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CD
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PD 014CD
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2000 release. Over the last 25 years Peter Cusack and Max Eastley have been gradually adding episodes to the collection of compositions that make up this CD. The foundation of this work consists of location recordings layered with the live or recycled sounds of Eastley's kinetic sculpture. Over the same period that this CD evolved, Cusack helped with setting up the LMC, worked for two years at Studio Steim in Holland, co-founded Bead Records and released several LPs on this label. His long-term musical collaborators have included: Clive Bell, Nic Collins and Viv Corringham, as well as the group Alterations (with Steve Beresford, Terry Day and David Toop). Meanwhile Eastley's last 25 years have been spent more in the art gallery than the concert hall, with exhibitions in the UK at The Serpentine Gallery (1976) and The Arnolfini (1980). Overseas installations include The Apollohuis in Holland (1984), the Museum Of Modern Art, Nagoya, Japan and Xebec Hall, Kobe, Japan (both 1994). He has also been involved in musical performance, especially the Whirled Music project in the '80s and also ongoing collaborations with David Toop and occasional work with Thomas Köner. He has recorded for many labels including Incus, Quartz and most memorably, his two releases with David Toop (New and Rediscovered Instruments, originally on Obscure, 1975, and Buried Dreams, on Beyond, 1994). Eastley's work is concerned with creating delicate and elegant kinetic sound devices, either motor-driven or animated by environmental forces like the wind, streams or the sea.
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