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LP
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MORR 209LP
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$34.00
PREORDER
RELEASE DATE: 9/18/2026
Anushka Chkheidze and Robert Lippok continue their collaboration with The Sky Was Out of Tune. Its eight movements form a long-form ambient piece in constant flux: soundscapes emerge from electronic synthesis and layered textures, while small melodies, rhythmic patterns, metallic noises, or distortions drift through like clouds across the sky. But a sky that is out of tune is still a sky. What shifts is the register in which it speaks. The Sky Was Out of Tune emerges from a live performance for Festival of Future Nows at Berlin's Neue Nationalgalerie. Its organically tangled sounds mirror the artists' attention to nature as a system that is never quite in equilibrium. Ecosystems lean, compensate, tip, and recover -- balance, in the natural world, is not a fixed state but a perpetual negotiation. Chkheidze and Lippok take this as both subject and method. Their sounds shift weight between one another, approach resolution and then withdraw from it, hold tension without release -- they find form in the unstable.
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CD
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MORR 205CD
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Anushka Chkheidze and Robert Lippok's Uncontrollable Thoughts on Morr Music is the duo's debut joint release. The Netherlands-based Georgian composer and the German sound artist from Berlin first met in 2019 in the context of a workshop program that took place in Tbilisi, and later worked with Eto Gelashvili, Hayk Karoyi, and Lillevan on the massive Glacier Music II music and book project, released in 2021. This led them to engage in a less conceptually driven form of musicking and real-time composition that corresponds with their respective environments. They draw on traditions such as minimal music or late 1990s and early 2000s electronica to integrate subtle beats with elegiac organ drones, playful melodies with lush textures. The first document of an ever-shifting intergenerational dialogue, Uncontrollable Thoughts is a product of mutual listening outside time. Though Chkheidze and Lippok had access to professional studios, they chose to rent a simple rehearsal space, equipped with only the bare essentials -- bass and guitar amps as well as a small PA -- to maintain immediacy in their working process. The music they made together corresponded to and drew on the respective possibilities and shortcomings of this studio, much like their collaboration in general is characterized by the care with which they approach each other's talents and ideas. While both had loosely defined roles -- Chkheidze was responsible for the free-flowing beat programming and the evocative distortion came courtesy of Lippok, for example -- they individually contributed in different ways to their joint process, which is as free of hierarchies as it is limitless. Hence, the duo's focus on spontaneity and out-of-the-moment emergence makes them organically move beyond tried and tested conventions, resulting in music that seems to suspend time altogether. While there is much that sets Chkheidze and Lippok apart as solo artists, the major shared leitmotif in their respective bodies of work is the sonic engagement with space. Uncontrollable Thoughts is hence best understood as an extension of this practice; as an album that maps the geographies of their minds in motion, tracing musical movements as they melt into each other.
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LP
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MORR 205LP
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LP version. Yellow color vinyl. Anushka Chkheidze and Robert Lippok's Uncontrollable Thoughts on Morr Music is the duo's debut joint release. The Netherlands-based Georgian composer and the German sound artist from Berlin first met in 2019 in the context of a workshop program that took place in Tbilisi, and later worked with Eto Gelashvili, Hayk Karoyi, and Lillevan on the massive Glacier Music II music and book project, released in 2021. This led them to engage in a less conceptually driven form of musicking and real-time composition that corresponds with their respective environments. They draw on traditions such as minimal music or late 1990s and early 2000s electronica to integrate subtle beats with elegiac organ drones, playful melodies with lush textures. The first document of an ever-shifting intergenerational dialogue, Uncontrollable Thoughts is a product of mutual listening outside time. Though Chkheidze and Lippok had access to professional studios, they chose to rent a simple rehearsal space, equipped with only the bare essentials -- bass and guitar amps as well as a small PA -- to maintain immediacy in their working process. The music they made together corresponded to and drew on the respective possibilities and shortcomings of this studio, much like their collaboration in general is characterized by the care with which they approach each other's talents and ideas. While both had loosely defined roles -- Chkheidze was responsible for the free-flowing beat programming and the evocative distortion came courtesy of Lippok, for example -- they individually contributed in different ways to their joint process, which is as free of hierarchies as it is limitless. Hence, the duo's focus on spontaneity and out-of-the-moment emergence makes them organically move beyond tried and tested conventions, resulting in music that seems to suspend time altogether. While there is much that sets Chkheidze and Lippok apart as solo artists, the major shared leitmotif in their respective bodies of work is the sonic engagement with space. Uncontrollable Thoughts is hence best understood as an extension of this practice; as an album that maps the geographies of their minds in motion, tracing musical movements as they melt into each other.
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