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7"
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SV 082EP
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"Flipper formed in San Francisco in 1979 on the cusp of Ronald Reagan's presidency. It seems fitting that their debut single (originally released on Subterranean in 1981) turns environmental disaster into the band's modus operandi. Chorus-less and catchy-as-hell, 'Love Canal' features all that would become Flipper trademarks in four art-damaged minutes: knuckle-dragging tempo, ear-splitting feedback, basslines to crash your car to and a depraved frontman wailing about uncomfortable American matters. 'Ha Ha Ha' is even more direct in its intent, mocking suburbia with a flat, almost psychotic laugh. This reissue comes with original sleeve design. Limited edition red vinyl."
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2LP
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4M 515LP
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180 gram vinyl, full color gatefold sleeve with Flipper on tour game insert. "Public Flipper Limited was originally released in 1986 as a double LP of live material culled from 1980-1985. The sound quality and playing are both a grimy, distorted mess, which suits the band just fine. Always alternating between endearing and abrasive, Flipper left no room for the middle ground of 'like'. The album title is a shot at John Lydon and his alleged plagiarism of Flipper's artwork for his own PIL and it proves that Flipper was never opposed to alienating its audience, no matter how sanctified. Harsh, art-rock classics from one of SF's most important post-hippy era bands."
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LP
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4M 516LP
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2013 repress. 180 gram vinyl, printed inner sleeve with lyrics. "Originally released in 1987, Sex Bomb Baby is actually a collection of Flipper material dated no later than 1982, comprised of singles, B-sides, and compilation tracks. The single version of 'Sex Bomb' is an all-out classic, a frenetic, yelping punk answer to 'Louie, Louie' and the rest is no slouch either -- outrageous, harsh, sludge-punk from San Francisco's finest."
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LP
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4M 514LP
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180 gram vinyl. "The second and final studio album for the original lineup of S.F.'s Flipper was first released in 1984. Flipper took the 'punk' tag to extremes, as no other band in the world was playing punk this slow, sludgy, dark and disturbed. Featuring the haunting 'Survivors Of The Plague' and the public incrimination of 'Sacrifice,' Gone Fishin' is an art-punk classic that holds up alongside their more heralded debut."
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LP
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RUSLP 8271LP
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"The hardest core punk band from San Francisco, Flipper, came to New York City's CBGB's in November 1983 to play live and record a new release specifically for ROIR cassettes at CBGB's brand new in-house sixteen track recording studio. Now 18 years later, and with the addition of four bonus tracks from the same session, ROIR is re-issuing this essential recording remastered digitally for CD release. Flipper is a band that created their own aesthetic universe and singular punk language. In the late 70's and early 80's, San Francisco, much like Los Angeles, NYC, and Cleveland, was a cauldron for emerging punk, new wave and hardcore bands that were starting to get widespread recognition in the underground press and to some extent in the national music media. San Francisco was possessive, protective, outspoken and intensely proud of their own bands. There was a shared sense of regional superiority, experimentation, and commitment indigenous to the 'San Francisco Sound', 'supercilious' would characterize the attitudes of the punters who championed and bonded with the local bands that included The Dead Kennedys, The Avengers, The Dils, Mutants, No Alternative, The Offs and many others. The strangest and most strident and controversial band- a band that was brutally loved/hated and worshipped with god-like fervor, personal allegiance and loyalty were Flipper. They were the most arrogant, in your face, non-industry oriented, 'we don't give a fuck' band of them all. Flipper had a unique heavy bass drone 'borderline' PiL sound that tapped into the headspaces of the 'Frisco scene-makers. Their singular sounds, personal attitudes, and outrageous behavior led to the slogan 'Flipper Rules.' Blow' N Chunks was the second full-length album by the band, following Subterranean Records seminal Generic Flipper and was an open challenge to the East Coast hierarchy of hardcore and punk bands dominating the scene. In truth Flipper couldn't give a damn, they just were as always their nasty selves, drunken and rockin' out. Although they were regarded the most obnoxious, rude, crude and primitive punk-hardcore band of their era, Flipper had a sharp mind and a definite sense of humor present just beneath the chaos. Punk lore has proven them to be a classic band to be reckoned with in any account of punk history."
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