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LP
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TRD 011LP
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"Multiphonic trills and yodels, loops of ululations, sudden percussive outburst, warbling glissandi. Ute masks her voice with bird whistles creating a hybrid vocal persona with sculptural, oscillating, swirling tone-colours. The vocal sounds seem to be disconnected from the human voice dissolving into the sounds of birds, of machines, of electronics, of fragmented language." "Ute Wassermann's vocal practice is so unique and specialized that it seems to challenge our ability to understand it's sounds as vocal." --Aaron Cassidy, Noise in and as Music, University of Huddersfield Press, 2013 "Wassermann sings as a bird, rather than like one. And as philosophers Gilles Deleuze and Félix Guattari point out in A Thousand Plateaus, 'Becoming is never imitating ... The Wassermann soundworld takes form within waveflows and fluctuating particles." --Julian Cowley, Outer Limits Review, CD review radio tweet, The Wire, March 2016 (Issue 385)
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LP
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TRD 010LP
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"Fascinating, historically important and previously publicly unheard recordings of the great Irish author and playwright Brendan Behan. These tapes became the source for his book Confessions of an Irish Rebel, posthumously published in 1965 following his tragic death the year before. They were recorded by his friend and confidante Rae Jeffs in the Chelsea Hotel, NYC in 1960. Transferred for the first time from the original ¼" tapes, with a sleeve made from another unseen artefact from Jeffs' archive -- a postcard from Brendan to Rae."
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LP
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TRD 009LP
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2022 restock. "J Spaceman and J Coxon play the music of The Red Krayola! Trems, feedback, metronomes and a music box... This recording was made during preparation for a joint performance by J Spaceman and J Coxon as part of: Art and Language: Letters to The Jackson Pollock Bar in the Style of The Red Krayola, Lisson Gallery New York, October 2019. The idea was to attempt to do a cover version of The Red Krayola's radical and unrepeatable performance at the Angry Arts Festival in 1967. Spaceman and Coxon listened, separately, to the recordings from the Venice Pavilion Concert and then got together to try to play a version of it without rehearsal. This is a recording of that that anti-rehearsal which they then attempted to repeat in NYC a week later at the Art and Language Lisson Gallery show. Cover by Art and Language from their work ten posters, 2018."
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LP
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TRD 008LP
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2021 repress. "Originally recorded direct to disc and released by Incus in 1978, this new edition from Treader is pressed from the original stampers. Hand-finished sleeve. 'Parker uses rapid tonguing techniques and circular breathing to create a sound all his own, marked by the simultaneous intonation of multiple notes. One hears a note as well as all the residual tones around it; each breath ends up sounding like a battle between the different registers of the horn. At various times, Parker's saxophone sounds like dolphin speech, electronic tape squeals, or human murmurs; namely, anything but what it actually is. His language on the instrument is essential listening for anyone interested in acoustic experimental music' --AllMusic. 'Eight years after Topography Of The Lungs, and two years after his Saxophone Solos, Monoceros was the most muscular statement of Evan Parker's solo saxophone muse. Superbly recorded, it seemed to place the listener within the chaotic air flows of the saxophone's own tubing. Philip Clark said: 'Parker's dialogue with the saxophone throws up so much that is unexpected, and indeed unknowable, that the problem he faces is how to keep pace with his own invention' --The Wire, Best Albums Of The Year."
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12"
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TRD 001EP
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"Bombscare is an extraordinarily lush, poignant collaboration between quiet rockers Low and experimental electronic duo Spring Heel Jack. Spring Heel Jack provides the musical collage as a background for the harmonies and solo vocals of Low's Mimi Parker and Alan Sparhawk. Their production creates an icy cathedral of sound that... when it was released nearly 20 years ago, sounded unlike anything else in either band's discography. 'Bombscare' bleeds mood, space, and texture as sounds ring out and echo into the distance. 'Hand So Small' works like a literate lullaby as musical flourishes appear from thin air, a piano haunts the outskirts of the song. 'So Easy (So Far)' is perhaps the most traditional Low song, but Spring Heel Jack manages to make the band sound like they're singing modern day Brothers Grimm tales. 'Way Behind' is a stunning closer. It's a truly exhilarating song that sounds like it was recorded in heaven, as Parker and Sparhawk again take turns singing angelically over a jazzy electronic stew full of subtle found-sounds. Bombscare hints at the musical turn Spring Heel Jack would take on Masses and presents Low at the absolute peak of their powers. It's too bad the collaborators didn't compile an entire album's worth of material, as these 16 minutes seem magically fleeting. Bombscare couldn't be a more superb collaboration between these innovative artists." --All Music
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LP
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TRD 007LP
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"Featuring John Edwards, Mark Sanders and Evan Parker. The interventions of Spring Heel Jack -- sly repetitions, uncanny intrusions of feedback and melody, expansive organ chorales -- subtly transform the proceedings, focusing with microscopic precision on the dramatic power and lyrical poise of their collaborators and throwing the sonic complexities of the ensemble into vivid contrast."
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LP
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TRD 006LP
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"'The second About Group recording for Treader, this time replacing Charles Hayward with Rupert Clervaux. His elegant drumming takes the group into new territories which together with Coxon's simple and insistent guitar themes forms a regular backbone for four extended group compositions containing a surprising collision of sounds and influences. Pat Thomas, with his background in free jazz and improv, and Susumu Mukai, more commonly heard in the company of Floating Points, make strange bedfellows with Alexis Taylor's mooger-foogered rhodes, but somehow it all crystallizes perfectly. The clearest precedent for this engaging recording is Ege Bamyasi-era Can, but really it occupies a position of its own.'"
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LP
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TRD 005LP
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Repressed. "'J. Spaceman recorded this strange record at his own Amazing Grace Studio in June 2005. Hard to describe in words, it contains elements of systems musics with gamelan-like overtones. Looped cells are contained within longer improvisations, forcing the listener to engage with and make some order from the insistent chaos. Music without precedent or tradition- a perfect companion piece to the new Spiritualized LP.'"
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LP
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TRD 004LP
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2022 repress. "'Afro-Danish saxophonist John Tchicai spent his youth playing alongside the greats- recording and performing in NYC with Albert Ayler, John Coltrane, Archie Shepp and Don Cherry amongst many others. Following a meeting at the Coimbra Jazz festival in 2004, he agreed to record with John Coxon and Ashley Wales. The beautiful resulting album sold out almost immediately on its release in 2005 and is available here for the first time on vinyl. Eloquently balanced between Eric Dolphy and Lee Konitz, his 'wise and lyrical' alto saxophone and bass clarinet playing make this 'one of his finest recordings' [Richard Williams in The Guardian] Essential."
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LP
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TRD 003LP
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"Electronic duo Spring Heel Jack return with a collaboration with the legendary American trumpeter and Pulitzer Prize nominee Wadada Leo Smith. Wadada was born in the Mississippi Delta and became immersed in the music of the great blues masters as a young musician. He then moved to Chicago and became an early member of the AACM alongside the likes of Muhal Richard Abrams, Anthony Braxton, Malachi Favors and Roscoe Mitchell. Recorded last year in London, this LP sees Smith's authoritative trumpet joined by Steve Noble's drums and Pat Thomas' piano, to make a stunning piece of aural theatre in six acts."
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LP
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TRD 002LP
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"Hot Chip frontman Alexis originally presented these recordings on Treader in 2008 -- his debut solo recording. Finally available on LP, this set of intimately recorded, bespoke songs and instrumentals is dedicated to his partner, Keri Darn. Charming and disarming."
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LP
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TRD 001LP
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2021 repress. "One of Treader's most requested recordings sees the great UK free saxophonist Evan Parker on soprano and tenor saxophones, duetting with European birdsong. A fitting tribute to his friend, the celebrated soprano saxophone player Steve Lacy, who died in the year of its initial release."
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CD
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TRD 011CD
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"Extraordinary clarinetist Alex Ward in his first solo recording. In the tradition of For Alto and Monoceros: one musician and one instrument." Recorded at Abbey Road Studios, 2008. Gold embossed paper sleeve packaging.
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CD
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TRD 012CD
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Solo album from the singer of Hot Chip! Not necessarily a typical release for Treader, as this is mostly very accessible song-based material -- there's also some more freaked out improv-based stuff. Vocals, guitar, organ, drum machine, etc. Guests include Treader's John Coxon (Spring Heel Jack). Has nothing to do with porn stars or pirates. And, includes a Paul McCartney cover. "Exclusively tailored in places, planes, hotel rooms and at home. Fifteen bespoke songs and instrumentals by Alexis Taylor."
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CD
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TRD 010CD
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Three new releases on the always inspiring Treader label, packaged as usual in deluxe card stock sleeves with gold embossed covers. For Spacemen 3/Spiritualized's J Spaceman, this is his followup to the highly regarded Guitar Loops CD on Treader from 2006. "Spaceman and Shipp return to Treader with a collaboration first outed for Patti Smith's Meltdown festival. This is their studio corollary to that concert. Magic golden voice drone followed by celestial ecstasy." Recorded at Abbey Road Studios, 7/19/06. Featuring: J Spaceman (Vox Starstreamer) and Matthew Shipp (celeste, Golden Voice Harmonium).
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CD
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TRD 004CD
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"Acoustic trio with John Coxon [acoustic guitars], Ashley Wales [found percussion etc.] and AMMs Eddie Prevost. A slowly evolving and spacious piece originating from reading Eddie's book Minute Particulars."
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