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LP
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FTR 340LP
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"Unlike the last Bang! Bros. record we did (12/12/12, FTR 170LP), this one's frilly style was not dictated so much by a date as by time. According the jacket's notations, it was recorded in less than an hour in October, 2016. What? You might cry. What kind of a goddamn record can be recorded in under an hour? We'd like to point out that such live classics as Metallic K.O. (1976) and Mars Live at Artists Space (2011) were recorded inside those temporal parameters. Futhermore, we should point out that Bang! Bros. are a duo who live by the rules of real time interaction. They do not attempt to step in the same river twice. Theirs is a journey that leads only in one direction -- ever outward! The pair of musicians who are the Bang! Bros. (Mark Johnson and ARKM Foam) make a huge effort to always assure their attempts to manipulate electronic splint-chutes of all manners are observable as live events (observed either by eye, nose and ear, or ear alone). In the case of recordings, we are asked to accept the word of these gentlemen that their output is of the living variety, but they have never given us reason to doubt them, so why should we start now? The music on Hard Rocks Vol. 21 (only a few other volumes of which I have had actual access to) is the brilliant, spaced and sprongy, fast edit head wrench we have come to expect of the Bros. It delivers what I'd dare say is a full month's worth of confusion in just over thirty minutes. In this sense, it will be an incredible time-saver for many of us. Let's just get all that confusion jammed in, then we can do some chores! One can only hope that the cartoon on the back of the jacket -- in which Sam Gas Can suggests the Bang! Bros. will go and live in the jungle and forget to eat -- is just his idea of a sick joke. I mean I dunno about you, but if I had to spread my confusion out over the whole month, I'd be well and truly fucked." --Byron Coley, 2018 Edition of 200.
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LP
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FTR 170LP
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"Mark Johnson & Adam Foam (Whitehaus, Hunnie Bunnies, Peace Loving) invent a sorely-needed new free jazz instrument: the drum machine. Instead of stuffing their mouths with too many horns, they use their faces & fingers to punch on too many electronic buttons like Cecil Taylor with his fingers in a wall socket. Pauses, whirs, percussion avalanches & whizbang punch lines with real punch in them. Documentation of their ridiculous attempt to tour 12 cities in 12 hours on 12-12-2012, using battery powered little amplifiers. I myself went to the show in Cambridge, which took place at 9am on the lawn in front of City Hall, and was attended by 4 or 5 freezing passersby, a wedding party, a reporter from the local paper, & a policeman who was distracted from looking for traffic violations. Both gents have since moved away, to Philly & Western Mass respectively, but the band was damned beautiful while it lasted." --Angela Sawyer, Weirdo Records; Edition of 300 copies.
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