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CD/BOOK
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R-N 135CD
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The collaboration of the poet Anne-James Chaton, guitarist Andy Moor and musician Alva Noto is a dense and structured sound design, in which words, rhythms, and melodic loops inexorably blend. Anne-James Chaton reads almost a litany of portraits of people, built from lists of events and objective facts. The list is set in several languages, deliberately repetitive, and becomes a continuous bass line on which the music builds up. The electronic sound structures of Alva Noto perfectly complement the incursions of Andy Moor's experimental guitar playing. Gradually, the prose, the guitar and machines resonate, culminating in a powerful storm both musical and harmonious. The text consists of a collection of 20 portraits written throughout the last decade. These almost photographic sketches are fed from textual blueprints which met the author at some point in time: bank statements, subway tickets, restaurant and shopping receipts are rewritten in prose, composed in simple subject-verb-complements. Each piece of information becomes a sentence; all sentences are short and compact, and in fast succession, they gradually shape a story. Portraits of a nurse, a teacher, an educator, a singer, an astronaut, and many others are placed end to end. The assembly of parallel lives creates a continuous thread, providing a path to follow both extreme banality and great adventures. Actions, places and events are melted in the instance of a third person singular with no indication which is its true identity. It is a disturbance with many possible escape routes of dispersion and emergence. The listener encounters the speeches of German, English, Japanese and other languages, which introduce multiple shifts of meaning. The voice becomes pure sensation; in conjoint with the textures and improvisations delivered by the other musicians, it can submerge to the background and re-emerge again, being pure sonic material stripped off of its communicative function. The significance of words is lost in pure performance and proceeds as yet another texture in the sound. Format: book + compact disc, 128 pages, soft cover, limited edition. Published by Raster-Noton in collaboration with Centre d'Art Mobile (Besançon), Le Lieu Unique (Nantes) and Ibidem (Montpellier).
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CD
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R-N 128CD
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1 ticket "ticket T+ OPTILE ratp - bus tm rer dans paris t sncf - carnet - stif stif stif - 005676486 I 0803 B 14" "Poor literature," that's what French sound-poet Anne-James Chaton calls trivial workaday texts like receipts, metro tickets, newspaper headlines and so on. He has been collecting these kind of texts for years now, always on certain "événements" -- media-related occasions which are of particular interest. Chaton converts them into music. On Raster-Noton, he releases "Evénements n° 20 to 28," which deal with, among others, the investiture of Barack Obama or Michael Jackson's death. The fragments of literature and their musical arrangement remind, due to their precision of the performance, of a human beatboxer. Chaton cuts, loops and samples the spoken texts and assembles them into staccato-like, hypnotizing tracks. The text itself is treated like an instrument; its repetition, its inner rhythms condense the song and push it. Apparently, random chosen phrases are isolated and their original message is transformed, their former simple meaning is extended.
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