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2LP
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KOS 402LP
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Double LP version. "With the untimely passing of Damon Edge in '96, Helios Creed has taken over the helm of Chrome, overseen the mixing, mastering and release of last year's Half Machine From The Sun, The Lost Tracks album, and assembled a band of veteran and newer members. This is their brand new studio album."
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CD
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KOS 402CD
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"With the untimely passing of Damon Edge in '96, Helios Creed has taken over the helm of Chrome, overseen the mixing, mastering and release of last year's Half Machine From The Sun, The Lost Tracks album, and assembled a band of veteran and newer members. This is their brand new studio album."
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CD
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KOS 401CD
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"Reissue of the 2003 Dossier Records album featuring Helios Creed and Damon Edge. Angel of the Clouds, incorporated music from tapes that Damon Edge had recorded prior to his death. Damon and Helios had been talking about putting out another joint Chrome effort. Angel of the Clouds was intended as Helios Creed's tribute to the memory of Damon Edge."
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2LP
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KOS 400LP
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Repressed; double LP version. "Tracks recorded by Helios Creed and Damon Edge in '79 and '80, during the Half Machine Lip Moves and Third from the Sun period, but never released."
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CD
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KOS 400CD
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"Tracks recorded by Helios Creed and Damon Edge in '79 and '80, during the Half Machine Lip Moves and Third from the Sun period, but never released. About this era Helios recently wrote: 'We were into Iggy and the Stooges, and punk shows started happening at the Mabuhay Gardens in 1976 which was right there in North Beach too, at the end of the Broadway strip. It was the most fun era of my life. The punk scene had an incredible energy and fire. Then the Sex Pistols came out with Never Mind the Bullocks in 1977 and we released Chrome's second album Alien Soundtracks the same year and the whole punk thing exploded. Next we released Half Machine Lip Moves in 1979 and it and Alien Soundtracks took over in the punk world. Our record covers filled the windows of record stores and I was in awe. We weren't really a traditional punk band. Nobody else sounded like us. We were more of a psychedelic band, but a punk version of psychedelia, acid-punk. But I was influenced by the punk scene, because the music was experimental and free, but still hard and solid. punk's guitar was fucked up and without rules. So it was a great scene to keep developing my sound and my approach to guitar. Damon and I were both into expanding the possibilities. We fed off of each other in our experimentation and as we created we'd both like the same things. There was this thing that Damon and I called 'the Chill Factor' where if its really good you get goose bumps, and we used to get the 'Chill Factor' at the same time. We shared concepts about how to approach music and we pushed the limits and that is how I guess we became known as proto-industrial, because we expanded the possibilities of what music at the time could sound like and people were influenced from there. Damon's and my meeting had become a catalyst for the birth of a whole new sound.'"
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