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CD
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TAL 009CD
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Hinosch are a duo of Koshiro Hino (YPY, Goat) from Osaka and Stefan Schneider (To Rococo Rot, Mapstation) from Düsseldorf, they first (met and) began their collaborative work of musical interaction and exploring contrasting possibilities in 2017. After a number of concerts in the EU and in Japan, they released their self-titled debut EP (TAL 005EP, 2017). Fully instrumental, their first full-length album Hands offers a more steeply focused approach than its largely improvised predecessor. Encouraged by the momentum generated during a number of on-the-spot recordings in Osaka, where Schneider had held a residency in April 2017, the overall sound of the album has been honed down through meticulous studio engineering. One of the outstanding qualities of Hands certainly is an unprejudiced approach of sound and song structures. The instrumentation is confidently reduced to a small range of analog and digital machines. Snatches of tape-loops deliver lower-pitched vocal and drum machine samples. This characteristic technical set up soon proved ideal in order to define a tactile vocabulary of fully unsynchronized rhythm patterns. The word tactile perfectly conjures that quality which is the very essence of Hands. It is the result of the manner in which interdependent threads of rhythm units are deliberately disconnected to form a cohesive, soulful and flexible whole. Most tracks on Hands are devoid of a central motif and examine an unpredictable dialogue. A fantasy of constant change and a search for musical suggestions is the most vital ingredient in this abstract environment. The album title Hands refers to physical aspects of electronic music production. Every live concert of Hinosch usually starts out with a hand shake between Hino and Schneider. The general process of collective music making, programming, button pushing, playing, recording, decision making, all-demand utmost concentration. The image on the front of the album sleeve -- designed by Takashi Makabe -- reflects the general approach of Hands: layers of tucked fabrics confronting one another to articulate a form for themselves to no other end than their own orchestration. Koshiro Hino's solo activities as YPY and his involvement with the band Goat have already garnered him a favorable international reception. Stefan Schneider has over the years produced and collaborated with, amongst others, Joachim Roedelius, Arto Lindsay, Klaus Dinger, Dieter Moebius, Alexander Balanescu, John McEntire, Katharina Grosse, Bill Wells, and St.Etienne. CD version comes in an edition of 400.
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LP
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TAL 009LP
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LP version. Includes download code. Edition of 500. Hinosch are a duo of Koshiro Hino (YPY, Goat) from Osaka and Stefan Schneider (To Rococo Rot, Mapstation) from Düsseldorf, they first (met and) began their collaborative work of musical interaction and exploring contrasting possibilities in 2017. After a number of concerts in the EU and in Japan, they released their self-titled debut EP (TAL 005EP, 2017). Fully instrumental, their first full-length album Hands offers a more steeply focused approach than its largely improvised predecessor. Encouraged by the momentum generated during a number of on-the-spot recordings in Osaka, where Schneider had held a residency in April 2017, the overall sound of the album has been honed down through meticulous studio engineering. One of the outstanding qualities of Hands certainly is an unprejudiced approach of sound and song structures. The instrumentation is confidently reduced to a small range of analog and digital machines. Snatches of tape-loops deliver lower-pitched vocal and drum machine samples. This characteristic technical set up soon proved ideal in order to define a tactile vocabulary of fully unsynchronized rhythm patterns. The word tactile perfectly conjures that quality which is the very essence of Hands. It is the result of the manner in which interdependent threads of rhythm units are deliberately disconnected to form a cohesive, soulful and flexible whole. Most tracks on Hands are devoid of a central motif and examine an unpredictable dialogue. A fantasy of constant change and a search for musical suggestions is the most vital ingredient in this abstract environment. The album title Hands refers to physical aspects of electronic music production. Every live concert of Hinosch usually starts out with a hand shake between Hino and Schneider. The general process of collective music making, programming, button pushing, playing, recording, decision making, all-demand utmost concentration. The image on the front of the album sleeve -- designed by Takashi Makabe -- reflects the general approach of Hands: layers of tucked fabrics confronting one another to articulate a form for themselves to no other end than their own orchestration. Koshiro Hino's solo activities as YPY and his involvement with the band Goat have already garnered him a favorable international reception. Stefan Schneider has over the years produced and collaborated with, amongst others, Joachim Roedelius, Arto Lindsay, Klaus Dinger, Dieter Moebius, Alexander Balanescu, John McEntire, Katharina Grosse, Bill Wells, and St.Etienne. CD version comes in an edition of 400.
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12"
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TAL 005EP
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Electronic excursions from Düsseldorf/Osaka duo Hinosch (Koshiro Hino (YPY, Goat) and Stefan Schneider (To Rococo Rot, Schneider Kacirek). Four unruly studio tracks following the pair's collaborative live sets in Japan and Europe, pushing unsynced electronic instruments into knotted spaces of tape treatments. "Talent" offers swelling arpeggios that wobble over distant drums before playfully proceeding into the hiss and bliss of a pitched-down vocal drone, setting the tone for the EP to unfold as a playful circulation of fragmented connections and pulsating motifs. Silkscreened sleeve. Hand-stamped labels. Limited to 500.
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