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LP
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BBI 042LP
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Bobo Integral Records present the deluxe edition of Dead Calm, the debut album by The Boys With The Perpetual Nervousness. This edition enriches the original tracks (now remastered), which were met with immediate success and critical acclaim, with new material and acoustic demos. Also incorporates an expected insert with all lyrics. Upon its initial release in 2019 by Pretty Olivia Records, Dead Calm was celebrated for its melodic craftsmanship. Purepopradio praised it as a "masterpiece of melody and harmony," Powerpopaholic rated it 9/10 and included it in their "best of 2019 list for best power pop this year," and Section 26 recommended it as "Presque indispensable." After two other records, Songs From Another Life and The Third Wave Of (BBI 029LP), it's the time to come back to the record that started it all. The deluxe edition offers fans an exclusive track from the original sessions, "Wouldn't Be Anywhere Else," and six acoustic demos that provide insight into the band's creative process. Reflecting their musical influences, such as The Byrds, R.E.M., Big Star, The Go-Betweens, Teenage Fanclub and the classic power pop era, the band's sound is a contemporary homage to these inspirations. Andrew Taylor is the leader and soul of Dropkick, a wonderful Scottish power pop group with touches of alt-country. Gonzalo Marcos is part of the cult Spanish indie pop group El Palacio de Linares and founder of the Bobo Integral Records label. Now it is time to return to Dead Calm, in a remastered edition, expanded with an unreleased song from those sessions ("Wouldn't Be Anywhere Else") and six acoustic demos that show how the songs were constructed and how they shone already in their embryonic state.
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BBI 029LP
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The third record by The Boys With The Perpetual Nervousness contains ten songs (how not?) and it doesn't last half an hour (why more?). The guitars jangle from minute 0 (delicious "As the Day Begins"). This jangle is complemented by distorted guitars and power pop airs in songs like "Look Back" (a hit with one foot in the romantic power pop of The Keys, The Toms, The Records, the Flamin' Groovies of the Shake Some Action era (1976) and another chasing the vibes of The Cars, Weezer and even The New Pornographers), "In the Right" (the best Graham Parker or Joe Jackson must be named here, and pay close attention to the dub arrangement that splits the song in two) or the most badass "Out of Time", which is as if Weezer, Dinosaur Jr., and Nada Surf were 20 years old and played together. There is a milestone on this album and that is that Mary Lou Lord sings a duet with Andrew throughout the song "Isolation", a beautiful mid-tempo jangle a la The Bevis Frond that takes the Boys to a new dimension. Mary Lou Lord was a colleague of Elliott Smith and Kurt Cobain, a myth of the not-so-underground American music and a unique voice that should have never stopped being the protagonist. "The Stars Go Round", "Open Up the Box", and "Old Ways" are three wonderful compositions linked to the precious indie pop of Teenage Fanclub, Velvet Crush, or The Primary 5. A novelty is the use of the piano on this album, à la E Street Band, à la Attractions, in energetic and splendid songs like "Old Pictures of Ourselves" and "Turning Red". The Boys With The Perpetual Nervousness is a duo formed by Andrew Taylor (Edinburgh), a member of the cult band Dropkick and Gonzalo Marcos (Madrid), from a Spanish indie pop group El Palacio de Linares.
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LP
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BBI 019LP
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The Boys With The Perpetual Nervousness is a remote, atypical music group on the frontiers between indie pop, jangle pop, and power pop. It is a duo formed by Gonzalo Marcos (from Madrid, member of El Palacio de Linares, a group already consolidated in Spanish indie pop) and Andrew Taylor (from Edinburgh, member of Dropkick, a long-lived Scottish cult group). In 2019 they released the album Dead Calm on the Pretty Olivia Records label to great acclaim. The vinyl run sold out in a couple of weeks. The album was featured on the "best of the year" lists by various international media, both American, French, Italian, German, or Japanese outlets, and received praise from artists, such as Mary Lou Lord. They are compared to Teenage Fanclub, The Byrds, Big Star, and Elliot Smith. And here comes the sophomore album, Songs From Another Life, taking a new stride and reaching master heights again. For this second album, confirmation album, The Boys With The Perpetual Nervousness open the range of influences, more American, more exuberant and present a powerful sound with arrangements that make us dream of better days. In addition to Teenage Fanclub, Big Star and The Byrds, there are sonic references to Fountains Of Wayne, Matthew Sweet, Weezer, R.E.M., The Lemonheads, The Beach Boys, and there are even distorted breaks à la Dinosaur Jr. or Sugar. Recorded separately, in two parts, without the two musicians sharing a studio, not even a city: Andrew his part in Edinburgh, at his rehearsal room, Gonzalo his, in San Sebastián, at Yon Vidaur's studios. Applying social distance before it was an obligation. These songs so beautiful, so bright, so stimulating, this pop music of heavenly guitars, can only come from another life, from a life that might never return.
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