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CD
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RER P53
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"This example of Cutler's cultural debris theory rummages through a freeform mix of modern and classical shape-shifting that is realized through the twin grand piano playing of Marie Goyette and Zygmunt Krause, the computer manipulating skills of electronic composer Lutz Glandien, the subliminal turntable trashing and guitar thrashing of leading Japanese avant-rocker Otomo Yoshihide, and Cutler's own improvisation."
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