little Louie And The Finger Cymbals rattle their tiny pasties while Gay Poppa's Cha Cha flips us round and takes us to the other side. All in all, yet another set of crude and tasteless chud-locker choons bound to upset the whole square world all over again. 16 gruesome growlers guaranteed to torment and tease. Shameless and shocking; rotten to the core; welcome, welcome at last to Las Vegas Grind! Volume Seven. Also features: Savoys, Low Rocks, Frank Scott, B Bubba, UBs Group, Leo Valentine Trio, Los Virreyes, Bob Moore And The Temps, Little Louie And The Finger Cymbals, The Original Spacemen, and Y-Dells.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 101CD
|
Jazzman Records deliver A New Life, Vol. II: Independent and Regional Jazz in Great Britain 1968-1988, continuing their series of under-heard jazz from the UK. It's been three years since Jazzman's A New Life (JMAN 075CD/LP, 2015) alerted jazz heads to the existence of an unknown world of British jazz private pressings and indie obscurities. Back for a second round, compilers Francis Gooding and Duncan Brooker have dug deep into the archives to assemble another ground-breaking collection of Brit jazz anomalies and outliers from the 1970s and 1980s. A New Life, Vol. II picks up the story where A New Life left off, searching out overlooked jazz gems from across the length and breadth of the British Isles. When the major labels and the record industry left jazz out in the cold, musicians and jazz enthusiasts took the initiative. Indie labels made space for established artists and experimental outsiders alike, while local groups and youth bands turned to private pressings to document their music and build their own scenes. From London blues renegade Billy Jenkins's spiritual tribute to Pharoah Sanders and the swinging vocal artistry of Belfast-born Gerry McClelland, to the thunderous big band sound of Leicester's Music Explosion and the modal drama of the Don Rendell Five, A New Life, Vol. II reveals another fascinating layer of forgotten Brit jazz history. Fully researched and presented with in depth liner notes, Jazzman Records again brings you the unheard, unorthodox and under-rated sound of the British jazz underground! Also features: Frank Evans, Hotpoints, Inner Ear, RedBrass, Big Sun, Midland Youth Jazz Orchestra, Robert Shaw & the Dick Hawdon Quintet, Big Baffle, and Pat Crumly Sextet. CD with liners and photos.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 101LP
|
Double LP version. Gatefold sleeve with liners notes and pictures; Includes download card. Jazzman Records deliver A New Life, Vol. II: Independent and Regional Jazz in Great Britain 1968-1988, continuing their series of under-heard jazz from the UK. It's been three years since Jazzman's A New Life (JMAN 075CD/LP, 2015) alerted jazz heads to the existence of an unknown world of British jazz private pressings and indie obscurities. Back for a second round, compilers Francis Gooding and Duncan Brooker have dug deep into the archives to assemble another ground-breaking collection of Brit jazz anomalies and outliers from the 1970s and 1980s. A New Life, Vol. II picks up the story where A New Life left off, searching out overlooked jazz gems from across the length and breadth of the British Isles. When the major labels and the record industry left jazz out in the cold, musicians and jazz enthusiasts took the initiative. Indie labels made space for established artists and experimental outsiders alike, while local groups and youth bands turned to private pressings to document their music and build their own scenes. From London blues renegade Billy Jenkins's spiritual tribute to Pharoah Sanders and the swinging vocal artistry of Belfast-born Gerry McClelland, to the thunderous big band sound of Leicester's Music Explosion and the modal drama of the Don Rendell Five, A New Life, Vol. II reveals another fascinating layer of forgotten Brit jazz history. Fully researched and presented with in depth liner notes, Jazzman Records again brings you the unheard, unorthodox and under-rated sound of the British jazz underground! Also features: Frank Evans, Hotpoints, Inner Ear, RedBrass, Big Sun, Midland Youth Jazz Orchestra, Robert Shaw & the Dick Hawdon Quintet, Big Baffle, and Pat Crumly Sextet.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 099LP
|
Double LP version. Gatefold sleeve; Includes download card. Orbiting somewhere between the interplanetary funk of Sun Ra and the cinematic experimentation of Floating Points lies the new album Earth from the spiritually awakened Brit-jazz collective Emanative. Led by drummer and producer Nick Woodmansey, Emanative have created a cosmic strand of multi-cultural UK jazz with African, Indian, and Middle Eastern influences unlike any other act on the UK scene. Following on from their previous record on Gilles Peterson's Brownswood label back in 2015, Earth celebrates the diverse backgrounds of its galaxy of contributors, which includes Idris Ackamoor of US spiritual jazz legends The Pyramids, Afrobeat legend Dele Sosimi (previously of Fela Kuti's Africa 80), key protagonist from Manchester's jazz scene Nat Birchall, India-raised Ninja Tune artist and Shabaka Hutchings-collaborator Sarathy Korwar, Ibibio Sound Machine player Ben Hadwen, Benjamin Page from RocketNumberNine, The Heliocentrics' Malcolm Catto, and Flying Lotus collaborator Ahu. Initially Emanative was an output for Woodmansey's more beat-led productions which he began releasing in 2008. Over the course of a decade and a multitude of singles and three full-length albums, the project has morphed -- emanated -- into a collaborative, jazz-influenced, outward-facing globally-inspired collective. 2015's The Light Years Of The Darkness album release was a key turning point and a record that saw Woodmansey work with a stellar cast of contributors featuring amongst others Keiran Hebden, aka Four Tet, and trumpeter Ahmed Abdullah. Born in 1975 and growing up in Sussex, music was part of Nick's life from an early age as his dad Mick ("Woody") Woodmansey was the drummer with Bowie's Spiders From Mars. His father instilled in him a life-long passion in drums, teaching him the basics. Plans to go to art college were shelved after he moved to London in 1991, squatting in Dalston, and ensconsing himself in the London music scene. A few years later Woodmansey took a 12-month gig playing drums on a cruise ship, before returning to the UK and spending the next decade playing on the London scene in various projects whilst raising a family -- it was there he decided to go it alone and so in 2006 Emanative was official. The Earth record encouraged Nick to delve deeper into his spirituality.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 099CD
|
Orbiting somewhere between the interplanetary funk of Sun Ra and the cinematic experimentation of Floating Points lies the new album Earth from the spiritually awakened Brit-jazz collective Emanative. Led by drummer and producer Nick Woodmansey, Emanative have created a cosmic strand of multi-cultural UK jazz with African, Indian, and Middle Eastern influences unlike any other act on the UK scene. Following on from their previous record on Gilles Peterson's Brownswood label back in 2015, Earth celebrates the diverse backgrounds of its galaxy of contributors, which includes Idris Ackamoor of US spiritual jazz legends The Pyramids, Afrobeat legend Dele Sosimi (previously of Fela Kuti's Africa 80), key protagonist from Manchester's jazz scene Nat Birchall, India-raised Ninja Tune artist and Shabaka Hutchings-collaborator Sarathy Korwar, Ibibio Sound Machine player Ben Hadwen, Benjamin Page from RocketNumberNine, The Heliocentrics' Malcolm Catto, and Flying Lotus collaborator Ahu. Initially Emanative was an output for Woodmansey's more beat-led productions which he began releasing in 2008. Over the course of a decade and a multitude of singles and three full-length albums, the project has morphed -- emanated -- into a collaborative, jazz-influenced, outward-facing globally-inspired collective. 2015's The Light Years Of The Darkness album release was a key turning point and a record that saw Woodmansey work with a stellar cast of contributors featuring amongst others Keiran Hebden, aka Four Tet, and trumpeter Ahmed Abdullah. Born in 1975 and growing up in Sussex, music was part of Nick's life from an early age as his dad Mick ("Woody") Woodmansey was the drummer with Bowie's Spiders From Mars. His father instilled in him a life-long passion in drums, teaching him the basics. Plans to go to art college were shelved after he moved to London in 1991, squatting in Dalston, and ensconsing himself in the London music scene. A few years later Woodmansey took a 12-month gig playing drums on a cruise ship, before returning to the UK and spending the next decade playing on the London scene in various projects whilst raising a family -- it was there he decided to go it alone and so in 2006 Emanative was official. The Earth record encouraged Nick to delve deeper into his spirituality.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 096LP
|
Repressed. Double LP; Part one of two double LP versions. Textured, gatefold sleeve; Obi strip. Jazzman Record's latest examination of esoteric, modal, and progressive jazz of the 20th century has taken them to Japan. The liberating force of jazz has been created and felt all around the world, but few nations on earth embraced the jazz message with the passion and intensity of Japan. From the dawn of the jazz age to the present day, Japanese audiences have been renowned tastemakers, enthusiasts, and champions of the music -- in the 1980s, Japan was the biggest per capita market in the world for jazz records, and it has even been said that Japanese jazz fans kept the jazz record industry alive through the lean years of the 1970s, when the music fell from commercial favor in the land of its birth. But while the jazz aficionados of Japan are celebrated as sophisticated fans and consumers of the music, comparatively little is known outside Japan of the remarkable and abundant music produced by generations of Japanese jazz musicians. Numerous Japanese jazzers have found enormous success on the international stage -- Toshiko Akiyoshi, Sadao Watanabe, Teramasu Hino, and many others are household names among jazz listeners all over the world, and with good reason. But if such global figures are put aside, the stunning heritage of Japanese jazz remains poorly understood outside Japan. As a result, the work of many celebrated Japanese jazzmen has remained largely unknown to international audiences, and the extraordinary scope and depth of Japanese jazz has not been widely recognized. Compiled for the Spiritual Jazz series in collaboration with the celebrated collector and DJ Yusuke Ogawa (Deep Jazz Reality, Tokyo), this set aims to correct that omission by uncovering the uniquely deep sound of esoteric, modal and progressive jazz from Japan -- music of the heart, soul, and Japanese spirit.
Part One features: Mitsuaki Kanno, Tadao Hayashi, Minoru Muraoka, Takeo Moriyama, Koichi Matsukaze, Sadao Watanabe & Charlie Mariano, Shungo Sawada, New Direction For The Arts.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 097LP
|
Repressed. Double LP; Part two of two double LP versions. Textured, gatefold sleeve; Obi strip. Jazzman Record's latest examination of esoteric, modal, and progressive jazz of the 20th century has taken them to Japan. The liberating force of jazz has been created and felt all around the world, but few nations on earth embraced the jazz message with the passion and intensity of Japan. From the dawn of the jazz age to the present day, Japanese audiences have been renowned tastemakers, enthusiasts, and champions of the music -- in the 1980s, Japan was the biggest per capita market in the world for jazz records, and it has even been said that Japanese jazz fans kept the jazz record industry alive through the lean years of the 1970s, when the music fell from commercial favor in the land of its birth. But while the jazz aficionados of Japan are celebrated as sophisticated fans and consumers of the music, comparatively little is known outside Japan of the remarkable and abundant music produced by generations of Japanese jazz musicians. Numerous Japanese jazzers have found enormous success on the international stage -- Toshiko Akiyoshi, Sadao Watanabe, Teramasu Hino, and many others are household names among jazz listeners all over the world, and with good reason. But if such global figures are put aside, the stunning heritage of Japanese jazz remains poorly understood outside Japan. As a result, the work of many celebrated Japanese jazzmen has remained largely unknown to international audiences, and the extraordinary scope and depth of Japanese jazz has not been widely recognized. Compiled for the Spiritual Jazz series in collaboration with the celebrated collector and DJ Yusuke Ogawa (Deep Jazz Reality, Tokyo), this set aims to correct that omission by uncovering the uniquely deep sound of esoteric, modal and progressive jazz from Japan -- music of the heart, soul, and Japanese spirit.
Part Two features: Four Units, Tohru Aizawa, Keitaro Miho, Tee & Company, Takeo Moriyama, Kiyoshi Sugimoto, Toshiko Akiyoshi, and Yoshio Ikeda.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
JMAN 096CD
|
Jazzman Record's latest examination of esoteric, modal, and progressive jazz of the 20th century has taken them to Japan. The liberating force of jazz has been created and felt all around the world, but few nations on earth embraced the jazz message with the passion and intensity of Japan. From the dawn of the jazz age to the present day, Japanese audiences have been renowned tastemakers, enthusiasts, and champions of the music -- in the 1980s, Japan was the biggest per capita market in the world for jazz records, and it has even been said that Japanese jazz fans kept the jazz record industry alive through the lean years of the 1970s, when the music fell from commercial favor in the land of its birth. But while the jazz aficionados of Japan are celebrated as sophisticated fans and consumers of the music, comparatively little is known outside Japan of the remarkable and abundant music produced by generations of Japanese jazz musicians. Numerous Japanese jazzers have found enormous success on the international stage -- Toshiko Akiyoshi, Sadao Watanabe, Teramasu Hino, and many others are household names among jazz listeners all over the world, and with good reason. But if such global figures are put aside, the stunning heritage of Japanese jazz remains poorly understood outside Japan. As a result, the work of many celebrated Japanese jazzmen has remained largely unknown to international audiences, and the extraordinary scope and depth of Japanese jazz has not been widely recognized. Compiled for the Spiritual Jazz series in collaboration with the celebrated collector and DJ Yusuke Ogawa (Deep Jazz Reality, Tokyo), this set aims to correct that omission by uncovering the uniquely deep sound of esoteric, modal and progressive jazz from Japan -- music of the heart, soul, and Japanese spirit.
Part One features: Mitsuaki Kanno, Tadao Hayashi, Minoru Muraoka, Takeo Moriyama, Koichi Matsukaze, Sadao Watanabe & Charlie Mariano, Shungo Sawada, New Direction For The Arts. Part Two features: Four Units, Tohru Aizawa, Keitaro Miho, Tee & Company, Takeo Moriyama, Kiyoshi Sugimoto, Toshiko Akiyoshi, and Yoshio Ikeda.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 098CD
|
Nat Birchall charts new paths toward spiritual communion, connecting jazz with classical Indian influences guided by the wistful flow of the harmonium. Cosmic Language sees the UK-based saxophonist, composer, and arranger return to Jazzman Records with a cross-cultural approach: an exploration of the parallel musical paths of jazz and Indian ragas. Here he takes influence from spiritual jazz forebears such as Alice Coltrane and Yusef Lateef and introduces the Indian harmonium to his band, where it takes the place of the piano. Making new connections to realize his transcendental ambitions, it's a logical next step in making music as spiritual cleanser. The idea for the album was spawned from a one-off performance at a meditation center, the Maharishi Golden Dome in West Lancashire. Seeking to bring a band set-up that was fitting to the quiet-minded setting, Birchall brought the harmonium with him. A small pump organ, it's an instrument he'd been in possession of for many years but hadn't previously used in his music. Building on the spiritual context of that show, and the associations of that instrument, it led naturally to the musical approach undertaken on the album. Both the album and the show which preceded it were recorded with the same tight-knit group of players which have featured on Birchall's previous albums. All members of the group are part of the same like-minded circle of Manchester-oriented jazz musicians. Birchall has always channeled wide-ranging ideas into music that's simple to understand, and this album is no exception. Album opener "Man From Varanasi" is an ode to Bismillah Khan, one of Birchall's heroes of Indian music who hailed from the northern Indian city named in the title. It also sees him taking cues from the Indian raga tradition which, as with most other traditional Indian music, is a foundation which underpinned Khan's music. Crucially, the ragas tap into the idea of music as a means of spiritual release. Birchall sees spiritual experience as an essential part of day-to-day life: instead of brightly-lit, occasional entertainment in lugubrious concert halls, he considers it an everyday, vital source of inspiration. At a moment where jazz-influenced music is undergoing creative renewal and wider appreciation, it's an important perspective that's found resonance elsewhere.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 098LP
|
LP version. Nat Birchall charts new paths toward spiritual communion, connecting jazz with classical Indian influences guided by the wistful flow of the harmonium. Cosmic Language sees the UK-based saxophonist, composer, and arranger return to Jazzman Records with a cross-cultural approach: an exploration of the parallel musical paths of jazz and Indian ragas. Here he takes influence from spiritual jazz forebears such as Alice Coltrane and Yusef Lateef and introduces the Indian harmonium to his band, where it takes the place of the piano. Making new connections to realize his transcendental ambitions, it's a logical next step in making music as spiritual cleanser. The idea for the album was spawned from a one-off performance at a meditation center, the Maharishi Golden Dome in West Lancashire. Seeking to bring a band set-up that was fitting to the quiet-minded setting, Birchall brought the harmonium with him. A small pump organ, it's an instrument he'd been in possession of for many years but hadn't previously used in his music. Building on the spiritual context of that show, and the associations of that instrument, it led naturally to the musical approach undertaken on the album. Both the album and the show which preceded it were recorded with the same tight-knit group of players which have featured on Birchall's previous albums. All members of the group are part of the same like-minded circle of Manchester-oriented jazz musicians. Birchall has always channeled wide-ranging ideas into music that's simple to understand, and this album is no exception. Album opener "Man From Varanasi" is an ode to Bismillah Khan, one of Birchall's heroes of Indian music who hailed from the northern Indian city named in the title. It also sees him taking cues from the Indian raga tradition which, as with most other traditional Indian music, is a foundation which underpinned Khan's music. Crucially, the ragas tap into the idea of music as a means of spiritual release. Birchall sees spiritual experience as an essential part of day-to-day life: instead of brightly-lit, occasional entertainment in lugubrious concert halls, he considers it an everyday, vital source of inspiration. At a moment where jazz-influenced music is undergoing creative renewal and wider appreciation, it's an important perspective that's found resonance elsewhere.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP + 7"
|
|
JMAN 090LP
|
LP version. Includes bonus picture sleeve 45RPM 7". For over 20 years, your irrepressible host Rex and his legendary Fool's Paradise radio show on WFMU has held a grudge against the whole square world. Broadcasting from an undisclosed location in rural New Jersey in a fur-lined fall-out shelter located miles below the earth's crust, this weekly excursion to nowhere continues to proudly play nothing but greasy grooves from inane 45s; non-hit misfires, curveballs, and oddballs from the rock n' roll era. Yes sirree, those weird and warped ones about monsters, beatniks, chickens, apes, stewed moonbeams, and mosquito knees... And now, in the tradition of free love and nickel beer, Jazzman Records has teamed up with Rex to bring together a fabulous collection of his top spins. These are the songs that, by virtue of Rex's dogged persistence, have now achieved a kind of classic status that was surely never previously thought imaginable -- Fool's Paradise Favorites. 18 tracks featuring Premiers, Al Katraz, Jules Blattner, The Flock Rocker, Bob Strauss, Hurricane Harry, Glenn Willings, Dick Summer, The Bobby Borda Five, The Renaults, Wee Willie & The Soulettes, Billy Duke And The Dukes, The Orbits, Dan Kubiak, King Sid, Arnie Ginsburg, Sidney & Chimps, and Stringbeans.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 090CD
|
For over 20 years, your irrepressible host Rex and his legendary Fool's Paradise radio show on WFMU has held a grudge against the whole square world. Broadcasting from an undisclosed location in rural New Jersey in a fur-lined fall-out shelter located miles below the earth's crust, this weekly excursion to nowhere continues to proudly play nothing but greasy grooves from inane 45s; non-hit misfires, curveballs, and oddballs from the rock n' roll era. Yes sirree, those weird and warped ones about monsters, beatniks, chickens, apes, stewed moonbeams, and mosquito knees... And now, in the tradition of free love and nickel beer, Jazzman Records has teamed up with Rex to bring together a fabulous collection of his top spins. These are the songs that, by virtue of Rex's dogged persistence, have now achieved a kind of classic status that was surely never previously thought imaginable -- Fool's Paradise Favorites. 18 tracks featuring Premiers, Al Katraz, Jules Blattner, The Flock Rocker, Bob Strauss, Hurricane Harry, Glenn Willings, Dick Summer, The Bobby Borda Five, The Renaults, Wee Willie & The Soulettes, Billy Duke And The Dukes, The Orbits, Dan Kubiak, King Sid, Arnie Ginsburg, Sidney & Chimps, and Stringbeans.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 095LP
|
LP version. Known in the record-collecting world as an incredibly rare album with just a handful of known copies, Jazzman Records present for the first time the full-length album reissue of the Two Sisters From Bagdad album as performed by LaVice & Co.. Originally intended to be sold alongside performances of LaVice Hendrick's ambitious but ill-fated musical theater production, the album's scarcity was swiftly ensured as Two Sisters From Bagdad ran for just two weeks at Detroit's Bethel A.M.E. church amid poor attendances due to scant promotion. With only a handful of copies sold in that brief window, many of the remaining copies were subsequently destroyed in a basement flood, meaning that until now few people have ever heard the album in its entirety. A varied set of jazz and gospel infused funky soul, Two Sisters From Bagdad was composed and orchestrated by two precocious young talents, E.J. Garrison and Rhodia McAdoo. It's an album full of surprises, and is notorious for the heavy funk workout Though's Were The Days. Not only have Jazzman Records unearthed and faithfully reissued this true obscurity as the 26th part of their ongoing "Holy Grail" series, but through interviews with Garrison and McAdoo themselves, they have uncovered the beguiling back story to the music, the play and the life and times of its original creator, the late LaVice Hendricks. As always the detail is revealed for the first time in Jazzman Records' extensive new sleeve notes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 095CD
|
Known in the record-collecting world as an incredibly rare album with just a handful of known copies, Jazzman Records present for the first time the full-length album reissue of the Two Sisters From Bagdad album as performed by LaVice & Co.. Originally intended to be sold alongside performances of LaVice Hendrick's ambitious but ill-fated musical theater production, the album's scarcity was swiftly ensured as Two Sisters From Bagdad ran for just two weeks at Detroit's Bethel A.M.E. church amid poor attendances due to scant promotion. With only a handful of copies sold in that brief window, many of the remaining copies were subsequently destroyed in a basement flood, meaning that until now few people have ever heard the album in its entirety. A varied set of jazz and gospel infused funky soul, Two Sisters From Bagdad was composed and orchestrated by two precocious young talents, E.J. Garrison and Rhodia McAdoo. It's an album full of surprises, and is notorious for the heavy funk workout Though's Were The Days. Not only have Jazzman Records unearthed and faithfully reissued this true obscurity as the 26th part of their ongoing "Holy Grail" series, but through interviews with Garrison and McAdoo themselves, they have uncovered the beguiling back story to the music, the play and the life and times of its original creator, the late LaVice Hendricks. As always the detail is revealed for the first time in Jazzman Records' extensive new sleeve notes.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 093CD
|
Jazzman Records present a reissue of Mankunku Quartet's Yakhal' Inkomo, originally released in 1968. Saxophonist Winston 'Mankunku' Ngozi's 1968 masterpiece Yakhal' Inkomo stands in the front rank of global jazz recordings. A certified jazz classic in South Africa, it has sold hundreds of thousands of copies and has never been out of print. But like so many other crucial South African jazz LPs, it was never released outside the country, and went unheard at the time by the wider world. This reissue is the first time that this truly essential jazz recording has been properly available outside South Africa. Mankunku's masterwork is one of those rare recordings whose audience saw at once that it embodied the spirit of the age. The title, Yakhal' Inkomo, refers to the bellow made by a bull just before it is sacrificed, and the mourning cries of its fellow cattle as they see it struck down. For South African listeners, the reference was understood as a cry against the violence and brutality of the times, and an act of mourning for all those who were suffering under the barbarity of apartheid. Mankunku's horn spoke eloquently and profoundly for and to an oppressed people, and like Coltrane's A Love Supreme (1965), the album became the musical touchstone for a generation. From today's historical vantage point, Yakhal' Inkomo appears as not just an indispensable lost element of the international jazz canon, but as one of the towering cultural documents of its time. This trail-blazing release allows Mankunku's classic work to gain its deserved place on the international stage. This release marks the 25th release in Jazzman Records' celebrated Holy Grail Series. Fully licensed, and packaged with a new sleeve note by Francis Gooding and previously unpublished photographs from the Basil Breakey archive.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
6x10" + BOOK
|
|
JMAN 094BK
|
Super limited edition vintage style 6x10" album set including book set. Comes with unique artwork and four exclusive bonus tracks. Since the release of their first Jukebox Mambo compilation album in 2012 (JMAN 055CD/LP/BK), Jazzman Records, with the curatorial expertise of DJ Liam Large, have been opening ears and minds to the delights of Latin-tinged rhythm & blues. The third release in the series sticks squarely to the tried and tested formula of its predecessors; combining a crate-digger's passion for the obscure with an ear for instant dancefloor crowd pleasers. In a congested field of R&B comps, Jukebox Mambo stands out uniquely in shedding light on the era of Latin American and Caribbean influence, a sensual rhythmic shift which continues to be felt in modern music today. Opener, The Emperor's "Tough De Times (Things Getting Tough)" is a classic example of Large and Jazzman's idiosyncratic capacity to bring striking singularities to light, a beguiling and seductive blend of jazz, blues, and Trinidadian calypso. Other highlights include the slinky rumba-blues of Percy Mayfield's lustful "Loose Lips", the only known recording by female blues shouter Ethel Boswell on the track "No More For You", and Chuz Alfred And His Combo's powerful rendition of the Duke Ellington standard "Caravan". Elsewhere, Jukebox Mambo Vol. 3 is dominated by virtuosic performances, from the smooth tenor vocals of Roy Gaines to the polyrhythmic swing of the Monogram Caribbean Orchestra, and the Syrian-American jazz stylings of Eddie Kochak. Lovingly compiled, artfully arranged and expertly annotated, Jukebox Mambo Vol. 3 is another immersive gaze into an era of musical history that still carries a unique influence today. This one is for the crate diggers and music lovers alike! Comes with in-depth track notes and photographs. Also features: Preacher Stephens with The Foree Wells Combo, Jimmie Wilcher And His Orchestra, Camille Howard, Paul Boyers Band, Pattie Parish, Clarence Garlow, Maurice King and His Wolverines, Floyd Dixon, Aggie Dukes, Otis Blackwell, Duke Groner, Big Bertha, Linton Garner & All-Stars, Austin Powell, The Ontarios with Frank Motley & His Crew, Toni Jordan, Christine Kittrell, Harmonica "Blues King" Harris¸ Donald Woods & The Vel-Aires, and Sax Mallard.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
JMAN 094LP
|
Double LP version. Gatefold sleeve. Since the release of their first Jukebox Mambo compilation album in 2012 (JMAN 055CD/LP/BK), Jazzman Records, with the curatorial expertise of DJ Liam Large, have been opening ears and minds to the delights of Latin-tinged rhythm & blues. The third release in the series sticks squarely to the tried and tested formula of its predecessors; combining a crate-digger's passion for the obscure with an ear for instant dancefloor crowd pleasers. In a congested field of R&B comps, Jukebox Mambo stands out uniquely in shedding light on the era of Latin American and Caribbean influence, a sensual rhythmic shift which continues to be felt in modern music today. Opener, The Emperor's "Tough De Times (Things Getting Tough)" is a classic example of Large and Jazzman's idiosyncratic capacity to bring striking singularities to light, a beguiling and seductive blend of jazz, blues, and Trinidadian calypso. Other highlights include the slinky rumba-blues of Percy Mayfield's lustful "Loose Lips", the only known recording by female blues shouter Ethel Boswell on the track "No More For You", and Chuz Alfred And His Combo's powerful rendition of the Duke Ellington standard "Caravan". Elsewhere, Jukebox Mambo Vol. 3 is dominated by virtuosic performances, from the smooth tenor vocals of Roy Gaines to the polyrhythmic swing of the Monogram Caribbean Orchestra, and the Syrian-American jazz stylings of Eddie Kochak. Lovingly compiled, artfully arranged and expertly annotated, Jukebox Mambo Vol. 3 is another immersive gaze into an era of musical history that still carries a unique influence today. This one is for the crate diggers and music lovers alike! Comes with in-depth track notes and photographs. Also features: Preacher Stephens with The Foree Wells Combo, Jimmie Wilcher And His Orchestra, Camille Howard, Paul Boyers Band, Pattie Parish, Clarence Garlow, Maurice King and His Wolverines, Floyd Dixon, Aggie Dukes, Otis Blackwell, Duke Groner, Big Bertha, Linton Garner & All-Stars, Austin Powell, The Ontarios with Frank Motley & His Crew, Toni Jordan, Christine Kittrell, Harmonica "Blues King" Harris¸ Donald Woods & The Vel-Aires, and Sax Mallard.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
JMAN 094CD
|
Since the release of their first Jukebox Mambo compilation album in 2012 (JMAN 055CD/LP/BK), Jazzman Records, with the curatorial expertise of DJ Liam Large, have been opening ears and minds to the delights of Latin-tinged rhythm & blues. The third release in the series sticks squarely to the tried and tested formula of its predecessors; combining a crate-digger's passion for the obscure with an ear for instant dancefloor crowd pleasers. In a congested field of R&B comps, Jukebox Mambo stands out uniquely in shedding light on the era of Latin American and Caribbean influence, a sensual rhythmic shift which continues to be felt in modern music today. Opener, The Emperor's "Tough De Times (Things Getting Tough)" is a classic example of Large and Jazzman's idiosyncratic capacity to bring striking singularities to light, a beguiling and seductive blend of jazz, blues, and Trinidadian calypso. Other highlights include the slinky rumba-blues of Percy Mayfield's lustful "Loose Lips", the only known recording by female blues shouter Ethel Boswell on the track "No More For You", and Chuz Alfred And His Combo's powerful rendition of the Duke Ellington standard "Caravan". Elsewhere, Jukebox Mambo Vol. 3 is dominated by virtuosic performances, from the smooth tenor vocals of Roy Gaines to the polyrhythmic swing of the Monogram Caribbean Orchestra, and the Syrian-American jazz stylings of Eddie Kochak. Lovingly compiled, artfully arranged and expertly annotated, Jukebox Mambo Vol. 3 is another immersive gaze into an era of musical history that still carries a unique influence today. This one is for the crate diggers and music lovers alike! Comes with in-depth track notes and photographs. Also features: Preacher Stephens with The Foree Wells Combo, Jimmie Wilcher And His Orchestra, Camille Howard, Paul Boyers Band, Pattie Parish, Clarence Garlow, Maurice King and His Wolverines, Floyd Dixon, Aggie Dukes, Otis Blackwell, Duke Groner, Big Bertha, Linton Garner & All-Stars, Austin Powell, The Ontarios with Frank Motley & His Crew, Toni Jordan, Christine Kittrell, Harmonica "Blues King" Harris¸ Donald Woods & The Vel-Aires, and Sax Mallard.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JMAN 091LP
|
LP version. 180-gram LP in tip-on sleeve with download code and insert bearing liner notes, interview, and pictures. Numbered edition of 1500. Jazzman Records present the first reissue of Mor Thiam's Dini Safarrar (Drums Of Fire), originally released in small numbers as a custom pressing in 1973. The compelling Dini Safarrar by Senegalese drummer Mor Thiam has gained cult status around the world amongst enthusiasts of jazz, funk, hip hop and African music, and has achieved grail status among LP collectors. Faithful to the original and made with the blessing and cooperation of Mor Thiam himself, as well as his son Aliaume Thiam, otherwise known as hip hop and R&B superstar Akon. Mor Dogo Thiam (pronounced "Chahm") is a cultural historian, dedicated philanthropist and genius on the djembe. He began his career as a drummer while a young boy in his native Senegal before moving to St. Louis, Missouri in the early 1970s, where his unique musical skills earned him the respect of the local jazz community. A fusion of the traditions of his Senegalese upbringing and the funk and jazz sounds of his new environs, Dini Safarrar was entirely self-funded and was also conceived as a benefit album, with all the proceeds donated to famine relief in Africa. The subtitle and translation of Dini Safarrar is "Drums Of Fire", though it may be more aptly described as "Drums Of Krakatoa", such is the explosive intensity captured within the grooves. The multitude of pulsating percussive elements throughout each track creates an intense rhythmic dissonance, the musical equivalent of an erupting volcano. It can be no coincidence that the energy and passion of Akon's music was duly ignited by his father's very same Drums Of Fire. May the legacy continue, God bless Akon.
|
viewing 1 To 25 of 204 items
Next >>
|
|