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3CD
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EQG 010CD
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2005 release. Balance 007 mixed by Chris Fortier. "One thing this release will definitely do is grow and grow with each listen. The mixing is as usual from Chris, absolutely spot on, and it works fantastically well with the tracks he has chosen. Each track builds and builds on the one before it, and the first two discs especially showcase this. The album doesn't really feature any obvious anthems as such, but you soon come to realize that the result of this is a great depth that will keep you wanting to listen to this album more and more." --Resident Advisor; Artists include: Global Communication, Floppy Sounds, Carl Craig, Error Error, 2 Dollar Egg, Alex Smoke, PJ Davy, Agoria, Lindos And Moth, Linus, Kobble & Nitro, Kelly D, Rabbit In The Moon, Slam, Wighnomy, D. Diggler, 1 UP, Kiki & Silver Surfer, !!!, HD Substance, Vector Lovers, Claro Intelecto, Mathew Jonson, Jussi-Pekka, René Breitbarth, Connors & Klingler, Fay Sephirah, 2 Dollar Egg, Nicholas Wood, Floppy Sounds, Fan-Dancing Vampires, Patrick Zigon vs. David Phillips, Borut Margon, Lucas Rodenbush, Bent, Micah, Sinewave, Leigh Dickson, Anthony Rother, 2 Rare People, Transparent Sound, Mathew Jonson, Direct, Hardfloor, Mr. Velcro Fastener, Pascal F.E.O.S., Subjekt, Fraud Star, Eddie Richards, Effective Force, Funk Harmony Park, Royal Sapien Mian, Ramiro Musotto, David Gilmour Girls, and Rub n Tug.
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12"
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EQG 042EP
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"Chris Fortier's debut artist album of 2007 As Long As The Moment Exists gets the make over treatment by some of Chris' all time musical heroes alongside his favorite new artists. The list of artists involved reads like a roll call of underground music's who's who, past, present and future: Error Error, Bruno Pronsato, Ed Davenport, Pheek, Joel Mull, Someone Else, Patrick Zigon, Mark Henning, Joey Beltram, Coalition Of The Killing, Alland Byallo, Ink & Needle, Perc and Habersham. The first two EPs have been receiving plays from progressive house dons like John Digweed, Hernan Cattaneo, Dave Seaman and Nick Warren, right through to techno tastemakers Barem, Mathias Schaffhäuser, Andrew Grant, DJ Clé and Robag Wruhme. This is the third EP in the series of the Believe mixes, featuring remixes by two of the techno and minimal world's most respected figures: Pheek and Someone Else. From Montreal, Pheek is the brains of the Archipel operation, a collection of musicians and designers all with collective creative focus. Pheek goes deep with his mix, shattering the vocal then piecing it back together on top of a throbmatic groove. The devil is in the detail- listen closely. We're convinced FoundSound owner Someone Else (aka Sean O'Neal) owns his own hadron collider and, in an experiment gone horribly right, has smashed the atoms of minimal and progressive house together to create a deep dancefloor bomb. This is late night sound system music at its best and just in case you can't get enough of the groove we've included a bonus beats mix."
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12"
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EQG 038EP
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"Chris Fortier's critically acclaimed debut artist album As Long as the Moment Exists gets the makeover treatment by some of Chris' all-time musical heroes alongside his favorite new artists. This is a stunning collection of musical visions. The list of artists involved reads like a roll call of underground music's who's who; past, present and future. This is the first EP from this special remix project, featuring two artists that need little in the way of introduction: Error Error and Bruno Pronsato. Both of these tracks in their original form are ambient/electronica tracks with strong sound design and not so much as a drum hit to be heard. Error Error, aka Denis Karimani (Remute) & Pelle Buys (Einmusic) deliver house, rave and everything in between in a 12-minute monster that just keeps building and building. They don't come much bigger than this. Championed and charted at #1 by John Digweed. Bruno Pronsato, hot on the heels of his 2nd artist album describes his remix of As Long As The Moment Exists as very relaxing. We think it's massive-passive. Deep sub-bass and spooky textures peppered with intricate percussion and arranged into oh-so-slick set-opener style."
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