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12"
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LPY 001EP
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Following Fiume Nero (2014), the young Italian composer has moved from the raw primordial chaos that characterized his first work to develop a reflection on how a hypothetical absence of humans and biological life could modify industrialized and civilized spaces. Using field recordings, obscure samples, and FM synthesis, Epiro draws his abstract landscapes as a series of overexposed and imprecise pictures made by concrete and organic architectures, amorphous rhythmic patterns, and repetitive sequences. The result is a record that plays with taut minimal touches, inspired by the work of Egisto Macchi, Angus MacLise, Demdike Stare, and Fis.
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CD
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LPY 000CD
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Following a series of EPs on the likes of Samurai Horo and Tri Angle, Olly Peryman wrote The Blue Quicksand Is Going Now during stints living in Europe and his hometown of Wellington, New Zealand. The album strikes a spectacular balance between the meditative and disruptive, and marks a continued move away from the high-octane experimental D&B productions that initially marked Peryman out (notably 2012's Duckdive EP), toward something that both viciously rips away and cascades with calm. Ultimately, despite its alien sounds, it is a move toward something more human; sonic explorations made in glorious isolation. Hand-drawn artwork by Brian DeGraw.
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LP
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LPY 000LP
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LP version. Following a series of EPs on the likes of Samurai Horo and Tri Angle, Olly Peryman wrote The Blue Quicksand Is Going Now during stints living in Europe and his hometown of Wellington, New Zealand. The album strikes a spectacular balance between the meditative and disruptive, and marks a continued move away from the high-octane experimental D&B productions that initially marked Peryman out (notably 2012's Duckdive EP), toward something that both viciously rips away and cascades with calm. Ultimately, despite its alien sounds, it is a move toward something more human; sonic explorations made in glorious isolation. Hand-drawn artwork by Brian DeGraw.
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12"
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XXOLPX 001EP
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"Loopy opens its account with a double dose of disorientating, hypnotic botheration from Oliver Peryman: 'Speech Spirits' is darting and hyper; 'Knecht' more haunted, percussive. Some elastic, bubbling funk from Kassem Mosse on the flip; and twelve minutes of the frighteners from Oren Ambarchi."
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