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2x12"
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P 028LP
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DJ Nigga Fox's most substantial release to date sets a new benchmark for Lisbon's revered underground ghetto dance scene, pulling traces of jazz, acid house, and cinematic sound design into his deeply rugged and exceptional sound with effortless style. Highlighted as one to watch in Lisbon's virulent club scenius since appearing on the Bazzerk compilation which introduced many ravers to Kuduro in 2011, DJ Nigga Fox's productions have become acclaimed for a mix of abstract weirdness and proper dancefloor impact that's hit 'floors hard across the world. Following 2018's Crânio 12" and remix of How To Dress Well, he now returns to the Príncipe powerhouse, home of his first trio of 12"s, with a definitive statement that arguably ranks among this year's strongest, rhythm-driven LPs, bar none. In a way that mirrors UK dance music's transition in the '90s from hardcore jungle to garage and D&B, or in the '00s from grime and dubstep to more "sophisticated" styles of deep house, broken beats, and UK Funky, Nigga Fox's longest release to date appears more layered, plusher and, ultimately "musical" when compared to his earlier work. Using sparing but knowing dabs of noirish jazz keys, live-sounding double bass, and off-kilter synth tones, he binds rippling, colorful flesh to his flexing, bare bones drum torque in a bold way. This inch-tight refinement of Nigga Fox's already distinctive style is characterized by the twisting, unpredictable arrangement of "Sub Zero", where stealthy waves of swinging drums and vintage horror movie tropes are ramped with feral electro scuzz to killer effect, or equally in the freaky tension between lissom jazz chords, jaws-harp buzz and wild acid lines on "Faz A Minha", and likewise the way he meshes roiling drums with complex, asymmetric electronics on "Vicio", or simply forges his own, outstanding form of slow, psychedelic dance-pop replete with his own, Quasimodo-styled vocal in the shocking closer "5 Violinos". By any measure Cartas Na Manga is a singular album-length EP that stands miles out from the crowd. Its only comparisons really lie within Lisbon's club scene, with the likes of DJ Firmeza, Marfox, or Nervoso. As such it's best taken as symptomatic of their collective scenius, and is keenly ready to be mixed with music from all corners of the Black Atlantic. Special "modular" sleeve artwork design by Márcio Matos. Edition of 500.
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12"
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P 009LP
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2015 release. "Very little of Noite E Dia sounds 'right' in any traditional sense, and nor does it mean to. But every piece arranged by Lisbon artist DJ Nigga Fox -- from the fiercely off-grid percussion to the noodling synths to the disembodied alien voices -- feels right. The four tracks are so bizarre and delirious they're almost intimidating, and yet they're exuberant in a way that could liberate dance floors." --Resident Advisor
"Fundamentally, with every Príncipe release inflating the cacophony, Noite E Dia is individually and undeniably assured." --Tiny Mix Tapes
"It begins with a swell, then a crash, and a lingering cacophony of hand drums. The first 10 seconds of DJ N?? Fox's 'Um Ano' is so disorienting, it takes a few more seconds to lock into its ominous bounce. The Portuguese producer pieces the rest of this four-minute jaunt together in much the same fashion. He floods the mix with confounding shards of noise, but after the dust settles, it's clear that what first appeared to be shrapnel had a precise trajectory." --NPR Music
"DJ Nigga Fox summed up the situation when he titled his debut EP O Meu Estilo, or 'My Style', and with his new EP for Lisbon's Príncipe label, he proves once again that he's in a league of his own. [On 'Um Ano'] the vocals are just a monosyllabic 'Oh,' looped into stuttering patterns. They don't need to say anything; the beat says everything it needs to, even if you don't know what to call it." --Pitchfork
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