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LP
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DYI 002LP
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Limited 2024 restock, last copies. Attention classic '77 punk rock fans, here's something very special for you: the unearthed demo recordings Generation X did (presumably for Chiswick Records) in February 1977, a year before the release of their seminal first album. A treasure chest filled to the rafters with raw, untamed, youthful versions of anthemic hits such as "Wild Youth", "Dancing with Myself", "Your Generation", or "Ready Steady Go", alongside lesser-known songs from their catalog. An essential piece for the collection of those interested in these brit punk pioneers.
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LP
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MR 355LP
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First vinyl release of this live show from December 1978, featuring mainly tracks from Generation X's first two albums and displaying all the angst and attitude of one of the original UK punk bands. 180-gram LP. "It is hard to realize that on December 10th, 2016, it will be 40 years since Generation X first took to the stage. I was the guitarist and Live At Sheffield is a recording from a later show in 1978, but still has the angst and rock'n'roll spirit that Generation X were known for. Always slightly apart from the initial punk movement with the good looks and fantastic playing, Generation X relished the live shows but up to the end of 1979, when I left the band, had only done a few tours of the United Kingdom, a couple of dates in Paris and a week in Japan. So the amount of people who actually saw Generation X live is pretty limited. Live At Sheffield gives you a chance to enjoy the sound of a Generation X gig (along with fake audience) and feel the power of what we did live. The songs are from the first two albums plus a strange medley of '100 Punks' and 'Kleenex' and the cover of 'Shakin' All Over'. Although the band only lasted three years, the music stands the test of time, and with Billy Idol's later success as a solo artist in America this recording has somewhat of an historical aspect. Billy continues to play quite a few of these songs live to this day and it may be interesting to compare, although comparisons are deadly. . . . At the time of this show Generation X had been on Top Of The Pops numerous times, but this was punk and nobody thought about anything but the moment. Playing live every night in a different town has a certain momentum, and like a great photograph, to capture a moment in time of rock'n'roll is just as visual. Play this loud, as Mark Twain once said about Wagner's music, 'It's better than it sounds'." --Bob "Derwood" Andrews
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LP
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MR 363LP
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2024 restock. The third LP by Generation X's original line-up, recorded in 1979 and unreleased until 1998. An essential piece in the discography of one of the original UK punk bands. 180-gram LP. "In early 1979 Generation X went to the English countryside to write and 'routine' the band's third album. We felt we had a new sound, simple songs delivered with more space than most rock'n'roll, so we went into Olympic Studios in Barnes, London and began recording with the house engineer, Doug Bennett, as co-producer. Most of the songs were recorded before our tour of Japan in June '79. On our return Billy came into the studio with an outline of a song called 'Dancing With Myself'. We went to work on it and pretty much finished it quickly and we felt it was the song to lead the album, a single I guess. . . . Then I left the band at the end of the year and carried the fuckin' stack of 1/4'' master tapes around the world for many years. A year or so later they changed the band name to Gen X and re-recorded four or five songs for the album Kiss Me Deadly. Billy later released the re-recorded version of 'Dancing With Myself' for his solo career in America and the rest is history. . . . After years in storage my tapes were nearing the end of their life, so I digitized them in order to save this lost treasure. I named the album KMD Sweet Revenge. Some time later the album was released in Germany, Japan, Spain and supposedly the USA, however the release in America was quashed until Capitol Records put out their own version within a 3-CD anthology of the band, using some different mixes of the songs from cassette tapes. The recordings are almost complete minus a few guitar solos and final mixes. Time on Generation X had run out, but this album clearly shows the direction the band were heading and is worth documenting and certainly worth playing. For your pleasure . . . Sweet Revenge." --Bob "Derwood" Andrews
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