|
|
|
|
|
|
|
|
|
|
|
2LP
|
|
KRANK 007LP
|
2024 restock; double LP version. "The debut album from New York City's Bowery Electric was released by Kranky in late summer 1995 after they came to the label's attention via their self-released 2x7-inch Drop EP from the year previous. The first in a trio of albums released by the core duo of Lawrence Chandler and Martha Schwendener finds them in their most raw form. This new double LP version restores the track 'Deep Sky Objects' to the original running order of the album as it was left off of the original single LP version due to side length restraints. This is the first time this album has been available on vinyl in almost two decades, and the first time the Drop EP has been available in any format since original release in 1994."
"The perfect realization of their aesthetic, each word and chord tuned and focused for maximum impact." --Pitchfork "Genuinely hypnotic." --The Wire
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
KRANK 007CD
|
2023 reprint. "The debut album from New York City's Bowery Electric was released by Kranky in late summer 1995 after they came to the label's attention via their self-released 2x7-inch Drop EP from the year previous. The first in a trio of albums released by the core duo of Lawrence Chandler and Martha Schwendener finds them in their most raw form. This new double LP version restores the track 'Deep Sky Objects' to the original running order of the album as it was left off of the original single LP version due to side length restraints. This is the first time this album has been available on vinyl in almost two decades, and the first time the Drop EP has been available in any format since original release in 1994. At the same time, Kranky is making the CD version available once again for the first time in many years, with the Drop EP tracks also included."
"The perfect realization of their aesthetic, each word and chord tuned and focused for maximum impact." --Pitchfork "Genuinely hypnotic." --The Wire
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
KRANK 014LP
|
2023 repress. "The second album from New York City's Bowery Electric was released in late 1996, less than 15 months after their self-titled debut, but it found them having traveled light years musically in the interim, the group having seemingly decided to see how far they could take the guitar/bass/drums/vocal setup into the atmosphere. Every aspect of their approach had been refined and focused: squalling, distorted guitars had been transformed into hazy, sensual sheets; the live drums transmuted to sampled rhythms more in debt to the blossoming down-tempo sound of the day; bass lines reduced to their most basic diagrams; vocals submerged to become one with the narcotized fog of the instruments; even the lyrics were reduced to a few minimal lines used sparingly so as not to overshadow the dynamic. Beat is a lush and dense mantra of shadowy percussion, barely-there vocals and immersive drones that envelops the listener in an opiated blanket of sound. The second in a trio of albums released by the core duo of Lawrence Chandler and Martha Schwendener, Beat is without doubt their definitive artistic statement. Coming 20 years to the day of its original release, this is the first time this album has been available on vinyl in almost two decades, and the first ever U.S. vinyl release."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
KRANK 014CD
|
Transcendent 2nd full length album for the label, recorded 6/96. "With their now familiar sense of economy apparent in the arrangements, Beat finds Bowery Electric adding layers of analog synth and sampled guitars to their 'drone n' bass' foundations, along with programmed loops and live beats; further befuddling those Luddites still wondering whether the band is rock, post rock, ambient or dance." Stolen off the internet, summing things up: "Beat is a STUNNING record. A truly seamless meeting of their dreamy glacial drift, the muscle of the first (Loop-ish) 2x7", and the overpowering dub-erotic feel of Mad Professor/Massive Attack. Organic, metallic, and icy/hot. A compendium of contradictions which is one of the sweetest listens you'll hear all year. They certainly deserve the 'drone & bass' tag -- but don't expect Jenkinson breaks. The electronic elements are kept simpler (and buried)." --G Man II.
|