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viewing 1 To 25 of 84 items
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7"
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BJR 45032EP
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$17.50
PREORDER
RELEASE DATE: 5/10/2024
Introducing the much anticipated 7'' vinyl featuring two standout tracks from Sami Galbi. Face A is "Dakchi Hani," a poignant post-breakup anthem blending raï influences with contemporary rhythms, offering a humorous take on navigating emotions. Face B showcases "Rruina," a powerful follow-up track that delves deeper into darker, club-oriented sounds, pushing the boundaries of Swiss-Moroccan raï-chaabi fusion. Seamlessly transitioning from the raw synths and bouncing rhythms of "Dakchi Hani" to the tension-filled atmosphere of "Rruina," this vinyl promises a captivating journey through Sami Galbi's musical evolution. With each track tailored for the dancefloors, this vinyl release is poised to explode with energy wherever it goes.
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BJR 097LP
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LP version. After a successful tour following the release of Alors Quoi (BJR 061LP, 2022) on Bongo Joe records, accompanied by a drummer/percussionist change, the prospect of what comes next naturally arose. Elements surfaced, including a desire for more low frequencies, a fascination with the marimba/vibraphone, and a liberating indifference to the difference between recorded and live performances. To evolve, the team collaborated with outsider Kwake Bass, known for collaborations with Kae Tempest, Tirzah, Mica Levi, and others. Despite aesthetic differences from Meril Wubslin's previous albums, this divergence was seen as key -- an enriching risk that resulted in a unique blend of influences. The acoustic core of Meril Wubslin now embraces electronic elements, revealing a more powerful and urban dimension. While maintaining a commitment to French lyrics, the themes explore the concrete yet remain grounded in the intimate and the sensitive, avoiding overly clear and univocal messages.
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BJR 087LP
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Bongo Joe presents the release of Zonder Pardon, new album of Amsterdam based superstar Don Melody Club. Crazy covers, amazing composition driven by his iconic drum machine groove, this album is sweet candy for music lovers. Sung in his native Dutch (as are all his songs), "Tederheid" is a celebration of the beauty and power of mutual affection. With its uptempo drum machine rhythms, pulsating basslines, and funky melodies, the synths and vocals echo the work of Talking Heads and Bryan Ferry (Roxy Music), but the result is unmistakably Don Melody Club. The wonky "Koud Kwartier" evokes memories of the Nederwave sound of Doe Maar, a Dutch pop band that combined punk, ska, and reggae influences, first formed in 1978. Whilst many of his Dutch peers bypass Holland as a place for enlightenment, choosing to pivot and look far and wide for inspiration, Madjid felt drawn to the literary and musical tradition of the flatlands, following in the footsteps of both classic and lesser known Dutch troubadours such as Ramses Shaffy and Ronald Langestraat.
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BJR 094LP
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LP version. First reissue of these cult 1974 recordings of a Mayan brass band playing funeral dirges and popular songs in its distinctive extended harmonic and rhythmic style. The members of the San Lucas Band lived in the mountain village of San Lucas Tolimán, Guatemala, playing local events of both religious and social nature. The pride of their town since 1922, the band represented a fast-disappearing musical tradition when these recordings were originally released in 1975. Their unique sound derived from an unusual combination of instruments, a repertoire including pieces dating from more than fifty years before the recordings were made to more recent ones, and above all from the highland Maya style of their playing, which is characterized by a preference for freer rhythmic structures and a wider variety of pitches than Western scales allow. One of Jon Hassell and Charlie Haden's favorite records, it was nominated for a Grammy Award upon first release and has remained much beloved by a small community of enthusiasts for decades. A profound and rewarding musical experience for all adventurous listeners, notably fans of Albert Ayler, microtonal and raw cosmic music.
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BJR 098LP
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LP version. Merengue Típico: Nueva Generación! delves into the heart of Dominican merengue, a genre whose significance often eludes the spotlight. Bongo Joe's venture into unexplored terrain takes the listner to the Caribbean, specifically the Dominican Republic, shedding light on its musical tapestry. Curated by Xavier Daive, aka Funky Bompa, the compilation unveils rare '60s and '70s gems, providing a glimpse into a transformative period following the fall of the Trujillo regime. With over 20 years in the Dominican Republic, Xavier Daive meticulously sources original 45s, offering a snapshot of merengue's evolution during a creatively charged era post-Trujillo. The genre's roots, dating back to the 19th-century Dominican Republic, predate salsa, establishing its unique identity with the introduction of accordions via German trade ships. The genre's classic típico configuration emerged in the mid-'60s, leaving a lasting impact on its evolution. Focused on the explosive '60s and '70s merengue típico scene, influenced by genre pioneers like "Tatico" Henríquez and Trio Reynoso, the compilation showcases technical finesse and high-speed rhythms. Tracks like Rafaelito Román's "Que Mala Suerte" embody the genre's infectious energy. Aristides Ramírez's "Los Lanbones" adds a touch of humor, cautioning against pub freeloaders. Merengue Típico: Nueva Generación transcends the realms of a typical reissue; it's an immersive journey into the roots of Dominican merengue, expanding its narrative beyond borders to enrich the global musical landscape. This compilation goes beyond individual tracks, providing a historical and cultural context, enriching the listener's understanding of the genre's evolution in the Dominican Republic during a crucial period. Designed for both connoisseurs and wild dancefloors, this compilation is not only a historical and cultural exploration but also a treasure trove for DJs seeking to infuse their sets with the vibrant rhythms of merengue típico. Also featuring Trio Rosario, Fefita La Grande, Bilo Y Sus Típicos, Negrito Figueroa, Trio Royecell, and Victor Suriel Y Trio Rio Verde.
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CD
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BJR 097CD
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$16.00
PREORDER
RELEASE DATE: 3/1/2024
After a successful tour following the release of Alors Quoi (BJR 061LP, 2022) on Bongo Joe records, accompanied by a drummer/percussionist change, the prospect of what comes next naturally arose. Elements surfaced, including a desire for more low frequencies, a fascination with the marimba/vibraphone, and a liberating indifference to the difference between recorded and live performances. To evolve, the team collaborated with outsider Kwake Bass, known for collaborations with Kae Tempest, Tirzah, Mica Levi, and others. Despite aesthetic differences from Meril Wubslin's previous albums, this divergence was seen as key -- an enriching risk that resulted in a unique blend of influences. The acoustic core of Meril Wubslin now embraces electronic elements, revealing a more powerful and urban dimension. While maintaining a commitment to French lyrics, the themes explore the concrete yet remain grounded in the intimate and the sensitive, avoiding overly clear and univocal messages.
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BJR 095CD
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Geneva-based duo Bound By Endogamy delivers a heavy blend of rave, synth-punk, and industrial music. Shlomo Balexert and Kleio Thomaïdes are both prominent figures in the local squat and punk scene, having been involved in numerous projects over the past decade. Following several cassette releases and a remarkable debut 7'' on Lux Records, the band presents a self-titled album that combines raw, growling basslines, crisp analog rhythms, and passionate vocals ranging from breathy to fiercely cutting. On stage, the project consists of drums, a sampler, and vocals. Shlomo handles the drums alongside sharp synthesizers, while Kleio delivers powerful vocals reminiscent of a professional boxer. Expect a fusion of DAF and Kleenex with a hardcore edge.
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BJR 095LP
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LP version. Geneva-based duo Bound By Endogamy delivers a heavy blend of rave, synth-punk, and industrial music. Shlomo Balexert and Kleio Thomaïdes are both prominent figures in the local squat and punk scene, having been involved in numerous projects over the past decade. Following several cassette releases and a remarkable debut 7'' on Lux Records, the band presents a self-titled album that combines raw, growling basslines, crisp analog rhythms, and passionate vocals ranging from breathy to fiercely cutting. On stage, the project consists of drums, a sampler, and vocals. Shlomo handles the drums alongside sharp synthesizers, while Kleio delivers powerful vocals reminiscent of a professional boxer. Expect a fusion of DAF and Kleenex with a hardcore edge.
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BJR 098CD
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Merengue Típico: Nueva Generación! delves into the heart of Dominican merengue, a genre whose significance often eludes the spotlight. Bongo Joe's venture into unexplored terrain takes the listner to the Caribbean, specifically the Dominican Republic, shedding light on its musical tapestry. Curated by Xavier Daive, aka Funky Bompa, the compilation unveils rare '60s and '70s gems, providing a glimpse into a transformative period following the fall of the Trujillo regime. With over 20 years in the Dominican Republic, Xavier Daive meticulously sources original 45s, offering a snapshot of merengue's evolution during a creatively charged era post-Trujillo. The genre's roots, dating back to the 19th-century Dominican Republic, predate salsa, establishing its unique identity with the introduction of accordions via German trade ships. The genre's classic típico configuration emerged in the mid-'60s, leaving a lasting impact on its evolution. Focused on the explosive '60s and '70s merengue típico scene, influenced by genre pioneers like "Tatico" Henríquez and Trio Reynoso, the compilation showcases technical finesse and high-speed rhythms. Tracks like Rafaelito Román's "Que Mala Suerte" embody the genre's infectious energy. Aristides Ramírez's "Los Lanbones" adds a touch of humor, cautioning against pub freeloaders. Merengue Típico: Nueva Generación transcends the realms of a typical reissue; it's an immersive journey into the roots of Dominican merengue, expanding its narrative beyond borders to enrich the global musical landscape. This compilation goes beyond individual tracks, providing a historical and cultural context, enriching the listener's understanding of the genre's evolution in the Dominican Republic during a crucial period. Designed for both connoisseurs and wild dancefloors, this compilation is not only a historical and cultural exploration but also a treasure trove for DJs seeking to infuse their sets with the vibrant rhythms of merengue típico. Also featuring Trio Rosario, Fefita La Grande, Bilo Y Sus Típicos, Negrito Figueroa, Trio Royecell, and Victor Suriel Y Trio Rio Verde.
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7"
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BJR 45031EP
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Collignon is a three-piece band with Yves Lennertz on guitar (and bass), Gino Bombrini on drums (and percussion) and Jori Collignon on the keyboards (and taking care of the production). The three friends have been making music together for some time, collaborating in different groups and settings, Jori and Gino as part of the band SKIP&DIE, Gino as a producer for Yves' former group, YĪN YĪN. Collignon initially started developing new material live on stage, allowing for improvisation and exploration. After finalizing these new songs in the studio, the result is an explosive and high-energy mix of sounds that has surprised audiences all over Europe during the past summer. "Viemos de Longe" is high-energy, Funana-inspired groove featuring Gino's distinctive style of simultaneously playing the drums with his right hand and the congas with his left. Cape Verdian themes mix with Yves Thai phin solo, in a psychedelic dubby spring-verbed tape-delayed production. "Visita Noturna" is a bass-heavy track and a bit of a fight with pitch. When performed live it can feel like trying to tame a wild horse on stage.
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7"
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BJR 45029EP
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Cyril Yeterian and Cyril Bondi gave an appointment to the independent scene of Bogotá during their last tour in South America for a day at the Mambo Negro studio, headquarters of Colombian avant-garde music. They recorded two tracks with the Meridian Brothers and special guests Frente Cumbiero, Conjunto Media Luna and Susobrino. The result is explosive, halfway between Brazilian tropicalism, Andean dizziness and the spontaneous Western-Eastern generation dear to Cyril Cyril.
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BJR 100CD
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Almighty duo Hyperculte strikes back with a tremendous third album La Pangée. More than a band, Hyperculte is a superband reuniting two figures of the Geneva subculture scene: Vincent Bertholet (Orchestre Tout Puissant Marcel Duchamp) and Simone Aubert (Tout Bleu, Massicot). If you're not familiar with the band expect some angry krautrock, high-energy post-punk and etheric voices. Facing the collapse of our modern world, its failures, and the dead end we're all rushing in, the band creates a political statement: "this world is dead, glory to the new one." It's about change, fight, hope and rebuilding or communities.
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7"
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BJR 45030EP
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Nusantara Beat strikes back with a brand new 7''. After the success of Djanger/Borondong Garing, Bongo Joe Records and Lamunai Records cooperate again to deliver these two amazing tracks fusing modern influenced grooves and traditional Indonesian sonorities! "Layung" is a '70s Indonesian love song. The song's heartfelt exploration of love serves as a powerful reminder of the beauty found in the Indonesian Archipelago. Nusantara Beat's sound ingeniously wraps this song in a modern 21st-century allure, featuring elements of psychedelic-folk, trip-hop, and various other influences. Allow the soothing waves of Nusantara Beat's music to wash over you, inspiring a deeper embrace of your own heritage and fostering an appreciation for the diverse tapestry of the world that surrounds you. "Kota Bandung" mirrors the Sundanese (capital) city's rich cultural diversity. With harmonious chorus melodies that sing "Bandung" together, it's a testament to the city's spirit. Nusantara Beat's modern interpretation breathes new life into a timeless '70s Indonesian classic. Join this musical odyssey and let "Bandung" transport you to a place of cultural richness and artistic innovation. Experience the pleasure of this Amsterdam-based group paying homage to this beloved city.
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BJR 100LP
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LP version. Almighty duo Hyperculte strikes back with a tremendous third album La Pangée. More than a band, Hyperculte is a superband reuniting two figures of the Geneva subculture scene: Vincent Bertholet (Orchestre Tout Puissant Marcel Duchamp) and Simone Aubert (Tout Bleu, Massicot). If you're not familiar with the band expect some angry krautrock, high-energy post-punk and etheric voices. Facing the collapse of our modern world, its failures, and the dead end we're all rushing in, the band creates a political statement: "this world is dead, glory to the new one." It's about change, fight, hope and rebuilding or communities.
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BJR 089LP
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LP version. Ndox Electrique results from the collaboration between François R. Cambuzat, Gianna Greco (also known for their work with Ifriqiyya Electrique), and the n'doëp community in Senegal. The project originated from the duo's quest to trace the origins of North African rituals, which led them to the Lebu community in Cap-Vert, an isolated region at Africa's westernmost point. The album seamlessly blends the duo's electronically-infused avant-rock with the intense, ritualistic vocal chants and rhythmic percussion of the n'doëp community. It serves as a captivating bridge between these two musical worlds, capturing the essence of this cross-cultural collaboration. The text also highlights the challenges of merging Western rock and experimental influences with the sensibilities of their Senegalese collaborators, ultimately resulting in a unique and powerful musical experience. Ndox Electrique transcends cultural boundaries, immersing listeners in the enchanting sounds and mystical narratives of Western Africa.
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BJR 089CD
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Ndox Electrique results from the collaboration between François R. Cambuzat, Gianna Greco (also known for their work with Ifriqiyya Electrique), and the n'doëp community in Senegal. The project originated from the duo's quest to trace the origins of North African rituals, which led them to the Lebu community in Cap-Vert, an isolated region at Africa's westernmost point. The album seamlessly blends the duo's electronically-infused avant-rock with the intense, ritualistic vocal chants and rhythmic percussion of the n'doëp community. It serves as a captivating bridge between these two musical worlds, capturing the essence of this cross-cultural collaboration. The text also highlights the challenges of merging Western rock and experimental influences with the sensibilities of their Senegalese collaborators, ultimately resulting in a unique and powerful musical experience. Ndox Electrique transcends cultural boundaries, immersing listeners in the enchanting sounds and mystical narratives of Western Africa.
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BJR 093CD
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Following on from 2020's debut album Vodou Alé and two EPs last year, the collaboration between Haitian seven-piece Chouk Bwa and Belgian production duo The Ångströmers return with their second album Somanti. Full of Afro-Caribbean voodoo polyrhythms and bass-weight dub electronics, the group count the likes of Gilles Peterson, Gideon Coe, Trevor Jackson, and Worldwide FM as fans. Brutally separated by the COVID crisis, the band went back on stage in 2022 and performed about thirty concerts in Europe. Between two concert series, they took the opportunity to record their live set. The connection between the well-preserved vodou tradition on one hand, and analog electronics on the other hand, gets deeper and deeper, with also a kind of rage due to the incredible difficulty of the world. The musical result is wild and full of twists and blasts. It's in-your-face.
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BJR 093LP
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LP version. Following on from 2020's debut album Vodou Alé and two EPs last year, the collaboration between Haitian seven-piece Chouk Bwa and Belgian production duo The Ångströmers return with their second album Somanti. Full of Afro-Caribbean voodoo polyrhythms and bass-weight dub electronics, the group count the likes of Gilles Peterson, Gideon Coe, Trevor Jackson, and Worldwide FM as fans. Brutally separated by the COVID crisis, the band went back on stage in 2022 and performed about thirty concerts in Europe. Between two concert series, they took the opportunity to record their live set. The connection between the well-preserved vodou tradition on one hand, and analog electronics on the other hand, gets deeper and deeper, with also a kind of rage due to the incredible difficulty of the world. The musical result is wild and full of twists and blasts. It's in-your-face.
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LP
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BJRA 003LP
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After the success of Cruise Control repress, Les Disques Bongo Joe are proud to announce the official reissue of Polymood, second album of L'Éclair and maybe their most renowned project for the moment. Recorded live in Amsterdam by the wizard Japser Gelük (Altin Gün, Allah Las, Jacco Gardner), this library-groove-oriented album goes deep into L'Éclair influences back in the days: Piero Piccioni, AIR, Sly Stone or Can.
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BJR 088CD
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Lalalar is back with a new album on Les Disques Bongo Joe! After setting European stages on fire with the release of their first LP in 2022, the mighty Turkish band returns with En Kötü Iyi Olur, an album that reflects their image: edgy, independent, political, and tremendously effective. With their roots in Anatolian poetry and sonorities, but their focus on a club-oriented, uncompromising rock, Lalalar has not given up and is once again ready to turn everything upside down. The streets of Istanbul have always been a melting pot of political energy, social furor, and intense musical progression. It's a hotbed of riotous sounds and artists looking for new outlets and sound; a bi-product of youth culture who have been living under the rule of Erdoğan for almost a decade. It's from these streets that the band Lalalar came to fruition. The alternative electronic-activists Ali Güçlü Şimşek, Barlas Tan Özemek and Alican İpek are radicals in terms of their political ideology of sounds; outspoken, ideological, and full of energy, ripe for the dancefloor.
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BJR 088LP
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LP version. Lalalar is back with a new album on Les Disques Bongo Joe! After setting European stages on fire with the release of their first LP in 2022, the mighty Turkish band returns with En Kötü Iyi Olur, an album that reflects their image: edgy, independent, political, and tremendously effective. With their roots in Anatolian poetry and sonorities, but their focus on a club-oriented, uncompromising rock, Lalalar has not given up and is once again ready to turn everything upside down. The streets of Istanbul have always been a melting pot of political energy, social furor, and intense musical progression. It's a hotbed of riotous sounds and artists looking for new outlets and sound; a bi-product of youth culture who have been living under the rule of Erdoğan for almost a decade. It's from these streets that the band Lalalar came to fruition. The alternative electronic-activists Ali Güçlü Şimşek, Barlas Tan Özemek and Alican İpek are radicals in terms of their political ideology of sounds; outspoken, ideological, and full of energy, ripe for the dancefloor.
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BJR 086LP
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LP version. Coco María and Bongo Joe reunite for the second edition of Club Coco, featuring a sackful of Latin inspired tracks from international bands and producers. All the songs were selected by Coco María, who in recent years has gone from a promising up-and-comer to an ever-present and influential figure in the music industry, widely known for her tireless work shining a light on contemporary, pan-Latin roots music around the world, through both her live DJs sets and eclectic radio sessions. This compilation brings together several of the most respected and innovative artists on the frontiers of tropical music today. Those who take the energy, melodies and textures of classic Latin music and turn those gems into songs tailor-made for a new generation of music lovers. Simply put, it's a record for those diggers who jump with excitement when they find a vinyl reissue of some Latin star of the past, be it Joe Arroyo, Los Mirlos, or Aniceto Molina and then wonder, "This classic music sounds amazing, but where are the bands that are taking these sounds to new places?" Features Raz Olsher, Los Pirañas, Lola's Dice, Guess What, Acid Coco, Juan Hundred, Las Mijas, Dip In The Dub, Chupameeldedo, Guess What, Candeleros, Iko Chérie, Ronald Snijders, and Raz Olsher.
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BJR 086C-LP
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LP version. Yellow pineapple vinyl. Coco María and Bongo Joe reunite for the second edition of Club Coco, featuring a sackful of Latin inspired tracks from international bands and producers. All the songs were selected by Coco María, who in recent years has gone from a promising up-and-comer to an ever-present and influential figure in the music industry, widely known for her tireless work shining a light on contemporary, pan-Latin roots music around the world, through both her live DJs sets and eclectic radio sessions. This compilation brings together several of the most respected and innovative artists on the frontiers of tropical music today. Those who take the energy, melodies and textures of classic Latin music and turn those gems into songs tailor-made for a new generation of music lovers. Simply put, it's a record for those diggers who jump with excitement when they find a vinyl reissue of some Latin star of the past, be it Joe Arroyo, Los Mirlos, or Aniceto Molina and then wonder, "This classic music sounds amazing, but where are the bands that are taking these sounds to new places?" Features Raz Olsher, Los Pirañas, Lola's Dice, Guess What, Acid Coco, Juan Hundred, Las Mijas, Dip In The Dub, Chupameeldedo, Guess What, Candeleros, Iko Chérie, Ronald Snijders, and Raz Olsher.
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7"
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BJR 45027EP
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Colombian synth metal duo. Former members of Meridian Brothers and Romperayo (Eblis Alvarez, Pedro Ojeda) this duo is devoted to the strangest takes on Colombian music and all kinds of rituals and dogmas manifests in their first two albums. The duo overtakes all the religions both ancient and modern, from Catholicism, satanism, and political ideologies/religions, climate change, gender religion, political correctness, and beyond, Chupame El Dedo extremes synth metal and tropicalism to its bizarre edges. The duo went that far, where the ritualism the drugs and alcohol and the vices of the showbiz let them like junkies in the streets of their native Bogota. Fortunately, the duo decided to go on rehab. Now, they are awake and go into new age ideologies. Fighting for climate change political correctness and a hard crusade for good morality (also trying to organize their own NGO, getting government funds for The Good), this new work of Chupame El Dedo is a new face of the duo in a moral, and correct path.
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7"
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BJR 45028EP
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Nusantara Beat, the six-piece band hailing from Amsterdam, is quickly becoming a must-see act. With a deep connection to their Indonesian roots and a passion for honoring their cultural heritage, Nusantara Beat brings a fresh and modern take on traditional Indonesian music. Nusantara Beat creates a unique sound that blends traditional Indonesian songs from the 20th century with their own style and creativity. The result is a mesmerizing mix of tropical and mystical sounds that take the audience on a journey to the land of their ancestors. But Nusantara Beat isn't just about honoring tradition. They also strive to showcase the rich diversity of Indonesian music and take it into the future. With their music, they pay tribute to traditional sounds while bringing their own innovative twists to the mix.
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