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BETALAC 068CD
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"Earth 'Scratch' Monkey? Pete Bog's studio may not exactly be a Black Ark, but it is certainly a Grey Henge. Just when we thought we had the guy pegged, he adds a drum machine, eshewing his class of '72 psych ministrations for a more tranced out electro-dub. You all like LSD, right? Well, the first part of Drum Machine is rather like a post script to Coil's Love's Secret Domain album. Thereafter, Monsieur Le Bog retrofits his rockets with Kraut engines and even coughs up a hummus flavoured punker. Even more surprises in store as Earthmonkey really puts the E in EP. You'll hear what we mean, or will you?"
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BETALAC 038CD
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"The gangly orangutans behind Earthmonkey happen to be Peat Bog and Steven Stapleton. Now, we naked apes live in a world where the term 'psych' is thrown around with such frequency that it seems to mean little more than 'weird guitars,' which is everything nowadays, and could well mean Cher for that matter. So, when we say 'psych' in relation to Earthmonkey, we mean Monks. We mean Bonniwell Music Machine. We mean Wolfgang Dauner. We mean Amon Duul II. We mean Taj Mahal Travelers. We mean a bunch of other stuff that Earthmonkey wishes we mentioned but did not. Earthmonkey DOES have weird guitars, and organs, and percussion. But it also has that unnameable, freely streaming 'other' quality that sets it apart from being a somewhat avant-garde rock record. Stapleton may, in fact, be the missing link between Neander-Kraut and modern day Psych-Sapien-Sapiens. The music is, well, music. It's very outré, but is nonetheless bounded by time signatures and melody (These, however, are not ties that bind, rather, they are ties that will get you high). In other words, this is not just a noise record and throws back to Stapleton's previous Musical Pumpkin Cottage production projects and, to some extent, The LPD Malachai record he produced way back in the 'Before Times.' Earthmonkey is dark, droney, deep and , dare we say, groovy."
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