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LP
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SUDI 002LP
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Restocked, lower price. A reissue of Les Frères Mégri's Mahmoud, Hassan Et Younes, originally released in 1974. Les Frères Mégri was a Moroccan rock band formed in Oujda, Morocco in the late 1960s. The band consisted of four members: the three brothers, Hassan, Mahmoud, and Younès, and their sister Jalila Mégri. Before the creation of the band, the Megri brothers were popular session musicians, composers, and producers in Morocco, starting in the late '50s. In the early '70s, Hassan and Mahmoud released four singles as Les Frères Mégri: El Harib/Heya Essamra, Galouli Ensaha/Kellemtini, Sebar/Ououd Ou Chouk in 1971 and Sabar/Chaaltiha Nar in 1972. This LP, their second album simply titled Younes Hassan Mahmoud and a collaboration between all three brothers, was released in 1974. They re-recorded some of the singles tracks with Younes and the result is one of the finest examples of the early '70s progressive, psych, folk sounds coming from North Africa and beyond. This is an album that stands as a high point for the genre globally. A baroque folk approach that demonstrates utterly mesmerizing results, psychedelic, electric guitars, sitars, bongos, swirling multi-tracked vocals that sound like prime era Fairport Convention, Pentangle, Trees, and the first two Pink Floyd albums -- It is of that pedigree. A holy grail LP that has been near impossible to locate for over 40 years. Beautifully remastered, it's presented here in its first ever reissue. Edition of 500. Includes the track "Leili Twil" -- once covered by the Sun City Girls on their 330,003 Crossdressers from Beyond the Rig Veda album.
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LP
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NASS 001LP
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Formed in 1971, Nass El Ghiwane's five members first performed in the avant-garde of Morocco's underground theater scene. Following their debut performance as a band in Rabat at Tayeb Seddiki's Mohammed V Theatre, their songs became the 1970s anthems of Moroccan youth -- nationalist, rebellious, experimental, and bygone all at once. They are Morocco's most enduring musical legacy. They modernized the way music was transmitted to the disenchanted and rebellious youth of their country. Their concerts would turn into riots as their music and lyrics incited deep affection from their virulent fan base. Their music echoes medieval Moroccan oral traditions; coming from the Gnawa trance music of their ancestors, they sang tales of Sufi mystics and wrote lyrics that criticized the conservative monarchy of Mohammed V. They were the first to introduce the banjo, guembri, and colloquial Moroccan Arabic in their version of the shaabi genre. Nass El Ghiwane were a huge influence on Algeria's modern Raï movement, as Cheb Khaled started his career covering Nass El Ghiwane's songs. This is exemplary trance music and the foundation of the modern era in Moroccan music. Martin Scorsese has called them "The Rolling Stones of Morocco." It could be argued that Scorese's claim would be more accurate if the Stones were fronted by Bob Dylan. This is the first ever vinyl reissue of their third album from 1976, one of the most desired LPs in their legendary discography. Fully remastered sound. Limited edition of 500 copies.
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