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ZKR 027CD
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KRAFFT for orchestra was composed in 2016 as a commission of the French State, and was premiered in Paris and Marseille, France. The composition has a similar kind of metric structure as String Quartet No.3: all instruments play in rhythmic unison throughout. KRAFFT is an ironic-onomatopoetic wrong spelling of the German term "Kraft", meaning "power" or "force". The listener should feel exposed to a sonic undertow. The notion of huge power and force is often connected to the existence of clandestine and unknown rules controlling the world around us; something is happening, but we do not know exactly what, when or how. KRAFFT enforces textural listening as Richard Wood described it "an unwinding strip of 'texture': just listen to that; not to its various strands as such, not to one single strand, but to it as a whole, an unwinding ribbon, varying as it goes in width, in colour, in depth, in thickness, in weight, in character, but always a unity." KRAFFT is composed with the help of the computer program TTM (Textural Transformation Machine), developed by the Friedl to sculpture multiple random processes. It has been programmed by Sukandar Kartadinata.
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2CD
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ZKR 013CD
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This is the first solo release by Zeitkratzer's mastermind Reinhold Friedl. He teaches the grand piano how to sing and to sound like an orchestra, calling this new way of playing an old instrument "Inside-Piano." Many listeners of Zeitkratzer releases do not recognize particular sounds that come from the piano and thus cannot identify it. After listening to this release, the source will become clear and they will get a new idea of the instrument. The good old grand piano plays aggressive noise attacks, choir-like symphonic movements, and strange, complex sound fibrillations, sometimes lighting up single prepared piano notes, juxtaposed with the tremendous bass of the nearly three-meter long strings. Recorded on a Steinway D concert piano at the Philharmonie Luxembourg, 2010. Published courtesy of Philharmonie Luxembourg. Piano: Steinway D-274, microphones: Neumann U87, Neumann KM184. Recorded by Ralf Meinz, mixed and mastered by Rashad Becker.
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